Search Results

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Correspondence

Digital images

Business records

Contracts

Notes

Sound recordings

Plans (drawings)

Negatives

Audiotapes

Memorandums

Slides (photographs)

Audiocassettes

Photographic prints

Video recordings

Videotapes

Date:

June 25-July 5, 1992

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1992 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Changing Soundscape in Indian Country

Series 3: Creativity and Resistance: Maroon Culture in the Americas

Series 4: New Mexico

Series 5: Workers at the White House

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1992 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The Columbus Quincentenary that was commemorated in 1992 gave pause to reflect on the forces that over the preceding 500 years had shaped social life in the Americas. The Festival programs on New Mexico, Maroons, and American Indian musics illustrated important historical and ongoing processes through which communities establish cultural identities in complex and dynamic social circumstances.

"The Changing Soundscape in Indian Country," produced jointly with the National Museum of the American Indian, explored ways that Indian musicians and their communities creatively adapted elements from the musical traditions brought to this continent from Europe, Africa, and elsewhere. Although many of the forms of this Indian music are non-Indian in origin, the themes and performance styles clearly address Indian experience and aesthetic expectations. In their creative hands, as Festival visitors could experience first-hand, external musical influences became part of the self-definition of Indian identity and trenchant commentary on what had been happening in "Indian Country" over the past five centuries.

Nowhere is the connection between creativity and self-definition more clear than in the cultural identities of contemporary Maroon peoples, whose ancestors escaped plantation slavery in the Americas and founded independent societies. Faced with the task of constructing and defending their positions, Maroons creatively defined themselves from a variety of sources. While their political institutions, expressive arts, religions, and other social forms were predominantly African in origin, they drew from a broad range of African cultures, and from European and Native American cultures as well. Much of the aesthetic component of Maroon cultures - their vibrant traditions of verbal and visual arts, shared with Festival visitors on the National Mall - encourages the cohesiveness of their society and voices themes that embody common experience and interest.

The Spanish Conquest established the Western Hemisphere's European presence and its most widely spoken language. While the original conquerors' culture did not value the Native cultures it encountered, over the centuries segments of Hispanic and Native American and later English-speaking and other populations engaged one another, by necessity, in ways that gave rise to today's rich array of cultural identities. New Mexico's distinctive cultural landscape took shape in this way, represented by some peoples who sustain their cultural identities through centuries-old combinations of Indian and European forms of thought and action, and by others whose basis of identity lies in reaffirming the wisdom and relevance of ancestral ways. Festival visitors could witness how, in New Mexico, cultural identity reflects the changes that continue to be wrought from the varieties of these social encounters.

The 1992 Festival also marked the 200th anniversary of the White House. Not a king's palace but rather "the people's house," the White House is at once national symbol, executive office and conference center, ceremonial setting, museum, tourist attraction, and family residence. The Festival revealed the culture of White House workers, who supported this broad array of functions over a span of history shaped by remarkable events, people and social change. White House workers had made the White House work with their labor and dedication. The Festival's living exhibition presented some of the skills, experiences, and values through which they gave shape to their occupational identities, calling visitors' attention to an important human component of the 200 year institutional history.

The 1992 Festival took place during two five-day weeks (June 25-29 and July 2-5) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1992 Program Book included schedules and participant lists for each program; keynote essays provided background on the Festival and each of the four programs, with shorter essays spotlighting particular traditions and offering a forum for statements from Maroon spokespeople.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordings; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Vivian Chen, Diana Baird N'Diaye, Folklorists; Ken Bilby, Marjorie Hunt, Curators; Carla Borden, John Franklin, Program Managers; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Betty Belanus, Frank Proschan, Nicholas Spitzer, Research Associates

Folklife Advisory Council

Roger Abrahams, Jacinto Arias, Jane Beck, Pat Jasper, Barbara Kirshenblatt-Gimblett, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, John Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1992 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folklore  Search this

Food habits  Search this

Folk festivals  Search this

arts and crafts  Search this

World music  Search this

Folk music  Search this

Folk art  Search this

Genre/Form:

Correspondence

Digital images

Business records

Contracts

Notes

Sound recordings

Plans (drawings)

Negatives

Audiotapes

Memorandums

Slides (photographs)

Audiocassettes

Photographic prints

Video recordings

Videotapes

Citation:

Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1992

See more items in:

Smithsonian Folklife Festival records: 1992 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5f73b77d3-05ca-40f8-be62-39e38b1d04cd

EDAN-URL:

ead_collection:sova-cfch-sff-1992

Creator:

Dale, Dianne  Search this

Polk, P. H., 1898-1985  Search this

Names:

Barry, Marion, 1936-2014  Search this

Dale, Almore M., 1911-1984  Search this

Dale, Dianne  Search this

Dale, John Henry, Jr., 1888-1973  Search this

Dale, Lucille Emma Patterson, 1889-1973  Search this

Dale, Marie Howard, 1914-2011  Search this

Dale, Norman Edward, 1908-1991  Search this

Garner, Araminta Dale, 1913-1987  Search this

Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this

Patterson, Wilhelmina Bessie, 1888-1962  Search this

Extent:

6 Linear feet (9 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Place:

Anacostia (Washington, D.C.)

Date:

1866 - 1990.

Summary:

The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.

Scope and Contents note:

The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.

Arrangement note:

The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files

Biographical/Historical note:

The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.

General Note:

Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883

Provenance:

The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:

The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

African Americans  Search this

African American families  Search this

Genre/Form:

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Citation:

Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.

Identifier:

ACMA.06-074

See more items in:

Dale-Patterson Family collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885

EDAN-URL:

ead_collection:sova-acma-06-074

Collector:

Parker, Ely Samuel, 1828-1895  Search this

Extent:

9 Pages

2 Items (cards )

1 Item (slip )

1 Item (newsclipping )

Culture:

Iroquois  Search this

Type:

Collection descriptions

Archival materials

Pages

Newsclippings

Date:

August 1866

Local Numbers:

NAA MS 414

Topic:

Totems and totem poles -- Iroquois  Search this

Indians of North America -- Northeast  Search this

Genre/Form:

Newsclippings

Citation:

Manuscript 414, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS414

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw38ee0d085-80bc-4e31-932b-5713364cdecb

EDAN-URL:

ead_collection:sova-naa-ms414

Collector:

Allen, George V.  Search this

Names:

Albuquerque Indian School  Search this

Castillo de San Marcos (Saint Augustine, Fla.)  Search this

Chilocco Indian Agricultural School  Search this

Geological Survey (U.S.)  Search this

Haskell Indian Nations University  Search this

United States Indian School (Carlisle, Pa.)  Search this

Yankton Mission (Yankton Indian Reservation, S.D.)  Search this

American Horse, 1840-1908  Search this

Big Bow Chief  Search this

Bogy, Lewis V. (Lewis Vital), 1813-1877  Search this

Cushing, Frank Hamilton, 1857-1900  Search this

Harding, Warren G. (Warren Gamaliel), 1865-1923  Search this

Hough, Walter, 1859-1935  Search this

Iron Bull (Crow Indian chief)  Search this

Kelly, Luther S. (Luther Sage), 1849-1928  Search this

Mató-Tópe, Mandan chief, d. 1837  Search this

Mix, Charles E.  Search this

Monroe, Mark, 1930-  Search this

Moran, John, 1831-1903  Search this

Ouray  Search this

Red Cloud, 1822-1909  Search this

Red Dog, Oglala chief  Search this

Red Shirt, 1845?-1925  Search this

Reilly, John James, 1838-1894  Search this

Reynolds, Joseph Jones, 1822-1899  Search this

Sitting Bull, 1831-1890  Search this

Spotted Tail, 1823-1881  Search this

Stevenson, Matilda Coxe, 1850-1915  Search this

Two Guns White Calf, 1872-1934 (Piegan)  Search this

Photographer:

Alvord, Kellogg, & Campbell  Search this

Bailey & Whitesides  Search this

Bailey, Dix, & Mead  Search this

Bennett & Brown  Search this

Black Hills View Company  Search this

Brooks Photo  Search this

Brubaker and Whitesides  Search this

C. Duhem & Bro.  Search this

Calfee & Catlin  Search this

Caswell & Davy  Search this

Copelin & Son  Search this

Cosand & Mosser  Search this

Cunningham & Co. (1880-1889)  Search this

D.D. Merrill, Randall & Co.  Search this

E. & H.T. Anthony (Firm)  Search this

Eaton, of Ralston, Oklahoma  Search this

Griffith & Griffith  Search this

Gurnsey & Illingworth  Search this

Hamilton and Hoyt  Search this

Hamilton and Kodylek  Search this

Hansard & Carden  Search this

Henry L. Shepard & Co.  Search this

Ingersoll View Company (St. Paul, Minnesota)  Search this

J.J. Reilly & Co.  Search this

Judd and McLeish  Search this

Keystone View Company  Search this

Kilburn Brothers  Search this

Lawrence & Houseworth  Search this

Leonard & Martin  Search this

M.S. Mepham & Bro.  Search this

Martin's Gallery  Search this

Montgomery Ward  Search this

Ramsour & Pennel  Search this

Reed & McKenney  Search this

Rodocker & Blanchard  Search this

Savage & Ottinger  Search this

Thomas Houseworth & Co  Search this

Underwood & Underwood  Search this

Universal Photo Art Co  Search this

Whitney & Zimmerman  Search this

Wittick & Bliss  Search this

Wittick & Russell  Search this

Young & Chase  Search this

Barker, George, 1844-1894  Search this

Barry, D. F. (David Francis), 1854-1934  Search this

Batchelder, B. P. (Benjamin Pierce), 1826-1891  Search this

Bates, Edw. (Edward)  Search this

Beaman, Edward O.  Search this

Bell, C. M. (Charles Milton), approximately 1849-1893  Search this

Bell, William, 1830-1910  Search this

Benecke, Robert  Search this

Bennett, H. H. (Henry Hamilton), 1843-1908  Search this

Bierstadt, Charles, 1819-1903  Search this

Blessing, S. T.  Search this

Blosser, J. A.  Search this

Bonine, Elias A., 1843-1916  Search this

Brockham, William (of Morris, Minnesota)  Search this

Brown, William Henry, 1844-1886  Search this

Brubaker, C. B.  Search this

Buehman, Henry, 1851-1912  Search this

Calfee, H. B. (Henry Bird), 1848-1912  Search this

Carbutt, John, 1832-1905  Search this

Carter, C. W., 1832-1918  Search this

Chamberlain, W. G. (William Gunnison)  Search this

Chase, D. B. (Dana B.)  Search this

Childs, B. F. (Brainard F.), ca. 1841-1921  Search this

Choate, J. N. (John N.), 1848-1902  Search this

Clark, George A. (George Alfred), 1936-  Search this

Climo, John Saunders  Search this

Cobb, William Henry, 1859-1909  Search this

Conklin, E (Enoch)  Search this

Cozzens, Samuel Woodworth, 1834-1878  Search this

Croft, Thomas  Search this

Cross, W. R. (William R.)  Search this

Currier, Frank, fl. 1890-1909  Search this

Curtis, Edward S., 1868-1952  Search this

Curtis, George E., 1830-1910  Search this

Cushing, W. H., fl. 1870-1889  Search this

Davis, S., fl. 1860-1880  Search this

Doremus, John P., 1827-1890  Search this

Eaton, E. L. (Edric L.), b. ca. 1836  Search this

Ebell, Adrian J. (Adrian John), 1840-1877  Search this

Eisenmann, Charles, b. 1850  Search this

Flanders, Dudley P.  Search this

Forsyth, N. A. (Norman A.), 1869-1949  Search this

Fouch, John H., 1849-1933  Search this

Gardner, Alexander, 1821-1882  Search this

Godkin, William R.  Search this

Goodell, Abner Cheney, 1831-1914  Search this

Graves, C. H. (Carleton H.), -1943  Search this

Gurnsey, B. H. (Byron H.), 1833-1880  Search this

Hamilton, J. H. (James H.)  Search this

Hart, Alfred A., 1816-1908  Search this

Hawkins, B.A.  Search this

Haynes, F. Jay (Frank Jay), 1853-1921  Search this

Hazeltine, M. M. (Martin Mason), 1827-1903  Search this

Heister, H. T., (Henry T.), -1895  Search this

Heller, Louis Herman, ca. 1839-1929  Search this

Heston, Wat  Search this

Hillers, John K., 1843-1925  Search this

Hook, W. E. (William Edward), 1833-1908  Search this

Huffman, L. A. (Laton Alton), 1854-1931  Search this

Illingworth, W. H. (William H.), 1842-1893  Search this

Immke, Henry W.  Search this

Ingalls, George W., 1838-1920  Search this

Jackson, William Henry, 1843-1942  Search this

Jacoby, W. H. (William H.), 1841-1905  Search this

Jarvis, J. F. (John F.), b. 1850  Search this

Johnson, W.S.  Search this

Kirkland, Geo. W. (George W.)  Search this

Knight, J. Lee  Search this

Landon, S. C. (Seth C.), b. 1825  Search this

Line, A. A.  Search this

Little, H.N.  Search this

Marshall, William I. (William Isaac), 1840-1906  Search this

Martin, Alex (Alexander), 1841-1929  Search this

Maude, F. H. (Frederic Hamer)  Search this

Maynard, Hannah, 1834-1918  Search this

Maynard, Richard, 1832-1907  Search this

McIntyre, A. C. (Alexander Carson)  Search this

Meddaugh, J. E.  Search this

Mellen, Geo. E. (George Egbert), b. 1854  Search this

Mepham, Michael S.  Search this

Mitchell, Daniel S.  Search this

Morrow, Stanley J.  Search this

Muybridge, Eadweard, 1830-1904  Search this

Newcomb, C. H.  Search this

Nims, F.A.  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Palmer, A. A.  Search this

