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Robert W. White papers

Creator:
White, Robert, 1921-2002  Search this
Names:
American Academy in Rome  Search this
American Battle Monuments Commission  Search this
Century Association (New York, N.Y.)  Search this
Davis Galleries  Search this
Graham Gallery  Search this
Graham Modern (Gallery)  Search this
Heckscher Museum  Search this
National Academy of Design (U.S.)  Search this
Parsons School of Design  Search this
Parsons School of Design -- Faculty  Search this
Peabody Museum  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
State University of New York at Stony Brook  Search this
Steuben Glass (Firm)  Search this
Suffolk Museum  Search this
United States. Coast Guard  Search this
Ames, Amyas  Search this
Cremer, Theodore  Search this
Fleischmann, Patricia  Search this
Fosburgh, Hugh, 1916-  Search this
Franklin, Gilbert, 1919-2004  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Harrison, Jim  Search this
Hobbs, Susan, 1945-  Search this
Huntington, Willard R.  Search this
Kean, Rebekah Harkness  Search this
La Farge, Bancel, 1865-1938  Search this
Lamb, Ward  Search this
Lessard, Suzannah  Search this
Lowe, David, 1933-  Search this
Matthiessen, Peter  Search this
O'Cain, Walker  Search this
Oxman, Katja  Search this
Oxman, Mark  Search this
Platt, Frank C. (Frank Cheney), 1932-  Search this
Pope, Laura Spencer  Search this
Resika, Ellen  Search this
Resika, Paul  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Russotto, Paul  Search this
Simon, Sidney, 1917-1997  Search this
Styron, William, 1925-  Search this
White, Bessie Chanler  Search this
White, Claire Nicolas, 1925-  Search this
White, Lawrence Grant  Search this
Extent:
8.4 Linear feet
0.846 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Drawings
Essays
Sound recordings
Sketchbooks
Lectures
Notebooks
Sketches
Date:
1889-2003
bulk 1915-2003
Summary:
The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.
Scope and Content Note:
The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.

Scattered biographical materials include a curriculum vitae, documentation relating to White's service in the U.S. Coast Guard, a certificate of appreciation, and a memorial card for White's daughter, Natalie Laura White.

Correspondence contains primarily incoming letters from family and friends, and from clients, galleries, museums, arts organizations, students, and university administrators. Spanning over a seventy year period, family and friends correspondence centers on daily activities, events, and work. There is extensive correspondence from Robert White's parents, Lawrence Grant White and Bessie Chanler White and from Claire Nicolas White and her family. Other correspondents include Gil Franklin, Walker Hancock, Jim Harrison, Susan Hobbes, Willard R. Huntington, Ben LaFarge, Ward Lamb, Suzannah Lessard, Peter Matthiessen, Walker O'Cain, Mark and Katja Oxman, Frank C. Platt, Laura Spencer Pope, Paul and Ellen Resika, Paul Russotto, Sidney Simon, and William Styron, among others.

General correspondence mostly concerns White's commissions, teaching appointments, and his activities in professional organizations. Also included are letters from family members, friends, and colleagues. Frequent correspondents include: the American Academy in Rome, Amyas Ames, the Augustus Saint Gaudens Memorial, Century Association, Theodore Cremer, Davis Galleries, Patricia Fleischmann, Hugh Fosburgh, Rebekah Harkness Kean, David Garrard Lowe, National Academy of Design, Parsons School of Design, S. Dillon Ripley, the State University of New York at Stony Brook, Steuben Glass, and the Suffolk Museum and Carriage House.

Project files contain materials on Robert White's exhibitions and his commissioned projects. Materials include letters, lists of artwork, notes, price lists, receipts, exhibition schedules, contracts, and loan agreements. Files document White's exhibits at the Davis Galleries, Elaine Benson Gallery, Graham Gallery, Graham Modern, Heckscher Museum, and the State University of New York at Stony Brook. Included are extensive files on White's commissions for the American Battle Monuments Commission, Peabody Museum, and Steuben Glass.

Personal business records include files on Robert White's association with the Augustus Saint Gaudens Memorial and the National Academy of Design; his teaching appointments at the Parsons School of Design, the State University of New York at Stony Brook, and the Skowhegan School of Painting and Sculpture; and his dealings with foundries. There are scattered files on the Whites' St. James, New York property and residence.

Notes and writings contain Robert White's diaries, artist's statements, notebooks, essays on art, lectures, and scattered notes. Also found are writings by Clare White and others.

Sketchbooks and loose sketches contain preliminary studies by Robert White and scattered sketches by others. Printed material houses newspaper clippings and periodicals; exhibition announcements, catalogs, brochures, and posters; press releases and newsletters; and miscellaneous printed material.

