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Sol Wilson papers, 1919-1975

Creator:
Wilson, Sol, 1896-1974  Search this
Subject:
Hopper, Edward  Search this
Bouché, Louis  Search this
Burliuk, David  Search this
Evergood, Philip  Search this
Babcock Galleries  Search this
Citation:
Sol Wilson papers, 1919-1975. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9380
(DSI-AAA_SIRISBib)211577
AAA_collcode_wilssol
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211577

Linda Lindeberg papers

Creator:
Lindeberg, Linda, 1915-1973  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1951-1973
Scope and Contents:
Biographical data; letters; business records; sketches; photographs; exhibition catalogs; announcements; and clippings.
REEL N68-61: Clippings; notes; exhibition catalogs; and photographs.
REEL 940: Biographical data; letters from family, friends, and business acquaintances; business records; sketches; photographs of Lindeberg, her work, studio, home, family and friends, including photos of Giorgio Cavallon, Franz Kline and Stanley Kunitz; exhibition notices; and clippings.
Biographical / Historical:
Painter; New York, N.Y. Lindeberg was married to Giorgio Cavallon.
Provenance:
Material on reel N68-61 lent for microfilming 1968 by Linda Lindeberg; material on reel 940 donated 1973 by Giorgio Cavallon, widower of Lindeberg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Painting, American  Search this
Women artists  Search this
Women painters  Search this
Identifier:
AAA.lindlind
See more items in:
Linda Lindeberg papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c484a035-ffcc-4767-bb5f-73d917ac2035
EDAN-URL:
ead_collection:sova-aaa-lindlind

Linda Lindeberg papers, 1940-1973

Creator:
Lindeberg, Linda, 1915-1973  Search this
Citation:
Linda Lindeberg papers, 1940-1973. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9144
(DSI-AAA_SIRISBib)211338
AAA_collcode_lindlind
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211338

American paintings from the Montgomery Museum of Fine Arts Margaret Lynne Ausfeld, Charles C. Eldredge, Mark M. Johnson

Author:
Montgomery Museum of Fine Arts  Search this
Ausfeld, Margaret Lynne 1953-  Search this
Eldredge, Charles C  Search this
Johnson, Mark M  Search this
Subject:
Montgomery Museum of Fine Arts  Search this
Physical description:
261 pages color illustrations 31 cm
Type:
Catalogs
Catalogues
Catalog
catalogs (documents)
Place:
Alabama
Montgomery
Date:
2006
Topic:
Painting, American  Search this
Painting  Search this
Peinture américaine  Search this
Peinture  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1116417

Edward H. Dwight Papers

Creator:
Dwight, Edward H., 1919-1981  Search this
Names:
American Museum of Natural History  Search this
Cincinnati Historical Society  Search this
Louisiana State Museum  Search this
Mohammed Center for Restricted Communications  Search this
National Audubon Society  Search this
R. Havell & Son  Search this
Peale family  Search this
Audubon, John James, 1785-1851  Search this
Audubon, Maria R. (Maria Rebecca), 1843-1925  Search this
Audubon, Victor Gifford, 1809-1860  Search this
Bachman, John  Search this
Bakewell, Benjamin  Search this
Bell, John G.  Search this
Coffin, Annie R.  Search this
Corwine, Aaron H.  Search this
Duncanson, Robert S., 1821-1872  Search this
Fries, Waldemar H., 1889-  Search this
Gifford, George Edmund  Search this
Held, John, 1947-  Search this
Laning, Paul F.  Search this
Lichtner, Ruth  Search this
Lichtner, Schomer, 1905-2006  Search this
Martin, Maria  Search this
McDermott, John Francis, 1902-  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, James, 1749-1831  Search this
Peale, James, 1789-1876  Search this
Peale, Raphaelle, 1774-1825  Search this
Peale, Rembrandt, 1778-1860  Search this
Tyler, Morris F.  Search this
Extent:
18.6 Linear feet
Type:
Collection descriptions
Archival materials
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Date:
1821-2001
bulk 1950-1979
Summary:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.
Scope and Contents:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still life painting.

Dwight's biographical material includes two address books, a calendar, a small amount of personal correspondence including letters and postcards from Schomer and Ruth Lichtner, and printed material documenting his work as a museum curator and director.

Writings and notes include correspondence about Dwight's writings, drafts and typescripts of articles on Audubon and other artists, and lecture notes.

