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John McLaughlin papers, 1922-1979, bulk 1936-1976

Creator:
McLaughlin, John, 1898-,  Search this
McLaughlin, John, 1898-,  Search this
Subject:
Tamarind Lithography Workshop  Search this
Type:
Sketches
Photographs
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Theme:
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)7963
(DSI-AAA_SIRISBib)210131
AAA_collcode_mclajohn
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210131
Online Media:

Jules Langsner papers, circa 1910s-1998, bulk 1950-1967

Creator:
Langsner, Jules, 1911-1967  Search this
Langsner, Jules, 1911-1967  Search this
Subject:
Turnbull, William  Search this
Feitelson, Lorser  Search this
Guston, Philip  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Brice, William  Search this
Adams, Clinton  Search this
Perls, Frank  Search this
Ray, Man  Search this
Ray, Julie  Search this
Macdonald-Wright, Stanton  Search this
Lundeberg, Helen  Search this
Kadish, Reuben  Search this
Lebrun, Rico  Search this
Guston, Musa  Search this
Harwood, June  Search this
University of Southern California.  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
Ford Foundation  Search this
Art Institute of Chicago  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
California Watercolor Society  Search this
Art in America  Search this
Pasadena Art Museum  Search this
New York Times  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Los Angeles County Museum of Art  Search this
International Association of Art Critics  Search this
Type:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9117
(DSI-AAA_SIRISBib)211311
AAA_collcode_langjule
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211311
Online Media:

Oral history interview with Richard Diebenkorn, 1985 May 1-1987 December 15

Interviewee:
Diebenkorn, Richard, 1922-1993,  Search this
Diebenkorn, Richard, 1922-1993,  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
Bischoff, Elmer  Search this
Jonson, Raymond  Search this
Loran, Erle  Search this
Mendelowitz, Daniel Marcus  Search this
Park, David  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Study and teaching -- California -- San Francisco Bay Area  Search this
Painting, Abstract -- California -- San Francisco Bay Area  Search this
Painting -- California -- San Francisco Bay Area  Search this
Painters -- California -- San Francisco Bay Area -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11813
(DSI-AAA_SIRISBib)216520
AAA_collcode_dieben85
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216520
Online Media:

Oral history interview with Robert S. Neuman, 1991 May 1-June 19

Interviewee:
Neuman, Robert S. (Robert Sterling), 1926-  Search this
Neuman, Robert S. (Robert Sterling), 1926-  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Abstract -- Massachusetts  Search this
Painting, Modern -- 20th century  Search this
Painters -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13195
(DSI-AAA_SIRISBib)214658
AAA_collcode_neuman91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214658
Online Media:

Richard Dempsey papers, 1929-1989, bulk 1960s-1980s

Creator:
Dempsey, Richard W., 1909-1987  Search this
Dempsey, Richard W., 1909-1987  Search this
Subject:
Brooks, Vonja Kirkland  Search this
Lawrence, Jacob  Search this
Perlmutter, Jack  Search this
Waters, Ethel  Search this
Art in Embassies Program (U.S.)  Search this
Clark Atlanta University Art Gallery  Search this
Corcoran Gallery of Art  Search this
Franz Bader Gallery  Search this
Howard University  Search this
United States. Embassy (Colombia)  Search this
United States. Embassy (Jamaica)  Search this
Type:
Photographs
Poetry
Sketches
Place:
Colombia -- description and travel
Topic:
Artists' studios -- Photographs  Search this
Painting, Abstract -- Washington (D.C.)  Search this
Jamaica -- Description and Travel  Search this
African American artists  Search this
Theme:
African American  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9942
(DSI-AAA_SIRISBib)212493
AAA_collcode_demprich
Theme:
African American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212493
Online Media:

Clay Spohn papers, circa 1862-1985, bulk 1890-1985

Creator:
Spohn, Clay Edgar, 1898-1977  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Subject:
Rothko, Mark  Search this
Corbett, Rosamond Walling Tirana  Search this
Fryworth, Teressa  Search this
Corbett, Edward  Search this
Calder, Alexander  Search this
Sievan, Maurice  Search this
Sihvonen, Oli  Search this
Reynal, Jeanne  Search this
Ribak, Louis  Search this
McChesney, Mary Fuller  Search this
Neininger, Urban  Search this
Still, Clyfford  Search this
University of California, San Francisco. School of Fine Arts  Search this
School of Visual Arts (New York, N.Y.)  Search this
Type:
Drawings
Sketchbooks
Account books
Ambrotypes
Photographs
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Abstract -- France -- Paris  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9468
(DSI-AAA_SIRISBib)211666
AAA_collcode_spohclay
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211666
Online Media:

Stanton Macdonald-Wright papers, 1890-2018

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Subject:
Russell, Morgan  Search this
Seuphor, Michel  Search this
Summerfield, Anne  Search this
Summerfield, John  Search this
Type:
Blueprints
Diaries
Essays
Travel diaries
Place:
Italy -- description and travel
Hawaii -- description and travel
Japan -- Description and Travel
Topic:
Mural painting and decoration, American -- California -- Santa Monica  Search this
Synchromism (Art)  Search this
Painting, Abstract  Search this
Color in art  Search this
Record number:
(DSI-AAA_CollID)9461
(DSI-AAA_SIRISBib)211659
AAA_collcode_macdstan
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211659
Online Media:

Peter Howard Selz papers, 1929-2014, bulk 1950-2005

Creator:
Selz, Peter Howard, 1919-2019  Search this
Selz, Peter Howard, 1919-2019  Search this
Subject:
Tinguely, Jean  Search this
Rothko, Mark  Search this
Dubuffet, Jean  Search this
Calder, Alexander  Search this
Benton, Fletcher  Search this
Reinhardt, Ad  Search this
Feininger, Lyonel  Search this
Christo  Search this
Chase-Riboud, Barbara  Search this
Conner, Bruce  Search this
Christo (Running fence)  Search this
Beckmann, Max  Search this
Bury, Pol  Search this
Bergman, Ciel  Search this
Hadzi, Dimitri  Search this
Guston, Philip  Search this
Lindner, Richard  Search this
Lebrun, Rico  Search this
Giacometti, Alberto  Search this
Baykam, Bedri  Search this
Graves, Morris  Search this
Golub, Leon  Search this
Petlin, Irving  Search this
Onslow-Ford, Gordon  Search this
Lipchitz, Jacques  Search this
Paris, Harold  Search this
O'Keeffe, Georgia  Search this
University of California, Berkeley. University Art Museum  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Marlborough Gallery  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
College Art Association of America  Search this
Type:
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Topic:
Realism  Search this
Political cartoons  Search this
Pop art  Search this
Environment (Art)  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art -- Germany  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)8464
(DSI-AAA_SIRISBib)210640
AAA_collcode_selzpete
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210640
Online Media:

Robert Warren Loberg papers, 1955-1976

Creator:
Loberg, Robert Warren, 1927-1999  Search this
Loberg, Robert Warren, 1927-1999  Search this
Topic:
Painting, Abstract -- California -- San Francisco  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7899
(DSI-AAA_SIRISBib)210066
AAA_collcode_loberobe
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210066

Richard Camire papers, 1980

Creator:
Camire, Richard, 1948-  Search this
Camire, Richard, 1948-  Search this
Topic:
Painting, Abstract -- California -- San Francisco  Search this
Theme:
Lives of American Artists  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)10055
(DSI-AAA_SIRISBib)212916
AAA_collcode_camirich
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212916

William T. Wiley illustrated journals, 1971-1974

Creator:
Wiley, William T., 1937-2021  Search this
Wiley, William T., 1937-2021  Search this
Type:
Sketchbooks
Topic:
Painting, Abstract -- California -- San Francisco Bay Area  Search this
Painting, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Theme:
Diaries  Search this
Record number:
(DSI-AAA_CollID)13509
(DSI-AAA_SIRISBib)211771
AAA_collcode_wilewill
Theme:
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211771

Nicholas Brigante papers, 1923-1983

Creator:
Brigante, N.P., 1895-1989  Search this
Brigante, N.P., 1895-1989  Search this
Subject:
Macdonald-Wright, Stanton  Search this
Topic:
Painting, Modern -- 20th century -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Los Angeles  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7226
(DSI-AAA_SIRISBib)209366
AAA_collcode_brignich
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209366

Frederick Stallknecht Wight letters, 1954-1963

Creator:
Wight, Frederick Stallknecht, 1902-1986  Search this
Wight, Frederick Stallknecht, 1902-1986  Search this
Subject:
Hofmann, Hans  Search this
Oliveira, Nathan  Search this
Sheeler, Charles  Search this
Graves, Morris  Search this
Topic:
Painting, Abstract -- United States  Search this
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8684
(DSI-AAA_SIRISBib)210864
AAA_collcode_wighfred
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210864

Harry Bowden papers, 1922-1972

Creator:
Bowden, Harry, 1907-1965  Search this
Bowden, Harry, 1907-1965  Search this
Subject:
De Kooning, Willem  Search this
Onslow-Ford, Gordon  Search this
Pollock, Jackson  Search this
Huxley, Aldous  Search this
Krasner, Lee  Search this
Reinhardt, Ad  Search this
Smith, Hassel  Search this
Weston, Brett  Search this
Weston, Edward  Search this
Steichen, Edward  Search this
Campbell, Charles  Search this
Bransom, Paul  Search this
Cunningham, Imogen  Search this
Hirsch, Hy  Search this
Hofmann, Hans  Search this
Johnson, Robert E. (Robert Emory)  Search this
White, Minor  Search this
McNeil, George  Search this
Post, George  Search this
Hobbs, Fredric  Search this
Schevill, James Erwin  Search this
American Abstract Artists  Search this
Topic:
Photography, Artistic -- California -- San Francisco  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)6780
(DSI-AAA_SIRISBib)208906
AAA_collcode_bowdharr
Theme:
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208906

