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Motto shiritai Nagasawa Rosetsu shōgai to sakuhin Kaneko Nobuhisa cho

Title:
もっと知りたい長沢蘆雪 : 生涯と作品 / 金子信久著
Author:
Kaneko, Nobuhisa 1962-  Search this
Subject:
Nagasawa, Rosetsu  Search this
Physical description:
79 pages : color illustrations, map 26 cm
Type:
Books
Date:
2014
Edo period, 1600-1868
Topic:
Painting, Japanese  Search this
Edo-Zeit  Search this
Malerei  Search this
Painting, Japanese--Edo period  Search this
Call number:
ND1059.N128 K36 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1043031

Tachibana Sayume gashū Nihon no yōbi = Tachibana Sayume's artworks : Japanese bewitching beauty Katō Hiroaki, Katō Chizuru kanshū ; Nakamura Keiko hen

Title:
橘小夢画集 : 日本の妖美 = Tachibana Sayume's artworks : Japanese bewitching beauty / 加藤宏明, 加藤千鶴監修 ; 中村圭子編
Tachibana Sayume's artworks Japanese bewitching beauty
Artist:
Tachibana, Sayume 1892-1970  Search this
Editor:
Nakamura, Keiko 1956-  Search this
Subject:
Tachibana, Sayume 1892-1970  Search this
Tachibana, Sayume 1892-1970  Search this
Physical description:
143 pages illustrations (some color) 27 cm
Type:
Catalogs
Place:
Japan
Date:
2015
20th century
Topic:
Painting, Japanese  Search this
Prints, Japanese  Search this
Geisha  Search this
Malerei  Search this
Schönheit  Search this
Call number:
ND1059.T2184 A4 2015
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1043049

Nisei Goseda Hōryū sono shirarezaru gagyō : seitan 150-nen tokubetsuten Sashima Kyōdokan Myūzu henshū

Title:
二世五姓田芳柳 : その知られざる画業 : 生誕150年特別展 / さしま土館ミューズ編集
Goseda Hōryū
五姓田芳柳
Author:
Goseda, Hōryū II 1864-1943  Search this
Author:
Sashima Kyōdokan Myūzu  Search this
Subject:
Goseda, Hōryū II 1864-1943  Search this
Physical description:
183 pages color illustrations 30 cm
Type:
Exhibitions
Exhibition catalogs
Place:
Japan
Date:
2014
1868-
Topic:
Painting, Japanese  Search this
Malerei im westlichen Stil  Search this
Call number:
ND1059.G588 A4 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1043118

Oral history interview with Chuzo Tamotzu, 1964 September 3

Interviewee:
Tamotsu, Chūzō, 1888-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Eddy, Stuart  Search this
Force, Juliana  Search this
Knight, Frederic C.  Search this
Mandelman, Beatrice  Search this
Philipp, Robert  Search this
Ribak, Louis  Search this
Rush, Olive  Search this
An American Group (Organization)  Search this
Artists Equity Association  Search this
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Asian American artists -- Interviews  Search this
Painting, Japanese  Search this
Art, Oriental.  Search this
Arts, Japanese -- Western influences  Search this
Painting, Asian  Search this
Painters -- New Mexico -- Santa Fe -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11756
(DSI-AAA_SIRISBib)216578
AAA_collcode_tamots64
Theme:
Asian American
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216578

