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Oral history interview with Josephine Marie Caruso Castano relating to Giovanni (John) Castano, 1991 May 17

Interviewee:
Castano, Josephine Marie Caruso, 1901-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Castano, Giovanni  Search this
Denhausen, Franz H.  Search this
Castano Galleries (Boston, Mass.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Josephine Marie Caruso Castano relating to Giovanni (John) Castano, 1991 May 17. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Conservation and restoration  Search this
Painting, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)12733
(DSI-AAA_SIRISBib)214655
AAA_collcode_castan91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214655
Online Media:

Oral history interview with Robert S. Neuman, 1991 May 1-June 19

Interviewee:
Neuman, Robert S. (Robert Sterling)  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert S. Neuman, 1991 May 1-June 19. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Abstract -- Massachusetts  Search this
Painting, Modern -- 20th century  Search this
Painters -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13195
(DSI-AAA_SIRISBib)214658
AAA_collcode_neuman91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214658
Online Media:

Oral history interview with Robert S. Neuman

Interviewee:
Neuman, Robert S.  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
106 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 May 1-June 19
Scope and Contents:
An interview of Robert S. Neuman conducted 1991 May 1-1991 June 19, by Robert Brown, for the Archives of American Art.
Neuman discusses his childhood in Idaho; art training in Idaho and San Francisco; California artists Clyfford Still, Richard Diebenkorn, Hassel Smith, and Nathan Oliveira; WWII service; the School of the Pacific vs. Euro-centric New York; studying in Germany on a Fulbright scholarship; the influence of work by Willi Baumeister and Wolfgang Wols; moving to Boston and the art community there in the 1950s and 1960s; studying in Barcelona on a Guggenheim fellowship; the evolution of his painting in overlapping phases; and his preference for being outside the mainstream art world.
Biographical / Historical:
Robert S. Neuman (1926- ) is an abstract painter and art instructor from San Francisco, Germany, Spain, and Boston.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 6 hrs., 41 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Massachusetts -- Interviews  Search this
Topic:
Painting, Abstract -- Massachusetts  Search this
Painting, Modern -- 20th century  Search this
Painters -- Massachusetts -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.neuman91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95a1f86ba-66b3-4fa1-8677-00b29b307206
EDAN-URL:
ead_collection:sova-aaa-neuman91
Online Media:

Oral history interview with Josephine Marie Caruso Castano relating to Giovanni (John) Castano

Interviewee:
Castano, Josephine Marie Caruso, 1901-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Castano Galleries (Boston, Mass.)  Search this
Castano, Giovanni, 1896-1978  Search this
Denhausen, Franz H., 1911-  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 May 17
Scope and Contents:
An interview of Josephine Marie Caruso Castano regarding her husband, painter and art dealer Giovanni (John) Castano, conducted by Robert Brown for the Archives of American Art.
Castano discusses her childhood and marriage to Giovanni (John) Castano; his career in Cincinnati as a scene painter for the local opera company; moving to Boston circa 1930; his career there as an art dealer, owner of Castano Galleries, and an agent for Wildenstein and Knoedler's; his work as a teacher and painting restorer; the sculptor Franz Denghausen; and passing references to various painters, museum personnel, and art dealers.
Biographical / Historical:
Josephine Marie Caruso Castano is the widow of painter and art dealer Giovanni (John) Castano.
General:
Originally recorded on 1 sound tape cassette. Reformatted in 2010 as 1 digital wav file. Duration is 41 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Topic:
Art -- Conservation and restoration  Search this
Painting, Modern -- 20th century  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.castan91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91b2ecdd7-3a20-46a8-bef0-7df3bc89e321
EDAN-URL:
ead_collection:sova-aaa-castan91
Online Media:

Richard E. Filipowski papers, circa 1940-1998

Creator:
Filipowski, Richard E., 1923-2008  Search this
Subject:
Agoos, Herbert M.  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro  Search this
Davis, Stuart  Search this
Kepes, Gyorgy  Search this
Moholy-Nagy, László  Search this
Gropius, Walter  Search this
Kepes, Gyorgy  Search this
Eckbo, Garrett  Search this
Bauhaus  Search this
Harvard University  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology  Search this
Boston Arts Festival  Search this
Type:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Citation:
Richard E. Filipowski papers, circa 1940-1998. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Industrial design  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)9644
(DSI-AAA_SIRISBib)211852
AAA_collcode_filirich
Theme:
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211852
Online Media:

