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La Luz Clay Products Co., La Luz, New Mexico. La Luz Pottery

Collection Designer:
Florentine Craftsmen  Search this
Extent:
1 Pamphlet
Container:
Box 1, Folder 3
Type:
Archival materials
Pamphlets
Date:
circa 1930-1940
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Florentine Craftsmen records.
See more items in:
Florentine Craftsmen records
Florentine Craftsmen records / Competitors' Trade Literature
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6e75fd79a-66c2-48b5-aa13-371f622a8630
EDAN-URL:
ead_component:sova-aag-flo-ref545

Edward J. Orth Memorial Archives of the New York World's Fair

Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
130 Cubic feet (417 boxes, 25 map-folders)
Type:
Collection descriptions
Archival materials
Souvenirs
Photographs
Pamphlets
Guidebooks
Exhibition posters--1930-1940
Diaries
Ephemera
Film transparencies
Motion picture film
Posters
Place:
Flushing Meadows Park (New York, N.Y.)
New York (N.Y.)
Date:
1835-2000, undated
Summary:
Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.
Scope and Contents:
Collection primarily documents the conception, planning, construction, management, and operations of the 1939 New York World's Fair located in Flushing Meadows, New York. Materials provide historical context and cultural significance as recorded in publications, artwork, photographs, ephemera, postcards, maps, plans, exhibitor's literature, souvenirs, and motion picture film. Most of the materials were primarily created for people who attended the fair. Some of the materials include scrapbooks created by fair visitors to document their experiences. There is a significant amount of material relating to other fairs, New York tourism, the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society. Other forms of entertainment such as festivals, the Olympic games, and Disney World are also found among these materials. There is little information relating to Edward Orth's personal and professional life as a city planner. The collection is arranged into eleven series.
Arrangement:
The collection is arranged into eleven series.

Series 1, Edward J. Orth Personal Papers, 1915-1989, undated

Subseries 1.1, Correspondence, 1939-1989

Subseries 1.2, Other Materials, 1915-1989, undated

Series 2, Exhibition Collectors Historical Organization (ECHO) and World's Fair Collector's Society, Incorporated Records, 1942-1990, undated

Subseries 2.1, General Information, 1960-1988, undated

Subseries 2.2, Correspondence, 1942-1990, undated

Subseries 2.3, Classified and Wanted Advertisements, 1956-1988, undated

Subseries 2.4, Financial Records, 1976-1989

Subseries 2.5, Newsletters, 1969-1988, undated

Subseries 2.6, Membership Materials, 1970s-1989, undated

Series 3, New York World's Fair, Incorporated Records, 1900-1988, undated

Subseries 3.1, Administrative Files, 1900-1977, undated

Subseries 3.2, Amusement Zone, 1937-1940, undated

Subseries 3.3, Communications and Business Systems Zone, 1939-1965, undated

Subseries 3.4, Community Interest Zone, 1939-1949, undated

Subseries 3.5, Food Zone, 1939-1975

Subseries 3.6, Government Zone, 1939-1940

Subseries 3.7, Production and Distribution Zone, 1939-1940

Subseries 3.8, Transportation Zone, 1939-1940

Subseries 3.9, Ephemera, 1938-1988, undated

Series 4, Photographic Materials, 1939-1968, undated

Subseries 4.1, General, 1939-1940, undated

Subseries 4.2, Amusement Area, 1939-1940, undated

Subseries 4.3, Business Systems Zone, 1939-1940, undated

Subseries 4.4, Communications Zone, 1939-1940, undated

Subseries 4.5, Community Interest Zone, 1939-1940, undated

Subseries 4.6, Food Zone, 1939-1940, undated

Subseries 4.7, Government Zone, 1939-1940, undated

Subseries 4.8, Production and Distribution Zone, 1939-1940, undated

Subseries 4.9, Transportation Zone, 1939-1940, undated

Subseries 4.10, Miscellaneous, 1939-1940, undated

Subseries 4.11, Oversize Photographs, 1939-1940, undated

Subseries 4.12, Color Slides, 1939-1940, undated

Subseries 4.13, Color Transparencies, 1940-1942, undated

Subseries 4.14, Edward Orth, 1967-1968

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985, undated

Subseries 6.1, Amusement Area, 1939-1940, undated

Subseries 6.2, Business Systems Zone, 1939-1940, undated

Subseries 6.3, Communications Zone, 1939-1940, undated

Subseries 6.4, Community Interest Zone, 1939-1940, undated

Subseries 6.5, Food Zone, 1939-1940, undated

Subseries 6.6, Government Zone, International, 1939-1940, undated

Subseries 6.7, Government Zone, Federal and States, 1939-1940, undated

Subseries 6.8, Production and Distribution Zone, 1939-1940, undated

Subseries 6.9, Transportation Zone, 1939-1940, undated

Subseries 6.10, General, 1940, undated

Subseries 6.11, By Type, 1906-1985, undated

Series 7, Publications Related to World's Fairs, 1922-1989, undated

Subseries 7.1, Magazines, 1922-1988, undated

Subseries 7.2, Newspaper Articles, 1935-1989, undated

Subseries 7.3, Other Publications, 1937-1989, undated

Subseries 7.4, Other Subjects, 1962-1989

Series 8, Materials Relating to Other Fairs, 1851-2000, undated

Subseries 8.1, Great Exhibition of the Works of Industry of All Nations or Crystal Palace Exhibition, 1851