Oral history interview with Frank S. Okada

Interviewee:
Okada, Frank S. (Frank Sumio), 1931-2000  Search this
Interviewer:
Johns, Barbara  Search this
Names:
Cornish School of Allied Arts (Seattle, Wash.)  Search this
Cranbrook Academy of Art -- Students  Search this
University of Oregon -- Faculty  Search this
Bunce, Louis, 1907-1983  Search this
Charles, Ray, 1930-2004  Search this
Chin, Frank, 1940-  Search this
Davis, Sammy, 1925-  Search this
Derbyshire, Leon  Search this
Dusanne, Zoe, 1884-1977  Search this
Horiuchi, Paul, 1906-  Search this
Inada, Lawson Fusao  Search this
Ivey, William, 1919-1992  Search this
Jones, Quincy, 1933-  Search this
Kusama, Yayoi, 1929-  Search this
Martin, David Stone  Search this
Nomura, Kenjiro, 1896-1956  Search this
Okada, John  Search this
Peck, James Edward, 1907-  Search this
Shahn, Ben, 1898-1969  Search this
Tobey, Mark  Search this
Tsutakawa, George  Search this
Extent:
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 Aug. 16-17
Scope and Contents:
An interview of Frank Okada conducted 1990 Aug. 16-17, in Seattle, Wash., by Barbara Johns, for the Archives of American Art Northwest Asian American Project. Okada discusses his parents' background; his family including his brothers, John, author of "No-No Boy," and Charlie, a graphic designer; traveling to Japan for the Pacific Northwest Artists and Japan exhibition; being in an internment camp; painting in Eugene, Ore. and Seattle, Wash.; his painting techniques; studying under Leon Derbyshire; his connection with the jazz scene in Seattle in the late 1940s and 1950s including musicians Sammy Davis, Ray Charles, and Quincy Jones; attending Cornish School of Art, Seattle; meeting Mark Tobey; comparision of his painting style to Tobey's; his stint in the Army; attending Cranbrook Academy of Art and studying with painter Fred Mitchell; his Whitney fellowship in New York; study of Japanese, Chinese, and Zen paintings; working for Boeings in the early 1960s; traveling to France on a Guggenheim; teaching at University of Oregon in Eugene; his minimalist work; influence of Japanese art in his painting. Okada mentions Lawson Inada (Asian American poet), Frank Chin (Asian American playwright), artists David Stone Martin, James Edward Peck, Yayoi Kusama, George Tsutakawa, Paul Horiuchi, Ben Shahn, Kenjiro Nomura, Louis Bunce, Bill Ivey, and art gallery owner Zoe Dusanne.
Biographical / Historical:
Frank S. Okada (1931-2000) was a painter from Seattle, Wash. Taught at Univ. of Oregon from 1969-1999.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 38 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Asian American artists -- Interviews  Search this
Asian American art  Search this
Japanese American art  Search this
Art, Japanese American influences  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Painters -- Washington (State) -- Seattle -- Interviews  Search this
Painting, Japanese  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Painting, Zen  Search this
Painting, Chinese  Search this
Sculptors -- United States -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.okada90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-okada90

212 Playing koto and shamisen

Photographer:
Kusakabe, Kimbei, 1841-1934  Search this
Kusakabe, Kimbei, 1841-1934  Search this
Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Collection Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Collection Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Extent:
1 Item (photographic print : on mount 21 x 27.7 cm, hand coloring, image 20.3 x 26.4 cm.)
Culture:
Portraits  Search this
Type:
Archival materials
Photographs
Photographic prints
Place:
Asia
Japan
Date:
[1860 - ca. 1900]
Scope and Contents:
Two seated women dressed in kimonos play Japanese instruments. The woman on the right plucks the koto while the left strums the shamisen. A painted Japanese screen adorns the background.
Biographical / Historical:
Born to a family of textile merchants in Kofu, Yamanashi Prefecture, Kusakabe Kimbei moved to Yokohama in 1859. Although unclear, Kusakabe apprenticed under either Felice Beato and/or Raimond von Stillfried (Bennet, T. (1996) Early Japanese Images. Charles E. Tuttle Company: Rutland Vermont and Tokyo, Japan.) Kusakabe managed a studio in Yokohama, first at Bentendori until 1881, then later at Honcho. His photo studio was well received by many, including foreigners.
Local Numbers:
R214 (Rosin Number)

FSA A1999.35 214
General:
Title taken from print.
Photographer's original title and number are printed in lower right corner.
Collection Restrictions:
Collection is open for research.
Topic:
Photography -- Japan  Search this
Photography -- 19th century  Search this
Musical instruments  Search this
Koto  Search this
Musicians -- 19th century -- Japan  Search this
Shamisen  Search this
Screens -- Japan  Search this
Kimonos  Search this
Fashion -- Japan  Search this
Hairstyles -- Japan  Search this
Women -- Japan  Search this
Genre/Form:
Photographs
Photographic prints
Collection Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35, Item FSA A1999.35 214
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a1999-35-ref308

[untitled]