The bulk of the collection comprises Dwight's research material on Audubon and includes correspondence related to his research with scholars, collectors, publications, museums, and libraries, including: the American Museum of Natural History, the Audubon Society, the Cincinnati Historical Society, the Louisiana State Museum, Annie R. coffin, Waldemar H. Fries, John Francis McDermott, and the collections of G. Edmund Gifford, Jr., Paul F. Laning, and Morris Tyler.

Copies of Audubon's correspondence, including letters from Audubon's father-in-law, Benjamin Bakewell, son Victor G. Audubon, and grandchildren, form a substantial portion of Dwight's research files. Notes and card files reflecting Dwight's research by categories such as life event, activity, geographical area, and subject of study, further illuminate his research and provide cross references to the Audubon letters and other material.

Data compiled and supplemented with reproductions of Audubon's artwork forms another substantial portion of Dwight's research, and provides detailed information about individual Audubon works and works attributed to him.

Dwight's subject files on Audubon house collated research on individuals, subjects, and events that intersected with Audubon's life and work, as well as Audubon research from other sources and scholars. They include copies of documents, such as the journal of Audubon collaborator John G Bell, and a scrapbook of granddaughter, Maria Audubon; documents relating to Audubon collaborators such as John Bachman and Maria Martin; material related to collections of Audubon's work; and information concerning editions of his prints, such as the Havell Edition, engraved and hand-colored by the firm of Robert Havell Sr. and Jr. in the 1830s.

Printed material used by Dwight in his research includes original American newspapers, from states including New England, New York, and Pennsylvania, dating from 1821 to the 1870s, which include articles on Audubon, as well as later magazines, journals, catalogs, and news clippings on Audubon. A small number of photographs, slide transparencies, and negatives of Audubon's artwork can be found at the end of the series.

Dwight's research material on Raphaelle Peale, Charles Willson Peale, Rembrandt Peale, James Peale, and other Peale family members, includes correspondence requesting and responding to requests for information; material collated by subject on Peale collectors, family history, miniatures, portraits, silhouettes, still lifes, and other subjects; and photographs of artwork.

Other research files document Dwight's interest in other artists such as Aaron H. Corwine, Robert S. Duncanson, and artists from the Cincinnati area in general. They include catalogs of data compiled on individual works of art, subject files, notes and index card files, printed material, and photographs of artwork. Of special note are eleven issues of John Held, Jr.'s, mail art correspondence sent to Dwight by the Mohammed Center for Restricted Communications.
Arrangement:
This collection is arranged as five series.

Missing Title

Series 1: Biographical Material, 1944-1980 (8 folders; Box 1, OV 20)

Series 2: Writings and Notes, 1954-circa 1979 (0.9 linear feet; Box 1)

Series 3: Audubon Research Material, 1821-circa 1979 (13 linear feet; Boxes 1-14, OVs 20-23)

Series 4: Peale Research Material, circa 1930-2001 (1.9 linear feet; Boxes 14-16)

Series 5: Other Research, 1881-1980 (2.7 linear feet; Boxes 16-19)
Biographical / Historical:
Cincinnati art historian and museum director, Edward H. Dwight (1919-1981), conducted extensive research on American painting, in particular the works of John James Audubon, Charles Willson Peale, and Raphaelle Peale. He was also credited with rediscovering the Cincinnati artist, Aaron H. Corwine.

Dwight attended Yale and Cornell Universities, and studied art at the Cincinnati Art Academy and the School of Fine Arts of Washington University, St. Louis. From 1946 he held posts, including curator of American Art, at the Cincinnati Art Museum, until becoming director of the Milwaukee Art Center in 1955. In 1962 he left Milwaukee to direct the Munson-Williams-Proctor Art Institute Museum of Art, where he remained until the end of his career. He was the author of numerous articles for publications including Antiques, Audubon, Art in America, The Art Gallery, The Art Quarterly, and Canadian Art, and lectured widely on contemporary art, Spanish painting, and American painting.

In 1955 Dwight published the article "Aaron Houghton Corwine: Cincinnati Artist" in Antiques magazine. With this, and the exhibition, Rediscoveries in American Painting (1955), which he launched at the Cincinnati Art Museum, Dwight revived interest in this all but forgotten painter.

Dwight wrote many scholarly articles on Audubon's life and work throughout his career, in addition to writing catalogs for, and curating, exhibitions of Audubon's work. In 1960 he was awarded a $7,500 fellowship from the Ford foundation to pursue a reevaluation of Audubon, and to reexamine some long-held assumptions and exagerrations about Audubon's life and personality. He focused primarily on the artist-naturalist's original drawings and paintings, especially portraits and pictures of birds, animal life, and insects. Dwight was awarded an additional fellowship by the National Endowment for the Arts in 1973, to continue his research on Audubon.

