Search Results

Recording artist:

Baker, Don  Search this

Maker:

Columbia  Search this

Physical Description:

shellac (overall material)

Measurements:

overall: 10 in; x 25.4 cm

Object Name:

sound recording

Place made:

United States

Date made:

1947

Related Publication:

Barr, Steven C.. Almost Complete 78 RPM Record Dating Catalog (II)

Credit Line:

Gift of Eula W. Wake in Memory of Harry Wake

ID Number:

1981.0656.033

Maker number:

37527

Accession number:

1981.0656

Catalog number:

1981.0656.033

See more items in:

Cultural and Community Life: Entertainment

Music & Musical Instruments

Popular Entertainment

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a4-d80f-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_674576

Donor:

Myers, Stephanie  Search this

Names:

Grande Parade du Jazz (Nice, France)  Search this

Adderly, Nat, 1931-  Search this

Auld, Georgie, 1919-  Search this

Berg, Bob, 1951-  Search this

Bryant, Ray, 1931-  Search this

Carter, Benny, 1907-2003  Search this

Carter, Ron, 1937-  Search this

Chambers, Joe, 1942-  Search this

Cheatham, Doc, 1905-1997  Search this

Cobb, Arnette, 1918-  Search this

Cobb, Jimmy, 1929-  Search this

Davis, Miles  Search this

Davis, Richard, 1930-  Search this

Duvivier, George, 1920-  Search this

Edison, Harry, 1915-  Search this

Faddis, Jon, 1953-  Search this

Freeman, Bud, 1906-  Search this

Gillespie, Dizzy, 1917-  Search this

Green, Freddie, 1911-  Search this

Grey, Al, 1925-  Search this

Haggart, Bob, 1914-  Search this

Hampton, Lionel  Search this

Hampton, Slide  Search this

Hancock, Herbie  Search this

Hart, Billy, 1940-  Search this

Heath, Percy, 1923-2005  Search this

Henderson, Joe, 1937-  Search this

Hopkins, Linda, 1925-  Search this

Hubbard, Freddie, 1938-  Search this

Jackson, Oliver  Search this

Jacquet, Illinois  Search this

Johnson, J.J., 1924-  Search this

Jones, Eddie, 1929-  Search this

Jordan, Stanley, 1959-  Search this

Kelly, George, 1915-  Search this

King, B. B.  Search this

Marsalis, Branford, 1960-  Search this

Masso, George, 1926-  Search this

McCurdy, Roy, 1936-  Search this

McLean, Jackie, 1931-  Search this

McLean, Rene, 1947-  Search this

McShann, Jay  Search this

Miles, Butch, 1944-  Search this

Mince, Johnny, 1912-  Search this

Mitchell, Billy, 1926-  Search this

Moody, James, 1925-  Search this

Newman, Joe, 1922-  Search this

Owens, Jimmy, 1943-  Search this

Petrucciani, Michel  Search this

Royal, Marshall, 1912-  Search this

Ruiz, Hilton, 1952-  Search this

Scofield, John, 1951-  Search this

Tate, Buddy, 1915-  Search this

Terry, Clark  Search this

Vinson, Eddie  Search this

Walton, Cedar, 1934-  Search this

Wein, George  Search this

Williams, Joe, 1918-  Search this

Woode, Jimmy  Search this

Extent:

0.6 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Photographs

Contact sheets

Date:

1984-1987

Summary:

This is a collection of 20 eight by ten inch black and white photographs taken by Stephanie Myers at Le Grande Parade du Jazz, a jazz festival held in Nice, France.

Scope and Contents:

This is a collection of 20 eight by ten inch black and white photographs taken by Stephanie Myers at Le Grande Parade du Jazz, a jazz festival held in Nice, France. They feature numerous well-known jazz artists and date from 1984, 1985, 1986 and 1987. These are arranged in folders 1-6 alphabetically by the artists' names. The contact sheet number from which each was selected is indicated.

The contact sheets portray many additional jazz artists of note. Their names are listed on the back of the sheets and they are filed by year in folders 7-10. In addition, a list of these contact sheets, naming the artists appearing on them, has been provided by Ms. Myers. Twenty-four black-and-white photoprints (enlargements) of jazz musicians in concert, and twenty contact sheets of scenes from the same performances.

Arrangement:

Collection is arranged into one series.

Biographical / Historical:

Photographer.

Provenance:

Donated by Stephanie Myers in 2005.

Restrictions:

Unrestricted research access on site by appointment. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz musicians -- United States  Search this

Jazz  Search this

Music -- 20th century  Search this

Genre/Form:

Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century

Contact sheets -- 1980-1990

Citation:

Stephanie Myers Jazz Photographs, 1984-1987, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0887

See more items in:

Stephanie Myers Jazz Photographs

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0887

Collector:

Gilbert, Gladys  Search this

Photographer:

Bourne & Shepherd  Search this

Dawkes & Partridge  Search this

G.W. Lawrie and Co.  Search this

Herzog & Higgins  Search this

Johnston & Hoffman  Search this

London Stereoscopic and Photographic Company  Search this

Matzene Studio  Search this

Moorli Dhur & Sons  Search this

S. Mahadeo & Son  Search this

Manicum, S. M.  Search this

Paar, Th. (Thomas) (Darjeeling)  Search this

Publisher:

D. Macropolo & Co.  Search this

Raphael Tuck & Sons  Search this

Rotary Photo  Search this

Thacker, Spink & Co.  Search this

W. Newman & Co.  Search this

Wiele & Klein  Search this

Names:

George V, King of Great Britain, 1865-1936  Search this

Nehru, Jawaharlal, 1889-1964  Search this

Rāṇā dynasty  Search this

Extent:

2 Mounted prints (2 mounted prints that have been painted)

131 Postcards (collotype (including tinted), halftone, color halftone, and photogravure)

1,580 Prints (circa 1580 mounted and unmounted prints, silver gelatin and albumen (including cartes-de-visite, cabinet cards))

200 Postcards (circa 200 photographic postcards)

24 Prints (Album :, collotype)

Culture:

British  Search this

East Indians  Search this

Nepalese  Search this

Type:

Collection descriptions

Archival materials

Mounted prints

Postcards

Prints

Place:

Nepal

Great Britain

India

Date:

circa 1870-1950

Scope and Contents note:

Photographs in albums acquired or compiled by Gladys Gilbert depicting Indians and Nepalese people, as well as prominent Europeans. Most of the photographs are portraits of Indians and Nepalese, including the Rana family, who ruled as prime ministers of Nepal, kings of Nepal, the Maharajah of Jaipur, and men in military uniform, as well as members of the British royalty and the 1911 royal tour of King George V and Queen Mary. In addition, there are images of hunting, military parades, architecture and temples, and religious and civic ceremonies. A set of photographs show Katmadu and Bhaktipur during the 1920s, and a few photographs depict Prime Minister of India Jawaharlal Nehru, Louis Mountbattan, and the Indian cabinet shortly after independence. Another set shows Nehru visiting Ladakh.

One album bears the stamp of the library of "H. H. the Maharaja," 1933. Most of the portraits were made by Herzog & Higgins, Johnston & Hoffmann, and Bourne & Shepherd. There is also a large series of photographs published by W. Newman & Co.

Biographical/Historical note:

Gladys Gilbert (ca. 1946-1989) was a public health specialist in the Peace Corps and the United States Agency for International Development (AID). She received a masters degree in public health from the University of Pittsburgh. Shortly thereafter, she volunteered with the Peace Corps (1968-1970), where she worked as a health nutrition teacher trainer in Usilampatti, Tamil Nadu. After a short stint with the World Bank, Gilbert joined AID in the late 1970s, ultimately serving in India, Nepal, Somalia, Afghanistan, Nepal, Bangladesh, Somalia and Sudan. Gilbert was killed in the 1989 plane crash which also killed Texas Congressman George "Mickey" Leland. At the time of her death, she was AID's special projects officer in Addis Ababa, Ethiopia.

Local Call Number(s):

NAA Photo Lot 91-27

Location of Other Archival Materials:

Additional photograhs by Bourne & Shepherd held in National Anthropological Archives Photo Lot 82-44, Photo Lot 97, and Photo Lot 161.

Additional photographs by Johnston & Hoffmann held in the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in the Milton S. Eisenhower Library South Asian Architecture Photograph Collection (A1989.1).

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Hunting  Search this

Architecture  Search this

Parades  Search this

Armed Forces  Search this

Citation:

Photo Lot 91-27, Gladys Gilbert photograph and postcard collection from India and Nepal, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.91-27

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_collection:sova-naa-photolot-91-27

Creator:

Wotherspoon, William W. (William Wallace), 1850-1921  Search this

Names:

Geronimo, 1829-1909  Search this

Extent:

0.01 Linear feet

Culture:

Chiricahua Apache  Search this

Type:

Collection descriptions

Archival materials

Date:

circa 1888-1905

Summary:

This collection contains 5 photographs of that were collected by William W. Wotherspoon that depict Goyathlay (Geronimo) and Chatto. The bulk of the photos were shot while Goyathlay and Chatto were a prisoners of war at the Mount Vernon Barracks in Alabama from 1888-1894.

Scope and Contents:

This collection contains five photographs collected by William W. Wotherspoon that depict Goyathlay (Geronimo) and Chatto, two Chiricahua Apache leaders. The bulk of the photos were most likely shot while Goyathlay and Chatto were a prisoners of war at Mount Vernon Barracks in Alabama from 1888-1894. One photograph of Goyathlay was shot on May 14, 1905, possibly on his return trip to Fort Sill, Oklahoma from President Theodore Roosevelt's inauguration parade in Washington, DC on March 4, 1905.

The photos on card mounts were shot by different photography studios including Dagle's Studio in Murphysboro, Illinois; Reed and Wallace Co. in Mobile, Alabama; William Reed Studio in Mobile, Alabama; and other unidentified photographers.

William W. Wotherspoon most likely collected the photographs while he served as a post commander at the Mt. Vernon Barracks.

Arrangement:

Arranged in 1 folder by image number.

