Search Results

Interviewee:

Tsutakawa, George, 1910-1997  Search this

Interviewer:

Kingsbury, Martha, 1941-  Search this

Subject:

Archipenko, Alexander  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with George Tsutakawa, 1983 September 8-19. Archives of American Art, Smithsonian Institution.

Topic:

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American sculptors  Search this

Asian American painters  Search this

Asian American educators  Search this

Fountains -- Washington (State) -- Seattle  Search this

Theme:

Asian American  Search this

Record number:

(DSI-AAA_CollID)11913

(DSI-AAA_SIRISBib)216593

AAA_collcode_tsutak83

Theme:

Asian American

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_216593

Interviewee:

Malone, Dorothy, 1912-  Search this

Interviewer:

Ragen, Suzanne  Search this

Names:

Seattle Art Museum  Search this

Anderson, Guy, 1906-1998  Search this

Callahan, Kenneth, 1905-1986  Search this

Fuller, Richard E. (Richard Eugene), 1897-1976  Search this

Graves, Morris, 1910-2001  Search this

Tobey, Mark  Search this

Extent:

32 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1983 Jan. 27

Scope and Contents:

An interview of Dorothy Malone conducted 1983 Jan. 27, by Suzanne Ragen, at the Seattle Art Museum in Seattle, Wash., for the Archives of American Art's Northwest Oral History Project. Malone speaks of her association with the Seattle Art Museum since its founding in 1933; working as Dr. Richard Fuller's secretary; Fuller's policies and administration; major shows at the Museum; the "Northwest School" and some of its members, including Morris Graves, Mark Tobey, Kenneth Callahan, and Guy Anderson.

Biographical / Historical:

Dorothy Malone (1912- ) was a secretary from Seattle, Wash. She worked for Richard E. Fuller, director of the Seattle Art Museum.

General:

Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 19 min.

Provenance:

This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.

Topic:

Northwest school of artists  Search this

Art -- Northwestern States  Search this

Function:

Art museums -- Washington (State) -- Seattle

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.malone83

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96b6b19c0-5491-4ae8-8a09-b99161712713

EDAN-URL:

ead_collection:sova-aaa-malone83

Interviewee:

Thompson, Jan Newstrom  Search this

Interviewer:

Prince, Sue Ann  Search this

Names:

Callahan, Harry M.  Search this

Callahan, Kenneth, 1905-1986  Search this

Graves, Morris, 1910-2001  Search this

Tobey, Mark  Search this

Extent:

67 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1983 September 6-November 16

Scope and Contents:

An interview of Jan Thompson conducted 1983 September 6-1983 November 16, by Sue Ann Kendall, for the Archives of American Art's Northwest Oral History Project at the artist's home in Seattle, Washington.

Thompson speaks of her association with Morris Graves, Mark Tobey, Kenneth Callahan and others; women in Northwest art; her lack of interest in figurative painting; and abstract expressionism and pop art. She recalls John Cage.

Biographical / Historical:

Jan Newstrom Thompson is an arts patron from Seattle, Washington.

General:

Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 11 min.

Provenance:

This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Art patrons -- Washington (State) -- Seattle  Search this

Topic:

Abstract expressionism  Search this

Art patronage  Search this

Women artists  Search this

Women art patrons  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.thomps83

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9438ad656-5731-4ea0-aef8-9464045994ca

EDAN-URL:

ead_collection:sova-aaa-thomps83

Interviewee:

Callahan, Kenneth, 1905-1986  Search this

Interviewer:

Prince, Sue Ann  Search this

Names:

Group of Twelve (Seattle, Wash.)  Search this

Seattle Art Museum  Search this

Anderson, Guy, 1906-1998  Search this

Graves, Morris, 1910-2001  Search this

Tobey, Mark  Search this

Extent:

75 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1982 October 27-December 19

Scope and Contents:

An interview of Kenneth Callahan conducted 1982 October 27-1982 December 19, by Sue Ann Kendall, for the Archives of American Art's Northwest Oral History Project.

