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Dorr Bothwell papers

Creator:
Bothwell, Dorr  Search this
Names:
Pollock-Krasner Foundation  Search this
Adams, Ansel, 1902-1984  Search this
Adams, Virginia Best  Search this
Adnan, Etel  Search this
Chinn, Benjamen, 1921-2009  Search this
Falkenstein, Claire, 1908-1997  Search this
Howard, Charles, 1899-1978  Search this
Jackson, Martha Kellogg  Search this
Packard, Emmy Lou, 1914-1998  Search this
Extent:
10.6 Linear feet
1.72 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Date:
1900-2006
Summary:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.
Scope and Content Note:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.

Biographical material consists of biographical sketches, resumés, identity cards, award certificates, typescripts of autobiographical interviews, address books, and a file concerning UFOs, spirituality, and philosophy.

Correspondence consists of letters exchanged between Bothwell and her colleagues and friends discussing their art-related activities, travel, and birthday greetings. There are scattered letters from Ansel and Virginia Adams, Etel Adnan, Benjamin Chinn, Claire Falkenstein, and Emmy Lou Packard.

Personal business records include teaching contracts, contracts and royalty statements for the publication of Bothwell's book Notan, insurance records, income tax records, records concerning a grant from the Pollock-Krasner Foundation, estate records, card files, lists of art work, price lists, exhibition entry cards, receipts for the sale of art work, travel receipts, medical receipts, and consignment/sales records.

Notes and writings include three diaries, two travel journals, guest books, miscellaneous lists, schedules of classes for various organizations and art schools including the Ansel Adams Yosemite Workshop, typescripts of lecture notes, and miscellaneous notes. There are also scattered writings by Bothwell and others.

Seventeen sketchbooks, including several completed during Bothwell's travels, and one dated 1942 illustrated with daily drawings of her activities while preparing for World War II, are found within the papers. There are also miscellaneous drawings, collages, a serigraph It's Time for a Change, an etching by Martha Jackson, and a drawing by Charles Howard.

Three scrapbooks contain clippings, exhibition announcements and catalogs, programs, and photographs of art work. Scrapbook 3 contains materials concerning spiritualism and mysticism. Additional printed material consists of clippings, exhibition announcements and catalogs, press releases, brochures for art classes, the sale of art work, travel, and camera equipment, reproductions of art work, picture postcards, programs, books, and miscellaneous commercial business cards.

Photographs are of Bothwell, her mother and brother, her studio/residences, miscellaneous friends and colleagues including her former husband, sculptor Donal Hord, miscellaneous events, and art classes conducted by Bothwell. There are also photographs of art work by Bothwell and others, as well as numerous photographs and slides of travel various forms in nature that Bothwell would incorporate into her art work.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1939-2001 (Box 1, 11, 13, 15; 0.6 linear feet)

Series 2: Correspondence, 1942-2002 (Box 1-3, 13; 2.3 linear feet)

Series 3: Personal Business Records, 1925-2006 (Box 3-4; 0.7 linear feet)

Series 4: Notes and Writings, 1949-1998 (Box 4, 11, 14, 15; 0.8 linear feet.)

Series 5: Art Work, 1920-1994 (Box 4-5, 11, 13, 16, 17; 1.5 linear feet)

Series 6: Scrapbooks, 1926-1979 (Box 5, 11, 12; 0.5 linear feet)

Series 7: Printed Material, 1923-2000 (Box 5-7, 12, 13; 1.8 linear feet)

Series 8: Photographs, 1900-2001 (Box 7-9, 10; 2.4 linear feet, ER01-ER04; 1.72 GB)
Biographical Note:
Dorr Bothwell (1902-2000) worked primarily in California as a painter, printmaker, and art instructor.