Collection Creator:
Sturtevant, William C.  Search this
Container:
Folder Oversize Artwork Folder 2, Drawer 3
Type:
Archival materials
Date:
undated
Scope and Contents note:
2 painted Japanese theater scenes? Accompanied by letter from Nell Byron. Very fragile, brittle. In need of conservation--edges torn and frayed, were folded many times over
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William C. Sturtevant papers
William C. Sturtevant papers / Series 11: Artwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2008-24-ref14454

Benjamin March Papers

Creator:
March, Benjamin, 1899-1934  Search this
Names:
March, Benjamin, 1899-1934  Search this
Rowe, Dorothy, 1898-  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Lecture notes
Letters
Place:
China
Japan
China -- Description and Travel
Michigan
Date:
1923-1934
Summary:
Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.
Scope and Content Note:
The Benjamin March Papers span the years 1923 to 1934 and measure 15 linear feet. The collection includes: biographical data included in passports, obituaries, and fifty-seven condolence letters; lecture and course outlines; research notes; four diaries; one scrapbook; four illustrations including sketches for the March bookplate; fourteen photograph albums; printed matter; and 100 personal and artistic photographs.
Arrangement note:
The collection is divided into the following series:

Series 1: Biographical Information, 1927-1935

Series 2: Diaries, 1925-1934

Series 3: Writings and Research Materials, 1927-1934, undated

— Subseries 3.1: Lecture Materials

— Subseries 3.2: Research

— Subseries 3.3: Printed Matter

Series 4: Scrapbooks, 1924-1934

Series 5: Graphic Materials, 1925, 1933, undated

— Subseries 5.1: Illustrations

— Subseries 5.2: Photo Albums

— Subseries 5.3: Photographs
Biographical Information:
Biographical Sketch

1899 -- Born, Chicago, IL. Son of Benjamin Franklin and Isabel (née McNeal)

[1917?] -- Attended Lewis Institute and the YMCA College before transferring to the University of Chicago

1918-1919 -- Military service, Sergeant, Field Remount Squadron, No. 305, Army Service Corps

1922 -- Graduated from the University of Chicago (Ph.B)

1922-1923 -- Attended the Union Theological Seminary, New York, NY

1923-1925 -- Teacher of English, Latin, and Bible Studies at Hopei University; the Second Normal School; and the YMCA in Paotingfu, China

1925 June 25 -- Married Dorothy Rowe in Nanking, China

1925-1927 -- English instructor; Librarian; and Lecturer in Chinese Art, Yenching University Peiping, China

1927, summer -- Lecturer on Chinese art Columbia University

1927-1931 -- Curator of Asiatic Art Detroit Institute of Arts

1928 -- Honorary Curator of Oriental Aesthetic Art at the Museum of Anthropology, University of Michigan, Ann Arbor

1928 -- Appointed honorary curator at the Museum of Anthropology, University of Michigan, Ann Arbor

[1929?] -- Daughter (Judith) born

1929 -- China and Japan in Our Museums, published by the American Council, Institute of Pacific Relations

1931 -- Spent six months in China under a special grant from the American Council of Learned Societies to study 13th century painter, Ch'ien Hsuan

1932 -- Curator, Museum of Anthropology, University of Michigan, Ann Arbor

1932 -- Appointed honorary curator at the Detroit Institute of Arts

1933 -- Awarded a Freer Fellowship

1934 -- Standards of Pottery Description, published by the University of Michigan Press

1934, summer -- Organized, directed, and lectured at a summer session of the Institute of Asiatic Studies at the University of California, Berkeley

1934 December -- Died at home in Ann Arbor, Michigan after a five-week illness (heart ailment)

Far Eastern art writer, curator, and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.

After high school, March attended the Lewis Institute and the YMCA College before transferring to the University of Chicago from which he graduated in 1922 (Ph.B). With thoughts of becoming a Methodist minister, March enrolled at the Union Theological Seminary in New York City. At the same time, March enrolled in art classes at the Metropolitan Museum. After one year at the seminary, March was presented with and accepted the opportunity to work in China. From 1923 to 1927, March resided in China where he taught and lectured at colleges. Initially, March taught English, Latin, and Bible Studies at Hopei University, the Second Normal School, and the YMCA. From 1925 to 1927, he worked at Yenching University in Peiping (now Peking) as an instructor in English, a librarian, and lecturer in Chinese art.