Callahan speaks of his childhood in Montana; his education; working as an illustrator; early shows of his work; mural commissions; the Northwest arts community, particularly Morris Graves, Guy Anderson and Mark Tobey; changes in his subject matter and interests; the increasing abstraction in his painting; the fire in his studio; his relationship with the Seattle Art Museum, where he worked as a curator for 20 years; collectors he has known; experimenting with other media; and contemporary art and its future.

Biographical / Historical:

Kenneth Callahan (1905-1986) was a painter, muralist, writer, and curator from Long Beach, Washington.

General:

Originally recorded on 7 sound cassettes. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 27 min.

Provenance:

This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Painters -- Washington (State) -- Interviews  Search this

Topic:

Artists -- Northwestern States -- Interviews  Search this

Art, Modern -- Northwestern States  Search this

Art, American -- Northwestern States  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.callah82

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f4fd83e5-f7a4-412d-add2-aa314479d613

EDAN-URL:

ead_collection:sova-aaa-callah82

Interviewee:

Thomas, Edward B., 1920-1984  Search this

Interviewer:

Olbrantz, John  Search this

Names:

Henry Art Gallery  Search this

Seattle Art Museum  Search this

Anderson, Guy, 1906-1998  Search this

Callahan, Kenneth, 1905-1986  Search this

Graves, Morris, 1910-2001  Search this

Tobey, Mark  Search this

Extent:

84 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1983 April 28-May 10

Scope and Contents:

An interview of Edward B. Thomas conducted 1983 April 28-May 10, by John Olbrantz, at the artist's home in Seattle, Washington, for the Archives of American Art's Northwest Oral History Project. Thomas speaks of his family background and early art experiences; his education at the University of Washington; printmaking and its role in Northwest art; his role as education director at the Seattle Art Museum; the development of the museum under Richard E. Fuller; contributors to the museum; the impact of the 1962 World's Fair; the Northwest art scene; exhibitions at the museum; interaction with the Henry Gallery and other museums; and his future plans. He recalls Guy Anderson, Kenneth Callahan, Morris Graves, and Mark Tobey.

Biographical / Historical:

Edward B. Thomas (1920-1984) was an educator and museum curator from Seattle, Washington.

General:

Originally recorded on 6 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 6 hr., 9 min.

Provenance:

This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.

Topic:

Prints -- 20th century -- Northwestern States  Search this

Art, Modern -- Northwestern States  Search this

Art, American -- Northwestern States  Search this

Educators -- Washington (State) -- Seattle -- Interviews  Search this

Function:

Art museums -- Washington (State) -- Seattle

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.thomas83

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fb8bdaf4-cf0c-4d0d-a935-ea35153931d5

EDAN-URL:

ead_collection:sova-aaa-thomas83

Interviewee:

Wehr, Wesley, 1929-2004  Search this

Interviewer:

Kingsbury, Martha, 1941-  Search this

Names:

Graves, Morris, 1910-2001  Search this

Tobey, Mark  Search this

Extent:

109 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1983 May 26-September 22

Scope and Contents:

An interview of Wesley C. Wehr conducted 1983 May 26 - September 22, by Martha Kingsbury, for the Archives of American Art's Northwest Oral History Project in Seattle, Washington.

Wehr speaks of meeting the artists Morris Graves and Mark Tobey, their fame, their personalities and his relationship with them; his own background and education in music, poetry, paleobotany, and painting; the Seattle art scene and changes in it during the 1960s; and important Seattle collectors.

Biographical / Historical:

Wesley C. Wehr (1929-2004) is a painter and writer from Seattle, Washington.

General:

Originally recorded on 8 sound cassettes. Reformatted in 2010 as 13 digital wav files. Duration is 6 hr., 4 min.

Provenance:

This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.

Topic:

Art -- Collectors and collecting -- Washington (State) -- Interviews  Search this

Art -- Washington (State) -- Seattle  Search this

Artists -- Northwestern States -- Interviews  Search this

Art, Modern -- Northwestern States  Search this

Art, American -- Northwestern States  Search this

Painters -- Washington (State) -- Seattle -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.wehr83

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97fa8f5d8-50e1-4508-9a0b-66edc96e254c

EDAN-URL:

ead_collection:sova-aaa-wehr83

Interviewee:

Anderson, Guy, 1906-1998  Search this

Interviewer:

Kingsbury, Martha, 1941-  Search this

Names:

Graves, Morris, 1910-2001  Search this

Extent:

5 Sound cassettes (Sound recording)

86 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound cassettes

Pages

Sound recordings

Interviews

Date:

1983 February 1-8

Scope and Contents:

An interview of Guy Anderson conducted 1983 February 1-8, by Martha Kingsbury, for the Archives of American Art's Northwest Oral History Project.