Doris Bothwell was born on May 3, 1902 in San Francisco, and later changed her first name to Dorr in order to more easily enter the art business. Bothwell began her art studies in 1916 with her parents' friend Anna Valentien, a student of Rodin. Between 1921 and 1922, she studied at the California School of Fine Art, and continued her studies at the University of Oregon at Eugene. After attending the Rudolph Schaeffer School of Design in 1924, she established her own studio in San Francisco from 1924 to 1927. Also during this time Bothwell, with eight other artists opened the Modern Gallery on Montgomery Street, mounting her first solo exhibition there in 1927.

Between 1928 and 1929, Bothwell traveled to American Samoa, where she created paintings and drawings, and documented tapa (barkcloth) drawings for the Bishop Museum of Honolulu. She then spent a year of study in Europe, returning to San Diego, California in 1931 and marrying sculptor Donal Hord. Four years later, they divorced and she moved to Los Angeles where she worked for the pottery manufacturer Gladding McBean, joined the post-surrealist group around Lorser Feitelson and Helen Lundeberg and opened the Bothwell-Cooke Gallery.

Between 1936 and 1939, Bothwell worked in the mural division of the Federal Arts Project of Los Angeles, and learned the art of serigraph printing. She designed dioramas and mechanized exhibitions for the Los Angeles County Museum. In 1940 she also created murals in the Manning Coffee Restaurant in San Francisco.

After teaching color and design at the California School of Fine Art in San Francisco from 1944 to 1948, Bothwell was awarded the Abraham Rosenberg Traveling Scholarship that financed study in Paris from 1949 to the fall of 1951. In 1952 she taught textile design for mass production at the Parsons School of Design in New York City.

Returning to San Francisco, Bothwell taught again at the California School of Fine Art from 1953 to 1958, and at the San Francisco Art Institute from 1959 to 1960. From 1960 to 1961 she took a sabbatical in England and France, creating paintings for an exhibition. In 1962 she was asked to teach at the new Mendocino Art Center and she taught there until 1983. She was also asked by Ansel Adams to teach design and composition for photographers at his Yosemite Workshop summer sessions, which she did from 1964 to 1977.

From 1966 to 1967, Bothwell documented indigo dying techniques, strip weaving, and pottery in Western Nigeria and Tunisia. In 1968, she published her book, co-authored with Marlys Frey, NOTAN The Principle of Dark-Light Design. The book was reissued in 1991. Bothwell continued her travels from 1970 to 1971, when she studied 12th century enamels in England, France, and Holland, and conducted a symposium, "Notan Design," for the London Educational Authority. In 1974, she traveled to Bali, Java, and Sumatra, making a slide documentary on batik, woodcarving, and folk design.

In 1977 Bothwell moved to Joshua Tree, California, from Mendocino in Northern California, but moved back and forth between the two studio/residences until 1992 when she moved to her last residence on the desert at Apache Junction, Arizona. From 1979 to 1980, she taught composition at the Victor School of Photography in Colorado and a design course at the Women's Art Guild in Kauai, Hawaii. Following a tour of China with a watercolor artists' group in 1982, Bothwell conducted workshops at the Mendocino Art Center. In 1985, she traveled to Japan.

Dorr Bothwell died on September 24, 2000 in Fort Bragg, California.
Provenance:
The Dorr Bothwell papers were donated in 1978 by the artist, and in 2002, 2009, and 2012 by the Dorr Bothwell Trust.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Dorr Bothwell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art teachers -- California  Search this
Painters -- California  Search this
Topic:
Women artists -- California  Search this
Artists' studios -- Photographs  Search this
Surrealism  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Citation:
Dorr Bothwell papers, 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bothdorr
See more items in:
Dorr Bothwell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bothdorr

Rank badge

Medium:
Medium: silk Technique: tapestry woven, painted
Type:
woven textiles
Rank badge
Made in:
China
Credit Line:
Bequest of Marian Hague
Accession Number:
1971-50-528
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Textiles Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4847fa56d-d79e-4569-8ff4-89a228e70e05
EDAN-URL:
edanmdm:chndm_1971-50-528

Festival Recordings: Metro D.C. Narrative Stage: Oromo Storytelling; Children of Migration; Afro-American Garden Tours