Parker, Joseph C.  Search this

Pierron, Geo. (George), b. 1816  Search this

Pollock, Charles, 1832-1910  Search this

Powers, F. F.  Search this

Raitt, T.G.  Search this

Randall, A. Frank  Search this

Rau, William Herman, 1855-1920  Search this

Rinehart, F. A. (Frank A.)  Search this

Rodocker, D. (David)  Search this

Rothrock, George H.  Search this

Rudy, W. Ira  Search this

Russell, Andrew J.  Search this

Rutter, Thomas H., 1837-1925  Search this

Savage, C. R. (Charles Roscoe), 1832-1909  Search this

Seaver, C. (Charles)  Search this

Sedgwick, S. J. (Stephen James)  Search this

Shipler, James William, 1849-1937  Search this

Soule, John P.  Search this

Stoddard, Seneca Ray, 1844-1917  Search this

Taber, I. W. (Isaiah West), 1830-1912  Search this

Thorne, G.W.  Search this

Thurlow, J., 1831-1878  Search this

Towne, Bertram C.  Search this

Trager, George E.  Search this

Upton, B. F. (Benjamin Franklin)  Search this

Watkins, Carleton E., 1829-1916  Search this

Weitfle, Charles, 1836-1921  Search this

Wendt, Julius M.  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Williscraft, W.H.  Search this

Wittick, Ben, 1845-1903  Search this

Woodburn, J. R.  Search this

Zimmerman, Charles A., 1844-1909  Search this

Publisher:

Beal's Gallery  Search this

Continent Stereoscopic Company  Search this

Florida Club (Cooperative)  Search this

Union View Company (Rochester, New York)  Search this

Webster & Albee (Rochester, N.Y.)  Search this

Smith, O. C.  Search this

Extent:

67 Lantern slides

26 Negatives (glass)

10 Negatives (nitrate)

6 Autochromes (photographs)

50 Stereographs (circa 50 printed stereographs, halftone and color halftone)

1,000 Stereographs (circa, albumen and silver gelatin (some tinted))

239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))

96 Prints (Album :, silver gelatin)

21 Postcards (silver gelatin, collotype, color halftone, and halftone)

Culture:

Puyallup  Search this

Kumeyaay (Diegueño)  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Tohono O'odham (Papago)  Search this

Kalispel (Pend d'Oreilles)  Search this

Indians of North America -- California  Search this

Taos Indians  Search this

Nuu-chah-nulth (Nootka)  Search this

Kickapoo  Search this

Laguna Indians  Search this

Pueblo  Search this

Ho-Chunk (Winnebago)  Search this

Havasupai (Coconino)  Search this

Assiniboine (Stoney)  Search this

Isleta Pueblo  Search this

Mojave (Mohave)  Search this

Mewuk (Miwok)  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Arctic peoples  Search this

Akimel O'odham (Pima)  Search this

Piipaash (Maricopa)  Search this

Iroquois  Search this

Hopi Pueblo  Search this

Modoc  Search this

A:shiwi (Zuni)  Search this

Niimíipuu (Nez Perce)  Search this

Washo Indians  Search this

A'aninin (Gros Ventre)  Search this

Tonkawa  Search this

Diné (Navajo)  Search this

Yavapai  Search this

Ute  Search this

Sauk  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Indians of North America -- Great Plains  Search this

Bannock  Search this

Shoshone  Search this

Cochiti Pueblo  Search this

Omaha  Search this

Indians of North America -- Southwest, New  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Northwest Coast of North America  Search this

Choctaw  Search this

Sioux  Search this

Eskimos  Search this

Northwest Coast  Search this

Indians of North America -- Plateau  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Numakiki (Mandan)  Search this

Sahnish (Arikara)  Search this

Tlingit  Search this

Haida  Search this

Cree  Search this

Apsáalooke (Crow/Absaroke)  Search this

Acoma Pueblo  Search this

Quapaw Indians  Search this

Osage  Search this

Apache  Search this

Kaw (Kansa)  Search this

Umatilla  Search this

Shawnee  Search this

Fox  Search this

Pomo  Search this

Indians of North America -- Southern States  Search this

Indians of North America -- Subarctic  Search this

Paiute  Search this

Seminole  Search this

Mi'kmaq (Micmac)  Search this

Niuam (Comanche)  Search this

Potawatomi  Search this

Type:

Collection descriptions

Archival materials

Lantern slides

Negatives

Autochromes (photographs)

Stereographs

Prints

Postcards

Place:

Custer Battlefield (Montana)

Date:

circa 1860-1935

Scope and Contents note:

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.

There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.

Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.

Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.

Biographical/Historical note:

George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.

Local Call Number(s):

NAA Photo Lot 90-1

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Camps  Search this

Child care  Search this

Rites and ceremonies  Search this

Totem poles  Search this

Cookery  Search this

Wild west shows  Search this

Fishing  Search this

Hunting  Search this

Transportation  Search this

Dwellings  Search this

Indians of North America -- Northeast  Search this

Funeral rites and ceremonies  Search this

Wounded Knee Massacre, S.D., 1890  Search this

Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.90-1

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3c6f12a20-b859-4219-a567-b2b3246a66be

EDAN-URL:

ead_collection:sova-naa-photolot-90-1

Creator:

Parker, Francis, of San Diego, California  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 3.5 in.)

Culture:

Tipai-Ipai  Search this

Diegueño Indians  Search this

Indians of North America -- California  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 205(?)in an unidentified series.

Local Numbers:

NAA INV.09864800

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

Tipai-Ipai  Search this

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3b17ca6fe-68ba-4ec4-b4da-05a76555a31e

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref950

Creator:

Parker, Francis, of San Diego, California  Search this

Collection Collector:

Allen, George V.  Search this

Extent:

1 Stereograph (7 x 3.5 in.)

Culture:

Diegueno -- church or school  Search this

Tipai-Ipai  Search this

Indians of North America -- California  Search this

Diegueño Indians  Search this

Type:

Archival materials

Stereographs

Scope and Contents:

The item is number 231 in an unidentified series. Three men are standing outside an adobe building. Two bells are to the right.

Local Numbers:

NAA INV.09864900

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

Tipai-Ipai  Search this

Collection Citation:

Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution

See more items in:

George V. Allen photograph collection of photographs of Native Americans and the American frontier

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw34fd21a18-9959-495b-86f6-73c3a4825023

EDAN-URL:

ead_component:sova-naa-photolot-90-1-ref951

Photographer:

Dinwiddie, William  Search this

Bell, C. M. (Charles Milton), approximately 1849-1893  Search this

Hillers, John K., 1843-1925  Search this

Shindler, Antonio Zeno  Search this

Baer, Prescott, Arizona  Search this

Barthelmess, Christian  Search this

Bell, Bert  Search this

Brady, Mathew B., approximately 1823-1896  Search this

Buehman, Henry  Search this

Cross, W. R. (William R.)  Search this

Carter, C. W., 1832-1918  Search this

Chamberlain, W. G. (William Gunnison)  Search this

Curtin, Jeremiah  Search this

Easterly, Thomas M.  Search this

Elrod, J.C.  Search this

Ericson, Augustus William  Search this

Fly, C. S. (Camillus Sidney), 1849-1901  Search this

Gardner, Alexander, 1821-1882  Search this

Gurney, Jeremiah  Search this

Harrison, C.P.  Search this

Hastings, Oregon Columbus  Search this

Hrdlička, Aleš, 1869-1943  Search this

Hutchins  Search this

James, George Wharton  Search this

Jenks, Albert Ernest  Search this

Love (pawhuska oklahoma)  Search this

Marckel, W.E.  Search this

Maude, F. H. (Frederic Hamer)  Search this

Mearns, Edgar Alexander, 1856-1916  Search this

Mindeleff, Victor, 1860-1948  Search this

Mooney, James, 1861-1921  Search this

Morse, S.G.  Search this

Notman, William  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Parker, San Diego  Search this