John Wilson papers, circa 1939-1993

Creator:
Wilson, John Woodrow, 1922-  Search this
Subject:
Trachtenberg, Alan  Search this
Type:
Drawings
Interviews
Scrapbooks
Sound recordings
Citation:
John Wilson papers, circa 1939-1993. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American sculptors  Search this
Theme:
African American  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6395
(DSI-AAA_SIRISBib)215365
AAA_collcode_wilsjohn
Theme:
African American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215365

Oral history interview with Jason Berger, 1979 January 12-1980 February 1

Interviewee:
Berger, Jason, 1924-2010  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Benda, Clemens E. (Clemens Ernst)  Search this
Bengtz, Ture  Search this
Bloom, Hyman  Search this
Fiedler, Leslie A.  Search this
Levine, Jack  Search this
Powers, Marilyn  Search this
Swetzoff, Hyman Wulf  Search this
Zadkine, Ossip  Search this
Zerbe, Karl  Search this
Art Institute of Boston  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
State University of New York at Buffalo  Search this
United States. Army  Search this
Type:
Interviews
Sound recordings
Place:
France -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Jason Berger, 1979 January 12-1980 February 1. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Sculpture -- Study and teaching  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)11976
(DSI-AAA_SIRISBib)212523
AAA_collcode_berger79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212523
Online Media:

Oral history interview with Lawrence Kupferman, 1965 Nov. 12

Interviewee:
Kupferman, Lawrence Edward, 1909-1982  Search this
Interviewer:
Swift, Geoffrey  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lawrence Kupferman, 1965 Nov. 12. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- Massachusetts -- Boston  Search this
Federal aid to the arts  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12332
(DSI-AAA_SIRISBib)212863
AAA_collcode_kupfer65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212863
Online Media:

Oral history interview with Lawrence Kupferman, 1971 June 10

Interviewee:
Kupferman, Lawrence Edward, 1909-1982  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Tyler, Joyce  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lawrence Kupferman, 1971 June 10. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12450
(DSI-AAA_SIRISBib)212864
AAA_collcode_kupfer71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212864

Josef Presser and Agnes Hart papers

Creator:
Presser, Josef, 1906-1967  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Artists Equity Association  Search this
Central Cown Art Center  Search this
Dalton School (New York, N.Y.)  Search this
New York University -- Faculty  Search this
Parnassus Square  Search this
Port of New York Authority  Search this
Prospect Hill School (New Haven, Conn.)  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
Ames, Elizabeth  Search this
Blanch, Lucile, 1895-1981  Search this
Fraser, Vera  Search this
Hart, Agnes, 1912-1979  Search this
Hopkinson, Charles, 1869-1962  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Smedley, Agnes, 1892-1950  Search this
Walkowitz, Abraham, 1880-1965  Search this
Extent:
4.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Postcards
Sketchbooks
Photographs
Date:
1913-1980
Summary:
The papers of New York painters and teachers Josef Presser and Presser's wife Agnes Hart measure 4.3 linear feet and date from 1913 to 1980, with the bulk of the material from 1940 to 1980. The collection documents their personal and professional lives as artists and educators and consists of biographical material, business and personal correspondence, teaching files, printed material, and scattered photographs. The collection also includes writings, personal business records, and artwork by Presser.
Scope and Content Note:
The papers of New York painters and teachers Josef Presser and Agnes Hart measure 4.3 linear feet and date from 1913 to 1980, with the bulk of the material from 1940 to 1980. The collection documents their personal and professional lives as partners, artists, and educators and consists of biographical material, business and personal correspondence, teaching files, printed material, and scattered photographs. The collection also includes writings, personal business records, and artwork by Presser.

The collection is divided into two series. Series 1 consists primarily of Presser's papers from 1913 to his death in 1967, and Hart's correspondence dating from 1967 to 1977 regarding the management of his estate. Biographical material includes an address book, curriculum vitae, family history, and personal identification records. Presser's personal correspondence is with family and friends, including the artists Charles Hopkinson and Vera Fraser. Business related correspondence is with various collectors, galleries, museums, art associations, and art schools. There is also correspondence related to Presser's law suit against the New York Port Authority, and Presser and Hart's real estate purchases in Hurley and Woodstock, New York. Hart's correspondence concerns Presser's estate and artwork after his death, including letters related to the organization of Presser's memorial exhibition in 1968.