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Artist:
Birru, Zwedie Lube, 1945-  Search this
Tolesa, Addisu  Search this
Wong, Raymond, 1956-  Search this
Avilés, Enrique, 1965-  Search this
Tucker, Mary  Search this
Levitas, Susan, 1961-  Search this
Dickens, Hazel, 1935-2011  Search this
Hobbs, Arnold, 1931-1996  Search this
McCarthy, Helen Sze  Search this
Canady, Viola, 1922-2009  Search this
Performer:
Birru, Zwedie Lube, 1945-  Search this
Tolesa, Addisu  Search this
Wong, Raymond, 1956-  Search this
Avilés, Enrique, 1965-  Search this
Tucker, Mary  Search this
Dickens, Hazel, 1935-2011  Search this
Hobbs, Arnold, 1931-1996  Search this
McCarthy, Helen Sze  Search this
Canady, Viola, 1922-2009  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Oromo (African people)  Search this
Ethiopian Americans  Search this
African American  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Ethiopia
El Salvador
China
Virginia
West Virginia
Date:
1988 June 24
Contents:
Oromo Storytelling, Lubbe Birru, Adisu Tolesa (P); Children Of Migration, Raymond Wong, Enrique Aviles; Afro-American Garden Tours, Mary Tucker, Susan Levitas (P); Making A New Place Home; Hazel Dickens, Arnold Hobbs; Migration, H.Mccarthy, V.Canady Oromo Storytelling; Children Of Migration; Making A New Place Home; Afro-American Garden Tours; Tape
Track Information:
101 Oromo Storytelling / Addisu Tolesa, Zwedie Lube Birru.

102 Children of Migration / Enrique Avilés, Raymond Wong.

103 Afro-American Garden Tours / Mary Tucker.

N04 Brush Painting and Quilting / Helen Sze McCarthy, Viola Canady.

101 Making a New lace Home: Bluegrass / Arnold Hobbs, Hazel Dickens.
Local Numbers:
FP-1988-CT-0253
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Storytelling  Search this
Oral history  Search this
Bluegrass music  Search this
Migration  Search this
Family  Search this
Emigration & immigration  Search this
Gardens  Search this
Ink painting  Search this
Quilting  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0253
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref829

Festival Recordings: Metro D.C. Narrative Stage: Crossing the Border: Chinese Migration; Wong's Boxing Association

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Kennedy, Richard S.  Search this
Performer:
McCarthy, Helen Sze  Search this
Liu, George B., 1912-2004  Search this
Wong, Raymond, 1956-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Chinese Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
China
Date:
1988 June 25
Track Information:
101 Crossing the Border: Chinese Migration / George B. Liu, Helen Sze McCarthy.

102 Tai Chi/Celebration Dance / Raymond Wong.
Local Numbers:
FP-1988-CT-0257
General:
Crossing The Border: Chinese Migration, Helen Mccarthy; George Liu, Richard Kennedy (P), Chinese Celebration Dance, Kung Fu, Raymond Wong Blues Workshop ;Tape 2 Of 6
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Migration  Search this
Ink painting  Search this
Calligraphy  Search this
Emigration & immigration  Search this
Tai chi  Search this
Martial arts  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0257
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref833

Festival Recordings: Metro D.C. Narrative Stage: Making a New Place Home; Church in Salvadoran Communities; Chinese Migration

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Performer:
Avilés, Enma, 1925-  Search this
McCarthy, Helen Sze  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Hispanic Americans  Search this
Chinese Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
El Salvador
China
Date:
1988 June 26
Contents:
Making A New Place Home: Church In Salvadoran Communities, Enma Avila, Olivia Cadaval (P); Chinese Migration, Helen Mccarthy, Richard Kennedy (P), Making A New Place Home: Church In Salvadoran Communities; Chinese Migration; Tape 4 Of 5
Track Information:
101 Making a New Place Home: Church in Salvadoran Communities / Enma Avilés.

