The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001.
The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.
Scope and Contents:
The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist, and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001.
The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.
Series 1. Field work, 1921-1998 (bulk 1921-1975) and undated, documents the archaeological expeditions undertaken by Matthew and Marion Stirling over a span of 40 years. This includes expeditions Matthew undertook prior to his marriage and collaboration with Marion to Papua New Guinea, Ecuador, and Florida, and extensive documentation of expeditions they embarked on together to Mexico, Panama, Ecuador, and Costa Rica.
Series 2. Other travels, 1946-1972 is comprised of materials documenting trips the Stirlings took that, for the most part, did not include field work. This includes trips for both business and personal travel, however it was common for the two to overlap.
Series 3. Administrative files, 1924-1980 and undated is partly comprised of materials the Stirlings compiled and organized into an alphabetical filing structure and also of materials that are administrative in nature and did not directly relate to other categories outlined in this finding aid.
Series 4 Writings and lectures, 1925-1990 and undated, consists of articles, papers, drafts, and notes primarily written by Matthew Stirling, with some materials co-written by Marion, and documentation relating to presentations the Stirlings gave regarding their field work and other professional matters. Also included is material relating to films that were made about the Stirling's work.
Series 5. Personal and family materials, 1880-1996 and undated, consists of documents, photographs, and ephemera that are personal in nature. This includes items relating to Matthew Stirling's young life and family history, photographs, correspondence, and clippings relating to his extended family, and photographs of and correspondence from Matt and Marion's children.
Series 6. Anthropological journals, 1876-1959, consists of collections of anthropological journals collected and categorized for reference and research purposes.
Series 7. Marion Stirling Pugh, 1924-2004 (bulk 1948-2002) and undated, consists of materials relating to endeavors Marion undertook without Matthew, primarily relating to her participation in the Society of Women Geographers from 1948-2000 and her life after Matthew died in 1975 until her death in 2001.
Arrangement:
This collection is arranged in 7 series: 1) Field work, 1921-1998 (bulk 1921-1975), undated; 2) Other travels, 1946-1972; 3) Administrative files, 1924-1980, undated; 4) Writings and lectures, 1925-1990, undated; 5) Personal and family materials, 1880-1996, undated; 6) Anthropological journals, 1876-1959; 7) Marion Stirling Pugh, 1924-2004 (bulk 1948-2002), undated.
Biographical note:
MATTHEW WILLIAMS STIRLING:
Matthew Williams Stirling, archaeologist and Director of the Bureau of American Ethnology (1928-1957), was born on August 28, 1896 in Salinas, California. After serving as an Ensign in the Navy from 1917-1919, he graduated with a B.A. in Anthropology in 1920 from the University of California, Berkeley studying under T.T. Waterman, Alfred L. Kroeber, and E.W. Gifford. From 1920-1921 he worked as a teaching fellow at the university, where he taught William Duncan Strong. Stirling's first tenure at the Smithsonian (then the U.S. National Museum (USNM)) was from 1921-1924, first as a museum aide, then as an Assistant Curator of Ethnology. While in the position he took night classes at George Washington University and received his M.A. in 1922. He received an honorary Sc.D. from Tampa University in 1943. In 1924, Stirling resigned his position at the museum and embarked on a journey to South American with his friend Perry Patton. From 1925-1927 he embarked on the Smithsonian sponsored American-Dutch Expedition to Papua New Guinea to explore the previously unknown interior region of Dutch New Guinea. Stirling was appointed Chief of the Bureau of American Ethnology at the Smithsonian Institution in 1928 and married Marion Illig in 1933. They worked together for the next 40 years studying Olmec culture and the connection to greater Mesoamerica and South America. They had two children (Matthew W. Stirling Jr. in 1938 and Ariana Stirling in 1942). Stirling retired as Director of the B.A.E. on December 31, 1957. He died January 23, 1975 in Washington, D.C.
Sources consulted:
Collins, Henry B. "Matthew Williams Stirling, 1896-1975." American Anthropologist, New Series, 78, no. 4 (1976): 886-88.
Coe, Michael D. "Matthew Williams Stirling, 1896-1975." American Antiquity 41, no. 1 (1976): 67-73.
