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Robert Rosenblum Papers

Creator:
Rosenblum, Robert  Search this
Names:
Columbia University -- Faculty  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Musée d'Orsay  Search this
National Museum of American Art (U.S.)  Search this
New York University -- Faculty  Search this
Princeton University -- Faculty  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan -- Faculty  Search this
Yale University -- Faculty  Search this
Becraft, Melvin E.  Search this
Ingres, Jean-Auguste-Dominique, 1780-1867  Search this
Kramer, Hilton  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenquist, James, 1933-  Search this
Extent:
38.3 Linear feet
1.17 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Date:
circa 1927-2009
bulk 1950-2006
Summary:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.
Scope and Contents:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.

Biographical materials include Rosenblum's bibliography and resume materials, various school related ephemera and diplomas, a transcript of an interview with Amy Newman for Artforum, and a digital video recording of a Josef Levi interview. Extensive personal and professional correspondence is with friends, family, colleagues, publishers, museums, and others. Some of the correspondents include Melvin Becraft, the Guggenheim, Harry Abrams, Inc., Hilton Kramer, the Los Angeles County Museum of Art, and the National Museum of American Art. Also found are numerous postcards.

Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, photographs, and lists of photographs. There are manuscript, notes, and other materials related to many of Rosenblum's notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and others. Also found are Rosenblum's dissertation and other student writings. There is also a series containing writings by or about others, such as students and colleagues.

Rosenblum planned and facilitated numerous exhibitions that are well-documented within the exhibition files, including French Painting, 1774-1830: The Age of Revolution (1974), 1900: Art at the Crossroads (2000), Norman Rockwell: Pictures for the American People (2001), Best in Show: Dogs in Art from the Renaissance to the Present (2006), and Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 (2007), among many others. Contents of each exhibition file vary considerably but often include correspondence, lists of artwork, proposals, notes, catalog drafts and outlines (see also series 3), and printed materials. There are a few sound cassettes, including a recorded interview with James Rosenquist with transcripts. Also included are digital photographs of Norman and Irma Braman Collection exhibition.

Research reference files cover a wide variety of art related topics, but are arranged within a separate series because they are not related to specific named projects as are the files in Series 3. These files contain research notes, bibliographies, and syllabi kept by Rosenblum presumably for a variety of publications, research interests, and teaching references.

Teaching files and class notes document Rosenblum's professorial career at Columbia University, New York University, Princeton University, University of Michigan, Yale College, and Yale University, and include a variety of course materials.

Personal business records consist of various financial and legal documents, expense and income records, publishing and speaking contracts, and royalties received.

The papers also include a variety of printed materials, photographs, student sketches by Rosenblum, and an unidentified collage.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1927-2006 (0.5 linear feet; Box 1, 1.00 GB; ER02)

Series 2: Correspondence, circa 1927-2006 (4.5 linear feet; Boxes 1-5)

Series 3: Lectures, Writings, and Writing Project Files, 1940-2006 (13.5 linear feet; Boxes 5-16, OV 39-41, 0.063 GB; ER01)

Series 4: Writings by Others, circa 1954-2006 (2.9 linear feet; Boxes 16-19)

Series 5: Exhibition Files, circa 1965-circa 2006 (5.2 linear feet; Boxes 19-24, 0.109 GB; ER03)

Series 6: Research Files, circa 1927-2006 (2.9 linear feet; Boxes 24-27)

Series 7: Teaching Files and Class Notes, 1955-2006 (4.3 linear feet; Boxes 27-31)

Series 8: Personal Business Records, 1951-2009 (4.4 linear feet; Boxes 31-36)

Series 9: Printed Material, 1927-2009 (2.4 linear feet; Boxes 36-38)

Series 10: Photographs, circa 1950s-circa 2000 (0.3 linear feet; Box 38, OV 41)

Series 11: Artwork, circa 1940s-circa 1980s (0.1 linear feet; Box 38)
Biographical / Historical:
Robert Rosenblum (1927-2006) was an art historian, curator, and professor who worked primarily in New York City.