102 Chinese Migration / Helen Sze McCarthy.
Local Numbers:
FP-1988-CT-0265
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Church buildings  Search this
Migration  Search this
Emigration & immigration  Search this
Religion  Search this
Ink painting  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0265
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref841

Festival Recordings: Metro D.C. Narrative Stage: Tai Chi; Making a New Place Home: Carnival in the US; Chinese Brush Pai

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Performer:
Ojoe, Cecilia, 1940-  Search this
Smith, Marjorie, 1943-  Search this
McCarthy, Helen Sze  Search this
Zhang, Wei-Na  Search this
Liu, George B., 1912-2004  Search this
Wong Boxing Association  Search this
Hua  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Chinese Americans  Search this
Afro-Caribbean  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
China
Trinidad and Tobago
Date:
1988 June 27
Contents:
Chinese Tai Chi, Raymond Wong; Making A New Place Home: Carnival In The U.S., Marjorie Smith, Cecilia Ojoe, Von Martin (P); Chinese Brush Painting, Helen Mccarthy; Crossing The Border: Chinese Migration, George Liu, Z.P.Lu, Wei-Na Zhang, Caroline Wan Chinese Tai Chi, Making A New Place Home; Carnival In The U.S.; Crossing The Border: Chinese Migration
Track Information:
101 Chinese Tai Chi / Wong Boxing Association.

102 Making a New Place Home: Carnival in the U.S / Cecilia Ojoe, Marjorie Smith.

103 Chinese Brush Painting / Helen Sze McCarthy.

104 Crossing the Border: Chinese Migration / Hua, Wei-Na Zhang, George B. Liu.
Local Numbers:
FP-1988-CT-0267
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Tai chi  Search this
Carnival  Search this
Ink painting  Search this
Emigration & immigration  Search this
Migration  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0267
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref843

Festival Recordings: Metro D.C. Narrative Stage: Crossing the Border: Coyote Stories; Chinese Brush painting

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Performer:
Guandique, Isabel  Search this
McCarthy, Helen Sze  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Hispanic Americans  Search this
Chinese Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
China
Date:
1988 July 2
Contents:
Isabel Guardique, Dan Sheehy (P); Helen Sze Mccarthy, Lee Ellen Friedland (P) Crossing The Border: El Coyote; Chinese Brushpainting; Tape 1 Of 5
Track Information:
101 Crossing the Border: Coyote Stories / Isabel Guandique.

102 Chinese Brush Painting / Helen Sze McCarthy.
Local Numbers:
FP-1988-CT-0281
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Illegal aliens  Search this
Emigration & immigration  Search this
Ink painting -- China  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0281
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref857

Festival Recordings: Metro D.C. Narrative Stage: Helen Sze McCarthy, Lazina Boohoosingh, David Taylor, Zelina Monosayar

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Performer:
McCarthy, Helen Sze  Search this
Monaysar, Zalina  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Chinese Americans  Search this
Trinidadian American  Search this
Indian  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
China
Trinidad and Tobago
India
Vietnam
Date:
1988 July 3
Contents:
Helen Sze Mccarthy, Lazina Boohoosingh, David Taylor (P); Zelina Monaysar, Susan Levitas (P) Double Migration; Trinidadian Garden Tour; Tape 2 Of 3
Track Information:
101 Double Migration: China/Vietnam / Helen Sze McCarthy.

102 Trinidadian Garden Tour / Zalina Monaysar.
Local Numbers:
FP-1988-CT-0287
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Emigration & immigration  Search this
Migration  Search this
Ink painting -- China  Search this
Horticulture  Search this
Gardens  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0287
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref863

Festival Recordings: Metro D.C. Narrative Stage: Chinese Brush painting Workshop; "All Fours" Card Game from Trinidad

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Performer:
McCarthy, Helen Sze  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Chinese Americans  Search this
Afro-Caribbean  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
China
Trinidad and Tobago
Date:
1988 July 3-1988 July 4
Contents:
Helen Sze Mccarthy, Lee Ellen Friedland (P); Susan Levitas (P), Gaslin Robinson And Others (Card Playing Workshop Only Partially Recorded, Much Is Not Audible) Chinese Brush Painting; Trinidadian "All Fours" Card Game; Tape 3 Of 3
Track Information:
101 Chinese Brush Painting.