Oral history interview with John Hultberg, 1968 Nov. 11

Interviewee:
Hultberg, John, 1922-2005  Search this
Hultberg, John, 1922-2005  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Club (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12322
(DSI-AAA_SIRISBib)212363
AAA_collcode_hultbe68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212363

John McLaughlin papers

Creator:
McLaughlin, John, 1898-  Search this
Names:
Tamarind Lithography Workshop  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Date:
1922-1979
bulk 1936-1976
Summary:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.2 linear feet and date from 1922 to 1979, bulk 1936 to 1976. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, preliminary sketches and designs, and photographic material.
Scope and Contents:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.2 linear feet and date from 1922 to 1979, bulk 1936 to 1976. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, preliminary sketches and designs, and photographic material.

Biographical material includes McLaughlin's military service records, art awards, and resumes.

Correspondence is with friends, artists, museums, and galleries. Notable correspondents include Eugene Anderson, Karl Benjamin, Frederick Hammersley, Jules Langsner, Stanton Macdonald-Wright, and others.

Writings include artist statements, lectures, and notes. Researchers will find McLaughlin's ideas about his work and aesthetics are also referenced in much of the correspondence. There are also writings about McLaughlin by others.

The Tamarind Lithography fellowship files consists of the letter of appointment, printed material, and profiles for fellow artists at the workshop.

Personal business records include assorted legal and financial papers, such as contracts with galleries, art loan agreements, consignment records, and art shipment expenses. There are business papers about McLaughlin's Japanese print gallery, The Tokaido, Inc.

Printed material consists of exhibition catalogs for McLaughlin's shows at the Andre Emmerich Gallery, Felix Landau Gallery, a retrospective at the Corcoran Gallery of Art in 1968, and the seminal 1959 Four Abstract Classicists exhibition in Los Angeles, among others. Also included are exhibition announcements, news clippings, and press releases.

Artwork includes annotated sketches, collages and designs for paintings, and one painting.

Photographs, negatives, and slides are of McLaughlin, artwork, and exhibition installations. There is one album of photographs from a 1963 retrospective exhibition at the Pasadena Art Museum.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Material, 1941-circa 1975 (8 folders; Box 1)

Series 2: Correspondence, 1936-1976 (0.6 linear feet; Box 1)

Series 3: Writings, circa 1936-1976 (0.2 linear feet; Box 1)

Series 4: Tamarind Lithography Fellowship Files, 1958-1970 (0.2 linear feet; Box 1)

Series 5: Personal Business Records, circa 1937-1975 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1932-1979 (1.5 linear feet; Boxes 2-3, 5)

Series 7: Artwork, circa 1948-circa 1976 (0.2 linear feet; Boxes 4-6)

Series 8: Photographic Material, 1922-1979 (0.3 linear feet; Box 4)
Biographical / Historical:
John Dwyer McLaughlin (1898-1976) was best known as one of the leading Los Angeles "hard-edge" geometric abstractionist painters and one of the artists featured in the seminal 1959 exhibition "Four Abstract Classicists" curated by Jules Langsner. McLaughlin was also a dealer of Japanese art prints.

McLaughlin was born and educated in Massachusetts. He served in the United States Navy during World War I from 1917-1921 and married Florence Emerson in 1928. McLaughlin began painting around 1932 with no formal training. In 1935, the couple moved to Japan and lived there for several years before moving back to Boston, where they opened The Tokaido, Inc., a Japanese art print gallery. From this time up to the start of World War II, McLaughlin worked primarily as a print dealer. During World War II, he served as a language intelligence officer in the Marines, thanks to his knowledge of Japanese.

After the war, McLaughlin and his wife settled in Dana Point, California, where he began painting in earnest, gaining some early local success. His painting, Hope Deferred was awarded first prize for oil painting in the 1948 San Diego Art Guild Annual. He became associated with the Felix Landau Gallery in Los Angeles and was one of four painters included in the historic 1959 Four Abstract Classicists, exhibition at the Los Angeles County Museum of Art organized by critic Jules Langsner which also featured the work of Frederick Hammersley, Lorser Feitelson, and Karl Benjamin. The phrase "hard-edge painting" was first used in association with this exhibition as a description of a unique California style of geometric abstractionist painting.