Randall, A. Frank  Search this

Rinehart, F. A. (Frank A.)  Search this

Robinson, H. P.  Search this

Russell, Frank A.  Search this

McEvoy  Search this

Sawyer, Wells, 1863-1960  Search this

Smillie, T. W. (Thomas William), 1843-1917  Search this

Soule, William S. (William Stinson), 1836-1908  Search this

Vannerson, Julian  Search this

Cohner, Samuel A.  Search this

Vroman, A. C. (Adam Clark), 1856-1916  Search this

Wallis, R.H.  Search this

Westmann, Orloff R.  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Wittick, Ben, 1845-1903  Search this

Woodruff, Charles E. Dr.  Search this

Baker and Johnston  Search this

Brown, N., and Son  Search this

Heyn Photo  Search this

McClees and Germon  Search this

Savage & Ottinger  Search this

Ulke Brothers (Washington, D.C.)  Search this

McClees Studio (Washington, D.C.)  Search this

Creator:

Bushnell, David Ives, Jr., 1875-1941  Search this

Names:

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Extent:

2,555 Prints

Culture:

American Indians  Search this

Type:

Collection descriptions

Archival materials

Prints

Date:

19th Century

Scope and Contents:

These are mostly nineteenth-century prints of some negatives in the glass negative collection. Included are a few images made from negatives that apparently have since been broken or lost. Some of the prints were acquired by the Department of Anthropology of the United States National Museum and have accession and/or catalog numbers. Others were apparently made for exhibit purposes. The collection has not been sufficiently studied to allow the positive identification of the print makers but many were probably prepared by Charles Milton Bell, De Lancey W. Gill, John K. Hillers, and Antonio Zeno Shindler. Some of the prints have been hand colored by Shindler.

Arrangement:

Roughly by tribe

Citation:

Prints of Indian Negatives, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.177

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3371bb1cb-77da-4318-96fe-a7eef3ad3c56

EDAN-URL:

ead_collection:sova-naa-photolot-177

Collector:

National Museum of Natural History (U.S.). Native American Public Programs  Search this

Ringlero, Aleta Pima  Search this

Photographer:

Smithsonian Institution. Office of Printing and Photographic Services  Search this

Clark, Chip, 1947-2010  Search this

Hansen, Carl C.  Search this

Hart, Alan  Search this

Long, Eric  Search this

Minor-Penland, Laurie  Search this

Penland, Dane  Search this

Strauss, Richard  Search this

Taccone, Christina  Search this

Vargas, Rick  Search this

Names:

Lewis, Lucy M.  Search this

Extent:

5,750 Prints (circa, silver gelatin (including contact prints))

12 Color transparencies

10 Color negatives

3,500 Color slides (circa)

67 Color prints

4 Negatives (acetate)

Culture:

Indians of North America -- California  Search this

Paiute  Search this

Jemez Pueblo  Search this

Mewuk (Miwok)  Search this

Yurok  Search this

Cherokee  Search this

Tewa Pueblos  Search this

Indians of North America -- Southern States  Search this

Tlingit  Search this

A:shiwi (Zuni)  Search this

Assiniboine (Stoney)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Lenape (Delaware)  Search this

Indians of North America -- Great Plains  Search this

Tohono O'odham (Papago)  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Basin  Search this

Akimel O'odham (Pima)  Search this

Hopi Pueblo  Search this

Indians of North America -- Southwest, New  Search this

Onondaga  Search this

Muskogee (Creek)  Search this

Kutzadika'a (Mono Paiute)  Search this

Pomo  Search this

Laguna Indians  Search this

Makah  Search this

White Mountain Apache  Search this

Seneca  Search this

Minneconjou Lakota (Minniconjou Sioux)  Search this

Sioux  Search this

Numakiki (Mandan)  Search this

Pueblo  Search this

Indians of North America -- Northwest Coast of North America  Search this

Minitari (Hidatsa)  Search this

Diné (Navajo)  Search this

Kiowa  Search this

Apsáalooke (Crow/Absaroke)  Search this

Indians of North America -- Plateau  Search this

Niimíipuu (Nez Perce)  Search this

Cayuse  Search this

Acoma Pueblo  Search this

Payómkawichum (Luiseño)  Search this

Hunkpapa Lakota (Hunkpapa Sioux)  Search this

Mohawk  Search this

Type:

Collection descriptions

Archival materials

Prints

Color transparencies

Color negatives

Color slides

Color prints

Negatives

Date:

1989-1993

Scope and Contents note:

Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.

Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).

Biographical/Historical note:

Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by Native American artists and craftsmen in the exhibition areas of the museum.

Local Call Number(s):

NAA Photo Lot 91-26

Location of Other Archival Materials:

Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.

Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.

Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Art  Search this

Handicraft  Search this

Indians of North America -- Northeast  Search this

Citation:

Photo Lot 91-26, Native American Public Programs photograph collection relating to Native American artists and art, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.91-26

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw380668afd-9cb5-4658-9c1c-491584e12125

EDAN-URL:

ead_collection:sova-naa-photolot-91-26

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Audiocassettes

Audiotapes

Correspondence

Business records

Memorandums

Plans (drawings)

Photographic prints

Videotapes

Negatives

Slides (photographs)

Video recordings

Contracts

Digital images

Notes

Sound recordings

Place:

Caribbean Area

Cuba

Haiti

Jamaica

Puerto Rico

Date:

June 23-July 4, 1989

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1989 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Indian Program

Series 3: The Caribbean: Cultural Encounters in the New World

Series 4: Les Fêtes Chez Nous: France and North America

Series 5: Hawai'i

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1989 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

In commemoration of our common French and American covenants of human rights and in recognition of our common French heritage, the 1989 Festival celebrated the Bicentennial of the French Revolution and the Declaration of the Rights of Man and of the Citizen (on display during the Festival in the Smithsonian's Arts and Industries Building). One of the Festival's four programs thus featured Francophone musicians and craftspeople from France, Quebec, New England, Louisiana, Missouri, and North Dakota.

The Hawai'i program included the descendants of immigrants, mainly from the Pacific rim (but also from the Atlantic), who came to the islands to work on plantations, enduring servitude and hardship in hope of a better life. Hawai'i is unique in that its indigenous culture suffuses its society as a whole, giving nuance to the forms of immigrant cultures that came there. This thirtieth anniversary of Hawaii's statehood invited the Smithsonian to reflect upon human cultural freedom - equity for and conservation of traditional cultures, as the Festival celebrated the vitality and open spirit of an indigenous Hawaiian culture that endured political, ideological and commercial attempts to restrict its practice and growth.