102 "All Fours" Card Game.
Local Numbers:
FP-1988-CT-0288
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Games -- Trinidad and Tobago  Search this
Ink painting -- China  Search this
Playing cards  Search this
Games  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0288
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref864

Festival Recordings: Metro D.C. Narrative Stage: Trinidadian Garden Tour; Chinese Brush Painting (McCarthy)

Creator:
Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this
Artist:
Smith, Marjorie, 1943-  Search this
Levitas, Susan, 1961-  Search this
McCarthy, Helen Sze  Search this
Friedland, Lee Ellen  Search this
Performer:
Smith, Marjorie, 1943-  Search this
McCarthy, Helen Sze  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Afro-Caribbean  Search this
Chinese Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Trinidad and Tobago
China
Date:
1988
Track Information:
101 Trinidadian Garden Tour / Marjorie Smith.

102 Chinese Brush Painting / Helen Sze McCarthy.
Local Numbers:
FP-1988-CT-0292
General:
Marjorie Smith, Susan Levitas (P) Helen Sze Mccarthy, Lee Ellen Friedland Trinidadian Garden Tour, Chinese Brush Painting; Tape 4 Of 4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Horticulture -- Trinidad and Tobago  Search this
Gardens  Search this
Ink painting -- China  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0292
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref868

Festival Recordings: El Bordo Stage: Murals & Low Riders: Border History; Chinese Presence in Baja, California

Creator:
Smithsonian Institution. Festival of American Folklife. Borderlands Program 1993 Washington, D.C.  Search this
Performer:
Herrera, Alonso Encina  Search this
Callejo, Carlos, 1951-  Search this
Frías, Romulo  Search this
Sandoval, José Luis Lee  Search this
Felix, Marciella  Search this
Warrior, William, 1927-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Mexicans  Search this
Americans  Search this
Hispanic Americans  Search this
Maroons  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Durango
Mexico
Texas
Ciudad Juar̀ez (Durango, Mexico)
El Paso (Tex.)
China
Tecate (Mexico)
Del Rio (Tex.)
Date:
1993 July 5
Track Information:
101 Murals and Low Riders / Alonso Encina Herrera, Carlos Callejo, Romulo Frías.

102 Border History: Chinese Presence in Baja California / José Luis Lee Sandoval, Marciella Felix, William Warrior.
Local Numbers:
FP-1993-CT-0096
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Lowriders  Search this
Automobiles  Search this
Mural painting and decoration  Search this
Emigration & immigration  Search this
Wood-carving  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0096
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 5: U.S.-Mexico Borderlands / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref718

Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Audiotapes
Memorandums
Business records
Video recordings
Plans (drawings)
Negatives
Audiocassettes
Videotapes
Sound recordings
Photographic prints
Contracts
Digital images
Notes
Correspondence
Slides (photographs)
Date:
June 26-July 7, 2002
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 2002 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 2 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Silk Road: Connecting Cultures, Creating Trust
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 2002 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
For ten days in the summer of 2002, the great geographical and cultural distance that lies between the heart of Europe and the far reaches of Asia was reduced to the length of a leisurely afternoon stroll on the National Mall. For the first time in its 36-year history, the Smithsonian Folklife Festival had a single - and remarkably ambitious - theme: the Silk Road. The name denotes the network of trade routes, over both land and sea, along which merchants and travelers began to move across Asia and Europe from the first millennium B.C.E. The most famous east-west component of the Silk Road began in Xi'an, the ancient capital of China, broke north and south of China's Takla Makan Desert, and traversed a vast stretch of Central and Western Asia on its way to the eastern end of the Mediterranean. Along those staggering distances lay a wealth of cultures and traditions. They are still there; during the Folklife Festival, they came to life in the heart of Washington as well.

