Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Palo Alto (Calif.), United States, California.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.
On the road to California, or, The buffalo bull fight --The handcart song --Tittery-irie-aye --Echo Canyon --The Utah iron horse --St. George --Root hog or die --Starving to death on a government claim --Joe Bowers --Custer's last charge -- Sam Bass --The Brazos River --Freighting from Wilcox to Globe.
Track Information:
101 On the Road to California (The Buffalo Bull Fight) / William T. Morris. Piano.
102 The Handcart Song / L.M. Hilton.
103 Tittery-Irie-Aye / Joseph H. Watkins.
104 Echo Canyon / L.M. Hilton.
105 The Utah Iron Horse / Joseph H. Watkins.
106 St. George / Rudger McArthur.
201 Root Hog or Die / Johnny Denoon. Guitar.
202 Starving to Death on a Government Claim / Vance Randolph.
203 Joe Bowers / Charles Ingenthron.
204 Custer's Last Charge / Warde H. Ford.
205 Sam Bass / Lannis F. Sutton.
206 Brazos River / Irene Carlisle.
207 Freighting from Wilcox to Globe / John Busby, Abraham Busby.
Local Numbers:
FP-RINZ-LP-0934
Library of Congress.AAFS L30
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1952
Date/Time and Place of an Event Note:
Recorded in: Chandler (Ariz.), Arizona, Farmington (Ark.), Arkansas, Palo Alto (Calif.), Central Valley (Calif. : Valley), California, Walnut Shade (Mo.), Galena (Mo.), Bradleyville (Mo.), Missouri, Brigham City (Utah), Ogden (Utah), Saint George (Utah), United States, Utah.
General:
Some songs are unaccompanied and some have piano or guitar accompaniment. Production notes: Recorded at various locations, 1938-1949.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
6 letters and one 12-page draft for "Preface to Otis Reminiscences," all of which concern a projected biography of Otis.
Biographical / Historical:
Painter, writer; Palo Alto, Calif. Otis was a painter and teacher, Kentfield, Calif.
Provenance:
Donated 1976 by George D. Roberts.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The administration of the United States National Museum required curators to submit regular reports on the activities of the departments, divisions, and sections. Prior
to about 1900 these reports were often made monthly and semiannually as well as annually. The reports were traditionally submitted to the Director of the National Museum to
be used in preparing the published Annual Report of the United States National Museum. The individual reports, however, were not reproduced in their entirety in the published
Annual Report and generally contain more information than is to be found in the published version.
Reports were stored by the Office of Correspondence and Reports (later known as the Office of Correspondence and Documents), and then by the Office of the Registrar.
Includes reports submitted to the Director of the United States National Museum by curators and administrators.
Fisher. A Revision of the North American Species of Buprestid Beetles Belonging to the Genus Agrilus (United States National Museum Bulletin 145). 150.
Harry Bowden. Photograph of Yvor Winter and Janet Lewis in Palo Alto, California, circa 1960. Harry Bowden papers, 1922-1972. Archives of American Art, Smithsonian Institution.
Quotes and excerpts must be cited as follows: Oral history interview with Suzanne La Follette, 1976 Jan. 27. Archives of American Art, Smithsonian Institution.
Woman's Building (Los Angeles, Calif.) Search this
Container:
Box 7, Folder 3
Type:
Archival materials
Date:
1976-1980
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation. Funding for the digitization of this collection was provided by The Walton Family Foundation and Joyce F. Menschel, Vital Projects Fund, Inc.