Anderson speaks of his education; his career; the Great Depression and its impact on art and on him; working in the Seattle Art Museum in the 1930s; murals in the 1930s; the Spokane Art Center; vegetarianism; his travels in Alaska, Mexico, and Japan; meeting Morris Graves; religious painting; and the importance of the human figure to art.

Biographical / Historical:

Guy Anderson (1906-1998) was a painter, from LaConner, Washington.

General:

Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 27 minutes.

Provenance:

This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.

Occupation:

Painters -- Washington (State) -- Interviews  Search this

Topic:

Figurative art  Search this

Mural painting and decoration -- Washington (State) -- History  Search this

Artists -- Northwestern States -- Interviews  Search this

Art, Modern -- Northwestern States  Search this

Art, American -- Northwestern States  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.anders83

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92c973680-13a7-424e-842b-2a4228b0f8b3

EDAN-URL:

ead_collection:sova-aaa-anders83

Creator:

Smith, Margery Hoffman, 1888-1981  Search this

New Deal and the Arts Oral History Project  Search this

Interviewer:

Phillips, Harlan B. (Harlan Buddington), 1920-1979  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Extent:

31 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1961

Scope and Contents:

An interview of Margery Hoffman Smith conducted in 1961 by Harlan Phillips for the Archives of American Art.

Smith speaks of her work with the Federal Art Project in Oregon, working on the design for Timberline Lodge, a ski lodge built under the authority of the WPA in the 1940s.

Biographical / Historical:

Margery Hoffman Smith (1888-1981) was a painter, craftsman, and interior decorator from San Francisco, California. Smith was art director for the Timberline Lodge project on Mount Hood, Oregon, which was built under the authority of the WPA in the 1940s. She became the assistant state director of the Federal Art Project in Oregon.

General:

Originally recorded 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 45 min.

Sound quality is extremely poor.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Topic:

Federal aid to the arts  Search this

Design  Search this

Designers -- California -- San Francisco -- Interviews  Search this

Women artists  Search this

Women designers  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.smith61

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96208257e-30b8-4078-bc5c-90f73fe7cd95

EDAN-URL:

ead_collection:sova-aaa-smith61

Creator:

Admiral, Virginia, 1915-2000  Search this

Names:

Art Workers Coalition  Search this

Museum of Modern Art (New York, N.Y.)  Search this

De Niro, Robert, Sr., 1922-1993  Search this

Mapplethorpe, Robert (Robert Michael)  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1945-1978

Summary:

The papers of painter and poet Virginia Admiral measure 0.6 linear feet and date from 1945-1978. The scattered papers include identification cards, correspondence with artists and friends, personal business records, and printed material. Found are files relating to the Art Workers' Coalition, a group that sought to pressure the Museum of Modern Art and others to implement political and economic reforms to their practices.

Scope and Contents:

The papers of painter and poet Virginia Admiral measure 0.6 linear feet and date from 1945-1978. The scattered papers include identification cards, correspondence with artists and friends, personal business records, and printed material. Found are files relating to the Art Workers' Coalition, a group that sought to pressure the Museum of Modern Art and others to implement political and economic reforms to their practices.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Virginia Admiral (1915-2000) was a painter and poet based in New York City, New York. She was the ex-wife of Robert De Niro and mother of actor Robert De Niro Jr.

Virginia Admiral was born in Oregon in 1915 and studied at the Art Institute of Chicago. She worked for the Federal Arts Project in Oakland, California in 1938 but enrolled at the Hofmann School in New York City two years later. It was at the Hofmann school, where she studied under its founder Hans Hofmann, that she met fellow artist Robert De Niro. They married and had a son, Robert De Niro Jr., who would later become an actor. Admiral and De Niro divorced in 1945.