Writings by Presser include essay fragments, 4 notebooks, and numerous note fragments. His teaching files include memoranda, syllabi, and class assignments from his tenure at New York University from 1947 to 1952. There are also memoranda from the New York School of Visual Arts and the Prospect Hill School. Personal business records include bank registers, artwork sales records, and receipts from his residency in Paris in the 1960s.

Printed material consists of bulletins, clippings, and exhibition announcements and catalogs related to Presser's career. There are also draft and final versions of Presser's memorial exhibition catalog, and a copy of the 1951 conference Artist and the Museum sponsored by the Artists Equity Association and the Woodstock Artists Association.

Artwork consists of loose sketches, artwork on postcards and printed material, and 9 sketchbooks dating from the 1950s to 1960s. Photographic material includes photographs of Presser with friends and family, and photographs of his studio and artwork. There are also 4 photographs of the artist Abraham Walkowitz dating from the 1940s.

Agnes Hart's papers documenting her own career are arranged in Series 2 and date from 1930 to 1980. Biographical materials include two engagement calendars, curriculum vitae, consignment lists, and critiques. Her correspondence with family and friends includes letters from artist Lucile Blanch, journalist Agnes Smedley, and Yaddo director Elizabeth Ames. Business correspondence is with galleries, collectors, art associations, and art schools.

Teaching files include employment contracts, class catalogs, newsletters, and photographs from Hart's tenure at the Art Students League (1965-1975), and class catalogs and memoranda from Dalton Schools and Parnassus Square. Printed material includes bulletins, clippings, and exhibition announcements and catalogs related to Hart's career. There are also draft and final versions of the 1956 Yasuo Kuniyoshi memorial exhibition catalog. Additional photographic material consists of a photograph of the Central Cown Art Center, a gallery Hart managed in 1937.
Arrangement:
The collection is arranged as 2 series:

Missing Title

Series 1: Josef Presser, 1913-1977 (3 linear feet; Boxes 1-3, Box 5)

Series 2: Agnes Hart, 1930-1980 (1.3 linear feet; Boxes 3-4)
Biographical Note:
Josef Presser (1909-1967) lived and worked primarily in New York City as a painter, educator, and lecturer.

Presser was born in Lublin, Poland and immigrated with his family to Boston, Massachusetts in 1913. He showed an early affinity for art and, at the age of 12, was accepted to the Boston Museum School of Fine Arts on a four year scholarship. After completing his education, he spent several years traveling in Europe and visited the major museums of France, Italy, and Belgium before returning to America in 1931. Upon his return, Presser opened his first solo New York show at the Montross Gallery in 1931, moved to Philadelphia, painted murals as part of the Works Progress Administration program, and began receiving private commissions. By the mid-1930s, Presser was exhibiting regularly in solo shows in Philadelphia and had began accepting teaching positions. While lecturing at Iowa State University, Presser met his future wife and artist, Agnes Hart, who he married in 1941.

After moving to New York City in 1940, Presser continued to exhibit in New York galleries throughout the 1940s and 1950s, and eventually accepted teaching positions at New York University, Queens College, Cooper Union, and the Brooklyn Museum Art School, among others. Though he was familiar with the work of the abstract expressionists, Presser is known primarily for his figurative paintings featuring women, children, clowns, and horses, with the latter two subjects inspired by circuses he had traveled with in Europe. In 1940, Presser and Hart purchased studio space in Woodstock, New York where they exhibited as members of the Woodstock Artists Association. Presser's solo shows include exhibitions at Contemporary Arts Gallery, Associated American Artists Galleries, and the Vera Lazuk Gallery.

In 1965, Presser went on an extended trip abroad to Paris, and continued working until his death in 1967.

