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The Yale edition of Horace Walpole's correspondence / edited by W.S. Lewis

Title:
Horace Walpole's correspondence
Author:
Walpole, Horace 1717-1797  Search this
Lewis, W. S (Wilmarth Sheldon) 1895-1979  Search this
Subject:
Walpole, Horace 1717-1797  Search this
Physical description:
48 v. in 47 : ill. ; 27 cm
Type:
Correspondence
Place:
Great Britain
Date:
1937
1983
1937]-1983
18th century
Topic:
Authors, English  Search this
Nobility  Search this
Social life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_524337

iliana emilia garcia papers

Creator:
garcia, iliana emilia, 1970-  Search this
Names:
García, Scherezade, 1966-  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Altos de Chavón (Dominican Republic)
Date:
1987-2014
Summary:
The papers of Dominican Republic born multimedia artist and designer iliana emilia garcia measure 0.5 linear feet and date from 1987 to 2014. The collection is comprised of art reproductions, an annotated book, booklets and pamphlets for events and organizations, exhibition announcements and catalogs, and clippings that relate to garcia along with some material related to her sister Scherezade Garcia. The collection also includes one photograph of garcia's Paid/Received installation and student documents from Altos de Chavon.
Scope and Contents:
The papers of Dominican Republic born multimedia artist and designer iliana emilia garcia measure 0.5 linear feet and date from 1987 to 2014. The collection is comprised of art reproductions, an annotated book, booklets and pamphlets for events and organizations, exhibition announcements and catalogs, and clippings that relate to garcia along with some material related to her sister Scherezade Garcia. The collection also includes one photograph of garcia's Paid/Received installation and student documents from Altos de Chavon.
Arrangement:
The collection is arranged as one series.

Series 1: iliana emilia garcia Papers, 1987-2014 (Box 1; 0.5 linear feet)
Biographical / Historical:
iliana emilia garcia (1970- ) is a multimedia artist and designer in Brooklyn, New York. She was born in Santo Domingo, Dominican Republic and attended the Altos de Chavon School of Design before receiving a scholarship to the Parsons School of Design's summer program in 1988. In 1989 she was awarded the Ruth Vanderpool Parsons Institutional Scholarship for Portfolio Excellence. In 1991 garcia went on to receive a Bachelor of Fine Arts in Communication Design from Parsons. She is also one of the founding members of the printmaking collective Dominican York Proyecto Grafica.
Related Materials:
Also found in the Archives of American Art are the papers of Scherezade Garcia, the sister of iliana emilia garcia.
Provenance:
The collection was donated in 2015 by iliana emilia garcia.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Designers -- New York (State) -- New York  Search this
Multimedia (Art)  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Citation:
iliana emilia garcia papers, 1987-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.garcilia
See more items in:
iliana emilia garcia papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9556241ad-6e95-4a8c-8dc3-5fb97cc6f1a5
EDAN-URL:
ead_collection:sova-aaa-garcilia

Carl Holty papers

Creator:
Holty, Carl, 1900-1973  Search this
Names:
Bearden, Romare, 1911-1988  Search this
Byrne, Charles B.  Search this
Hiler, Hilaire, 1898-1966  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Photograph albums
Date:
circa 1860s-1972
bulk 1940-1967
Summary:
The Carl Holty papers are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and contain correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.
Scope and Content Note:
The papers of Carl Holty are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and consist of correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.

Correspondence with Romare Bearden, Charles Byrne and Hilaire Hiler concerns art, exhibitions and reviews, education, and news of mutual friends. Holty's writings include articles, autobiographical writings, unpublished manuscripts of a monograph, Art In America, and an untitled novel. Also found among his writings is a journal which contains his reminiscences of artist friends and acquaintances, and reflections on art, art history, and his life, personal plans and aspirations.

Printed material consists mainly of clippings about or mentioning Holty, and reviews and publicity relating to The Painter's Mind, a book Holty wrote with Romare Bearden. Miscellaneous records consist of a transcript of an interview with Carl Holty and an identification card issued to his father.

Photographs are of artwork, people and places. Also included are 6 photograph albums of Holty's artwork, and a small number of negatives. The people pictured are mainly Holty, friends and family. There is also a group photograph that includes Joan Miró.
Arrangement note:
The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1940-1972 (Box 1; 5 folders)

Series 2: Writings, 1944-1967 (Box 1; 0.6 linear ft.)

Series 3: Printed Material, 1931-1972 (Box 1; 5 folders)

Series 4: Miscellaneous Records, 1900, 1966 (Box 1; 2 folders)

Series 5: Photographs, circa 1860s-1972 (Boxes 1-3; 0.9 linear ft.)
Biographical/Historical note:
Carl Holty was born in 1900 to American parents in Freiburg, Germany, where his father was studying medicine. Carl was still an infant when the family returned to Milwaukee, Wisconsin, where they lived with his grandparents in a traditional German neighborhood. It was Carl's grandfather who first introduced him to art through visits to a small local commercial gallery.

After showing an interest in being an artist at around age 12, Holty began taking lessons with a local painter. As a teenager he began drawing cartoons and soon set his sights on becoming a poster artist. With that in mind, Holty enrolled at the Art Institute of Chicago in 1919. He soon headed to New York and took courses at the Parsons School of Design and then at the National Academy of Design. In 1923 he returned to Milwaukee and opened a portrait painting studio.

Holty married in 1925 and took his bride to Europe, remaining abroad for the next decade. He entered Hans Hofmann's school in Munich in 1926, and exposure to Hofmann's ideas about color, space, and form greatly influenced and transformed his work. In 1927, the Holtys relocated to Switzerland in search of treatment for Mrs. Holty's tuberculosis. Holty and Hofmann remained in touch, and while in Switzerland, Holty increasingly incorporated Hofmann's teachings into his paintings as they grew more abstract in style.

After his wife's death in 1930, Holty moved to Paris for five years where he participated in several exhibitions and his work was well-received. Robert Delaunay invited him to join Abstration-Création, and the group published some of Holty's work in its magazine.

Upon returning to the United States in 1935, Holty settled in New York City where he eventually remarried and had a daughter. He renewed friendships with Hans Hofmann, Vaclav Vytlacil, and Stuart Davis, whom he had known in Paris. A figure in vanguard art circles, Holty was involved in meetings that resulted in the formation of the American Abstract Artists, and in 1938 he served as the group's chairman.

Holty taught drawing and paining at Brooklyn College from 1950 until his retirement in 1970, when he was designated Professor Emeritus. His years at Brooklyn College were punctuated by brief stints as a visiting instructor at the Art Students League, Washington University (St. Louis), and University of Louisville; he served as artist-in-residence at the universities of Georgia, Florida, California (Berkeley), and Wisconsin, and the Corcoran School of Art.

He exhibited widely at major museums throughout the United States including: the San Francisco Art Museum, Seattle Art Museum, Whitney Museum of American Art, Carnegie Institute, Metropolitan Museum of Art, Museum of Modern Art, and the Solomon R. Guggenheim Museum. Holty's work was shown at major New York galleries such as J. B. Neumann, Samuel Kootz Gallery, and Graham Gallery, and is in the permanent collections of many museums including: Addison Gallery of American Art, Brooklyn Museum, Butler Institute of Art, Carnegie Institute, Smithsonian American Art Museum, and the Solomon R. Guggenheim Museum.

Carl Holty died March 22, 1973 in New York City, after a short illness.
Related Archival Materials note:
Six interviews with Carl Holty (in addition to the one described in this finding aid) are available at the Archives of American Art. Three are oral histories conducted by the Archives of American Art, 1964-1968. The others are parts of interview collections accessioned by the Archives: Interviews relating to American Abstract Artists (Ruth Bowman), Anne Bowen Parsons collection of Interviews on Art, and Collette Roberts Interviews with Artists.

In addition, substantial correspondence with Carl Holty is included among the Hilaire Hiler papers and Romare Bearden papers owned by the Archives of American Art.
Separated Materials note:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N68-93 and N68-105), much of which was subsequently donated. Loaned material that was not later donated includes Holty's letters to his wife, Elizabeth, and daughter, Antonia, letters to Zoe Dusanne, letters from Ulfert Wilkie and Erwin Breithaupt, a small amount of general correspondence, and a typescript copy of Holty's journal. This material remains with the lender and is not described in the collection container inventory.
Provenance:
The Carl Holty papers were donated in increments between 1972 and 2006. The bulk of the papers were originally loaned in 1968, and later donated by Holty in 1972. Charles Byrne, a friend of Holty, donated a small amount of correspondence, printed material, and photographs in 1976-1977; family photographs were given by Holty's biographer, Virginia Liles, in 2006.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Interviews
Photograph albums
Citation:
Carl Holty papers, circa 1860s-1972 (bulk 1940-1967). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.holtcarl
See more items in:
Carl Holty papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c54088fa-0235-4a48-95dd-63496b5b713a
EDAN-URL:
ead_collection:sova-aaa-holtcarl
Online Media:

Chronological Name and Subject Files

Collection Creator:
Hitchcock, Henry-Russell, 1903-1987  Search this
Extent:
21.9 Linear feet (Boxes 1-22)
Type:
Archival materials
Date:
1919-1987
Scope and Contents note:
Files consist of Henry-Russell Hitchcock's personal and professional correspondence, as well as subject files relating to academic research, teaching, curatorial interests, and professional associations. Subject files are comprised mainly of correspondence and printed material, with a small number of photographs that mostly relate to exhibitions and writings. After 1932, copies of Hitchcock's outgoing letters are almost always included, making the files from 1932-1987 almost complete.

The correspondence includes large numbers of letters from prominent architectural historians, architects, artists, preservationists, museum directors and curators. Also included is correspondence with students, friends, relatives, publishers, and representatives of organizations and institutions.

Among the correspondents of note are: Bernard Berenson, Eugene Berman, Leonid Berman, Lyonel Feininger, Brendan Gill, Robert Goldwater, George Howe, Lincoln Kirstein, J. J. P. Oud, Erwin Panofsky, Kingsley Porter, Paul J. Sachs, R. M. Schindler, Theodore Sizer, E. Baldwin Smith, Peter van der Meulen Smith, James Soby, Victor Spark, Harold Sterner, John Summerson, Virgil Thomson, Paul Vanderbilt, Theo Van Doesburg, Helmut von Erffa, and Gordon Washburn. Other important correspondents represented in a decade or more of correspondence include: Jere Abbott, Winslow Ames, Everett A. (Chick) Austin, Alfred H. Barr, Agnes Rindge Claflin, John Coddington, Walter Cook, John Coolidge, Henry (Harry) Sayles Francis, George Heard Hamilton, Ada Louise Huxtable, Philip C. Johnson, William Jordy, George N. Kates, Edgar Kauffmann, Jr., Richard Krautheimer, Phyllis W. Lehmann, Thomas J. McCormick, Agnes Mongan, Lewis Mumford, Nikolaus Pevsner, A. Kinglsey Porter, Willebald Sauerlander, Vincent Scully, Helen Searing, James Thrall Soby, Dorothy Stroud, John Summerson, Virgil Thomson, Emily Tremaine, Paul Vanderbilt, Rudolph Wittkower, and Frank Lloyd Wright.

See Appendix for a list of individuals, organizations, and subjects in Series 2
Arrangement note:
Files are arranged with a single alphabet for each year.
Appendix: Individuals, Organizations, and Subjects in Series 2:
Below is an index to individuals, institutions, organizations, and a small number of subject files, found in Series 2: Alphabetical Files. The index indicates the name and the alphabet year(s) in which each can be found.

Hitchcock did not follow strict alphabetical schema when organizing his files and filing eccentricities for the letters D, M, N, and V are explained below. The original arrangement has been left in place due to the difficulties and time involved in re-arranging the material within multiple alphabets.

Note on filing order for D's: Names beginning with the prefix "de" (e.g. De Cordova) are all filed before names beginning with the letters "de" e.g. Deerfield Academy.

Note on filing order for M's: Names beginning with the prefix "Mac" and "Mc" are all filed after names beginning with Ma. They are interfiled according to the first and subsequent letters following the prefix e.g. McIntyre, Mackay, McKean, MacLaren.

Note on filing order for N's: Proper names beginning with the word "new" (e.g. New American Library) are all filed before names incorporating the syllable "new" e.g. Newark Public Library.

Note on filing order for V's: Names beginning with the prefix "van" (e.g. Van Derpool) are all filed before names beginning with the syllable "van" e.g. Vancouver Hotel.

Missing Title

Aaron, Dan (1967)

Abbott, Etheldred (1946)

Abbott, Jere (1927, 1928, 1945-1947, 1949-1950, 1952-1955, 1958, 1968, 1982-1984, undated)

Abby, Elwina (1928)

Abraham, C. P. (1946)

Abrams, Al (1979)

Abrams, Inc. (1969, 1977-1978)

Abrams, Robert (1976)

Abramson, Louis Allen (1948, 1949)

Academy of Political Science (1952)

Achilles, Mrs. Theodore (1955)

Ackerman, James S. (1948, 1952-1955, 1960, 1964, 1966)

Ackworth, Angus (1945)

Adams, Anthony (1960)

Adams, Florence B. (1948)

Adams, Frances S. (1965)

Adams, Frederick (1949)

Adams, Henry (1974)

Adams, Nicholas (1976-1978)

Adams, Philip R. (1952)

Addis, Reid M. (1974-1975)

Addison Gallery of American Art (1953-1954)

Addison, John (1982, 1984)

Adler, David (1928)

Agtmaal, J. G. van (1958)

African Studies, International Congress of (1978)

Ahda Artzt Gallery (1964)

Air Ministry (1946)

Aitken, Dott and Son (1946-1947)

Akron (1948)

Alabama Polytechnic Institute (1955)

Aladdin Office Services (1957)

Albany Institute of History and Art (1966, 1969)

Albers, Joseph (1946)

Albrecht, Otto (1927)

Albright Art Gallery (1947)

Albright-Knox Art Gallery (1962)

Aldrich, Frances T. (1948)

Alexander, Robert L. (1951, 1956-1958, 1960-1961, 1963-1965, 1967-1968, 1975-1977, 1986)

Alexander, Dr. and Mrs. Samuel Allen (1958)

Alexander, William (1968)

Alfa (1958)

Alfieri, Bruno (1959, 1964-1965, 1968-1969)

Alfonsin, Anthony (1983)

Alford, John (1946, 1955)

Alford, Roberta (1961)

Alinari (1958)

Allen, Mr. and Mrs. Eliot D. (1953)

Allen, F. P. (1961)

Allen, W.G. Russell (1945, 1947, 1952-1953, 1956)

Allen and Unvin, Ltd. (1978, 1980)

Allert de Lange, C. V. (1956)

Allison, George E. (1948)

Allstate Insurance (1948)

Altree, Guy (1975)

Altschul, Frank (1952)

Alumnae Association [Smith College] (1952) ( -- see also -- : Smith College Alumnae Association)

Ambassadeurs Club (1946)

America-Italy Society (1958)

American Academy in Rome (1950, 1958-1959, 1983)

American Academy of Arts and Sciences (1953-1954, 1957-1958, 1961-1963, 1965, 1970, 1973, 1976, 1981)

American Antiquarian Society (1935, 1939, 1947, 1952, 1955)

American Architectural Books (1937, 1945, 1961)

American Association for State and Local History (1963)

American Association of Architectural Bibliographers (1958-1959, 1961, 1963-1964, 1966, 1970)

American Association of Museums (1952, 1955, 1962)

American Association of Schools of Architecture (1982)

American Association of University Professors (1948, 1981-1982)

American Association of University Women (1948, 1958)

American Automobile Association (1962)

American Collector -- (1947)

American Committee on Renaissance Studies (1954)

American Council of Learned Societies (1950, 1961, 1963, 1980)

American Embassy, London (1962)

American Express (1952, 1955)

American Federation of Arts (1942, 1947-1948, 1952, 1955, 1958, 1962, 1974)

American Friends Service Committee (1951)

American Historical Association (1942)

American Historical Review -- (1943, 1952)

American Institute of Architects (1942, 1945, 1948, 1950, 1952-1955, 1957, 1959, 1961-1962, 1964, 1969-1970, 1972-1973, 1978, 1980)

American Institute of Planners (1945)

American Life Foundation (1972)

American Museum in Britain (1961)

American National Theatre and Academy (1952)

American Peoples Encyclopedia -- (1953)

American Philosophical Society (1943)

American Quarterly -- (1949, 1952-1953, 1955)

American Science and History Preservation Society (1981)

American Scholar -- (1948, 1982)

American Society of Architectural Historians (1945-1947)

American Society of Planners and Architects (1946)

American State Capitols Research Project, Victorian Society in America ( -- see -- : Victorian Society in America, American State Capitols Research Project)

American Studies Association (1976)

American Unitarian Association (1941)

Amery, Colin (1982)

Ames, Eleanor D. (1968)

Ames, Winslow (1942, 1945-1947, 1950-1957, 1965, 1967-1968, 1970, 1976, 1978-1979, 1981)

Ames, Winslow and Anna (1973)

Amherst College (1967)

Amsterdam (1963)

Amulree, Basil (1946-1947, 1952)

Ancient Monuments Society (1957)

Anderson (1951)

Anderson and Castle, Ltd. (1959)

Anderson, Arthur J. (1955)

Anderson, P. G. (1946, 1955, 1958)

Anderson, Paul R. (1946)

Anderson Photographers (1952)

Anderson, Stanford (1979)

Andrews, Edward (1959)

Andrews, George F. (1959-1960)

Andrews, Wayne (1945, 1947, 1956, 1958, 1961-1964, 1968-1970, 1982)

Annan and Sons (1936, 1954, 1956, 1958)

Anson, Peter F. (1953, 1955)

Antheil Booksellers (1969)

Antiques (1981)

Antunes, Paulo (1958)

Appalachian Mountain Club (1946)

Appel, R. G. (1965)

Appleman, Philip (1957)

Appleton, William Sumner (1946)

Arango, Jorge (1955)

Archaeological Institute of America (1928, 1950, 1952-1955)

Archaeology -- (1952)

Archer, John (1964, 1976)

Architect and Building News -- (1949)

Architects Discussion Group (1966)

Architects for Peace (1982)

Architects Journal -- (1956)

Architects Yearbook -- (1946, 1955-1956)

Architectura -- (1969, 1971-1972)

Architectural Association (1946, 1956, 1962)

Architectural Design -- (1951, 1956-1957, 1967, 1978)

Architectural Digest -- (1980)

Architectural Forum -- (1945, 1954-1955, 1957, 1964, 1966-1969)

Architectural Heritage -- (1968)

Architectural History -- (1966)

Architectural History Association, Inc. (1976)

Architectural History Foundation, Inc. (1978-1987)

Architectural League of New York (1950, 1962, 1974-1975)

Architectural Press (1945-1951, 1954-1958, 1964, 1968, 1982)

Architectural Quarterly -- (1968)

Architectural Record -- (1928, 1936, 1937, 1946, 1948, 1950-1952, 1954-1959, 1963, 1966, 1969, 1976, undated)

Architectural Review -- (1927, 1945-1969, 1977, 1982-1983)

Architecture and Building (1959-1960)

Architecture Association (1950-1951, 1955, 1959)

Architecture Club (1952, 1956, 1958-1959, 1965)

Architecture Collaborative (1957)

Architecture: Nineteenth and Twentieth Centuries -- (Pelican History of Art series) (1962-1968)

The Architecture of H. H. Richardson and His Times -- [reprint] (1961-1962)

Architecture Plus -- (1974)

Architektoniki -- (1959)

Archives Centrales Iconographiques d'Art National (1958)

Archives Centrales Photographiques (1956)

Archives of American Art (1960-1961)

Archon Books (1967, 1979)

Arcschavir, A. (1959)

Arizona State University (1960, 1962, 1969)

ARK (1955-1956)

Arkitektens Forlag (1962)

Arlington, Margaret (1962)

Armitage, Mrs. G. W. (1951)

Armitage, Merle (1956)

Armour, John (1954)

Arnasson, H. Harvard (1956)

Arnold, Frederic K. (1948, 1955)

Arnot Art Gallery Association (1958-1959)

Art and Technics -- (1950-1951)

Art Association of Indianapolis (1947)

Art Bulletin -- (1940-1941, 1943, 1945, 1948, 1950-1951, 1953, 1955-1961, 1966- 1967, 1969)

Art Gallery of Ontario (1970)

Art Gallery of Toronto (1950) (see also: Toronto, Art Gallery of)

Arthur, Eric (1956)

Artigas, Francisco (1955)

Art in America -- (1947, 1955-1960)

Art Institute of Chicago (1951, 1956, 1978, 1983) (see also: Burnham Library;

Chicago, Art Institute of; Ryerson and Burnham Libraries)

Art Journal -- (1977)

Art News -- (1948, 1953-1955, 1959, 1967)

Art Nouveau Exhibition (1960)

Art Quarterly -- (1953-1971)

Art Reference Bureau (1958, 1967, 1970-1971)

Arts -- (1928, 1963)

Arts and Architecture -- (1956)

Arts Club of Chicago ( -- see -- : Chicago, Arts Club of)

Arts Council of Great Britain (1955-1956, 1968)

Arts Review -- (1962)

Asam Brothers (1965)

Ash, Carla Caccamise (1978)

Ashton, Leigh (1953)

Asia (1928)

Askew, Constance (1945, 1947, undated)

Askew, Constance and R. Kirk (1941, 1948, 1961)

Askew, Pamela (1977)

Askew, R. Kirk (1950-1952, 1963)

Aslin, Elizabeth (1956, 1958, 1960, 1962-1964, 1968-1970, 1972-1974, 1979-1981, 1984-1985)

Association of Art Museum Directors (1952)

Association of Collegiate Schools of Architecture (1949, 1954)

Atelier -- (1951)

Athenaeum of Philadelphia (1969-1970, 1977-1978, 1980-1981, 1983, 1985)

Atkin, William Wilson (1958)

Atkinson, Fello (1950-1959, 1961-1967, 1969, 1971-1973, 1977-1978, 1980, 1982)

Atkinson, G. A. (1961, 1969)

Atkinson, George (1955)

Atomic Energy Commission of Canada ( -- see -- : Canada, Atomic Energy Commission of)

Auden, W. H. (1952-1953)

Aufsberg, Lala (1958, 1965-1967, 1971-1972)

Aurora Zanichelli (1955)

Austin, A. Everett [Chick] (1953, 1957, 1984)

Austin, A. Everett [Chick] and Helen (1952)

Austin Art Center (1965) ( -- see also -- : Trinity College)

Austin, David (1966)

Austin, Helen (1948, 1950, 1956, 1958, 1960, 1965-1968, 1970, 1973, 1986, undated)

Austin, Mollie (1961)

Austin, Sarah G. (1979)

Australian Journal of Art (1978)

Authors Club (1962)

Auzas, Pierre-Marie (1965-1967, 1979-1980)

Avenue -- (1985)

Avery, Elizabeth P. (l950)

Avery Library, Columbia University (1951, 1973-1974, 1977, 1981) (see also: Columbia University)

Avery, Peter (1965)

Avery Study Center, Columbia University (1982) ( -- see also -- : Columbia University)

Avis Rent-a-Car (1961)

Azelle, Robert (1955)

"B. 1955" (2 pocket calendars) (1955)

Bacon, Leonard Lee (1970)

Bacon, Mardges (1984)

Baga, Khalid (1979)

Baggage Declaration (1945)

Bailey, James and Gordon, Inc. (1957-1962, 1964)

Bailey's Studio (1946)

Baker (1957)

Baker, Joseph (1960)

Baker, Roger (1953)

Bakewell, Hester Adams (1970)

Baldinger, Wallace S. (1949)

Baldwin, Deborah (1985)

Baldwin, Raymond E. (1945)

Baldwin, Susan (1976)

Ball, Mr. and Mrs. William Burnham (undated)

Ballard, Mary (1974)

Ballman, Lucille (1949)

Balmoral Castle (1952, 1954)

Baltimore City Museum (1952) (see also: Peale Museum)

Baltimore Museum of Art (1948)

Baltimore Sun -- (1968) ( -- see also -- : Sun) (1968)

Banham, Reyner (Peter) (1956, 1959, 1961-1962, 1972-1973)

Banham, Reyner (Peter) and Mary (1958)

Banker, Douglas (1977)

Banking (1965-1966, 1970-1971)

Bannister, Turpin C. (1941, 1943-1945, 1947, 1950-1952, 1954-1956, 1958, undated)

Bantam Books (1962)

Bar, D. D. (1969)

Barbarosa, Jorge de Castro (1957)

Barber, Leila (1966)

Barclay, Jo (1953)

Barclay's Bank (1945-1948, 1950, 1952-1955, 1957-1958, 1960-1961, 1972)

Bardwell, Helen H. (1955)

Barley, M. W. (1952)

Barman, Christian (1951)

Barnard College (1954-1957, 1965)

Barnes, Anthony (1952)

Barnes, Charles D. (1968)

Barnes, Cynthia (1962)

Barnes, Henry (1952)

Barnlund, Mr. and Mrs. D. C. (1949)

Barnstone, Howard (1953, 1958, 1960-1961)

Baron, Docteur Lucien (1927)

Barr, Alfred H. (1928, 1930-1932, 1937, 1945, 1954, 1973, 1981, undated)

Barr, Marga (Daisy) (1957, 1959, 1961, 1978, 1983, 1985, undated)

Barrall, Xavier (1976)

Barrand, H. (1955)

Barrett, John (1956)

Barsee, L. (1976)

Barton, Eleanor (1949, 1955-1956, 1959, 1965)

Baskin, Leonard and Lisa (1969)

Batsford, Ltd. (1941, 1948-1953, 1955-1957)

Battle, Governor (1955)

Bauch, K. (1966)

Bauer, A. (1928)

Bauer, Catherine (1940)

Bauhaus Archiv (1963)

Baumann, Christopher (1946)

Baume, Henry B. (1956-1957)

Bayer, Adolf (1963)

Bayer, Herbert (1954)

Bayer, Julia (1945, 1952)

Bayley, J. B. (1946, 1952)

Bayley, John (1953)

Bayley, Stephen (1974)

Beardall Fenton and Co. (1969)

Beatty, C. J. P. (1962)

Beck, Andy (1976)

Beck, Haig (1979)

Beckwith (1964)

Bedenkapp, John (1952-1956, 1959)

Beeton, M. (1946)

Beggs, Thomas (1946)

Belding, Ann (1950-1951)

Bell, Herbert C. F. (1946, 1948-1949, 1957-1958)

Bell, Janet M. (1952)

Bellotto (1960)

Belluschi (1954-1956)

Beloit College (1945)

Belz, Carl (1972)

Benda, E. (1931)

Bender, Angela (1966)

Bendixson, T.M.P. (1961)

Benero, Herbert W. (1955)

Benes, Miroslava (1975)

Benesch, Otto (1946, 1956)

Benesch, Otto and Eva (1947, 1959)

Bennett, Gordon C. (1946)

Bennett Books (1950)

Bennett, Richard M. (1939)

Bennett, Mrs. Roger Williams (1962)

Bennington College (1953, 1957)

Benson, Elizabeth (1962)

Benson, John Howard (1952-1954)

Benson, Robert Alan (1968)

Benton, Charlotte (1978)

Benton, Tim (1974)

Berenson, Bernard (1931)

Bergdoll, Barry (1979-1982, 1984)

Berger, Maurice (1978)

Bergeron, Claude (1967)

Berlin (1956, 1964, 1975)

Berlin, Technische Universitat (1966)

Berman, Eugene (Genya) (1931-1932, 1945, 1969)

Berman, Leonide (1931, undated)

Bermudez, Luis (1955)

Bernett, Dick (1950)

Bernett, F. A. (1959, 1963-1965, 1968)

Bernett, Frederick (1961)

Bernett, P. A. (1967)

Bernier, Rosamond (1955)

Berrill, Maurice (1958, 1958)

Berry-Hill Galleries (1971, 1981)

Betjeman, John (1946, 1952, 1956)

Bett, Regina (1966-1967)

Bevan, Roger (1978)

Beyer, Klaus G. (1970-1971)

Bialostocki, Jan (1968, 1970-1971, 1973, 1985)

Bicknell, Minnette (1975)

Bicknell, Peter (1965)

Biederman, Charles (1978)

Bielfeld Kunsthalle (1968-1970, 1973-1975, 1985) ( -- see also -- : Kunsthalle Bielfeld)

Biennale (1959-1960)

Bier, Julius (1953)

Bildarchiv -- (1956)

Billcliff, Roger (1971)

Bills, Paid (1965-1970)

Binet, Ann (1955)

Birkhams, Martin (1960)

Birmingham Public Library (1946)

Birrell, J. P. (1963)

Birthday (1978, 1980, 1983, 1985)

Bischoff, Ralph F. (1946)

Bissell, Elaine (1951)

Bixley, Grace (1954)

Blach, Peter (1939)

Blackheath Society (1955)

Blackman, Audrey (1962-1963)

Blake, Sarah (1966)

Blanch, M. (1958)

Blanckenhagen, Peter H. von (1979)

Blau, Eve M. (1978-1984)

Bletter, Rosemarie (1981-1982)

Bliss, Eleanor (1945, 1947-1953, 1959-1960, 1963, 1967, 1972, 1974-1975, 1978, 1981, undated)

Bliss, Robert (1963)

Bliss, Mr. and Mrs. Robert Woods (1958)

Bloch, Stella Rubenstein (undated)

Blond, Anthony (1962)

Bloom, Florence and William (1964-1965)

Blue Cross/Blue Shield (1963, 1982, 1985) ( -- see also -- : Medicare/Blue Shield)

Blume, Marcia (1960-1961)

Blunt, Anthony (1946)

Blyth, R. Henderson (1947-1948)

Boardman, Jane Carrott (1969)

Boas, George (1954)

Boase, T.S.R. (1957)

Bobbs Merrill Co. (1966, 1968, 1971)

Bober, Harry (1955, 1957)

Bodine, Thomas R. (1973)

Boggs, Jean (1952, 1957, 1960, 1962)

Bohan, Peter J. (1957, 1963)

Bohdan, Carol (1971)

Boissonnas (1927)

Bollingen Foundation, Inc. (1956, 1960)

Bolschwig, Otto A. (1927) ( -- see also -- : Van Bolschwig, Otto A.)