Subseries 8.2, Exhibition of the Industry of All Nations, 1853-1853

Subseries 8.3, International Exhibition of Arts, Manufactures, and Products of the Soil and Mine or Centennial International Exhibition, 1876

Subseries 8.4, World's Columbian Exposition or Chicago World's Fair, 1893

Subseries 8.5, Exposition Internationale D'Anvers, Antwerp, Belgium

Subseries 8.6, Tennessee Centennial and International Exposition, 1897

Subseries 8.7, Trans-Mississippi and International Exposition, 1898

Subseries 8.8, Expositions, 1901

Subseries 8.9, Louisiana Purchase Exposition, 1906

Subseries 8.10, Jamestown Tercentennial Exposition, 1907

Subseries 8.11, Alaska, Yukon, Pacific Exposition, 1909

Subseries 8.12, Panama-California Exposition, 1915-1916

Subseries 8.13, Bronx International Exposition of Science, Arts, and Industries, 1918

Subseries 8.14, Sesquicentennial Exposition, 1926

Subseries 8.15, Barcelona International Exposition, 1929

Subseries 8.16, L'Exposition Coloniale, Paris, 1931

Subseries 8.17, Olympics, 1932

Subseries 8.18, A Century of Progress International Exposition, 1933

Subseries 8.19, Expositions, 1933-1935

Subseries 8.20, Expositions, 1936-1937

Subseries 8.21, Exposition Internationale des Arts et Techniques dans la Vie Moderne, 1937

Subseries 8.22, Golden Gate International Exposition, 1939

Subseries 8.23, Festival of Britain, Britain, London, United Kingdom, 1951

Subseries 8.24, Milan Fair, 1955

Subseries 8.25, Exposition Universelle et venti Internationale de Bruxelles, 1958

Subseries 8.26, American National Exhibition, 1959

Subseries 8.27, New York's World Fair, 1961-1977, undated

Subseries 8.28, Century 21 Exhibition, 1961-1962

Subseries 8.29, International and Universal Exposition or Expo 67, 1967

Subseries 8.30, Long Beach, California, 1967-1968

Subseries 8.31, HemisFair 68, 1968

Subseries 8.32, Expo 70 or Japan World Exposition, 1970

Subseries 8.33, Expo 74 or International Exposition on the Environment

Subseries 8.34, Expo 75 or International Ocean Exposition, 1975

Subseries 8.35, American Revolution Bicentennial, 1776-1976, 1976

Subseries 8.36, Queen's Bicentennial Festival, 1975-1976

Subseries 8.37, Plovdiv International Exhibition of 1981 or Expo 81

Subseries 8.38, Kobe Port Island Exposition or Portopia 81, 1981

Subseries 8.39, Knoxville International Energy Exposition or 1982 World's Fair, 1982

Subseries 8.40, Louisiana World Exposition, 1984

Subseries 8.41, Games of the XXIII Olympiad, 1984

Subseries 8.42, The International Exposition, Tsukuba, Japan or The International Science Technology Exposition, 1985

Subseries 8.43, Queen's Festival, 1985

Subseries 8.44, 1986 World Exposition on Transportation and Communication or Expo 86, 1986

Subseries 8.45, World Expo 88, 1988

Subseries 8.46, Universal Exposition of Seville or Expo 92, 1992

Subseries 8.47, Expo 2000, 2000

Subseries 8.48, Other Events and Celebrations, 1886-1989

Subseries 8.49, Combined Fairs, 1968-1994

Subseries 8.50, General information about world's fairs, 1964-1980

Series 9, Ephemera, 1892-1989, undated

Subseries 9.1, New York and New York World's Fair, 1892-1989, undated

Subseries 9.2, Other States and Countries, 1835, 1939, undated

Subseries 9.3, Motion Picture Film and Entertainment, 1937-1981, undated

Series 10, Audio Visual Materials, 1939, 1964-1965, undated

Subseries 10.1, Moving Images, 1939, 1964-1965, undated

Subseries 10.2, Sound Recordings, undated

Series 11, Oversize, 1835-1992, undated
Biographical / Historical:
Biographical / Historical

Edward Joseph Orth grew up with a strong interest in history, particularly the history of the 1939 New York World's Fair. Orth's visit to the fair as a twelve-year-old boy led to a life-long passion of collecting. At the time of his death, he had amassed enough materials to fill two homes in California. Orth also collected materials from several other fairs. In addition, he saved some of the records of the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society.