Throughout the 1960s and 1970s McLaughlin exhibited widely and became a mentor for many younger Los Angeles area reductive painters. He was admired for his integrity and independent position regarding the art market. John McLaughlin died in Dana Point, California in 1976 at the age of 77.
Related Materials:
The Archives of American Art also holds an oral history interview of John D. McLaughlin conducted July 23, 1974, by Paul J. Karlstrom.
Provenance:
The John McLaughlin papers were donated to the Archives of American Art in multiple installments. John McLaughlin donated material in 1973 and his widow Florence McLaughlin donated material in 1976. Additional papers were donated by the artist's nephew John McLaughlin in 1998 and 1999. A painting was donated 2015 by the Stephne' Hesen estate.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- California  Search this
Painters -- California  Search this
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Genre/Form:
Sketches
Photographs
Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mclajohn
See more items in:
John McLaughlin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90baa8e3e-4554-441e-beef-c10b28d25768
EDAN-URL:
ead_collection:sova-aaa-mclajohn
Online Media:

Agnes Pelton papers

Creator:
Pelton, Agnes, 1881-1961  Search this
Names:
Annixter, Jane  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Scrapbooks
Date:
1885-1989
Summary:
The papers of painter Agnes Pelton measure 2.1 linear feet and date from 1885-1989. Found within the papers are biographical materials; business and personal correspondence, many addressed to Jane Levington Comfort; writings; printed material; 3 mixed media scrapbooks; one studio guestbook, signed by visitors to Agnes Pelton's studio; artwork, including loose sketches and 9 sketchbooks; and photographs of Pelton, her family and friends, and her work.
Scope and Contents:
The papers of painter Agnes Pelton measure 2.1 linear feet and date from 1885-1989. Found within the papers are biographical materials; business and personal correspondence, many addressed to Jane Levington Comfort; writings; printed material; 3 mixed media scrapbooks; one studio guestbook signed by visitors to Agnes Pelton's studio; artwork, including loose sketches and 9 sketchbooks; and photographs of Pelton, her family and friends, and her work.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Materials, 1898-1989 (2 folders; Box 1)

Series 2: Correspondence, 1930-1980 (0.4 linear feet; Box 1)

Series 3: Writings, 1913-1956 (8 folders; Box 1)

Series 4: Printed Material, 1913-1955 (6 folders; Box 1)

Series 5: Scrapbooks and Guestbook, 1911-1955 (0.7 linear feet; Boxes 1, 4)

Series 6: Artwork, 1885-1957 (0.5 linear feet; Boxes 2-3)

Series 7: Photographic Material, 1886-1955 (0.4 linear feet; Box 3)
Biographical / Historical:
Painter Agnes Pelton (1881-1961) lived and worked in Long Island, New York, and Cathedral City, California, and is known for her desert landscapes, portraits, and abstract paintings.

Born in Stuttgart, Germany to William and Florence Pelton, Pelton and her mother relocated to New York after her father's death in 1890. Her mother, who had studied music at the Stuttgart Conservatory, opened the Pelton School of Music in Brooklyn, which remained in operation for 30 years. Pelton began her art studies at the Pratt Institute in 1895 and continued working with one of her instructors, Arthur Dow, at his summer school in Ipswich, Massachusetts, after her graduation in 1900. She later worked with William Langson Lathrop and Hamilton Field, and traveled abroad to attend the British Academy in Rome in 1910 and 1911.

In 1912, after seeing her work in an exhibition in Hamilton Field's studio in Ogunquit, Maine, Walt Kuhn invited Pelton to participate in the 1913 Armory Show. During her early career, Pelton created works that were primarily influenced by Davies's philosophy on the effect of natural light, and which she termed "Imaginative Paintings." After a visit to New Mexico in 1919, Pelton began shifting to another style of painting, focusing on Southwestern landscapes and figurative portraits, which she continued from her studios in New York City and Long Island. In 1932, Pelton moved to Cathedral City, California and began painting abstract works in a new stylistic phase, which were visual explorations of her growing interest in spirituality and philosophy. In 1938, she became a founding member of the Transcendental Painting Group, which included Raymond Jonson and Emil Bisttram. Pelton died in Cathedral City in 1961.
Provenance:
The Agnes Pelton papers were assembled by Cornelia and Irving Sussman for a biography of Agnes Pelton. They were donated to the Archives by gallery director Jan Rindfleisch on behalf of the Sussmans, in 1984. In 1997, circa 162 letters from Agnes Pelton to Jane Levington Comfort, that are now part of this collection, were bequeathed to Cornelia and Irving Sussman by Jane Levington Comfort through Joan Crisci, the executor of Comfort's estate, and donated to the Archives. An additional studio guestbook was donated in 2021 by Kay Hillery, whose in-laws were neighbors and friends with Agnes Pelton. Both the letters from Agnes Pelton to Jane Levington Comfort and the studio guestbook donations were facilitated by Michael Kelley.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Scrapbooks
Citation:
Agnes Pelton papers, 1885-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.peltagne
See more items in:
Agnes Pelton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a289c7ce-c51e-4e37-86a3-724f74143e4a
EDAN-URL:
ead_collection:sova-aaa-peltagne
Online Media:

Ed Clark papers

Creator:
Clark, Edward, 1926-2019  Search this
Names:
Cinque Gallery  Search this
Gentry, Herbert, 1919-2003  Search this
Hutson, Bill, 1936-  Search this
Joans, Ted  Search this
Extent:
8.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1923-2017
Summary:
The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.
Scope and Contents:
The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.
Arrangement:
The collection is arranged as eight series.

Series 1: Biographical Material, 1943-2016 (Boxes 1, 10; 0.5 linear feet)

Series 2: Correspondence, 1926, circa 1943-2016 (Boxes 1-3; 2.1 linear feet)

Series 3: Writings, 1955, 1980-2006, 2015, undated (Boxes 3-4, 10; 0.7 linear feet)

Series 4: Personal Business Records, 1953, 1966-2015 (Boxes 4, 10; 0.9 linear feet)

Series 5: Professional Activities, circa 1954-2016 (Boxes 4-5, 10; 0.7 linear feet)

Series 6: Printed Material, 1923-1926, 1950-2017, undated (Boxes 5-8, 10, OV 11-14; 3.3 linear feet)

Series 7: Photographic Material, 1928, 1952-2014, undated (Boxes 8-9, 10; 0.6 linear feet)

Series 8: Artwork, 1977-1997, undated (Boxes 9-10, OV 14; 0.1 linear feet)
Biographical / Historical:
Ed Clark (1926- ) is an abstract expressionist painter who worked in Paris, France and New York. Clark was born in New Orleans, Louisiana in 1926. He studied at the Art Institute of Chicago from 1946 to 1951 and enrolled at the Académie de la Grande Chaumièré in Paris after his arrival there in 1952. After his return to the United States, Clark became a charter member of the Brata Gallery. In 1957 he premiered his shaped canvas at the Brata Gallery Christmas group show. This shaped canvas is generally considered to be the first of its kind. In 1958, he began using a push broom to apply broad strokes of color to canvases on his studio floor.

Ed Clark has received multiple awards and honors including the National Endowment for the Arts' Master Award (1972), the United States Congressional Achievement Award (1994), and the Art Institute of Chicago's Legends and Legacy Award (2013). He has exhibited widely and his work is held in many collections including the Art Institute of Chicago, the California Afro-American Museum, the Centro de Arté Moderno in Guadalajara, Mexico, the Detroit Institute of the Arts, Louisiana State University, the Smithsonian National Museum of African American History and Culture, and the New York Public Library Schomburg Center.
Related Materials:
A 30-minute documentary recording, Ed Clark: a brush with success (2007) produced by Mark Hammond and Charles Martin is available at the Anacostia Community Museum Library.
Provenance:
The Ed Clark papers were donated to the Archives of American Art by Melanca Clark, Ed Clark's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- France -- Paris  Search this
Topic:
African American artists  Search this
Abstract expressionism  Search this
Painting, Abstract  Search this
Shaped canvas  Search this
Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clarked
See more items in:
Ed Clark papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9591c8e79-7501-4649-aca7-b2703a3f44ce
EDAN-URL:
ead_collection:sova-aaa-clarked
Online Media:

Jules Langsner papers

Creator:
Langsner, Jules, 1911-1967  Search this
Names:
Art Institute of Chicago  Search this
Art in America  Search this
California Watercolor Society  Search this
Ford Foundation  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
International Association of Art Critics  Search this
Los Angeles County Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York Times  Search this
Pasadena Art Museum  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
University of Southern California. -- Faculty  Search this
Adams, Clinton, 1918-2002  Search this
Brice, William, 1921-  Search this
Feitelson, Lorser, 1898-1978  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Guston, Musa  Search this
Guston, Philip, 1913-1980  Search this
Harwood, June  Search this
Kadish, Reuben, 1913-1992  Search this
Lebrun, Rico, 1900-1964  Search this
Lundeberg, Helen, 1918-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Perls, Frank, 1910-1975  Search this
Ray, Julie  Search this
Ray, Man, 1890-1976  Search this
Turnbull, William, 2002  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Date:
circa 1910s-1998
bulk 1950-1967
Summary:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.
Scope and Contents note:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings by Langsner; exhibition files; printed materials; photographs of Langsner, others, travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

Biographical materials consist of an address book and file, committee files, scattered financial statements, and documents related to the Ford Foundation and other foundations, teaching, and traveling.

