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Sol Wilson papers, 1919-1975

Creator:
Wilson, Sol, 1896-1974  Search this
Subject:
Hopper, Edward  Search this
Bouché, Louis  Search this
Burliuk, David  Search this
Evergood, Philip  Search this
Babcock Galleries  Search this
Citation:
Sol Wilson papers, 1919-1975. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9380
(DSI-AAA_SIRISBib)211577
AAA_collcode_wilssol
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211577

Seeing differently the Phillips collects for a new century edited by Elsa Smithgall ; contributions by heather ahtone, Taylor Renee Aldridge, Dominique Baqué, Mary Jane Jacob, Dorothy M. Kosinski [and forty-three others]

Editor:
Smithgall, Elsa  Search this
Contributor:
Ahtone, Heather  Search this
Aldridge, Taylor Renee  Search this
Baqué, Dominique  Search this
Jacob, Mary Jane  Search this
Kosinski, Dorothy M  Search this
Owner:
Phillips Collection  Search this
Physical description:
359 pages illustrations (chiefly color), portraits (chiefly color) 29 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Place:
Washington (D.C.)
Date:
2021
20th century
21st century
19th century
20e siècle
21e siècle
19e siècle
Topic:
Art, Modern  Search this
Art  Search this
Art, American  Search this
Painting, American  Search this
Art américain  Search this
Peinture américaine  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1154348

California painting: 40 painters, selected by Samuel Heavenrich [director of the exhibition] and Grace L. McCann Morley, with statements by the artists. The Municipal Art Center, Long Beach, in collaboration with the San Francisco Museum of Art

Title:
40 painters
Forty painters
Author:
Heavenrich, Samuel  Search this
Morley, Grace 1900-1985  Search this
Long Beach Museum of Art  Search this
Physical description:
1 v. (unpaged) illus. 26 cm
Type:
Exhibitions
Place:
California
Date:
1956
1956?]
20th century
Topic:
Painting, American  Search this
Painters  Search this
Call number:
ND230.C2 L84
ND230.C2L84
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_145929

Homer at the beach a marine painter's journey, 1869-1880 William R. Cross ; prelude by John Wilmerding

Author:
Cross, William R. 1959-  Search this
Wilmerding, John  Search this
Author:
Homer, Winslow 1836-1910  Search this
Publisher:
Cape Ann Museum  Search this
Physical description:
xi, 199 pages illustrations (chiefly color), maps 26 x 30 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Date:
2019
Topic:
Marine painting, American  Search this
Marines (Peinture) américaines  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158306

Mexican American Gothic

Artist:
George Rodriguez, born El Paso, TX 1982  Search this
Medium:
stoneware with glaze and underglaze
Dimensions:
dimensions variable
Type:
Decorative Arts-Ceramic
Crafts
Date:
2019
Topic:
Figure group  Search this
Object\tool\broom  Search this
Latino  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Alison and Glen Milliman, Cynthia Sears, and Michael J. Stein
Copyright:
© 2019, George Rodriguez. Photograph by Spike Mafford, courtesy of Foster/White Gallery, Seattle.
Object number:
2022.23A-B
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Renwick Gallery, 2nd Floor, Room 202
Renwick Gallery, 2nd Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7d6fc6590-9bdd-4e1a-aef6-bebd1bcb58b9
EDAN-URL:
edanmdm:saam_2022.23A-B

William Cullen Bryant and the Hudson River school of landscape painting, May 19-July 19, 1981 : [catalog of exhibition]

Author:
Nassau County Museum of Fine Art (N.Y.)  Search this
Subject:
Bryant, William Cullen 1794-1878  Search this
Physical description:
61 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Date:
1981
[c1981]
19th century
Topic:
Hudson River school of landscape painting  Search this
Landscape painting, American  Search this
Call number:
ND1351.5 .W54X
ND1351.5.W54X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_145008

Exposiçõe "aspectos mais representativos da pintura americana" : dos serviços culturais da Embaixada dos Estados Unidos da América : Sala de Exposiçoes da Sociedade Nacional de Belas Artes

Author:
Sociedade Nacional de Belas Artes (Portugal)  Search this
United States Embassy (Portugal) Cultural Service  Search this
Type:
Exhibitions
Place:
United States
Date:
1955
Topic:
Painting, American  Search this
Painting  Search this
Call number:
ND205 .E964 1955
ND205.E964 1955
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_396202