MARION STIRLING PUGH:
Marion Stirling Pugh (nee Illig) was born in Middletown, New York on May 12, 1911. She graduated from Rider College in 1930 and came to Washington D.C. in 1931 where she took a job as a secretary to the Chief of the Bureau of American Ethnology, Matthew Stirling. She attended night school at George Washington University from 1931-1933 where she studied anthropology, geology, and Russian. Marion and Matthew were married on December 11, 1933 and promptly embarked on a honeymoon expedition to Florida where Matthew was in charge of Works Progress Administration (WPA) projects. They worked together for the next 40 years studying Olmec culture and the connection to greater Mesoamerica and South America. They had two children (Matthew W. Stirling Jr. in 1938 and Ariana Stirling in 1942).
Marion was an active member of the Society of Women Geographers and was elected to the executive board in 1954. She served as president of the society from 1960-1963 and 1969-1972. She had a long-time association with the Textile Museum in Washington D.C. and in the 1970s established what would become the Latin American Research Fund to secure Latin American ethnographic textiles for the museum.
After Matthew's death in 1975, Marion married General John Ramsey Pugh in 1977. Pugh died in 1994. Marion continued to travel the world, including making a trip to Antarctica in her 80s, until her death on April 24, 2001 in Tucson, Arizona.
Sources consulted:
"Marion Stirling Pugh, 89." The Washington Post. May 11, 2001. https://www.washingtonpost.com/archive/local/2001/05/11/marion-stirling-pugh-89/01329ba8-f32b-4d66-83fb-9f3c311aaefb/?utm_term=.ab20f25e060b (accessed May 16, 2019).
Conroy, Sarah Booth. "Archaeologist Marion Pugh, Digging Up Memories." The Washington Post. July 8, 1996. https://www.washingtonpost.com/archive/lifestyle/1996/07/08/archaeologist-marion-pugh-digging-up-memories/09f465e7-5900-455e-bcd5-b81828a502d5/?utm_term=.703ff0e84313 (accessed May 16, 2019).
Matthew Williams Stirling and Marion Stirling Pugh Chronology
1896 August 28 -- Matthew Williams Stirling born in Salinas, California to Ariana and John Williams Stirling
1911 May 12 -- Marion Illig born in Middletown, New York
1914-1920 -- Matthew Stirling attended the University of California, Berkeley, receiving his B.A. in Anthropology in 1920. He studied under A.L. Kroeber, T.T. Waterman, and E.W. Gifford.
1917-1919 -- Matthew Stirling served as an ensign in the U.S. Navy during World War I
1920 -- Matthew Stirling's travels to Europe with his parents
1920-1921 -- Matthew Stirling worked as teaching fellow at the University of California, Berkeley and taught William Duncan Strong
1921-1924 -- Matthew Stirling worked at the United States National Museum (USNM), first as a Museum Aide and then as an Assistant Curator of Ethnology
1922 -- Matthew Stirling received Master of Arts degree from George Washington University, studying under Truman Michelson Matthew Stirling went on a trip to the cave country of France and Spain with friend Perry J. Patton
1923 Winter -- Matthew Stirling sent by J. Walter Fewkes to excavate at Weedon (or Weeden) Island, Florida
1924 Spring -- Matthew Stirling resigned from his Smithsonian USNM post
1924 Summer -- Matthew Stirling conducted excavations in Mobridge, South Dakota
1924 July -- Matthew Stirling went on a trip to South America with friend, Perry J. Patton
1924 Winter -- Matthew Stirling continued excavations in Weedon Island, FL
1924-1925 -- Matthew Stirling sold real estate on Weedon Island, Florida to fund the expedition to Papua New Guinea in the winters of 1924 and 1925
1925-1927 -- Matthew Stirling organized and led the American-Dutch Expedition (or Smithsonian Institution-Dutch Colonial Government expedition) to Papua New Guinea
1928 -- Matthew Stirling named Chief of the Bureau of American Ethnology (BAE) at the Smithsonian Institution
1929 March-April -- Matthew Stirling surveyed mounds in Tampa Bay and Calusa areas of Florida
1930s -- Matthew Stirling conducted various archaeological excavations in Georgia and Florida under the Works Progress Administration (WPA)
1930 -- Marion Illig received a Bachelor of Science degree from Rider College From February through April, Mathew Stirling conducted more work on Tampa Bay mounds in Florida In July, Matthew Stirling went to Marfa, Texas to examine pictographs in caves and also went to Deeth, Nevada
1931 September-1932 March -- Matthew Stirling a member of the Latin American Expedition to South and Central America. He studied the Tule/Kuna Indians in Panama and the Jivaro in Ecuador