Admiral's work was included in the 1948 Peggy Guggenheim exhibition at the Venice Biennale. Also an activist and a writer, Admiral participated in the anti-Vietnam War movement, and wrote for True Crimes magazine. She died in 2000 in New York City, New York.

Provenance:

Virginia Admiral donated her papers to the Archives of American Art in 1979 and 1980.

Restrictions:

This collection is open for research. Access to the original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Occupation:

Painters -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Poets -- New York (State) -- New York  Search this

Topic:

Women authors  Search this

Women artists  Search this

Women painters  Search this

Citation:

Virginia Admiral papers, 1945-1978. Archives of American Art, Smithsonian Institution.

Sponsor:

To process this collection, this project received Federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program.

Identifier:

AAA.admivirg

See more items in:

Virginia Admiral papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9db007217-fac8-4421-90a6-64eb87a06669

EDAN-URL:

ead_collection:sova-aaa-admivirg

Artist:

Oskar Kokoschka, British, b. Pochlarn, Austria, 1886–1980  Search this

Medium:

Oil on canvas

Dimensions:

29 1/8 × 36 3/8 in. (74 × 92.3 cm)

Type:

Painting

Date:

(c. 1930)

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number:

66.2778

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py287f3b506-d6b1-4a76-b753-225eee27c4c4

EDAN-URL:

edanmdm:hmsg_66.2778

Artist:

Pablo Picasso, Spanish, b. Málaga, 1881–1973  Search this

Medium:

Bronze and paint

Dimensions:

10 1/4 X 7 3/8 X 5 3/4 IN. (26.0 X 18.6 X 14.4 CM.) WT. 8 LB. (3.6 KG.)

Type:

Sculpture

Date:

(1951-1952)

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number:

66.4045

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Spanish Modernism

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2ca46624c-d3d3-4062-a497-d017e07690ac

EDAN-URL:

edanmdm:hmsg_66.4045

Creator:

Celentano, Francis, 1928-2016  Search this

Extent:

2.7 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Date:

circa 1939-2020

bulk 1950-2016

Summary:

The Francis M. Celentano papers measure 2.7 linear feet and date from circa 1939-2020, with the bulk of the collection dating from 1950-2016. The collection documents Celentano's career as an Op painter and sculptor, as well as his time as a student at New York University and as a Fulbright scholar in Rome. Included is biographical material; correspondence; writings; and project files detailing several exhibitions and works of art that Celentano worked on and participated in throughout his career. Also found are printed materials that showcase numerous exhibitions Celentano was in; photographs and transparencies of the artists and his work; and pencil and digital sketches.

Scope and Contents:

The papers of Op artist Francis M. Celentano measure 2.7 linear feet and date from circa 1939-2020, with bulk dates from 1950-2016. Included is biographical material is his birth and death certificates, as well as certificates for his first communion, a scholastic art award, his high school diploma and a resume; correspondence with Celentano's NYU thesis advisor H.W. Janson, and fellow artists Evelyn Hofer and Ivan Schwebel. Also found are letters from museums, galleries, and the Fulbright program. Writings include academic and professional writing projects by Celentano as well as extensive painting and sculpture notes, a diary, and some poetry. Academic writing consists of undergraduate and graduate term papers including a copy of his master's thesis "The Origins and Development of Abstract Expressionism in the United States" (New York University, 1957) and supporting research notes. Project files contain notes, photographic and video materials, proposals, planning documents, correspondence and installation instructions related to specific exhibitions, lectures and individual artworks that Celentano worked on throughout his careeer; printed material consisting of exhibition catalogs, flyers, announcements, and clippings; photographs are of Celentano with his artwork as well as with friends and family and transparencies of works of art; and artwork contains annotated preparatory pencil and digital sketches, and unannotated ink jet print outs of digital paintings.

Arrangement:

The collection is arranged as 7 series.