Dwight's scholarly interest also extended to Raphaelle Peale and the Peale family of artists. In the 1960s and 1970s he wrote and published several articles about Raphaelle Peale, his father, Charles Willson Peale, and his brothers, Rembrandt and James. Dwight was working on a book about the family, and a catalog raisonné of Raphaelle Peale, when he died.

Dwight was an accomplished photographer and his work was included in at least eight exhibitions from 1951 to 1972, including two one-man exhibitions at Louisiana State University (1952), and Weyhe Gallery (1972).
Provenance:
The Audubon materials were donated to the Archives of American Art by Dwight's widow, Ruth R. White, in 1982-1983. The Peale material was donated in 2002 by the Barra Foundation, Inc., which had received them from Ruth R. Dwight as they relate to the Foundation's mission to support scholarship in cultural history in the Philadelphia area. In 1983, the Barra Foundation loaned the documents to Dr. William H. Gerdts, an art historian, who was to continue Dwight's work on a catalog raisonné of Raphaelle Peale. Dr. Gerdts made limited use of the materials and the Barra Foundation then transferred them to the Archives of American Art in 2002.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Museum curators -- Ohio -- Cincinnati  Search this
Artists -- Ohio -- Cincinnati  Search this
Art historians -- Ohio -- Cincinnati  Search this
Painters  Search this
Museum directors -- Ohio -- Cincinnati  Search this
Topic:
Still-life painting  Search this
Mail art  Search this
Art, American  Search this
Painting, American  Search this
Portrait painting  Search this
Genre/Form:
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Citation:
Edward H. Dwight papers, 1821-2001, bulk 1950-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwigedwa
See more items in:
Edward H. Dwight Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98efa0eea-a8f2-4b13-a7cc-32c48cd081a9
EDAN-URL:
ead_collection:sova-aaa-dwigedwa
Online Media:

Peter Halley paintings of the 1980s : the catalogue raisonné Cara Jordan ; editor, Clément Dirié

Title:
Paintings of the 1980s the catalogue raisonné
Author:
Jordan, Cara  Search this
Editor:
Dirié, Clément  Search this
Author:
Halley, Peter Works Selections  Search this
Subject:
Halley, Peter  Search this
Physical description:
191 pages color illustrations 28 x 29 cm
Type:
Catalogs
Catalogues raisonnés
Date:
2018
Topic:
Geometry in art  Search this
Géométrie dans l'art  Search this
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1112189

Remembering Newaygo County the symbolist paintings of Annabel Livermore essay by E. Jane Connell

Title:
Symbolist paintings of Annabel Livermore
Author:
Livermore, Annabel  Search this
Author:
Connell, E. Jane  Search this
Muskegon Museum of Art  Search this
Subject:
Muskegon Museum of Art  Search this
Physical description:
77 pages color illustrations 22 cm
Type:
Exhibitions
Pictorial works
Exhibition catalogs
Place:
Michigan
Newaygo County
Newaygo County (Mich.)
Date:
2010
Topic:
Painting, American  Search this
Call number:
N40.1.L7825 M88 2010
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114631

The Outwin 2019 American Portraiture Today : Outwin Boochever Portrait Competition foreword, Kim Sajet; Dorothy Moss, Taína Caragol, contributors

Title:
American Portraiture Today
Outwin Boochever Portrait Competition
Writer of foreword:
Sajet, Kim  Search this
Contributor:
Moss, Dorothy  Search this
Caragol-Barreto, Taina Beatriz  Search this
Host institution:
National Portrait Gallery (Smithsonian Institution),)  Search this
Mildred Lane Kemper Art Museum  Search this
Alaska State Museum  Search this
Physical description:
96 pages color illustrations 22 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Date:
2019
21st century
21e siècle
Topic:
Outwin Boochever Portrait Competition  Search this
Portrait painting, American  Search this
Portrait sculpture, American  Search this
Peinture de portraits américaine  Search this
Sculpture de portraits américaine  Search this
Call number:
SAM REF 2019
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114409