Merchants took to the Silk Road for commercial gain. But their movement also brought riches of another kind: the cultural traditions that were transported along the Silk Road. The ingenious, distinctive emblems of peoples - their science, technology, religions, customs, crafts, music, food, architecture, fashions - made the journey, too, and the dazzling variety of the world that commerce opened was diffused, welcomed, and adapted.

That's the tale that was told in the 2002 Folklife Festival, The Silk Road: Connecting Cultures, Creating Trust. Produced in association with the Silk Road Project, Inc., an organization founded by the cellist Yo-Yo Ma, supported in large part by the Aga Khan Trust for Culture, and featuring exhibits designed by Rajeev Sethi, the Festival turned the National Mall into a mammoth visual representation of the Silk Road, with the Great Gate in Nara, Japan, at the eastern end, toward the Capitol, and St. Mark's Square in Venice at the western end, in the shadow of the Washington Monument. And between the two, visitors could wander Eurasia, through Istanbul, Samarkand, and Xi'an. On the way they moved among hundreds of musicians, artists, dancers, crafts workers, and chefs from some two dozen nations of the Silk Road, working side by side with Americans who trace their origins to the region or have been culturally influenced by its traditions.

An especially valuable aspect of the event was its focus on Central Asia, a region to which Americans were all too indifferent before events of the preceding year. We now know the names of the nations in that part of the world, but the Festival gave the people of those nations and their traditions a human face. Visitors who made the journey across the Festival site could immerse themselves in the energy and larger educational purpose of the Festival; they had an opportunity to travel across continents, centuries, and cultures. They could meet with a diversity of artists who, through their demonstrations of skill - with silk, jewelry, ceramics, carpets, paintings, paper, calligraphy, food, and, not least, music - did more than merely affirm their cultural traditions. They embodied them. The 2002 Folklife Festival, like every other, celebrated humanity and breathed a spirit of human engagement. On a great green stretch of this nation's capital, people from many different societies were brought together face to face. And those chance, transient encounters might affect the way they think about the world.

The 2002 Festival took place during two five-day weeks (June 26-30 and July 3-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The Program Book provided information on the history and culture of the Silk Road and included a schedule and participant information.

The Silk Road: Connecting Cultures, Creating Trust at the Smithsonian Folklife Festival was a partnership of the Smithsonian Institution Center for Folklife and Cultural Heritage and the Silk Road Project, Inc. The Festival site was designed by Rajeev Sethi Scenographers and produced in cooperation with the Asian Heritage Foundation. The Festival was co-sponsored by the National Park Service.

Center for Folklife and Cultural Heritage

Richard Kurin, Director; Richard Kennedy, Deputy Director; Smithsonian Folklife Festival: Diana Parker, Festival Director; Carla M. Borden, Program/Publications Manager; Arlene L. Reiniger, Program Specialist; Charlie Weber, Media Specialist; Smithsonian Folkways Recordings: Daniel Sheehy, Director; Anthony Seeger, Director Emeritus; D.A. Sonneborn, Assistant Director; Ralph Rinzler Archives: Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Save Our Sounds: Frank Proschan, Project Director; Smithsonian GlobalSound: Jon Kertzer, Project Director; Cultural Heritage Policy: James Early, Director; Cultural Research and Education: Olivia Cadaval, Chair; Thomas Vennum, Jr., Senior Ethnomusicologist Emeritus; Betty J. Belanus, Nancy Groce, Marjorie Hunt, Diana Baird N'Diaye, Peter Seitel, Cynthia Vidaurri, Nilda Villalta, Curators, Folklorists, Education and Cultural Specialists; John W. Franklin, Program Manager; Gigi Bradford, Roland Freeman, Ivan Karp, Corinne Kratz, Alan Lomax, Worth Long, René López, Kate Rinzler, Rajeev Sethi, Research Associates; Rhea Combs, Steven Garabedian, Mark Jackson, Ajaya Khanal, Anthony McCann, Fellows

Center Advisory Council

Kurt Dewhurst, Anthony Gittens, Pat Jasper, Barbara Kirshenblatt-Gimblett, Enrique Lamadrid, David Maybury-Lewis, Judy Mitoma, J. Scott Raecker, Ricardo Trimillos (Chair)

Folkways Advisory Board

Michael Asch (Chair), Phyllis Barney, Hal Cannon, Don DeVito, Ella Jenkins, Fred Silber

The Silk Road Project, Inc.