William Kienbusch papers

Creator:
Kienbusch, William, 1914-1980  Search this
Names:
Clifford, Stanley  Search this
Davis, Stuart, 1892-1964  Search this
Kraushaar, Antoinette M., 1902-1992  Search this
Maitland, Walter McClymonds, 1912-1989  Search this
Poor, Henry Varnum, 1887-1970  Search this
Rattner, Abraham  Search this
Schrag, Karl  Search this
Tam, Reuben  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Drafts (documents)
Visitors' books
Sketchbooks
Notes
Notebooks
Date:
1915-2001
bulk 1936-1980
Summary:
The papers of landscape painter and art instructor William Kienbusch measure 5.0 linear feet and date from 1915 to 2001, with the bulk of the materials dating from 1936 to 1980. The collection documents Kienbusch's life as an artist in New York City and Cranberry Island, Maine. Files include biographical material; correspondence with family, friends, and colleagues; writings and notes; scattered printed material; photographs; and artwork, including 17 sketchbooks.
Scope and Content Note:
The papers of landscape painter and art instructor William Kienbusch measure 5.0 linear feet and date from 1915 to 2001, with the bulk of the materials dating from 1936 to 1980. The collection documents Kienbusch's life as an artist in New York City and Cranberry Island, Maine. Files include biographical material; correspondence with family, friends, and colleagues; writings and notes; scattered printed material; photographs; and artwork, including 17 sketchbooks.

Biographical materials include military records, identification and membership documents, guestbooks, and an album entitled "Book of Friendship" containing short notes written by friends for Kienbusch on the occasion of his 60th Birthday. Also of note is copy of the "In Memoriam" written for Kienbusch by Karl Schrag.

The bulk of the papers consist of family and general correspondence. Family correspondence includes letters from Kienbusch to his parents regarding school, summer camps, travel, and the army. General correspondence includes many letters he sent to his close friend, Stanley Clifford, as well as letters from friends and associates, such as Stuart Davis, Antionette Kraushaar, Walter Maitland, Henry Varnum Poor, Abraham Rattner, Karl Schrag, Reuben Tam, and others.

Writings and notes include scattered notes, lists, and draft writings, as well as three notebooks, including one on casein technique. Printed material includes several armed forces publications and maps from World War II, clippings, and press releases. Photographs are of William Kienbusch, including two snapshots of Kienbusch with friends Dorothy Andrews and Reuben Tam. Also found are numerous travel and nature photographs. Artwork includes drawings created by Kienbusch while on his military tour in Guam and seventeen sketchbooks containting drawings in pencil, ink, and pastel.
Arrangement:
The collection is arranged as 6 series:

Missing Title

Series 1: Biographical Material, 1915-1980 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1920-2001 (Box 1-3; 2.3 linear feet)

Series 3: Writings and Notes, circa 1940s-1970s (Box 3; 0.2 linear feet)

Series 4: Printed Material, circa 1937-1980 (Box 3; 0.2 linear feet)

Series 5: Photographs, circa 1920-1980s (Box 3-5; 1.3 linear feet)

Series 6: Artwork, circa 1930s-1970s (Box 5; 0.8 linear feet)
Biographical Note:
William Kienbusch (1914-1980) was a painter and art instructor in New York, NY, and Cranberry Island, Maine.

Kienbusch was born in New York City and attended boarding school at Hotchkiss Preparatory school, where he was taught painting by Robert Osborn. During the summers of 1934 and 1935, while attending Princeton University, he studied watercolor with Eliot O'Hara at Goose Rocks Beach, Maine. After graduating from Princeton in 1936, he attended the Art Students League, studied with Henry Varnum Poor at the Colorado Springs Fine Arts Center, and spent a year in Paris, studying at the Academie Colarossi. During this time he also had the opportunity to travel throughout Europe before the outbreak of World War II. He returned to New York City in the winter of 1938 and settled in Greenwich Village, at one point living above artist Stuart Davis.