Dorothy Hood papers

Creator:
Hood, Dorothy, 1919-2000  Search this
Extent:
0.6 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1888-1984
Scope and Contents:
Eight scrapbooks; biographical data; letters; and printed material.
REELS 2153-2154 & 2245: Eight scrapbooks, 1888-1981, containing clippings, exhibition catalogs and announcements, photographs, scattered letters and printed material. One scrapbook relates to Hood's family, the others concern her career.
REEL 3340: Biographical data; a copy of a letter to Hood from Joan Mondale, 1978, about Hood's drawing WARRIOR'S PLUMAGE lent by Museum of Fine Arts, Houston for the Vice President's House; a copy of a letter to Eleanor Freed from Hood, 1982; exhibition announcements, invitations, catalogs and posters; a copy of Hood's report "Late Goodbye to Jose Clemente Orozco"; newspaper and magazine clippings; an invitation, program and auction catalog from the Art League of Houston's tribute to Hood, 1984; and printed material relating to The Dorothy Hood Film Project sponsored by the Museum of Fine Arts, Houston, 1984.
Biographical / Historical:
Painter, sculptor; Houston, Tex. Died Oct. 29, 2000, at age 81.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Material on reels 2153-2154, 2245 & magazine articles, brochures, catalogs and posters on reel 3340 lent for microfilming 1979 & 1981; and all other material on reel 3340 donated 1979 & 1984 by Dorothy Hood.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Texas -- Houston  Search this
Sculptors -- Texas -- Houston  Search this
Topic:
Painting, American -- Texas  Search this
Sculpture, American -- Texas  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Identifier:
AAA.hooddoro
See more items in:
Dorothy Hood papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7a0564c-a452-4a1d-8188-91bc6580aa53
EDAN-URL:
ead_collection:sova-aaa-hooddoro

Anne Truitt : paintings / essay, Michael Schreyach

Artist:
Truitt, Anne 1921-2004  Search this
Author:
Schreyach, Michael 1970-  Search this
Author:
Matthew Marks Gallery  Search this
Subject:
Truitt, Anne 1921-2004  Search this
Physical description:
70 pages, 6 unnumbered pages : color illustrations, portrait ; 26 cm
Type:
Exhibitions
Exhibition catalogs
Place:
United States
Date:
2018
20th century
Topic:
Painting, Abstract  Search this
Minimal art  Search this
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1102034

Hugo Weber papers

Creator:
Weber, Hugo, 1918-1971  Search this
Names:
Clair Fox Gallery  Search this
Howard Wise Gallery  Search this
Arp, Jean, 1887-1966  Search this
Cajori, Charles, 1921-2013  Search this
Callahan, Eleanor  Search this
Coleman, Ornette  Search this
Greenbaum, Jack  Search this
Hall, Robert D.  Search this
Held, Annet  Search this
Hervochon, Yves  Search this
Kerouac, Jack, 1922-1969  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Moholy-Nagy, László, 1895-1946  Search this
Siskind, Aaron  Search this
Ward, Cora Kelley, 1920-1989  Search this
Weber, Anne  Search this
Photographer:
Callahan, Harry M.  Search this
Crane, Barbara, 1928-  Search this
Siegel, Arthur S.  Search this
Woelffer, Dina, 1907-  Search this
Extent:
6.2 Linear feet ((partially microfilmed on 9 reels))
Type:
Collection descriptions
Archival materials
Date:
1932-1971
Scope and Contents:
Correspondence; photographs and photograph albums; diaries; writings; sketches and sketchbooks; biographical data; catalogs; material relating to the Artists Tenants Association; clippings; and miscellany.
REEL D388: Correspondence, 1945-1966; photographs; sketches; and clippings.
REELS N70-9-N70-10: 75 photographs by Weber and photographer Harry Callahan of Mies van der Rohe, taken from 1961-1964, with occasional photos of Weber, his studio, Laszlo Moholy-Nagy and other friends, including one of Moholy-Nagy by Arthur Siegel, 1946. Also included are 30 letters from Clair Fox Gallery, Howard Wise Gallery, Harry Callahan, Jack Kerouac and other friends; and 2 sketchbooks, 1962.
REEL 671: 9 photograph albums and ca. 200 photographs of Weber, friends, family (including his artist wife, Anne Weber), studios, and his works of art. Among them are one of Weber by Barbara Crane, ca. 1960, a contact sheet of photographs of Laszlo Moholy-Nagy, and many photographs by Harry Callahan, Aaron Siskind, Cora Ward, Robert D. Hall, Annet Held and Yves Hervochon, including photos of Charles Cajori and Jack Greenbaum by Cora Ward, and Ornette Coleman by Callahan.
REELS 841-845: Correspondence, 1932-1971; 3 diaries (written in German), 1941-1944, April 1942, and April to August 1964; poetry by Weber; writings on art, 1951-1968; writings on other artists; sketchbooks and drawings, 1945-1971; biographical material; material on the Artists Tenants Association; catalogs; clippings; and miscellany.
UNMICROFILMED: Three photos by Harry Callahan, including one each of Eleanor Callahan, Weber, and "Drawing in Space with a Flashlight"; and one of Jean (Hans) Arp by Dina Woelffer, 1957. One photo of Ludwig Mies Van der Rohe taken by Aaron Siskind, ca. 1950.
Biographical / Historical:
Painter; New York, N.Y.; b. 1918 in Basel, Switzerland; d. August 15, 1971.
Provenance:
Material on reel D388 and N70-9 (portion) lent for microfilming 1969 by Hugo Weber; and material on reel N70-9 (portion)-N70-10, 671 & 841-845 donated 1971 by Anne Weber, ex-wife of Hugo Weber.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Painting, American  Search this
Artists' studios -- Photographs  Search this
Women photographers  Search this
Identifier:
AAA.webehugo
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901289007-6c8e-4ad8-89e1-4e12c70f0361
EDAN-URL:
ead_collection:sova-aaa-webehugo