1931-1933 -- Marion Illig moved to Washington D.C. to attend George Washington University and worked at the BAE as a secretary for Matthew Stirling
1933 December 11 -- Matthew and Marion Stirling married
1933 December-1934 May 5 -- Matthew Stirling supervised Federal Civil Works Administration (or Federal Emergency Relief Administration) projects in Florida, also called Florida Federal Relief (Bradenton, Perico Island, Canaveral Island, and Belle Glade) and BAE excavations in Macon, Georgia
1934 October -- Conducted archaeological work in King, Queen, and Halifax counties in Virginia and Granville City, North Carolina
1935 -- Matthew Stirling acted as the president of the Anthropological Society of Washington Expedition to Guatemala, Honduras, and Yucatan Peninsula to study the Maya and the Quché (or Quiche) Indians from January to February 15, 1935
1935-1936 -- Matthew Stirling acted as the vice president of the American Anthropological Association
1936 -- Matthew Stirling and WPA workers conducted archaeological surveys in southern Florida in July 1936 Matthew and Marion Stirling visited an excavation in Macon, Georgia in Fall 1936 Matthew Stirling supervised archaeological projects in Hillsborough and Dade Counties in Florida
1938 January-March -- Matthew and Marion Stirling take first field trip to Mexico, visiting Tres Zapotes
1938 December 24-1939 April 15 -- First Smithsonian Institution/National Geographic Society Expedition to Mexico with C.W. Weiant. Excavated Tres Zapotes and discovered lower portion of Stela C
1939 -- Matthew Stirling received his first Franklyn L. Burr Award from the National Geographic Society
1939 December 26-1940 April 20 -- Second Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated Cerro de las Mesas and La Venta
1940 December 29-1941 April 30 -- Third Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated Cerro de las Mesas and Izapa
1941 -- Matthew and Marion Stirling received the Franklyn L. Burr Award from the National Geographic Society (shared with Richard Hewitt Stewart)
1942 April -- Matthew Stirling visited Dr. Philip Drucker at La Venta
1942 April-June -- Fourth Smithsonian Institution/National Geographic Society Expedition to Mexico. Visited Tuxtla Gutierrez, Zoque, Tzotzil and Chamula Indians, and Palenque
1943 -- Fifth Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Waldo R. Wedel. Excavated La Venta Matthew Stirling awarded honorary Doctor of Science from Tampa University
1944 January 28-May -- Sixth Smithsonian Institution/National Geographic Society Expedition to Mexico. Visited Michoacán, Jalisco, Uruapan, Tlaquepaque, and Tarascan Indians from Lake Pátzcuaro and conducted archaeological surveys in Southern Veracruz, Tabasco, and Campeche
1945 January 22-May 31 -- Seventh Smithsonian Institution/National Geographic Society Expedition to Mexico. Excavated La Venta, San Lorenzo, Piedra Parada, and Tapachula
1946 January 26-April -- Eighth Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated San Lorenzo
1947 -- Matthew Stirling becomes Director of the Bureau of American Ethnology (title changed from "Chief")
1947 December-1948 -- First Smithsonian Institution/ National Geographic Society Expeditions to Panama including Cocle, Balboa, Chitre, Parita (Sixto Pinilla Place), Monagrillo, and El Hatillo
1949 -- Second Smithsonian Institution/ National Geographic Society Expedition to Panama
1951 -- Third Smithsonian Institution/ National Geographic Society Expedition to Panama
1953 -- Fourth Smithsonian Institution/ National Geographic Society Expedition to Panama
1954 -- Marion Stirling elected to the executive board of the Society of Women Geographers
1956-1957 -- Smithsonian Institution/ National Geographic Society Expedition to Ecuador. Excavated in the ManabÍ Province
1957 December 31 -- Matthew Stirling retired as Director of the Bureau of American Ethnology
1958 -- Matthew Stirling received his third Franklyn L. Burr Award from the National Geographic Society
1960-1963 -- Marion Stirling acted as president for the Society of Women Geographers for the first time
1960-1975 -- Matthew Stirling's membership in the National Geographic Society Committee on Research and Exploration
1961 -- Trip to Mexico Marion Stirling's trip to Peru Matthew Stirling collaborated with Dr. L.S.B. Leakey through the NGS Committee on Research and Exploration
1963 -- Trip to Nicaragua
1964 -- Expedition to Costa Rica Trip to Asia
1967 -- International Tuna Match, Bahamas
1968 -- Trip to New Guinea Attended the Cultural Olympics in Mexico City
1969 -- Trip to Turkey, Bali, Etc.