Biographical / Historical:

William Wallace Wotherspoon was born in Washington, D.C. in 1850. He served as a troop officer and quarter master during the Indian Wars from 1874 to 1881. On May 16, 1889 Lieutenant Wotherspoon became the new post commander at the Mt. Vernon Barracks in Alabama. Goyathlay (Geronimo) and Chatto arrived at the Barracks as prisoners of war in 1888. Their tribe, the Chiricahua Apaches, were forced from their traditional homelands in New Mexico, Arizona, and Mexico beginning in the 1850s. Tribal leaders like Goyathlay and Chatto fought to protect their tribal lands, but the U.S. Government ultimately forced the Chiricahua Apaches to move to the San Carlos Reservation in Arizona in an effort to concentrate all Apache-speaking tribes in one location. From 1886 to 1913, the Chiricahua Apaches were transferred as prisoners of war to internment camps in Florida, Alabama, and Oklahoma. Goyathlay died as a prisoner of war on February 17, 1909 in Fort Sill, Oklahoma. Chatto eventually settled on the Mescalero Apache Reservation in New Mexico and died in 1934. Wotherspoon went on to become a military General and Chief of Staff of the United States Army. He died in on October 21, 1921 in Washington, D.C.

Provenance:

Donated by William W. Wotherspoon [grandson of William Wallace Wotherspoon (1850-1921)] in 1972.

Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Topic:

Indian encampments -- Alabama  Search this

Mount Vernon (Ala.)  Search this

Photographs  Search this

Citation:

Identification of specific item; Date (if known); William W. Wotherspoon collection of Goyathlay (Geronimo) and Chatto photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.120

See more items in:

William W. Wotherspoon collection of Goyathlay (Geronimo) and Chatto photographs

Archival Repository:

National Museum of the American Indian

EDAN-URL:

ead_collection:sova-nmai-ac-120

Medium:

paper; ink (rose); adhesive / engraving

Type:

Postage Stamps

Place:

United States of America

Date:

September 28, 1988

Topic:

Cars & Trucks  Search this

U.S. Stamps  Search this

Credit line:

Copyright United States Postal Service. All rights reserved.

Object number:

1993.2070.88

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8463e2612-587f-43b3-98b6-d1f6f64fb4f8

EDAN-URL:

edanmdm:npm_1993.2070.88

Recording artist:

Paul Whiteman and his Orchestra  Search this

Maker:

Victor  Search this

Physical Description:

shellac (overall material)

Measurements:

overall: 10 in; x 25.4 cm

Object Name:

sound recording

Place made:

United States: New Jersey, Camden

Date made:

1923

Related Publication:

Discography of American Historical Recordings

Credit Line:

GIft of R. E. Steiner

ID Number:

1980.0950.20

Maker number:

19007

Accession number:

1980.0950

Catalog number:

1980.0950.20

See more items in:

Cultural and Community Life: Entertainment

Music & Musical Instruments

Popular Entertainment

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a4-ddfa-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_672045

Created by:

Thomas Kelly  Search this

Subject of:

Frederick Douglass, American, 1818 - 1895  Search this

Martin Robison Delany, American, 1812 - 1885  Search this

Hiram Rhodes Revels, American, 1827 - 1901  Search this

President Ulysses S. Grant, American, 1822 - 1885  Search this

Schulyer Colfax, American, 1823 - 1885  Search this

President Abraham Lincoln, American, 1809 - 1865  Search this

Recorded by:

John Brown, American, 1800 - 1859  Search this

Medium:

lithographic ink on paper

Dimensions:

H x W: 20 1/2 x 26 1/4 in. (52.1 x 66.7 cm)

Type:

color lithographs

Place depicted:

Baltimore, Maryland, United States, North and Central America

Date:

1870

Topic:

African American  Search this

Art  Search this

Civil Rights  Search this

Law  Search this

Military  Search this

Politics (Practical)  Search this

Reconstruction, U.S. History, 1865-1877  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2010.45.11

Restrictions & Rights:

Public Domain

See more items in:

National Museum of African American History and Culture Collection

Classification:

Visual Arts

Exhibition:

Double Victory: The African American Military Experience

On View:

NMAAHC (1400 Constitution Ave NW), National Mall Location, Community/Third Floor, 3 053

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5cbd33521-234c-471b-862b-75801877baab

EDAN-URL:

edanmdm:nmaahc_2010.45.11

Creator:

Wildschut, William  Search this

Names:

Curly, approximately 1856-1923  Search this

Plenty Coups, 1848-1932  Search this

Two Leggings, ca. 1847-1923  Search this

Extent:

183 Negatives (photographic)

21 Photographic prints

Culture:

Apsáalooke (Crow/Absaroke)  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Photographic prints

Postcards

Date:

1870-1930

bulk 1917-1928

Summary:

The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.

Scope and Contents:

The William Wildschut collection contains 183 photographic negatives, and 21 photographic prints. The photographic negatives were made by Wildschut between 1917 and 1928. The majority of the photographs in this collection are of Apsáalooke people and their reservation, however the postcard collection consists of over 14 instances of people from unidentified tribes. Wildschut photographed Apsáalooke chiefs, leaders and their families in portrait style poses and his subjects are usually dressed in their finest. He also photographed events such as Crow fair, veteran celebrations, parades, ceremonies, and interments.

The Apsáalooke are a people of the northern plains, their ancestral territory is in Yellowstone River valley, which extends from present-day Wyoming, through Montana and into North Dakota, where it joins the Missouri River. Today the Crow Indian Reservation in located in south-central Montana which covers roughly 2,300,000 acres of land and it is the fifth-largest Indian reservation in the United States. The Crow are known for their horsemanship, exquisite beadwork, clan system, historic war societies, 7th Calvary scouts, prolific chiefs, and beautiful homeland.