Worthington Whittredge papers

Creator:
Whittredge, Worthington, 1820-1910  Search this
Names:
Metropolitan Fair (1864:New York, N.Y.)  Search this
Brady, Mathew B., approximately 1823-1896  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Paintings
Sketchbooks
Date:
circa 1840s-1965
bulk 1849-1908
Summary:
The papers of landscape painter Worthington Whittredge measure 2.2 linear feet and date from the 1840s to 1965, with the bulk of the papers dating from 1849 to 1908. This small collection documents Whittredge's career as a painter, particularly his years in Europe from 1849 to 1859, through biographical materials, a manuscript of his autobiography, news clippings, catalogs, six sketchbooks and numerous drawings and paintings. Also found are two photographs of Whittredge and a nineteenth-century photo album containing photographs of 32 famous artists.
Scope and Content Note:
The papers of landscape painter Worthington Whittredge measure 2.2 linear feet and date from the 1840s to 1965, with the bulk of the papers dating from 1849 to 1908. This small collection documents Whittredge's career as a painter, particularly his years in Europe from 1849 to 1859, through biographical materials, a manuscript of his autobiography, news clippings, catalogs, six sketchbooks and numerous drawings and paintings. Also found are two photographs of Whittredge and a nineteenth-century photo album containing photographs of 32 famous artists.

Biographical materials include a manuscript of his autobiography, passport, award certificates, and a ledger he kept while living in Düsseldorf, Germany, that documents commissions, accounts, and business activities. Printed material includes news clippings, catalogs, and the book Recollections of the Art Exhibition, Metropolitan Fair, New York, published by Mathew Brady, which includes a catalog of the art exhibition at the fair and 20 printed images by Brady.

Artwork consists of six sketchbooks and numerous drawings and paintings. The sketchbooks contain drawings Whittredge executed on a trip down the Rhine River in 1849 as well as during his travels in Italy and Mexico. Other loose drawings and paintings include numerous landscapes, figure studies, trees, animals, and other miscellaneous sketches.

There are two photographs of Whittredge, taken by M. Louise Greene, and a nineteenth-century photo album containing cartes de visite photographs of 32 artists. Most of these photographs include the artists autograph as well. Included are Albert Bierstadt, George H. Baker, William Holbrook Beard, Albert F. Bellows, John G. Brown, Seth Wells Cheney, Frederic Church, Jasper Cropsey, Thomas Seir Cummings, Mauritz De Haas, Francois Regis Gignoux, Henry Peters Gray, Seymour Guy, George Henry Hall, William Hart, William Hennessy, Richard W. Hubbard, Daniel Huntington, Henry Augustus Loop, Jervis McEntee, Samuel F. B. Morse, William Page, Horace Wolcott Robbins, Aaron Shattuck, James Augustus Suydam, Launt Thompson, Robert W. Weir, Henry Wenzler, Edwin White, and George Yewell, and two unidentified artists.
Arrangement:
The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1849-circa 1940s (Box 1, 5, OV 9; 0.4 linear feet)

Series 2: Printed Material, 1861-1965 (Box 1, 4, 5, OV9; 0.4 linear feet)

Series 3: Artwork, circa 1840s-1902 (Box 2, 5, OV 6-9; 0.6 linear feet)

Series 4: Photographs, circa 1850s-1860s, circa 1900 (Box 2-3; 0.3 linear feet)
Biographical Note:
Thomas Worthington Whittredge (1820-1910) was born in 1820 in Springfield, Ohio. Receiving very little formal education, he moved to Cincinnati, Ohio at the age of 17 to serve as an apprentice house and sign painter. A few years later, in his early twenties, he briefly ran a daguerreotype studio in Indianapolis, Indiana, and worked as a portrait painter in Charleston, West Virginia.