1969-1972 -- Marion Stirling acted as president for the Society of Women Geographers for the second time
1972 -- Trip to Peru, Ecuador, Galapagos Islands Farmer finds upper portion of Stela C, confirming Matthew Stirling's original date as 31 B.C.
1972-1973 -- Trip to Yucatan Peninsula, Mexico
1974 -- Marion Stirling established the Mexican Research Fund (now the Latin American Research fund) for the Textile Museum
1975 January 23 -- Matthew Williams Stirling died in Washington D.C.
1977 -- Marion Stirling married Major General John Ramsey Pugh
1985 -- Marion Stirling Pugh received the Distinguished Service Medal from the Peruvian Embassy
1994 -- Death of Major General John Ramsey Pugh Marion Stirling Pugh's trip to Spain, Portugal, and Morocco
1995 -- Marion Stirling Pugh's trip to Antarctica and the Falkland Islands
1996 -- Marion Stirling Pugh's trip to China, and separately to Belize and Honduras
2001 April 24 -- Marion Stirling Pugh died in Tucson, Arizona
Separated Materials:
Film materials were transferred to the Human Studies Film Archive (HSFA).
Provenance:
The bulk of these papers were donated to the National Anthropological Archives in 2016 by Matthew and Marion Stirling's grandchildren, Jessica Gronberg and Jeremy Withers.
Restrictions:
The Matthew Williams Stirling and Marion Stirling Pugh papers are open for research.
The scrapbooks listed in Series 1.7 are restricted due to preservation concerns. Please contact the reference archivist for more information.
Access to the Matthew Williams Stirling and Marion Stirling Pugh papers requires an appointment.
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.
Scope and Content Note:
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.
Biographical material includes photocopies of Hemphill's birth certificate and passport, social security cards, and international health card, genealogical notes, an evaluation of his school work, membership cards, award certificates, address books, and an engagement calendar containing very brief annotations of his activities.
Correspondence documents Hemphill's affairs with miscellaneous museums and art institutions, discussing his presentation of lectures, exhibitions, and loans from his collection to organizations including the Abby Aldrich Rockefeller Folk Art Collection, the Folk Art Society of America, the Museum of International Folk Art, and the Smithsonian Institution's American Art Museum.
Hemphill's correspondence with friends and colleagues discuss collecting activities and pursuit of newly discovered folk art and artists. Many of the letters are from artists. Correspondents include Varick A. Crittenden, Michael D. Hall, A. Everette James, Daniel C. Prince, Neal A. Prince, and artists Rev. Maceptaw Bogun, Mary Borkowski, Tim Fowler, Joseph Victor Gatto, S. L. Jones, Gustav Klumpp, Roy Little, George Lopez, Kevin Orth, and Malcah Zeldis. There are also scattered letters from artists Miles Burkholder Carpenter, John W. Fancher, Rev. Howard Finster, William Hawkins, Sister Gertrude Morgan, Mr. Imagination, Mattie Lou O'Kelley, Clayton Patterson, St. EOM, and Mose Tolliver. One letter from Stephanie and John Smither is etched on a bone.
Personal business records include both legal and financial documents. There are wills for Hemphill, his mother, and for his friend Neal A. Prince. The records also include leases, insurance records, contracts, grant proposals, loan agreements, deeds of gift, price lists, consignment records, tax records, and miscellaneous receipts. Cancelled checks relate to Hemphill's collecting interests and activities, and include payments to artists for their work. There are court papers documenting a lawsuit by Hemphill's landlord who was attempting to evict him.