Series 1: Apsáalooke chiefs and leaders photographed in portrait style taken between 1917-1928. Wildschut captured images of many of the last Apsáalooke war chiefs who were, at the time, adjusting to a new life on the reservation. Many of the chiefs and leaders Wildschut photographed were dealing with new issues such as the Allotment Act, the Indian Citizenship Act, implementation of boarding schools, and government imposed regulations on traditional practices.

Series 2: Groups of Apsáalooke people in various situations. These photographs were taken at social events such as parades, dances, celebrations, and at the 45th annual Battle of the Little Big Horn.

Series 3: Apsáalooke people (individuals and families) in various situations. Some photographs are portrait style poses and others are casual instances. The Crow, who call themselves Apsáalooke or Biiluuke, are people of the Northern Plains. The Apsáalooke people continue to maintain their language and remain resilient in their cultural practices, they still identify themselves through a clan system, these clans are Ashshitchíte/the Big Lodge, Ashhilaalíoo/ Newly Made Lodge, Uuwatashe/ Greasy Mouth, Ashíiooshe/ Sore Lip, Xúhkaalaxche/ Ties the Bundle, Biliikóoshe/ Whistling Waters, Ashkápkawiia/ Bad War Deeds, and the Aashkamne/ Piegan clan.

Series 4: Photographs of the reenactment of the Battle of the Little Big Horn in Garryowen, MT in 1921. The Battle of the Little Bighorn was fought along the banks of the Little Bighorn River, in south central Montana on June 25-26, 1876. The 7th Regiment of the U.S. Cavalry engaged in armed combat with the Lakota, Sioux, Northern Cheyenne, and Arapaho tribes. The site of the battlefield is located on the Crow Indian reservation which is where Wildschut photographed the re-enactment. This event involved actual survivors of the event and many other re-enactors.

Series 5: Casual photographs of non-ceremonial dances, parades, fairs, races and rodeos. The Apsáalooke enjoy a very social culture, they revel in coming together to sing, dance, and celebrate as often as possible. This is called baasaxpilúua (Celebration). Baasaxpilúua allows families and clans to reunite and solidify their bonds. One such occasion is the annual Crow Fair celebration that takes place on the Crow reservation, on the third week of August. The Crow parade is a stunning exhibition of beadwork adorning people, horses and various types of floats. The beadwork of the Crow people is among the most technically proficient and visually exquisite in the world.

Series 6: Encampments with tipis (ashtáale) and tents. Wildschuts photographs of encampments are on the Crow reservation, Fort Custer, and at the Billings fair (a fair that Crows would go to parade, dance, camp and watch races and rodeos). The Apsáalooke call the tipi ashtáale, which translates to real home. Wildschut was not allowed into the tipi to photograph, there is only one photographic instance where he took photographs of a family in a tipi [N31145] and [N31146].

Series 7: Restricted Photographs of interments, ceremonies, sacred spaces and objects). As an ethnographer William Wildschut spent time studying Crow culture. He interviewed Crow people and even witnessed ceremonial events. Wildschut developed relationships with certain Crows who allowed him the honor of being present when private sacred bundles where opened. In some cases Wildschut was allowed to photograph these sacred events. Not all Apsáalooke people agree with these permissions, however the Crow people understand that those who allowed Wildschuts presence did so for their own purposes. The Apsáalooke come from a living culture and still maintain their language, culture and beliefs. They have respectfully requested that these photographs not be made public.

Arrangement note:

This collection is arranged into eight series by people, events, locations and postcards. Series 1: Apsáalooke Chiefs (Bacheeítche), Series 2: Apsáalooke Groupings, Series 3: Apsáalooke People, Series 4: 45th Annual Battle of the Little Big Horn, Series 5: Parades, Dances, and Events, Series 6: Encampments, Series 7: Restricted Content, Series 8: Postcards.

Biographical/Historical note:

William Wildschut was born Willem Wildschut on March 30, 1883, in Jisp, Holland. He married in 1909 in Leicester, England, and moved with his wife to Trier, Germany, where he was in charge of a cigarette factory. This began a long period during which Wildschut and his family moved frequently between Holland, Canada, and the western United States, usually while Wildschut was managing factories. In 1917 Wildschut moved his family to Billings, Montana where he worked in Farm Mortgages, this work took him to Hardin, Mt. (a small farming community 43 miles east of Billings), which borders the Crow Indian reservation and once served as an economic hub for the Apsáalooke people. William was fascinated with the Crow and began purchasing medicine bundles, war shirts, and various other items from the Crow which he found a market for with George Gustav Heye the founding Director of the Museum of the American Indian. In 1922, Heye purchased Wildschut's medicine bundle collection and hired him as a field man. From 1921 to 1928 Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum. Wildschut was also a collector of photographs. In the late 1920's he distributed a series of postcards that featured Native American people. These postcards featured his own photos as well as those of other photographers. During his employment with the Museum of the American Indian he was made a member of the Explorer's Club, and published several articles in the Museum's series "Indian Notes". On May 1, 1928, after the death of two of Heye's major benefactors, Wildschut was let go. In 1929 Wildschut and his family relocated to California where he worked for different mortgage companies. 1936 he was transferred to Oakland, California where he remained until his passing on January 7, 1955.