Orth was born April 19, 1927, to Andrew Joseph Orth and Florence Minnie Gordon Orth in Glendale, New York. In the 1930s, the Orth family lived in several locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. The home that made the most impact in young Orth's life came in 1935 when the family moved to St. Albans, Queens seven miles from Flushing Meadow Park, the future site of the 1939 fair. Sadly in 1939 there were several deaths in the family including three grandparents. The severe loss of life limited family social activities but a drive by the future site of the fair provided Orth a glimpse of the Trylon and Perisphere. He would later remark that the sight appeared to be magic. In the summer of 1939, he went to the fair with his classmates from Public School 136. The next summer Orth and his father purchased a 10-admission ticket from an elementary school in Hollis, Queens, New York. He saved every souvenir and any information he could find about the fair. He filled scrapbooks with images from newspapers and postcards from the Curt Teich and Manhattan Postcard companies. When his family moved from an apartment to a house, he acquired a fair bench which was kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a college preparatory program with heavy emphasis on mathematics, science, mechanical drawing, and workshop courses. Orth's education and training combined with the knowledge he gained from motion picture films viewed at the fair, including Thomas Edison's "The City of Light," Ford Motor Company's "Road of Tomorrow," "Democracy," and General Motors' "Futurama" provided the foundation and inspiration for a career in architecture and landscaping. He ultimately became a city planner for the state of California. By 1943, Orth was exploring used magazine and bookstores in New York City to acquire more fair materials before enlisting in the United States Army in 1945. Upon his discharge he resumed buying and trading fair postcards. From 1948-1953, Orth attended the University of California and the University of Connecticut where he studied architecture and landscape design. During these years he posted advertisements in various publications in his continued pursue for fair materials.

In March 1953, Mr. Orth moved to Los Angeles, California. There he formed lasting friendships with other collectors. By 1967, Orth and several of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a fair collector's organization. By the summer of 1968, the group had formally created the Exhibition Collectors Historical Organization (ECHO).

As time passed Orth became increasing concerned about the welfare of his collection. He wanted it to go to a museum rather than be sold in parts. In his will he stipulated that the collection would be given to the Smithsonian Institution upon his death. Jon Zackman, former Smithsonian employee, interviewed Orth's brother George and fair collector Peter Warner. Orth and Warner corresponded and traded objects over many years. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart. Edward Orth died on September 6,1989 in Los Angeles, California at the age of sixty-two.
Related Materials:
Materials in the Archives Center

New York World's Fair Collection, NMAH.AC.0134

Landor Design Collection, NMAH.AC.0500

Warshaw Collection of Business Americana, Subject Category, World Expos, NMAH.AC.0060

Larry Zim World's Fair Collection, NMAH.AC.0519

Alice R. Hillis World's Fair Film, NMAH.AC.0531

Borden Company 1939 New York World's Fair Collection, NMAH.AC.1063

Memories of the New York World's Fair, NMAH.AC.0592

Archives Center World Expositions Collection, NMAH.AC.0825

Daniel H. Meyerson World's Fair Collection, NMAH.AC.0745

Division of Community Life World's Fairs Collection, NMAH.AC.1132

Princeton University Posters Collection, NMAH.AC.0433

Hills Bros. Coffee Company, Incorporated Records, NMAH.AC.0395

Smithsonian Speech Synthesis History Project, NMAH.AC.0417

Messmore and Damon Company Records, NMAH.AC.0846

Thomas Norrell Railroad Collection, NMAH.AC.1174

William L. Bird Holidays on Display Collection, NMAH.AC.1288

Wurlitzer Company Records, NMAH.AC.0469

Victor A. Blenkle Postcard Collection, NMAH.AC.0200

Materials at Other Organizations

New York Public Library The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233.

New York City 1939 World's Fair architectural drawings, circa 1935. Museum of the City of New York. Museum of the City of New York.

New York City 1939 World's Fair Collection, 1939-1940. Museum of the City of New York. New York World's Fair 1939/40 Collection. Queens Museum.