Art work consists of a sketchbook by Roy Little, a set of hand-cut Japanese mask designs, a collage of Polaroid photographs taped to glass created by Rev. Howard Finster, a hand-made book by Nancy Josephson, and miscellaneous drawings, watercolors, and prints by various artists including Justin McCarthy, Inez Nathaniel, and Nellie Mae Rowe.
Notes and writings include card files of artists, extensive bibliographic card files, and scattered notes on artists including Miles Carpenter, Raymond Coins, Rev. Howard Finster, Mattie Lou O'Kelley, Royal Robertson, Veronica Terrillion, Mose Tolliver, and Bill Traylor. Also found are lists of artists, patrons, and art work, miscellaneous notes, and minutes of meetings. Writings by Hemphill and others including Michael D. Hall, Lynda Roscoe Hartigan, A. Everett James, and Julia Weissman, consist of reports, typescripts, and poems concerning a wide range of art-related topics and travel.
A scrapbook consists of unbound pages of clippings and newsletters about Hemphill, his collection, and exhibitions of folk art.
There is extensive additional printed material illustrating Hemphill's many interests. This series primarily consists of clippings and exhibition announcements and catalogs for mainstream artists as well as folk artists. Also included are auction announcements and catalogs, announcements for festivals, press releases, and calendars of events. Numerous booklets, brochures, programs, menus, business cards, and novelty postcards concern a variety of topics including worldwide travel, the sale of art work, miscellaneous galleries, museums, organizations, conferences, schools, lectures, antiques and craft shops, films, publications, restaurants, household items, historical topics, and miscellaneous artists including Miles Carpenter, S. P. Dinsmoor, Lonnie Holley, Clementine Hunter, and Veronica Terrillion. There are also autographed copies of booklets The Black Swan and Other Poems by James Merrill, and The Blood of Jesus by Thomas Jefferson Flanagan. Novelty postcards range from photographs of Elvis Presley to cards with amusing captions or cartoon jokes. There is also sheet music by Charles Trenet. Miscellaneous printed material includes several eighteenth-century newspapers and a 1776 thirty shilling note from New Jersey.
Photographs are of Hemphill, family members, his residences, friends and colleagues including style editor Carrie Donovan, artist Rev. Howard Finster dancing at an exhibition opening, actress Alice Ghostley, Michael D. Hall, circus performers Vernon Goins and Tiny Hicks, Smithsonian curator Lynda Roscoe Hartigan, Neal A. Prince, and Jim Spies. Photographs of exhibitions include stereographic views of the International Exhibition in Philadelphia and the Exposition Universelle in Paris, and photographs of Hemphill's donation of his collection and its subsequent exhibition at the Smithsonian's American Art Museum. Travel photographs include views of South Dakota, Texas, the American West, Japan, Mexico, and The Netherlands.
Numerous photographs of art work sometimes include images of the artists with their work including Bruce Brice, Raymond Coins, John W. Fancher, Rev. Howard Finster, Theora Hamblett, Bessie Harvey, William Hawkins, James Harold Jennings, John Jordan, Charles Lisk, Alexander Maldonado, St. EOM, Fred Smith, Edgar Tolson, Hubert Walters, and Purvis Young. Some photographs of unattributed art work has been arranged by the state in which it is located and includes a Mardi Gras parade in Louisiana, a Mummer's parade in Pennsylvania, Lucy the Elephant-shaped building in New Jersey, and Holy Ghost Park in Wisconsin. Other photographs of unattributed art work include works on paper, paintings, sculpture, signs, collages, needlework, glass, ceramics, and architecture.
Sound and video recordings include a cassette from Hemphill's phone answering machine that contains only Hemphill's message to callers, cassette recordings of interviews with and concerning Hemphill, artist St. EOM, painter Robert E. Smith discussing his work, and the tour narration for a Smithsonian exhibition Made With Passion. There are videotapes about Hemphill and about artists Gayleen Aiken, Miller and Bryant, and Malcah Zeldis, and miscellaneous African American artists. There is also a videotape of an American Museum of Natural History tour group arriving in a succession of villages in Melanesia and Papua New Guinea where they are greeted by the native people and given the opportunity to purchase their art work.