Bolton and Fairhead, Ltd. (1946-1947)

Bond van Nederlandsche Architecten (1956)

Bonet Gari, Luis (1972-1973)

Bonn (1963-1964)

Bony, Jean (1956)

Bonython, John (1966)

Book Land (1963)

Boothby, Norman B. (1952)

Booziotis, Bill (1959)

Borgenecht Gallery (1961)

Borges, Max (1956)

Born, Ernest (1952)

Bornecque, Jacques-Henry (1955)

Borowski and Co. (1970)

Boschma, C. (1963)

Bose, Konrad (1953-1954)

Boston Albany Railroad (1963)

Boston Architecture Center (1949, 1966)

Boston Arts Festival (1954)

Boston Athenaeum (1950-1951)

Boston College (1975)

Boston, Municipal Court of (1966)

Boston, Museum of Fine Arts (1945, 1947-1950, 1967, 1969, 1975, 1982) ( -- see also -- : Museum of Fine Arts, Boston)

Boston Public Library (1955)

Boston Redevelopment Authority (1964, 1967)

Boston Society of Independent Artists (1950)

Boston University (1954, 1963, 1968)

Botz, H. (1969)

Bourgeois, Victor (1953)

Boutmy, P. de (1956)

Bouton, Margaret (1949)

Bouverie, David Pleydell (1945, 1950, 1952-1953, 1955, 1965, 1972-1973, 1975) ( -- see also -- : Pleydell-Bouverie, David)

Bowdin College (1973-1974)

Bowen, Carroll G. (1960)

Bowler, Fairchild (1955)

Boyd, Robin (1966)

Boyden, Mary (1952)

Boyer, Christine (1983)

Boyle, Michael (1970)

Brackett, Jeffrey R. (1935)

Bradley, John (1957)

Bradley, Prentice (1954)

Bramm, Vincent (1974)

Brandeis University (1961)

Brandl, Ernest H. (1946-1947, 1959-1961)

Brandon, Harvey (1970, 1981)

Brandon-Jones, John (1955-1956, 1960)

Branner, Robert (1964-1966)

Brasher, Louise Tharaud (1979)

Braxton, Anne (1968)

Brazil (1957)

Braziller, George (1959-1961, 1966, 1972)

Brena, Francisco (Paco) (1982-1983)

Brendel, Otto J. (1950)

Brentano Books (1941, 1946)

Brett, Lionel (1953, 1955)

Bretter, Ernest (1955)

Brewer, Charles (1961)

Brewer, Gussie (1946)

Brewer, Helen (1959)

Brewer, Joseph (1928, 1935-1938, 1940-1941, 1944-1961, 1964, 1967, 1969, 1971-1973, 1984)

Brewer, Warren and Putnam, Inc. (1932)

Brewster, E. W. (1946)

Brewster, Margaret F. (1946)

Briggs, Rose T. (1947, 1949-1954, 1963-1964, 1973, 1978, 1981)

Bright, William E. (1959)

Brighton Corp. (1958)

Brion-Guerry, L. (1971)

Bristol Society of Architects (1951)

Bristol, University of (1963, 1965-1967)

Britannica Encyclopedia (1953) ( -- see also -- : -- Encyclopedia Britannica -- )

British Book Center (1951-1952)

British Broadcasting Corporation (1955, 1969, 1974-1975)

British Committee for the Interchange of Teachers (1951-1952, 1955)

British Council (1960)

British Council in the Netherlands (1952)

British Information Services (1945, 1951)

British Ministry of War Transport (1945, undated)

British Museum (1950)

Britton, Coby (1972)

Broadfoot, Winston (1976-1977)

Brockhaus Fine Arts (1974)

Brocklebank, Mr. and Mrs. Charles (1986)

Brocklebank, Marcia Early (Mrs. Charles) (1966, 1973, 1977-1978)

Brockunier, S. H. (1952)

Broderick, Mosette Glaser (1974-1977, 1979-1981, 1985-1986)

Brodrick, Peter (1949-1957, undated)

Brokaw, Chloe (1961)

Brooklyn Museum (1945, 1963, 1967, 1977)

Brooks, H. Allen (1953, 1956, 1958-1983)

Brotz, Howard (1963-1964, 1966, 1979)

Brown, Betty (1960)

Brown, Charles H. (1958, 1962)

Brown, Donald H. (1955-1956)

Brown, Eric (1949)

Brown, Blanche (1972)

Brown, Elizabeth Miles (1977)

Brown, Mrs. Leonard M. (1967)

Brown, Margaret (1949, 1951)

Brown, Milton W. (1957, 1976)

Brown, Robert (1970, 1974-1975)

Brown, Theodore (1956)

Brown University (1982)

Brown, William E. (1955)

Browne, Mrs. Douglas (1952)

Brownstone Revival Committee of New York City (1969-1970)

Bruccoli, Matthew (1965)

Brun, Jean-Pierre (1973)

Brunet, Peirre (1956)

Brunner, Bob (1962)

Brussels (1972)

Bryan, John Albury (1970)

Bryan, Polly (1959)

Bryant, Helen P. (1962)

Bryn Mawr College (1973-1974)

Bucarelli, Palma (1965)

Bucher, Francois (1960)

Buchholz Gallery (1948)

Buchman, Joan (1968)

Buck, Robert L. (1982)

Buckley, Charles E. (1964, 1971)

Buckman, Louise (1950)

Buddensieg, Tilmann (1978)

Buell, Irwin A. (1948)

Buffalo Academy of Fine Arts (1939, 1982)

Buffalo Architectural Guidebook (1979, 1981-1982)

Building Design (1974)

Building Magazine (1951)

Built in the U.S.A. (1952)

Bull, Harry (1946)

Bulloch, O. M. (1956)

Bulloche, J. E. (1955)

Bullock (1978)

Bulloz (1958)

Bunce, John (1954)

Bunce, Nellie (1955, 1959, 1968, 1973, 1979-1980, 1986)

Bunschaft, Gordon (1956)

Bunting, Bainbridge (1967)

Burchard, John Ely (1947, 1951-1952, 1956, 1962)

Burden, William A. M. (1955)

Burdon-Muller, Rowland (1948-1952)

Burg, Hermann and Margaret (1946)

Burg, John (1958)

Burke, Anne (1962-1964, 1967-1970, undated)

Burke, Joseph (1954-1958)

Burnham, Alan (1942, 1937, 1956-1957, 1970)

Burnham, Frances B. ( 1953)

Burnham Library, Art Institute of Chicago (1945, 1971) ( -- see also -- : Ryerson and Burnham Libraries; Art Institute of Chicago; Chicago, Art Institute of)

Burns, Howard (1968)

Burns, John (1952, 1983)

Burroughs, T.H.B. (1967)

Burton, Christopher (1963)

Burton, Emily (1952)

Burton, Michael (1953, 1956)

Bush, Lucile (1965)

Bush, Martin H. (1963)

Bush-Brown, Albert (1952, 1956-1958, 1977)

Bush-Brown, Harold (1954, 1965)

Butler, Jeanne F. (1972)

Butler, L. D. (1967)

Butler, Ruth (1957)

Butterfield, Victor (1945, 1947)

Butterick, George F. (1978)

Cabral, Edward (1980)

Cadbury-Brown, John (1955)

Cadbury-Brown, H. T. (Jim) (1956, 1958)

Cahill, Fred V. (1957)

Cahn, Elizabeth (1977)

Calder, Sandy (1938, 1955-1956)

Caldwell, Ian (1975-1976)

Calendars (see: B.1955)

California (1965)

California Institute of Technology (1948-1949)

California Palace of the Legion of Honor (1950)

California, San Jose State University (1979)

California, University of (1951-1952, 1961, 1964, 1966-1967, 1971, 1973, 1976, 1980)

Callisen, Sterling A. (1941)

Callisen, Sterling A. and Sally (1945)

Cambridge [Mass.] Historical Society (1967)

Cambridge University (1962, 1964, 1966)

Campagnie Francaise d'Aeronautiques (1956)

Campanella, Gaspare (1970)

Campbell, Colin G. (1978)

Campbell, Malcolm (1975)

Canada, Atomic Energy Commission of (1973)

Canada Council (1971)

Canada, National Archives of (1956)

Canada, National Gallery of (1926, 1960)

Canada, Royal Architectural Institute of (1960)

Canfield, Abigail and Cass (1975)

Canner and Co. (1949)

Caples, Sara Elizabeth (1969-1970)

Car (European) (1965)

Car (1966)

Cardiff Public Library (1946)

Carey, Jane F. (1973)

Carey T. (1973)

Carlhian, Jean Paul (1952-1953, 1966, 1971, 1973)

Carling, E .B. (1947-1948)

Carlisle, Anna (1956)

Carlson, Ralph (1979)

Carnegie Book Shop (1952)

Carnegie Institute (1955, 1985)

Carnegie Institute of Technology (1947, 1954)

Carpenter, G. R. (1946)

Carpenters Company of Philadelphia (1973)

Carr, Gerald (1968)

Carre Gallerie (1947-1949)

Carrington, Robert (1953, 1970)

Carroll, Martha 1975

Carrott, Richard G. (1955-1956, 1959-1963, 1965, 1967-1969, 1971-1979, 1981-1986)

Carter, Amon E. (1960)

Carter Foundation (1961)

Carter, Lady Bonham (1956)

Carter, Edward C. (Bobby) (1926, 1944-1948, 1960)

Carter, Ernestine (1947, 1952, 1962-1963, 1968, 1978-1979, 1983) ( -- see also -- : Carter, John and Ernestine)

Carter, Gwendolyn (1952)

Carter, John 1941, (1946, 1948, 1952, 1954, 1959)

Carter, John and Ernestine (1936, 1945) ( -- see also -- : Carter, Ernestine)

Carter, Norman F. (1952, 1954, 1959)

Casabella-Continuita (1961, 1965)

Casanelles, Enric (1959)

Cascieri, Arcangelo (1954)

Case Western Reserve University (1972-1973)

Cassidy, Victor M. (1974)

Cassilly, Carolyn (1974)

Casson, Hugh (1948, 1955)

Cassy, Edmund J. (1964)

Cast Iron Architecture, Friends of (1970, 1973-1974)

Castano Galleries (1963)

Castro, Dicken (1955-1957, 1960-1961)

Catholic University of America (1963)

Catlin, Stanton L. (1952, 1956)

Catsoulis, Evangelos (1981, 1983)

Causey, Andrew (1983)

Cavanagh, Tom R. (1949)

Cement and Concrete Association (1954)

Center for Inter-American Relations (1969)

Central Corporate Library (1960)

Central Council for the Care of Churches (1955)

Central National Bank of Middletown (1946)

Central Office of Information (1955-1956)

Centrum (1963)

Century Association (1972-1973, 1975-1977, 1979-1980, 1982, 1984)

Cetto, Max L. (1960)

Chafee, D. S. (1984)

Chafee, Richard (1969, 1974, 1976-1978)

Chalfont, Randolph (1962-1963)

Chambers Encyclopedia -- (1946-1949, 1954, 1961-1963)

Chapin, Betty (1981)

Chapin, Betty and Schuyler G. (1975, 1982)

Chapman, Edward (1952-1953)

Chapman, Rosamund (1957)

Charette (1963)

Charney, W. Mick (1977)

Chattey, Paul W. (1983)

Cheek, Leslie (1946-1948, 1953, 1984)

Cheek, Richard (1978-1979)

Chelmsford and District Chapter, Society of Architects (1962)

Cheltham, Charles (1962, 1964)

Chermayeff, Serge (1939, 1946-1948, 1950, 1954)

Chernow, Barbara (1982)

Chesapeake and Ohio Railway Co. (1948)

Chevojon Freres (1956, 1958)

Chicago Architectural Landmarks, Commission on (1964)

Chicago Architectural Photographing Co. (1956, 1958, 1966)

Chicago, Art Institute of (1937, 1944, 1945, 1951, 1960, 1978) ( -- see also -- : Art Institute of Chicago; Burnham Library Ryerson; Burnham Libraries)

Chicago, Arts Club of (1951-1952)

Chicago Committee on Architectural Landmarks (1960)

Chicago Historical and Architectural Landmarks, Commission on (1969-1970, 1973, 1975)

Chicago School of Architecture Foundation (1967)

Chicago, University of (1947, 1953, 1957, 1961-1962, 1973, 1986) ( -- see also -- : University of Chicago)

Chickering, A. H. (1954)

Childs, Charles D. (1951-1952, 1955)

Childs, Maurice F. (1952, 1955)

Chittenden, A. J. (1947)

Christian Science Monitor -- (1948)

Christiansen, Erwin O. (1946)

Christmas Cards (1952, 1983, undated)

Church, Robert M. (1951-1952, 1954-1955)

Churchill, Agnes (1948)

Cincinnati (1969)

Cincinnati Art Museum (1955-1956, 1960-1961)

Cincinnati Astronomical Society (1935)

Cincinnati Modern Art Society (1948)

Cincinnati, University of (1966)

Cistercian Order (1958)

City Art Museum of St. Louis ( -- see -- : St. Louis, City Art Museum of)

City University of New York (1970, 1974-1976, 1978)

City [of Springfield, Mass.] Library Association (1954)

Ciucci, Giorgio (1970)

Claflin, Agnes Rindge (1948-1949, 1952, 1956, 1959, 1961, 1966, 1973, 1977-1978) ( -- see also -- : Rindge, Agnes)

Clapp, Verner W. (1953)

Clark Art Institute (1973, 1986)

Clark, G. R. (1946)

Clark, James (1973)

Clark, Orton Loring (1952)

Clark, Robert J. (1960, 1963-1971, 1974-1975, 1980)

Clark, Ronald W. (1956)

Clark, Susan (1975)

Clark, Willene B. (1976)

Clarke, M. L. (1962)

Clarke, Marian (1947-1948, 1950)

Clarke, Peter (1946)

Clausen, Meredith (1987)

Clayton, B. D. (1971-1972)

Clayton, Barry (1965)

Clerehan, Neil (1953)

Clews, Mrs. Henry (1955)

Clifton-Raymond Associates (1968)

Clifton-Taylor, Alec (1984)

Clinton [Conn.] Historical Society (1947)

Close, Elizabeth (1960)

Clough, R. T. (1959)

Club of Odd Volumes (1948-1950, 1952-1957, 1961-1965, 1968-1970)

Cochrane, Alexander S. (1947, 1951-1954)

Cochrane, Alexander and Cally (1950)

Cochrane, Mr. and Mrs. E. W. (1953)

Cochrane, Eric (1964)

Cochrane, Eric and Lydia (1956, 1983, 1985)

Cochrane, Lydia (1955, 1959, 1960-1963, 1965, 1967, 1970-1971, 1975, 1977-1978, 1980-1982, 1984, 1986)

Coddington, John (1945-1949, 1951, 1956-1957, 1959, 1961-1962, 1968-1970, 1977, undated)

Coe, Bill (1958)

Coe, R. E. (Ted) (1962)

Coe, Ralph T. (1953, 1955, 1974)

Coffin, David R. (1965, 1968, 1973)

Cogswell, Dorothy (1951, 1959, 1962)

Cohen, Alfred (1946)

Cohen, Joan L. (1954-1957, 1960, 1963-1965)

Cohn, David N. (1984)

Cohn, Suzanne (1968)

Colby College (1968)

Cole, Dorothy (1958)

Cole, Harry (1957)

Coletti, Joseph (1961)

Coletti, Paul (1957)

Colgate University (1976, 1978)

Colibris Editora Ltda. (1962, 1964-1965, 1967)

Colin, Mrs. Ralph F. ( 1955)

Collaborazione Culturale, Instituto per la (1962)

College Art Association (1940, 1946-1953, 1955-1959, 1961-1964, 1966, 1969-1971, 1973-1979)

Colliers Encyclopedia -- (1947-1949, 1958-1959)

Collins, Cecil (1956)

Collins, Colin (1955)

Collins, Elizabeth (1959)

Collins, George R. (1960-1961, 1964, 1968, 1975-1976, 1979, 1983)

Collins, Peter (1964-1965, 1967-1968)

Colonial Travel Bureau (1955)

Columbia Historical Society (1982)

Columbia University 1937, 1939-1941, 1945, 1947-1948, 1954-1956, 1958-1959, 1961, 1964-1969, 1971, 1973-1977, 1979-1983, 1985-1986 ( -- see also -- : Avery Library; Avery Study Center, Columbia University)

Columbia University, Temple Hoyle Buell Center for the Study of American Architecture (1984)

Columbus Gallery of Fine Arts (1948-1949)

Colvin, Howard M. (1959)

Colwell, Miriam (1976)

Combs, Tom (1975)

Comite Francais D'Historie de L'Art (1967)

Commercial Credit Corporation (1947)

Committee for the Centennial Exhibition of New England Architecture (1957)

Committee for the Preservation of Architectural Records (1979)

Committee on Education and Labor, U. S. Congress (1954)

Committee on Government and Art (see: Government and Art, Committee on)

Community Arts Center (1945)

Community Chest (1958)

Comparative Studies in Society and History -- (1958)

Conant, Kenneth G. (1946-1947, 1952, 1973)

Concrete Quarterly -- (1955)

Condit, Carl W. (1963)

Condolence Letters [on death of mother] (1952)

Conference Board of Associated Research Councils (1948, 1951)

Congress on the History of Art, Twentieth International (1960-1961)

Conlon, Kathleen M. (1969)

Connaissance des Artes -- (1959)

Connecticut Automobile Assigned Risk Plan (1946-1947)

Connecticut College (1938-1942, 1944, 1947, 1953, 1956, 1963, undated)

Connecticut Commission on the Arts (1968)

Connecticut, Department of Agriculture (1937)

Connecticut State Department of Consumer Protection (1986)

Connecticut, State of (1946, 1948)

Connecticut, University of (1952, 1963)

Connecticut Valley Historical Museum (1954)

Connors, Joseph (1984)

Constable, Olivia (1955)

Constable, W. G. (1952-1953)

Constantine, Mildred (1952, 1955, 1960-1961, 1963)

Contemporary Authors -- (1978)

Cook, R. V. ( 1946)

Cook, Ruth (1952, 1956)

Cook, Mrs. Sidney (1950)

Cook, Thomas (1956-1957)

Cook, Walter (1946-1947, 1949-1956, 1958)

Cooke, Howard Lester (1954-1955)

Cookson, Beatrice (1970)

Coolidge, Harold (1956)

Coolidge, John (1939-1941, 1944-1945, 1950-1951, 1953-1956, 1958, 1960-1962, 1966, 1968, 1973-1974, 1976, 1978-1979, 1983, undated)

Coolidge, John and Polly (1947-1949, 1969, 1977)

Coolidge, Polly (1952)

Cooper (1952)

Cooper, Douglas (1947, 1953, 1960)

Cooper-Hewitt Museum (1972-1973, 1975, 1979-1980, 1983)

Cooper Union (1946-1948, 1955, 1964-1965, 1968)

Copp, Philip (1979)

Copplestone, Lewin (1972)

Corcoran, Desmond (1981)

Corcoran, G. S. (1946)

Corcoran, Gerald (1952)

Cordes, Paul (1945)

Cordingley, Alan (1957, 1961)

Cordingly, Ann (1975)

Corke, Jean (1962)

Corkran, W. S. (1954-1955)

Cornell University (1946, 1964-1966, 1969, 1976)

Corning Glass Center (1952)

Cortetti, John (1952)

Costabel, Jorge (1956)

Costopoulos, Dorothy (1973-1975)

Cott, Perry B. (1946, 1949)

Country Life -- (1952-1954, 1956, 1958, 1962-1963)

Courtauld Institute of Art (1966)

Court House (1979)

Courtright, Margot (1978)

Covell, William King (1936, 1946, 1948-1952, 1958, 1962-1963, 1965, 1968)

Coventry Architecture and Planning Department (1955)

Cowdrey, Mary Bartlett (1951, 1952-1955, 1958-1965, 1968, 1973-1974)

Cowin, Ruth (1962)

Cowles, Mr. and Mrs. Gardner (1975)

Cowles, William S. (1952)

Cowling, Francis B. (1949-1950)

Cox, Harvey (1970)

Cox, Trenchard (1952, 1956)

Cox, Warren (1957)

Craig, Maurice James (1949)

Cranbrook Academy and Museum of Art (1982, 1984)

Crandall, Robert T. (1959)

Crane, Alexander (1949, 1951)

Crane, Tom (1980)

Crapanzano, Frank (1947)

Craven, Wayne (1962)

Crawford, Martha (1958)

Creative Art (1928)

Creese, Walter (1945, 1950-1954, 1956, 1960-1962, 1968-1969)

Criticism (1961)

Crivelli Galleria (1960)

Crook, Joseph Mordaunt (1975, 1981, 1983)

Crosby, Sumner (1951-1952, 1958-1959)

Crowe, R. N. (1956)

Crowell Co. (1967)

Crowell, Frederick (1962-1963)

Crystal Palace (1954)

Cubitt, James (1952, 1966)

Cucci, Ditta (1966)

Culpepper, Ralph (1966)

Cultural Center, New York (1974)

Cummings, Abbott Lowell (1947, 1951, 1956, 1964)

Cunard Lines (1949, 1973, 1976)

Cunill, Titit (1973, 1974)

Cunningham, Charles C. (1945, 1947-1948, 1957, 1962, 1964, undated)

Cunningham, Charles C. and Priscilla (1958, 1961, 1968)

Cunningham, E. (1963)

Cunningham, Priscilla (1959-1960, 1973) ( -- see also -- :

Cunningham, Charles C. and Priscilla)

Curjel, Hans (1952)

Curtis, L. P. (1952)

Curtis, Louis (1967)

Custom Shop (1946, 1953)

Customs 1947, (1948, 1952, 1958-1959)

Cutting, Gloria P. (1950)

Czech, Hermann (1969)

Dabrowski, Magdalena (1973)

Da Capo Press, Inc. (1974, 1976)

Dahl, Curtis (1975, 1978)

D'Amato, Alfonse M. (1986)

Dame, Bernard L. (1949)

Dane, William J. (1955, 1957)

Danes, Gibson (1947-1958, 1961, 1966, 1972)

Danish Architectural Press (1962)

Dannatt, Trevor (1952-1953, 1955)

D'Arcy Galleries (1961)

Dark, Frank (1955-1958, 1964)

Darmstadt, Technische Hochschule (1966)

Darr, William (1956)

Dartmouth College (1937, 1947, 1968, 1978)

Darwin, Dana (1957)

Dauber and Pine (1951, 1958, 1966)

Davidson, Eugene (1952)

Davidson, L. (1955)

Davidson, Rita 1947

Davidson, W. F. (1952)

Davies, Jane B. (1957, 1969)

Davies, Turner and Co. (1946-1947)

Davis (1959)

Davis, Dotsie (1984) ( -- see also -- : Davis, Samuel R. and Dotsie)

Davis, E. Holden (1969)

Davis, Elizabeth H. (1953)

Davis, Howland S. (1948)

Davis, Laura (1945)

Davis, Lavinia (1961)

Davis, Philip and Helen (1927)

Davis, Richard S. (1950, 1952, 1954-1955, 1957, 1959)

Davis, Robert G. (1954)

Davis, Robert Tyler (1948, 1950)

Davis, Rodman (1983)

Davis, Samuel R. (1969-1973, 1976, 1978-1979, 1981)

Davis, Samuel R. and Dotsie (1983) ( -- see also -- : Davis, Dotsie)

Davis, Wendell (1945-1946, 1949, 1953-1955, 1958)

Davis, William (1946, 1955)

Davison, George W. (1945)

Davison, Robert (1947)

Davy Car Hire (1953-1954, 1958)

Dawes, Horace (1946)

Dawes House (1954)

Dawson, Tom (1952-1953)

Dayton Art Institute (1953)

De Cordova and Dana Museum and Park (1949)

De Graaff, Jan (1940)

De Long, David (1973, 1979-1981, 1983-1984, 1986-1987)

De Mare, Eric (1956)

De Sales, Xavier (1956)

De Vaughan, Carol (1969)

De Witt, Dennis (1976)

De Witt, Mrs. Vergil B. (1947)

De Zurko, Edward R.(1951-1954, 1956-1957, 1959)

De la Faille, C. A. Baart (1952)

Dean, Margaret (1951, 1953-1954)

Dearstyne, Howard (1958-1959, 1972, 1974)

Deere and Co. (1965)

Deerfield Academy (1966)

Deerfield Village (1959)

Delafield, Mr. and Mrs. Joseph Livingston (1962, 1965)

Delafield, Lawrence (1965)

Delafono, John (1952, 1955)

Delahoyd, Mary (1971)

Delaney, Beauford (1961)

Delaware, University of (1957, 1961, 1967, 1970, 1976)

Delftsch Bouwkundig Studenten Gezelschap (1963)

Delhaye, Jean (1960)

Dema, S. J. (1951)

Demithorne, Janet (1952)

Democrat Chronicle -- , Rochester, N.Y. (1936)

Dendy, William (1975)

Dening, C.F.W. (1946)

Department [Smith College Art Department] (1956) ( -- see also -- : Smith College)

Department of State (1952) ( -- see also -- : State Department; United States Department of State)

Des Grange, Jane (1960)

Deshmukh, C. D. (1965)

Design -- (1957)

Detroit Institute of Arts (1945, 1959)

Deul, C. A. (1956)

Deutsch-Amerikanisches Institut (1963)

Deutsche Bank (1965, 1967)

Deutscher Kunstverlag CMBH (1969, 1971)

Devinoy, Pierre (1948, 1952, 1956)

Dewald, Ernest (1951)

Di Blasi, Louise (1962)

Dick Travel Agency (1945, 1947-1949)

Dickey, John M. (1973)

Dickson, Harold E. (1951-1952, 1956)

Dictionary of American Biography -- (1955)

Dictionary of the Arts -- (1942)

Dillon, James L. (1956)

Dillon, Joan (1955)

Dinan Associates (1982)

Dingwall, Ronald J. (1947)

Dinnerstein, Lois (1961)

Dipsas Booksellers (1950)

Directory of American Scholars -- (1963)

Dix, George (1950)

Dodd, Mrs. Dexter (1961)

Dodd, E. Merrick 1961

Dodd, Eugene M. (1964-1965)

Dodd, Lamar (1956)

Dodd, Maurice (1946-1948)

Dodge Corp. (1954)

Doesberg, Theo V. (1930)

Dole, Philip (1962)

Dolker (1956)

Doll and Richards (1952)

Domitilla, O.S.B. (1969)

Donaldson, James R. (1970)

Donaldson, Norman V. (1952)

Donnell, Courtney G. (1972, 1974, 1980-1981)

Donnelly, Marian C. (1982)

Donnisfes, Sam (1975)

Dooley, William G. (1947)

Dorbey, Margaret (1957)

Dorfles, Gillo (1956)

Dormoy, Marie (1956)

Dorner, Alexander (1938-1939, 1942, 1952, 1954, undated)

Dorner, Lydia (1953)

Dorsch, George T. (1971-1972)

D'Orsi, Juliana (1955)

D'Orsi, Michael (1953)

Doubleday and Co. (1955, 1957)

Douglass Brokerage Corp. (1970)

Douglass College (1957)

Dovell, Peter (1954)

Dover Publications (1962-1963, 1969)

Dow, Mrs. Frank E. (1952-1954)

Dow, George (1946)

Dow, Marian (1950)

Downing, Antoinette F. (1949)

Downing, George E. (1961)

Downing, Mrs. George E. (1970)

Downs, Arthur Channing (1972, 1974)

Downtown Gallery (1945)

Dows, Olin (1941)

Doyle Stationery (1965-1968, 1972)

Drake Hotel (1950)

Drake, Lindsey (1946-1947, 1953)

Drake, Stuart (1979)

Drap, Al (1971)

Drawing Society (1965, 1967-1968, 1971, 1973-1975, 1977)

Drew, Jane (1946-1949, 1955, 1961)

Drew, Ralph (1953)

Drew-Bear, Lotte (1966)

Drew-Bear, Mrs. Robert (1951)

Drexler, Arthur (1956-1959, 1962, 1964, 1974, 1987)

Driscoll, Mrs. Philip (1963, 1964)

Dublin (1963)

Dublin Tour (1959)

Duell, Sloan and Pearce (1941, 1943-1945, 1947-1953, 1955, 1959-1961)

Duemling, Bob (1951-1955, 1957-1958)

Duhart, Emilio (1954-1955, 1960)

Duke University (1962, 1975)

Duncan, Hugh Dalsiel (1960)

Duncan of Jordanstone College of Art (1962)

Duncan, William (1978)

Duncan, Winston (1979)

Dunham, Elizabeth W. (1954)

Dunlap Society (1976-1977)

Dunn, Esther (1950, 1954)

Dunn, Helen (1979)

Dunnell, Mrs. W. W. (1946)

Dupres, Eddie (1938)

Durand, Patricia (1956)

Durham University, School of Architecture (1960)

Durlacher Brothers (1949, 1951-1952, 1963)

Dusenberg, Elsbeth (1955)

Dutch Gables Book [ -- Netherlandish Scrolled Gables... -- ] (1977-1979)

Dutchess County Department of Planning (1968)

Dutton and Co. (1965)

Early, James (1964)

Early, Marcia A. (1962-1963)

Early Victorian Architecture in Britain -- ( -- see -- : Victorian Paperback)

East Side Communities, Association of (1976)

East Sixty-Second Street Association (1970-1972, 1976, 1979)

Eastbourne Public Libraries and Museum (1946)

Eastman, L. R. (1960)

Eaton, Leonard K. (1960, 1968, 1970-1973)

Ebert, Elizabeth Roberts (1942, 1947)

Eccles Public Library (1962)

Ecole des Arts Decoratifs (1956)

Edgell, G. H. (1953)

Ediciones 3 (1962)

Edinburgh Architectural Association (1956)

Edinburgh, British Council in (1946)

Edinburgh, City of (1946)

Edmunds, Sheila (1962-1965)