Agnes Hart (1912-1979) was born in Meridan, Connecticut and studied art at the Ringling Museum of Art in Sarasota, Florida and at Iowa State University. Hart was a prolific painter and printmaker of abstract forms and urban landscapes. In 1948 and 1949, she received fellowships as a guest painter at the Yaddo Foundation and exhibited her first solo show in New York City at the RoKo Gallery in 1948. She continued to exhibit regularly at New York City galleries into the 1970s, and also accepted several teaching positions, including a ten year tenure with the Art Students League of New York. She continued to paint and teach until her death in 1979.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel N69-1) including original clippings and exhibition announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The papers of Josef Presser were lent for microfilming by Agnes Hart in 1968. Excluding certain printed material, Hart later donated the bulk of these papers and additional Presser materials in 1977 and 1979. Hart donated her papers in 1978. Frances Hitchcock, Hart's sister, gave additional material in 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sketches
Postcards
Sketchbooks
Photographs
Citation:
Josef Presser and Agnes Hart papers, 1913-1980, bulk 1940-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.presjose
See more items in:
Josef Presser and Agnes Hart papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98563d5b1-b5d0-43ff-b465-95c8d2bab0d3
EDAN-URL:
ead_collection:sova-aaa-presjose
Online Media:

Oral history interview with Lawrence Kupferman

Interviewee:
Kupferman, Lawrence Edward, 1909-1982  Search this
Interviewer:
Swift, Geoffrey  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 Nov. 12
Scope and Contents:
An interview of Lawrence Kupferman conducted 1965 Nov. 12, by Geoffrey Swift, for the Archives of American Art.
Biographical / Historical:
Lawrence Kupferman (1909-1982) was a painter and printmaker from Newton Centre, Mass. Born in Boston. Studied at the Boston Museum of Fine Arts School.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 1 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston -- Interviews  Search this
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- Massachusetts -- Boston  Search this
Federal aid to the arts  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kupfer65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ddd2d26d-0fe1-4576-bde0-e1e69f20cadd
EDAN-URL:
ead_collection:sova-aaa-kupfer65
Online Media:

Oral history interview with Jason Berger

Interviewee:
Berger, Jason, 1924-2010  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Institute of Boston -- Faculty  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
Museum of Fine Arts, Boston. School -- Faculty  Search this
State University of New York at Buffalo -- Faculty  Search this
United States. Army  Search this
Benda, Clemens E. (Clemens Ernst), 1898-  Search this
Bengtz, Ture, 1907-1973  Search this
Bloom, Hyman, 1913-  Search this
Fiedler, Leslie A.  Search this
Levine, Jack, 1915-2010  Search this
Powers, Marilyn, 1925-1976  Search this
Swetzoff, Hyman Wulf, 1920-1968  Search this
Zadkine, Ossip  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
2 Items (Sound recording: 2 sound files (2 hr., 5 min.), digital, wav file)
47 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
France -- description and travel
Date:
1979 January 12-1980 February 1
Scope and Contents:
Interview of Jason Berger, conducted 1979 January 12 and 1980 February 1, by Robert F. Brown, for the Archives of American Art, Smithsonian Institution, in Brookline, Massachusetts.
Berger speaks of growing up in Massachusetts; serving in the Army during World War II; studying and teaching at the Museum School in Boston; marrying his wife, Marilyn Powers; studying sculpture in France; exhibiting at the Institute of Contemporary Art, Boston and other galleries; the art collective Direct Vision; being fired from the Museum School; and teaching at SUNY Buffalo and the Art Institute of Boston. Berger also recalls Karl Zerbe, Ture Bengtz, Hyman Bloom, Hyman Swetzoff, Jack Levine, Leslie Fiedler, Clemens Benda, Ossip Zadkine, and others.
Biographical / Historical:
Jason Berger (1924-2010) is a painter and printmaker from Brookline, Massachusetts.
General:
Originally recorded on 1 tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 5 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Massachusetts -- Boston -- Interviews  Search this
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Sculpture -- Study and teaching  Search this
World War, 1939-1945  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.berger79
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9652d0b09-4b9e-4cbe-a848-52ae40aea227
EDAN-URL:
ead_collection:sova-aaa-berger79
Online Media:

Richard E. Filipowski papers

Creator:
Filipowski, Richard, 1923-2008  Search this
Names:
Bauhaus  Search this
Boston Arts Festival  Search this
Harvard University -- Faculty  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Agoos, Herbert M., 1915-1992  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro, 1899-1994  Search this
Davis, Stuart, 1892-1964  Search this
Eckbo, Garrett  Search this
Gropius, Walter, 1883-1969  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Gyorgy, 1906-2001  Search this
Moholy-Nagy, László, 1895-1946  Search this
Extent:
4.1 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Date:
circa 1940-1998
Summary:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.
Scope and Contents:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.