The 0.9 linear feet of correspondence is of both a personal and professional nature. A significant portion of the correspondence is between Langsner and publications for which he wrote such as Art News, the New York Times, Meridian Books, Craft Horizons, Art International, and Art in America; galleries and museums where he lectured or curated exhibitions including the Art Institute of Chicago, California Water Color Society, Los Angeles County Museum of Art, Pasadena Art Museum, Santa Barbara Museum of Art, Museum of Modern Art, Guggenheim Museum, and the Fine Arts Patrons of Newport Harbor; colleges and organizations where he taught or was involved with such as the Graham Foundation, University of Southern California, International Association of Art Critics, and Ford Foundation; and artists that he worked with or knew personally including Rico Lebrun, William Turnbull, Man & Julie Ray, Lorser Feitelson, Helen Lundeberg, Adelaide Fogg, and Clinton Adams.

Letters to June Harwood were written while Langsner was traveling in 1964 and 1965 and discuss his travels and their relationship which culminated in marriage in Italy in 1965.

Among the 2.8 linear feet of the writings of Jules Langsner are articles for Art News, Art in America, Art International, Arts & Architecture, Aware, Beverly Hills Times, Craft Horizons, Creative Crafts, Goya Revista De Arte, Yomiuri, and Zodiac. There are also essays, lectures, poems, drafts, notes, jottings of ideas, proposals and published and unpublished manuscripts. There are drafts and unpublished versions of "Painting in the Modern World", and numerous other essays on contemporary art. There are also extensive handwritten notes on his travels, Asian art, European art, and other subjects.

Exhibition files concern "Black and White" (1958), "California Hard-Edge Painting" (1964), the Man Ray Exhibition (1966), and the William Turnbull Exhibition (1966).

Printed materials include miscellaneous flyers, brochures, and news bulletins, and press releases.

Photographs are of people, places, works of art, and exhibitions. There are photographs of Jules Langsner, June Harwood, Philip Guston, Musa Guston, William Brice, Eddy Feldman, Rube Kadish, Stanton MacDonald-Wright, Frank Perls, and unidentified individual people and groups. Photographs of Langsner's travels are of Japan, Korea, Taiwan, and other locations. Photographs of exhibitions include California Art Club, "Black and White," "California Painters & Sculptors, 35 & Under," and unidentified exhibitions. Photographs of works of art are by William Turnbull, Jack Zajac, Walter Mix, Marion Aldrich, Roger Majorowicz, and Jasper Johns.

Audio recordings include four untranscribed 7" reel-to-reel audio recordings and one cassette tape. The reel-to-reel tapes are of two lectures by Langsner, You & Art/Berlin Party, and of eulogies given at Langsner's funeral by Clement Greenberg, Henry Seldis, Peter Selz, Richard Brown, Donald Brewer, Tom Leavitt, Lorser Feitelson, Sam Francis, June Wayne, Gifford Phillips, and others. The cassette tape is a copy of eulogies.
Arrangement note:
The collection is arranged as 7 series. Photographs are arranged by subject, otherwise each series is generally arranged chronologically.

Missing Title

Series 1: Biographical Materials, 1957-circa 1960s (Box 1; 9 folders)

Series 2: Correspondence, 1948-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1934-circa 1960s (Boxes 2-4; 2.8 linear feet)

Series 4: Exhibition Files, 1919, circa 1958-1966 (Box 4; 4 folders)

Series 5: Printed Materials, circa 1960s (Box 5; 2 folders)

Series 6: Photographs, circa 1910s-1960s (Box 5; 0.25 linear feet)

Series 7: Audio Recordings, 1954-1967 (Box 5; 0.25 linear feet)
Biographical/Historical note:
Jules Langsner (1911-1967) worked primarily in the Los Angeles area as a contemporary art critic, historian, and curator. He curated several seminal exhibitions of contemporary art, including the 1959-1960 show "Four Abstract Classicists" featuring the work of Southern California artists Lorser Feitelson, Karl Benjamin, Frederick Hammersley, and John McLaughlin.

Born Julius Harold Langsner in New York City on May 5, 1911, his family moved to Ontario, California in 1922. The family lived on a farm and opened the Paradise Health Resort which was run by Langsner's father, chiropractor Isadore Langsner, and was popular in Jewish and intellectual circles. In Ontario, Langsner became friends with three of the Pollack family sons, Jackson, Frank, and Sanford, as well as Philip Guston, Reuben Kadish, Leonard Stark, and Don Brown as a teenager. Guston, Kadish, and Jackson Pollock were later mentored by Lorser Feitelston which helped to foster in Langsner an interest in avant-garde painting.

Langsner went on to study philosophy at the University of California, Los Angeles. In the early 1940s, Langsner married and had a son, Drew Langsner. He divorced in 1946. In 1944, he enlisted in the United States Army and served as a psychiatric social worker and psychologist during World War II in the United States.