Biographical Material, 1939-2020 (0.2 Linear feet Box 1)

Correspondence, 1957-2007 (0.2 Linear feet Box 1)

Writings, circa 1941-2016 (0.7 Linear feet Box 1-2)

Project Files, circa 1973-2013 (0.6 Linear feet Box 2)

Printed Material, circa 1964-2018 (0.5 Linear feet Box 2-3)

Photographic Material, circa 1943-2016 (0.3 Linear feet Box 3, OV 5)

Artwork, circa 1970-2016 (0.2 Linear feet Box 4)

Biographical / Historical:

Francis Celentano (1928-2016) was an art professor and one of the original New York Op artists. Born in the Bronx in 1928, he studied both art and art history as an undergraduate and graduate student at New York University. During his undergraduate program, Celentano took drawing classes with Philip Guston who influenced Celentano's interest in abstract expressionism, which eventually became the topic of his 1957 master's thesis, "The Origins and Development of Abstract Expressionism in the United States." His thesis supervisor was the art historian Horst W. Janson with whom he took several graduate and undergraduate courses. In 1957 after earning his art history master's degree Celentano received a Fulbright Scholarship to study painting in Rome. He returned to New York and continued to paint, and his abstract expressionist style transformed into Op art, a form that uses optical illusions.

Celentano continued living in New York until 1966 when he joined the faculty in the painting department of the School of Art at the University of Washington in Seattle. He taught in the department until retiring in 1993 to dedicate himself back to creating art full time. Over the course of his career Celentano exhibited work in numerous solo and group exhibitions across the country, with a heavy emphasis in New York, Washington, and Oregon. Exhibitions include the Responsive Eye (1965), the Museum of Modern Art; Kinetic and Optical Art Today (1965), Albright-Knox Gallery; a mural installation in the Seattle-Tacoma airport (1972); and Francis Celentano: Form and Color a ten-year retrospective (2010), Hallie Ford Museum of Art. Celentano's work is included in several museum collections such as the Stedelijk Museum in Amsterdam; the Museum of Modern Art and the Whitney Museum in New York and the Albright-Knox Art Gallery in Buffalo.

Provenance:

The collection was donated in 2020 by Rebecca Celentano, Francis Celentano's widow.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (State) -- Seattle  Search this

Painters -- New York (State) -- New York  Search this

Educators -- Washington (State) -- Seattle  Search this

Topic:

Optical art  Search this

Genre/Form:

Diaries

Citation:

Francis M. Celentano papers, circa 1939-2020. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.celefran

See more items in:

Francis M. Celentano papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94745d8e6-a64e-41cc-9a1c-f0c9f7668391

EDAN-URL:

ead_collection:sova-aaa-celefran

Artist:

Kenjiro Nomura, born Gifu Prefecture, Japan 1896-died Seattle, WA 1956  Search this

Medium:

oil on canvas

Dimensions:

38 1/4 x 46 1/8 in. (97.2 x 117.1 cm.)

Type:

Painting

Date:

1934

Topic:

Landscape\road  Search this

Landscape\farm  Search this

Architecture\detail\fence  Search this

Architecture\farm\silo  Search this

Landscape\weather\cloud  Search this

Architecture\farm\barn  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from the U.S. Department of Labor

Object number:

1964.1.36

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

On View:

Smithsonian American Art Museum, 1st Floor, North Wing

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk708772936-3cf6-4e6b-91b0-0d1668c2e488

EDAN-URL:

edanmdm:saam_1964.1.36

Creator:

Willson, Catharine  Search this

Subject:

Browne, Charles Francis  Search this

Clarkson, Ralph  Search this

Dickerson, J. Spencer  Search this

Fiske, Horace Spencer  Search this

Grover, Oliver Dennett  Search this

Heckman, Wallace  Search this

Taft, Lorado  Search this

Thomas, Vernon, Mrs.  Search this

Eagle's Nest Art Colony  Search this

Type:

Scrapbooks

Citation:

Catharine Willson photographs and clippings, 1895-1964. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7377

(DSI-AAA_SIRISBib)209532

AAA_collcode_willcath

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209532

Interviewee:

Yeon, John, 1910-1994  Search this

Interviewer:

Kolisch, Marian W.  Search this

Subject:

Belluschi, Pietro  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with John Yeon, 1982 December 14-1983 January 10. Archives of American Art, Smithsonian Institution.