According to letters from him wife, William Wildschut was given a Crow name and was close friends with many Crow people. She also wrote that he believed it was his calling to do the work with Indians, however when he was released from employment with MAI he became distraught and never spoke of Indian people again. There are few stories about William Wildschut that remain in Crow Country, one is that his name was "Xaapaliiashilish" (Bundle Buyer) which is fitting considering he purchased and hundreds of sacred bundles from the Crow, which are now in Museums and Private Collections all over the world.

William Wildschut wrote several book manuscripts during his time with the Crow, three were later edited and published, these include: Crow Indian Beadwork (New York: Museum of the American Indian, Heye Foundation: 1959), Crow Indian Medicine Bundles (New York: Museum of the American Indian, Heye Foundation: 1960) and Two Leggings: The Making of a Crow Warrior which was published in 1967.

Related Materials:

Additional William Wildschut papers (WA MSS S-2386) are located at Yale University, Beinecke Rare Book and Manuscript Library, and The Yale Collection of Western Americana, New Haven, Connecticut.

The National Museum of the American Indian holds additional William Wildschut material such as letters, notes, receipts, and objects descriptions in the Museum of the American Indian, Heye Foundation records, 1890-1989. They can be found in Series 6: Collectors, Box 284, Folder 14 to Box 286, Folder 6.

Separated Materials:

Originally, a collection of Fred E. Miller photographs purchased by William Wildschut were marked as William Wildschut photographs and were included in this collection. They have since been identified by Dorothy Munson, curator of the Fred E. Miller Collection, in Housatonic, Massachusetts, and have been processed separately as the Fred E. Miller photograph collection.

Provenance:

The Wildschut photograph collection was purchased from William P. Wreden of Palo Alto, California, by Frederick Dockstader, director of the Museum of the American Indian, in 1964. Mrs. Wildschut had given the negative collection to Frederick Moore, a friend of the Wildschuts, for his personal collection. However, when Moore's bookselling business went bankrupt the Wildschut images ended up as part of the bankruptcy sale and were purchased by Wreden. Many of the postcards in this collection were taken years after Wildschuts death, these post cards were possibly added to the collection by Fredrick Moore or William P. Wreden.

Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu). Certain photographs have been restricted due to cultural sensitivity.

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.

Topic:

Crow Indians -- Social life and customs -- Photographs  Search this

Crow Indians -- Dances -- Photographs  Search this

Historical reenactments  Search this

Crow Indians -- Montana -- Crow Indian Reservation -- Photographs  Search this

Genre/Form:

Postcards

Negatives (photographic)

Citation:

Identification of specific item; Date (if known); William Wildschut photograph collection, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.001.033

See more items in:

William Wildschut Photograph Collection

Archival Repository:

National Museum of the American Indian

EDAN-URL:

ead_collection:sova-nmai-ac-001-033

Extent:

1 Video recording (MiniDV)

Culture:

African American  Search this

Type:

Archival materials

Video recordings

Place:

Washington (D.C.)

United States

Date:

2006

Scope and Contents:

A WDSU news report covered Mardi Gras without Big Chief Tootie Montana. The news report briefly documented Big Chief Tootie Montana's legacy of advocating for and teaching about the culture of Mardi Gras Indians; creating elaborate Mardi Gras Indian suits; and creating peace among rival tribes through the promotion of creative competition over violence. Footage featured in exhibition includes images of Mardi Gras parades and costumes.

News report. Part of the 'New Orleans Black Mardi Gras Indians: Exploring a Community Tradition from an Insider's View' exhibition. Undated.

Biographical / Historical:

'New Orleans Black Mardi Gras Indians: Exploring a Community Tradition from an Insider's View'exhibition, held at the Anacostia Community Museum from April 23, 2006 - October 15, 2006, featured more than 45 of New Orleans photographer J. Nash Porter's portraits of the Mardi Gras Indians and their elaborate handmade suits (costumes) and patches. Also on display were full suits from the museum's collection. For more than 35 years, Porter has documented the masking traditions and community support of the Black Mardi Gras Indians.

Restrictions:

Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Collection Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

African Americans  Search this

Mardi Gras Indians  Search this

Carnival  Search this

Carnival costume  Search this

Parades  Search this

Genre/Form:

Video recordings

Citation:

Mardi Gras 2006: Remembering Big Chief 'Tootie' Montana, Anacostia Community Museum Archives, Smithsonian Institution.