Art & Architecture magazine was the first to publish Langsner's art criticism in 1948. Throughout the 1950s and 60s his work was published widely in Art & Architecture as well as Art News, Art in America, Craft Horizons, Beverly Hills Times, Zodiac, and others. Langsner wrote extensively about art history in both published and unpublished manuscripts, including Painting in the Modern World which he worked on until his death. Additionally, he taught art history classes at the Chouinard Art Institute and University of Southern California and lectured for a variety of organizations and occasions.

Langsner curated several influential exhibitions in southern California, including the "Four Abstract Classicists" exhibition for the Los Angeles County Museum of Art in 1959 and in whose catalog he and Peter Selz coined the term "Hard-Edge painting." He curated the first full-scale retrospective of Man Ray in the United States at the Los Angeles County Museum of Art in 1966.

Langsner received a grant from the Ford Foundation in 1964 that allowed him to travel throughout Asia, the Middle East, and Europe for a year studying regional art and architecture. He wrote notes on his travels and corresponded frequently with June Harwood, a Hard-Edge painter, whom he married in Italy in 1965.

Jules Langsner died unexpectedly of a heart attack on September 29, 1967, in Los Angeles.
Related Archival Materials note:
The papers of Lorser Feitelson and Helen Lundeberg at the Archives of American Art contain a significant amount of writings by Jules Langsner, including exhibition catalog essays.

Papers of Jules Langsner, 1941-1967, are also located at the University of California, Los Angeles.
Provenance:
The Jules Langsner papers were donated to the Archives of American Art in several installments from 1973-1996, and in 2004 by June Harwood Langsner, widow of Jules Langsner. Notes for a lecture given at the Art Institute of Chicago in 1966 and 39 pieces of correspondence were donated in 1982 by the University of California Art Library, Los Angeles, via Librarian Virginia Steele.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Citation:
Jules Langsner papers, circa 1910s-1998, bulk 1950-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langjule
See more items in:
Jules Langsner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ca20c0c-5a91-42e5-9ff4-d5217f7fd266
EDAN-URL:
ead_collection:sova-aaa-langjule
Online Media:

Stanton Macdonald-Wright papers

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Names:
Russell, Morgan, 1886-1953  Search this
Seuphor, Michel, 1901-1999  Search this
Summerfield, Anne, 1917-  Search this
Summerfield, John, 1917-  Search this
Extent:
14.5 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Essays
Travel diaries
Place:
Italy -- description and travel
Hawaii -- description and travel
Japan -- Description and Travel
Date:
1890-2018
Summary:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork. There is an 11.3 linear foot unprocessed addition to this collection donated 2019 that includes biographical material, personal and professional correspondence including illustrated letters, two scrapbooks, a diary by Stanton macDonald-Wright, works of art includind sketches in various media, photographs, scrapbooks, Jean's research and writing, Stanton's teaching materials, printed material, interviews on three cassettes, and files related to Stanton's estate.
Scope and Contents:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork. There is an 11.3 linear foot unprocessed addition to this collection donated 2019 that includes biographical material, personal and professional correspondence including illustrated letters, two scrapbooks, a diary by Stanton macDonald-Wright, works of art includind sketches in various media, photographs, scrapbooks, Jean's research and writing, Stanton's teaching materials, printed material, interviews on three cassettes, and files related to Stanton's estate.

Writings consist of drafts of essays, plays, and book manuscripts. There are drafts of A Treatise on Color with palettes and color wheels, The Basis of Culture, and Macdonald-Wright's autobiography Bittersweet: An Artist's Life.

There are six diaries and numerous travel journals. One diary was written in Paris in 1909 in which Macdonald-Wright muses over the aesthetics of art and his color theories. Five additional disbound diaries cover his life from 1939-1973. Travel diaries date from 1959-1972 and cover trips to Italy, Japan, and Hawaii.

Printed material includes a copy of Les Synchromistes exhibition catalog, a newspaper clipping, and The Future of Painting by Willard Wright. Artwork consists of blueprints for Macdonald-Wright's Synchrome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913 and finally completed in the late 1950s.
Arrangement:
The collection is arranged as 5 series.

Missing Title

Series 1: Correspondence, circa 1907-circa 1972 (0.5 linear feet; Box 1)

Series 2: Writings, 1920-circa 1970 (0.9 linear feet; Box 1-2)

Series 3: Diaries, 1909-1973 (1.3 linear feet; Box 2-3)

Series 4: Printed Material, 1913-1967 (0.3 linear feet; Box 3, OV 4)

Series 5: Artwork, 1969 (0.1 linear feet; Box 3, OV 4)
Biographical / Historical:
Stanton Macdonald-Wright (1890-1973) was the creator of a modernist style of painting based on pure spectral color known as chromatic abstraction or "Synchromism." He worked in New York and later primarily in Los Angeles.