Educational Broadcasting Co. (1963)

Edwards, David J. (1954)

Edwards, Folke (1954)

Edwards, Francis, Ltd. (1946)

Edwards, Jared (1971, 1973-1974)

Egan, Patricia (1961-1962)

Egbert, Donald (1945, 1951, 1953, 1956, 1959)

Eggers, Henry L. (1948)

Eidelberg, Martin (1969)

Eisenberg, Marvin (1966)

Eisenhower, Milton (1952)

Eisenman, Alvin (1952, 1954)

Eisenman, Peter (1964, 1976)

Eisler, Benita (1976)

Eisler, Colin (1964, 1975)

Electa Editrice (1968, 1976, 1980)

Electric Co. (1954)

Elek, Paul (1945, 1957-1958, 1968, 1970)

Elkington, Mary (1955-1958)

Elkington, Robert (1960)

Ellis, Connie (1969)

Ellis, Donald G. (1952)

Ellum, Wendy (1956)

Ellison, Clifford (1964)

Elmer, Maud V. (1958, 1962)

Elmhurst, Dorothy (1937)

Emery, Ruth (1950-1951, 1954, 1956-1957, 1960-1961, 1968, 1975, 1981)

Emil, Allan D. (1954)

Emmons, Mr. and Mrs. Donn (1947)

Employers Liability Insurance (1940, 1943)

Enciclopedia del l'Arte -- (1958)

Enciclopedia Italiana -- (1954)

Encyclopedia Britannica -- (1955, 1957-1959, 1970-1971) ( -- see also -- : Britannica Encyclopedia)

Encyclopedia of World Art -- (1958, 1961-1964, 1966)

Encyclopedia Universale Del l'Arte -- (1969)

Encyclopedia Universalis -- (1981)

Enggass, Robert (1961, 1963)

England, Robert (1968)

Engle Lecture (1965)

Engles, Charles (1948)

Epler, Robert (1966)

Erickson, John David (1948)

Ernst, Barbara (1979)

Ervin, John (1959, 1961)

Esherick, Joseph (1954)

Esposito, Joseph (1977-1978, 1980)

Essex Institute (1956, 1977)

Estrada, Rauel (1956)

Etherington, Edward (1968)

Etlin, Richard A. (1981)

Eton College Arts Society (1969)

Europe (1969, 1977)

Evans (1965)

Evans, Allan (1968)

Evans, David J. (1945)

Evans, James and Barbara (1952)

Evans, Janice (1974)

Evans, John (1950)

Evans, Kathleen Horne (1961)

Evans, Lydia (1945, 1968)

Evans, Rosamund (1945, 1954-1958)

Evershed, Emily (1966)

Ewart, Joy (1959)

Experiment (1963)

Ezequelle, Betty J. (1972)

Faber and Faber, Ltd. (1945, 1956)

Fahertyand Swartwood, Inc. (1970)

Fairbanks, G. (1946)

Fairbanks, Jonathan (1960, 1969, 1971-1976, 1980)

Fairhurst, P. G. (1955-1956)

Farleigh Dickinson University (1974)

Faison, S. Lane (1952-1955, 1962-1963, 1969, 1973-1974)

Fanelli, Giovanni (1969)

Farley, Margaret (1949)

Farnsworth, Edith B. (1951-1952)

Farnsworth, John (1952-1953)

Farthing, Cecil (1956, 1959)

Fast-Wengenmayer, Annemarie (1973)

Faulkner, Jean and Winthrop W. (1956)

Faulkner, Winthrop W. (1961)

Feddersen, Phil A. (1951)

Feder, Kathy S. (1972)

Feesender, De Witt H. (1953)

Fehm, Sherwood A. (1969)

Feinberg, Barry (1957, 1960)

Feingold, Jessica (1946)

Feininger, Lyonel (1930)

Feld, Stuart (1969)

Feriday, Peter (1964)

Ferry, Hawkins 1945

Ferry, W. H. (1947)

Fiat (1959)

Fickert Insurance (1965, 1970)

Fielden F. (1956, 1966)

Fife Memorial Fund (1951-1952)

Fifth Avenue Playhouse Group, Inc. (1928)

Film sur l'art (1957)

Fine Arts Agents (1946)

Finkel, Kenneth (1974)

Finsbury, Metropolitan Borough of (1946)

Fire Alarm Maintenance Co. (1957)

First National Bank of Northampton (1952)

First Presbyterian Church, Baltimore (1939)

Fischer Fine Arts, Ltd. (1972)

Fischer, H. R. (1962-1963)

Fischer, Wend (1974)

Fischer, Wolfgang (1973, 1980-1981)

Fisher, Howard T. (1930, 1957, 1976)

Fisher, Jutto (1962)

Fishl, Leslie (1960)

Fisker, Kay (1947-1953, 1956, 1960-1961)

Fitch, James Marston (1959, 1969, 1972, 1974, 1980)

Fitz-Gerald, Charles (1951, 1959)

Fitz-Gerald, Helen Louise (1963, 1966-1967, 1969, 1972, 1978)

Fitz-Gerald, Norman (1959)

Fitzgerald, D.V.J. (1971)

Fitzwilliam Museum (1951)

Flamm, Roy (1951)

Flanders, Ralph E. (1950, 1953)

Fleetwood-Hedreth, Peter (1970)

Fleming and Co. (1957)

Fleming, John (1963, 1965, 1969)

Fletcher Co. (1954)

Fletcher, J. S. (1924)

Fletcher, Norman (1951, 1953-1954, 1956-1957)

Flexner, James (1950)

Flint, C. (1966)

Florida State University (1949)

Florida, University of (1962)

Floyd, Margaret Henderson (1981)

Fodera, Leonardo (1960-1961)

Foeder, Barton (1950)

Fogel, Seymour (1952)

Fogg Art Museum (1945, 1948-1949, 1965, 1969, 1974, 1977)

Foley, Charles H. (1955)

Foley, J. B. (1963)

Foley, May E. (1955)

Fondersmith, John (1977)

Foote, E. J. (1975)

Forbes, Astrid and Kip (1975)

Forbes, John Douglas (1950, 1952, 1957-1958, 1962-1964)

Force, Juliana (1946)

Ford, Anne (1967)

Ford, Charles (1946)

Ford, Edith (1952-1953)

Ford, Edsel (1936)

Ford Foundation (1964)

Forman, Henry Chandlee (1957)

Forstman (1970)

Forstman, Theodore (1969)

Fort Wayne 1973

Forum Magazine -- (1950, 1957-1959)

Foster, Kathleen A. (1981)

Foster, Philip (1971-1975, 1978, 1986)

Foto Hutter (1966)

Foto Van Ojen (1958)

Foulkes, William George (1971-1972, 1978, 1986)

Fourth Avenue Booksellers (1983)

Foyle Ltd. (1947)

Franc, Helen (1947, 1951, 1953-1954, 1963, 1977, undated)

Francastle, Pierre (1956)

Francis, Dennis Steadman (1978)

Francis, Francis C. (1928)

Francis Henry (Harry) Sayles (1925-1932, 1945-1948, 1952-1953, 1955, 1959, 1961, 1963-1964, 1967-1970, 1972-1973, 1977-1981, 1983, undated)

Frank, Edward (1964-1965)

Frankbauser, Mary (1966)

Frankenstein, Alfred (1951)

Frankenstein, Mrs. Victor S. (1950)

Franklin, Cecil A. (1961)

Franklin, Danny (1975)

Franklin Institute (1963)

Franklin Square Subscription Agency (1965)

Franzen, Ulrich (1962)

Frary, I. T. (1957)

Frazer, Alfred (1957)

Fredericks, Mr. and Mrs. Marshall (1952)

Free Library of Philadelphia ( -- see -- : Philadelphia, Free Library of)

Freedman, Harry S. (1952)

Freeman, Donald (1972, 1976)

Freeman, Harrison B. (1937)

Freeman, Judy (1951)

Freer Gallery (1950)

Fregna, Roberto (1962)

Freiburg (1964)

Freidrich, Reinhard (1964)

French Line (1970)

French Railways, Ltd. (1956)

Frick Art Reference Library 1954

Friedman, B. H. (1962)

Friedman, Lee M. (1945)

Friedsam, M. (1926)

Friends of the Upper East Side Historic District (1986)

Frost, Eunice E. (1945, 1950, 1952, 1955)

Fry, E. Maxwell (1948)

Fuchs-Greven (1960)

Fulbright Fellowship (1951, 1959)

Funk and Wagnall's Encyclopedia -- (1957)

Furniture (1968)

Furry, C. I. (1941)

Futagawa, Yukio (1974)

Gaddis, Eugene R. (1982-1984, 1986)

Gagarin, Judy (1970)

Gallum, Barbie (1952)

Gale Research Co. (1964)

Galecki, Marta McBride (1977)

Games, Stephen (1983)

Gardner, Jean McClintock (1983)

Garfield, Leslie J. (1970, 1973, 1978, 1980-1981, 1984)

Garland, Peter (1958)

Garland, Peter and Mary (undated)

Garland Publishing, Inc. (1975-1977, 1979-1980, 1983-1984)

Garvan, Anthony N. B. (1948, 1955-1956)

Garvan, John (1952)

Garzanti, Aldo (1966)

Gaston, Godfrey (1952)

Gaudi, Amigos de (1956)

Gaudi Exhibition (1957-1958)

Gaunt, William (1952)

Gaus, John M. (1948)

Gayle, Margot (1971-1972, 1983-1984)

Gazette des Beaux-Arts -- (1953-1954, 1956)

Geary, Ronald (1952-1953)

Gebhard, David (1953, 1966, 1970, 1973-1974, 1977, 1981)

Gebhardt (1956)

Geddes, Robert L. (1974, 1981)

Geer, Ronald (1952)

Gehring, P. (1954)

Gelfand, Morris (1947)

Gelotte, Ernest N. (1954)

Gemeente Helversum, Publik Werken (1927)

General Adjustment Bureau (1951)

Georgia Institute of Technology (1949-1951, 1953-1954, 1962)

Georgia, University of (1975)

Gered Antiques, Ltd. (1959)

German Renaissance Architecture -- (1972, 1978-1982)

Germantown Historical Society (1972)

Gerold, William (1962-1966)

Gersheim, Helmut (1946, 1953, 1958)

Gerson, H. (1956, 1958)

Geske, Norman (1952, 1963-1964)

Gettier, Astrid E. (1966)

Getty Trust 1985

Gibb-Smith, C. H. (1954-1955)

Gibson, Cynthia (1970)

Giella, Barbara (1978-1979, 1986)

Giese, Delius [Fritz] (1948-1949)

Gift (1956) ( -- see also -- : Wesleyan University)

Gilbert, Creighton (1952, 1969, 1972-1975)

Gilchrist, Agnes (1945, 1951-1952, 1954-1957, 1961, 1968-1969)

Gilchrist, Brenda (1951-1953, 1957)

Gilkerson, Ann (1977)

Gill, Brendan (1970, 1972-1973, 1978, 1980, 1986)

Gilman's Old Books, Inc. (1947)

Girauden Photographic (1956)

Girourd, Mark (1961, 1975, 1983)

Gisser, Leon (1948)

Gittes, Lois Severini (1977)

Glaeser, Ludwig (1978, 1984)

Glasgow (1966)

Glasgow School of Architecture Club (1962)

Glasgow, University of (1967, 1972-1973)

Glaubiga, Merel (1977)

Gleason Brothers (1954)

Glick, William J. (1966)

Gobel, Laura (1965)

Goding, Stowell C. (1951)

Goeschel, Nancy (1969-1970, 1977-1978, 1980)

Goff, Bruce (1948)

Goldberg, Gary (1966)

Goldfinger (1955)

Goldsmiths and Silversmiths Co. (1946)

Goldsmith's Hall (1961-1962)

Goldstein, Malcolm (1979)

Goldstein, Stanley James (1954)

Goldthwaite, Richard A. (1970)

Goldwater, Robert (1965)

Gomes, Peter S. (1979)

Gomme, Andor (1963)

Goodall, Donald (1948-1950)

Goodall, John (1948, 1952)

Goodfellow, Gavin (1958)

Goodhue, H. Shippen (1953-1956, 1958, 1966, 1970, 1972, 1975, 1981-1982)

Goodhue, H. Shippen and Lydia (1973-1974)

Goodiery, Susan (1951)

Goodman, R. (1971)

Goodrich, Lloyd (1947-1949, 1951)

Goodspeed's Book Shop (1950-1951)

Goodwin, Genevive (1965)

Goodwin, Germaine (1958)

Goodwin, J. L. (1955)

Goodwin, James (1966)

Goodwin, Julie (1979)

Goodwin, Lubi (1974)

Goodwin, Philip (1939, 1945, 1947)

Gorbaty, Norman (1953-1954)

Gordon, David A. (1977)

Gordon, Douglas H. (1948, 1952-1953, 1966, 1971)

Gordon, Rae and Righter Travel (1965-1968)

Gorski, Taderisz A. (1953)

Gould, Cecil (1959)

Gouverneur, Elizabeth (1974)

Government and Art, Committee on (1950-1951, 1953, 1957)

Gowan, James (1962)

Gowans, Alan (1956, 1959-1960, 1962-1963, 1969)

Graduate Students (1956)

Grady, James (1956-1961, 1963-1964, 1966-1969)

Graeffe, Arnold Didier (1947)

Graf, Otto (1963)

Graham, F. Lanier (1970)

Graham Foundation for Advanced Studies in the Fine Arts (1961, 1973, 1978-1979, 1982)

Graham, Fred (1956)

Graham, John A. (1945)

Graham, Roy F. (1977)

Grannard, Harold (1928)

Grant, Leland (1975-1982, 1984)

Graves, Michael (1967)

Gray, Basil (1961)

Gray, Christopher (1977-1978, 1982)

Gray, Nicolete (1958)

Graybill, Sam (1951-1953, 1957)

Greater London Council (1985)

Greek Embassy (1958)

Green, E.R.R. (1962)

Green, J. Wilder (1951-1959, 1961-1962, 1977, 1981)

Green, Priscilla (1952, 1957)

Green, Samuel (1939, 1945, 1947, 1950-1958, 1960, 1962-1966, 1971, 1977)

Green, Samuel and Bunnie (1948)

Greenberg, Allan (1979, 1981)

Greenthal, Kathryn T. (1977, 1980)

Gregg Press Ltd. (1968-1969, 1972)

Gregory, E. C. (1947)

Grennard, Paul (1928)

Grey Art Gallery, New York University (1981)

Greystone Corp. (1962)

Grierson, Margaret (1952)

Griffiths, Peter Noyes and Lady (1956)

Grimes, Tammy (1972-1975, 1977-1979, 1981-1982, 1984)

Grinberg-Vinavert, Georges (1951)

Grippe, Peter (1952)

Grolier Club (1952, 1970-1973)

Grolier Encyclopedia -- (1961-1963)

Gropius House (1986)

Gropius, Walter (1947, 1950, 1952)

Grosser, Maurice (1951-1952, 1977, 1986)

Grove, Elsa Butler (1955)

Grow, Lawrence (1975)

Grube, Max (1968)

Gruen, Victor (1960)

Guevara, Max and Elisa (1959)

Guggenheim, Barbara 1976

Guggenheim Memorial Foundation (1945-1955, 1959-1961, 1963-1965, 1972, 1975-1982)

Guild for Religious Architecture (1969, 1971-1972)

Guildford, Glenn (1949-1950, 1958-1959)

Guildhall (1984)

Guilloton, Michael A. (1954, 1957)

Guinness, Desmond (1967)

Gundermann, Leo (1964)

Gunther, Nancy (1959)

Gutheim, Frederick (Fritz) (1946-1947, 1952, 1958-1959, 1965, 1969)

Gutman, John (1956)

Guy, James (1949)

Guy, Rice and Davis (1936, 1938, 1941-1942)

Guys, Gilbert (1928)

Haber, Francine (1965-1966)

Hack, Garrett (1969)

Hacker (1966)

Hacker Art Books (1971-1972)

Hadzi, Molly (1954, 1956, 1966)

Hadzi, Molly and Dmitri (1955, 1961, 1963)

Haessler, George (1978)

Hager, Louise (1956, 1966)

Hajer, Gerhard (1966)

Hale, William F. (1982)

Hall, J. A. (1946)

Hall, Louise (1948, 1951, 1954)

Hallmark, Donald Parker (1969)

Hallsborough Gallery (1965)

Hambright, Mrs. Joseph (1966)

Hamburg (1956)

Hammill and Barker (1947)

Hamilton, Charles E. (1969)

Hamilton, George Heard (1945-1950, 1954-1957, 1959-1960, 1965, 1968, 1972, 1980)

Hamilton, George Heard and Polly (1953)

Hamilton, Janet (1948)

Hamilton, Polly (undated)

Hamlin, Talbot F. (1945-1947, 1950, 1956)

Hamlyn, Paul (1963-1965, 1967)

Hammer, Karl (1969)

Hammond, Caffy (1958, 1961-1963, 1966-1968, 1973-1974)

Hammond, John (1968-1969)

Hammond, Walter (1954)

Hampshire Bookshop (1949-1952, 1960)

Hanks, David (1977, 1979)

Hanna, A. J. (1954)

Hannary, John (1973)

Hansen, Mr. and Mrs. Preben (1956)

Hanson, Bernard (1964)

Harbron, G. Dudley (1946-1949)

Harcourt, Brace and Co. (1933)

Harcourt Brace Jovanovich, Inc. (1971-1974, 1976-1977, 1979)

Harday, Jorge A. Ferrari (1969)

Hardenberg (1924)

Harling, Robert (1970)

Harnell and Co. (1967)

Harper Brothers (1955)

Harper's Magazine -- (1945)

Harrington, Elaine (1985)

Harrington, Richard (1958)

Harris Catalog (1968)

Harris, Eileen (1973)

Harris, Hamilton (1953)

Harris, John (1960-1965, 1967-1971, 1973, 1977, 1979-1980, 1983)

Harris, John and Eileen (1974)

Harris, Karsten (1972)

Harris, Margaret (1972)

Harris, Paul S. (1951)

Harris, Roger (1961)

Harris, Tom (1946)

Harris, Upham and Co. (1955)

Harrison, M. (1946)

Harrison, Wallace K. (1953)

Hartford (1964, 1972)

Hartford, Huntington (1963)

Hartford Magazine -- (1974)

Hartman, William E. (1962)

Hartneck, Timothy W. (1979)

Hartt, Frederick (1956, 1960-1961)

Harvard Architecture Review -- (1978)

Harvard Club (1963)

Harvard Fund (1947)

Harvard Magazin -- e (1978-1979, 1982-1983)

Harvard University (1923-1924, 1927-1928, 1939, 1942, 1946-1951, 1953-1958, 1961, 1965-1967, 1973-1974, 1976-1979, 1981-1982)

Harvey, Katharine (1970, 1976)

Harvey and Lewis (1945)

Hasbrouck, W. R. (1961, 1963-1964, 1969)

Hasbrouck, William (1967)

Haskell, Arthur C. (1955)

Haskell, Douglas (1945, 1951-1952, 1954-1955, 1958)

Haskell, Henry C. (1946)

Haskell, Rosamund (1966)

Hasler, Charles (1962)

Hasselmann, Dorothy S. (1945)

Hatch, J. D. (1948-1949)

Hatchards Booksellers (1963-1964)

Hatje, Gerd (1959-1965, 1980)

Hattis, Phyllis (1966)

Hauf, Harold (1951)

Haupt, Otto (1963)

Hausen, Marika (1965-1966)

Haverkamp-Bergman, Egbert (1971, 1973)

Havinden, Ashley (1948, 1952, 1961)

Havinden, Margaret 1946, 1953

Havinden, Margaret and Ashley (1950)

Hawksmoor Committee (1962)

Hawthorne Books (1979)

Haydon, Harold (1961)

Hayes, Bartlett (1954)

Hayes, Marian (1954-1955, 1959, 1962, 1968, 1970)

Heath and Co. (1961)

Heaton, E. W. (1959)

Hecht, Jean (1956)

Hecht, Lynn S. (1962-1964, 1966)

Heckel, Louise (1960)

Hecksher, Morrison (1970, 1973-1974)

Hedge, Alice Payne (1948, 1953-1954, 1956, undated)

Hedge, E. Russell (1959-1963)

Hedge, Henry R. (1954, 1956-1958)

Hedge, Mrs. Henry R. (1953)

Hedge, Mrs. William R. (1947, 1953)

Hedrich, E. T. (1956)

Hedrich, J. O. (1969)

Heil, Bernard (1958)

Heilkamp, Detlef (1971)

Heimsath, Clovis B. (1952)

Heine, Georgette (1970)

Heintzelman, Arthur W. (1956)

Heinz, Thomas A. (1978-1981)

Heinzel, Brigitte (1967, 1969)

Heiser, Bruce E. (1953-1954)

Heisner, Beverly F. (1967)

Held, Mr. and Mrs. Julius (1965)

Heleniak, Kathryn Moore (1975)

Helm, Francis and Mary (1948)

Hemmenway, Mary (1948-1950, 1954)

Henderson, Pat Milne (1957, 1964) ( -- see also -- : Milne-Henderson, Pat)

Henderson, M. (1958)

Hendricks, Gordon (1967)

Henley, Helen B. (1941)

Hennessey, William J. (1975-1977)

Hennings, John (1955)

Henry (1973)

Henry, Anne Wythe (1972, 1975)

Henry, Barklie [Buzz] (1959)

Hentrich, Helmut (1957, 1959-1960, 1963-1976, 1978-1981, 1985)

Hentschel, Walter (1969)

Herald Tribune -- (1945)

Herbert, Gilbert (1970)

Herget, John T. (1960)

Hergert, Elizabeth (1963)

Heron, Patrick (1952-1954, 1956, 1979)

Herrmann, George (1960)

Herschman, Judith (1979)

Hersey, George L. (1959-1963, 1967-1968, 1971-1972, 1975

Hershberger, Howard (1960, 1961, 1963)

Herve, Lucien (1956-1957)

Herzog, Marion Rawles (1967, 1970)

Hesketh, Peter Fleetwood (1969)

Hesse (1956)

Hessler, Herman (1971)

Heyl, Bernard (1959-1963)

Hibbard, Don J. (1976)

Hibbard, Howard (1962, 1968)

Highest, Gilbert (1954)

Hill, Draper (1960)

Hill, Frederick and May (1968)

Hill, Oliver (1946, 1949, 1955)

Hiner, Walter (1946)

Hines, Thomas S. (1967, 1972, 1981)

Hirschl and Adler Galleries (1968)

Historic American Buildings Survey (1973)

Historical Society of Pennsylvania ( -- see -- : Pennsylvania, Historical Society of) -- History News -- (1963)

Hitchcock, Alice Davis [mother, Mrs. Henry Russell] (1925, 1940, 1942-1943, 1946-1950)

Hitchcock, Mr. and Mrs. Carl (1955)

Hitchcock, Charles D. (1940, 1971)

Hitchcock, Harriet (1963)

Hitchcock, Dr. and Mrs. Henry Russell [parents] (1928-1929, undated)

Hitchcock, June (1979-1980)

Hitchcock, Mrs. Peter S. (1964)

Hoag, John D. (1952, 1955-1956, 1959, 1961-1965, 1967-1968, 1970-1971, 1976)

Hochman, Elaine S. (1973, 1976)

Hodge, Alan (1957)

Hodge, Philip G. (1951)

Hodgkinson, Ianthe (1966)

Hofer, Philip (1945-1947, 1949, 1951-1952, 1959, 1961, 1968)

Hoffman, Donald L. (1964, 1969-1970, 1978)

Hoffmann, Werner (1956)

Hofstra College (1952)

Hogan, Austin (1940)

Hojer, Gerhard (1967, 1970, 1973)

Holcomb, Donald M. 1956

Holderbaum, James (1962, 1964, 1966, 1968)

Holdet, L. A. (1946)

Holdin, Harrison (1976)

Holiday Inn (1972)

Holland (1964, 1967)

Holland-America Line (1958, 1971)

Holman, William G. (1981)

Holmegaards Glasvaerk (1960)

Holmes, J. P. (1953)

Holser, Clifford B. (1952)

Holt, Rinehart and Winston (1972)

Holzbog, Tom (1967)

Homolka, Larry J. (1965-1967)

Hooker, Arthur (1952)

Honour, Hugh (1966)

Hood, Graham (1971)

Hooker, John (1953)

Hooper, S. C. (1954)

Hoover, Donald (1952)

Hoover, Kathleen O'Donnell (1948-1949, 1951)

Hope, Henry R. (1943, 1945-1950, 1954, 1957, 1959, 1962)

Hopping, D.M.C. (1955-1956)

Hordczak, Theodore (1956)

Horn, Estelle (1950)

Horn, Milton (1946, 1949, 1951-1952)

Horn, Walter (1958)

Horne, Mr. and Mrs. Bernard S. (1955)

Hornsey, Borough of (1946)

Horsburgh, Patrick (1952-1955)

Horta Committee (1960)

Hosken, Franziska Porges (1963)

Hotel Grande Bretagne (1961)

Hotel Inghilterra (1961)

Housend, Brian (1956)

House Beautiful -- (1928)

Housing (1945)

Houston (1959, 1967)

Houston, University of (1953-1954)

Howard, Charles (1956)

Howard, Tom (1945)

Howard University (1961-1962)

Howarth, Thomas (1953-1957, 1959-1960, 1962-1963, 1966)

Howe, George (1945, 1949, 1951, 1953)

Howe, Hester (1954, 1956)

Howe, Lawrence (1955)

Howe, Mrs. Lawrence (1945)

Howe, Stewart S. (1954)

Howe, Thomas C. (1953, 1954)

Howlett, D. Roger (1965)

Howland, Richard H. (1952-1954, 1959, 1961)

Hoyle, Henry D. (1969)

Hoyt, Deming (1960)

Hoyt, Natalie (1947, 1949-1951, 1956, 1959, 1963)

Hoyt, Nelly (1968)

Hubbard, L. Kent (1937)

Hubbard, R. J. (1959)

Hubbard, Ray (1978)

Hubbard, Russell (1949)

Huber, Erna (1963-1964, 1966, 1970-1971)

Huber, Erna and Charlie (1983)

Hudnut, Claire (1948)

Hudnut, Helen (1947-1948)

Hudnut, Joseph (1945, 1951)

Hudson River Conservancy Society, Inc. (1945)

Huemer, Frances (1955)

Huff, William S. (1958, 1965)

Hughenden Manor (1950)

Hughes, Richard (1953-1954)

Hughes, Talmadge C. (1945)

[Hugnet?], Georges (undated)

Hulst, Roger d' (1973)

Hulton Press (1957)

Hundertmark, Dieter (1960)

Hunn, Robert (1970)

Hunter, Anna C. (1955)

Hunter, Bob (1954)

Huntington, C. (1955)

Huntington, Constant (1952)

Huntington, David C. (1961, 1963-1965, 1967-1968, 1971)

Huntington, J. D. (1951)

Huntington, James L. (1954-1955, 1957-1959, 1963-1965)

Huntington, John (1955)

Huntington, Trudy (1952)

Huse, Norbert (1975)

Hussey, Alfred R. (1949)

Hussey, Mary (1954, 1962)

Huxley Brothers (1951, 1954)

Huxtable, Ada Louise (1947, 1950, 1957-1958, 1961-1962, 1969, 1971, 1982-1983)

Hyams, N. (1948)

Hyde Hall, Inc., Friends of (1965)

Hyman, Isabelle (1977)

Iber, Howard John (1972, 1974)

Illinois Institute of Technology (1950, 1954)

Illinois, University of (1947, 1949, 1965, 1979)

Ilmanen, William (1954, 1956)

Imperial Institute (1956)

Inaya, Beata (1956)

In the Nature of Materials -- (1968-1969) ( -- see also -- : Wright, Frank Lloyd)

Income Tax (1956-1957, 1972)

India International Center (1964-1965)

Indiana University (1948, 1953, 1966)

Indiana, University of (1945, 1961)

Indianapolis, Art Association of (1948)

Information Agency, U.S. (1955)

Information Service, U.S. (1961)

Inghilterra Hotel (1960)

Inglis, F. C. (1954)

Ingraham, David (1941)

Ingraham, Henry A. (1945, 1947)

Innendekoration (1963)

Inspector of Foreign Dividends (1956)

Inscoe, Eva Jane (1983)

Institute for Advanced Studies (1963)

Institute for Architecture and Urban Studies (1975)

Institute of Contemporary Art (1948-1949, 1953-1954, 1956, 1961, 1963-1964, 1976)

Institute of Fine Arts, New York University (1949, 1956-1957, 1960, 1967) ( -- see also -- : New York University)

Institute of International Education (1955)

Institute of Landscape Architects (1952)

Instituto di Storia dell'Arte (1961)

Instituto Italiano di Cultura (1958)

Instituto per la Collaborazione Culturale (1965) ( -- see also -- : Collaborazione Culturale, Instituto per la)

Insurance (1970)

Insurance Company of America (1963)

Intercultural Publications, Inc. (1953)

International Architecture Students Conference (1949)

International Congress of African Studies (see: African Studies, International Congress of)

International Encyclopedia of Architecture, Engineering, and Urban Planning -- (1976-1977)

International Design Conference (1955)

International Information Administration (1952)

International Publications, Inc. (1954)

International Union of Architects, Sixth Congress (1960)

International University of Art (1970)

Ireland, Royal Institute of Architects of (1962)

Irving, Robert Grant (1968)

Irvy, Benjamin (1981)

Isham, Gyles (1954)

Isis -- (1961, 1964)

Isley, Natelle (1956)

Italian Institute (1956)

Ivins, William M. (1936)

Jack, William A. Park (1936)

Jackson, Esther (1953)

Jacobi, Frank (1952)

Jacobs Antiques (1948-1949)

Jacobs, Robert A. (1965)

Jacobs, Stephen (1966)

Jacobus, John [Jake] (1957-1962, 1964-1966, 1969-1971, 1980-1981)

Jacobus, John [Jake] and Marion (1963)

Jaffe, Michael (1952-1956, 1958-1964, 1966, 1968, 1973, 1977, 1986)