Topic:

Architecture -- Oregon -- Portland  Search this

Architects -- Oregon -- Portland -- Interviews  Search this

Theme:

Architecture & Design  Search this

Record number:

(DSI-AAA_CollID)12428

(DSI-AAA_SIRISBib)212456

AAA_collcode_yeon82

Theme:

Architecture & Design

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212456

Interviewee:

Wehr, Wesley C., 1929-2004  Search this

Interviewer:

Kingsbury, Martha, 1941-  Search this

Subject:

Graves, Morris  Search this

Tobey, Mark  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Wesley C. Wehr, 1983 May 26-September 22. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Collectors and collecting -- Washington (State) -- Interviews  Search this

Art -- Washington (State) -- Seattle  Search this

Artists -- Northwestern States -- Interviews  Search this

Art, Modern -- Northwestern States  Search this

Art, American -- Northwestern States  Search this

Painters -- Washington (State) -- Seattle -- Interviews  Search this

Record number:

(DSI-AAA_CollID)12660

(DSI-AAA_SIRISBib)212458

AAA_collcode_wehr83

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212458

Biogeographical Region:

Nearctic  Search this

Collector:

C. Martin  Search this

Prep Count:

1

Preparation:

Pinned

Sex:

Female

Stage:

Adult

Place:

Adrian, Owyhee River, Malheur, Oregon, United States

Collection Date:

24 Jul 1934

Taxonomy:

Animalia, Arthropoda, Insecta, Diptera, Apioceridae

Published Name:

Apiocera (Pyrocera) haruspex martinorum Painter, 1936

Barcode:

USNMENT00876744

USNM Number:

USNMENT00876744

See more items in:

Specimen Inventory

Data Source:

NMNH - Entomology Dept.

GUID:

http://n2t.net/ark:/65665/37ca38825-10b3-47cc-a0ed-4c2342df4543

EDAN-URL:

edanmdm:nmnhentomology_11725553

Biogeographical Region:

Nearctic  Search this

Collector:

C. Martin  Search this

Prep Count:

1

Preparation:

Pinned

Sex:

Male

Stage:

Adult

Place:

Adrian, Owyhee River, Malheur, Oregon, United States

Collection Date:

25 Jul 1934

Taxonomy:

Animalia, Arthropoda, Insecta, Diptera, Apioceridae

Published Name:

Apiocera (Pyrocera) haruspex martinorum Painter, 1936

Barcode:

USNMENT00876745

USNM Number:

USNMENT00876745

See more items in:

Specimen Inventory

Data Source:

NMNH - Entomology Dept.

GUID:

http://n2t.net/ark:/65665/3c29b5ed9-eb56-4f09-bc1b-17f8ef7e7fa1

EDAN-URL:

edanmdm:nmnhentomology_11725554

Biogeographical Region:

Nearctic  Search this

Collector:

C. Martin  Search this

Prep Count:

1

Preparation:

Pinned

Sex:

Male

Stage:

Adult

Place:

Adrian, Owyhee River, Malheur, Oregon, United States

Collection Date:

31 Jul 1934

Taxonomy:

Animalia, Arthropoda, Insecta, Diptera, Apioceridae

Published Name:

Apiocera (Pyrocera) haruspex martinorum Painter, 1936

Barcode:

USNMENT00876746

USNM Number:

USNMENT00876746

See more items in:

Specimen Inventory

Data Source:

NMNH - Entomology Dept.

GUID:

http://n2t.net/ark:/65665/3b4c53da8-0143-4dae-a8e0-5fc4f40f0cd0

EDAN-URL:

edanmdm:nmnhentomology_11725555

Biogeographical Region:

Nearctic  Search this

Collector:

C. Martin  Search this

Prep Count:

1

Preparation:

Pinned

Sex:

Female

Stage:

Adult

Place:

Adrian, Owyhee River, Malheur, Oregon, United States

Collection Date:

31 Jul 1934

Taxonomy:

Animalia, Arthropoda, Insecta, Diptera, Apioceridae

Published Name:

Apiocera (Pyrocera) haruspex martinorum Painter, 1936

Barcode:

USNMENT00876747

USNM Number:

USNMENT00876747

See more items in:

Specimen Inventory

Data Source:

NMNH - Entomology Dept.

GUID:

http://n2t.net/ark:/65665/37d4dd639-f3f0-4db0-aaae-b65fb93f3736

EDAN-URL:

edanmdm:nmnhentomology_11725556