1939 New York World's Fair Postcards, Identifier: 1972-320, Audiovisual Collections Repository, Hagley Museum & Library
Separated Materials:
Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings (now Division of Cultural and Community Life).
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this
World's fairs  Search this
Amusement parks--History  Search this
Amusement parks--New York (State)--History  Search this
Architecture--Exhibitions  Search this
Architecture--New York (State)--New York  Search this
Architecture--United States--Designs and plans  Search this
Burlesque shows--New York (State)--New York--1930-1940  Search this
Business history Business enterprises--United States--History  Search this
Chicago's Century of Progress  Search this
Construction and civil engineering  Search this
Construction industry--United States--Management--History  Search this
Corporate culture--History  Search this
Corporate culture--United States  Search this
Engineering--History--20th century  Search this
Exhibition buildings – New York (State) – New York  Search this
Exhibition buildings--1920-1940  Search this
Exhibitions -- Design  Search this
Fairs -- New York (State) -- New York -- History  Search this
Fashion--History--20th century  Search this
Flushing Meadows-Corona Park (New York, N.Y.)--History  Search this
Food in popular culture--New York (State)--New York  Search this
Graphic arts--United States--History--20th century  Search this
International exhibitions  Search this
International Exhibitions Bureau  Search this
Lighting, Architectural and decorative--History--20th century  Search this
Technology -- United States -- History -- 20th century  Search this
Transportation--New York Metropolitan Area--Planning  Search this
Transportation--New York (State)  Search this
United States --Foreign relations --1933-1945  Search this
Urban parks--United States--History  Search this
Urban design  Search this
World War, 1939-1945 -- Economic aspects -- United States  Search this
Consumerism  Search this
Consumers--History--20th century  Search this
General Motors Corporation  Search this
Grand Central Parkway extension  Search this
Organizational behavior--United States--History  Search this
Public relations--History  Search this
New York World's Fair Commission  Search this
Queens (New York, N.Y.) Buildings, structures, etc.  Search this
Genre/Form:
Souvenirs -- 1930-1940
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940
Pamphlets -- 1930-1940
Guidebooks -- 1930-1940
Exhibition posters--1930-1940
Diaries
Ephemera -- 20th century
Film transparencies
Motion picture film
Posters -- 1930-1940
Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0560
See more items in:
Edward J. Orth Memorial Archives of the New York World's Fair
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep808504c62-92bb-48b1-8a76-f9d279516c33
EDAN-URL:
ead_collection:sova-nmah-ac-0560
Online Media:

Roslyn A. Walker material relating to Allan R. Crite, 1938-1972

Creator:
Walker, Roslyn A., 1944-  Search this
Subject:
Crite, Allan Rohan  Search this
Topic:
African American artists  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)17382
(DSI-AAA_SIRISBib)381926
AAA_collcode_walkros
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_381926

Roslyn A. Walker material relating to Allan R. Crite

Creator:
Walker, Roslyn A.  Search this
Names:
Crite, Allan Rohan, 1910-2007  Search this
Extent:
6 Items
Type:
Collection descriptions
Archival materials
Date:
1938-1972
Summary:
This collection contains letters and printed material relating to African American artist Allan R. Crite. Included are an illustrated letter from Crite to Roslyn Walker, February 27, 1972; an illustrated New Year's greeting, 1972; three pamphlets by Crite, "Towards a Rediscovery of the Cultural Heritage of the United States" (1968), "The Nativity of Jesus Christ La Natividad de Jesucristo," illustrated and hand-colored (1969), and "Is it Nothing to You?" (1948) illustrated and signed by Crite 1980. There is also a copy of an article by Crite, "Why I Illustrate the Spirituals," World Horizons magazine, May 1938.
Scope and Contents:
This collection contains letters and printed material relating to African American artist Allan R. Crite. Included are an illustrated letter from Crite to Roslyn Walker, February 27, 1972; an illustrated New Year's greeting, 1972; three pamphlets by Crite, "Towards a Rediscovery of the Cultural Heritage of the United States" (1968), "The Nativity of Jesus Christ La Natividad de Jesucristo," illustrated and hand-colored (1969), and "Is it Nothing to You?" (1948) illustrated and signed by Crite 1980. There is also a copy of an article by Crite, "Why I Illustrate the Spirituals," World Horizons magazine, May 1938.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Roslyn A. Walker was director of the National Museum of African Art, Smithsonian Institution from 1997-2002. Walker collected material relating to painter and printmaker Allan Rohan Crite (1910- 2007). Crite was an African American painter and printmaker in Boston, Massachusetts. He is best known for his religious illustrations, but also chronicled African American life in Boston in the 1930s-1940s. During the Depression, Crite developed a series of "neighborhood paintings" inspired by Boston's African American community.
Provenance:
Donated 2016 by Roslyn A. Walker.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information
Occupation:
Museum directors -- Washington (D.C.)  Search this
Printmakers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Topic:
African American artists  Search this
Citation:
Roslyn A. Walker material relating to Allan R. Crite, 1938-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walkros
See more items in:
Roslyn A. Walker material relating to Allan R. Crite
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94013d324-43f5-470e-a012-02f056836d10
EDAN-URL:
ead_collection:sova-aaa-walkros