Artifacts include two printing blocks: a portrait sculpture of Stephanie White and a landscape image. Audiovisual material consists of a digital audio recording of a classroom lecture by Robert White at an unidentified venue.

Photographs house images of Robert White; his studio; and snapshots of family and friends, many unidentified. Also included are photographs and slides of artwork.
Arrangement:
The collection is arranged into ten series:

Missing Title

Series 1: Biographical Material, 1939-2002 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1923-2002 (Boxes 1-4; 3.8 linear feet)

Series 3: Project Files, 1952-2003 (Boxes 4-5, OV 10; 1.2 linear feet)

Series 4: Personal Business Records, 1889, 1946-2003 (Boxes 5-6, OV 10; 1.3 linear feet)

Series 5: Notes and Writings, 1915, circa 1946-2002 (Boxes 6-7; 0.6 linear feet)

Series 6: Sketchbooks and Sketches, circa 1965-1972 (Boxes 7, 9; 0.3 linear feet

Series 7: Printed Material, 1937-2003 (Boxes 7, 9; 0.5 linear feet)

Series 8: Audiovisual Material, 1973 (ER01; 0.846 GB)

Series 9: Artifacts, circa 1965 (Box 7; 0.1 linear feet)

Series 10: Photographs, circa 1940s-2001 (Box 8; 0.5 linear feet)
Biographical Note:
Robert Winthrop White (1921-2002) lived and worked in St. James, New York and was primarily known as a sculptor and educator.

He was the son of the architect, Lawrence Grant White (1887-1956) and Bessie Chanler White. Stanford White (1853-1906), Robert's grandfather, was one of the founding partners in the prominent New York City architectural firm, McKim, White, and Mead.

As a youth, Robert White traveled to Munich, Germany to study woodcarving, sculpture, and painting. In 1935, he entered Portsmouth Priory School in Rhode Island. From 1938-1942, he was enrolled in the Rhode Island School of Design, where his mentors were Walter Raemisch in sculpture and John Howard Benson in calligraphy. In World War II, White served as chief boatswain's mate in the United States Coast Guard and later worked in the Office of Strategic Services (OSS). At the end of the war, White continued his training in sculpture and painting. In 1947, Robert White married Clare Nicolas, daughter of the painter and stained glass master, Joep Nicolas and the sculptor, Suzanne Nicolas.

Robert White, influenced by the classical techniques of the Renaissance artists, worked in various media, such as bronze, stone, plaster, terra-cotta, and wood. His subjects included portrait, figure, and life studies; animals; and dancers. Robert White also was an illustrator. He illustrated works by Laura Spencer Pope, William Styron, and others. White also illustrated two collections of his own poems, Casques and Dust and Palace: The Story of A Friendship that were privately published before his death in 2002.

Robert White held teaching positions at several universities and schools, including the Suffolk Museum of Art, the Parsons School of Design, and the Skowhegan School of Painting and Sculpture. From 1967-1987, White was an associate professor at the State University of New York at Stony Brook.

White exhibited his work in museums and galleries in the United States and abroad, including Artists Choice Museum, Artist's Gallery, Benson Gallery, Boston Athenaeum, Gallery North, Hartwick College Museum, Nassau County Museum of Fine Art, Patricia Fleischmann Gallery, Rijksakademie Van Beeldende, State University of New York at Stony Brook, and the Suffolk Museum and Carriage House, among others. Robert White was represented by the Davis Gallery, Graham Gallery, and Graham Modern in New York City.

Robert White's private and public commissions included works for the American Battle Monuments Commission, Amyas Ames, Theodore Cremer, John Marquand, Peabody Museum, State University of New York, William Styron, and Xerox Corporation. His work can be viewed in the collections of the Boston Athenaeum, Brooklyn Museum, Civici Musei 3 Gallerie di Storia e Arte, Heckscher Museum, and the Rhode Island School of Design. Robert White was the recipient of the Laurel Gallery's "New Talent" exhibition prize, 1948; American Academy's Rome Prize, 1952-1954; and the Proctor Memorial Prize at the National Academy of Design, 1962, 1982. He was also awarded grants from the Tiffany Foundation, 1950 and the Fairfield Foundation, 1968. From 1952-1955, White was a fellow of the American Academy in Rome, where he also served as an artist-in-residence from 1969-1970. Robert White was a member of the American Academy in Rome, the Augustus Saint Gaudens Memorial, Century Association, and the National Academy of Design.