Rosenblum received his B.A. from Queens College, his M.A. from Yale, and his Ph.D. from the Institute of Fine Art at New York University in 1956. He spent a year teaching art at the University of Michigan before becoming an associate professor at Princeton, ultimately accepting a Professor of Fine Arts position at NYU in 1966, where he spent the rest of his professorial career interspersed with visiting professorships at Oxford University and Yale University. Rosenblum was named Henry Ittleson, Jr. Professor of Modern European Art at NYU in 1976, and received the Frank Jewett Mather Award for Distinction in Art Criticism in 1981. After being appointed Stephen and Nan Swid Curator of 20th-Century Art at the Solomon R. Guggenheim Museum in 1996, Rosenblum went on to curate such exhibitions as 1900: Art at the Crossroads (2000) and Norman Rockwell: Pictures for the American People (2001). Prior to this appointment, he was one of the organizers of the Metropolitan Museum of Art's French Painting, 1774-1830: The Age of Revolution (1974). He received a Distinguished Teaching Award from NYU in 2005, and continued to curate, lecture, teach, and write.

Rosenblum was a prolific author, and his seminal works include: Cubism and Twentieth-Century Art (1959), Transformations in Late Eighteenth-Century Art (1967), Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (1975), and 19th-Century Art (co-authored with H.W. Janson, 1984).

Rosenblum married Jane Kaplowitz in 1978. He died in New York City in 2006.
Provenance:
The papers were donated in multiple accessions by Robert Rosenblum between 1986 and 2003, and by his widow, Jane Kaplowitz between 2010 and 2013.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art museum curators  Search this
Topic:
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roserobe
Online Media:

Sam Gilliam papers

Creator:
Gilliam, Sam, 1933-  Search this
Names:
Carl Solway Gallery  Search this
Philadelphia Museum of Art  Search this
Studio Museum in Harlem  Search this
Andrews, Benny, 1930-2006  Search this
Driskell, David C.  Search this
Gilliam, Dorothy Butler, 1936-  Search this
Krebs, Rockne, 1938-2011  Search this
Mondale, Walter F., 1928-  Search this
Extent:
7.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Prints
Scrapbooks
Sketches
Sound recordings
Transcripts
Date:
1957-1989
Summary:
The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.
Scope and Contents:
The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life beginning as a student, through to his teaching, professorial, and artistic career based in Washington D.C. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C., and showcases the planning and creation of the large scale three-dimensional paintings Gilliam is best known for as a member of the Washington Color School of painting.

Biographical material includes resumes, passports, exhibition lists, artists' statements and essays, interview transcripts and recordings. Also included are audio recordings of conversations between Sam Gilliam and artist Benny Andrews, between Gilliam and artist Rockne Krebs, as well as recordings of a 1968 interview conducted by Dorothy Gilliam.

Correspondence spans over 20 years and includes letters to and from museums and galleries such as the Philadelphia Museum of Art, the Studio Museum in Harlem, Carl Solway Gallery, collectors, artists including David Driskell, friends, family, students, and fans.

Writings include notes, statements, and essays by and about Gilliam, writings by university students of Gilliam, and writings related to Gilliam's artwork and public commissions including measurements for artworks, material research, and information regarding prints created for the private home of Walter Mondale.

Business records primarily include the daily records of activities kept by Sam and Dorothy Gilliam's secretary, Debby, from 1973 to 1978. Also present are resumes for a studio assistant for Gilliam, certificates of originality, legal documents, receipts and invoices, a record of donated paintings, financial records, ledgers, contracts, records and paperwork for the Gilliam's company Enterprise 101, and miscellany.

Printed materials include photocopies, exhibition announcements, magazines, and clippings regarding exhibitions, specific artworks, and commissions, and Gilliam and/or his then-wife, Dorothy Gilliam.

The subject file series contains letters, photographic material, business records, sketches, and printed materials concerning specific galleries, public art commissions, arts organizations, workshops, teaching positions, Gilliam's studio, art suppliers, and other topics.

A disbound scrapbook contains photographs, notes, and printed material related to Gilliam and his studio practice.

The artwork series includes sketches, personal notes, and small preparatory drawings by Gilliam.

Photographic material includes negatives, slides, and transparencies of artworks, Gilliam in his studio, and Gilliam and staff preparing museum and gallery exhibition spaces. Also included are records of student artwork, and photos and slides of artwork sent to Gilliam by students and aspiring artists.
Arrangement:
This collection is arranged as 9 series.