While in China, March met Dorothy Rowe, the daughter of a Methodist missionary stationed in Nanking. On June 25, 1925 the two were married. Ms. Rowe, whom March sometimes called Doré, had lived in China since infancy. The author of the children's story, "The Begging Dear," Rowe wrote children's stories with Chinese settings.

During the summer of 1927, the March's moved to the United States when Columbia University offered March an appointment as lecturer of Chinese Art. Later that year March was appointed curator of Asiatic art at the Detroit Institute of Arts. He remained at the Detroit Institute of Arts in this capacity until 1931. In 1928, March was appointed Honorary Curator of Oriental Aesthetic Art by the University of Michigan's Museum of Anthropology. The next year, Dorothy March gave birth to the couple's only child, Judith.

During this period March published extensively, including two publications, China and Japan in Our Museums, in 1929 and, Standards of Pottery Description, in 1934. In the latter, March developed a new technique for the scientific study of the materials and methods of manufacture of ancient Chinese pottery. ( Ann Arbor Daily News. -- "Death Takes Noted Curator". -- December 14, 1934)

In 1931, March received a grant from the American Council of Learned Societies. This grant allowed March the opportunity to travel to China and Europe to study the 13th century painter, Ch'ien Hsuan. In 1932, March was named a curator at the Museum of Anthropology at the University of Michigan. The following year he was named a Freer Fellow. The summer of 1934 found March in Berkeley, California, organizing and directing the Institute of Asiatic Studies at the University of California. During the fall of 1934, March fell ill with a heart ailment. He was ill for five weeks before he died, at the age of 35, in December of 1934. At the time of his death, Benjamin March was survived by his wife Dorothy and their daughter, Judith.
Related Collections:
The Detroit Institute of Arts maintains administrative correspondence and files generated by Benjamin March during his tenure as curator.

The Bentley Historical Library at the University of Michigan houses the Benjamin Franklin March drawings collection, This is a collection of drawings by March for his daughter; includes illustrated poems of Pentwater Beach, Michigan.
Provenance:
Judith March Davis, the daughter of Benjamin March, donated her father's papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1995.
Benjamin March's daughter, Judith March Davis, donated her father's papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1995.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Topic:
Art, Japanese  Search this
Art, Chinese  Search this
Architecture -- China  Search this
Architecture, Japanese  Search this
Painting, Chinese  Search this
Art, Korean  Search this
Art, Asian  Search this
Painting, Japanese  Search this
Art, Asian -- Research  Search this
Chinese language -- Terms and phrases  Search this
Art -- Terminology  Search this
Genre/Form:
Photographs
Scrapbooks
Lecture notes
Letters
Citation:
Benjamin March Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995
Identifier:
FSA.A1995.10
See more items in:
Benjamin March Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1995-10
Online Media:

Official Duties, Visit to Pacific Stars and Stripes

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 10, Folder 1
Type:
Archival materials
Date:
March 6, 1955
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.13: Far East Air Force (FEAF) Headquarters (Tokyo, Japan), Director of Operations and Training
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1900
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Romyn Hitchcock photographs of Ainu people, Japan, and Korea