The continuity of culture depends upon access to various natural, social, and cultural resources. We bridle at unfair restrictions of such access that limit our freedom to realize our visions of who we are. The American Indian program in 1989 examined such restrictions and their impact upon contemporary tribal life. What happens when tribal rituals depend on endangered species, or traditional means of subsistence are threatened by land and water pollution? The program also illustrated attempts by various tribes to gain freedom over their cultural future through the innovative management of traditional resources.

The Caribbean program illustrated the historical flow of cultural and aesthetic ideas between diverse Native, European, and African populations in several island societies. Caribbean populations are characterized by the creative creolization of music, food, language, and art. Indeed, this encounter of diverse peoples defined the New World that developed in the wake of the Columbian voyages, whose 500th anniversary would be commemorated a few years later, in 1992. The Festival hosted contingents of musicians from Cuba, Haiti, Jamaica, and Puerto Rico so that Americans could hear their musics and the complex historical tale they tell about the making of the New World.

The 1989 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). The 1989 Program Book included schedules and participant lists for each program; the Program Book featured four substantial essays, each laying out in depth the rationale for one of the four Festival programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Olivia Cadaval, Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Betty Belanus, Education Specialist; Richard Kennedy, Winifred Lambrecht, Curators; Jeffrey Place, Archivist

Folklife Advisory Council

Richard Bauman (Chair), Roger Abrahams, Henry Glassie, Rayna Green, John Gwaltney, Charlotte Heth, Adrienne Kaeppler, Ivan Karp, Bernice Reagon, John Kuo Wei Tchen, Carlos Vélez-Ibáñez

National Park Service

James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1989 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk festivals  Search this

World music  Search this

Folk art  Search this

Food habits  Search this

arts and crafts  Search this

Folklore  Search this

Folk music  Search this

Genre/Form:

Audiocassettes

Audiotapes

Correspondence

Business records

Memorandums

Plans (drawings)

Photographic prints

Videotapes

Negatives

Slides (photographs)

Video recordings

Contracts

Digital images

Notes

Sound recordings

Citation:

Smithsonian Folklife Festival records: 1989 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1989

See more items in:

Smithsonian Folklife Festival records: 1989 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk52232caa4-6acc-4267-87da-be2ecad7d0f1

EDAN-URL:

ead_collection:sova-cfch-sff-1989

Advertiser:

Samuel Goldwyn Company  Search this

Names:

Mulroney, Dermot  Search this

Series Collector:

Archives Center, National Museum of American History  Search this

Series Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Atlantic States Gay Rodeo Association (ASGRA)  Search this

Series Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Extent:

1 Item (Ink on paper., 14.4" x 10.8".)

Type:

Archival materials

Date:

1990

Scope and Contents:

"Academy award" campaign advertisement for the 1989 motion picture, "Longtime Companion," with Bruce Davison, Campbell Scott, Patrick Cassidy, and Mary-Louise Parker. The first wide-release theatrical film to deal with the subject of AIDS, the film takes its title from the words The New York Times used to describe the surviving same-sex partner of someone who had died of AIDS during the 1980s.

Local Numbers:

AC1146-0000043.tif (AC Scan No.)

Exhibitions Note:

Displayed in Archives Center exhibition, "Archiving the History of an Epdemic: HIV and AIDS, 1985-2009," June 3, 2011-October 3, 2011. Franklin A. Robinson, Jr., curator.

Series Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Academy Awards (Motion pictures)  Search this

Motion pictures -- 20th century -- United States  Search this

HIV and AIDS  Search this

HIV Positive  Search this

Gay rights  Search this

LGBT  Search this

Homosexuality  Search this

Sexuality  Search this

Sexual minorities  Search this

Diseases  Search this

Series Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.3: Television, Theater, and Motion Pictures / Longtime Companion, "for your consideration" advertisement

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8012bde79-8f06-42a3-ab07-8a3953d4b927

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref2743

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Business records

Sound recordings

Negatives

Video recordings

Correspondence

Plans (drawings)

Memorandums

Photographic prints

Videotapes

Notes

Audiocassettes

Contracts

Slides (photographs)

Audiotapes

Digital images

Date:

June 23-July 4, 1995

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1995 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 6 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Cape Verdean Connection

Series 3: The Czech Republic: Tradition and Transformation

Series 4: Heartbeat: The Voices of First Nations Women

Series 5: Russian Roots, American Branches: Music in Two Worlds

Series 6: Special Events

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1995 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1995 Festival featured American Indian women's musical traditions, the heritage of the Czech Republic and Czech Americans, music of Russian and Russian American groups, and the cultural life of the Cape Verdean community. These programs testified to the vitality of the human spirit, and to how people, ideas, and forms of cultural expression increasingly cross boundaries of geography, politics, language, race, and gender. Special events included evening concerts devoted to African immigrant communities in the Washington, D.C. area and a memorial concert for Festival founding director, Ralph Rinzler.

Heartbeat: The Voices of First Nations Women presented the musical culture of American Indian women. The program examined how these women express their identity through the use of a variety of musical forms - from traditional songs of home to contemporary songs of Indian life, from the appropriation of men's music to the fusion of root music with country, folk, blues, and gospel.

The Czech Republic: Tradition and Transformation provided a broad survey of the ways national, regional, ethnic, and local traditions have been defined in a complex state located at the crossroads of Central Europe. The "Velvet Revolution" of 1989 and the separation of the Czech and Slovak Republics in 1993 have prompted further examinations of cultural identity, the relationship between the state and popular expression, creativity and tradition. Czech Americans, too, have looked at these changes and the reestablishment of relationships to their ancestral homeland.

A third program, Russian Roots, American Branches: Music in Two Worlds, explored the musical culture of Old Believers and Molokans, Russian religious communities created in the 17th and 18th centuries. The program united immigrant communities long established in the United States with those from Russia, and brought together people who, although separated by generations and different social environments, have nonetheless faced parallel issues with regard to cultural persistence and adaptation.

All these programs involved complex institutional arrangements, local-level research and documentation, and strong commitment to and pride in Festival representation. The Cape Verdean Connection program well demonstrated these processes. Cape Verde is an independent island nation and former Portuguese colony located off the west coast of Africa. Cape Verdean Americans, now numbering about 400,000, most born and raised here, historically settled in New England during the 18th century, playing instrumental roles in the whaling and cranberry industries. Cape Verdeans had an important story to tell about their role in American life, their immigrant and continuing transnational cultural experience, their multiracial heritage, and their enduring sense of community - a story with much to tell others as well. Cape Verdeans provided the impetus for the Festival program, carried out most of the research in concert with Smithsonian scholars, led the effort to raise funds from governments, foundations, corporations, and individuals through benefit dances, auctions, and other community events, and, as is fitting, joined with the Smithsonian to share their experiences with the American public.

The 1995 Festival took place during two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured four programs and several special events.