Jaffe, Ronald (1952)

James, Evan (1946)

James, George (1952)

James, Philip (1952, 1958)

Jamieson, K. I. (1953)

Janis Gallery (1949)

Janis, Sidney (1950)

Jansen, Dick (1953-1954, 1961-1962)

Jansen, Dick and Ellen (1955)

Janson, H. W. (1959-1962, 1972, 1975, 1977, 1983)

Janson, Peter (1978, 1982)

Jarrett, James (1958-1959, 1981)

Jeannert, Marie-Louise (1982)

Jefferson National Expansion Memorial (1947)

Jemma, Manuela (1965)

Jenkins, Frank I. (1955-1956, 1958, 1960-1961, 1964-1967)

Jennings, Nancy Gillespie (1970)

Jerome Hotel (1955)

Jerome, T. T. (1947)

Jersey City, N. J. (1981)

Jewell, Jim (1953, 1956)

Joedicke, Jurgen (1963)

Johanneson, Eric (1969)

John, Dorothy (1954)

Johns Hopkins University (1952, 1965, 1967-1971, 1973-1975)

Johnson Art Collection (1926-1927)

Johnson, Buffie (1948)

Johnson, Donald Leslie (1977)

Johnson Gallery, Museum of Modern Art (1984)

Johnson, J. R. (1969)

Johnson, J. Stewart (1968, 1976)

Johnson, James R. (1946-1951, 1953-1954, 1958-1959, 1966, 1978, 1983)

Johnson, Laura (1945)

Johnson, Margaret (1952)

Johnson, Peter 1977, 1979

Johnson, Philip C. (1934, 1945-1967, 1969, 1973, 1975, 1978-1979, 1981-1983, undated) ( -- see also -- : -- Nineteenth Century American Architects -- [with Philip Johnson])

Johnson Reprint Corp. (1973)

Johnson, Robert H. (1947)

Johnson, Thomas (1973)

Johnson, W. (1958)

Johnson, Wendell (1961-1966, 1973, 1980, 1982-1984)

Johnson-Marshall, Percy and April (1960) ( -- see also -- : Marshall, Percy Johnson)

Johnsson, Ulf C. (1965)

Johnston, Norman (1952)

Jonals Co. (1958)

Jones, Cranston (1958)

Jones, Douglas (1966)

Jones, Ernest (1957-1958)

Jones, Mrs. Fred (1941)

Jones, Howard M. (1958-1959)

Jones, Martin R. (1956-1959, 1962)

Jones, Ralph (1958)

Jones Real Estate (1970)

Jones, Robert 1959

Jones, Ronald F. (1946)

Jordy, William (1950-1962, 1964, 1968-1970, 1972-1973, 1976, 1978, 1981, 1983, undated)

Joselit, David (1981)

Journal of the History of Ideas -- (1955)

Joyce, Henry (1980)

Judkins, Winthrop (1971)

Judson (1978)

Judson, H. Richard (1965)

Jules, Mervin (1962-1963, 1965, 1970)

Kahn, Albert (1945-1946)

Kahn, Charles (1978)

Kahn, David M. (1975)

Kahn, Louis I. (1960)

Kahn, Moritz (1938)

Kaiga Bunka Chuokyoku (1954)

Kalamazoo Institute of Arts (1961)

Kalec, Donald Gordon (1974-1976)

Kallman, G. M. (1948)

Kallman, Gerhard (1969)

Kamys, Walter (1957, 1962)

Kane, Amanda (1962)

Kansas City Star -- (1964)

Kansas State College (1955)

Kapp, Helen (1956)

Kantor, Sibyl (1980, 1982)

Kardan, Sel (1985)

Karl-Ernst-Osthaus-Museum (1956)

Karlsruhe (1956, 1963)

Karner, L. C. (1959)

Karolik, Maxim (1952)

Karpel, Bernard (1969)

Karpinski, Caroline (1970)

Karshner, Joseph H. (1957)

Kates, George N. (1923, 1926-1928, 1930, 1945, 1948-1949, 1956, undated)

Katz, Ruth B. (1953)

Katzenellenbogen, Mrs. Adolph (1950)

Kaufman, Emil (1953)

Kaufmann, Edgar, Jr. (1942, 1944, 1947, 1952, 1960-1963, 1968, 1970, 1974-1978, 1981-1984, 1986)

Kauter, Mat (1947)

Keacer (1961)

Kearns, G. W. (1953)

Keating, Mary (1978)

Keefe, John W. (1970)

Keefe and Keefe 1985

Keener, John P. (1947-1948)

Keeney, Barbara (1955)

Keiiti, Taira (1962)

Keiser, George C. (1929, 1945, 1947, 1953, 1956)

Keisern, George C. and Nancy (1948, 1951-1952, 1955)

Keiser, Nancy (1957, 1962, 1970, 1972, 1974, 1976, 1979, 1983)

Keith, Lucy (1953)

Kelley, Charles H. (1979)

Kelly, Burnham (1953-1954, 1964)

Kennedy, Clarence (1972)

Kennedy Fund (1963) ( -- see also -- : Smith College)

Kennedy, John F. (1953)

Kennedy, Robert W. (1949-1950)

Kennedy, Roger G. (1967)

Kennedy, Ruth L. (1955-1956, 1958, 1961-1968, undated)

Kentucky Engineer -- (1955)

Kentucky, University of (1969)

Kenyon Corn Meal Co. (1959)

Kepes, George (1948)

Kermacy, Martin S. (1956)

Kerr, Chester (1951-1952)

Kersting, A. F. (1971)

Kestenbaum, Joy M. (1979, 1984-1985)

Ketchum, Phillips (1949)

Kettell, Russell (1954)

Keyes, Margaret (1975)

Kidney, Walter C. (1957, 1972-1973, 1983)

Kihlstedt, Folke T. (1971, 1974, 1980)

Killian, Tom (1983)

Kimball, Fiske (1938, 1953-1955)

Kinehardt, Sibley (1968)

King and Chusman Insurance (1948)

King, A. Rowden (1952)

King, Anthony (1962-1963)

King, May Abigail (1968)

Kings College (1962)

Kingston School of Art (1961)

Kingzett, Richard (1961)

Kirstein, Coco (1928)

Kirstein, Lincoln (1928-1929, 1945, undated)

Kissin, Meredith (1973)

Kitchen (1960-1961)

Kizar, John (1979)

Klapper, Paul (1947)

Kleinbauer, Eugene (1962)

Klemm, Heinz (1964)

Klinger, Timothy C. (1973)

Knoedler and Co. (1951, 1955, 1968-1970)

Knorre, Eckhard van (1971, 1973)

Knowledge Publications (1966)

Knowlton, John H. (1974)

Knox, Brian (1981)

Knox, Bruce (1972)

Knoxville (1978)

Koch, Carl (1947)

Koch, Edward (1983)

Koch, Robert (1958-1959)

Kochen (undated)

Koenig, Philip (1951)

Kohn, Geraldine (1961)

Koike, Shinji (1951-1952, 1955)

Kolper, Fred (1956)

Kommer, Bjorn (1964)

Konsthistorisk Tidskrift (1937)

Kootz, Samuel (1948)

Kopcke, Guenter (1976)

Korn, Thomas H. (1952)

Kornegay, Bill (1961, 1963, 1969-1970, 1974, 1982-1983)

Kornwolf, James D. (1977-1979)

Kostof, Spero (1976)

Kowsky, Francis (1978-1981)

Kozlow, Robert D. (1951-1954, 1957)

Kramer, Ellen (1950-1955, 1957-1958, 1960-1961, 1964, 1967-1969, 1971-1972, 1975)

Kramer, Estel Thea (1976)

Krautheimer, Richard (1945, 1947, 1950, 1952, 1957, 1961, 1963, 1965-1967, 1969, 1971, 1982)

Krautheimer, Richard and Trude (1952)

Kredler, Jack (1927)

Kremer, Eugene (1965, 1967)

Kremers, David Edward (1974)

Krinsky, Carol Herselle (1981)

Krom, Martha (1980)

Kruft, Hanno-Walter 1984

Kubler, George A. (1945-1946, 1949-1950, 1954-1957)

Kuhn, Ethel (1964)

Kultermann, Udo (1965)

Kunhardt, Mr. and Mrs. (undated)

Kunin, Jack Henry (1969)

Kunstakedmiets Bibliotek (1956)

Kunsthalle Bielfeld (1983) ( -- see also -- : Bielfeld Kunsthalle)

Kunstwerk -- (1957)

Kwan, Michael (1972, 1975, 1977)

Labo, Mario (1961)

Lacoste, Gerald (1956)

La Farge, Henry A. (1950, 1955)

Lain, Alan K. (1946, 1977)

Lamb, Deborah (1951)

Lamb, Robert J. (1976)

Lambert, Jean (1963-1966)

Lambert, Phyllis (1974-1976, 1982, 1984)

Lambert, R. J. (1960-1961)

Lambert, Sam (1955)

Lambs, S. R. (1952)

Lamont, Corliss (1953)

Lamont, Ruth (1960)

Lancashire Society of Architects 1(962)

Lancaster, Clay (1951-1953)

Lancaster, Margaret (1949-1950)

Land, Terre (1955)

Landau, Sarah (1974-1986)

Landesamt fur Denkmalpfleg Nord-Rhein-Westfalen (1956)

Landmarks Conservancy, New York (1977, 1983)

Landmarks Preservation Commission, City of New York (1970-1971, 1973, 1975, 1982, 1985)

Landmarks Preservation Foundation, New York (1985)

Landor, Walter (1940)

Landy, Jacob (1957-1959, 1961-1963, 1966, 1970)

Lane, Barbara Miller (1976-1977)

Lane, Gilman (1941)

Lane, Stephen (1948)

Lang, S. (1956)

Lang, Samuel (1970)

Langenskiold, Eric (1960)

Langrock Co. (1949-1950)

Langsam, Walter E. (1966, 1968-1969)

Langston, Jane (1978)

Lanmon, Lorraine (1974)

Larkin, Oliver (Pete) (1946-1947, 1949, 1951-1952, undated)

Larkin, Oliver (Pete) and Ruth (1950)

Larsen, Susan (1972)

Lasdun, Denys (1940, 1954, 1958-1959, 1961-1962)

Laskin (1981)

Laskin, Myron (1974)

Laskin, R. (1964-1965)

Lasko, Peter (1982)

Lasko, Viola (1955)

Laubs, E. R. (1953)

Lauder, Standish (1963, 1966)

Laughlin, Clarence J. (1955)

Laughlin, James (1953)

Launder, Victor (1950)

Laurent, Marge and Paul (1950)

Law, Graham C. (1949-1951)

Lawrence, Leslie (1943, 1945)

Lazzaro, G. di San (1967)

Lebold, Joan (1954-1955)

Lebovich, Bill (1977)

Leconte, Andre (1958)

Le Corbusier (1936)

Ledermann, P. (1958)

Lee, Antoinette Josephine [Toni] (1975, 1982)

Lee House (1948)

Lee, Renselaer (1947)

Lee, Sherman (1959)

Leeb, Mr. and Mrs. Brian P. (1954)

Leeds (1946)

Leeds Architecture Students Association (1955)

Leeper, John Palmer (1957)

Leeuwen, Tom von (1974-1975, 1977)

Lefevre Gallery (1982)

Legge, Christopher (1953)

Lehman, Arnold (1970)

Lehmann, Karl (1952-1953)

Lehmann, Karl and Phyllis (1955-1956)

Lehmann, Phyllis W. (1949, 1951-1952, 1956, 1959-1960, 1965, 1968-1969, 1973, 1978, 1981)

Lehmbruck, Manfred (1964)

Leib, Norbert (1967)

Leibner, Gernard (1973)

Leibowitz, Herbert (1976)

Leicester, University of (1963, 1966-1968, 1970)

Leided, Rykstuniversiteit te (1966)

Leigh, Roger ( 1955)

Lemon, Sally (1954-1955, 1957)

Lenn, Lottie H. (1951)

Leonard, A. O. (1951)

Leonard, J. C. (1957)

Lerski, Hanna (1978)

Lescaze, William E. (1928, 1937, undated)

Levassor (1956)

Lever House (1983)

Lever, Jill 1986

Levine, Neil (1972, 1976-1977, 1983)

Levine, Seymour J. (1951)

Levion, Sally (1954)

Levy, Julien, Gallery (1946)

Levy, S. Dean (1973, 1982)

Lewine, Milton (1967)

Lewis, David (1946)

Lewis, Mrs. David (1945)

Lewis, Lesley (1946, 1952)

Lewis, Stanley T. (1952)

Lewis, Virginia 1958

Lewis, Wilmarth Sheldon (1948-1952, 1954, 1963)

Li, Sue Yung (1956)

Library (1968-1969)

Library Company of Philadelphia ( -- see -- : Philadelphia,

Library Company of)

Library of Congress (1940-1942, 1944, 1947)

Lichebeelden Institute (1956-1958)

Licht, Fred (1963)

Liddell, Janet (1953)

Lieb, Norbert (1971-1973)

Liebert, Herman (1947, 1951)

Lieberthal, Mary (1976)

Lienhardt, Robert C. (1963)

Life Magazine -- (1945-1946)

Lilliput Magazine -- (1947)

Limerick, Jeff (1974)

Lincoln, Alfred W. (1961)

Lincoln, Dick (1959)

Lindekee, Mary Proal (1951)

Lindley, Mr. and Mrs. Daniel (1955)

Lindsay, G. Carroll (1955)

Lindsay, Ian G. (1957)

Lindsay, Joan R. (1949)

Line, Ralph Marlow (1953)

Linn, Janet Denithorne (1970)

Lipman, Jean (1971)

Lipman, Jonathan (1980)

Lipstadt, Helene Rebecca (1976)

Lisker, Albert (1953)

Lisker and Lisker (1954)

Liskowski, Bohdan (1961)

Lissam, Simon (1965)

Little and Ives Co. (1960)

Little, Bertram (1960)

Little, Sidney W. (1953-1955)

Liverpool School of Architecture (1949, 1958, 1962-1963)

Liverpool University Architecture Society (1955)

Locchead, Kenneth (1952)

Locke, Margaret E. (1949)

Lockwood-Matthews Mansion (1973)

Lo Curzio, Massimo (1965)

Lodge, Henry Cabot (1950)

Lodge, Sprucewold (1954)

Loeb, Hermann (1946)

Loeb, John (1974-1976, 1983)

Loftstrom, Edward V. (1963)

Logan, Ann M. (1955)

London (1963)

Long Island Antiquities, Society for the Preservation of (1969)

Long, Susie (1949)

Longhi, David (1959, 1974)

Look Magazine -- (1962)

Lord Travel Agency (1952, 1954)

Loren, Erle (1955)

Los Angeles (1972)

Los Angeles County Museum (1955, 1958)

Lotus (1964, 1970)

Louisiana State University (1955, 1958)

Louisville, J. B. Speed Art Museum (1952)

Louisville, University of (1975)

Louw, H. J. (1977)

Love, Iris (1965)

Lowd, Dana (1951)

Lowe, David (1951-1954, 1975)

Lowe, John (1955)

Lowell, Isabel (1923)

Lowenthal, Esther (1961, 1964, 1968-1969)

Lowenthal, Helen (1951-1952, 1955-1956)

Lowry, Bates (1966, 1972)

Lubbock, Jules (1980)

Lubetkin, Bertholde (1936, 1945-1946, undated)

Lucas, Clive (1974)

Lucas, Jannette (1948, 1950-1952)

Luckhurst, K. W. (1951, 1955-1956)

Luginbuhl, Viola (1962)

Lukas, Gabriel (1969)

Lukomski, George (1956)

Luman, Thomas (1938)

Lunn Travel (1962)

Lurcat, Andre (1928, 1930, undated)

Luty, Alan (1963)

Luzuriaga, Carlos (1949)

Lym, G. R. (1978)

Lyman Allen Museum (1942, 1947, 1949, 1958)

Lyman, Charles (1965)

Lyman, Dwight C. (1955, 1973)

Lynes, Russell (1973)

Maas and Co. (1962)

Maas, John (1957, 1966, 1969-1971)

McAndrew, John (1940, 1945, 1949, 1953, 1957, 1969, 1978, 1981)

McArthur, Shirley (1985)

McAuley, Theodora (1962)

McBreen (1949)

McBride, Henry (1947)

McCall's Magazine -- (1946)

McCallum, Ian (1956, 1958-1959, 1963-1964)

McCay, Mrs. A. B. (1948)

McComb, Arthur (1945)

McCormick, Margaret (1978)

McCormick, Thomas J. (1948-1987, undated)

McCosher, Delphina (1964)

McCoubrey, John W. (1967)

McCoy, Esther (1956, 1960)

McCray, Porter (1956, 1969)

McCullough, Jane Fiske (1966, 1968)

McDonald (1978)

McDonald, Thoreau (1949)

McDonald, William L. (1955, 1963, 1982-1983)

MacDougall, Elisabeth B. (1980)

McGehee, Mary (1955)

McGraw Hill Co. (1957, 1959,-1966)

McGuire, Diane Kostial (1963)

McGuire, William (1972)

McIlhenny, Henry P. (1955, 1971)

McIntyre, Ruth A. (1962)

Mackay Brothers and Co. (1947)

Mackay, David (1965-1966)

Mackay-Smith, Alexander (1952-1953, 1962) ( -- see also -- : Smith, Alexander Mackay)

McKean, A. G. (1953)

McKenna, Rosalie Thorne (Rollie) (1949-1958)

McKibbin, David (1949, 1956, 1959, 1961)

McKinley (1956)

McKinley, Hazel G. (1964, 1979, 1981)

Mackintosh Society (1963-1964)

McLanathan, Richard B. K. (1958)

MacLaren, Alistair (1960, 1962-1964, 1966, 1968, 1970)

McMillan Co. (1953)

Macmillan Encyclopedia of Architects -- (1980, 1982)

Macmillan Publishers, Ltd. (1984)

McNair, Andrew (1975)

McNamara, Ellen 1974, 1976

Macomber, C. Clark (1951)

Macomber, Mr. and Mrs. Charles C. (1955)

Macomber, Gail (1953)

McQuade, Walter (1960)

McReynolds, George (1952)

Magazine of Art -- (1947-1953)

Magaziner, Henry J. (1971-1973)

Magee, John J. (1970)

Magill, Peter (1951, 1955)

Magruder, Charles (1957)

Mahard, Francis M. (1968)

Maher, Billy (undated)

Maher, James T. (1981)

Maher, William P. (1938)

Maison du Libre (1951)

Manchester Society of Architects, Student Association (1955)

Mancini, Lillian (1951)

Mancoff, Debra (1978)

Mandell, Mrs. M. Hussey (1952)

Mandell, Richard (1968)

Mandelsohn, Louise (1955)

Mang, Karl (1974)

Manitoba, University of (1958-1959)

Manning, Eileen (1952)

Mansell Collection (1956-1958)

Manson, Grant (1941, 1952, 1957-1958)

Manuzio (1962)

Maple and Co. (1946)

Mar, Arxiu (1958)

Marcus, Stanley (1962)

Marden, Philip S. (1951)

Marder, Tom (1979-1981)

Marenco, Vittoria (1964)

Mark, Edward L. (1966-1967)

Markowitz, Arnold (1970)

Mark Twain Memorial (1966-1970, 1975, 1977)

Marlborough Fine Arts Ltd. (1962)

Marlor, Clark S. (1969)

Marmo (1962)

Marquis, Alice (1986)

Marquis Co. (1947- 1948)

Marr, Harriet (1952)

Marre, Robert de La (1927)

Marsanas, Luis (1963-1964)

Marshall, Percy Johnson (1959, 1963) ( -- see also -- : Johnson-Marshall, Percy)

Martienssen, Heather (1962)

Martin, J. L. (1946-1947, 1952)

Martin, J. R. (1965)

Martin, Leslie (1954, 1957, 1959, 1962-1963)

Martin, Thomas P. (1947)

Martindale, Katharine (1960)

Maryland Center for Public Broadcasting (1978)

Maryland Historical Society (1957)

Maryland State Library (1939)

Marzoli, Carla C. (1954, 1956, 1958, 1964, 1968)

Mas, Arxiu (1956)

Masheck, Joseph (1970, 1973, 1977)

Mason, Clark (1963-1964)

Mason, Francis S. (1961-1965, 1967, 1979)

Mason, Howard (1962)

Massachusetts, Commonwealth of (1952, 1954)

Massachusetts Hospital Service, Inc. (1954)

Massachusetts Institute of Technology (1946-1952, 1954, 1958, 1962-1963, 1965-1973, 1975-1981)

Massachusetts Motor Vehicle Assigned Risk Pool (1955)

Massachusetts Review -- (1969)

Massachusetts State Association of Architects (1954, 1957)

Massachusetts Turnpike Authority (1959)

Massachusetts, University of (1951, 1969)

Massey, James C. (1963, 1966)

Matheson, Donald W. (1980)

Matheson, Martin (1966)

Mattingly, Garrett (1946)

Maufe, Edward (1960)

Maunoury, Jean (1948)

Maxant, Harriett (1967)

Maxon, John (1961)

Maxtone-Graham, John (1974)

Maxwell, Clifford (1975, 1977, 1981)

Maxwell Mansion (1971)

May, John S. (1955)

Mayer, Grace M. (1953)

Mayflower Descendants, Society of (1944-1945, 1947-1950, 1952, 1954, 1956, 1959, 1963, 1966-1968, 1970, 1973-1975)

Mayher, Phil (1952)

Mayne, Jonathan (1962)

Mead, Katherine (1964, 1967)

Medicare/Blue Shield (1971-1972, 1985) ( -- see also -- : Blue Cross/Blue Shield)

Meehan, Patrick J. (1984)

Meeks, Carroll (1944-1966, undated)

Meigs, Walter (1954)

Meijburn, Herm. van der Kloot (1927)

Meiss, Millard (1952, 1960, 1962- 1963)

Melbourne, University of (1958)

Mellon, Tom (1962)

Mellquist, Jerome (1955-1956, 1958)

Mendelsohn, Eric (1953)

Mendelsohn, Frances (1959)

Mendenhall (1964)

Menges, Axel (1986)

Meredith Press (1962)

Meriden Gravure Co. (1960)

Merkel, Jayne (1967)

Merrill, David O. (1960)

Mesevery, Robert (1956)

Metcalf Printing (1973)

Metcalf, Priscilla (1956-1957, 1962-1963, 1966-1968, 1977)

Metropolitan Museum of Art (1951, 1968-1970, 1972-1973, 1979-1980, 1982)

Meyer, B. A. (1946)

Meyer, Charles (1961)

Miami, University of (1972)

Michalski, Thomas (1976)

Michigan, University of (1928, 1947-1948, 1965-1966, 1970)

Microcard Committee (1951)

Microcard Foundation (1948)

Middlesex Hospital (1938, 1941, 1945)

Middlesex School Alumni Bulletin -- (1952)

Middleton, Robin (1956-1961, 1963-1967, 1969, 1971-1972, 1978)

Middletown Press (1945)

Mies van der Rohe (1947)

Miles, H. (1961)

Miles, Hamish (1965, 1966)

Miles, James (1946)

Miles, Jean (1960)

Millar, John F. (1980-1983)

Millar, Olive (1952)

Millech, Knud (1930, 1956)

Miller Co. (1945, 1947-1952, 1955)

Miller, Dorothy (1961)

Miller, Herman (1963)

Miller, Janet (1978)

Miller, Meredith (1958-1959)

Miller, R. Craig (1973-1978, 1981-1984, 1986)

Miller, Mrs. Russ (1958)

Miller, Stephen R. (1976- 1977)

Millett, Fred B. (1949, 1963)

Millon, Henry A. (1956, 1964, 1966-1967, 1978, 1980-1981, 1983)

Millon, Henry A. and Judy (1973)

Millon, Judy (1982, 1984)

Milne-Henderson, Pat (1960, 1962) ( -- see also -- : Henderson, Pat Milne)

Milwaukee Art Center (1977)

Milwaukee Public Library (1952)

Minard, Ralph (1963)

Mindlin, Henrique E. (1955)

Minneapolis City Planning Department (1969)

Minneapolis Institute of Arts (1941, 1956, 1959)

Minnesota Society of Architects (1958)

Minnesota, University of (1944, 1946-1947, 1949-1950, 1955, 1958, 1961-1962, 1969, 1972, 1985)

Minnick, Margaret (1979-1981)

Minton, Lee R. (1973)

Mississippi State College for Women (1947)

Mitchell, Allen (1963)

Mitchell, Anthon (1952)

Mitchell, Charles (1962, 1974)

Mitchell, Herbert (1969, 1975)

Mitchell, Robert D. (1970)

Mitchell, Shirley Spratt (1968)

Mock, Betty (1947, 1949-1951)

Modern Age (1962)

Modern Architecture (1943, 1945)

Modern Architecture Symposium (1962, 1964, 1966)

Moe, Henry Allen (1953, 1963, 1968)

Moeller, Achim F. (1973)

Moholy-Nagy, Sibyl (1969, 1971)

Mohr, Elizabeth Heaton (1963)

Moise, Howard (1951)

Moller, C. F. (1956)

Moltke, J. W. (1971)

Mongan, Agnes (1944-1948, 1950-1955, 1963, 1969, 1973)

Mongan, Elizabeth (1945)

Monkhouse, Christopher P. (1982)

Monks Hall Museum (1964)

Montgomery, Charles F. (1955, 1959)

Montrose (1952)

Moog, Helen C. (1948)

Moore, Asher (1940-1941, 1943, 1945-1954, 1958-1961, 1981)

Moore, C. A. (1953)

Moore, Charles (1952)

Moore, Mr. and Mrs. Franklin Frazes (1951)

Moore, Henry (1955)

Moore, Hugh (1965)

Moore, Lamont (1951)

More, Hermon (1948)

Morea, Alberto (1957, 1959)

Moret, O.J.V. (1955)

Morgan, Charles H. (1965)

Morgan, Keith N. (1980-1981)

Morgan, William N. (1957)

Morgas, Antonio de (1956)

Morison, Samuel E. (1951)

Morley, Grace L. McCann (1937)

Morra (1958)

Morris, Mrs. E. Huckins (1959)

Morris, Ellen (1980)

Morris, Laura B. S. (1962)

Morris Society (1965)

Morris, Mrs. V. C. (1951)

Morrison, Hugh (1935-1936, 1940-1941, 1945, 1947-1953, 1956, 1970)

Morrison, Mary Lane (1977)

Morrissey, Rita (1957-1961, 1966-1967, 1969-1975, 1980, 1982, 1985-1986)

Morse, John D. (1946- 1947)

Morton, James P. (1976)

Morton, John and Flossie (1941)

Morton, M. M. (1960)

Moss, Richard (1959)

Mount Holyoke College (1942, 1947, 1949, 1951-1952, 1957, 1963, 1970)

Mount Vernon Ladies Association (1955)

Moynihan, Daniel Patrick (1986)

Mumford, Lewis (1927-1930, 1945-1946, 1948, 1951, 1979, 1982)

Munich (1956)

Municipal Art Society of New York (1957, 1978-1981, 1983)

Munson Williams Proctor Institute (1951, 1962, 1966-1967)

Munsterberg, Hugo (1946)

Munz, Heinrich (1958)

Munz, Ludwig (1956)

Murphy, Francis (1967)

Murray, Edward (1971)

Murtagh, William J. (1979-1980)

Museo Internazionale di Architettura Moderna (1961-1963)

Museum of Fine Arts, Boston (1962) ( -- see also -- : Boston, Museum of Fine Arts)

Museum of Modern Art (1936, 1939, 1941, 1943-1962, 1964-1969, 1971, 1973, 1975, 1982, 1984, undated)

Museum of the City of New York (1956-1958)

Musgrave, Clifford (1956)

Music Press (1949)

Myers, Denys P. (1963)

Mylonas, Paul M. (1956)

Mystic Seaport (1974)

Nachmani, Cynthia (1977)

Nagel, Charles (1954-1955)

Nagle, Priscilla C. (1963)

Nairn, Ian (1956)

Napoli, Univesita degli Studi di (1978)

Napper, J. H. (1961)

Nash, Roy (1949-1950)

Nash, Suzanne (1952)

Nation -- (1957)

National Academy of Design (1962)

National Archives of Canada ( -- see -- : Canada, National Archives of)

National Buildings Record -- (1942, 1947, 1949)

National Buildings Register (1942-1943, 1954, 1956, 1958, 1960)

National Council on the Arts and Government (1957)

National Cyclopedia of American Biography -- (1961, 1970-1971)

National Endowment for the Humanities (1969-1970, 1973, 1975-1976, 1978-1979)

National Foundation for Arts and Humanities (1970-1971)

National Galleries of Scotland (1946)

National Gallery (London) (1964)

National Gallery of Art (1950, 1962, 1964, 1968, 1975, 1980-1982)

National Gallery of Canada (see: Canada, National Gallery of)

National Institute of Arts and Letters (1956)

National Monuments Record (1971)

National Park Service (1965, 1970)

National Registration Identity Card (Great Britain) (1946)

National Science Foundation (1968)

National Trust (1950, 1952)

National Trust for Historic Preservation (1955, 1958, 1961-1962, 1964-1966, 1969-1970, 1976-1978)

National Trust for Scotland (1953)

Navy League (1946)

Naylor, Edith M. (1944)

Nebraska, University of (1955)

Nelson, Paul D. (1928)

Nesbin, Esther W. (1950)

Netherlandish Scrolled Gables... -- ( -- see -- : Dutch Gables Book)

Netsch, Walter (1961)

Neuburg Staatsarchiv (1973)

Neuman, Hartwig (1985)

Neutra, Richard (1928, 1940-1941, 1954, 1969, undated)

Neville, Elizabeth (1964)

Neville, Richard G. (1958)

Neville, Harriett Elizabeth (1966)

New American Library (1952)

New Amsterdam Casualty Co. (1948)

New England Antiquities, Society for the Preservation of (1972-1973) ( -- see also -- : Preservation of New England Antiquities, Society for the; Society for the Preservation of New England Antiquities)

New England Architecture, Committee for the Centennial Exhibition of (1957)

