Tiepolo, Giovanni Domenico, 1726?-1804 Search this
Extent:
5 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1924-1983]
Scope and Contents:
Biographical information, correspondence, subject files, notebooks, photographs, clippings, price lists concern Francis' work at the Cleveland Museum of Art, his friendship with George Kates, and his interest in painter William Sommer.
REELS 881-882: Primarily research material compiled by Francis and his wife Frances Merriman Francis for the Ten Thirty Gallery Sommer retrospective in 1946 and the Cleveland Museum of Art's William Sommer Memorial Exhibition, held November 1-December 10, 1950. Included are biographical material; correspondence of Henry Sayles Francis and other museum staff regarding Sommer, and copies and transcripts of Sommer's correspondence (including a few letters from Hart Crane); reminiscences of Sommer from friends and colleagues; exhibition catalogs; notebooks of information on Sommer's works; and a bibliography.
REELS 3838-3841: Biographical information; correspondence, arranged chronologically, with colleagues, friends, dealers, collectors, and others; and subject/correspondence files, arranged alphabetically, on colleagues, dealers, exhibitions, and various art topics; photographs of Francis, juries (Charles Sheeler is in one), Matisse in his studio, Somerset Maugham, Frits Lugt, and his wife; and clippings relating chiefly to the Cleveland Museum of Art.
UNMICROFILMED: Primarily letters from and material on George Norbert Kates, an authority on pre-communist China and Francis's lifetime friend and additional material on William Sommer. Kates material consists of ca. 1000 letters to Francis, ca. 1924-1984, concerning personal affairs, financial ventures, their research efforts and careers, and Kates's research on the 15th century Duchess Eleanor of Scotland. A significant number of letters from 1953 refer to Bernard Berenson and his art research and collection. Also included are a subject file on Kates' interest in Herman Hesse; and a file of Kates' research material on Duchess Eleanor of Scotland.
Unmicrofilmed Sommer material includes a letter from Sommer to C.P. Marsh, 1931; a Christmas card from Josephine and Theodor Braasch to Sommer; a page of writings by Sommer; photographs of Sommer and of a studio; several sketches and drawings; and printed material.
REEL 440 AND SCANNED One photograph of Sommer, microfilmed under Photos of Artists I, and scanned.
The remaining unfilmed material consists of Francis's notebooks (4 v.) primarily about the history of European paintings, drawings and prints, including notes about individual works of art; financial records, including price lists of European works of art, ca. 1930-1969, price list, insurance values and appraisals of two collections from the Cleveland Museum of Art, ca. 1923-1957; and minutes from two accessioning meetings at the Museum, 1930 and 1931.
Biographical / Historical:
Art museum curator; Cleveland, Ohio. Francis worked at the Cleveland Museum of Art from 1927 to 1929, leaving for a position at the Fogg Museum as assistant to directors Edward Forbes and Paul Sachs. He returned to the Cleveland Museum in 1931, remaining there as Curator of Paintings and Prints until 1967.
Provenance:
Research material on William Sommer donated 1975 by Henry Sayles Francis; he donated the remainder in 1984.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art museum curators -- Ohio -- Cleveland Search this
Correspondence; biographical data; photographs; artists files; writings; financial material; a travel diary; and miscellany.
REEL 600: Correspondence, December 1933-August 1935, comprising 88 letters between Milliken, head of the Cleveland section of the PWAP, and applying artists, the Treasury Department, and other officials of the program. In addition there are progress reports on artists' work done in the Cleveland section of PWAP, December 1933-May 1934, extensive lists of artists' projects giving city, building, and description of work, and miscellaneous papers.
REEL 684: Typescript of an unpublished book "Stories Behind the Museum Collection," a 254 page history of the Cleveland Museum of Art, Cleveland, Ohio, written by Milliken. The history begins with the museum's inception in 1913. The date of the writing is ca. 1970.
REEL 1096: Copy of William Milliken's autobiography, 530 p.
REELS 1273-1279: Correspondence; biographical data; photographs; poems; lectures; addresses; radio talks; receipts and invoices for art objects given to the Cleveland Museum of Art; a travel diary, 1954-1955; and miscellany. There are files on Bernhard Berenson, Clarence Carter, Marshall Fredericks, Henry Keller, Wolfgang Dronig, Kurt Martin, Harold Parsons, Paul Travis, and others.
Biographical / Historical:
Museum director; Cleveland, Ohio; d. 1978. Milliken was the curator of the Cleveland Museum of Art, 1919-1958, and director of the museum from 1930-1958.
Provenance:
Photostats on reel 600 donated by Cleveland Museum of Art; material on reel 684 lent for microfilming 1973 by William M. Milliken; material on reels 1096 and 1273-1279 donated 1974-1977 by William M. Milliken.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.