The 1995 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Betty Belanus, Olivia Cadaval, Amy Horowitz, Marjorie Hunt, Diana Baird N'Diaye, Curators, Folklorists, Educational and Cultural Specialists; Carla M. Borden, John W. Franklin, Charlene James-Duguid, Program Managers; Felicia Erickson, Arlene L. Reiniger, Mary Van Meter, Program Specialists; Jeffrey Place, Archivist; Kenneth M. Bilby, Roland Freeman, Ivan Karp, Corrine Kratz, Alan Lomax, Worth Long, Yook Jung Park, Kate Rinzler, Research Associates & Collaborators

Folklife Advisory Council and Folkways Advisory Council

Roger Abrahams, Jacinto Arias, Michael Asch, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk art  Search this

arts and crafts  Search this

Food habits  Search this

Folk music  Search this

Folklore  Search this

World music  Search this

Folk festivals  Search this

Genre/Form:

Business records

Sound recordings

Negatives

Video recordings

Correspondence

Plans (drawings)

Memorandums

Photographic prints

Videotapes

Notes

Audiocassettes

Contracts

Slides (photographs)

Audiotapes

Digital images

Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5d0f338f7-ff86-4399-82c5-39d8a73d9b35

EDAN-URL:

ead_collection:sova-cfch-sff-1995

Creator:

Bell, C. M. (Charles Milton), approximately 1849-1893  Search this

Names:

Joseph (Nez Percé Chief), 1840-1904  Search this

Lean Wolf.  Search this

Parker, Quanah, 1845?-1911  Search this

Plenty Coups, 1848-1932  Search this

Red Cloud, 1822-1909  Search this

Spotted Tail, 1823-1881  Search this

Extent:

340 Copy prints (circa)

3 Prints (albumen)

333 Glass negatives (wet plate collodion and dry gelatin)

69 Copy negatives

Culture:

Pikuni Blackfeet (Piegan)  Search this

Northwest Coast  Search this

Sauk  Search this

Seminole  Search this

Indians of North America -- Southern States  Search this

Indians of North America -- Great Plains  Search this

Shoshone  Search this

Sisitonwan Dakota (Sisseton Sioux)  Search this

Spokan  Search this

Wichita  Search this

Ho-Chunk (Winnebago)  Search this

Yakama (Yakima)  Search this

Yanktonnai Nakota (Yankton Sioux)  Search this

Oto  Search this

Osage  Search this

Kickapoo  Search this

Kaw (Kansa)  Search this

Kiowa  Search this

Plains Apache (Kiowa Apache)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Niimíipuu (Nez Perce)  Search this

Omaha  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Cherokee  Search this

Sicangu Lakota (Brulé Sioux)  Search this

Assiniboine (Stoney)  Search this

Sahnish (Arikara)  Search this

Inunaina (Arapaho)  Search this

Indians of North America -- Plateau  Search this

Hunkpapa Lakota (Hunkpapa Sioux)  Search this

Iowa  Search this

Palouse  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Minitari (Hidatsa)  Search this

Fox  Search this

Lenape (Delaware)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Niuam (Comanche)  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Type:

Collection descriptions

Archival materials

Copy prints

Prints

Glass negatives

Copy negatives

Photographs

Date:

circa 1874-1890

Scope and Contents note:

Portraits of Native Americans made by Charles Milton Bell in his Washington, DC studio. Depicted individuals include Red Cloud, Oglala; Spotted Tail, Brule; Quanah Parker, Comanche; Nawat, Arapaho; Scabby Bull, Arapaho; Wolf Robe, Cheyenne; D. W. Bushyhead, Cherokee; John Jumper, Seminole; Plenty Coups, Crow; Rushing Bear, Arikara; Gall, Hunkpapa; John Grass, Sihasapa; Lean Wolf, Hidatsa; Chief Joseph, Nez Perce; and Lone Wolf, Kiowa; as well as people associated with Pawnee Bill's Wild West Show. The collection also includes copies of some images by other photographers, including G. G. Rockwood and F. T. Cummins.

Biographical/Historical note:

Charles Milton Bell (circa 1849-1893) was the youngest member of a family of photographers that operated a studio in Washington, DC, from around 1860-1874. Bell established his own studio on Pennsylvania Avenue in 1873 and it rapidly became one of the leading photography studios in the city. Bell developed the patronage of Ferdinand Vandeveer Hayden, who sent Native American visitors to the studio to have their portraits made. Bell also made photographs of Native Americans for the Department of the Interior and the Bureau of American Ethnology.

Local Call Number(s):

NAA Photo Lot 80, NAA MS 4661

Location of Other Archival Materials:

Copy prints previously filed in MS 4661 have been relocated and merged with Photo Lot 80. These are also copy prints of Bell negatives that were acquired from Boyce and form part of this collection.

Additional C. M. Bell photographs held in National Anthropological Archives Photo Lot 4420, Photo Lot 24, Photo Lot 60, Photo Lot 81-44, Photo lot 87-2P, and Photo Lot 90-1.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Indians of North America -- Northeast  Search this

Genre/Form:

Photographs

Citation:

Photo Lot 80, Charles Milton Bell photographs of Native Americans, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.80

See more items in:

Charles Milton Bell photographs of Native Americans

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31570c7f1-fd23-4311-ba8e-f7c209dc013d

EDAN-URL:

ead_collection:sova-naa-photolot-80

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Contracts

Plans (drawings)

Videotapes

Digital images

Slides (photographs)

Business records

Memorandums

Correspondence

Sound recordings

Audiocassettes

Photographic prints

Notes

Video recordings

Audiotapes

Negatives

Date:

June 26-July 7, 1996

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1996 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The American South

Series 3: Iowa - Community Style

Series 4: Special Events

Series 5: Working at the Smithsonian

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1996 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

In 1996, questions of national unity and purpose remained as salient as they had been twenty years before, for the Bicentennial Festival - yet there was also much to celebrate, and good cause to do so. On the state level, the year marked the 150th anniversary of Iowa statehood; on the international level, it marked the 100th anniversary of the modern Olympics; and for the nation and the world, the Smithsonian celebrated its 150th anniversary. Each of these anniversaries recalled what we value as Americans and helped set our course for the future.

The 1996 Festival joined with the Atlanta Committee for the Olympic Games to present a program on the culture of the American South, both on the National Mall and, before a world audience, back home in Atlanta during the Olympic Games. The Olympics symbolize people from the world over coming together in common athletic and artistic purposes. Just as a watershed is fed by the confluence of numerous streams, so too does the culture of the South represent the confluence of Native American, African, and European traditions, joining together with a stream of visitors from around the globe.

Iowa, which celebrated its sesquicentennial on the National Mall, is known as the land between the Mississippi and Missouri rivers, and symbolizes an important cultural watershed. For many, Iowa represents grassroots America, our heartland. The land and the rivers give Iowans a strong sense of purpose, and have nourished the value of community life as a centerpiece in our national consciousness - a value that was ever-present in the Iowa Festival program.

The Smithsonian, which has grown into the world's foremost national scientific, historical, and artistic complex, represents yet another kind of cultural watershed. It collects aspects of America's heritage, documenting the ebb and flow of history over the years and across the nation, and encourages visitors to find themselves in its never-ending course. For its 150th anniversary, visitors had a chance to peer behind the scenes and to meet Smithsonian workers in every field.