Kienbusch spent the summers of 1940 and 1941 in Stonington, Maine. Here he found his true identity as an abstract expressionist landscape painter. During World War II he served in the Army, teaching camouflage design and making maps in Guam. When he returned to New York in 1946, he began painting in casein rather than oils or watercolor. In 1947 he joined Kraushaar Galleries, which would continue to be his dealer for the remainder of his career. From 1948 to 1969 he taught at the Brooklyn Museum of Art School and spent summers in Maine. Kienbusch lost much of his artwork and personal papers in a 1969 fire at his New York studio apartment. His work is included in the collections of the Museum of Modern Art, Whitney Museum of American Art, and the Metropolitan Museum of Art among many others. After several years of poor health, Kienbusch died in 1980.
Related Material:
Also found in the Archives of American Art is the Walter Maitland correspondence with and about William Kienbusch, 1969-1981; the William Kienbusch letters to Francis and Sydney Hamabe, 1958-1977; the Thomas Barrett and Leni Mancuso papers relating to William Kienbusch, 1950-1980; and an oral history interview with William Kienbusch conducted by Forrest Selvig, November 1-7, 1968.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reel N70-22) including a scrapbook of clippings, exhibition catalogs, photographs of Kienbusch, letters, writings, and two journals describing his travels in Europe and Asia. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
William Kienbusch lent materials for microfilming in 1970. Other papers were donated by his sisters, Millicent Kelly and Juliana Little, and his friend Stanley Clifford as co-executives of the Kienbusch estate from 1985-1991. Stanley Clifford donated additional materials in 2008 and 2010.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Landscape painters -- New York (State) -- New York  Search this
Painting, Abstract -- United States  Search this
Painting, American  Search this
World War, 1939-1945  Search this
Painting -- Technique  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Drawings
Drafts (documents)
Visitors' books
Sketchbooks
Notes
Notebooks
Citation:
William Kienbusch papers, 1915-2001, bulk 1936-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kienwill
See more items in:
William Kienbusch papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ba7980f-7579-4077-833b-4d352662490e
EDAN-URL:
ead_collection:sova-aaa-kienwill

Frank Harmon Myers papers, 1891-1976, bulk 1908-1960

Creator:
Myers, Frank Harmon, 1899-1956  Search this
Subject:
Bunker, John  Search this
Myers, Ella Price  Search this
Citation:
Frank Harmon Myers papers, 1891-1976, bulk 1908-1960. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Impressionism (Art) -- United States  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8044
(DSI-AAA_SIRISBib)210215
AAA_collcode_myerfran
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210215

Frank Harmon Myers papers

Creator:
Myers, Frank Harmon, 1899-1956  Search this
Names:
Bunker, John  Search this
Myers, Ella Price  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1891-1976
bulk 1908-1960
Summary:
The papers of painter Frank Harmon Myers measure 2.2 linear feet and date from 1891 to 1976, with the bulk of the records dating from 1908 to 1963. The records shed light on the artist's career in Ohio and California through biographical materials, personal and professional correspondence, artwork, printed materials, and photographic materials.
Scope and Contents:
The papers of painter Frank Harmon Myers measure 2.2 linear feet and date from 1891 to 1976, with the bulk of the records dating from 1908 to 1963. The records shed light on the artist's career in Ohio and California through biographical materials, personal and professional correspondence, artwork, printed materials, and photographic materials.

Biographical materials include Myers' resume, letters that confirm some of the courses he studied and taught, one membership list and meeting minutes of the Carmel Art Association, notes from a Myers art lecture on Sante Fe, one sales ledger, and drafts and notes of "And The Glory," a biography on Myers written by his wife, Ella Price Myers. Correspondence is a mixture of personal and professional letters, shedding light on Myers' freidnships, personal and professional relationship with his wife, and his travels. Correspondents include artists Sheldon Dixie and Albert Berne, poet and advertiser John Bunker, Myers' nephew Sheldon, and his son Frank. The series also includes a map that of the United States on which Myers traced his sketching trips, 1926 to 1950, a cartoon by Herman Wessel, and clippings related to John Weis. Printed materials include newspaper and magazine clippings concerning Myers' artwork, career, and exhibitions, a series of advertisements illustrated by Myers, two lithographs of his artwork, and some exhibition ephemera. Artwork consists of childhood drawings by Myers of Native Americans, holiday themes, and portraits; later sketches, mostly in charcoal and pencil, include figure and portrait studies, city scenes, and several still lifes; one 1916 landscape painting by Myers, cloth with a linoleum block design, paint samples from Myers' studio, and small sketches and doodles drawn on scraps of paper. Photographic materials depict Myers' artwork, portraits of the artist, his family and friends, and his home in Pacific Grove.

A fair amount of the collection's files include notes with contextual information written by Ella Price Myers.
Arrangement:
The collection is arranged as five series.