Artifacts consist of a scattered assemblage of three-dimensional objects including three wooden "fringe" pieces from cigar store figures, ceramic fragments from a sword handle, a lock of horse hair, and a hand-painted View Master viewer souvenir from the opening of the American Visionary Art Museum in Baltimore. The View Master contains a disc of photographs of artists with their work including Vollis Simpson and Mary Frances Whitfield. Also included is a teacher's kit Little Adventures in Art containing four phonograph albums and four short film strips of slides showing art work in animal and bird forms.
Arrangement:
The collection is arranged as 10 series; all series are arranged chronologically:
Missing Title
Series 1: Biographical Material, 1916-1997 (Box 1, 28; 12 folders)
Series 2: Correspondence, 1901-1998 (Boxes 1-5, 27- 28, OV 31; 4.0 linear feet)
Series 3: Personal Business Records, 1817-1997 (Box 5-7, 28; 2.0 linear feet)
Series 4: Art Work, 1911-1997 (Box 7, 32; 0.4 linear feet)
Series 5: Notes and Writings, 1938-1996 (Box 7-10, 28; 2.5 linear feet)
Series 6: Scrapbook, 1965-1976 (Box 10; 1 folder)
Series 7: Printed Material, 1776-1998 (Box 10-19, 28-29, OV 31; 9.5 linear feet)
Series 8: Photographs, 1876-1997 (Box 19-24, 29; 5.5 linear feet)
Series 9: Sound and Video Recordings, 1986-1991 (Box 25-26; 13 folders)
Series 10: Artifacts, 1968-1995 (Box 26, 30; 0.7 linear feet)
Biographical Note:
Herbert Waide Hemphill, Jr., (1929-1998) lived in New York city and was a prominent curator, historian, and collector of American folk art. Hemphill was one of the founding members of the Museum of American Folk Art, organized several large exhibitions of folk art, and co-authored Twentieth Century American Folk Art and Artist.
Hemphill was born on January 21, 1929 in Atlantic City, New Jersey, the son of businessman Herbert Waide Hemphill, Sr., and Emma Bryan Bradley Hemphill whose uncle, William Clark Bradley, was one of the owners of the Coca-Cola Company.
Hemphill was reared in his mother's home town of Columbus, Georgia, and attended Wynnton School. At the Lawrenceville School in New Jersey and the Solebury School in New Hope, Pennsylvania, Hemphill's principle interests were in art and theater. In 1948, he spent a year studying fine arts at Bard College under Stefan Hirsch, a painter and folk art collector.
Hemphill developed his interest in collecting while accompanying his mother on her shopping forays searching for Dresden china. His first acquisition was a wooden duck decoy purchased when he was seven years old. His early collections were of glass bottles, marbles, stamps, and puzzle jugs. In 1949, Hemphill moved to Manhattan and began to focus on modern European and American art and African sculpture, but after 1956 he concentrated exclusively on 19th and early 20th century American folk art. He often discovered artists during his extensive travels, especially in the American South.
In 1961, Hemphill became one of the six founding trustees of the Museum of Early American Folk Art, later named the Museum of American Folk Art, in New York City. Between 1964 and 1973, he was the museum's first curator and curated many exhibitions, helping to promote awareness of work created by self-taught or visionary artists. He later served as Trustee Emeritus for many years.
Between 1974 and 1988, Hemphill loaned portions of his extensive personal collection to 24 museums nationwide and in 1976, the American Bicentennial Commission selected works from his collection for a goodwill tour of Japan. He was named guest curator at the Brooklyn Museum in 1976 and at the Abby Aldrich Folk Art Collection in 1980, and often appeared as guest lecturer at various universities, the Smithsonian Institution, and at the Library of Congress. In 1986, Hemphill donated more than 400 folk art works to the Smithsonian Institution's American Art Museum, resulting in a landmark exhibition Made with Passion: The Hemphill Folk Art Collection of the National Museum of American Art.