Series 1: Biographical Material, 1958-1988, (Box 1; 0.8 linear feet)

Series 2: Correspondence, 1965-1989, (Boxes 1-2; 0.6 linear feet)

Series 3: Writings, 1962-1988, (Box 2; 0.4 linear feet)

Series 4: Business Records, 1957-1986, (Boxes 2-3; 1.0 linear foot)

Series 5: Printed Material, 1962-1987, (Boxes 3-4; 1.0 linear foot)

Series 6: Subject Files, 1963-1988, (Boxes 4-7; 2.2 linear feet)

Series 7: Scrapbook, 1958-1968, (Box 7; 0.2 linear feet)

Series 8: Artwork, 1970-1980, undated, (Boxes 7-9; 0.4 linear feet)

Series 9: Photographic Material, 1960-1985, (Boxes 8-9; 0.3 linear feet)
Biographical / Historical:
Sam Gilliam (1933- ) is an African-American artist based in Washington, D.C. He was born in Tupelo, Mississippi and raised in Louisville, Kentucky where he began painting as a child, eventually attending the University of Louisville where he received his B.A. in Fine Art and M.A. in Painting. He went on to teach art to high school students in the Washington D.C. public school system, and university-level students at the Corcoran School of Art, the Maryland Institute College of Art (MICA), the University of Maryland, and Carnegie Mellon University. His numerous grants and awards include the 1971 Solomon Guggenheim Memorial Foundation Fellowship and multiple Honorary Doctoral degrees.

As an artist, Gilliam is best known for his three-dimensional draped and suspended paintings, covered with large fields of poured paint, pigment, and colorful staining influenced by the movement and colors of Abstract Expressionist painters. Gilliam went on to become a part of the Washington Color School of painters, where his creation of free-form works flourished. He created many public works that incorporated new materials such as custom designed metal forms, quilted canvas, and textiles; his works often included subtle social commentaries through their titling. His suspended paintings cemented Gilliam as an innovative and influential presence in 20th century American art.
Provenance:
The Sam Gilliam papers were donated to the Archives of American Art by Sam Gilliam in 1989.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Topic:
Art -- Study and teaching  Search this
Color-field painting  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Washington Color School (Group of artists)  Search this
African American artists  Search this
Genre/Form:
Interviews
Photographs
Prints
Scrapbooks
Sketches
Sound recordings
Transcripts
Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gillsam
See more items in:
Sam Gilliam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gillsam

Henry Ernest Schnakenberg papers, 1905-1969

Creator:
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Subject:
Angel, John  Search this
Bacon, Peggy  Search this
Barye, Antoine-Louis  Search this
Beal, Gifford  Search this
Bierstadt, Albert  Search this
Billings, Henry  Search this
Bishop, Isabel  Search this
Blume, Peter  Search this
Bouché, Louis  Search this
Brooks, Van Wyck  Search this
Buller, Audrey  Search this
Cadmus, Paul  Search this
Calder, Alexander  Search this
Catherwood, Frederick  Search this
Congdon, William  Search this
Day, Horace Talmage  Search this
Dows, Olin  Search this
Duchamp, Marcel  Search this
Etting, Emlen  Search this
Evergood, Philip  Search this
Faulkner, Barry  Search this
Fiene, Ernest  Search this
Goff, Lloyd Lozés  Search this
Guys, Constantin  Search this
Hardy, Thomas  Search this
Harnett, William Michael  Search this
Hartl, Léon  Search this
Homer, Winslow  Search this
Hoyt, Whitney Ford  Search this
Inness, George  Search this
Ivins, William Mills  Search this
Johnson, Eastman  Search this
Kirstein, Lincoln  Search this
Kroll, Leon  Search this
Kuniyoshi, Yasuo  Search this
Laning, Edward  Search this
Lasker, Joe  Search this
Leighton, Clare  Search this
Locke, Charles  Search this
Low, Sanford B. D. (Sanford Ballard Dole)  Search this
Lucioni, Luigi  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Parsons, Betty  Search this
Robus, Hugo  Search this
Saint-Gaudens, Homer  Search this
Savery, Rockland  Search this
Schmidt, Katherine  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Speicher, Eugene Edward  Search this
Stamos, Theodoros  Search this
Tait, Arthur Fitzwilliam  Search this
Watkins, Franklin Chenault  Search this
Watson, Forbes  Search this
Watson, Nan  Search this
Weisgard, Leonard  Search this
Artists Equity Association  Search this
American Academy of Arts and Letters  Search this
Topic:
Art, Prehistoric  Search this
Painting, Modern -- 20th century  Search this
Etching  Search this
Record number:
(DSI-AAA_CollID)9102
(DSI-AAA_SIRISBib)211296
AAA_collcode_schnh
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211296