H. Irving Crane Papers

Creator:
Crane, H. Irving  Search this
Extent:
5.5 Cubic feet (12 boxes)
Type:
Collection descriptions
Archival materials
Date:
1927-1950
bulk 1935-1945
Summary:
H. Irving Crane worked as a chemist for Atlantic Research Associates, Inc. (a division of National Dairy Corporation) from 1933-1940s on the production of several products utilizing casein, a protein found in milk. These products include Aralac (a synthetic fiber), Aracide (a fungicide and moth repellent), spray-dried milk, casein paints, and synthetic rubbers. The H. Irving Crane papers document Crane's work as a chemist at Atlantic Research Associates, Inc. and the development of Aralac and Aracide.
Scope and Contents:
The H. Irving Crane papers illuminate the development of casein products in the 1930s-1940s, particularly a fiber and fungicide. The collection is divided into two series:

Series 1, Atlantic Research Associates, Inc., 1927-1950, consists of material relating to Crane's research and experiments while a chemist at ARA. This series is divided into eight subseries:

Subseries 1, Aralac, 1938-1945, illuminates the development, testing, production, and uses of the casein fiber Aralac. Correspondence, memoranda, notes, and reports document the challenges associated with the initial production, dyeing, and adding of chemical washes to Aralac and the use of Aralac in manufacturing of cloth goods. Correspondence between ARA and customers documents the use of Aralac in carpet, military socks, lace, knitting yarn, and hats. Associated fiber samples from the dyeing process and material relating to the treatment of Aralac with Aracide are also included.

Subseries 2, Aracide, 1935-1945, consists of correspondence, memoranda, notes, and reports relating to the anti-fungal agent. Another ARA employee, Laura Adams, produced several reports on Aracide. Correspondence reflects its testing for use in carpets and an attempt to obtain a patent for the fungicide.

Subseries 3, Other products, 1937-1945, contains materials relating to all the products that Crane worked on, including a spray drying process for milk dehydration and casein paints. There is a small amount of documentation of Aralac and Aracide within this subseries.

Subseries 4, Laboratory notebooks, 1937-1945, documents Crane's daily activities on the projects he worked on. Arranged chronologically, test results, notes, graphs, and experimental procedures are recorded within these notebooks. There are significant gaps in the date range listed above.

Subseries 5, Correspondence, memoranda, and reports, 1937-1948, records activities and communication within ARA. Documents written by Crane relate to his work, but many other reports document projects that Crane was not directly involved with. Two letters from F. C. Atwood, the president of ARA, illuminate occurrences within ARA: the potential drafting of Crane into military service for World War II and the reorganization of the company into NARC.

Subseries 6, Reference materials, 1936-1948, is comprised of scientific resources that Crane utilized and created. He reviewed scientific literature, indexed and summarized chemical abstracts, and compiled bibliographies related to the fields of fiber production, casein usage, and anti-fungal agents.

Subseries 7, Photographs, 1937-1941, illustrates ARA company gatherings, staff, and facilities.

Subseries 8, Printed material, 1927-1950, contains advertisements, catalogs, pamphlets, and brochures for assorted chemicals and laboratory equipment that were available to industrial chemists at the time. ARA-produced products represented include Aralac and the paints Aratone, Aralux, and Casein Deep Colors. Additional periodicals and newsletters received by Crane are also included.

Series 2, Biographical Material, 1936-1947, documents Crane's educational background, insurance needs, banking, and time spent at work.

Fiber samples and oversize material have been separated from the collection for preservation concerns. Items separated are identified by folder.
Arrangement:
The collection is arranged into two series.

Series 1: Atlantic Research Associates, Inc., 1927-1950, undated

Subseries 1, Aralac, 1938-1945, undated

Subseries 2, Aracide, 1935-1945, undated

Subseries 3, Other products, 1937-1945, undated

Subseries 4, Laboratory notebooks, 1937-1945, undated

Subseries 5, Correspondence, memoranda, and reports, 1937-1948, undated

Subseries 6, Reference materials, 1936-1948, undated

Subseries 7, Photographs, 1937-1941, undated

Subseries 8, Printed materials, 1927-1950, undated

Series 2: Biographical Material, 1936-1947, undated
Biographical / Historical:
Horace Irving Crane (1912-1984) was born on May 12, 1912. In 1929, he enrolled at the Massachusetts Institute of Technology (MIT) where he earned an undergraduate degree in Chemistry in 1933 and a Ph.D. in Chemistry in 1936.

In 1933, Crane began working at Atlantic Research Associates, Inc. (ARA) in Newtonville, Massachusetts as a chemist. ARA was a division of National Dairy Products Corporation, which was later absorbed by Kraft Foods. ARA specialized in the development of products from casein, a protein found in milk. ARA had manufactured casein-based paints since 1927 and continued to produce other casein products such as glues, plastics, films, and paper coatings. Most of these products were given a name beginning with the prefix "Ara-" taken from the company's name.