In 1843 Whittredge decided to pursue landscape painting, and was greatly influenced by Hudson River School artist Thomas Cole. In 1849 he traveled to Düsseldorf, Germany, to further his training at the Düsseldorf Academy. There, he met painter Emanuel Leutze and modeled for Leutze's painting Washington Crossing the Delaware (1850). He lived for a year in the home of landscape painter Andreas Achenbach and became friends with Carl Friedrich Lessing. Whittredge spent the summer of 1856 sketching in Switzerland with Albert Bierstadt. That fall Whittredge and Bierstadt moved to Rome where they were joined by fellow artists Sanford Robinson Gifford and William Stanley Haseltine.

Whittredge stayed in Italy until 1859 when he returned to America and settled in New York City, renting a space at Richard Morris Hunt's famous Tenth Street Studio Building, which was frequented by some of the best-known artists, writers, and actors of the time. He kept company with Jervis McEntee, Eastman Johnson, Sanford Robinson Gifford, John Ferguson Weir, and other artists of the "old guard". Whittredge quickly became a very successful artist, adapting what he had learned in Europe to the American landscape. He was elected to the National Academy of Design in 1860 and became a full member in 1862. He also served as President of the National Academy of Design from 1874 to 1877.

In 1866 Whittredge went along on a government inspection tour of the Missouri Territory and was greatly inspired by the landscape. He traveled to Colorado in 1870 with John Frederick Kensett and Sanford Gifford and, in the late 1870s, began painting these new landscapes. He moved with his family to Summit, New Jersey, in 1880. In 1893 he went on a sketching trip to Mexico with fellow artist Frederic Church and continued painting into the early 1900s. Around this time he also began writing his autobiography which he completed in 1905. Worthington Whittredge died in 1910 at the age of 89.
Related Material:
Also found in the Archives of American Art are several collections relating to Whitteredge: the Anthony F. Janson research material on Worthington Whittredge, 1969-2003; the Worthington Whittredge sale records, 1900; the Edith Wilkinson Letter to E.P. Richardson and biographical notes on Worthington Whittredge, 1957; and a Worthington Whittredge letter to John Ferguson Weir, 1871.
Separated Material:
One sketchbook was loaned by William W. Katzenbach for microfilming in 1959 and returned. Loaned material is available on microfilm reel 153, but is not described in container listing of this finding aid.
Provenance:
The Worthington Whittredge papers were donated by William W. and L. Emery Katzenbach, grandsons of Whittredge, in 1959. Additional items were donated by William W. Katzenbach in 1968.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Landscape painters -- New York (State) -- New York  Search this
Painting, American  Search this
Genre/Form:
Drawings
Photographs
Paintings
Sketchbooks
Citation:
Worthington Whittredge papers, circa 1840s-1965, bulk 1849-1908. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitwort
See more items in:
Worthington Whittredge papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e138a3a-4b80-4bf4-bd99-42ad0f7404e3
EDAN-URL:
ead_collection:sova-aaa-whitwort
Online Media:

E.P. (Edgar Preston) and Constance Richardson papers

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Names:
Castano Galleries (Boston, Mass.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
White House (Washington, D.C.)  Search this
Peale family  Search this
Allen, Joseph  Search this
Allston, Washington, 1779-1843  Search this
Andrews, Wayne  Search this
Aram, Siegfried F.  Search this
Bishop, Isabel, 1902-1988  Search this
Bostick, William A.  Search this
Bouché, Louis, 1896-1969  Search this
Boyd, Julian P. (Julian Parks), 1903-  Search this
Castano, Giovanni, 1896-1978  Search this
Cohn, Harold  Search this
Copeland, Lammot du Pont  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Fredericks, Marshall M., 1908-1998  Search this
Freeman, Michael W.  Search this
Garrison, Eve Josephson, 1903-2003  Search this
Groce, George C., 1899-  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heil, Walter, 1890-1973  Search this
Hopper, Edward, 1882-1967  Search this
Jungwirth, Irene G. (Irene Gayas), 1913-  Search this
Krentzin, Earl, 1929-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lee-Smith, Hughie  Search this
Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this
Lynes, Russell, 1910-1991  Search this
Marsh, Reginald, 1898-1954  Search this
Mast, Gerald, 1908-1971  Search this
McDermott, John Francis, 1902-  Search this
Middeldorf, Ulrich Alexander, 1901-  Search this
Morse, John D., 1906-  Search this
Moser, Liselotte, 1906-1983  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Oliver, Andrew, 1906-  Search this
Peale, Charles Willson, 1741-1827  Search this
Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this
Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this
Rockefeller, John D., 1906-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rutledge, Anna Wells  Search this
Sellers, Charles Coleman, 1903-  Search this
Sheeler, Charles, 1883-1965  Search this
Simper, Fred, 1914-  Search this
Simpson, Corelli C. W.  Search this
Soria, Regina, 1911-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Speck, Walter, 1895-  Search this
Stevens, William B.  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Wedda, John  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
28.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Date:
1814-1996
bulk 1921-1996
Summary:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
Scope and Contents:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.
Biographical / Historical:
Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).
Related Materials:
Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Michigan -- Detroit  Search this
Art historians -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richedga
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f0a154af-52ef-402b-b06d-60a290eec749
EDAN-URL:
ead_collection:sova-aaa-richedga
Online Media:

Richard Field Maynard papers

Creator:
Maynard, Richard Field, 1875-1964  Search this
Names:
Tenth Street Studio Building (New York, N.Y.)  Search this
Bittinger, Charles, 1879-1970  Search this
Chadwick, Helen  Search this
Coburn, Charles Douville  Search this
Cole, Alphaeus Philemon, 1876-1988  Search this
Curran, Charles C. (Charles Courtney), 1861-1942  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
MacKenna, Kenneth, 1899-1962  Search this
Maynard, Margaret Field  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Morse, Beryl  Search this
Rush, Olive, 1873-1966  Search this
Vonnoh, Bessie Potter, 1872-1955  Search this
Wiles, Gladys Lee  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Extent:
2 Linear feet
0.2 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1895-1979
Scope and Contents:
Biographical material, diaries, correspondence, notes, writings, business records, sketches, scrapbook, clippings, and miscellaneous material.
Correspondence, undated and 1906-1979, is mainly letters from Maynard to his parents; also includes letters from Charles Bittinger, Alphaeus P. Cole, Olive Rush, Bessie Potter Vonnoh, and Irving R. Wiles.
Notes and writings, are by Maynard and by his daughter, Sylvia. Business records, 1902-1937, include leases, receipts, miscellaneous financial records, and material relating to his patents.
There are fifty-six sketches, undated and 1902-1915, including a floorplan of Maynard's studio in 1902; a scrapbook, 1895-1898, containing clippings, letters, and 2 sketches, mainly relating to the HARVARD LAMPOON; clippings, 1898-1976; exhibition announcements and catalogs, 1905-1917, miscellaneous printed material, undated and 1898-1901; biographical material, undated and 1938; 7 diaries kept by Maynard, 1888-1899 and 1960; and one, 1897, by Margaret Field Maynard.
Photographs, undated and 1914-1979, are of Maynard, of a trip to Tucson, 1914, of a play entitled "Puppets of Fate", showing F. Luis Mora, Charles C. Curran, Charles Coburn, Kenneth MacKenna (aka Leo Mielziner), and Mr. Hubbell in costume. Also included are photographs of Beryl Morse, Gladys Lee Wiles, Helen Chadwick, Bessie Potter Vonnoh, Alphaeus P. Cole in 1979, and a model demonstrating Maynard's invention: a chair which rolls on tracks perpendicular to the easel to facilitate the artist's movement while painting.
ADDITION: Correspondence between Maynard and his father, Isaac N. Maynard, 1931-1933; letters to Maynard and others from his wife Lorraine, 1933; and a few letters to Richard and Lorraine Maynard from their twelve-year-old daughter, Sylvia, 1933 [All letters from Richard and Lorraine Maynard are carbon copies.] Also included are letters to the Richard and Lorraine Maynard from Bessie Potter Vonnoh, writings by Lorraine Maynard, undated, and photographs of Lorraine and Sylvia Maynard, and of Vonnoh, c. 1923.
Biographical / Historical:
Painter, sculptor, writer, and inventor. Maynard was a resident and Treasurer of the Tenth Street Studio Building, N.Y.C.
Provenance:
Donated by Sylvia Maynard, daughter of Richard Field Maynard, 1981. An additional 0.2 ft. was received from Maynard via Julie Aronson, who had used the papers in her research on Bessie Potter Vonnoh.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Inventors  Search this
Painters  Search this
Sculptors  Search this
Topic:
Painting, American  Search this
Function:
Artists' studios -- New York (State)
Genre/Form:
Scrapbooks
Identifier:
AAA.maynrich
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw981aca45a-3dc6-42c9-b0bf-150245ec3e12
EDAN-URL:
ead_collection:sova-aaa-maynrich