New England Quarterly -- (1955)

New Gallery (1963)

New Haven Festival of Arts (1959)

New Haven Preservation Trust (1964, 1966-1969)

New Jersey Historical Society (1962)

New Jersey Society of Architects (1957)

New Liberty (1952)

New London (1976)

New Mexico, University of (1957)

New Watson Hotel (1955)

New York Central Railway (1956)

New York City (1972)

New York City, Art Commission of (1983)

New York City Planning Commission (1972)

New York Graphic Society (1970

New York Herald Tribune -- (1947)

New-York Historical Society (1950-1951, 1961-1962, 1969)

New York State Association of Architects (1949)

New York State, Temporary Commission on the Restoration of the Capitol (1980-1981)

New York, State University of (1952)

New York Times -- (1947-1948, 1957, 1960-1961)

New York University (1945-1949, 1951-1954, 1958, 1960-1961, 1968-1986) ( -- see also -- : Gray Art Gallery; Institute of Fine Arts) New York University Seminar (1977, 1980)

New Yorker -- (1926, 1946)

Newark Public Library (1969)

Newbegin's Bookshop (1947)

Newberry, S. W. (1958)

Newcastle (1956)

Newcastle on Tyne, University of (1970)

Newcomb College (1961)

Newcomb, Rexford (1946-1947)

Newhall, Beaumont (1947, 1950, 1952, 1955-1958, 1967)

Newhan Book Shop (1947)

Newhouse, S. I., Jr. (1982)

Newhouse, Victoria (1980-1982, 1984)

Newman, Robert B. (1952, 1954-1955)

Newmeyer, Alfred (1959-1960)

Newnham College (1962)

Newnes, Ltd. (1946)

Newport Co. [Rhode Island], Preservation Society of (1952) ( -- see also -- : Preservation Society of Newport Co. [Rhode Island])

Newport Historical Society (1968)

Newton, Roger Hale (1946, 1953)

Nicholette, Manfredi (1955)

Nichols, Fred (1956-1960)

Nicholson, Ben (1946, 1950-1953)

Niebling, Howard V. (1973)

Niemeyer, Oscar (1955-1956)

Nijmegan (1969)

Nineteenth Century American Architects -- [with Philip Johnson] (1932)

Nismonger, Estelle (1948)

Noble, Michael (1972)

Nodena Foundation (1952)

Noehles, Karl (1956)

Nordt, Janis M. H. 1981

North Carolina, University of (1941, 1960, 1969)

North Dakota Agricultural College (1953)

North Easton (1968)

North Easton Historic District, H. H. Richardson Tour (1975)

Northampton Historical Society (1952)

Northwest College Lectures and Concerts Association (1959)

Northwestern University (1968-1971, 1977-1978, 1985)

Norton and Co. (1965-1967, 1970, 1978-1979, 1981-1982)

Norton, Paul H. (1952-1953, 1957-1960, 1963, 1966-1968)

Notre Dame, University of (1965)

Novotny (1959)

Noyes, S. R. (1947)

Nutt, Richard S. (1959)

Oak Park (1969)

Oak Park, Landmarks Commission of (1978)

Oakes Ames Memorial Hall (1970)

Oberhuber, Konrad (1965)

Oberlin College (1947, 1950)

Obesity Diet (1945)

O'Brien, Wendy (1962)

Observer -- (1953)

O'Callaghan, John (1970-1971, 1974)

Ochsner, Jeffrey Karl (1972, 1975, 1979-1987)

O'Connor, R. B. (1962)

O'Gorman, James F. (1970, 1974, 1977)

Ogunquit Museum of Art (1965)

Ohio Historical Society (1956)

Ohio State University (1952, 1959, 1962, 1967)

Ohle (1956)

Ojeda, Luis (1949)

Oklahoma, University of (1949)

Olana (1964, 1966)

Old Print Shop, Inc. (1951)

Olds, Irving S. (1952)

O'Leary, Pat (1956-1957)

Olfanos (1970)

Ollinger, G. Batchelder (1970)

Olmstead, Lorena Ann (1951)

Olpp, William H. (1948)

Olsen, Karolyn (1954-1955)

Olson, Charles (1965-1966)

Olson, Joan H. (1964)

O'Malley, Rev. J.M.E. (1960)

O'Malley-Williams, A. C. (1961) ( -- see also -- : Williams, A. C. O'Malley)

Omoto, Sadayoski (1951)

O'Neal, William B. (1961, 1967, 1970, 1978)

O'Neil, Kathleen (1946)

One World (1946)

Onot, Etta S. (1973)

Open University (1981)

Oppeille (1946)

Oppenheimer, Herbert (1975-1977)

Oppositions -- (1974)

Opus Musicum -- (1964)

Oregon, University of (1953, 1960-1962)

Orfanos, Patricia (1982)

Orth, Myra (1971, 1973)

Ortner, Evelyn (1970)

Ortner, Everett H. (1975)

Osmun, Bill (1959)

Osterreichische Nationalbibliothek (1956, 1958)

Osterstrom, Marta (1966)

Ostrow, Stephen (1957)

Osuhowski, Carol (1955)

Ott, Orville (1956)

Otto, Christian F. (1965-1966, 1968, 1970-1972, 1975, 1979-1982)

Oud, J.J.P. (1928-1929, 1948, 1950, undated)

Oudheidkunding Genootschap (1962)

Owings, Nathaniel (1961)

Overby, Osmund (1968, 1971, 1973, 1976-1977)

Owens, Dean (1981)

Owens, Jean (1976)

Oxford University (1935, 1953)

Ozinga, M. D. (1953, 1961-1964, 1966)

Pacific Historical Review -- (1970)

Padovic, James Farrell (1952, 1955)

Paffrath Gallery (1960-1961)

Pagano Foundation (1963)

Page, Evelyn (1950, 1954)

Page, Gertrude W. (1931)

Page, H. (1952)

Page, Robert (1975)

Paget, Paul (1971)

Paige, Maude Steinway (1969)

Paint Journal -- (1956)

Palestrant, Stephen (1963)

Pallottino, Massimo (1961)

Palmer, James E. (1952)

Palmer, Richard (1946)

Palmes, James C. (1957)

Palsgrove, James L. (1948, 1953)

Panofsky, Erwin (1940, 1945, 1952-1953, 1956, 1961)

Park, Helen O'B. (1975)

Park, Rosemary (1954)

Paris, Barbara (1949)

Parker, Barbara (1954)

Parkhurst, Charles (1952, 1954-1955, 1961, 1968)

Parkin, John C. (1959-1960, 1962, 1964, 1968)

Parks, Robert O. (1955-1956, 1961-1962)

Parmentier, Douglas (1945)

Parsons, Katharine (1952-1953, 1960, 1963)

Parsons School of Design (1947)

Partovi, Zahra (1985)

Partridge, Margaret (1973)

Passediot Gallery (1949)

Passport (1945, 1954, 1968)

Pastuhov, Vladimir Dimitrievitch (1961)

Paterson, A. B. (1953)

Patterson, John (1942, 1947)

Pattison, Walter (1947)

Paul, Adaline (1952-1953)

Paul, Jacques (1966)

Paul, Jurgen (1965, 1971, 1973-1974)

Paul Memorial Library (1954)

Paulsson, Gregor (1956)

Paxton Drawings (1951)

Peabody Institute of Baltimore (1938)

Peabody Museum (1948, 1951)

Peale Museum (1952-1953, 1956) ( -- see also -- : Baltimore City Museum)

Pearlman, Jill (1985-1986)

Pearson Fund (1977)

Pearson, Marjorie (1972, 1978-1980)

Pearson, Norman H. (1952)

Peat, Wilbur (1955)

Peck, F. Taylor (1954)

Pegge, Denis (1962)

Pei, I. M. (1962)

Pelican Books (1971, 1979)

Pelligrini and Cudahy, Inc. (1948)

Pelzer, Dorothy (1948)

Pendleton, Ralph (1955)

Penguin Books (1945-1946, 1953, 1955, 1957-1979, 1981- 1982, 1984)

Pennsylvania Academy of the Fine Arts (1950-1951, 1972-1973)

Pennsylvania, Historical Society of (1942, 1953, 1958)

Pennsylvania Railroad Co. (1956-1957)

Pennsylvania State College (1949-1950, 1952)

Pennsylvania, University of (1955-1957, 1970, 1973, 1976-1978)

Pennsylvania, University of, Architecture Society (1952-1953)

Penrose Annual -- (1956)

Penshorn, Everett (1973)

Pentland, W. T. (1957)

Perkin, George (1960)

Perkins, Elizabeth (1966)

Perkins, Holmes (1952-1953, 1956, 1960-1961)

Perry, Judy (1956)

Perspecta -- (1957, 1959-1960, 1963-1964, 1970, 1981)

Perspectives U.S.A. -- (1952)

Perstel Verlag (1972)

Peters, Susan Dodge (1978)

Peterson, Bob (1961)

Peterson, Charles E. (1936, 1947-1948, 1950-1954, 1956, 1966, 1974)

Peterson, Jon (1964)

Peterson, Joyce (1952-1953)

Petersson, Robert (1956)

Petrick (1950)

Petrides, Andreas (1980)

Pettingil, George E. (1956-1957, 1978)

Pevsner Festschrift (1966-1969)

Pevsner Memorial Library (1986)

Pevsner, Nikolaus (1941-1942, 1945, 1947-1979, 1983-1984, undated)

Pfistermeister, Ursula (1971)

Phaidon Press, Ltd. (1967, 1969, 1970-1973)

Phelps, Kevin (1977)

Phi Beta Kappa (1948, 1954, 1958)

Philadelphia Award (1960)

Philadelphia, Free Library of (1944)

Philadelphia, Library Company of (1980)

Philadelphia Museum of Art (1945, 1951, 1954-1955, 1974-1975, 1982)

Phillips, Cecil L. (1946)

Phillips, John (1946)

Phillips, Wildger John (1952)

Phoenix Indemnity Co. (1955)

Photographie Giraudon (1958)

Pickard of Leeds, Ltd. (1954)

Pickens, Buford L. (1941, 1945, 1960, 1968, 1978)

Picture Post Library (1952-1955)

Pidgeon, Monica (1955)

Pierson, Jewel (1965)

Pierson, William (1948, 1953)

Pilgrim Society (1945-1954, 1956-1958, 1960-1986)

Piper, Marion K. (1971)

Pitt and Scott Ltd. (1956)

Pittsburgh History and Landmarks Foundation (1967)

Pittsburgh, University of (1928, 1956-1957)

Placzek, Adolph K. (1965-1967, 1973-1974, 1976, 1979)

Plagemann, Volker (1969)

Planning Committee [Birkenhead Co., England] (1954)

Plaut, James S. (1946, 1953)

Pleasants, Frederick K. (1948, 1954)

Plenum Publishing Corp. (1969-1972)

Pleydel, H. Cliquet (undated)

Pleydell-Bouverie, David (1965, 1971, 1977-1978, 1983, undated) ( -- see also -- : Bouverie, David Pleydell)

Plimouth Plantation, Inc. (1950, 1953, 1955)

Plishke, E. A. (1954)

Plymouth Antiquarian Society (1952, 1960, 1962-1963, 1970, 1973-1974, 1976, 1983)

Plymouth Five Cents Savings Bank (1961)

Plymouth National Bank (1945, 1955)

Poe, Anthony (1955)

Poland (1973)

Polish Academy of Sciences (1972)

Polish Embassy (1970)

Pollard, Phyllis (1958)

Polshek, James Stewart (1980)

Polytechnic School of Architecture, Surveying, and Building (1955)

Pommer, Richard (1965, 1967, 1971, 1974-1975)

Pomona College (1946, 1963)

Pope-Hennessy, John (1959, 1962, 1964, 1966, 1971-1973, 1978)

Poppeliers, John C. (1968)

Porter, A. Kingsley (1923-1925, 1927-1931)

Porter, Lucy (1930, 1936, 1945-1946, 1949-1954, 1956-1957, 1963, undated)

Porter-Phelps-Huntington House, Inc. (1953, 1955-1957)

Porter-Phelps-Huntington Foundation (1962-1964, 1967)

Portnoy, Martin (1986)

Portsmouth Priory (1949)

Posener, Julius (1964-1966, 1968-1969)

Postmaster, Western District, London (1956)

Potter, Brooks ( 1956)

Potter, Inc. (1969)

Powell, Herbert ( 1963)

Powell, Philip (1952)

Powell, Philip and Moya (1954)

Praeger, Inc. (1962-1963, 1967-1971, 1973)

Prairie School Press (1963, 1966, 1968, 1970)

Prakapas, Eugene J. (1974, 1985)

Prats, Joan (1956)

Pratt and Whitney Aircraft (1945)

Praz, Mario (1955-1956)

Prentice-Hall, Inc. (1962)

Pre-Raphaelite Decorative Arts Exhibition (1971)

Preservation League of New York (1981)

Preservation of New England Antiquities, Society for the (1956, 1963, 1966) ( -- see also -- : New England Antiquities, Society for the Preservation of; Society for the Preservation of New England Antiquities)

Preservation Society of Newport Co. [Rhode Island] (1948, 1955) ( -- see also -- : Newport Co. [Rhode Island], Preservation Society of)

Prestel Verlag (1975)

Preston, James (1963)

Preusser, Robert (1957)

Prey, Pierre du (1968-1969)

Preziosi, Donald (1981)

Price, Eric J. (1946)

Price, Paton (1949)

Priest, Allen (undated)

Primex Trading Co. (1950)

Prince, Charlotte (1969)

Princeton University (1945-1947, 1951-1952, 1955, 1957-1958, 1963, 1972, 1974-1978, 1985)

Prior, Harris K. (1947-1949, 1951, 1954-1956, 1962)

Pritzker Architecture Prize (1982)

Prochnik, Wit-Olaf (1956)

Producers' Council (1961-1962)

Program (1964)

Progressive Architecture -- (1948, 1953-1954, 1956-1958, 1960-1961, 1965-1967, 1969, 1971, 1977)

Propylaen Verlag Berlin (1975)

Providence Preservation Society (1960-1961)

Providence Public Library (1969)

Ptasnik, Mieczyslaw (1970)

Pugin's "Contrasts," Introduction to (1968)

Pulitzer, Mrs. Ralph (1954)

Putnam, George (1941)

Putnam, Natalie (1953)

Quadrangle Books (1969)

Quantrill, Malcolm (1956-1963, 1967, 1983, 1985)

Quaritch Ltd. (1953)

Queens College (1947)

Quinan, John (1972, 1980)

Quincy, Edmund (1959-1962)

Quincy Society of Fine Arts (1965-1966)

Raab, Martin D. (1954)

Rabinovich, Guillermo (1962)

Radcliffe College (1962)

Radice, E. A. (Ted) (1946, 1953-1954)

Raider, Nancy (1985)

Rainer, Roland (1956)

Rambusch, Catha Grace (1980-1981, 1983)

Ramsey, Ronald Lanier (1972)

Rand, Marvin (1959)

Randall, John D. (1958, 1973, 1981, 1984)

Randall, Richard R. (1966)

Randolph Hotel (1958)

Randolph Macon Women's College (1955)

Random House (1963)

Ransom, David (1977)

Rapson, Carin (1961)

Rapson, Ralph (1954, 1958-1959)

Rat fur Formgebung (1956)

Rathbone, Perry (1951-1952)

Rathbun, Mary C. (1947)

Rauch, Basil (1954, 1956)

Rava, Rebzi (1957)

Rawles Ltd. (1953)

Rebhuhn, Anne (1941)

Redfern Gallery (1946)

Reed, L. B. (1948-1950, 1952-1953)

Reed, Susan Welsh (1965)

Reeves and Son (1946)

Reform Club (1955)

Regensburg Stadt Museum (1973)

Regina College (1952)

Regional Planning Office [Australia] (1953)

Reiach, Alan (1954, 1956-1957)

Reid, Alexander (1946)

Reiff, Robert (1959)

Reinauer, B. Franklin (1985)

Reinberger, Mark (1982)

Reiner, Jan (1952)

Reinhardt, Phyllis A. (1953-1955, 1960-1961, 1967-1968)

Reinhold Books (1957, 1959)

Reinhold Publishing Co. (1954)

Reinink, A. W. (1964, 1966-1967, 1969-1972)

Renaissance Conference (1945)

Renaissance Quarterly -- (1970)

Renaissance Society of America (1954, 1956-1958, 1961)

Renascence (1955)

Rensselaer Polytechnic Institute (1947, 1986)

Research Publications (1970-1971)

Residenz Verlag (1968)

Revista de Occidente Argentinia -- (1949)

Rewald, John (1977)

Rewald, S. (1976)

Rheinisches Museum (1958)

Rheinland Landschaftsverband (1956)

Rhode Island (1968)

Rhode Island Architecture -- (1939, 1968)

Rhode Island School of Design (1949-1950, 1952, 1956, 1982-1983)

Rhoads, William B. (1969)

Ribner, Jonathan (1979)

Rice, Davis and and Daley (1946-1949)

Rice Institute (1958)

Rice, Norman (1966)

Rich, Daniel Catton (1981)

Rich, Frances (1966)

Richards, Brian (1955)

Richards, Charles R. (1928)

Richards, Jim (1950, 1956)

Richards, Jim and Kit (1955)

Richards, John M. (1946, 1947, 1952, 1954, 1965)

Richardson (1956)

Richardson, A. E. (1945, 1954)

Richardson, Douglas (1971-1972, 1974-1976)

Richardson, Douglas Scott (1966)

Richardson, E. P. (Ted) (1953, 1955)

Richardson, H. H. (1974, 1978, 1982)

Richardson, Joseph P. (1973)

Richmond (1947, 1965)

Ricketson, John H. (1963)

Rickey, George W. (1961)

Rider, Fremont (1950)

Rietveld (1963)

Rijksmuseum (1956)

Rindge, Agnes (1930, 1945, 1947) ( -- see also -- : Claflin, Agnes Rindge)

Ringling Museum of Art (1948-1949, 1952)

Riopelle, Chris (1979-1982, 1984)

Ripley, Dillon (1958)

Ritter, John C. (1962)

Riverside, University of California at (1966)

Robb, David M. (1945, 1953, 1959)

Roberts, Abby B. (1941)

Roberts, Laurance (1959)

Robertson, Jacques (1955)

Robertson, Nancy (1959)

Robie House, Committee for the Preservation of the (1962-1965, 1967)

Robinson and Cleaver (1960-1961)

Robinson, Cervin (1962)

Robinson, Franklin W. (1981)

Roche, Kevin (1966, 1974-1975)

Rochester (1967)

Rochester Memorial Art Gallery (1949)

Rochester, Print Club of (1949-1950)

Rochester, University of (1970)

Rockefeller, Mr. and Mrs. David (1967)

Rockefeller, Mr. and Mrs. John D., 3rd (1955)

Rockefeller, Winston (1957)

Rococo Architecture in Southern Germany -- (1967-1968)

Rodman, Selden (1949)

Roe, Albert S. (1961)

Rollins, Clara B. (1950)

Romaine, Lawrence B. (1941, 1946-1953, 1955, 1958, 1961)

Rome (1959)

Roop, Ellen (1967)

Roos, Frank J. (1938, 1947)

Roosevelt University (1957-1958)

Rorimer, James J. (1955)

Roscoe, Field (1952)

Rose, Francis (1947, 1949-1954, 1956, 1964, undated)

Rose, Frederica (1955)

Rose, Laura (1976)

Rosebery, Earl of (1952)

Rosenberg, Arthur M. (1951)

Rosenberg, Eugene (1956)

Rosenberg, George (1976)

Rosenberg, Jim (1954)

Rosenblum, Robert H. (1952-1953, 1956-1969, 1972, 1982)

Rosenthal, Julius (1948)

Rosenwald, Lessing J. (1948)

Rosett, Francis (1957-1958)

Rosever, Kenneth M. (1952)

Ross, Marian Dean (1941, 1947, 1952-1954, 1956, 1960-1962, undated)

Ross, Marvin C. (1957, 1962)

Ross, Robert W. (1925, undated)

Roth, Leland (1970, 1973-1974, 1976, 1978, 1982)

Rothenberg, Jacob (1952)

Rowaan, H. (1963)

Rowe, Barbara C. (1958)

Rowe, Brian and Colin (1952)

Rowe, Colin (1953-1956, 1960-1961, 1964, 1977)

Rowland, Browse and Delbanco (1952)

Rox, Henry (1953, 1945)

Royal Archaeological Institute of Great Britain and Ireland (1955)

Royal Architectural Institute of Canada ( -- see -- : Canada, Royal Architectural Institute of)

Royal Automobile Club (1956)

Royal College of Art (1953)

Royal Institute of British Architects (1936, 1946-1957, 1959, 1962, 1968, 1970, 1975, 1981,1986)

Royal Society of Arts (1950, 1953, 1955-1956, 1959-1962, 1964, 1966-1967, 1969-1970, 1972, 1975-1976, 1978-1980, 1983, 1985-1986)

Royal Vangorcum Ltd. 1965

Rub, Timothy (1978-1982, 1986-1987)

Rubin, Don (1970)

Rubin, Joan Carpenter (1980)

Rudd, J. William (1961, 1963, 1966)

Rudisill, Richard (1964)

Rudolph, Paul (1950, 1952-1954, 1963-1964, undated)

Rueger, Charles (1954)

Rufford Travel (1954-1955)

Ruggie Agency (1949-1950, 1952-1955, 1961)

Rusch, Basil (1955)

Rusk, W. S. (1935)

Ruskin Society of America (1951, 1953)

Russell, A. LeBaron (1947)

Russell, Beverly (1975)

Russell, Christopher A. (1953)

Russell, Gordon (1956)

Russell, Mr. and Mrs. William G. (1954)

Russian Review -- (1955)

Rutgers University (1955, 1972-1973, 1982, 1985)

Rutledge, Anna Wells (1951, 1955, 1957, 1962, 1966)

Ryan Studios (1958)

Ryder, Arthur (1949)

Ryerson and Burnham Libraries, Art Institute of Chicago (1949) ( -- see also -- : Burnham Library; Art Institute of Chicago; Chicago, Art Institute of)

Saarinen, Aline B. (1962)

Saarinen, Eero (1957, 1963-1964)

Sabin Coal Co. (1954-1955)

Sachs, Paul J. (1925-1926, 1928, 1951-1952, 1955)

Saint, Andrew (1982, 1986)

St. George's Gallery Books (1959, 1964-1965, 1968, 1970, 1977-1978)

St. James Press (1978)

St. John's University (1961)

St. Louis, City Art Museum of (1961, 1966)

Salmon and Son (1954)

Salto Liberia (1962)

Saltonstall, Gladys (1928)

Saltonstall, Leverett (1953)

Salzberg Seminar in American Studies (1959)

Salzburg (1953)

Samoset Garage (1946)

Samson, Miles D. (1984)

Samuel, Godfrey (1948, 1952, 1956, 1959)

San Antonio Fine Arts Forum (1958)

Sanborn, Herbert J. (1960)

San Jose State University ( -- see -- : California, San Jose State University)

Santacroce, Valeria A. (1959-1960)

Sarton, May (1953)

Satterwaithe, Margaret (1970)

Sauer, David (1958)

Sauerlander, Willebald (1961-1966, 1969, 1971-1974)

Sauermost, Heinz Jurgen 1969

Savage, Charles C. (1972-1977, 1979, 1983, 1986)

Savage, Henry (1973)

Saville Club (1946)

Sawelson-Gorse, Naomi (1986)

Sawyer, Charles H. (1947, 1952-1953)

Sawyer, H. Keith (1983)

Scalvini, Maria Luisa (1983)

Scanlan, Stuart J. (1954)

Scarmuzza, Jack (1952)

Schaack, Margaret C. D. (1974)

Schaefe, Madeline (undated)

Schaeffer, Bertha (1955)

Schaeffer, John (1946)

Schafran, Lynn (1970)

Schalk, Dorothy (1957)

Scheper, H. (1956)

Scheu-Riesze, Helene (1959)

Schindler, R. M. (1930)

Schlee (1973)

Schmidt, Erwin (1958)

Schmitt, Robert (1962-1967, 1970)

Schmoller, Hans (1958)

Schmuzer Article (1965)

Schnabel, Henry H. (1964, 1967, 1969)

Schneider, Donald D. (1961, 1966, 1975, 1976)

Schneiderman, Stephen (1962)

Schnell, Hugo (1966-1967)

Schoener, Allan (1953)

School Service Bureau (1950, 1957)

Schorske, Elizabeth (1953)

Schorske, Elizabeth and Carl (1948, 1954)

Schraack, Mr. and Mrs. Henry C. (1975)

Schreider, Louis (1971)

Schulze, Franz (1986)

Schwarz, Heinrich (1952)

Schwinn, Walter K. (1976)

Scientific American -- (1952)

Scott, Geoffrey (1928)

Scott, Hayden (1952, 1958)

Scribner's Sons (1948, 1950, 1960, 1966-1967, 1969, 1979)

Scully, Arthur (1982)

Scully, Vincent (1948, 1950-1956, 1962, 1971-1972, 1977)

Scutt (1963)

Seagram and Sons U. S. Bicentennial Project (1976-1978)

Seale, William (1973, 1975, 1980-1981, 1984, 1986)

Searing, Helen (1962-1963, 1967, 1971, 1973, 1975-1976, 1979, 1983-1984)

Seaver, Esther (1948-1949, 1952)

Seeger, Mia (1956)

Segre, Maria (1963)

Seiberling, Frank (1952, 1955-1956, 1958, 1963)

Sekler, E. F. (1953)

Sekler, Edward F. (1976)

Sekler, Edward L. (1960, 1965-1967)

Seligman, Georges E. (1950)

Sellin, David (1972)

Selz, Peter (1959-1960)

Senie, Harriet (1976, 1979, 1981)

Senter, Terance A. (1972, 1974)

Serynyk, Peter (1966, 1973)

Sert, Jose Luis (1954, 1956)

Seven Arts Book Society (1957)

Severini, Lois (1978-1979, 1982-1984)

Seymour, Anne Halle (1966)

Seznec, Jean (1955)

Shaker Community, Hancock, Mass. (1962)

Shapira, Nathan, H. (1961)

Shapiro, Ellen R. (1977)

Shapiro, Meyer (1961)

Shaw, Thomas S. (1966)

Shawe-Taylor, Desmond (1946)

Shawmut Bank (1954)

Shea, Mrs. John L. (1954)

Shear, John K. (1956)

Sheffield, Margaret (1974)

Shelter Publications (1973)

Shepley, Bullfinch, Richardson and Abbott (1961, 1981)

Shepley, Henry (1948)

Sheraton Hotel (1952, 1968)

Sheridan, Friede (1956-1959, 1961)

Sherwood, Mrs. John R. (1952)

Shillaber, Caroline (1957, 1972)

Shipley, Brown (undated)

Shipman, Mary (1965)

Shipman, Mary and Arthur (1956)

Shoe String Press, Inc. (1965, 1979)

Shokokusha Publications (1961)

Shore, James R. (1962)

Shores, Ken (1962)

Sias, Garrett K. (1959)

Sidles, Mrs. Frank C. (1963)

Sihriu, Omico (1955)

Silsby, Peter (1961)

Silverman, Jill Anne (1975)

Silvermine Publications (1965)

Simpson, Charles (1968)

Simpson, Mrs. Kenneth F. (1950)

Simpson, Marc (1977)

Simpson, P. L. (1973)

Sims, W. S. (1946)

Simson, Otto G. (1954)

Singelenberg, Pieter (1962-1963, 1970-1971, 1974)

Singleton, W. A. (1956)

Sinnen, Jean (1964)

Sise, Hazen (1969)

Sitwell, Gilbert (1952)

Sizer, Theodore (1933, 1945-1946, 1950-1952, 1956, 1963)

Skempton, A.W. (1961)

Skidmore, Owings and Merrill (1960-1963, 1979)

Skopek, Thomas (1949)

Sky, Alison (1975)

Slater Memorial Museum (1950)

Sleepy Hollow Restorations (1957)

Slive, Seymour (1958)

Slive, Zoya (1965)

Sloan, Joseph C. (1959)

Sloane, Joseph C. (1958)

Small, Philip L. (1928)

Smartt, Donald (1981)

Smith, Alexander Mackay (1949) ( -- see also -- : Mackay-Smith, Alexander)

Smith and Sons (1953)

Smith, Anna L. (undated)

Smith, Betty (1928-1929)

Smith College (1946-1964, 1966-1973, 1975-1976, 1978, 1981-1982) ( -- see also -- : Department; Kennedy Fund)

Smith College Alumnae Association (1954) ( -- see also -- : Alumnae Association)

Smith, E. Baldwin (1946-1947, 1953)

Smtih, Edith (1928-1929)

Smith, Fred S. (1928)

Smith, Mrs. Frederick (1945)

Smith, G. E. Kidder (1957, 1961, 1963, 1965)

Smith, George Walter Vincent Museum (1961)

Smith, Gertrude D. (1972)

Smith, Hinchman and Grulls Associates, Inc. (1976)

Smith, Kathryn (1976-1980, 1983, 1986)

Smith, Linn (1947)

Smith, Meg (1972, 1974)

Smith, Patricia Anne (1950)

Smith, Peter van der Meulen (1927-1928)

Smith, Robert C. (1950-1952, 1956)

Smith, Sidney (1947)

Smith, Vincent (1971)

Smith, William and Son (1949)

Smithson, Peter (1966)

Smithsonian Associates (1975)

Smithsonian Institution (1967, 1976, 1979)

Smyser, H. M. (1965)

Smyth, Craig Hugh (1951-1952, 1956, 1983)

Snow, Florence (1955)

Snow, Wilbert (1945)

Snowden, Ernest (1927-1928)

Snyder, John (1974)

Soby, James Thrall (1945-1950, 1954-1955, 1957-1958, 1960-1961, 1968, 1977, 1979)

Soby, Nellie (1951-1953)

Societe Editions de France (1958)

Society for the Preservation of Long Island Antiquities ( -- see -- : Long Island Antiquities, Society for the Preservation of)