Crane and other chemists at ARA began research into the production of a casein fiber in 1937. Aralac was first manufactured at a plant in Bristol, Rhode Island. Patents were granted to the president of ARA, Francis Clarke Atwood, for Aralac ("Method of Making Proteinaceous Fibers" US Patent #2,342,994 and "Method of Treating Fibrous Material and Product Resulting Therefrom" US Patent #2,342,634). In 1941, production moved to a larger plant in Taftville, Connecticut. The production of the fiber was as follows:

First the pH value of the milk was lowered using acid. The protein reached its minimum solubility, and with swelling was precipitated out of the milk as curd. This curd was the raw material for the production of Aralac. The casein (curd) was collected in small creameries as well as large ones. One hundred pounds of milk produced 3.7 pounds of casein, which in turn produced 3.7 pounds of fiber. After the casein arrived at the plant, it was carefully blended with casein from other producers and dissolved in water with proper solvents. Adjustments were made to the viscosity in order to produce a uniform base and ensure the complete removal of foreign materials. The solution became syrup-like and was forced through a spinnerette into a coagulating bath and was carried away. It remained in tow form through a succession of hardening and molecular modifying treatments interspersed at times with washing and drying.

Aralac is in the Azlon class of fibers. Fibers in this class are made from regenerated, naturally-occurring proteins such as milk, corn, soybeans, and peanuts. It was hoped that Aralac would be considered a luxury fiber in direct competition with the best grades of wool. It was introduced just as the United States entered World War II; during the war, Aralac was blended with rayon and acetate for use in civilian dress fabric and in felted hats. It was tested for use in carpet, military socks, lace, and knitting yarn, but was not satisfactory. Due to its low strength and the difficulty in dyeing it, Aralac had a short life. Production of the fiber ended in 1948.

Crane also worked on Aracide, a moth and mildew repellant. Aracide was initially developed as a fungicide for casein paints in 1937, but was also used to prevent moths from infesting Aralac. ARA attempted to obtain a patent for Aracide, but was rejected due to similarities with another patented fungicide.

In addition to Aralac and Aracide, Crane worked on a spray drier to evaporate milk and other assorted ARA projects. In 1945, ARA was reorganized and consolidated into a larger company, National Atlantic Research Corporation.

Following his departure from ARA, Crane worked at Sylvania Electric Products, Clevite Transistor, Computer Controls Corporation, and Honeywell. In 1957, Crane received a patent for methods of treating Germanium in relation to semiconductors (US Patent #2,793,146) while at Sylvania Electric Products.

Crane married his ARA lab technician, Laura Soule, and they raised their children in Massachusetts. He retired in 1977 and died in Vermont on April 7, 1984.
Related Materials:
Materials at the National Museum of American History

The Division of Home and Community Life (now Division of Cultural and Community Life)holds artifacts including a suit made from Aralac (Accession #2006.0096A).
Separated Materials:
Material separated for preservation reasons:

Box 9, Folder 1, Casein fiber --dyeing, undated

Box 9, Folder 2, Aratex, Inc. --Bristol, Rhode Island plant, 1940, undated

Box 9, Folder 3, Aratex, Inc. --Bristol, Rhode Island plant and Aralac --customer contacts, 1941, undated

Box 9, Folder 4, Crane --Memoranda, reports, etc. and Reports --from H. I. Crane & others, 1940, undated

Box 9, Folder 5-6, Reports --from H. I. Crane and others, 1940-1941

Box 10, Folder 1, Oversize papers, 1944

Box 10, Folder 2-4, Reports --from H. I. Crane and others, 1941 and undated

Box 10, Folder 5, [Dyed fiber samples], undated

Box 11, Folder 1-4 , [Dyed fiber samples], undated

Box 12, Folder 1, [Loose fibers that detached from dyed fiber samples], undated

Box 12, Folder 2, [Aralac/rayon blend fabric samples], undated

Box 12, Folder 3-5, [Dyed fiber samples], undated
Provenance:
The collection was donated by Irving Crane's son, Andrew Crane, in 2007.
Restrictions:
Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Chemists  Search this
Chemistry  Search this
Chemical abstracts -- Outlines, syllabi, etc.  Search this
Casein  Search this
Wool, Artificial  Search this
Textile fibers, Synthetic  Search this
Textile fibers, Synthetic -- Equipment and supplies  Search this
Textile fibers, Synthetic -- Laboratory manuals  Search this
Textile fibers, Synthetic -- Testing  Search this
Fungicides -- Testing  Search this
Spray drying  Search this
Synthetic fabrics  Search this
Synthetic fibers industry  Search this
Textile fibers, Synthetic Dyeing  Search this
Citation:
H. Irving Crane Papers, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1119
See more items in:
H. Irving Crane Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep858638007-f321-4fbe-ac83-4a4ca9b829c1
EDAN-URL:
ead_collection:sova-nmah-ac-1119
Online Media:

Richard Adlard Collection

Creator:
Adlard, Richard (Ithel Richard), 1915-1997  Search this
Extent:
2 Cubic feet (3 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Place:
Japan -- 1930-1940
Date:
1936 - 1998
Scope and Contents:
This collection consists of some correspondence, extensive agricultural notes, photographs, maps and a scrapbook from Adlard's time as a student at Lingnan University. Adlard's photographs, commentary, and notes on rural life in both China and the Phillipines are extremely detailed and insightful. The collection includes articles written by Adlard, that were inspired by his time in the Orient, on Philippine cocoanut production, Chinese village life, the farmers of China, soybeans as food and pre-war China. The collection also includes Adlard's later articles for various publications and his correspondence with Julia Needham of the Troy-Bilt Owner News about Adlard's work with drip system irrigation and design as well as his use of Chinese farming practices in his own home garden. The collection also includes some brief biographical information on Adlard, some related gardening and agricultural pamphlets and two copies of the Garden Way Inc. publication, Gardening Beyond the Plow. This collection is valuable in its view of rural China and the Phillipines just prior to World War II and the domination of East Asia by Japan. The collection is arranged chronologically.
Arrangement:
The collection is arranged chronologically.
Biographical / Historical:
Ithel Richard Adlard (1915-1997) was born to Walter and Elizabeth Burrows Adlard on October 14th, 1915 in Condon, Oregon. His interest in agriculture was formed early on and continued into his highschool years. The following is an autobiographical note assembled by Julia Needham, editor of the Troy-Built Owner News and a long time correspondent of Adlard, from several of Adlard's letters. This biography was corrected and approved by him in 1995.

As a high-school student during the Depression days in Salem, Oregon, I operated a five-acre fruit and vegetable garden on shares. I raised my own plants, using horse manure for heat and a cover made of cheap muslin impregnated with wax. The vegetables were sold house to house and I netted virtually nothing, but kept busy.

At a Methodist youth meeting, I heard a missionary from Allahabad, India, and set my sights on becoming an agricultural missionary. This idea was further reinforced when I studied biology and learned of Mendel's Law. I had a most inspirational biology teacher, Martin Elle, who encouraged me, even though I had little financially.

I got to Oregon State University (then college) where I worked part-time in the greenhouse through a government program for students. This was part of President Roosevelt's New Deal, intended to help college students during the national Depression. We had meaningful jobs at 25 cents per hour.

One morning my roommate read about an opening for an exchange student to Canton, China. I didn't know where Canton was, but checked it out and submitted my application along with several written recommendations. Much to my surprise, I won the Phi Kappa Phi scholarship and in 1937, at age 21, became a student at Lingnan University.

I was the first exchange student in agriculture; the others over the preceding three years had been in the social science and humanities. I was fortunate enough to study under Dr. Floyd A. McClure, a Rhodes scholar and world authority on bamboo, with whom I had biweekly conferences or field trips by bicycle to observe the methods used by local farmers. My textbook was Farmers of Forty Centuries by F.H. King (1848-1911), now available from Rodale Press.

In 1937, the year of my arrival, the Japanese bombed our university, thus disrupting our studies. Four exchange students stayed on while seventeen returned home.

When the American ship on which we sailed docked at Yokohama in 1938, the Japanese authorities came into my stateroom looking for pictures. They had probably seen my article predicting that Japan would take over the Philippines, which my roommate had translated for the Canton paper. Anticipating trouble while at sea, however, I had hidden my bamboo basket of negatives and other materials in a lifeboat along with a broadsword used in executions. After leaving Yokohama, I was relieved to find my belongings still in the boat.

After returning from China, I worked for Oregon State Department of Agriculture when not attending intermittent terms at Oregon State, thus prolonging the completion of my degree in crop science. I devoted all my spare time to the national, "stop war supplies to Japan", movement under the leadership of Dr. Walter Judd, former missionary to China and Senator for Minnesota, whom I met on the boat-trip home. In fact, I spent too much time on this effort and became quite bitter over Americans' "not our business" attitude and the reluctance of colleges and churches to take a stand.

When the draft for one-year training began, I drew Number 17 locally, one year short of finishing college. No draft board appeal process had yet been set up , so I was drafted into the Army in March, 1941, and discharged in August, 1945. I finished my senior year at OSC after returning home. Thereafter, I went to work for the US Soil Conservation Service, and later became an Extension Agent.