The Smithsonian saw the Festival as a wonderful way to help celebrate the anniversaries of these institutions, for like them, the Festival stands as a tribute to our own ability to speak with each other, to share our cultures and traditions, and to do so in a civil, tolerant, respectful, and enlightening way. The Festival itself is an enduring institution, and in 1996 it marked its own thirtieth event in typical fashion - by working hard to amplify the voices of others.

The 1996 Festival took place during two five-day weeks (June 26-30 and July 3-7) between Madison Drive and Jefferson Drive and between 9th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs and a special event, the second Ralph Rinzler Memorial Concert.

The 1996 Program Book included schedules and participant lists for each program; essays provided background on the Festival and on each of the programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; James Early, Director, Cultural Studies & Communications; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Chair, Research & Education; Betty Belanus, Marjorie Hunt, Diana Baird N'Diaye, Peter Seitel, Curators, Folklorists, Educational and Cultural Specialists; Carla M. Borden, Program/Publications Manager; John W. Franklin, Program Manager; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Roland Freeman, Ivan Karp, Alan Lomax, Worth Long, Kate Rinzler, Research Associates & Collaborators

Folklife Advisory Council and Folkways Advisory Council

Roger Abrahams, Jacinto Arias, Michael Asch, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Johnson Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1996 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folklore  Search this

Folk art  Search this

Food habits  Search this

Folk music  Search this

arts and crafts  Search this

World music  Search this

Folk festivals  Search this

Genre/Form:

Contracts

Plans (drawings)

Videotapes

Digital images

Slides (photographs)

Business records

Memorandums

Correspondence

Sound recordings

Audiocassettes

Photographic prints

Notes

Video recordings

Audiotapes

Negatives

Citation:

Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1996

See more items in:

Smithsonian Folklife Festival records: 1996 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5f26e8d56-a110-478c-b70b-af8a0ca1dee5

EDAN-URL:

ead_collection:sova-cfch-sff-1996

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Audiotapes

Photographic prints

Correspondence

Memorandums

Notes

Plans (drawings)

Digital images

Videotapes

Audiocassettes

Business records

Negatives

Sound recordings

Slides (photographs)

Contracts

Video recordings

Date:

June 28-July 7, 1991

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1991 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Family Farming in the Heartland

Series 3: Forest, Field and Sea: Folklife in Indonesia

Series 4: Land in Native American Cultures

Series 5: Roots of Rhythm and Blues: The Robert Johnson Era

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1991 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1991 Festival programs were largely about human relationships to land. Indonesian land punctuates sea and ocean to form some 13,000 volcanic islands. On these islands is an amazing diversity of environments, ranging from the sandy beaches of Sumatra to snowcapped mountains that rise above the rainforests in Irian Jaya on New Guinea. To sample this diversity, the Festival presented cultural traditions from three particular environments - the forests of Kalimantan, the fields of Java, and the sea coast of Sulawesi. Half a world away from Indonesia and much closer to home is the American "heartland." American culture embodies a few elemental self-images with mythic stature - the frontier is surely one; the family farm is surely another. The idea of the family farm also entails some of our strongest values - hard work, self-reliance, family solidarity, and community life, all on view to Festival visitors.

For millennia before Columbus's arrival in the New World, native peoples gathered and cultivated its bounty, bred new crops, derived medicines to cure sickness, mined ores for making tools and ornaments, used its earth, stone and wood for building homes, made dyes for cloth, and invented ways of preparing and cooking food. Land and its use informed social, moral, religious, and cosmological beliefs, and sacred and secular practices. Some of this knowledge and practice of land use and its symbolic elaboration in artistic forms are continued among many Native American groups. At the Festival, culture bearers from the Haida, Tlingit, and Tsimshian people from Alaska; Hopi from Arizona; Maya and Lacandón from Chiapas, Mexico; Zapotec and Ikood from Oaxaca, Mexico; Shuar and Achuar from Ecuador; Jalq'a and Tiwanaku from Bolivia; and Taquile from Peru illustrated how the land in many varied environments is cared for and thought about, and how, almost five hundred years after Columbus, the wise and humane use, the knowledge and power of land must be re-"discovered."

The 1991 Festival, which also featured a program on the roots of rhythm and blues, took place for two four-day weeks (June 28-July 1 and July 4-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1991 Program Book included schedules and participant lists for each program; keynote essays on each of the four programs were supplemented by shorter pieces focusing on particular topics.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Folkways Records; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Betty Belanus, Vivian Chen, Diana N'Diaye, Folklorists; Marjorie Hunt, Ed O'Reilly, Frank Proschan, Nicholas Spitzer, Research Associates; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist

Folklife Advisory Council

Roger Abrahams, Richard Bauman, Henry Glassie, Rayna Green, John Gwaltney, Charlotte Heth, Adrienne Kaeppler, Ivan Karp, Bernice Reagon, John Tchen, Carlos Vélez-Ibáñez

National Park Service

James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1991 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

arts and crafts  Search this

Folk art  Search this

World music  Search this

Folk festivals  Search this

Folk music  Search this

Food habits  Search this

Folklore  Search this

Genre/Form:

Audiotapes

Photographic prints

Correspondence

Memorandums

Notes

Plans (drawings)

Digital images

Videotapes

Audiocassettes

Business records

Negatives

Sound recordings

Slides (photographs)

Contracts

Video recordings

Citation:

Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1991

See more items in:

Smithsonian Folklife Festival records: 1991 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5d98aecba-6aa1-482c-ac66-da49e3e1f4e8

EDAN-URL:

ead_collection:sova-cfch-sff-1991

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Memorandums

Audiocassettes

Sound recordings

Notes

Slides (photographs)

Negatives

Plans (drawings)

Audiotapes

Videotapes

Business records

Digital images

Photographic prints

Video recordings

Correspondence

Contracts

Date:

July 1-5, 1993

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1993 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Social Dance

Series 3: Kids' Stuff

Series 4: Metro Music

Series 5: U.S.-Mexico Borderlands

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1993 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1993 Festival of American Folklife was the 27th since the Smithsonian's annual living cultural exhibition began in 1967. In 1993, the Festival included programs on U.S.-Mexico borderlands, American social dance, music in the Washington Metropolitan area, and urban children's culture. All pointed to how people creatively use the resources of community culture to shape life experiences in ways that celebrate and affirm social values.

The Festival's featured program, U.S.-Mexico Borderlands, was the latest in a series developed for the Columbus Quincentenary which sought to expand public knowledge about the cultural history of our hemisphere and to fortify the Smithsonian's engagement of colleagues and communities in Latin America and the Caribbean. Those programs, including Creolization in the Caribbean, Land and Power in Native American Cultures, New Mexico, Maroons in the Americas, and American Indian Soundscapes, directly reached some five million Festival visitors. Brought to fruition with the cooperation of scores of academic, cultural, and educational institutions in 18 nations, those programs engaged the efforts of some 250 different scholars and over 1,000 exemplary culture bearers from across the Americas. They generated rich documentary archives, copies of which reside both at the Smithsonian and at collaborating institutions. Additionally, the programs generated two documentary films and several books, and even contributed to the passage of cultural legislation.