Series 1: Biographical Materials, 1891-1976 (Box 1; .2 linear feet)

Series 2: Correspondence, 1921-1973 (Box 1-2; 1 linear feet)

Series 3: Printed Materials, 1924-1963 (Box 2, OV 3; .5 linear feet)

Series 4: Artwork, circa 1908-1956 (Box 2, OV 4; .6 linear feet)

Series 5: Photographical Materials, 1910-1962 (Box 2; 4 folders)
Biographical / Historical:
Frank Harmon Myers (1899-1956) was an impressionist painter and art educator who lived in Cincinnati, Ohio, and Pacific Grove, California. Myers was born in Cleves, Ohio, and moved to Cincinnati around 1907. His interest in art took off prior to his teenage years, illustrating a series of body-length portraits of Native Americans, several landscapes, and art with holiday themes. Myers studied at the Art Academy of Cincinnati under Frank Duveneck, H. H. Wessel, and John Ellsworth Weiss; took a summer course at the Pennsylvania Academy of Fine Arts under Daniel Garber, Hugh Henry Breckenridge, and Joseph Thurman Pearson Jr.; and the School of Fine Arts at Fontainebleau, France, under Jean Despujols and Gourguet. Myers began showing his art at the Closson Galleries circa 1920 and taught at the Art Academy of Cincinnati from 1921 to circa 1941. In 1932, Myers spent a year on sabbatical in Sante Fe, New Mexico, painting animals, people, ranches and farms, villages, and landscapes. He and his wife, Ella Price Myers, moved to Pacific Grove, California, in 1940 so that Myers could pursue painting full-time. His work was frequently exhibited at the Carmel Art Association from this point onwards, with additional solo shows at Pebble Beach Galleries, San Jose State College, M. H. De Young Museum, Crocker Art Gallery, and others. Myers paintings were featured in group exhibitions at The Salon, Paris, Harlow Galleries, New York, St. Louis City Museum, Missouri, Alright Museum, New York, and more. Myers served as president of the Carmel Art Association in 1953.
Separated Materials:
The Archives of American Art also holds one scrapbook of Frank Myers publicity, circa 1925-1945, lent for microfilming on reel D42. Loaned materials were returned to Ella Price Myers and are not described in the collection container inventory.
Provenance:
The collection was donated by Ella Price Myers, Myers' widow, from 1960 to 1974. An addition was donated in 1994 by Myers' daughter-in-law Patricia Clarke Myers, ex-wife of Myers' only son Frank P. Myers.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Ohio -- Cincinnati  Search this
Landscape painters -- Ohio -- Cincinnati  Search this
Painters -- Ohio -- Cincinnati  Search this
Painters -- California -- Monterey  Search this
Topic:
Painting, American  Search this
Impressionism (Art) -- United States  Search this
Citation:
Frank Harmon Myers papers, 1891-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.myerfran
See more items in:
Frank Harmon Myers papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9077c2193-4a6b-4502-a980-af9b71db1d43
EDAN-URL:
ead_collection:sova-aaa-myerfran

Marine painting, 1822-1978 : an American view : [exhibition] November 17, 1980-January 16, 1981

Author:
Kennedy Galleries  Search this
Physical description:
[40] p. : 55 ill. (some col.) ; 29 cm
Type:
Exhibitions
Place:
United States
Date:
1981
C1981
19th century
20th century
Topic:
Marine painting, American  Search this
Marine painting  Search this
Call number:
ND1372.5 .M37X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_143015

Louisiana landscape and genre paintings of the 19th century : a loan exhibition, April 12-May 24, 1981, the R.W. Norton Art Gallery, Shreveport, Louisiana

Author:
R.W. Norton Art Gallery  Search this
Physical description:
44 p. : 68 ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
Louisiana
Date:
1981
C1981
19th century
Topic:
Landscape painting, American  Search this
Landscape painting  Search this
Louisiana in art  Search this
Call number:
ND1351.5 .L67X
ND1351.5.L67X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_143211

Marine art lives! : [review of a unique N.Y. art show sponsored by the National Maritime Historical Society]

Author:
National Maritime Historical Society (U.S.)  Search this
Physical description:
p. 9-25 : ill., ports. ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
1977
20th century
Topic:
Marine painting, American  Search this
Marine painting  Search this
Call number:
ND1372.6 .M33
ND1372.6.M33
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_151060

New horizons : nineteenth century American marine painting / Peter L. Koenig, curator

Author:
Koenig, Peter L. 1933-  Search this
Art Complex Museum (Duxbury, Mass.)  Search this
Physical description:
16 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
1988
19th century
Topic:
Marine painting, American  Search this
Marine painting  Search this
Call number:
ND1372.5 .K77 1988
ND1372.5.K77 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_408883