What I had learned of traditional Chinese agriculture was all but forgotten during many years of my working life. In the late 1960s, however, the environmental movement and the growing interest in organic food production recalled them to my mind, and I realized that much of modern organic practice was what I had observed in China under an agricultural system that has been used for 4,000 years.

With my interest reawakened, I began to undertake some of the traditional Chinese techniques in my own garden in Stevenson, Washington, located in the Columbia River Gorge about 30 miles east of Vancouver, Washington. I have continued to experiment in retirement, as time and health permit." Adlard Biographical Information, Adlard Collection, Archives CenterAdlard married his wife Evelyn in 1947, they had two sons. Adlard died on August 22, 1997 in Vancouver, Washington.
Provenance:
Collection donated by Julia Needham in 1998.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Agriculture -- China  Search this
Agriculture -- Philippines  Search this
Agriculture -- 1930-1940 -- United States  Search this
Genre/Form:
Correspondence -- 1930-1940
Citation:
Richard Adlard Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0692
See more items in:
Richard Adlard Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81189de8b-3366-4dc2-856f-3ee29b01e4f7
EDAN-URL:
ead_collection:sova-nmah-ac-0692
Online Media:

Brooklyn Edison Company, Edison Wonder House Records

Creator:
Brooklyn Edison Company  Search this
Donor:
Hall, Gretchen T.  Search this
Extent:
0.15 Cubic feet ((1 box))
Type:
Collection descriptions
Archival materials
Articles
Photographs
Guidebooks
Date:
1936
Summary:
The collection consists of newspaper clippings, a guidebook titled Edison Wonder House, and photographs documenting the Edison Wonder House, a demonstration home created by the Brooklyn Edison Company in 1936 to showcase the wonders of electricity.
Scope and Contents:
The collection consists of newspaper clippings, a guidebook titled Edison Wonder House, and photographs documenting the Edison Wonder House, a demonstration home created by the Brooklyn Edison Company in 1936 to showcase the wonders of electricity.

There are ten 8" x 10" black-and-white photographs that depict the interior of the Wonder House. All of the photographs were taken by the Brooklyn Edison Company, Inc., with the exception of one which was taken by the General Electric Company. There is one 11" x 17" photograph that depicts the hostesses/guides/ who conducted tours explaining the features of the home. The photograph is annotated with the names of all sixteen women.

The guide titled The Edison Wonder House, details by home section (entrance, bathroom, kitchen, living room, and so on) the comforts of electricity. Included is a supplemental insert listing the cooperating firms that provided the building materials and accessories. The stick figure Reddy Kilowatt features prominently in the guide. Reddy Kilowatt was a cartoon figure trademark created in 1926 by Ashton B. Collins, Sr. More than 150 investor-owned electric utilities in the United States and at least twelve foreign countries licensed the use of the Reddy Kilowatt trademark.
Arrangement:
The collection is arranged topically.
Biographical / Historical:
The Edison Electric Illuminating Company of Brooklyn was founded in 1887 to provide electricity to the homes and businesses of Brooklyn. it merged in 1919 with Kings County Electric Light and Power Company to form Brooklyn Edison. Brooklyn Edison merged with Consolidated Edison and other companies between 1936 and 1960.

In the early 1930s, the Brooklyn Edison Company created a 10 room house called the Edison Wonder House in the lobby of its showroom at Pearl Street in Brooklyn, New York. The house demonstrated the possibilities of electricity in the home. The demonstration home was not intended to be copied, but to provide future homeowners with ideas. Some special features of the house included lighting that was a sight saver, unusual clocks, a built-in aquarium, and a magic door that opened through the operation of an electrical eye.

The architect of the Wonder House was Albert Hart Hopkins of Buffalo, New York. Hopkins practiced architecture with Edward B. Green and Sons in Buffalo.
Related Materials:
Materials in the Archives Center

Reddy Kilowatt Records (AC0913)

Louisan E. Mamer Rural Electrification Administration Papers (AC0862)

Materials in the National Museum of American History, Division of Work and Industry

Brooklyn Edison Company Collection, 1926-1935

Collection contains annual reports of the Mechanical Engineering Department of the Brooklyn Edison Company, photographs, drawings, and graphs; and a 1926 pamphlet on the Hell Gate and Sherman Creek Generating Stations of the United Electric Light and Power Company.
Provenance:
Collection donated by Gretchen T. Hall in 2011.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Electric lighting  Search this
Electricity  Search this
Electric apparatus and appliances  Search this
Genre/Form:
Articles -- 20th century
Photographs -- 20th century
Guidebooks -- 1930-1940
Citation:
Brooklyn Edison Company Collection, 1936-1937, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1237
See more items in:
Brooklyn Edison Company, Edison Wonder House Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a376df62-5871-4cdd-b0f8-4501ade31f4b
EDAN-URL:
ead_collection:sova-nmah-ac-1237

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