Alexander Brook papers, 1900-1982

Creator:
Brook, Alexander, 1898-1980  Search this
Subject:
Bacon, Peggy  Search this
Biddle, George  Search this
Brett, Catherine  Search this
Covarrubias, Miguel  Search this
Pollock, Jackson  Search this
Spencer, Niles  Search this
Knee, Gina  Search this
Bouché, Louis  Search this
Type:
Photographs
Watercolors
Sketches
Transcriptions
Scrapbooks
Sketchbooks
Interviews
Etchings
Illustrations
Topic:
Post-impressionism (Art)  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6833
(DSI-AAA_SIRISBib)208960
AAA_collcode_brooalex
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208960
Online Media:

John Torson letter from Donald Chase Downes, 1976 Mar. 8

Creator:
Torson, John  Search this
Downes, Donald Chase  Search this
Subject:
Maurer, Alfred Henry  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)5753
(DSI-AAA_SIRISBib)208592
AAA_collcode_torsjohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208592

Treasury Department Art Projects : painting and sculpture for federal buildings, November seventeen to December thirteen, nineteen hundred thirty-six, Corcoran Gallery of Art / introduction by Forbes Watson, 1936

Creator:
Treasury Relief Art Project  Search this
Treasury Relief Art Project  Search this
Subject:
Watson, Forbes  Search this
Topic:
Painting, American -- Exhibitions  Search this
Painting, Modern -- 20th century -- United States -- Exhibitions  Search this
Art and state -- United States  Search this
Federal aid to the arts  Search this
Public sculpture -- United States -- Exhibitions  Search this
Sculpture, American -- Exhibitions  Search this
Federal aid to public welfare  Search this
New Deal, 1933-1939  Search this
Public sculpture -- United States -- Exhibitions  Search this
Record number:
(DSI-AAA_CollID)5929
(DSI-AAA_SIRISBib)208761
AAA_collcode_treareli
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208761

Sidney Tillim writings, 1957-1970

Creator:
Tillim, Sidney, 1925-2001  Search this
Topic:
Painting, Modern -- 20th century -- History -- New York (State) -- New York -- Diaries  Search this
Record number:
(DSI-AAA_CollID)8488
(DSI-AAA_SIRISBib)210664
AAA_collcode_tillsidn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210664

Roger Winter papers, 1966-1981

Creator:
Winter, Roger, 1934-  Search this
Subject:
Williams, Charles Truett  Search this
Smith, Hassel  Search this
Dozier, Otis  Search this
Komodore, Bill  Search this
McManaway, David  Search this
Topic:
Art, American -- Texas -- Dallas  Search this
Painting, Modern -- 20th century -- Texas -- Dallas  Search this
Record number:
(DSI-AAA_CollID)8620
(DSI-AAA_SIRISBib)210800
AAA_collcode_wintroge
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210800

Hiram Williams papers, 1955-1965

Creator:
Williams, Hiram, 1917-2003  Search this
Subject:
Uelsmann, Jerry  Search this
Topic:
Painting, Modern -- 20th century -- History -- Florida -- Gainesville  Search this
Art -- Study and teaching -- Florida -- Gainesville  Search this
Record number:
(DSI-AAA_CollID)8626
(DSI-AAA_SIRISBib)210806
AAA_collcode_willhira
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210806