Hemphill's publications include books Twentieth Century American Folk Art and Artists, co-authored with Julia Weissman in 1974, Folk Sculpture USA for the Brooklyn Museum in 1976, and Found in New York's North Country: The Folk Art of a Region, co-authored with Varick A. Chittenden in 1982 for the Munson-Williams-Proctor Institute.
Herbert Waide Hemphill, Jr. died on May 8, 1998 in New York City.
Provenance:
Herbert Waide Hemphill donated his papers in 5 installments between 1988 and 1996.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Batik, traditional textiles of Indonesia from the Rudolf Smend & Donald Harper collections contributors, Inger McCabe Elliott, Annegret Haake, Donald Harper, Jonathan Hope, Brigitte Khan Majlis, Rudolf Smend, Antje Soléau, Haryani Winotosastro, Maria Wrońska-Friend ; captions, Maria Wrońska-Friend
Virginia Drew Watson was a cultural anthropologist best known for her work in the Eastern Highlands of Papua New Guinea. Her papers attest to a variety of interests related to culture and culture change, drawing on resources both archaeological and ethnographic. This collection contains catalogs, correspondence, drawings, field notes, grant proposals, manuscripts, maps, photographs, publications, reports, and slides. The majority of the field work relates to her work in Papua New Guinea, both with her husband (James B. Watson) and with J. David Cole, but there are also materials related to her work in Brazil.
Scope and Contents:
The Virginia Drew Watson papers attest to a variety of interests related to culture and culture change, drawing on resources both archaeological and ethnographic. Her work could be conveniently separated into four areas: Brazil, Plains and Caddo Indians, Papua New Guinea ethnographic, and Papua New Guinea archaeology with Cole. This collection contains catalogs, correspondence, drawings, field notes, grant proposals, manuscripts, maps, photographs, publications, reports, and slides. Most of the correspondence is with colleagues doing related work in other museums or universities in the United States or Australia. A small part of the correspondence is with friends, including missionaries, who report relevant information of interest. The collection includes original field notes from Brazil, including notes from a lecture by Radcliffe-Brown in 1943. There are also original field notes from the Tairora, Agarabi, and Gadsup groups in Highland New Guinea. In addition, this collection includes a list of Watson's publications, a copy of most of them, and some reviews.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged in 5 series: (1) Correspondence, 1930s-2000; (2) Brazil, 1943-1955, 1966; (3) New Guinea, 1949-2000; (4) Manuscripts, 1939-2001; (5) Books/Monographs, 1942-1977, 1997; (6) Slides of PEHNG Archeological Sites, 1965-1973, undated
Biographical Note:
Virginia Drew Watson was born on June 17, 1918, in Tomah, Wisconsin. Her undergraduate work was completed at the University of Wisconsin-Madison, where she received a PhB in Sociology (1940). She conducted graduate work for both AM (1943) and PhD (1965) degrees at the University of Chicago. She was a Fellow of both the American Anthropological Association and the Royal Anthropological Institute.
Virginia Watson's early work was in archaeology, but later she pursued both archaeology and socio-cultural anthropology. She married James B. Watson, a cultural anthropologist, in 1943. During that year they went to Brazil, where Virginia Watson's work was primarily ethnographic among the Cayua Indians of Mato Grosso. On the trip returning from the field to Sao Paulo the Watsons stopped at the archaeological site of Ciudad Real del Guayra. From 1944 to 1945 Watson worked in the Cultural Relations Department of the American Consulate General in Sao Paulo, Brazil.
The Watsons made two trips to the Eastern Highlands of Papua New Guinea. The first, 1954-1955, was funded by the Ford Foundation. Watson focused on socio-cultural aspects of the Tairora and Agarabi groups, and her work resulted in the 1965 publication of her dissertation, "Agarabi Female Roles and Family Structure, a study of socio-cultural change." The Watsons' second Papua New Guinea trip was in 1963-1964. It was sponsored by the National Science Foundation and focused on the Tairora and Gadsup groups. For Virginia Watson, the second trip was partly connected to archaeological work previously carried out by J. David Cole. Due to illness, he was unable to analyze the mass of material (25,000 objects) that he had collected. Watson analyzed the material and produced publications, one of which was in collaboration with Cole.