Creator:
Hitchcock, Romyn, 1851-1923  Search this
Extent:
200 Prints (circa 200 prints: albumen, cyanotype, silver gelatin, halftone)
Culture:
Koreans  Search this
Japanese  Search this
Ainu  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Cyanotypes
Place:
Japan
Korea
Date:
circa 1885-1895
Scope and Contents note:
Photographs documenting Ainu people and villages and Japanese boats, paintings, artifacts, structures, burial mound, tombs, and scenery. They also include some images of people and a village in Korea. Many of the mounted prints have been annotated for publication, some for the 1890 Annual Report of the National Museum.
Biographical/Historical note:
Romyn Hitchcock (1851-1923), was a Smithsonian curator, scientist and author with degrees in chemistry from Cornell University and Columbia University. He spent four years curating for the Smithsonian's National Museum. In 1887, Hitchcock was put in charge of photographic work for the United States Eclipse Expedition to Japan and appointed professor of English at the Koto Chu Gakko, the Japanese government school in Osaka. His studies in Japan led to a number of articles in the Smithsonian Annual Reports in 1890 and 1891. In the early 1890s, he became a commissioner to China for the World Columbian Exposition and later served as an official of the exposition.
Local Call Number(s):
NAA Photo Lot 77-38
Location of Other Archival Materials:
R.M. Bartleman photographs of Venezuela, previously filed in 77-38, have been relocated to National Anthropological Archives Photo Lot 156.
Photographs in the Hitchcock Collection, previously filed in Photo Lot 97 and Photo Lot 8, have been relocated and merged with Photo Lot 77-38. These photographs were also made by Romyn Hitchcock and form part of this collection.
Hitchcock donated artifacts from Japan, China, and Sri Lanka to the Department of Anthropology, Smithsonian Institution, in accessions 022393, 022392, 055059, 021640, 021675, 022518, 021963, 022633, 025499, 014786, 021689, and 023462.
The Division of Rare and Manuscript Collections at Cornell University Library holds Romyn Hitchcock's papers.
See others in:
Romyn Hitchcock photographs of Ainu people, Japan, and Korea, circa 1885-1895
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Mounds -- Japan  Search this
Painting, Japanese  Search this
Boats and boating  Search this
Villages  Search this
Genre/Form:
Photographs
Cyanotypes
Citation:
Photo lot 77-38, Romyn Hitchcock photographs of Ainu people, Japan, and Korea, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.77-38
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-77-38

Nihonga ni miru sakura Yokoyama Taikan kara Nakajima Chinami made = Picture in Japanese style of cherry blossoms kanshū Shimada Yasuhiro (Bijutsu Hyōronka, Kōbe Shiritsu Koiso Bijutsu Kanchō)

Title:
日本画にみるさくら : 横山大観から中島千波まで = Picture in Japanese style of cherry blossoms / 監修島田康寬 (美術評論家・神戶市立小磯美術館長)
Sakura
さくら
Picture in Japanese style of cherry blossoms
Author:
Shimada, Yasuhiro 1945-  Search this
Bijutsukan "Eki" KYOTO  Search this
Mizuno Bijutsukan  Search this
Physical description:
123 pages color illustrations 30 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2014
20th century
Topic:
Japanese flowering cherry in art  Search this
Painting, Japanese  Search this
Nihonga-Gashū  Search this
Hana(Bijutsujō)  Search this
Sakura  Search this
Call number:
ND1403.J3 N5 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1030298

Kyōgen'e saishiki yamatoe Kokubungaku Kenkyū Shiryōkan hen

Title:
狂言絵 : 彩色やまと絵 / 国文学研究資料館編
Saishiki yamatoe
彩色やまと絵
Editor:
Kokubungaku Kenkyū Shiryōkan  Search this
Physical description:
139 pages color illustrations 22 x 31 cm
Type:
Pictorial works
Catalogs
Date:
2014
Edo period, 1600-1868
Topic:
Kyōgen  Search this
Painting, Japanese  Search this
Theater in art  Search this
Yamatoe  Search this
Painting, Japanese--Edo period  Search this
Call number:
PN2924.5.K9 K83 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1034851

Tenchi saiei Kimura Keigo, nihonga no uchū = The Evolving Spectrum of the Universe chosha Kimura Keigo, Shinohara Hiroshi

Title:
天地彩映 : 木村圭吾 · 日本画の宇宙 = The Evolving spectrum of the universe / 著者 木村圭吾・篠原弘
Kimura Keigo, nihonga no uchū
木村圭吾 · 日本画の宇宙
Evolving spectrum of the universe
Author:
Kimura, Keigo 1944-  Search this
Author:
Shinohara Hiroshi  Search this
Subject:
Kimura, Keigo 1944-  Search this
Physical description:
103 pages color illustrations 28 cm
Type:
Books
Catalogs
Date:
2014
20th century
Topic:
Painting, Japanese  Search this
Call number:
ND1059.K46 A4 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1034854

Edo no jūnishi + [alpha] dōbutsuen omoshiro Edo āto gyararī Yasumura Toshinobu cho