Latané Temple papers, [ca. 1934]-1983

Creator:
Temple, Latane, 1914-  Search this
Subject:
Archer M. Huntington Art Gallery  Search this
Texas Memorial Museum  Search this
Houston Artists' Forum  Search this
Topic:
Painting, Modern -- 20th century  Search this
Art -- Collectors and collecting  Search this
Art -- Societies, etc. -- Texas -- Houston  Search this
Record number:
(DSI-AAA_CollID)9234
(DSI-AAA_SIRISBib)211429
AAA_collcode_templata
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211429

Manuel J. Tolegian photographs and printed material, 1930-1945

Creator:
Tolegian, Manuel J. (Manuel Jerair), 1911-1983  Search this
Topic:
Painting, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)9451
(DSI-AAA_SIRISBib)211649
AAA_collcode_tolemanu
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211649

Lucille Sylvester papers, 1937-1970

Creator:
Sylvester, Lucille, 1909-  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9506
(DSI-AAA_SIRISBib)211704
AAA_collcode_sylvluci
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211704

Arthur Turner papers, 1960-1983

Creator:
Turner, (Charles) Arthur, 1940-  Search this
Type:
Scrapbooks
Topic:
Painting, Modern -- 20th century -- History -- Texas -- Houston  Search this
Record number:
(DSI-AAA_CollID)10118
(DSI-AAA_SIRISBib)213017
AAA_collcode_turnarth
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213017

Salle Werner-Vaughn papers, 1971-1983

Creator:
Werner-Vaughn, Salle  Search this
Topic:
Women painters -- Texas -- Houston  Search this
Painting, Modern -- 20th century -- Texas -- Houston  Search this
Record number:
(DSI-AAA_CollID)10571
(DSI-AAA_SIRISBib)214047
AAA_collcode_wernsall
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214047

John Young-Hunter papers, 1907-1984

Creator:
Young-Hunter, John, 1874-1955  Search this
Topic:
Artists as authors -- New Mexico -- Taos  Search this
Painting, Modern -- 20th century -- New Mexico -- Taos  Search this
Record number:
(DSI-AAA_CollID)10596
(DSI-AAA_SIRISBib)214072
AAA_collcode_younjohn
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214072

Maurice Sievan papers, 1934-1983

Creator:
Sievan, Maurice, 1898-1981  Search this
Subject:
Avery, Milton  Search this
Gross, Sidney  Search this
Lannan, J. Patrick  Search this
Raemisch, Waldemere  Search this
Schnitzler, Max  Search this
Trajan, Turku  Search this
Walkowitz, Abraham  Search this
Winter, Andrew  Search this
Sievan, Lee  Search this
Piper, Raymond  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6720
(DSI-AAA_SIRISBib)208845
AAA_collcode_sievmaur
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208845

Onderdonk family papers, 1840-1980

Creator:
Onderdonk family  Search this
Subject:
Onderdonk, Robert Jenkins  Search this
Onderdonk, Julian  Search this
Onderdonk, Eleanor  Search this
Topic:
Artists' studios -- Texas -- Photographs  Search this
Painting, Modern -- 19th century -- Texas -- San Antonio  Search this
Painting, Modern -- 20th century -- Texas -- San Antonio  Search this
Record number:
(DSI-AAA_CollID)6982
(DSI-AAA_SIRISBib)209111
AAA_collcode_ondeonde
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209111

Hyde Solomon papers, 1911-1983

Creator:
Solomon, Hyde, 1911-1982  Search this
Poindexter Gallery  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7172
(DSI-AAA_SIRISBib)209309
AAA_collcode_solohyde
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209309

Lynn Moore Randolph papers, 1964-1979

Creator:
Randolph, Lynn Moore, 1938-  Search this
Topic:
Painting, Modern -- 20th century -- Texas -- Houston  Search this
Women painters -- Texas -- Houston  Search this
Record number:
(DSI-AAA_CollID)8358
(DSI-AAA_SIRISBib)210531
AAA_collcode_randlynn
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210531

Alfred R. Mitchell correspondence, 1919-1962

Creator:
Mitchell, Alfred R. (Alfred Richard), 1888-1972  Search this
Subject:
Eakins, Susan Macdowell  Search this
Cox, John  Search this
Zoloaga, Ignacio  Search this
Topic:
Painting, Modern -- 20th century -- History -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)8412
(DSI-AAA_SIRISBib)210586
AAA_collcode_mitcalfr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210586

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