Identifier:

ACMA.03-076, Item ACMA AV005240

See more items in:

New Orleans Black Mardi Gras Indians: Exploring a Community Tradition from an Insider's View Exhibition Records

Archival Repository:

Anacostia Community Museum Archives

EDAN-URL:

ead_component:sova-acma-03-076-ref118

Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Names:

United States Indian School (Carlisle, Pa.)  Search this

Photographer:

Truscott, Charles  Search this

Extent:

30 Mounted prints (albumen (includes boudoir cards, cabinet cards, and cartes de visite))

Culture:

Indians of North America -- Southwest, New  Search this

Pawnee Indians  Search this

Ponca Indians  Search this

Apsáalooke (Crow/Absaroke)  Search this

Omaha Indians  Search this

A'aninin (Gros Ventre)  Search this

San Felipe Pueblo  Search this

Indians of North America -- Great Plains  Search this

Type:

Collection descriptions

Archival materials

Mounted prints

Cabinet photographs

Cartes-de-visite

Photographs

Studio portraits

Date:

circa 1879-1902

Scope and Contents note:

Photographs depicting students in the Carlisle Indian Industrial School in Pennsylvania, many with handwritten notation identifying pictured individuals. Included are individual and group portraits showing Crow, Gros Ventre, Iowa, Omaha, Pawnee, Ponca, and San Felipe students. There are also some images of Carlisle School buildings, and one of a parade, made by Philadelphia photographer Charles Truscott.

Biographical/Historical note:

John N. Choate (1848-1902) was a commercial photographer in Carlisle, Pennsylvania. The United States opened its first non-reservation government-supported school there in 1879 under the supervision of Lt. Richard Henry Pratt. From the opening of the Carlisle Indian School, Choate began photographing almost every student upon arrival and during their school career, as well as school activities, staff, and visiting chiefs and families. Choate remained the primary photographer for the Carlisle Indian School until his death in 1902.

Local Call Number(s):

NAA Photo Lot 73-8, NAA MS 4778

Location of Other Archival Materials:

MS 4778, previously filed in Photo Lot 24, has been relocated and merged with Photo Lot 73-8. These photographs were also donated by Mrs. James Bradford Ritter and form part of this collection.

The National Anthropological Archives also holds the original John N. Choate Negatives (Photo Lot 81-12)

Additional Choate photographs from the Carlisle School can be found in the National Anthropological Archives in MS 4241, MS 4537, MS 4544, MS 4574, MS 4988, and Photo Lot 90-1.

See others in:

John N. Choate photographs of Carlisle School students, circa 1879-1902

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Schools -- American Indian  Search this

Genre/Form:

Cabinet photographs

Cartes-de-visite

Photographs

Studio portraits

Citation:

Photo lot 73-8, John N. Choate photographs of Carlisle School students, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.73-8

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_collection:sova-naa-photolot-73-8

Creator:

Farber, Joseph C., 1903-  Search this

Names:

National Museum of Natural History (U.S.) -- Exhibitions.  Search this

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Gorman, R. C. (Rudolph Carl), 1932-  Search this

Extent:

6,000 Contact prints (circa 6000 contact prints (proof sheets))

6,000 Acetate negatives (circa)

8 Color transparencies

1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))

Culture:

Arctic peoples  Search this

Pikuni Blackfeet (Piegan)  Search this

Onondaga Indians  Search this

Taos Indians  Search this

Quinault Indians  Search this

Tlingit Indians  Search this

Akimel O'odham (Pima)  Search this

Tewa Indians  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- Southwest, New  Search this

Ojibwa Indians  Search this

Navajo Indians  Search this

Eskimos  Search this

Dakota Indians  Search this

Lummi Indians  Search this

Haida Indians  Search this

Indians of North America -- Plateau  Search this

Kootenai Indians  Search this

Kiowa Indians  Search this

Mohave Indians  Search this

Mikasuki Indians  Search this

Indians of North America -- Northwest Coast of North America  Search this

Indians of North America -- Northeast  Search this

Niitsitapii (Blackfoot/Blackfeet)  Search this

Chehalis  Search this

Apache Indians  Search this

Athapascan Indians  Search this

Cocopa  Search this

Niuam (Comanche)  Search this

Cherokee  Search this

Indians of North America -- Southern States  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Pueblo Indians  Search this

Acoma Pueblo  Search this

Type:

Collection descriptions

Archival materials

Contact prints

Acetate negatives

Color transparencies

Photographs

Place:

North Carolina

New York

New Mexico

Montana

South Dakota

Oklahoma

Arizona

California

Florida

Minnesota

Alaska

Alberta

Washington (State)

Barrow, Point (Alaska)

Yuma County (Ariz.)

Taos (N.M.)

Date:

circa 1970-1975

Scope and Contents note:

Photographs made as part of Joseph C. Farber's project to document modern American Indian everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).

Biographical/Historical note:

Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Indian communities throughout the United States to document modern American Indian life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.

Local Call Number(s):

NAA Photo Lot 78-1, NAA ACC 95-3

Location of Other Archival Materials:

Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.

The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.

See others in:

Joseph C. Farber photographs of American Indian life, circa 1970-1974

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.