The 1993 Festival took place during a single five-day week (July 1-5) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1993 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Vivian Chen, Diana Baird N'Diaye, Amy Horowitz, Marjorie Hunt, Folklorists/Curators; Carla Borden, John Franklin, Program Managers; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Betty Belanus, Research Associate

Folklife Advisory Council

Roger Abrahams, Jacinto Arias, Jane Beck, Pat Jasper, Barbara Kirshenblatt-Gimblett, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1993 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

World music  Search this

Folklore  Search this

Food habits  Search this

arts and crafts  Search this

Folk festivals  Search this

Folk art  Search this

Genre/Form:

Memorandums

Audiocassettes

Sound recordings

Notes

Slides (photographs)

Negatives

Plans (drawings)

Audiotapes

Videotapes

Business records

Digital images

Photographic prints

Video recordings

Correspondence

Contracts

Citation:

Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1993

See more items in:

Smithsonian Folklife Festival records: 1993 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk56d9ab1ab-e588-463d-b9a4-2a4c15b45a99

EDAN-URL:

ead_collection:sova-cfch-sff-1993

Collector:

Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this

Names:

Smithsonian Institution. Bureau of American Ethnology -- History  Search this

Type:

Collection descriptions

Archival materials

Date:

undated

Scope and Contents:

Items have been tentatively identified and individually cataloged. Subjects include Hewitt, J. N. B.; Cushing, Frank H.; Powell, Johns Wesley; Hemenway, Mrs. August; Sapir, Edward; Hodge, F. W.; Radin, Paul; Kroeber, Alfred; Michelson, Truman; Fewkes, J. W.; Skinner, Alanson; Indian interest groups; Parker, Arthur C.; McGee, W. J. ; Swanton, J. R.; Walcott, Charles D.; Curtis, Charles; Bottineau, J. B.; medicine; Native American Church; religion; U. S. Army; war; Kiowa; Cheyenne; Boas, Franz; physical anthropology; Brown, John Mason; Trumbull, J. H.; Algonquin; astronomy; Thomas, Cyrus; Ten Tribes.

Local Numbers:

NAA MS 1647

Citation:

Manuscript 1647, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS1647

See more items in:

MS 1647 Miscellaneous materials by Hewitt and others

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw34edd1d89-4cf1-42a4-9625-a4cd892a7388

EDAN-URL:

ead_collection:sova-naa-ms1647

Collector:

Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this

Creator:

Goldenweiser, Alexander, 1880-1940  Search this

Culture:

Iroquois  Search this

Type:

Collection descriptions

Archival materials

Date:

undated

Scope and Contents:

From Book Review in the American Anthropologist, Volume XVIII, 1916. Three typed copies of this review.

Local Numbers:

NAA MS 3643

Topic:

Government -- Iroquois  Search this

Citation:

Manuscript 3643, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS3643

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a74d6b52-240b-47d6-97e5-a68a272d7a68

EDAN-URL:

ead_collection:sova-naa-ms3643

Photographer:

Fly, C. S. (Camillus Sidney), 1849-1901  Search this

Hook, W. E. (William Edward), 1833-1908  Search this

Jackson, William Henry, 1843-1942  Search this

Parker, Joseph C.  Search this

Taber, I. W. (Isaiah West), 1830-1912  Search this

Tibbitts, H. C.  Search this

Artist:

Moran, Thomas, 1837-1926  Search this

Rogers, W. A. (William Allen), 1854-1931  Search this

Extent:

5 Prints (halftone)

3 Engravings

37 Prints (albumen)

Culture:

Isleta Pueblo  Search this

Indians of North America -- Southwest, New  Search this

Type:

Collection descriptions

Archival materials

Prints

Engravings

Place:

Colorado

Yellowstone National Park

Arizona

Snake River (Idaho)

Shoshone Falls (Idaho)

California

Date:

circa 1850-1900

Scope and Contents note:

Scenic views of California, Colorado, Idaho, and Arizona. California images include Mount Shasta, San Francisco, Tehachapi Mountains, Coronado, San Isabell, San Jacinto, Toquich Canyon, and a government school in Agua Caliente. Additional photographs depict Yellowstone National Park and Yellowstone River; Shoshone Falls and Snake River, Idaho; Dragoon Mountains, Arizona; Garden of the Gods, Colorado; and an Isleta wine press.

Photographers include Camillus S. Fly, W. E. Hook, William Henry Jackson, Francis Parker, Rheas Brothers (San Diego View Company), Rifenburg and Murphy, I. W. Taber, and H. C. Tibbets. Additionally, there are photographs of Thomas Moran paintings, a William A. Rogers engraving of a Pueblo wind press, an engraving of Portsmouth Square in San Francisco in 1850, and a few other illustrations from publications.

Local Call Number(s):

NAA Photo Lot 29

Location of Other Archival Materials:

Additional Jackson photographs can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.

Additional Parker, Hook, and Taber photographs held in National Anthropological Archives Photo Lot 24 and Photo Lot 90-1.

The National Museum of the American Indian Archives holds Camillus S. Fly photographs and negatives from 1886.

See others in:

Photograph collection related to California and views of the west, circa 1850-1900

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Citation:

Photo Lot 29, Photograph collection relating to California and views of the west, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.29

See more items in:

Photograph collection relating to California and views of the west

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3bc809fcd-5c67-4a88-bb22-46cc289d7435

EDAN-URL:

ead_collection:sova-naa-photolot-29

Creator:

Parker & Son  Search this

Extent:

1 Photographic print (004 in x 008 in mounted on 005 in x 009 in)

Culture:

Cupeño Indians  Search this

Cahuilla  Search this

Indians of North America -- California  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.02628300

Local Note:

Black and white photoprint on standard card

Place:

California

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

Cupeno  Search this

Genre/Form:

Photographs

Collection Citation:

Photo Lot 29, Photograph collection relating to California and views of the west, National Anthropological Archives, Smithsonian Institution

See more items in:

Photograph collection relating to California and views of the west

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31b21aa82-a594-47fe-8153-3282d7156e88

EDAN-URL:

ead_component:sova-naa-photolot-29-ref512

Creator:

Blue Eagle, Acee, 1907-1959  Search this

Collection Creator:

Blue Eagle, Acee, 1907-1959  Search this

Extent:

1 Item (leaf)

Container:

Map-case Artwork

Culture:

Iroquois  Search this

Seneca  Search this

Muskogee (Creek)  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- Southern States  Search this

Type:

Archival materials

Graphic Materials

Works of art

Date:

undated

Scope and Contents note:

drawing

Local Numbers:

NAA INV.08768900

Local Note:

drawing

Collection Restrictions:

There are no restrictions on access.

Collection Rights:

Literary property rights to unpublished material in the collection in the National Anthropological Archives has been given to the public.

Topic:

Creek (Muskogee)  Search this

Indians of North America -- Northeast  Search this

Genre/Form:

Works of art

Collection Citation:

Acee Blue Eagle Papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1973-51, File INV_08768900

See more items in:

Acee Blue Eagle papers

Acee Blue Eagle papers / Series 3: Artwork / 3.1: Acee Blue Eagle

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw37dba2c69-70ef-46d4-86e3-5a8bb9c00004

EDAN-URL:

ead_component:sova-naa-1973-51-ref2567