Society for the Preservation of New England Antiquities (1948, 1972, 1975) ( -- see also -- : New England Antiquities, Society for the Preservation of; Preservation of New England Antiquities, Society for the)

Society of Architectural Historians (1949-1985, 1987)

Society of Architectural Historians of Great Britain (1958-1980, 1983-1986)

Society of Mayflower Descendants ( -- see -- : Mayflower Descendants, Society of)

Solomon, Arthur and Marny (1975)

Solomon, Pringle (1948)

Somerset Co. [N.J.] Park Commission (1970)

Somerwil, J. (1962)

Sommer, Clifford C. (1958)

Sommer, Frank (1970)

Sonne, Fi (1955-1956)

Sonnenberg, Benjamin (1972)

Sorem, Lucia (1961)

Soria, Martin (1958)

Sotheby Parke Bernet, Inc. (1971, 1982)

Southern California, University of (1966, 1968)

Southern Regional Education Board (1966)

Spaeth, John W. (1945-1946)

Spark, Victor (1948, 1971)

Spear, Dorothea (1955)

Speed Art Museum ( -- see -- : Louisville, J. B. Speed Art Museum)

Speed, Herbert (1946)

Speirs, Bruce (1982)

Spence, Basil (1963-1964)

Spence, Eleanor (1954)

Spencer, Brian (1973-1974)

Spencer, Stephen (1956)

Spencer, Walter L. (1975-1976, 1978)

Sperling, Harry G. (1955)

Speyer, Darthea (1952)

Spokes, P. S. (1955)

Sprague, Joan Forrester (1960)

Sprague, Paul (1973, 1980, 1983)

Springarn, J. E. (1938)

Springfield [Mass.] (1980-1981)

Springfield [Mass.] City Planning Department (1971)

Springfield [Mass.] Museum of Fine Arts (1949, 1954)

Springfield [Mass.] Republican (1944-1945)

Springfield [Miss.] Art Museum (1949)

Staatsarchiv (1966)

Stabile, Elizabeth (1963)

Stadt Koln (1957)

Stahl, Frederick A. (Tod) (1969-1970)

Staib, Hermann (1966, 1968-1969, 1974)

Staley, Karl A. (1953)

Stamm, Gunther (1979)

Stamp, Gavin (1978, 1985)

Stanford University (1985)

Stanton, Phoebe B. (1952-1954, 1958, 1965, 1968, 1970)

Staples Press (1950)

Starr, Mrs. Nathan C. (1952)

State Department, U. S. (1955, 1956, 1958) ( -- see also -- : Department of State; United States Department of State)

State Department, U.S. Information Agency (1957)

State Historical Society of Wisconsin ( -- see -- : Wisconsin, State Historical Society of)

Stebbins, Theodore E. (1965-1969, 1972-1973, 1977-1978)

Steegman, John (1950-1952, 1955-1956)

Steele, Geoffrey (1946, 1948, 1953)

Steen Hasselbalchs Forlag (1962)

Stein, Donna (1973-1974, 1978-1979)

Stein, Joseph A. (1947)

Stein, Margaret (1949)

Stein, Roger B. (1960)

Steiner, Johannes (1966)

Steinway and Sons (1946)

Steinway, Cassie (1960-1961, 1976, 1979, 1983-1985, undated)

Steinway, Cassie and Federick (1954)

Steinway, Frederick (1974)

Steinway, Lydia (1952-1953)

Steinway, Ruth (1928, 1945, 1947, 1949-1950, 1955-1956, 1958-1963, 1965-1968, 1970-1971, 1973-1974, 1978)

Steinway, Ruth and Theodore D. (1952-1954)

Steinway, Theodore D. (1982)

Steliaros, Mary (1974)

Stephens, Sherrie L. (1962)

Stern (1979)

Stern, Edgar (1977)

Stern, Edgar and Bita (1975)

Stern, Robert (1964, 1975, 1984-1985)

Sterner, Harold (1947)

Sternfeld, Fred and Sophia (1946-1957, 1959-1964, 1966, 1968, 1978, 1985-1986)

Sternfeld, Sophia (1970)

Stetson, Eugene W. (1965)

Stevens and Brown (1946)

Stevens, Sam (1964)

Stevens, Samuel (Thomas) (1953-1954)

Steyer, Glenn (1978)

Stiles, Florence Ward (1949-1950)

Sting, Hellmut (1966)

Stirling, James (1953)

Stockwell, E. Sidney (1960)

Stoddard and Talbot (1941, 1950, 1953, 1956, 1975)

Stoddard, Whitney (1952, 1054)

Stoedtner, Franz (1956-1958, 1964, 1970)

Stoller, Ezra (1956-1957, 1960)

Stone and Downer (1946)

Stony Point Folk Art Gallery (1957)

Stora Co. (1949)

Storrer, William Allin (1971-1978, 1980)

Stott, Eric (1982)

Stout, George L. (1953)

Stowe-Day Foundation (1965)

Stowell, Robert F. (1949)

Strache, Wolf (1963)

Strachey, John (1945)

Straight, Stephen M. (1966, 1970)

Straka, Paul (1974)

Strand, Janann (1976)

Stratton, Julius Adams (1963)

Strauss, Irma (1982)

Strickland, Charles R. (1938, 1948, 1955, 1957, 1959, 1961, 1963, 1966-1967, 1979)

Stroheim and Romann (1965)

Stroock, Paul A. (1969)

Stroud, Dorothy (1949-1953, 1955-1964, 1966-1967, 1971, 1973, 1978, 1983, undated)

Struck, Paul (1948)

Stubbins, Hugh (1952, 1960)

Stubblebine, James H. (1959, 1967-1968)

Stubbs, Mr. and Mrs. (1986)

Studio Books (1960-1961)

Studio Publications (1927-1928)

Stulz, Dale W. (1981)

Sturbridge Village (1966-1976)

Sturges, W. K. (1952)

Sturges, Walter Knight (1969-1970)

Sturm, Martha (1967)

Stuttgart (1956, 1963)

Suffness, Rita (1977)

Summerson, John (1936-1937, 1939, 1941, 1945-1949, 1952-1954, 1956, 1958, 1960-1962, 1966-1967, 1969-1970, 1980, 1982)

Sun [Baltimore] 1952 ( -- see also -- : -- Baltimore Sun -- )

Sunderland, Elizabeth (1946)

Sunderland, John (1953)

Sutherland, A. M. (1962)

Sutton, Mrs. Harvey P. (1941)

Swan, C. P. (1954)

Swarthmore College (1928, 1939, 1945)

Swayze, H. (1959)

Sweeney, James Johnson (1954, 1960)

Sweeney, Mr. and Mrs. James Johnson (1967)

Sweeney, John (1949, 1952-1953)

Sweeney, Robert L. (1976, 1980)

Sweet Briar College (1953)

Sweet, Frederick A. ( 1946, 1948, 1954)

Sweet, Victoria M. (1968)

Sweetland Photographers (1950)

Swets and Zeitlinger (1960)

Swetzoff Gallery (1951)

Swetzoff, Hyman (1952)

Swinton, George (1954-1955, 1957, 1964)

Swiss Review of World Affairs -- (1962)

Sylvester, David (1955)

Syracuse University (1976)

Syrkus, Szymon (1929)

Szambien, Werner (1977)

Tafel, Edgar (1962, 1971, 1973-1975, 1979-1980)

Tait, Alan (1966-1967)

Talbot, Harry (1952)

Talbott, Page (1976)

Talkington, Melinda (1969)

Tallmer, Jerry (1954)

Tamms, Frederick (1971)

Tannenbaum, Lily (1969)

Tanennbaum, Samuel (1952-1953)

Tate, Vernon (1947)

Tatum, George B. (1966, 1970, 1973, 1976)

Taube, Ivan (1975)

Taxes (1955)

Taylor, Fred M. (1954)

Taylor, Helen-Louise (1936-1938, undated)

Taylor, Lisa (1984)

Taylor, Nicholas (1962, 1966)

Taylor, Richard (1971)

Taylor, Walter (1953)

Tchelitchew, Paul (1952)

Teachers Insurance and Annuity Association (1946, 1948, 1954, 1956, 1962)

Technische Hochschule, Darmstadt ( -- see -- : Darmstadt, Technische Hochschule)

Technology Christian Association (1949)

Teel, William E. (1955)

Teichmann, Maurice (1956)

Teitelbaum Holdings, Ltd. (1982)

Tembo, Allan (1952)

Temple Hoyle-Buell Center for the Study of American Architecture, Columbia University ( -- see -- : Columbia University, Temple Hoyle-Buell Center...)

Temple University, Tyler School of Art (1962)

Tendler, Max (1962)

Tenko, Allen (1963)

Terrestris Greenhouses (1970)

Terry, Laurence (1952)

Texas Co. (1954)

Texas, University of (1968)

Thames and Hudson, Ltd. (1961, 1967-1968, 1970, 1972)

Thevoz, Michel (1970, 1974)

Thirteen, WNET (1978)

Thom, Mary (1955-1956)

Thomas, Downing (1949)

Thommasini, Anthony (1984)

Thompson, Francis (1946)

Thompson, K. (1954)

Thompson, Luther (1946-1948, 1950)

Thompson, Margaret and Randall (1948, 1956)

Thompson, Molly (1949)

Thompson, Paul (1968)

Thompson, R. S. (1960)

Thomson, Virgil (1927-1928, 1937, 1945-1948, 1950-1952, 1955, 1959, 1963, 1965, 1967, 1968, 1971-1972, 1974, 1979-1981, 1983, 1986, undated)

Thornburrow, David A. (1958)

Thornton Society of Washington (1943)

Ticeand Lynch (1946-1947)

Time -- (1959, 1967)

Time-Life (1946)

Times Literary Supplement -- (1967)

Tiranti, John, Ltd. (1949-1950)

Tirion, P.D.J. (1949)

Tobias and Co. (1946)

Toe, Abby N. (1970)

Toledo Museum of Art (1951, 1955)

Tomlinson, Mrs. (1951)

Tomlinson, Juliette (1975, 1977)

Tonetti, Joseph (1963)

Tongue, Sukru (1955)

Tonny, K. (1932)

Topeka City Beautification Association (1955)

Torbert, Donald R. (1956, 1959, 1961)

Toronto (1957)

Toronto, Art Gallery of (1950-1951, 1958-1960, 1974, 1977) ( -- see also -- : Art Gallery of Toronto)

Toronto, University of (1957-1960, 1976)

Town and Country -- (1946)

Trachtenberg, Martin (1976)

Trager, Philip (1983-1984)

Trans-World Shipping Co. (1960)

Trapp, Frank (1953)

Trappes-Lomax, Michael (1954)

Traversa de Dalt (1956)

Treasury Department, United States ( -- see -- : United States Treasury)

Trehearne and Norman (1959-1960)

Tremaine, Dee (1950)

Tremaine, Emily (1951-1957, 1962, 1965, 1969)

Trenton (1973)

Triennale de Milano (1959)

Trinity College ( -- see also -- : Austin Art Center) (1961, 1964, 1965, 1967, 1972-1973)

Trojan, Alina (1971)

Truex, Van Day (1946-1947)

Tselos, Dmitri (1943, 1946, 1956, 1958, 1961)

Tucker and Sons, Ltd. (1954)

Tunick, Susan (1982)

Tunnard, Christopher (1945, 1949-1951, 1958, 1965, undated)

Tunnard, Christopher and Lydia (1946-1948, 1975, 1981)

Tunnard, Lydia (1956, 1963)

Turl, Victor (1946, 1956)

Turner, Evan (1958)

Turner, Paul (1970, 1977, 1985)

Tuttle Co. (1952)

Twitchell, Ralph S. (1953)

Twiss, Richard E. (1979)

Tyler School of Art ( -- see -- : Temple University)

Ufford, James K. (1958)

UNESCO (1953)

Union College (1966, 1969)

Union Internacional de Arquitectos (1963)

Unitarian Association (1950)

Unitarian Congregational Society (1945)

Unitarian Universalist Church (1963)

United Engineering Trustees (1947)

United Kingdom Income Tax (1978)

United Press Association (1955)

United States Cultural Center, Berlin (1967)

United States Department of the Interior (1938, 1962)

United States Department of State ( -- see -- : Department of State; State Department, U. S.)

United States Congress, Committee on Education and Labor ( -- see -- : Committee on Education and Labor, U. S. Congress)

United States Information Service (1946, 1961)

United States Treasury (1945, 1969)

Unity Temple (1970)

Universal Transcontinental Corp. (1947)

Univesita degli Studi di Napoli ( -- see -- : Napoli,

Universita degli Studi di) (1978)

Universita Internazionale dell'Arte (1970)

University of Bristol ( -- see -- : Bristol, University of)

University of California at Riverside ( -- see -- : Riverside, University of California at)

University of California, San Jose State ( -- see -- : California, San Jose State University)

University of Chicago (1941, 1942) ( -- see also -- : Chicago, University of)

University of Cincinnati ( -- see -- : Cincinnati, University of)

University of Delaware ( -- see -- : Delaware, University of; Winterthur Program, University of Delaware)

University of Georgia ( -- see -- : Georgia, University of)

University of Glasgow ( -- see -- : Glasgow, University of)

University of Massachusetts ( -- see -- : Massachusetts, University of)

University of Melbourne ( -- see -- : Melbourne, University of)

University of Minnesota ( -- see -- : Minnesota, University of)

University of Nebraska ( -- see -- : Nebraska, University of)

University of New Mexico ( -- see -- : New Mexico, University of)

University of Notre Dame ( -- see -- : Notre Dame, University of)

University of Oklahoma ( -- see -- : Oklahoma, University of)

University of Oregon ( -- see -- : Oregon, University of)

University of Pennsylvania ( -- see -- : Pennsylvania, University of)

University of Pittsburgh ( -- see -- : Pittsburgh, University of)

University of Texas ( -- see -- : Texas, University of)

University of Toronto ( -- see -- : Toronto, University of)

University of Wisconsin ( -- see -- : Wisconsin, University of)

University of Witwatersrand ( -- see -- : Witwatersrand, University of)

University of York ( -- see -- : York, University of)

University Prints (1956-1959, 1962, 1964)

Unnitzer, Petra (1983)

Upjohn, Everared M. (1953)

Upton, Eleanor S. (1953)

Usonia (1983)

Utrecht, Kunsthistorische Instituut (1962)

Utrecht, Ryksuniversiteit te (1968)

Valentine and Sons Ltd. (1954)

Van Agtmaal (1958)

Van Bolschwig, Otto A. (1954) ( -- see also -- : Bolschwig, Otto A. Van)

Van der Berg, H. M. (1962)

Van der Poel, Priscilla (1949-1950, 1952, 1955-1956, 1958, 1960, 1962-1964, 1966, 1968-1969)

Van Derpool, James G. (1954-1956, 1959)

Van Eyck, Aldo (1956, 1963)

Van Fleet, Frederick A. (1946)

Van Gent, Arie (1957)

Vann, James Allen (1973)

Van Ojen (1958)

Van Ravensway, Charles (1939, 1963, 1966)

Van Tassel, Peter (1952-1953, 1966)

Van Trump, James D. (1957-1959, 1961, 1965, 1969)

Van Zanten, David T. (1965-1970, 1972-1973, 1975-1979, 1983, 1985)

Vancouver Hotel (1954)

Vanderbilt, Paul (1928-1930, 1941, 1945-1946, 1948-1950, 1952-1954, undated)

Vandersall, Amy (1966, 1971-1972)

Vanity Fair -- (1982)

Varley, Lee (1946, 1948, 1954, 1979)

Vassar College (1927, 1944-1946, 1961, 1965-1966, 1975, 1977)

Vaughan College (1962)

Venezuela, Universidad Central de (1967)

Venice (1975)

Venturi, Robert (1961, 1972)

Verlag Schnell and Steiner (1967, 1969)

Veronen, L. (1966)

Victoria and Albert Museum (1946, 1948-1949, 1953, 1955-1956, 1958)

Victorian Exhibition (1972)

Victorian Paperback [ -- Early Victorian Architecture in Britain -- ] (1966)

Victorian Society (1958, 1960-1966, 1968-1970, 1972-1980, 1985)

Victorian Society in America (1968, 1971-1986)

Victorian Society in America, American State Capitols Research Project (1971-1977)

Victorian Studies -- (1956-1959, 1962, 1967, 1969, 1971, 1973-1974)

Viereck, Florence (1955)

Viereck, Peter (1949-1950, 1952-1953, 1956, 1961)

Viereck, Peter and Anya (1955)

View Magazine -- (1945)

Villanueva, A. (1956)

Villanueva, Carlos Raul (1955, 1957-1959, 1961)

Villanueva, Marcel (1965)

Viollet, Brian (1958)

Viollet, H. Roger (1959)

Virginia, Commonwealth of (1953, 1957)

Virginia Museum of Fine Arts (1954, 1957)

Virginia Quarterly Review -- (1960)

Virginia, University of (1928, 1962, 1969-1970)

Visson, Assia R. (1946-1947)

Visual Publications Ltd. (1961)

Vogt, Adolf Max (1975)

Voice of America (1960, 1967)

Volpe, Anne R. (1974)

Von Erffa, Helmut (1948, 1952, 1955-1956, 1958, 1963, 1968)

Von Groschwitz, Fran (1970)

Von Groschwitz, Gustav [Von] (1945-1948, 1951-1952, 1961-1962, 1965, 1968, 1972, 1978)

Von Klemperer, Betty (1961, 1968)

Von Moschzisker, Berthe (1945, 1947-1951)

Vorenkamp, A.P.H. (1952)

Vorobiov, Mary (1954)

Vose Galleries (1960)

Vose, Robert C. (1949)

Vose, S. Morton (1952)

Vygen, Willy (1928)

Wachs, W. C. (1937)

Waddy, Patricia (1976)

Wade, John (1954)

Wade, Karen Graham (1974-1975, 1977, 1982)

Waddington Galleries (1956)

Wadsworth Athenaeum (1928, 1941, 1946-1948, 1958, 1963)

Wadsworth, Cleome (1945)

Wadsworth, Julius and Clarice (1959)

Wagner, Gunter (1983)

Wagner, Mary-Louise (1954)

Walch, Nicole (1972)

Wald, Alan (1977)

Walker Art Center (1944-1945, 1948, 1952, 1958-1959)

Walker, John (1928, 1965, 1977)

Walker, Robert (1959)

Walker, William (1946)

Wallace, Michael Lee (1959)

Walsh, Alice M. (1970)

Walter, Gayle (1953)

Walter Parrish International, Ltd. (1977)

Walters Art Gallery (1949)

Walters, Walter H. (1971)

Warburg Institute (1946, 1948)

Ward, Clarence (1943, 1945, 1947, 1952)

War Department (1948)

Ward, James (1980-1985)

Warn, Robert (1972, 1974)

Warner Burns Toan Lund (1982)

Warners, Albert (1963)

Warnoff, Deborah (1974)

Warren, Geoffrey (1936)

Warren, Richard (1974)

Warren and Whetmore (1957)

War Service Appointment (1942-1943)

Wasch, William (1983)

Washburn College (1938)

Washburn, Gordon B. (1945, 1948-1949, 1953-1954, 1965, undated)

Washington, Associated Students' University of (1965)

Washington Memorial Library (1954)

Wasmuth Antiquariat (1963-1968, 1970, 1972-1974, 1979)

Wasserman, Mrs. Amha (1959)

Wasserman, Jack (1961-1964)

Waterhouse, Ellis (1952)

Watkin, David A. (1965, 1973, 1981)

Watrous, James (1960-1961)

Watson, Peter (1946)

Watson, Steven (1985-1986)

Watts, Sarah Miles (1985)

Waugh, Arthur (1951-1953)

Way Forum (1963)

Weade, Katharine H. (1947)

Weakley, Joan (1980-1981)

Weatherby, Mrs. J. H. (1952)

Webb, Brian (1949-1950)

Webb, Geoffrey (1956)

Webb, James H. (1955)

Webb, Ltd. (1948)

Webber, Elroy (1949)

Weber, Harvey A. (1939, 1952)

Weber, Roland (1976)

Webster, J. Carson (1941, 1949, 1954, 1966, 1970, 1972-1974)

Webster, Sara (1983)

Wedgewood (1954, 1958-1959, 1961-1962)

Weese, Harry (1956)

Weill, Betsy (1977)

Weinberg, H. Barbara (1970, 1974, 1978, 1980)

Weinberg, Herbert (1954)

Weinrab, Ben (1966)

Weinreb Ltd. (1965)

Weirick, James (1974)

Weisberger, Bernard A. (1979)

Weiser, Walter (1956)

Weisman, Winston (1951-1957, 1960-1963, 1966, 1968, 1973-1975)

Weissburger, Herbert (1961)

Welch and Forbes (1956-1957, 1959, 1961, 1970, 1982, 1985)

Welch and Goodhue (1986)

Weller, Allen S. (1955)

Wellesley College (1945, 1947, 1952, 1954, 1958, 1969)

Wellington, Ohio (1973)

Wells College (1965)

Wells, Mason B. (1957-1958)

Wells, Ruth (1949)

Welsh College of Advanced Technology (1962-1963, 1966)

Wensinger, Arthur Stevens (1956, 1967)

Wenzinger, Jerry (1961)

Werkkunstschule Krefeld (1964-1965)

Wesley, Richard (1980)

Wesleyan College [Macon, Ga.] (1945)

Wesleyan University (1935, 1937-1943, 1945-1950, 1952, 1962-1963, 1967, 1973-1979, 1981-1982, 1987) ( -- see also -- : Gift)

West, J. (1952)

West-Taylor, John P. (1960, 1962)

Westbrook, Shirlee (1973-1974)

Western Reserve University (1952, 1958)

Weyhe, E. (1928, 1941, 1949, 1952-1953)

Wheaton College (1949, 1971)

Wheelock, Phyllis (1958)

Wheldon, Rupert (1927)

Whiffen, Marcus (1950-1966, 1968,-1969, 1971, 1978, 1980)

White House (1981, 1986)

White, Keith E. (1959)

White, Norval (1961)

White, Patricia (1975)

Whitechapel Art Gallery (1956)

Whitehead, Philip B. (1946)

Whitehill, Walter Muir (1951-1953, 1955, 1966, 1976)

Whitlock and Sons (1946)

Whitney Museum of American Art (1949-1950)

Whitson, Jim (1948)

Whitson Publishing Co. (1979)

Whittesley, Julian (1949)

Whittier, Charles H. (1970, 1973)

Who's Who -- (1946-1947, 1952, 1958, 1961, 1975, 1982)

Wichman, Douglas J. (1973)

Wick, Peter A. (1973)

Wickey, Thomas (1952)

Wickiser, Ralph L. (1955)

Wicksteed, O. H. (1956)

Wiebenson, Dora (1965-1966, 1968-1972, 1977, 1979, 1980)

Wiedenhoeft, Ron (1969)

Wilbraham Place (1953, 1955, 1957, 1959-1962)

Wildenstein, Georges (1953)

Wiley and Sons (1948, 1966)

Wilk, Christopher (1976, 1978)

Wilkie, David (1951-1955, 1957-1958)

Wilkinson (1956)

Wilkinson, Catherine M. (1963, 1965-1966)

Willard, Helen (1950)

Willett, Frederick W. (1969)

Williams, A. C. O'Malley (1961) ( -- see also -- : O'Malley-Williams, A. C.)

Williams, Arthur G. A. (1955)

Williams, B. (1957, 1964, 1967-1968)

Williams, Buck (1958)

Williams College (1940, 1946, 1948-1949, 1953, 1975-1976)

Williams College Museum of Art (1963)

Williams, Eda Carter (1958)

Williams, Edgar I. (1952)

Williams, David (1975)

Williams, Gail (1979)

Williams, J. Ronald (1967)

Williams, Marjory (1951)

Williams, Richard B. (1985)

Williams, Richmond (1960-1961, 1963)

Williams, Ronald (1973)

Williams, Stanley T. (1950)

Williams, Talcott (1940)

Williamsburg (1956-1957, 1961, 1972)

Williamson, L. S. (1962)

Willis, L. S. (1941)

Willis, Peter (1964-1965)

Wills, Royal Barry (1957)

Willson, Mr. and Mrs. Stuart Van Vranken (1953)

Wilmerding, John (1966, 1968)

Wilson, A. F. Johnson (1950)

Wilson, Arnold (1962)

Wilson, Daphne (1951)

Wilson, H. L. McG. (1950)

Wilson, J. P. (1956)

Wilson, Jean (1950, 1955)

Wilson, Joan R. (1969)

Wilson, John H. (1980-1984)

Wilson, Richard G. (1971, 1973)

Wilson, Suzanne (1975, 1978)

Wilson, Thomas J. (1955)

Wimpfheimer, Greta (1950)

Winchester, Alice (1953)

Wind, Edgar (1945-1946)

Wingerter, Wolfgang (1981)

Winnipeg Art Gallery Association (1959)

Winslow House (1944-1945)

Winslow, Philip N. (1961)

Winslow, Ralph E. (1947)

Winter, Robert W. (1959)

Wintersteen, Bonnie (1952)

Winterthur Museum (1952-1953, 1955-1957, 1959, 1961, 1964, 1969, 1983)

Winterthur Program, University of Delaware (1954-1955)

Winthrop and Co. (1926)

Wichnitzer, Rachel (1951)

Wischnitzer, Ruth (1964)

Wisconsin State Conservation Commission for Historic Preservation (1972)

Wisconsin, State Historical Society of (1960)

Wisconsin, University of (1946-1947, 1963, 1967, 1977)

Wisner, John B. (1970-1971)

Wittamer, L. (1961, 1962)

Wittenborn and Co. (1947, 1949-1950, 1955)

Wittenborn, George (1967-1968)

Wittkower Fellowship Fund (1974)

Wittkower, Rudolph (1945, 1949, 1951-1954, 1947, 1959, 1966-1968)

Wittler, Leila (1947, 1950)

Wittmann, Otto (1952, 1964)

Witwatersrand, University of the (1948-1950)

WNET, Channel Thirteen ( -- see -- : Thirteen, WNET)

Woburn Public Library (1936)

Wofsy, Alan (1982)

Wolf, Gertrude (1952)

Wolf, J. Robert (1962)

Wolf, Peter M. (1965, 1970)

Wolf, Reva (1980)

Wolfe, Christopher (1977)

Wolfe, R. (1963)

Wolff, Michael (1957)

Wollman, Henry (1971, 1973, 1976-1978)

Wood, Barbara L. (1950)

Wood, Charles B. (1971, 1974)

Wood, W. L. (1941)

Wood, Welby Carter (1970)

Woodbridge, Henry (1949)

Woodhouse, Lawrence M. (1965, 1984)

Woodring, Carl (1971)

Woodrow Wilson Foundation (1969-1970)

Woodside, Joan (1974-1980, 1983-1984, 1986)

Woolf, Virginia (1927)

Worbs, Dietrich (1982-1983)

Worcester Art Museum (1947, 1981)

World Construction Program (1957)

World Crossroads of Learning, Inc. (1965)

World Publishing Co. (1952, 1967)

World Writing (1953)

Wortman, Julie (1974)

Wrenn, George (1959)

Wright, Benjamin F. (1949, 1951)

Wright, David (1950-1952)

Wright, Frank Lloyd (1937, 1942-1943, 1945, 1947, 1950-1953, 1957-1958, 1978, 1980, 1982-1983, undated)

Wright, Mrs. Frank Lloyd (1959)

Wright, Frank Lloyd, Home and Studio Foundation (1977, 1984)

Wright, Frank Lloyd, and -- In the Nature of Materials -- (1941)

Wright, John Lloyd (1968)

Wriston, Barbara (1952-1953, 1956, 1960, 1962, 1967)

Wurm, Heinrich (1966)

Wurster, William W. (1943-1944, 1946,-1948, 1950, 1951-1957, 1959, 1961)

Wurster, William W. and Catherine 1945

Wyoming, University of (1975)

Xenakis, Jason (1958)

Yale Review -- (1966-1968, 1970)

Yale University (1947-1960, 1962-1963, 1965-1979, 1982, 1986)

Yardley, Michael (1975-1978)

Yeon, John (1954)

York City Art Gallery (1958)

York Institute of Architectural Study (1957-1959, 1961)

York, University of (1962, 1970)

Yorke, R.F.S. (1952)

Youell, William (1948)

Young, E. A. (1947)

Young, Elaine (1962)

Young, Elizabeth (1961)

Young, Paul E. (1949)

Young, Mr. and Mrs. Wilfred B. (1954-1955)

Youritzin, Glenda Green (1974)

Zacchwatowicz, Jim (1963)

Zador, Anna (1970, 1972)

Zarnecki, George (1953)

Zaroff, Anne T. (1975)

Zawisa, Bernard J. (1952-1953, 1956)

Zenith Corp. (1969-1970)

Zenobi Sarto (1963)

Zerkowitz, A. (1957)

Zevi, Bruno (1952)

Zewicher, Mrs. Victor K. (1950)

Zimmerman Brothers (1963-1966, 1969)

Zimmerman, Mrs. Isadore (1952)

Zodiac Revue -- (1959-1969)

Zorn, Kate (1979)

Zubarec, Michael (1956-1957)

Zwemmer, A. (1946-1948, 1955, 1959)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henry-Russell Hitchcock papers, 1919-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hitchenp, Series 2
See more items in:
Henry-Russell Hitchcock papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aefa2954-020f-4994-a846-4bbdfc1c99a6
EDAN-URL:
ead_component:sova-aaa-hitchenp-ref1065

Gottlieb, Adolph-Exhibition Material

Collection Creator:
Gertrude Kasle Gallery (Detroit, Mich.)  Search this
Container:
Box 2, Folder 13
Type:
Archival materials
Date:
1968-1974
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Gertrude Kasle Gallery records, 1949-1999 (bulk 1964-1983). Archives of American Art, Smithsonian Institution.
See more items in:
Gertrude Kasle Gallery records
Gertrude Kasle Gallery records / Series 1: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9430a7b41-fe2e-4b11-b737-2f31e5dd5169
EDAN-URL:
ead_component:sova-aaa-gertkasl-ref71
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Allen Townsend Terrell papers

Creator:
Terrell, Allen Townsend, 1897-1986  Search this
Names:
Laessle, Albert, 1877-1954  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Sketches
Travel diaries
Date:
1908-1982
Summary:
The papers of New York, Rome, and Paris painter Allen Townsend Terrell painter measure 4.5 linear feet and date from 1908-1982. Included are biographical materials; detailed letters from Terrell to his parents; fourteen diaries describing European travels; scattered financial records; three sketchbooks and miscellaneous sketches; printed material; and photographs of Terrell, his colleagues, his home and studios, artwork, and exhibition installations.
Scope and Content Note:
The papers of New York, Rome, and Paris painter Allen Townsend Terrell painter measure 4.5 linear feet and date from 1908-1982. Included are biographical materials; detailed letters from Terrell to his parents; fourteen diaries describing European travels; scattered financial records; three sketchbooks and miscellaneous sketches; printed material; and photographs of Terrell, his colleagues, his home and studios, artwork, and exhibition installations.