Topic:

Dwellings  Search this

Vocational education  Search this

Canoes and canoeing  Search this

Boats and boating  Search this

Dance  Search this

Powwows  Search this

Rodeos  Search this

Building  Search this

handicrafts  Search this

Totem poles  Search this

Agriculture  Search this

Livestock  Search this

Genre/Form:

Photographs

Citation:

Photo Lot 78-1, Joseph C. Farber photographs of American Indian life, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.78-1

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_collection:sova-naa-photolot-78-1

Creator:

National Air and Space Museum  Search this

Type:

YouTube Videos

Uploaded:

2016-07-18T16:42:23.000Z

YouTube Category:

Education  Search this

Topic:

Aeronautics;Flight;Space Sciences  Search this

See more by:

airandspace

Data Source:

National Air and Space Museum

YouTube Channel:

airandspace

EDAN-URL:

edanmdm:yt_0H1MWQtPVZs

Maker:

unknown  Search this

Physical Description:

silver plate (part: torch material)

wood (part: handle material)

Measurements:

overall: 42 in; 106.68 cm

Object Name:

torch, work

torch, parade

Place made:

United States

Date made:

c.1865

Credit Line:

Gift of CIGNA Museum and Art Collection

ID Number:

2005.0233.1775

Accession number:

2005.0233

Catalog number:

2005.0233.1775

See more items in:

Cultural and Community Life: Fire Fighting and Law Enforcement

Exhibition:

Always Ready: Fighting Fire in the 19th Century

Exhibition Location:

National Museum of American History

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b2-a44c-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1399252

Maker:

unknown  Search this

Physical Description:

tin (overall material)

wood (part: handle material)

Measurements:

overall: 29 1/2 in x 5 in x 4 1/2 in; 74.93 cm x 12.7 cm x 11.43 cm

Object Name:

torch, parade

torch, campaign

Place made:

United States

Date made:

19th century

Credit Line:

Gift of CIGNA Museum and Art Collection

ID Number:

2005.0233.1805

Accession number:

2005.0233

Catalog number:

2005.0233.1805

See more items in:

Cultural and Community Life: Fire Fighting and Law Enforcement

Exhibition:

Always Ready: Fighting Fire in the 19th Century

Exhibition Location:

National Museum of American History

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ad-2b89-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1399287

Physical Description:

metal (overall material)

silver (overall color)

Measurements:

overall: 13 in x 8 in x 10 1/2 in; 33.02 cm x 20.32 cm x 26.67 cm

Object Name:

Torch Helmet

Subject:

Political Campaigns  Search this

ID Number:

PL.227739.1884.H02

Catalog number:

227739.1884.H02

Accession number:

227739

See more items in:

Political and Military History: Political History, Campaign Collection

Government, Politics, and Reform

American Democracy: A Great Leap of Faith

Exhibition:

American Democracy

Exhibition Location:

National Museum of American History

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a3-0109-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_497265

Physical Description:

metal (overall material)

Measurements:

overall: 8 1/2 in x 6 in; 21.59 cm x 15.24 cm

Object Name:

Torch, Ring

Subject:

Political Campaigns  Search this

Parades  Search this

Related event:

Presidential Campaign of 1860  Search this

ID Number:

PL.227739.1860.H03

Catalog number:

227739.1860.H03

Accession number:

227739

See more items in:

Political and Military History: Political History, Campaign Collection

Government, Politics, and Reform

American Democracy: A Great Leap of Faith

Exhibition:

American Democracy

Exhibition Location:

National Museum of American History

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a3-5384-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_522011

Physical Description:

oilcloth (overall material)

red, white, blue, black (overall color)

Measurements:

overall: 8 3/4 in x 8 1/4 in; 22.225 cm x 20.955 cm

Object Name:

Hat, Parade

Subject:

Political Campaigns  Search this

Credit Line:

Unexcelled Fireworks Co.

ID Number:

PL.015386.14

Accession number:

15386

Catalog number:

015386.14

See more items in:

Political and Military History: Political History, General History Collection

Government, Politics, and Reform

American Democracy: A Great Leap of Faith

Exhibition:

American Democracy

Exhibition Location:

National Museum of American History

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a8-eef7-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1054818

Recording artist:

Louis Armstrong and his Orchestra  Search this

Maker:

Hot Jazz Club of America  Search this

Physical Description:

shellac (overall material)

Measurements:

average spatial: 10 in; x 25.4 cm

Object Name:

Sound Recording

Place made:

United States: New York, Brooklyn

Date made:

1930

1931

Related Publication:

Rust, Brian. Jazz Records 1897-1942, Vol. 1

Credit Line:

Gift of Howard A. Guernsey (through Richard L. Guernsey)

ID Number:

1988.0698.0273

Catalog number:

1988.0698.0273

1988.698.0273

Accession number:

1988.0698

Maker number:

HC 80

See more items in:

Cultural and Community Life: Entertainment

Music & Musical Instruments

Popular Entertainment

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a8-f62a-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1054775

Creator:

Steinway, William  Search this

Steinway, Henry Ziegler  Search this

Steinway family  Search this

Steinway & Sons  Search this

Krüsi, Bartholomew, Rev.  Search this

Source:

Musical History, Division of (NMAH, SI)  Search this

Names:

CBS  Search this

German Presbyterian Church (New York, N.Y.)  Search this

Lehman, Lilly  Search this

Steinway, Fred T., 1860-1927  Search this

Steinway, Henry (Heinrich Engelhard Steinweg), 1797-1871  Search this

Steinway, John  Search this

Steinway, Theodore (C.F. Theodore Steinweg), 1825-1889  Search this

Former owner:

Musical History, Division of (NMAH, SI)  Search this

Extent:

6 Cubic feet (12 boxes, including photographs and microfilm)

Type:

Collection descriptions

Archival materials

Business records

Diaries

Catalogs

Correspondence

Microfilms

Photographs

Minute books

Business letters

Love letters

Letters

Letter books

Date:

1857-1919

Summary:

Records of the Steinway & Sons piano company and a daily diary of William Steinway, a key figure in the rise of the company to international prominence in the nineteenth century. The records document overall operations of the company, individual piano serial numbers, and the business and personal life of William Steinway, a prominent figure in New York business, politics, and musical life.