Biographical material consists of a Bauhaus questionnaire, marriage license, various identification documents, Canadian selective service documents, resumes, and other miscellaneous material.

Correspondence mostly relates to Filipowski's teaching and sculpture, including letters from Herbert M. Agoos, Lawrence B. Anderson, Pietro Belluschi, Stuart Davis, Garrett Eckbo, Walter Gropius, Gyorgy Kepes, Laszlo Moholy-Nagy, and others.

Writings consist of Filipowski's lectures on art, notes, and other material. There is also one sound recording of a lecture.

Teaching files are mostly from the Institute of Design, Harvard University, and Massachusetts Institute of Technology. The series includes syllabi, faculty meeting minutes, notes and drafts for lectures, school catalogs and schedules, and files on student exhibitions and projects, including two films, Do Not Disturb and Hearts and Arrows.

Project files contain correspondence, business records, printed material, sketches and photographs on commissions in architecture, sculpture and furniture design. There are also files on programs which Filipowski assisted in planning and organizing, including the Boston Art Festival and a few exhibitions.

Printed material consists of exhibition catalogs, announcements, and clippings mostly about Filipowski.

Photographs, slides, and negatives are of Filipowski and others, sculpture, furniture designs, and works of art by his students from Harvard and MIT.

Art work includes sketches, sketchbooks, cardboard studies for sculptures, and Christmas card designs.
Arrangement:
This collection is arranged as eight series.

Series 1: Biographical Material, 1941-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1941-1998 (Box 1, OV 6; 0.6 linear feet)

Series 3: Writings, 1951-1969 (Box 1; 0.4 linear feet)

Series 4: Teaching Files, 1943-1970 (Box 2, OV 6; 0.7 linear feet)

Series 5: Project Files, 1944-1976 (Boxes 2-3, OV 6-7; 0.6 linear feet)

Series 6: Printed Material, 1941-1989 (Box 3, OV 7; 0.4 linear feet)

Series 7: Photographic Material, circa 1940-1989 (Boxes 3-4, OV 8; 0.7 linear feet)

Series 8: Artwork, circa 1940-circa 1985 (Boxes 4-5, OV 6, 8; 0.7 linear feet)
Biographical / Historical:
Richard E. Filipowski (1923-2008) was a designer, sculptor, painter, filmmaker and educator mostly based in Massachusetts. Richard Filipowski was born in Poland in 1923 and he and his family moved to Ontario, Canada in 1927. He studied under Laszlo Moholy-Nagy at the Institute of Design (formerly known as the New Bauhaus) from 1942 to 1946 and taught there after graduating, 1946-1950. Filipowski was invited by Walter Gropius to organize and teach Design Fundamentals at Harvard University's Graduate School of Design where he stayed until 1952. He then taught as an Associate Professor of Visual Design in the Department of Architecture at the Massachusetts Institute of Technology, 1953-1989.

Filipowski also took on numerous commissions for sculptures and artwork. One especially noteworthy commission was a sculpture for an Ark created for the Temple B'Rith Kodesh in Rochester, New York. The sculpture was intricately wrought and welded from bronze and silver alloys and it remained a source of inspiration for other later sculptures and commissions which had a similar style of metal-working. Many of his works were also marked by his Bauhaus training. Filipowski passed away in 2008.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Richard E. Filipowski conducted by Roger Brown on September 25, 1989 through March 14, 1990.
Provenance:
The papers were donated to the Archives of American Art by Richard E. Filipowski in multiple installments from 1989 to 1998.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art teachers -- Massachusetts  Search this
Design -- Study and teaching  Search this
Designers -- Massachusetts  Search this
Filmmakers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Industrial design  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Function:
Art commissions
Art festivals
Genre/Form:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Citation:
Richard E. Filipowski papers, circa 1940-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.filirich
See more items in:
Richard E. Filipowski papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw922b24e6d-1307-4fb9-b848-aff2ef2acc1b
EDAN-URL:
ead_collection:sova-aaa-filirich