Stanton Macdonald-Wright was born in 1890 in Charlottesville, Virginia. In 1900 the family moved to Santa Monica, California where they ran a seaside hotel. A few years later he took courses at the Art Students League in Los Angeles, studying under Warren T. Huges. His older brother was Willard Huntington Wright, a respected art critic who wrote Modern Painting: Its Tendency and Meaning (1915), upon which he collaborated with his younger brother Stanton, and The Future of Painting (1923), and later became a detective novelist under the name S. S. Van Dine.

At the age of seventeen, Stanton Macdonald-Wright married his first wife and moved to Paris where he immersed himself in European art and studied at the Sorbonne, the Académie Julian, the École des Beaux-Arts, and the Académie Colarossi. While in Europe he also befriended fellow American painter Morgan Russell and the two artists began working closely together. They studied with Canadian painter Percyval Tudor-Hart between 1911 and 1913 and were deeply influenced by their teacher's color theory, which connected the qualities of color to those of music. Together Macdonald-Wright and Russell developed a style of painting based on color and named it "Synchromism." They introduced their work in 1913 at the Der Neue Kuntsalon in Munich and in Paris at the Galerie Bernheim-Jeune. These exhibitions helped to establish Synchromism as an major influence in modern art well into the 1920s.

Stanton Macdonald-Wright and Morgan Russell returned to the United States eager to promote their work and theory. It was not long before the two separated, but both continued to work in the Synchromist style. Together, they held one more Synchromist exhibition in New York in 1916 which received significant critical support. Macdonald-Wright also participated in the prestigious 1916 "Forum Exhibition of Modern American Painters" in New York and exhibited his work at Alfred Stieglitz's famed 291 gallery in New York in 1917. Yet, financial success evaded him.

Macdonald-Wright moved to Santa Monica in 1918, where he taught and served as director of the Los Angeles Art Students League. In 1924 he published his instructive Treatise on Color. In 1927 he organized another joint exhibition with Morgan Russell at the Los Angeles County Museum of Art, where he also exhibited five years later. He exhibited at the Oakland Art Gallery, the California Palace of the Legion of Honor in San Francisco, Alfred Stieglitz's An American Place gallery in New York, and the Stendahl Galleries in Los Angeles. From 1935 to 1942 Macdonald-Wright served as director of the Works Progress Administration's Federal Art Project for Southern California, followed by a faculty position at the University of Southern California at Los Angeles where he taught for sixteen years.

In the late 1950s, Macdonald-Wright completed the Synchome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913.

Macdonald-Wright traveled extensively throughout the 1960s and early 1970s, spending time in Hawaii, Italy, and Japan. Macdonald-Wright married three times and died in California in 1973, at the age of 83.

This biographical note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
The Archives of American Art holds several collections related to the Stanton Macdonald-Wright papers. There is an oral interview of Stanton Macdonald-Wright conducted 1964 Apr. 13-Sept. 16, by Betty Hoag. There are also Stanton Macdonald-Wright Letters to Alan and Fanny Leslie, the Stanton Macdonald-Wright Collection of photographs, Stanton Macdonald-Wright Letters to Morgan Russell, Walter Houk Letters from Stanton Macdonald-Wright, and an Oral History of Stanton Macdonald-Wright by Jeanne M. Marshall for the Voice of America Conducted in 1967.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 1 and LA 5) including a brochure on the Santa Monica Library murals and six photographs of the panels while in Macdonald-Wright's studio. There is also a 1939 exhibition catalog for "Southern California Art Project" a master's thesis on Macdonald-Wright by Dori Jean Watson (1957), and one scrapbook of photographs, clippings, and other printed materials dating from circa 1910-1964. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Stanton Macdonald-Wright first loaned materials to the Archives of American Art for microfilming in 1964. David Nellis, a gallery owner, gave the Archives the artist's unpublished autobiography in 1978. The bulk of the Stanton Macdonald-Wright papers were donated to the Archives of American Art by his widow, Jean Macdonald-Wright, in 2 installments in 1995 and then in 2019 as a bequest.
Restrictions:
This collection is temporarily closed due to archival processing. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Mural painting and decoration, American -- California -- Santa Monica  Search this
Synchromism (Art)  Search this
Painting, Abstract  Search this
Color in art  Search this
Genre/Form:
Blueprints
Diaries
Essays
Travel diaries
Citation:
Stanton Macdonald-Wright papers, 1907-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macdstan
See more items in:
Stanton Macdonald-Wright papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92754d264-a987-4a95-9b40-39727bfd1bc6
EDAN-URL:
ead_collection:sova-aaa-macdstan

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