Scope and Contents:

The collection consists of an original diary (and microfilm copies) kept by William Steinway and microfilm copies of nineteenth century business records of Steinway & Sons. There also are business and family photographs and some miscellaneous documents.

Arrangement:

Series 1, William Steinway Diary, 1861-1896

Series 2, Steinway Business Records, 1858-1910

Series 3, Steinway Family Materials, 1877-1882

Series 4, Rev. Bartholomew Krüsi Materials, 1857-1919

Biographical / Historical:

Heinrich Engelhard Steinway (Steinweg) (born 1797, Wolfshagen, Germany; died 1871, New York City) made his first piano in 1836. In 1850 he immigrated to America and settled in New York City with his wife, three daughters, and four of his five sons. He and his sons Charles, Henry, Jr., and William at first worked for various New York piano makers until 1853 when they formed the partnership of Steinway & Sons. One year later Steinway & Sons' square pianos won first prize at the Metropolitan Mechanics Institute Exhibition (held at the Smithsonian Institution in Washington, D.C.) and in 1855 won the Gold medal for the best piano (an over-strung iron-frame square piano) in the American Institute Fair at the Crystal Palace in New York City. In 1859, Henry, Jr. patented (patent no. 26,532, December 20, 1859) a design for a one-piece over-strung iron frame for the grand piano that won praise, a gold medal, and international recognition at the 1867 Paris Exposition.

The firm faced a crisis in 1865 when two of Heinrich's sons died: Henry (born 1831), who was responsible for the first seven patents, and Charles (born 1829). The family prevailed on the eldest son, C. F. Theodor (1825 1889), to sell his partnership as a piano manufacturer in Braunschweig, Germany, and to join his family in New York City. Not eager to sever all his ties in Germany, Theodor spent time in both countries until his death, contributing technical innovations that resulted in forty-one patents. One of these patents was for the duplex scale in 1872. Several of the following generation worked with the firm, including Fred T. Steinway (1860-1927), son of Charles, who served in London, Hamburg, and New York City.

C. F. Theodor Steinway's technical skills were matched by the entrepreneurial skills of his brother William (1835 1896). William was a creative businessman who played the piano, sang tenor, and supported the musical life of New York City. His promotional and marketing techniques, and his cultivation of eminent musicians and association with aristocratic patrons, helped to make Steinway & Sons so successful. William Steinway was prominent in New York City social and political life.

In 1880, Steinway & Sons opened a Hamburg branch. The firm was sold in 1972 to CBS. Subsequent owners include the Birmingham Brothers (Steinway Musical Properties, 1985-1995) and Steinway Musical Instruments, Inc. (1995-).

Related Materials:

The LaGuardia and Wagner Archives at LaGuardia Community College/CUNY is the largest repository of Steinway materials. It holds extensive business records as well as personal papers and photographs. The Steinway family loaned seventy folders of Steinway family correspondence to the National Museum of American History in October, 1984, and a program of transcription and translation was begun by the Steinway Diary Project. The original correspondence was transferred to the Archives Center in August 1985 and, at the request of Henry Z. Steinway, transferred to the LaGuardia and Wagner Archives in March, 1990. Additional Steinway materials are at the New York Historical Society, the University of Maryland Performing Arts Library, and other repositories. The control file for this collection has further information on the location of Steinway materials.

The Archives Center's N W Ayer Advertising Agency Records contains advertising proof sheets for Steinway & Sons from 1900 through 1963. The Piano series of the Warshaw Collection of Business Americana contains five folders of material on Steinway. The Industry on Parade Film Collection has a short, 1953 film (reel #156) on Steinway's manufacture of pianos in its Long Island plant. The Sohmer & Company Records contain three folders of trade literature from Steinway. These include catalogs, pamphlets, and booklets on the Steinway family genealogy and on the Steinway piano used at the White House. Sohmer, also a New York City piano manufacturer, collected copies of competitors' sales catalogs and other publications.

Separated Materials:

The Division of Culture and the Arts holds several Steinway and Sons pianos.

Provenance:

Henry Z. Steinway donated the William Steinway diary on April 2, 1996.

Restrictions:

The collection is open for research use. Researchers must use positive microfilm copy of diary. Researchers must handle unprotected photographs with gloves.

Rights:

Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.

Topic:

Keyboard instruments -- Manufacturing  Search this

Travel  Search this

United States -- History -- Civil War, 1861-1865  Search this

Politics -- New York (N.Y.)  Search this

Church Interiors  Search this

Piano  Search this

Piano makers  Search this

Genre/Form:

Business records

Diaries

Catalogs

Correspondence -- 1930-1950

Microfilms -- Negative

Photographs -- 1850-1900

Minute books

Business letters

Love letters

Letters

Letter books

Photographs -- Black-and-white photoprints -- 1900-1910

Citation:

Steinway and Sons Piano Company Collection, 1857-1919, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0178

See more items in:

Steinway & Sons Records and Family Papers

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0178

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2016-12-14T19:21:40.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_O-pGdbyz_BA