Biographical material includes a passport, membership cards for miscellaneous organizations, brief biographical accounts, and a guestbook containing signatures from several exhibition openings. There are almost daily letters written by Terrell to his parents describing his travels and education in the arts while in Europe. Scattered letters are from friends and colleagues, including one from Albert Laessle.

Fourteen diaries describe daily events in Terell's European travels. Scattered financial material includes banking records and miscellaneous receipts.

Three sketchbooks contain several block prints and miscellaneous sketches by Terrell. Printed material includes clippings, exhibition announcements and catalogs for Terrell and for others, as well as programs, and miscellaneous brochures. Photographs are of Terrell, and of his colleagues, studio, and artwork, in addition to albums containing photographs of his apartment, the Riverhead studio, commissioned projects, and exhibition installations.
Arrangement:
The collection is organized as 7 series; each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1924-1978 (Boxes 1, 6; 3 folders)

Series 2: Letters, 1908-1978 (Boxes 1-3; 2.8 linear feet)

Series 3: Diaries, 1965-1978 (Boxes 3-4; 12 folders)

Series 4: Financial Material, 1925-1933 (Box 4; 7 folders)

Series 5: Artwork, 1925-1982 (Boxes 4, 6; 7 folders)

Series 6: Printed Material, 1911-1976 (Box 4; 15 folders)

Series 7: Photographs, 1925-1972 (Box 5; 15 folders)
Biographical Note:
Allen Townsend Terrell (1897-1986) was a painter and sculptor who worked in Paris, Rome, and New York. Terrell was born in Riverhead, New York and graduated from the Columbia University School of Architecture in 1921. He also studied painting and sculpture at the Art Students League with Edward McCartan and at the Pennsylvania Academy of Fine Arts with Albert Laessle. In 1924, he studied in France at the Conservatoire Américain de Fontainebleau with sculptor Charles Despiau, and at the Académie Julian in Paris.

Between 1924 and 1926, Terrell established a studio in Paris, later moving to Rome between 1928 and 1931. From 1934 to 1935, he taught watercolor and still life painting at the Parsons School of Design.

Among other exhibitions in Paris, New York, and Philadelphia, Terrell had a solo exhibition at the National Arts Club in 1975. He was a member of the American Watercolor Society and president of the Alumni of the American School at Fontainebleau.

Allen Townsend Terrell died on July 8, 1986.
Provenance:
Allen Townsend Terrell donated his papers in 7 installments between 1975 and 1981.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Topic:
Travel -- Europe  Search this
Artists' studios -- Photographs  Search this
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Italy  Search this
Genre/Form:
Photographs
Sketchbooks
Sketches
Travel diaries
Citation:
Allen Townsend Terrell papers, 1908-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.terralle
See more items in:
Allen Townsend Terrell papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b909a245-7254-4907-b18a-7a5bd0dd0ee1
EDAN-URL:
ead_collection:sova-aaa-terralle

Fairfield Porter papers

Creator:
Porter, Fairfield  Search this
Names:
Hirschl & Adler Galleries  Search this
Tibor de Nagy Gallery  Search this
Brainard, Joe, 1942-  Search this
Burkhardt, Rudy  Search this
Button, John, 1929-1982  Search this
Day, Lucien B., 1916-  Search this
Downes, Rackstraw  Search this
Elmslie, Kenward  Search this
Evergood, Philip, 1901-1973  Search this
Frielicher, Jane  Search this
Giardelli, Arthur  Search this
Guest, Barbara  Search this
Hartl, Léon, 1889-  Search this
Hess, Thomas B.  Search this
Katz, Alex, 1927-  Search this
Koch, Kenneth, 1925-  Search this
Laning, Edward, 1906-1981  Search this
Lichtenstein, Roy, 1923-1997  Search this
Morse, Carl  Search this
Myers, John Bernard  Search this
O'Hara, Frank, 1926-1966  Search this
Padgett, Ron  Search this
Porter, Ruth W., 1875-1942  Search this
Rivers, Larry, 1925-  Search this
Schloss, Edith, 1919-  Search this
Schuyler, James  Search this
Shapiro, David, 1947-  Search this
Stankiewicz, Richard, 1922-  Search this
Vasilieff, Nicholas  Search this
Extent:
9.3 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Sketches
Sketchbooks
Photographs
Date:
1888-2001
bulk 1924-1975
Summary:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.
Scope and Content Note:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. The collection includes a biographical chronology; certificates, awards, and diplomas; letters to Fairfield and Anne Porter; scattered outgoing correspondence; and reviews, essays, notes, poems, and translations written by Porter and others. Among the writings are poetry manuscripts written by several New York School Poets including Frank O'Hara, James Schuyler, and Kenneth Koch. Also found are gallery records, inventories and appraisals, financial records, exhibition catalogs, clippings, posters, and records of Anne Porter's efforts to place his collection and document and publish his work after his death. Photographs of Porter, his homes, and his family are also present, as well as sketchbooks, loose sketches, and drawings spanning his entire career.

Significant correspondence is present from the Porters' many poet friends, including Kenneth Koch, James Schuyler, Ron Padgett, Kenward Elmslie, Barbara Guest, Carl Morse, David Shapiro, and others. Among the letters are poetry manuscripts by Koch, Morse, Schuyler, Padgett, and Shapiro. Some letters are actually written in verse, especially those from Kenneth Koch.

Artists with letters in the collection include Joe Brainard, Rudy Burkhardt, John Button, Lucien Day, Rackstraw Downes, Philip Evergood, Jane Frielicher, Arthur Giardelli, Leon Hartl, Alex Katz, Edward Laning, Roy Lichtenstein, Larry Rivers, Richard Stankiewicz, Nicolas Vasilieff, among others. Other art world figures represented include John Bernard Myers, curator at the Tibor de Nagy gallery (New York), and Tom Hess, editor of ArtNews. Artwork found within the correspondence includes an illustrated letter from Ron Padgett and an original print on a holiday card by Edith Schloss.
Arrangement:
The collection is arranged into the following nine series. See the series descriptions below for more information about the content of each series.

Missing Title

Series 1: Biographical Materials, 1916-1975 (Box 1 and 11; 0.2 linear feet)

Series 2: Correspondence, 1918-1996 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings by Fairfield Porter, 1924-1975 (Box 2; 0.6)

Series 4: Writings by Others, 1888-1992 (Boxes 2-3; 0.7 linear feet)

Series 5: Personal Business Records, 1944-1996 (Boxes 3-4; 1 linear foot)

Series 6: Anne Porter's Posthumous Projects, 1980-1988 (Box 4; 0.2 linear feet)

Series 7: Printed Materials, 1934-2001 (Boxes 4-6 and 11; 1.5 linear feet)

Series 8: Photographs, circa 1880-1990 (Boxes 6 and 11; 0.6 linear feet)

Series 9: Artwork, 1918-1975 (Boxes 7-10 and 12-17; 2.2 linear feet)
Biographical Note:
Fairfield Porter was born near Chicago in 1907, the fourth of five children of James and Ruth Furness Porter. His father was an architect, his mother a poet from a literary family, and Porter grew up in an environment where art and literature were highly valued. His father designed the family homes in Winnetka, Illinois and on Great Spruce Head Island, an island in Maine that he purchased for the family in 1912. Fairfield Porter spent summers there from the age of six, and views of the island, its structures, and neighboring towns were the subjects of many paintings.

Porter attended Harvard from 1924 to 1928, studying fine art with Arthur Pope and philosophy with Alfred North Whitehead. After graduating from Harvard, Porter moved to New York City and took studio classes at the Art Students League from 1928 until 1930, studying with Boardman Robinson and Thomas Hart Benton, and immersing himself in the art and radical politics of Greenwich Village. In the 1940s, he studied at Parson's School of Design with art restorer Jacques Maroger, adopting the Maroger recipe for an oil medium in his own painting.

To further his education as an artist, Porter traveled to Europe in 1931, where he spent time with expatriate art theorist Bernard Berenson and his circle. When he returned to New York, he allied himself with progressive, socialist organizations, and like many of his contemporaries, worked at creating socially relevant art. He did artwork for the John Reed Club, a communist group; taught drawing classes for Rebel Arts, a socialist arts organization; wrote for their magazine, Arise!; and created a mural for the Queens branch of the Socialist Party. Living in the Chicago area for several years in the 1930s, he illustrated chapbooks for the socialist poet John Wheelwright's Poems for a Dime and Poems for Two Bits series. Porter's financial contributions to the radical Chicago publication Living Marxism kept it afloat for several years.

In 1932, Porter married Anne Channing, a poet from Boston, and they settled in New York. The Porters had five children, and their first son, born in 1934, suffered from a severe form of autism. In the next decade, they had two more sons, and spent three years in Porter's hometown of Winnetka, where he had his first solo exhibition of paintings. When they returned to New York in 1939, the Porters became friends with Edwin Denby, Rudy Burkhardt, and Elaine and Willem de Kooning. Porter became an earnest admirer of Willem de Kooning's artwork and was among the first to review and purchase it.

In 1949, the Porters moved to the small, seaside town of Southampton, New York. Their two daughters were born in 1950 and 1956. Like the family home on Great Spruce Head Island, Southampton became the setting of many of Porter's paintings. In fact, almost all of his mature paintings depict family homes, surrounding landscapes, family members, and friends. Porter was an individualistic painter who embraced figurative art in the late 1940s and 1950s, when abstract expressionism was the prevailing aesthetic trend. Porter once made a comment that his commitment to figurative painting was made just to spite art critic Clement Greenberg, a respected critic and ideologue who had championed abstract expressionism and denigrated realism as passé.

Porter established his reputation as a painter and as a writer in the 1950s. John Bernard Myers of the vanguard Tibor de Nagy gallery gave Porter his first New York exhibition in 1951 and represented him for the next twenty years. That same year Tom Hess, editor of ArtNews, hired Porter to write art features and reviews. Porter went on to contribute to ArtNews until 1967 and also became art editor for The Nation beginning in 1959, the same year his article on Willem de Kooning won the Longview Foundation Award in art criticism. As a critic, Porter visited countless galleries and studios, and he gained a reputation for writing about art with the understanding and vested interest of an artist, and with the same independence from fashionable ideas that he demonstrated in his artwork.

The 1950s and 1960s were prolific years for Porter's writing and art, and saw the development of his critical ideas and the maturation of his painting. Porter enjoyed an elder status among a circle of younger artists such as Jane Freilicher, Larry Rivers, and Alex Katz, and their many poet friends, now known as the New York School of Poetry: Frank O'Hara, John Ashbery, James Schuyler, Kenneth Koch, Barbara Guest, and others. Porter himself wrote poetry and was published in the 1950s, sometimes alongside poems by his wife, who had been publishing poetry since the 1930s (twice in the vanguard Chicago journal, Poetry). The Porters' correspondence is laced with poems they and their friends sent back and forth, often about and dedicated to each other.

Besides his annual exhibitions at Tibor de Nagy and later Hirschl and Adler Galleries, Porter exhibited regularly at the Whitney, and had one-man exhibitions at many museums including the Rhode Island School of Design (1959), The University of Alabama (1963), Cleveland Museum of Art (his first retrospective, 1966), Trinity College (1967), the Parrish Art Museum (1971), the Maryland Institute of Art (1973), and the 1968 Venice Biennale. He also had residencies at the Skowhegan School of Painting and Sculpture (1964) and Amherst College (1969). Porter died in 1975 at age 68. A full-scale retrospective of his artwork was held at the Boston Museum of Fine Art, Boston in 1983, and a study center and permanent home for his artwork was established at the Parrish Art Museum in Southampton through a donation made by Anne Porter. A posthumous collection of his poems was published by Tibor de Nagy Editions in 1985, and a catalogue raisonnée, edited by Joan Ludman, was published in 2001.

This biography relies heavily on information found in Justin Spring's biography of Porter, Fairfield Porter: A Life in Art (Yale University Press, 2000).
Related Material:
The Archives of American Art holds an oral history of Fairfield Porter conducted by Paul Cummings in 1968.
Provenance:
The papers of Fairfield Porter were given to the Archives of American Art by the artist's wife, Anne Porter, in five separate accessions between 1977 and 1997.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- Southampton  Search this
Topic:
Works of art  Search this
Painters -- New York (State) -- Southampton  Search this
Painting, Modern -- 20th century  Search this
Poets  Search this
Lithographers -- New York (State)  Search this
Genre/Form:
Travel diaries
Sketches
Sketchbooks
Photographs
Citation:
Fairfield Porter papers, 1888-2001 (bulk 1924-1975). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.portfair
See more items in:
Fairfield Porter papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c9535998-330e-4c23-9f84-9c4dff3569e5
EDAN-URL:
ead_collection:sova-aaa-portfair
Online Media:

Abraham Joel Tobias papers

Creator:
Tobias, Abraham Joel, 1913-1996  Search this
Names:
Congress of Industrial Organizations (U.S.)  Search this
Fine Arts Federation of New York  Search this
United States. Work Projects Administration  Search this
Block, Irving  Search this
Brooks, James, 1906-1992  Search this
Caswell, Edward C.  Search this
Evergood, Philip, 1901-1973  Search this
Gaber, George  Search this
Gill, Brendan, 1914-1997  Search this
La Gambina, Vincent, 1909-1994  Search this
Lishinsky, Abraham  Search this
Orozco, José Clemente, 1883-1949  Search this
Spivak, Max, 1906-1981  Search this
Tobey, Alton S. (Alton Stanley), 1914-2005  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Photographs
Date:
1913-2000
Summary:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.
Scope and Content Note:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.

General correspondence regards mural proposals, exhibitions, professional activities, and museums' acquisitions of artwork by Tobias. A file of correspondence with the Fine Arts Federation of New York concerns efforts to recognize murals by Irving Block, James Brooks, Philip Evergood, Abraham Lishinsky, José Clemente Orozco, and Max Spivak as landmarks; it also includes minutes of meetings, 1988-1995, that reflect Tobias's service as a board member. Other correspondence is with friends and artists including Edward Caswell, George Gaber, Filia Holtzman, Vincent La Gambina, and Alton S. Tobey.

Project files document murals such as: The Four Freedoms, Midwood High School, Brooklyn, New York, honoring students and teachers who died in World War II (circa 1946); Birth for the maternity ward at Mount Sinai Hospital, New York City (1951-1953); and Medical Science and Medical Research, Long Island Jewish Hospital (1954). The Science and Engineering project file (1958) contains a patent certificate for striated plastic, a material Tobias used in two murals. Also of interest is correspondence with the Harman Foundation regarding a documentary film about Tobias's use of ethyl silicate for outdoor murals. Among the exhibitions documented are: "Plastics U.S.A.," "New York WPA Artists Then and Now," and "Abraham Joel Tobias: Sculptural Paintings of the 1930s."

Printed material consists of announcements, invitations, solo and group exhibition catalogs, and clippings relating to Tobias's artistic career. Also found are pamphlets he designed for the Congress of Industrial Organizations. Photographs are of Tobias's artwork and the artist with friends and family. There is a video recording of an interview with Tobias conducted by Brendan Gill in 1995.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1913-1996 (Boxes 1, 4; 0.3 linear feet)

Series 2: Correspondence, 1933-1997 (Box 1; 0.4 linear feet)

Series 3: Project and Exhibition Files, 1938-2000 (Boxes 1, 2, 4, OV 5; 1.6 linear feet)

Series 4: Writings, circa 1928-1992 (Box 2; 0.1 linear feet)

Series 5: Printed Material, 1913-1999 (Boxes 3, 4; 0.3 linear feet)

Series 6: Artwork, circa 1990s (Box 3; 1 folder)

Series 7: Photographs, 1929-1970 (Box 3; 0.1 linear feet)

Series 8: Video Recording, 1995 (Box 3, 1 folder)
Biographical Note:
Abraham Joel Tobias (1913-1996) was a painter, muralist, and educator in New York City. He was a pioneer in the use of shaped canvases.

A native of Rochester, New York, Tobias came to New York City to study at the Cooper Union School of Art, 1930-1931, and at the Art Students League, 1930-1933. He worked for the Federal Arts Project,1938-1940, where he continued his training as a muralist, working with artist and technicians.

During World War II, Tobias served in the armed forces. He was an art director with the Intelligence Division, Army Air Force, and in 1945 was employed as a graphic designer for the Office of Strategic Services (OSS). Tobias was artist-in-residence and served as instructor in painting and drawing at Adelphia College, Garden City, Long Island, 1947-1957. He also was was a visiting lecturer at various schools including Howard University, Brooklyn Museum Art School, Pratt Institute Art School, as well as at colleges in Illinois and Kansas.

Tobias completed over ten mural commissions for governmental agencies and educational institutions, including: United States Post Office, Clarendon, Arkansas; Howard University, Washington, D.C.; James Madison High School, Brooklyn, New York; Beth Israel Hospital, New York City; Domestic Relations Court Building, Brooklyn, New York; and Adelphi College, Garden City, New York. In 1962, Tobias began The History of Science mural for the lobby of the Polytechnic Institute of Brooklyn; it was never completed.

Tobias experimented with diverse materials such as terrazzo and mosaic for mural application. He also broke new ground with the use of ethyl silicate paint as a permanent medium for outdoor murals. In 1958, he patented striated plastic, a pliable material used to achieve an effect similar to stained glass.

He participated in many solo and group exhibitions. In 1935, Tobias presented his shaped canvas painting in the "Sculptural Painting" exhibition at Delphic Studios in New York City. In 1987, Tobias was recognized for his earlier pioneering work with a retrospective exhibition, "Abraham Joel Tobias: Sculptural Paintings" at The Jane Voorhees Zimmerli Art Museum of Rutgers University. Other exhibitions included: "Plastics U.S.A.," the United States Information Service's exhibition in Moscow (1961); "New York City WPA Art," Parsons School of Design, New York City (1977); "For a Permanent Public Art," Tweed Gallery, New York City (1989); and "The Technological Muse," Katonah Museum of Art, New York (1991).

Tobias's professional memberships included the Architectural League of New York, National Society of Mural Painters, and New York Artists Equity Association. He served on the Board of Directors for the Fine Arts Federation of New York from 1988-1996. He won the Architectural League Award in 1952. The Art Commission of the City of New York recognized Tobias, posthumously, for distinguished service to public art.

Abraham Joel Tobias married Carolyn Pratt in 1949; the couple had one daughter. Abraham Joel Tobias died in Rego Park, New York, in 1996 at the age of 82.
Provenance:
The papers were donated in 2001 by Carolyn Tobias, the widow of Abraham Joel Tobias.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Mural painting and decoration  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Video recordings
Photographs
Citation:
Abraham Joel Tobias papers, 1913-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tobijoel
See more items in:
Abraham Joel Tobias papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98be0c478-da69-4155-9f53-1ac5d5ac617b
EDAN-URL:
ead_collection:sova-aaa-tobijoel

Charles W. White papers

Creator:
White, Charles, 1918-1979  Search this
Names:
Belafonte Enterprises  Search this
Heritage Gallery  Search this
Otis Art Institute  Search this
Barthé, Richmond, 1901-1989  Search this
Catlett, Elizabeth, 1915-2012  Search this
White, Frances Barrett  Search this
Extent:
12.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Scrapbooks
Date:
1933-1987
bulk 1960s-1970s
Summary:
The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.
Scope and Contents:
The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

Biographical material includes documentation of awards received by White, biographical notes, resumes, White's high school report cards, interview transcripts and a sound recording of an interview, and records related to Elizabeth Catlett from the 1940s.

Correspondence includes scattered letters from family and friends but is primarily professional. White's correspondence was often conducted by Benjamin Horowitz and, occasionally, by Frances White, although some scattered original drafts of letters by White can also be found in this series. The series documents many aspects of White's career including: his relationship with Horowitz and Heritage Gallery as his representative; sales, loans, and exhibitions of White's artwork at many museums, galleries, and art institutions; the publication of his work in journals, magazines, and books, and it's use in the film and music industries; and his relationships with others in the arts and the entertainment industry including Richmond Barthé, Margaret Burroughs, Bing Davis, David Driskell, Lorraine Hansberry, and Harry Belafonte's company, Belafonte Enterprises.

Writings by White include two addresses made to the Annual Conference of Negro Artists, statements on his philosophy of art, and an autobiographical essay. Writings by others include drafts of Benjamin Horowitz's book Images of Dignity:The Drawings of Charles White.

White's professional activities are further documented through records related to the many boards, committees, and exhibition and art contest juries he served on, as well as lectures he delivered, and panels and symposiums he participated in. White's professional files also contain records relating to fellowships he received and document projects such as designs for books, films, and magazines.

White's teaching files primarily relate to Otis Art Institute and contain some records related directly to his work there as well as general faculty and board material. The records document, to some extent, White's role as spokesperson for the faculty and students during the transfer of the Otis charter to Parsons School of Design in 1979. Documentation of White's association with Howard University is minimal and includes letters related to his appointment and resignation in 1978-1979.

Gallery and exhibition files document specific solo and group exhibitions and include records on two visits White made to Germany in 1974 and 1978.

Printed material includes announcements, exhibition catalogs, articles in journals, magazines, and news clippings, and publications with artwork by White that provide extensive coverage of White's career from the 1930s to his death. Also found is printed material collected by White on other artists, and on subjects of interest to him.

Three disbound scrapbooks provide compilations of printed material and occasional letters further documenting White's career. A small series of photographs includes holiday card photos of White, Frances White, and their two children, and photos of White and others taken at a workshop in 1969.

Throughout the collection there are folders containing notes written by Frances White, circa 1980-1981, which provide important contextual information about people, organizations and subjects in the collection, and sometimes highlight the racism White encountered, particularly during his early career. The dates of these notes are not included in folder dates.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, circa 1934-1979 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1937-1984 (Boxes 1-4, 13; 3.64 linear feet)

Series 3: Writings, 1936-circa 1981 (Boxes 4-5; 0.45 linear feet)

Series 4: Professional Activities, circa 1942-1982 (Boxes 5-6, 13, OV 15; 1.81 linear feet)

Series 5: Teaching Files, 1950-1979 (Boxes 6, 13; 0.72 linear feet)

Series 6: Gallery and Exhibition Files, 1946-1980 (Box 7, Box 14; 0.98 linear feet)

Series 7: Printed Material, 1933-1987 (Boxes 8-14, OVs 15-17; 4.8 linear feet)

Series 8: Scrapbooks, 1936-1970s (Box 12; 0.15 linear feet)

Series 9: Photographic Material, 1940-1976 (Box 12; 0.15 linear feet)
Biographical / Historical:
Painter, printmaker, and educator, Charles W. White (1918-1979), was a prominent figure in the Chicago Black Renaissance and became one of the most celebrated and influential African American artists of the twentieth century. Born and raised in Chicago, Illinois, White lived and worked in California beginning in 1956, and taught at the Otis Art Institute from 1965 until his death.

White began painting at a young age, earning first prize in a nationwide high school art contest. He studied at the School of the Art Institute of Chicago, where he was awarded a full scholarship, from 1937-1938. After graduating from the school, White worked as a muralist for the Illinois Federal Arts Project sponsored by the Works Progress Administration from 1939 to 1940. He then received two fellowships from the Julius Rosenwald Foundation in 1942 and 1943 and created the mural The Contribution of the Negro to American Democracy at the Hampton Institute. From 1943-1945 he taught at the George Washington Carver School in New York City, and was artist-in-residence at Howard University in Washington, D.C., in 1945.

White's first marriage to Elizabeth Catlett ended in divorce and he married Frances Barrett in 1950. The couple relocated to Los Angeles where White was represented by Benjamin Horowitz's Heritage Gallery. White was widely exhibited in Los Angeles, and at the Art Institute of Chicago, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Newark Museum, the Santa Barbara Museum of Art, and elsewhere. Working primarily in black and white or sepia and white drawings, paintings, and lithographs, White's artwork was primarily figurative and depicted African American history, socio-economic struggles, and human relationships.

Charles White received a number of awards and honors and in 1972 he was the third African American artist to be elected a full member of the National Academy of Design.
Related Materials:
The Archives of American Art also holds the Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson, the Lucinda H. Gedeon research material on Charles W. White, and an oral history interview with Charles W. White conducted by Betty Hoag, March 9, 1965.
Separated Materials:
The Archives of American Art also holds microfilm of loaned materials (reels LA7 and 3099). Reel LA7 includes photographs of White, his work, and a career resume. Reel 3099 contains 31 items consisting of three travel diaries kept by Frances White, photographs and a recording of their trip to Russia in 1950, and 11 record album covers designed by Charles White. Loaned materials were returned to the lenders after microfilming and are not described in the collection container inventory.

Charles White's "Black Experience Archive," originally received with the papers, was donated to Howard University's Moorland-Springarn Research Center in 1985 at the request of Frances White.
Provenance:
Photographs on reel LA7 and material on reel 3099 were lent to the Archives of American Art for microfilming in 1965 and 1982, by Benjamin Horowitz, White's dealer, and by Frances White. Material on reel 2041 was donated by the George Arents Research Library, Syracuse University, 1976, who had originally received it from Horowitz. The remainder of the papers were donated by Charles White, 1975-1978, and after his death by Frances White and Benjamin Horowitz, 1981-1989.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Printmakers -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
Genre/Form:
Interviews
Sound recordings
Scrapbooks
Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitchar
See more items in:
Charles W. White papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9280ca62a-d068-4695-872f-041df8333648
EDAN-URL:
ead_collection:sova-aaa-whitchar
Online Media:

Teaching Files

Collection Creator:
White, Charles, 1918-1979  Search this
Extent:
0.72 Linear feet (Boxes 6-7, 13)
Type:
Archival materials
Date:
1950-1979
Scope and Contents:
Teaching files relate primarily to White's teaching career at Otis Art Institute from 1965-1979, including administrative records such as board and committee memoranda, reports, meeting minutes, and fundraising material; printed material related to exhibitions and other events at the institute; and material related specifically to White such as performance evaluations, course assignments, and appraisals of his teaching by students. There is also material documenting the transfer of the Otis Charter to Parsons School of Design in 1979, with a note from Frances White stating that White was asked to be the official spokesperson for the faculty and students as they developed a strategy for the school's future.

In addition to the Otis Art Institute records there is a file on a 1977 workshop White taught at the Arkansas Art Center; a file on White's appointment to Howard University from 1978-1979 including a copy of a June 1979 letter in which White states his intent to resign due to ill health; and a file containing certificates from the University of the State of New York Private Trade School Teacher's Course qualifying Charles White to teach at the Workshop School.
Arrangement:
Series is arranged by institution. Otis Art Institute files, which form the bulk of the series, are arranged alphabetically by folder title and chronologically thereafter.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitchar, Series 5
See more items in:
Charles W. White papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98de527d1-cb53-40a5-ac12-46c0dd5d87fd
EDAN-URL:
ead_component:sova-aaa-whitchar-ref12

Millard Sheets papers

Creator:
Sheets, Millard, 1907-1989  Search this
Names:
Dalzell Hatfield Galleries  Search this
Millard Sheets & Associates Designs  Search this
Sheets, Mary Baskerville  Search this
Extent:
27.6 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Date:
circa 1907-2000
Summary:
The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others including family; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Scope and Content Note:
The personal papers of Millard Sheets (1907-1990) measure 27.6 linear feet and date from circa 1907-2000, with bulk dates of 1956-1981. The collection reflects Sheets's career as a designer, painter, and muralist, as well as his other personal and professional interests, through correspondence, writings, lectures, clippings, blueprints, drawings, slides, photographs, and ephemera.

The Project Files comprise the largest group of materials in the collection and document design work undertaken by Sheets through his company Millard Sheets & Associates Designs. Sheets and his associates produced concept drawings and blueprints and supervised the construction for a wide range of design projects that ranged in scale from architectural plans for private residences to bid proposals for shopping malls and financial institutions located in California and the Southwest.

Sheets designed interior and exterior plans for over forty Home Savings and Loan bank branches in California. The distinctive modular design which Sheets created and then customized by integrating interior and exterior art elements that highlighted local historical events or natural features became synonymous with the image of Home Savings and Loan. Sheets also teamed up with the architect Edward Durrell Stone to produce a proposal for the Capitol Mall Project, an urban renewal project for the Redevelopment Agency of the City of Sacramento. Researchers will find correspondence, job costs and billing statements, and notes that trace the development of these and other building construction projects. In some instances the documents are supplemented by blueprints, photographs, and/or drawings of the project, but in many cases, visual documentation is missing.

The Project Files also document work done by Millard Sheets on public projects such as the Family of Man mural in the Los Angeles City Hall Annex, a mosaic dome in the National Shrine of the Immaculate Conception, Washington, D.C., and the Word of Life mural at the University of Notre Dame, Ind., along with numerous other murals and mosaics created for private individuals and corporations.

The Correspondence Series primarily reflects the interaction between Sheets and his clients, colleagues, and personal acquaintances. These files will prove valuable to researchers who are interested in the way that Sheets's beliefs about the role of art in everyday life impacted the way he conducted business and managed both large and small design projects. The correspondence also reflects Sheets's interest in popular American culture, travel, political issues of the day, and art collecting.