Virginia Watson often held one or more part-time positions. As a graduate student in 1942, she was a part-time Lecturer in the Field Museum of Natural History, Chicago. On returning from Brazil, the Watsons moved to Oklahoma University in Norman for one year. There, Watson supervised archeology students in sorting and putting in order the university collection of artifacts as well as directing them in the field. From 1948 to 1953 Watson was a Lecturer at Washington University in St. Louis, Missouri, and she also directed students in field work. During the St. Louis years the Watsons spent two summers studying the Anglo-Spanish community in Colorado. From 1957 to 1963 she was a Lecturer at Seattle University and from 1961 to 1971 she was also an Occasional Lecturer at the University of Washington, Seattle. From 1969 to 1989 Watson held the position of Affiliate Curator at the Burke Museum, University of Washington. After she retired, Virginia Watson spent her winters in Florida and her summers in Boulder, Colorado.
Virginia Watson died in 2007.
Sources Consulted
Watson, Virgina Drew. "Curriculum vitae, 2001, For National Anthropological Archives." Virginia Drew Watson papers, National Anthropological Archives, Smithsonian Institution.
"James Watson III." Bangor Daily News, December 10, 2009.
Chronology
1918 -- Born on June 17 in Tomah, Wisconsin
1940 -- Earned PhB in Sociology from University of Wisconsin-Madison
1942 -- Lecturer in archaeology at the Field Museum of Natural History, Chicago
1943 -- Earned AM from University of Chicago Married James B. Watson Field research of the Cayua Indians, Mato Grosso, Brazil
1944-1945 -- Worked in the Cultural Relations Department of the American Consulate General in Sao Paulo, Brazil
1947 -- Special Assistant Professor of Anthropology at the University of Oklahoma, Norman
1948-1953 -- Lecturer in anthropology and archaeology at Washington University in St. Louis
1949-1950 -- Field research of the Anglo-Spanish community, Del Norte, Colorado
1953-1955 -- First field research trip to the Eastern Highlands of Papua New Guinea
1957-1963 -- Lecturer in anthropology at Seattle University
1961-1971 -- Lecturer in anthropology at the University of Washington, Seattle
1963-1964 -- Second field research trip to the Eastern Highlands of Papua New Guinea
1965 -- Earned PhD from the University of Chicago Published dissertation: "Agarabi Female Roles and Family Structure, a study of socio-cultural change"
1969-1989 -- Affiliate Curator of Melanesian Archaeology at the Burke Museum of Natural History and Culture, University of Washington
2007 -- Died
Related Materials:
The National Anthropological Archives also has the papers of Virginia D. Watson's husband, James Bennett Watson.
Provenance:
Virginia Drew Watson donated her papers to the National Anthropological Archives in 2002.
Restrictions:
The Virginia Drew Watson papers are open for research.
Access to the Virginia Drew Watson papers requires and appointment.
Admiralty Islands : art from the South Seas / edited by Christian Kaufmann, Christin Kocher Schmid and Sylvia Ohnemus ; with contributions by Wal Ambrose ... [et al.] ; field photographs by Alfred Bühler and others
A Pacific odyssey : archaeology and anthropology in the Western Pacific : papers in honour of Jim Specht / edited by Val Attenbrow and Richard Fullagar
Lapita and its transformations in near Oceania : archaeological investigations in the Mussau Islands, Papua New Guinea, 1985-88 / Patrick Vinton Kirch, editor ; with contributions by Nick Araho ... [et al.]
Title:
Archaeological investigations in the Mussau Islands, Papua New Guinea, 1985-88
25,000 years of jewelry : from the collections of the Staatliche Museen Zu Berlin / edited for the Staatliche Museen Zu Berlin by Maren Eichhorn-Johannsen and Adelheid Rasche in collaboration with Astrid Bähr and Svenia Schneider
Repositioning Pacific arts : artists, objects, histories : proceedings of the VII International Symposium of the Pacific Arts Association, Christchurch, New Zealand / edited by Anne E. Allen ; with Deborah B. Waite
Author:
Pacific Arts Association (1974- ) International Symposium (7th : 2003 : Christchurch, New Zealand) Search this
Guide to the preservation of national cultural property in Papua New Guinea and guide to the collecting of artifacts for the Papua New Guinea Museum / Papua New Guinea Museum