Worthington Whittredge papers, circa 1840s-1965, bulk 1849-1908

Creator:
Whittredge, Worthington, 1820-1910  Search this
Subject:
Brady, Mathew B.  Search this
Metropolitan Fair (1864:New York, N.Y.)  Search this
Type:
Drawings
Photographs
Paintings
Sketchbooks
Citation:
Worthington Whittredge papers, circa 1840s-1965, bulk 1849-1908. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painters -- New York (State) -- New York  Search this
Painting, American  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9364
(DSI-AAA_SIRISBib)211560
AAA_collcode_whitwort
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211560
Online Media:

A descriptive catalogue of Catlin's Indian collection

Creator:
Catlin, George, 1796-1872  Search this
Collection Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Extent:
92 Pages
Container:
Box 8, Folder 113
Type:
Archival materials
Pages
Date:
1848
Scope and Contents:
Catalog published in London.
Local Note:
Printed document
Collection Restrictions:
Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Topic:
Paintings -- American Indian  Search this
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
See more items in:
Department of Anthropology records
Department of Anthropology records / Series 17: Division of Ethnology / 17.1: Manuscript and Pamphlet File / Catlin
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3f878d9b8-1e07-4580-bf61-60b38750c542
EDAN-URL:
ead_component:sova-naa-xxxx-0311-ref15592

Painting progress : American art & the idea of technology, 1800-1917 / Jadviga M. da Costa Nunes

Author:
Da Costa Nunes, Jadviga M  Search this
Allentown Art Museum  Search this
Physical description:
20 p. : col. ill. ; 22 x 24 cm
Type:
Exhibitions
Date:
1991
C1991
19th century
20th century
Topic:
Genre painting, American  Search this
Technology in art  Search this
Call number:
ND1451.5 .D3 1991X
ND1451.5.D3 1991X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_427624

Redefining genre : French and American painting 1850-1900 / Gabriel P. Weisberg ; with an essay by Petra ten-Doesschate Chu

Author:
Weisberg, Gabriel P  Search this
Chu, Petra ten-Doesschate  Search this
Trust for Museum Exhibitions  Search this
Meridian House International  Search this
Physical description:
111 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
Place:
France
United States
Date:
1995
C1995
19th century
Topic:
Genre painting, American  Search this
Genre painting, French  Search this
Genre painting  Search this
Call number:
ND1451.5 .W42 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_482816

Wood Gaylor and American modernism, 1913-1936 Andrea P. Rosen ; with Christine Isabelle Oaklander

Author:
Rosen, Andrea P.,  Search this
Author:
Oaklander, Christine I  Search this
Gaylor, Wood 1883-1957  Search this
Writer of foreword:
Cohen, Janie  Search this
Interviewee:
Gaylor, Wynn 1928-  Search this
Host institution:
Robert Hull Fleming Museum  Search this
Ogunquit Museum of American Art  Search this
Heckscher Museum of Art  Search this
Physical description:
128 pages illustrations (chiefly color), portraits 30 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
United States
États-Unis
Date:
2020
Topic:
Modernism (Art)  Search this
Modernisme (Art)  Search this
Art, American  Search this
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1147582

Ellsworth Kelly fenêtres = windows direction d'ouvrage, Jean-Pierre Criqui ; traduction, Charles Penwarden, Catherine Vasseur

Title:
Fenêtres
Windows
Editor:
Criqui, Jean-Pierre  Search this
Author:
Kelly, Ellsworth 1923-2015 Works Selections  Search this
Host institution:
Centre Georges Pompidou  Search this
Subject:
Kelly, Ellsworth 1923-2015  Search this
Physical description:
152 pages illustrations (some color), portraits 29 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Date:
2019
20th century
20e siècle
Topic:
Windows in art  Search this
Installations (Art)  Search this
Painting, American  Search this
Fenêtres dans l'art  Search this
Peinture américaine  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1153464

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