Title:
江戶の十二支 + [alpha] どうぶつえん : 面白江戶アートギャラリー / 安村敏信著
Edo no jūnishi dōbutsuen
江戶の十二支どうぶつえん
Edo no 12-shi dōbutsuen
Author:
Yasumura, Toshinobu  Search this
Physical description:
111 pages color illustrations 26 cm
Type:
Catalogs
Date:
2014
Edo period, 1600-1868
Topic:
Animals in art  Search this
Painting, Japanese  Search this
Painting, Japanese--Edo period  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1035128

Nijōjō gyōkōzu byōbu no sekai tennō to shōgun : kareinaru parēdo = Folding screen paintings of the Imperial visit in the Kan'ei era Sen'oku Hakukokan hen

Title:
二条城行幸図摒風の世界 : 天皇と将軍 : 華麗なるパレード = Folding screen paintings of the Imperial visit in the Kan'ei era / 泉屋博古館編
Folding screen paintings of the Imperial visit in the Kan'ei era
Editor:
Sen'oku Hakukokan  Search this
Physical description:
79 pages color illustrations 25 cm
Type:
Books
In art
Pictorial works
Art
History
Place:
Japan
Kyoto (Japan)
Kyoto
Date:
2014
Edo period, 1600-1868
Tokugawa period, 1600-1868
17th century
Topic:
Screen painting, Japanese  Search this
Yamatoe  Search this
Manners and customs  Search this
Screen painting, Japanese--Edo period  Search this
Byōbue  Search this
Gyōkō gyōkei  Search this
Nihon-Rekishi-Edo jidai  Search this
History  Search this
Social life and customs  Search this
Call number:
ND1053.6.N5 N55 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1035201

Rakuchū rakugaizu no sekai Muromachi jidai no Kyōto o miru Inoue Tomoaki

Title:
洛中洛外図の世界 : 室町時代の京都を見る / 井上知明
Author:
Inoue, Tomoaki 1948-  Search this
Physical description:
104 pages color illustrations 21 cm
Type:
Books
Pictorial works
Place:
Kyoto (Japan)
Japan
Kyoto
Date:
2014
Kamakura-Momoyama periods, 1185-1600
Topic:
Narrative painting, Japanese  Search this
Screen painting, Japanese  Search this
Manners and customs  Search this
Narrative painting, Japanese--Kamakura-Momoyama periods  Search this
Screen painting, Japanese--Kamakura-Momoyama periods  Search this
Rakuchū rakugaizu  Search this
Kyōtoshi-Rekishi  Search this
Social life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1035206

Kyōto no sunamochi furyū emaki Musashi Daigaku Toshokan zō emaki Fukuhara Toshio

Title:
京都の砂持風流絵卷 : 武蔵大学図書館蔵絵卷 / 福原敏男
Sunamochi furyū emaki
砂持風流絵卷
Author:
Fukuhara, Toshio  Search this
Author:
Musashi Daigaku Toshokan  Search this
Subject:
Musashi Daigaku Toshokan Art collections  Search this
Physical description:
127 pages illustrations (some color) 21 x 30 cm
Type:
In art
Pictorial works
Art
History
Place:
Japan
Kyoto (Prefecture)
Kyoto (Japan : Prefecture)
Date:
2014
19th century
Edo period, 1600-1868
Topic:
Construction industry  Search this
Construction industry--History  Search this
Festivals in art  Search this
Festivals  Search this
Narrative painting--History  Search this
Painting, Japanese--History  Search this
Scrolls, Japanese  Search this
Art museums  Search this
Manners and customs  Search this
Narrative painting  Search this
Painting, Japanese  Search this
Matsuri-Kyōtoshi  Search this
Kensetsu zairyō  Search this
Jari  Search this
Emakimono  Search this
Social life and customs  Search this
History  Search this
Call number:
ND1053.5 .F825 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1029190

Sanjō Sanetomi to Iwakura Tomomi Meiji Tennō o sasaeta futari : ichidai emaki ga monogataru Bakumatsu Ishin = Sanjo Sanetomi and Iwakura Tomomi : the two people who supported Emperor Meiji : an account of the late Edo period to the Meiji Restoration in biographical picture scrolls