Yo-Yo Ma, Artistic Director; Jean Davidson, Managing Director; Theodore Levin, Project Director

The Asian Heritage Foundation

Rajeev Sethi, Founder Trustee

National Park Service

Fran P. Mainella, Director; Terry R. Carlstrom, Director, National Capital Region

The Festival was supported by federally appropriated funds, Smithsonian trust funds, contributions from governments, businesses, foundations, and individuals, in-kind assistance, volunteers, food and craft sales, and Friends of the Festival. The 2002 Festival was made possible through the following generous sponsors and donors to the Silk Road Project, Inc.:

Lead Funder and Key Creative Partner: The Aga Khan Trust for Culture

Global Corporate Partners: Ford Motor Company; Siemens

Major Funding by: The Starr Foundation; Mr. and Mrs. Henry R. Kravis; Mr. Richard Li; Mr. William Rondina; Wolfensohn Family Foundation; Octavian Society; National Endowment for the Arts; Carolyn G. Mugar/The Armenian Tree Project

and by the following supporters of the Smithsonian Institution:

Lead Donor: ExxonMobil

Donors: U.S. Department of State; Mr. Arthur Pacheco; Trust for Mutual Understanding; Music Performance Trust Funds; Asian Cultural Council; J.S. Lee

In-Kind Donors: Turkish Airlines; Motorola/Nextel; Go-Ped; APL; Fresh Fields/Whole Foods Market
Forms Part Of:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folklore  Search this
arts and crafts  Search this
Folk music  Search this
Folk festivals  Search this
Folk art  Search this
Food habits  Search this
World music  Search this
Genre/Form:
Audiotapes
Memorandums
Business records
Video recordings
Plans (drawings)
Negatives
Audiocassettes
Videotapes
Sound recordings
Photographic prints
Contracts
Digital images
Notes
Correspondence
Slides (photographs)
Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2002
See more items in:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-2002

Smithsonian's National Zoo: Giant Panda Bao Bao's First Birthday with Zhuazhou Ceremony

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2014-08-29T16:23:07.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
See more by:
SmithsonianNZP
Data Source:
National Zoo
YouTube Channel:
SmithsonianNZP
EDAN-URL:
edanmdm:yt_D0zzSVaB3TE

It's a Boy! Smithsonian’s National Zoo’s Giant Panda Cub Is Male

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2020-10-05T13:04:04.000Z
YouTube Category:
Pets & Animals  Search this
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
See more by:
SmithsonianNZP
Data Source:
National Zoo
YouTube Channel:
SmithsonianNZP
EDAN-URL:
edanmdm:yt_lRRpvnog8jI

Giant pandas in the snow Feb. 20, 2019

Creator:
National Zoo  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2019-02-20T21:08:37.000Z
YouTube Category:
Pets & Animals  Search this
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
See more by:
SmithsonianNZP
Data Source:
National Zoo
YouTube Channel:
SmithsonianNZP
EDAN-URL:
edanmdm:yt_pNff91GIIUg

Ai Weiwei on seeing Trace for the first time- Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2017-10-11T19:24:55.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_KPD2a6oUBbE

Ai Weiwei on his artistic process- Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2017-10-05T13:30:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_X-8NmJQHFHw

Ai Weiwei: Trace at Hirshhorn

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2017-12-07T20:15:28.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_YsQALbPhsu0

Ai Weiwei on the role of artists in today's society- Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2017-10-11T19:26:57.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_msEA1apD8fg

The Cosmic Buddha

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2013-08-22T15:48:45.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_pl2oAfaSlPg

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