Henry Newell Cady, Warren, Rhode Island, 1849-1935 : from the collection of Robert and Marjorie Catanzaro : [mostra] Nuova Strozzina, Palazzo Strozzi, Firenze, 18 maggio-16 giugno 1985 / [traduzioni, Christal Whelan, Rosanna Cirigliano, Giovanna Dentice Turini]

Author:
Cady, Henry Newell 1849-1935  Search this
Palazzo Strozzi (Florence, Italy)  Search this
Subject:
Cady, Henry Newell 1849-1935  Search this
Catanzaro, Marjorie Art collections  Search this
Catanzaro, Robert Art collections  Search this
Physical description:
[61] p. : ill. (some col.), ports. ; 22 x 24 cm
Type:
Exhibitions
Biography
Place:
United States
Date:
1985
[1985]
19th century
20th century
Topic:
Sea in art  Search this
Marine painting, American  Search this
Marine painting  Search this
Marine painters  Search this
Call number:
N40.1.C1242 P15 1985
N40.1.C1242P15 1985
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_411793

Romancing the shore : views of coastal New England

Author:
Cullity, Brian  Search this
Heritage Plantation of Sandwich  Search this
Physical description:
84 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Pictorial works
In art
Place:
New England
United States
Date:
1990
C1990
19th century
20th century
Topic:
Marine painting, American  Search this
Coasts in art  Search this
Coasts  Search this
Marine painting  Search this
Call number:
ND1460.N46 R66 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_631474

Twachtman in Gloucester : his last years, 1900-1902 : essays by John Douglass Hale, Richard J. Boyle, and William H. Gerdts : a loan exhibition for the benefit of the Archives of American Art (Smithsonian Institution), 12 May-13 June 1987, Ira Spanierman Gallery

Author:
Twachtman, John Henry 1853-1902  Search this
Hale, John Douglass  Search this
Boyle, Richard J  Search this
Gerdts, William H  Search this
Peters, Lisa N  Search this
Archives of American Art  Search this
Ira Spanierman Gallery  Search this
Subject:
Twachtman, John Henry 1853-1902  Search this
Physical description:
88 p. : ill. (some col.), map, port. ; 26 cm
Type:
Exhibitions
Place:
United States
Date:
1987
20th century
Topic:
Marine painting, American  Search this
Marine painting  Search this
Impressionism (Art)  Search this
Gloucester (Mass.) in art  Search this
Call number:
ND237.T85 A4 1987X
N40.1.T96 T9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_652475

Annual exhibition of contemporary American sculpture, drawings and prints / Whitney Museum of American Art

Author:
Whitney Museum of American Art  Search this
Physical description:
v. : ill. ; 24 cm
Type:
Periodicals
Date:
19uu
Topic:
Sculpture, American--Exhibitions  Search this
Watercolor painting, American--Exhibitions  Search this
Drawing, American--Exhibitions  Search this
Painting, American--Exhibitions  Search this
Call number:
N618 .A5a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_141285

The Lawrence H. Bloedel Collection : a loan exhibition from the Whitney Museum of American Art and the Williams College Museum of Art, organized and circulated by the International Exhibitions Foundation, Washington, D.C., 1981-1982 / [edited by Rick Stewart]

Author:
Bloedel, Lawrence Hotchkiss 1902-1976  Search this
Stewart, Rick 1944-  Search this
Whitney Museum of American Art  Search this
Williams College Museum of Art  Search this
Subject:
Bloedel, Lawrence Hotchkiss 1902-1976 Art collections  Search this
Physical description:
64 p. : ill. (some col.) ; 26 cm
Type:
Exhibitions
Date:
1980
C1980
20th century
Topic:
Painting, American  Search this
Call number:
ND212 .L38X
ND212.L38X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_141320

The Michigan experience : a traveling exhibition of paintings of Michigan themes by Michigan artists in celebration of the state's sesquicentennial / Sadayoshi Omoto and Eldon Van Liere

Author:
Omoto, Sadayoshi  Search this
Van Liere, Eldon N (Eldon Neal) 1937-  Search this
Kresge Art Museum  Search this
Physical description:
172 p. : ill. ; 22 x 26 cm
Type:
Exhibitions
Place:
Michigan
Date:
1986
C1986
Topic:
Painting  Search this
Painters  Search this
Michigan in art  Search this
Painting, American  Search this
Call number:
ND230.M5 O56 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_300682

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