Oral history interview with Lawrence Kupferman

Interviewee:
Kupferman, Lawrence Edward, 1909-1982  Search this
Interviewer:
Brown, Robert F.  Search this
Tyler, Joyce  Search this
Extent:
47 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 June 10
Scope and Contents:
An interview of Lawrence Kupferman conducted 1971 June 10, by Robert Brown and Joyce Tyler, for the Archives of American Art. Kupferman discusses his studies, his work, printmaking, cinema paintings, teaching, the Institute of Contemporary Art, the art scene in Boston, the painter and the public, his family, and other artists.
Biographical / Historical:
Lawrence Kupferman (1909-1982) was a painter and printmaker from Newton Centre, Mass. He was born in Boston and studied at the Boston Museum of Fine Arts School.
General:
Originally recorded on 2 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 7 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Massachusetts -- Boston -- Interviews  Search this
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kupfer71
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0c9abe-c7ff-440b-913d-801929784599
EDAN-URL:
ead_collection:sova-aaa-kupfer71
Online Media:

John Wilson papers

Creator:
Wilson, John, 1922-2015  Search this
Interviewer:
Trachtenberg, Alan  Search this
Extent:
5 Microfilm reels
1 Cassette (Sound recording, analog)
Type:
Collection descriptions
Archival materials
Microfilm reels
Cassettes
Drawings
Interviews
Scrapbooks
Sound recordings
Date:
circa 1939-1993
Scope and Contents:
This microfilm collection of the papers of African American painter, sculptor, illustrator, printmaker, and educator John Woodrow Wilson contains biographical material such as autobiographical notes, school records, personal documents, and a bibliography; personal and business correspondence, undated and 1938-1993; files on the New York City Board of Education, 1959-1965, regarding his teaching; and project files, including Wilson's submission for the competition for a Frederick Douglass statue, Eternal Presence, Father and Child Reading, and Wilson's monuments and bust of Martin Luther King, Jr. Correspondents represented include the Albany Institute of History and Art, Atlanta University, Carnegie Institute, Ebony, David Porter of the G Place Gallery, the Institute of Modern Art, Alain Locke, Gloria May, the Museum of Modern Art, Frederick G. Rice, and Hale Woodruff.

Also included in the collection are files on exhibitions; notebooks, 1958-1960; lesson plans, 1959, 1963; notes, writings, and lectures, circa 1945-1993; transcripts of interviews of Wilson and related correspondence, 1978-1987; legal material, 1978; financial records 1944-1991, including a notebook of sales and expenses 1945-1950; photographs, 1940-1990, of Wilson, his work, sculpture, and exhibition installations; a scrapbook, 1939-1967; artwork, including sketchbooks, 1970-1992, life studies completed as a student, 1939-1947, and miscellaneous art work, 1939-1992; and printed material, 1939-1993, including exhibition catalogs, illustrated books and book jackets, and ephemera. The collection also includes a copy of a sound recording of an interview of Wilson conducted by Alan Trachtenberg, circa 1979 (untranscribed).
Biographical / Historical:
John Woodrow Wilson (1922-2015) was an African American painter, sculptor, illustrator, printmaker, and educator in Boston, Massachusetts. Wilson studied at the School of the Museum of Fine Arts, Boston under Ture Bengtz and Karl Zerbe, graduating in 1945. He lived in Paris through the MFA fellowship and studied with modern artist Fernand Leger. He then attended Tufts University, graduating in 1947. Wilson received a John Hay Whitney fellowship and lived in Mexico for five years with his wife, Julie Kowtich. After his return from Mexico in 1956, Wilson made artwork for Chicago labor unions and taught in New York City before returning to teach at Boston University in 1964. During his career, Wilson won competitions to execute statues of Martin Luther King, Jr. for the city of Buffalo, New York and for the Capitol Rotunda in Washington, D.C.
Provenance:
Lent for microfilming 1993 by John W. Wilson, except for the 1979 sound recording which he lent for copying.
Restrictions:
Microfilm portion must be consulted on microfilm. Use of untranscribed interview requires an appointment.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American sculptors  Search this
Genre/Form:
Drawings
Interviews
Scrapbooks
Sound recordings
Identifier:
AAA.wilsjohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea018d94-6ec4-4d8f-9d56-9428d4c92e78
EDAN-URL:
ead_collection:sova-aaa-wilsjohn

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