The Membership Files document the wide variety of interests that Sheets maintained through active membership in associations and organizations. The material in this series consists primarily of correspondence, minutes of meetings, and notes which Sheets created or used as he served as a board member or trustee on a number of organizational boards, such as the California Institute of the Arts, the Claremont Colleges, Virginia Steele Scott Foundation, Webb School of California, and Goodwill Industries of Southern California.

Also found in this series is material that documents his interest and participation in various recreational and professional organizations. Sheets maintained a long association with the Economic Roundtable, a group of businessmen who met regularly to give presentations and share discussion on contemporary political and social issues. Sheets was a frequent speaker and his talks given at the Economic Roundtables can be found in Lectures and Speeches, a subseries of the Writings Series.

Included in the Millard Sheets & Associates Designs, Inc. series are records that reflect the day-to-day operations of Sheets's design firm. Found here are chronological copies of correspondence that were sent out, files Sheets maintained on various independent contractors that the design firm frequently used, resumes and letters of recommendation that Sheets received regarding potential employees, as well as records relating to the cost and maintenance of Sheets's office building.

The Teaching and Workshop Files document the instructional activities undertaken by Sheets throughout his career in the arts. Although Sheets became pivotal in establishing a regionally recognized art department at Scripps College in Claremont, California, the files that reflect his academic position there are limited in scope and depth. Researchers will find more substantive the files that he maintained on the numerous art demonstrations and paintings workshops that he conducted privately throughout his career. Sheets traveled extensively around the world through his teaching activities and the files in this series track his path.

Closely related to the Teaching and Workshop Files is the Painting Trips series. The material in these files document Sheets's service as an American Specialist in the Bureau of Educational and Cultural Affairs of the USIS, Department of State. Sheets served two times as a cultural arts representative in Turkey in 1960 and in the former USSR in 1961. Sheets also made numerous trips to South East Asia, which had proved an area of fascination for him since his experiences as a war correspondent in Burma and India in World War II. The files in this series document his painting trips to Tahiti, the Pacific Ocean Rim, and Hawaii. Also found are files that detail his painting activities in Mexico.

The Exhibition Files reflect the records that Sheets maintained regarding his participation in art exhibitions, as well as his files on art shows that he personally directed or organized for public or private groups or organizations. Although Sheets exhibited his work predominantly in the West and Southwest, the files in this series demonstrate that he exhibited both nationally and internationally as well.

Also found within the records for this series are files relating to Sheets's representation of his artwork through established galleries and art agents. The Dalziel Hatfield Galleries of Los Angeles, California, served as his primary agent for most of his painting career. Correspondence between Sheets and the Hatfields provide insight into Sheets's development into a regionally and nationally significant watercolorist and painter. The files relating to the Kennedy Galleries in New York and the Circle Gallery in Chicago reflect Sheets's efforts to maintain a national presence in the arts community.

The Jury Files document Sheets's involvement as a juror in regional, as well, as national shows. The files reveal the great variety of professional watercolor and painting exhibitions in which Sheets participated as either a jury panelist or solo judge.

The Writings Files provide an excellent source for researchers interested in Sheets's philosophical beliefs about the relationship between art and everyday life. His articles, lectures, and speeches predominantly address the role of the artist, the relationships that exist between artists and the community, and the role that art can play in making a fuller, more productive life. Also found in the files of this series are articles written by others about Sheets.

The Biographical Material series provides a short introduction to Millard Sheets. The files consist of the calendars maintained by Sheets and his wife and staff, which were used to coordinate his many commitments and appointments. Also found in the files of this series are family chronologies that were created by Mary Baskerville Sheets. Medical records and resumes provide personal information about Sheets's background and health. A small file of military memorabilia provides information about Sheets's contributions to the war effort in World War II.

The Printed Matter series documents family activities and personalities through publicity clippings. Also found are exhibition catalogs and announcements that Sheets saved regarding other artists. Miscellaneous interests and activities of Sheets are found through magazine articles, brochures, and flyers.

The Photographs series includes photographic documentation for Sheets's artwork, horses, and major projects. A small group of photographs of Sheets are also in this series.

The files in the Artwork series include original drawings by Mary Baskerville Sheets and Millard Sheets.

There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others including family; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Arrangement:
The collection is arranged into fifteen series. Small series, such as Biographical Material are generally based on type of document. Larger series, such as Correspondence or Project Files, are arranged alphabetically by name of correspondent or project. General correspondence has been made into its own series, but other series or subseries may also contain some correspondence. Within particular series, materials have been further divided into subseries which represent particular aspects of the project or event. For example, the Writings Series is further divided into subseries of books and articles, eulogies, and lectures and speeches. An outline listing series and subseries titles and dates follows.

Missing Title

Series 1: Biographical Material, 1907-1982, undated (boxes 1-2; 1.25 linear ft.)

Series 2: Correspondence, 1929-1990, undated (boxes 2-4; 2.75 linear ft.)

Series 3: Personal Business Records, 1933-1980, undated (boxes 5-6; 1.25 linear ft.)

Series 4: Membership Files, 1946-1982, undated (boxes 6-8; 2.5 linear ft.)

Series 5: Millard Sheets & Associates Designs, 1934-1982, undated (boxes 8-9; 1.0 linear ft.)

Series 6: Project Files, 1956-1981, undated (boxes 9-18; 8.25 linear ft.)

Series 7: Teaching and Workshop Files, 1932-1982 (box 18; 0.5 linear ft.)

Series 8: Painting Trips, 1959-1980, undated (box 18; 16 folders)

Series 9: Exhibition Files, 1932-1937, 1951-1988, undated (box 19; 0.75 linear ft.)

Series 10: Jury Files, 1941-1982 (boxes 19-20; 42 folders)

Series 11: Writings, 1936-1988, undated (boxes 20-22; 2.5 linear ft.)

Series 12: Printed Matter, 1936-1922, undated (boxes 22-23; 20 folders)

Series 13: Photographs, 1934-1983, undated (box 23; 17 folders)

Series 14: Artwork, circa 1929, undated (box 23; 2 folders)

Series 15: Unprocessed Addition, circa 1930-2000 (boxes 24, 26-30, OV25: 4.6 linear ft.)
Biographical Note:
"Your painting is a measure of your mind"-Millard Sheets

Millard Sheets, as one of the founding members of the "California Scene Painters," exerted a lasting influence upon subsequent generations of Western painters. He and the small group of painters who worked in California during the 1930s and 1940s, developed a new style of watercolor painting that was at the forefront of the American watercolor movement of the time, and that later gave rise to a subsequent generation of painters who became known as the California Regionalist school.

Sheets was born in Pomona, California on June 24, 1907. His mother died in childbirth, and his father, John Sheets, unprepared to raise a baby alone, sent Millard to Pomona, California to be raised by his maternal grandparents, Lewis and Emma Owen. Sheets's grandfather proved to be a guiding force in his life, and when Sheets's father remarried and offered Millard the opportunity to return to the Sheets household, Millard chose instead to remain with his grandparents.

Sheets's love of horses can be directly traced back to his childhood years spent living at his grandfather's horse ranch. Millard rode his first horse when he was three years old. Throughout his life, Sheets returned to the theme of horses in his paintings, as well as maintaining a private stable of horses, and raising and breeding racehorses.

His interest in art also began in childhood. When he was still a young boy, his two maternal aunts encouraged him to play with crayons and pencils. Sheets took his first painting lesson from a neighbor at the age of seven, and by 1919 he had already submitted artwork to the copy division of the Los Angeles County Fair fine arts show competition. He submitted a drawing he had copied of a tinted photograph of Lake KIlarney, California. Sheets won first prize in his division.

It was through this competition that Millard met Theodore B. Modra, a Polish artist who had retired to the Pomona area. After giving Sheets a lecture on the evils of copying art, Modra offered to give him art lessons.

Sheets continued to pursue his interest in art and enrolled in the Choinard School of Art in Los Angeles, California. By the time that he graduated in 1929, Sheets had also managed to come to the attention of Dalzell and Ruth Hatfield of the Dalzell Hatfield Galleries in Los Angeles, California. The Hatfields were one of the most influential art dealers in Southern California, and that same year, they sponsored Sheets in his first one-man exhibition in 1929. The exhibition brought Sheets to the attention of Western Coast art critics and launched Sheets on his painting career.

In 1929 Sheets also learned that he had won second place in the annual Edgar B. Davis art competition held in San Antonio, Texas. The award came with a cash prize and Sheets made plans to travel to Europe to study and paint. Shortly before his departure, however, he met an art student, Mary Baskerville, and they began a whirlwind romance. With Baskerville's enthusiastic support for European plans, and with her promise that she would wait for him, Sheets departed for New York and then Europe.

While overseas during 1929 and 1930, Sheets studied under Dorfinant, a master printer in Paris. Through his work at this studio workshop, he met Henri Matisse.

Five months after Millard returned to the California in 1930, Sheets and Mary Baskerville married. Sheets worked as the director of the Fine Arts Exhibition of the Los Angeles County Fair. In 1932 Sheets returned to school to study art and humanities at Scripps College in Claremont, California. After graduating from Scripps, school officials approached Sheets with an offer to set up a separate fine arts program and asked him to chair the new department. This was the beginning of a twenty year association with the school. In 1938, he also became the Director of Art at Claremont Graduate School.

Sheets left the school during the years of World War II to serve as a war-time artist and journalist for Life magazine, and from 1943-1944 was stationed on the Burma-India Front. His experiences in Asia appeared to affect him deeply. In contrast to his earlier works which featured backgrounds with neutral tones and brilliant shades that highlighted and punctuated the compositions, the paintings from the wartime featured somber tones. Sheets remarked of this time:

During the fighting and the time I spent in the C-B-1 theater, I was too shaken and intellectually stunned to do any complete paintings. I made many, many sketches, though, as well as a real effort to remember each scene that particularly affected me. Then, once I returned to America, I painted frantically, for months, exorcising demons. [Lovoos, Janice and Edmund F. Penney, Millard Sheets: One-Man Renaissance, Northland Press, Flagstaff, AZ, 1984]

Sheets returned from the war in 1944 and resumed his position at Scripps College until 1955 when he was approached by the Los Angeles County Board of Supervisors and asked to overhaul the fledgling Los Angeles County Art Institute. Sheets accepted the position and spent the next five years reshaping the mission and format of the school, renaming it the Otis Art Institute. In the years after Sheets left the directorship, the school eventually became part of the Parson's School of Design on the West Coast.

In 1953 Sheets founded the Millard Sheets Designs company. He hired between twenty-five and thirty artisans for large projects, with Susan Hertel, a former student of his, serving as his assistant in all the operations of the design studio. The working staff included engineers, registered architects, draftsmen, and artists, and the projects that the firm produced included murals, mosaics, stained glass, and sculpture for private homes and public and commercial businesses.

The design studio completed several major architectural projects throughout the late 1950s through the mid 1970s, including the design and construction of Cal Aero, a flight training school for the US Air Force, the National American Insurance Company offices for the California financier, Howard Ahmanson, Ahmanson Bank and Trust Company in Beverly Hills, many Home Savings and Loan Association Buildings, private residences, and the Scottish Rite Memorial Temples in Los Angeles and San Francisco, among many other projects.

Sheets also designed and completed mural and mosiac work for numerous public buildings in the Los Angeles area, as well as across the nation. Many of the murals and mosiacs were for those buildings designed by his firm while others were done as independent commissions.

In 1968 Sheets first proposed the murals he designed for the Los Angeles City Hall. His design was approved and he was awarded a commission to complete The Family of Man murals over the two main entrances to the Los Angeles City Hall. The murals were completed in 1971 and installed in 1972. Sheets also designed mosiacs and murals for the Mayo Clinic in Minnesota, the Library at Notre Dame University, the Scottish Rite Masonic Temple in Los Angeles, several Home Savings and Loan Association buildings in the Los Angeles area, the Detroit Public Library, and the Dome of the National Shrine of the Immaculate Conception in Washington, DC.

During the early 1960s Sheets participated in the American Specialist Program of the US Department of State. His first assignment was to Turkey in 1960, where he served as a visiting artist. The following year he went to the USSR in the same capacity.

During the early to mid 1950s Sheets became involved with Columbia Pictures and was technical advisor and production designer for a few years.

Millard Sheets was a member of the National Watercolor Society, the American Watercolor Society, the National Academy of Design, the Society of Motion Picture Art Directors, and the Century Association. Sheets actively promoted his own work and was a businessman, an active and prolific artist, instructor, and designer. Millard Sheets died on March 31, 1989 in Gualala, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 10) including a biographical sketch, career resume, and a list of sheets' work prepared in 1964. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Millard Sheets lent material for microfilming in 1965. Mary B. Sheets, Millard's widow, donated the papers to the Archives of American Art in 1992. Carolyn Owen-Toole, Sheet's daughter, gave a small addition of material in 2018.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Art -- California  Search this
Art and society  Search this
Horses -- Breeding  Search this
Watercolorists -- California  Search this
Muralists -- California  Search this
Art -- Philosophy  Search this
Designers -- California  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill
See more items in:
Millard Sheets papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw978141c20-c1e5-41ff-aa5d-6603f62f526f
EDAN-URL:
ead_collection:sova-aaa-sheemill
Online Media:

Esta Nesbitt papers

Topic:
Everyman (motion picture)
Creator:
Nesbitt, Esta  Search this
Names:
Parsons School of Design -- Faculty  Search this
Whitney Museum of American Art  Search this
Xerox Corporation  Search this
Ambert, Anibal  Search this
Beckett, Samuel, 1906-1989  Search this
Einstein, Albert, 1879-1955  Search this
English, Merle  Search this
Ginsberg, Allen, 1926-  Search this
Leder, Alan J.  Search this
Lyle, David  Search this
Wood, R. F.  Search this
Extent:
10.05 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Transcripts
Diaries
Sound recordings
Photographs
Date:
circa 1942-1981
bulk 1964-1975
Summary:
The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.05 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.
Scope and Contents:
The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.05 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.

Nesbitt's primary collaborators, correspondents, and subjects of investigation are not concentrated in any one series but rather recur throughout the collection. Nesbitt worked closely with Anibal Ambert, Merle English at Xerox Corporation, and the Whitney Museum of American Art. She read and wrote about the accrual of information, Albert Einstein, Asian religion and philosophy, communication, computer technology, documentation practices, energy, psychology, Samuel Beckett, and states of consciousness. Chinese characters and an image of Allen Ginsberg appear repeatedly in Nesbitt's works. Subjects of study and experimentation include 3M and Kodak technologies, color, film, morphology, participatory and performance art, shadows, sound, street works, xerography, and Xerox machines.

Biographical material revolves mostly around Nesbitt's work as a professor at Parsons School of Design. Records include Nesbitt's resumé, an exhibition history, motion picture film of the inside of her studio, and teaching files.

Correspondence contains personal letters from family members, and professional correspondence with fellow artists and employees of Xerox Corporation. Much of the series is correspondence between Nesbitt and fellow artists Alan Leder, David Lyle, and R.E. Wood, and is philosophical in nature. Correspondence with Xerox Corporation documents her relationship with the corporation between 1970 and 1972, when they underwrote her experiments in xerography.

Writings include illustrated journals, journals, notebooks, loose notes, and transcripts. The content of the writings varies widely throughout the series and includes artwork, sketches, diagrams, annotated clippings, transcripts of conversations, Nesbitt's writings about her dreams and family, details about her daily life, and notes about artists' materials, film, and sound.

Xerography Research Files document Nesbitt's experiments with xerography, which she often refers to in her papers as "Xerox Xplore." Contents include Nesbitt's definitions of xerography terms; Xerox equipment brochures; clippings; xerography studies; notebooks about Nesbitt's plans, work with color, and xerography study details; and slides and transparencies of completed xerography prints.

Project and Exhibition Files consist of a variety of documentation related to Nesbitt's books, exhibitions, films, performance and participatory art, and other projects. This series contains the bulk of the collection's motion picture films and sound recordings. The film and sound performance piece titled "Everyman as Anyman, or Putting On, On, On, On, On," the piece Walk Up --Tape On, the film "Light Times 499," and exhibitions of Nesbitt's xerography work and her series of work called Shadow Paintings are the most prominent subjects of the series.

Printed Material includes books, clippings, magazines, exhibition announcements, catalogs, and press releases about Nesbitt's interests, artwork, exhibitions, and galleries that exhibited her work. Some of the material is annotated.
Arrangement:
The collection is arranged into 6 series:

Missing Title

Biographical Materials, 1964-circa 1981 (0.3 linear feet; Box 1, 11)

Correspondence, 1942, 1964-1976 (0.3 linear feet; Box 1, OV 14)

Writings, 1959-circa 1973 (1.3 linear feet; Box 1-2, 12, OV 15)

Xerography Research Files, circa 1966-1974 (2.5 linear feet; Box 2-4, 11, OV 16)

Project and Exhibition Files, circa 1966-1981 (5.2 linear feet, Box 4-8, 11, 13, OV 17-19, 21, FC 22-23)

Printed Material, 1942-circa 1944, circa 1963-1977 (0.9 linear feet; Box 9-10, OV 20)
Biographical / Historical:
Esta Nesbitt (1918-1975) was an illustrator, xerography artist, filmmaker, and educator who lived and worked in New York City. She was a fashion illustrator for about two decades before becoming a children's book illustrator, performance artist, xerography artist, and filmmaker.

Nesbitt taught at Parsons School of Design from 1964 to 1974. Around 1970, Nesbitt created the piece Walk Up --Tape On with her Parsons students. The piece involved documenting social interaction by taping themselves to each other and then others as they walked through New York City, creating what Nesbitt called a "living organism," before presenting themselves to the Whitney Museum of American Art. The event was documented with film, photography, and audio recordings.

In 1970, Nesbitt contacted Xerox Corporation about creating experimental art investigations of the Walk Up --Tape On documentation using Xerox machines in their New York City office. During Nesbitt's time at Xerox, she experimented with many different copying machines, materials, and techniques to create what came to be known as xerographic artworks. She invented three xerography techniques: transcapsa, photo-transcapsa, and chromacapsa. A transcapsa work is created by moving a piece of material over the copier's window during the printing cycle. A photo-transcapsa work is created by moving a photographic image over the copier's window during the printing cycle. Chromacapsa is a process of adding color to xerographic works using Xerox copiers. Nesbitt referred to her work at Xerox as "Xerox Xplore," which culminated with the exhibition "Xerography - Extensions in Art" (1971-1972) and the commission of the print All the Lines are Nines.

To demonstrate "the media bombardment surrounding 'everyman' today," Nesbitt created a film and sound performance piece titled "Everyman as Anyman, or Putting On, On, On, On, On" in 1969. The performance consisted of five Super 8 film projectors and a multi-layered soundtrack. Nesbitt further experimented with filmmaking and xerography with the films "Folding/Struck" and "Light Times 499," which was created with Anibal Ambert. Her interest in xerography is further illustrated in the exhibition "Electrostatic Structures: 'New Morphs'" (1972-1973). The exhibition "1000 Empty 49.3 Grams: A participatory environment" was a culmination of her interest in participatory art.

Nesbitt died November 30, 1975 in New York City. Three posthumous exhibitions include "Esta Nesbitt: Xerography Prints" (1976) at The Art Center of Waco, "Memorial Exhibition of Drawing and Illustrations by Esta Nesbitt" (1977) at Parsons School of Design, and "Electroworks" (1979-1981) at the George Eastman House.
Related Materials:
The Esta Nesbitt papers at Center for Creative Photography at University of Arizona contain 3 linear feet related to her xerography artwork and exhibitions, dated 1966-1983.

Papers related to Nesbitt's fashion illustrations are found at the Kellen Design Archives at The New School in New York City. T

he Esta Nesbitt papers at the University of Minnesota Libraries Children's Literature Research Collections are related to Nesbitt's children's book illustrations, dated 1964-1969.
Provenance:
The Esta Nesbitt papers were donated by Saul Nesbitt, her husband, to the Archives of American Art in 1981.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- New York (State) -- New York  Search this
Topic:
Motion pictures (visual works)  Search this
Filmmakers -- New York (State) -- New York  Search this
Women artists  Search this
Xerography  Search this
Copy art  Search this
Illustrators -- New York (State) -- New York  Search this
Women filmmakers  Search this
Women illustrators  Search this
Women educators  Search this
Genre/Form:
Sketches
Transcripts
Diaries
Sound recordings
Photographs
Citation:
Esta Nesbitt papers, circa 1942-circa 1981, bulk 1964-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nesbesta
See more items in:
Esta Nesbitt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c57916c9-f891-4116-a32d-d1f4e83c624f
EDAN-URL:
ead_collection:sova-aaa-nesbesta
Online Media:

Biographical Materials

Collection Creator:
Nesbitt, Esta  Search this
Extent:
0.3 Linear feet (Box 1, 11)
Type:
Archival materials
Date:
1964-circa 1981
Scope and Contents:
Biographical materials include Nesbitt's resume, correspondence, photographic and printed material, and motion picture film. Most of the material revolves around Parsons School of Design, where Nesbitt taught. Correspondence regarding the National Student Strike and Anti-War Exhibit, created to illustrate the students' opposition to the Vietnam War, includes correspondence between Parsons School of Design and President Richard Nixon. Nesbitt's studio is documented in this series on two reels of Super 8 film.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esta Nesbitt papers, circa 1942-circa 1981, bulk 1964-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nesbesta, Series 1
See more items in:
Esta Nesbitt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bf0c04c8-7d5d-49bb-aee2-994269fbaed6
EDAN-URL:
ead_component:sova-aaa-nesbesta-ref1

Contact Sheets of Students

Collection Creator:
Nesbitt, Esta  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
circa 1969
Scope and Contents:
Oversized material housed in Box 11, Folder 1.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esta Nesbitt papers, circa 1942-circa 1981, bulk 1964-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Esta Nesbitt papers
Esta Nesbitt papers / Series 1: Biographical Materials / Teaching Files, Parsons School of Design
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98372ebc1-5036-4d03-9737-590d476b954c
EDAN-URL:
ead_component:sova-aaa-nesbesta-ref14

Correspondence regarding the National Student Strike and Anti-War Exhibit

Collection Creator:
Nesbitt, Esta  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1970
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esta Nesbitt papers, circa 1942-circa 1981, bulk 1964-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Esta Nesbitt papers
Esta Nesbitt papers / Series 1: Biographical Materials / Teaching Files, Parsons School of Design
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e13c0f6c-63e0-491c-8bf8-0471ca0982cc
EDAN-URL:
ead_component:sova-aaa-nesbesta-ref15

Student Publication of Parsons School of Design

Collection Creator:
Nesbitt, Esta  Search this
Container:
Box 10, Folder 13
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esta Nesbitt papers, circa 1942-circa 1981, bulk 1964-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Esta Nesbitt papers
Esta Nesbitt papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b728f725-d6ae-4801-ab6a-68e0b2a276f6
EDAN-URL:
ead_component:sova-aaa-nesbesta-ref320

Oral history interview with Joel Philip Myers

Topic:
Craft Horizons
Interviewee:
Myers, Joel Philip, 1934-  Search this
Interviewer:
Klein, Daniel, 1938-2009  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Blenko Glass Company  Search this
Donald Deskey Associates  Search this
Mint Museum of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design -- Students  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Toledo Art Museum  Search this
University of California, Berkeley -- Students  Search this
University of Illinois. -- Faculty  Search this
World Crafts Council  Search this
Blenko, William H., 1921-2016  Search this
Dreisbach, Fritz  Search this
Huchthausen, David R. (David Richard), 1951-  Search this
Lewis, John, 1942-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
Marquis, Richard, 1945-  Search this
Ness, Bob  Search this
Popelka, John  Search this
Randall, Theodore, 1914-1985  Search this
Smith, Paul J., 1931-  Search this
Vallien, Bertil, 1938-  Search this
Extent:
6 Items (Sound recording: 6 sound files (4 hr., 15 min.), digital, wav)
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Japan -- Description and Travel
Date:
2007 May 1
Scope and Contents:
An interview of Joel Philip Myers conducted 2007 May 1, by Daniel Klein, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home, in Marietta, Pennsylvania.
Myers speaks of his childhood in Patterson, New Jersey; making charcoal drawings as a child and taking private courses in oil painting; choosing to pursue a career in advertising design; attending Parsons School of Design in New York City; working as a package designer for Donald Deskey Associates; being influenced by Scandinavian design he saw in New York City to study abroad in Denmark; studying ceramic design at Kunsthaandvaerkerskolen in Copenhagen; meeting and marrying his wife, Birthe, while in Copenhagen; returning to the United States and going back to work for Donald Deskey; attending Alfred University and receiving his B.F.A. and M.F.A. in ceramics; accepting the position director of design for Blenko Glass Company in Milton, West Virginia with no previous experience in glass; teaching himself how to blow glass in the factory alongside the workers; the intense heat and extreme noise of a glass factory; learning of Harvey Littleton's glass workshop in 1962 in Toledo, Ohio, but being unable to attend; having limited exposure to the glass movement and developing his glass art without knowledge of the work of Littleton and his students; designing 50 to 60 different vases, bowls, decanters, and decorative objects a year from 1963 - 1970 at Blenko Glass Company; creating sculptural glass forms in his penetration pieces for his masters thesis; learning of what was happening in the studio glass world by attending the World Craft Council in 1964 in New York City; Paul Smith discovering his work and thereby gaining some publicity in Craft Horizons; being invited by Littleton to give a workshop at the University of California, Berkeley in 1968; the initial shock of seeing glass sculpture made with no real technique; his early attraction to cold-work in order to work intimately with the surface of the glass; acquisition of his work by the Toledo Art Museum and the Mint Museum of Art in Charlotte, North Carolina; establishing a glass program at Illinois University in Bloomington-Normal; his attempts to recruit international students; taking a semester sabbatical in Baden, Austria; being heavily influenced by the natural world; the series Garden, Perfume Bottle, Contiguous Fragment, Dr. Zharkov, The Dialogues, and others; teaching at Pilchuck School of Glass; studying the First World War and consequently creating Musée des Beaux Arts [1996]; travels to Japan; his teaching philosophies; the prevalence of independent glass studios in the world today; and plans for the future. Myers recalls Ted Randall, William H. Blenko, Sr., William H. Blenko, Jr., Marvin Lipofsky, Fritz Dreisbach, Richard Marquis, John Lewis, Bob Ness, Bertil Vallien, David Huchthausen, John Popelka, and others.
Biographical / Historical:
Joel Philip Myers (1934- ) is a glass artist from Milton, West Virginia. Daniel Klein (1938- ) is an art consultant from London, England.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 15 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Pennsylvania  Search this
Topic:
Art -- Study and teaching -- Philosophy  Search this
Ceramics -- Design  Search this
Ceramics -- Study and teaching -- Denmark  Search this
Decorative arts  Search this
Glass blowing and working -- Study and teaching  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.myers07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b1c7b6b-664e-416c-909a-ec509a02efd8
EDAN-URL:
ead_collection:sova-aaa-myers07
Online Media:

Biographical Data and Chronologies

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1964-1983, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0d8ec7-f1fe-4d08-b41c-2ba3d8d636e1
EDAN-URL:
ead_component:sova-aaa-polljack-ref235
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Biographical Data and Chronologies digital asset number 1
  • View Biographical Data and Chronologies digital asset number 2

Gilliam, Sam

Collection Creator:
Byron Gallery  Search this
Container:
Box 5, Folder 9
Type:
Archival materials
Date:
1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Byron Gallery records
Byron Gallery records / Series 1: Artist/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ff5401b9-d388-45a5-91bf-32c88c7152a3
EDAN-URL:
ead_component:sova-aaa-byrogall-ref164
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Gilliam, Sam digital asset number 1

Julia Santos Solomon papers

Creator:
Santos Solomon, Julia, 1956-  Search this
Names:
Parsons School of Design -- Faculty  Search this
Calamari, Barbara  Search this
Dye, Alice  Search this
Dye, Pete  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Sketchbooks
Video recordings
Place:
Altos de Chavón (Dominican Republic)
Date:
1977-2008
Scope and Contents:
Writings, correspondence, commission files, teaching files, artists' files, a scrapbook, works of art, printed material, and audio visual material documenting the career of Julia Santos Solomon as an artist and teacher.
Writings include three diaries recording Santos Solomon's study of art and design, largely in the Dominican Republic and Europe. Correspondence is with Alice Dye, wife of Pete Dye, golf course architect. Commission files relate to golf course landscape paintings, prints, and textiles. Teaching files consist of syllabi and annotated student drawing submissions from Altos de Chavon School of Design and Parsons School of Design. Artists' files relate to artist residencies at Altos de Chavon School of Design. One scrapbook includes altered photographs, drawings, writings, and various printed material.
Artwork consists of three sketchbooks, sketches, fashion illustrations, an original watercolor, pen, and pencil textile designs and prints for golf course landscapes. Printed material includes exhibition catalogs and announcements, newspaper and magazine clippings. Audio visual material consists of a DVD and CD related to the pilot television program 'Lola' (never produced) created by Santos Solomon and Barbara Calamari and loosely based on Santos Solomon's biography, especially as a teenager and young adult. Also included are episode descriptions and notes about the show.
Biographical / Historical:
Julia Santos Solomon (1956- ) is an educator, painter, sculptor, digital artist, and textile and fashion designer in the Dominican Republic and Woodstock, New York. Julia Santos Solomon taught fashion and design illustration at Altos de Chavon School of Design in the Dominican Republic and at Parsons School of Design in New York.
Provenance:
Donated 2015 and 2016 by Julia Santos Solomon.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Occupation:
Art teachers -- Dominican Republic  Search this
Art teachers -- New York (State)  Search this
Fashion designers -- Dominican Republic  Search this
Fashion designers -- New York (State)  Search this
Painters -- Dominican Republic  Search this
Painters -- New York (State) -- Woodstock  Search this
Textile designers -- Dominican Republic  Search this
Textile designers -- New York (State)  Search this
Topic:
Golf courses  Search this
Latino and Latin American artists  Search this
Genre/Form:
Drawings
Scrapbooks
Sketchbooks
Video recordings
Identifier:
AAA.santjuli
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90af5380d-186a-44a1-be5a-a9676468fbef
EDAN-URL:
ead_collection:sova-aaa-santjuli

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