Title:
三条実美と岩倉具視 : 明治天皇を支えた二人 : 一代絵卷が語る幕末維新 = Sanjo Sanetomi and Iwakura Tomomi : the two people who supported Emperor Meiji : an account of the late Edo period to the Meiji Restoration in biographical picture scrolls
Sanjo Sanetomi and Iwakura Tomomi : the two people who supported Emperor Meiji
Author:
Tanaka, Yūbi 1839-1933 Iwakura Kō gaden sōkō emaki  Search this
Tanaka, Yūbi 1839-1933 Sanjō Sanetomi Kō jiseki emaki  Search this
Sannomaru Shōzōkan  Search this
Subject:
Sanjō, Sanetomi 1837-1892  Search this
Iwakura, Tomomi 1825-1883  Search this
Tanaka, Yūbi 1839-1933  Search this
Sanjō, Sanetomi 1837-1892  Search this
Tanaka, Yūbi 1839-1933 Iwakura Kō gaden sōkō emaki  Search this
Iwakura, Tomomi 1825-1883  Search this
Tanaka, Yūbi 1839-1933 Sanjō Sanetomi Kō jiseki emaki  Search this
Sannomaru Shōzōkan  Search this
Sannomaru Shōzōkan  Search this
Physical description:
100, iii pages color illustrations 29 cm
Type:
Exhibitions
PIctorial works
Biography
Exhibition catalogs
Place:
Japan
Tokyo
Date:
2014
Meiji period, 1868-1912
1868-1912
Topic:
Painting  Search this
Painting, Japanese  Search this
Scrolls  Search this
Scrolls, Japanese  Search this
Painting, Japanese--Meiji period  Search this
Politics and government  Search this
Call number:
DS881.5.S37 S36 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1028408

Kinsei yamatoe saikō Nichi, Ei, Bei sorezore no shiten kara = Reconsidering early modern Yamato-e : perspectives from Japan, the UK, and the USA Shimohara Miho hencho

Title:
近世やまと絵再考 : 日・英・米それぞれの視点から = Reconsidering early modern Yamato-e : perspectives from Japan, the UK, and the USA / 下原美保編著
Reconsidering early modern Yamato-e perspectives from Japan, the UK, and the USA
Author:
Akiko Princess, daughter of Tomohito, Prince of Mikasa 1981-  Search this
Editor:
Shimohara, Miho 1965-  Search this
Physical description:
366 pages, viii pages of plates illustrations (some color) 22 cm
Type:
Books
Date:
2013
Edo period, 1600-1868
Topic:
Painting, Japanese  Search this
Yamatoe  Search this
Painting, Japanese--Edo period  Search this
Yamatoe-Rekishi  Search this
Call number:
ND1053.6.Y34 K56 2013
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1017486

Oral history interview with Frank S. Okada, 1990 Aug. 16-17

Interviewee:
Okada, Frank S. (Frank Sumio), 1931-2000  Search this
Interviewer:
Johns, Barbara  Search this
Subject:
Bunce, Louis  Search this
Charles, Ray  Search this
Chin, Frank  Search this
Davis, Sammy  Search this
Derbyshire, Leon  Search this
Dusanne, Zoe  Search this
Horiuchi, Paul  Search this
Inada, Lawson Fusao  Search this
Ivey, William  Search this
Jones, Quincy  Search this
Kusama, Yayoi  Search this
Martin, David Stone  Search this
Nomura, Kenjiro  Search this
Okada, John  Search this
Peck, James Edward  Search this
Shahn, Ben  Search this
Tobey, Mark  Search this
Tsutakawa, George  Search this
Cornish School of Allied Arts (Seattle, Wash.)  Search this
University of Oregon  Search this
Cranbrook Academy of Art  Search this
Type:
Sound recordings
Interviews
Topic:
Asian American artists -- Interviews  Search this
Asian American art  Search this
Japanese American art  Search this
Art, Japanese American influences  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Painters -- Washington (State) -- Seattle -- Interviews  Search this
Painting, Japanese  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Painting, Zen  Search this
Painting, Chinese  Search this
Sculptors -- United States -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11693
(DSI-AAA_SIRISBib)216548
AAA_collcode_okada90
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216548
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