Robert White continued to work on the family estate in St. James, New York until his death in 2002.
Provenance:
The Robert W. White Papers were donated in 2003 by Claire Nicolas White, widow of Robert White.
Restrictions:
Use of the original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State)  Search this
Sculpture -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Diaries
Drawings
Essays
Sound recordings
Sketchbooks
Lectures
Notebooks
Sketches
Citation:
Robert W. White papers, 1889-2003 (bulk 1915-2003). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whiterobe
See more items in:
Robert W. White papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw941b94026-e2dc-4e43-bf80-6c4659a39b74
EDAN-URL:
ead_collection:sova-aaa-whiterobe

Oral history interview with Juan Sánchez, 2018 October 1-2

Interviewee:
Sánchez, Juan, 1954-  Search this
Sánchez, Juan, 1954-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Type:
Interviews
Sound recordings
Topic:
Mixed media (Art)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Latino and Latin American artists  Search this
Puerto Ricans -- New York (State) -- New York.  Search this
Record number:
(DSI-AAA_CollID)17606
(DSI-AAA_SIRISBib)396648
AAA_collcode_sanche18
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_396648

Oral history interview with Juan Sánchez

Interviewer:
Sánchez, Juan, 1954-  Search this
Franco, Josh T., 1985-  Search this
Extent:
9 Items (sound files (7 hr., 59 min.) Audio, digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2018 October 1-2
Scope and Contents:
An interview with Juan Sánchez conducted 2018 October 1-2, by Josh T. Franco, for the Archives of American Art, at Sánchez studio, in Brooklyn, New York.
Sanchez speaks of his childhood in Puerto Rican enclaves of Brooklyn; formative experiences with Nuyorican poets; early memories of Puerto Rico; his earliest interest in drawing from comic books; early art-making and art education experiences, including the Pratt Saturday program; encountering Taller Boricua during the time he studied at Cooper Union; drawing formative inspiration from En Foco's photography; flourishing after initial difficulties at Cooper Union; his graduate studies at Mason Gross School of the Arts at Rutgers University; his early exhibition experiences; his negative experience of participating in Group Material's exhibition Americana; reflections on political art; his friendship with Ana Mendieta; his collaborations with MoCHA , INTAR gallery, and Exit Art; the development of his painting, photography, and collage aesthetics through graduate school; the personal and emotional dimension of his art-making process; his use of circles and photographs of heroic historical figures in his paintings; the development and execution of his public art commissions; the development of his teaching career; his experiences working at the Queens Museum education department and Cooper Union admissions department; specific controversies over the content of his work being shown at Princeton University and SUNY Stony Brook; the development and execution of his printmaking practice; and his reflections on the experience and importance of participating in an oral history interview. Sanchez also recalls Amiri Baraka, Sandra María Esteves, Louis Reyes Rivera, Pedro Pietri, Gilbert Hernandez, Jorge Soto, Hans Haacke, Reuben Kadish, Eugene Tulchin, Charles Biasiny, Leon Golub, Larry Fink, Robert Blackburn, Mel Edwards, Doug Ashford, Jimmie Durham, Nancy Spero, Lucy Lippard, Geno Rodriguez, Papo Colo, Jayne Cortez, Carl Andre, Ana Mendieta, Raquelín Mendieta, Noah Jemison, Inverna Lockpez, Nilda Peraza, James Luna, Julia Hirschberg, Susana Leval, Miguel Algarín, Jeanetter Ingberman, Jolie Guy, Susan Bloodworth, Zachary Fabri, Gilbert Cardenas, Jeanne Moutoussamy-Ashe, Michael Brathwaite, Alfredo Jaar, Tomie Arai, Lorenzo Clayton, Joan Hall, Pepe Coronado, Maryanne Simmons, and Melquiades Rosario Sastre.
Biographical / Historical:
Juan Sánchez (1954- ) is a printmaker, muralist, painter, and teacher in Brooklyn, New York. Josh T. Franco (1985- ) is the National Collector, Archives of American Art, Smithsonian Institution, Washington, D.C.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Occupation:
Art teachers -- New York (State) -- New York -- Interviews  Search this
Topic:
Mixed media (Art)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Latino and Latin American artists  Search this
Puerto Ricans -- New York (State) -- New York.  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sanche18
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f02b111e-3cbf-4d7f-a0f8-afd9189b35e3
EDAN-URL:
ead_collection:sova-aaa-sanche18
Online Media:

Oral history interview with Kay WalkingStick, 2011 December 14-15

Interviewee:
WalkingStick, Kay, 1935-  Search this
WalkingStick, Kay, 1935-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Bach, Dirk  Search this
Echols, Michael  Search this
Folwell-Turipa, Jody  Search this
Hartley, Marsden  Search this
Joseph (Nez Percé Chief)  Search this
Longfish, George C.  Search this
McKaig, Margaret Emma  Search this
McKaig, Murray Peterson  Search this
Penny, David, (Illustrator)  Search this
Sakiestewa, Ramona  Search this
Smith, Jaune Quick-to-See  Search this
Spruance, Benton  Search this
Urdang, Bertha  Search this
WalkingStick, Charles  Search this
WalkingStick, Sinom Ralph  Search this
WalkingStick, Simon Ridge  Search this
Whitehorse, Emmi  Search this
Bryn Mawr College  Search this
Cannabis Gallery  Search this
Danforth Foundation (Saint Louis, Mo.)  Search this
Edward F. Albee Foundation  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
United States. Commission to the Five Civilized Tribes  Search this
Wenger Gallery  Search this
Type:
Interviews
Sound recordings
Sketchbooks
Topic:
Cherokee artists -- New York (State) -- New York -- Interviews  Search this
Catholicism  Search this
Christianity  Search this
Feminism and art  Search this
Painting  Search this
Photography  Search this
Women artists  Search this
Women painters  Search this
Native American  Search this
Native American artists  Search this
Theme:
Women  Search this
Native American  Search this
Record number:
(DSI-AAA_CollID)16019
(DSI-AAA_SIRISBib)306089
AAA_collcode_walkin11
Theme:
Women
Native American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_306089
Online Media:

Oral history interview with Kay WalkingStick

Interviewee:
WalkingStick, Kay  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bryn Mawr College  Search this
Cannabis Gallery  Search this
Danforth Foundation (Saint Louis, Mo.)  Search this
Edward F. Albee Foundation  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
United States. Commission to the Five Civilized Tribes  Search this
Wenger Gallery  Search this
Bach, Dirk, 1961-2012  Search this
Echols, Michael  Search this
Folwell-Turipa, Jody, 1942-  Search this
Hartley, Marsden, 1877-1943  Search this
Joseph (Nez Percé Chief), 1840-1904  Search this
Longfish, George C.  Search this
McKaig, Margaret Emma  Search this
McKaig, Murray Peterson  Search this
Penny, David, (Illustrator)  Search this
Sakiestewa, Ramona  Search this
Smith, Jaune Quick-to-See, 1940-  Search this
Spruance, Benton, 1904-1967  Search this
Urdang, Bertha  Search this
WalkingStick, Charles  Search this
WalkingStick, Simon Ridge  Search this
WalkingStick, Sinom Ralph  Search this
Whitehorse, Emmi  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 21 min.))
105 Pages (Transcript)
Culture:
Native American  Search this
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Sketchbooks
Date:
2011 December 14-15
Scope and Contents:
An oral history interview of Kay WalkingStick conducted 2011 December 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at WalkingStick's studio, in Jackson Heights, Queens, New York.
WalkingStick speaks of her childhood experiences and her parents; her grandfather Simon Ridge Walkingstick and jurisprudence; Dartmouth and Indian scholarships; how her parents met; her mother as a big influence; drawing and art in the family; her siblings; Syracuse; outdoors; Onondaga Valley; painting; winning a Scholastic Art Award; moving to Huntington Valley, Pennsylvania; attending Beaver; the 1950s; Pratt; review in Artnews; Danforth Foundation; Christianity; the women's movement; Cannabis Gallery; Native American heritage; Teepee Form and Chief Joseph; using wax; Dawes Commission; influences and artists; Catholicism; Italy; Bowling Green; sketchbooks; eroticism; Edward Albee's summer camp; Wenger Gallery; The Cardinal Points; being biracial; spirituality; Rome; abstraction and patterns; Il Cortile; Cairo; traveling; teaching; Cornell; Stony Brook; photography; technology; social and political commentary in art; changes to artwork over time; landscapes; mountains and the Rockies; Colorado; dialogues with God; symbols; art world; dealers; the WalkingSticks; Late Afternoon on the Rio Grande; art theory; drawing; diptych format; Venere Alpina; Sex, Fear and Aging; prints and books; and curiosity and humor. WalkingStick also recalls Simon Ralph WalkingStick, Margaret Emma McKaig, Charles WalkingStick, Murray Peterson McKaig, Benton Spruance, Michael Echols, Bear Paw, Bertha Urdang, Ramona Sakiestewa, Jody Folwell, Jaune Quick-To-See Smith, Emmi Whitehorse, George Longfish, David Penny, Dirk Bach, Bryn Mawr, and Marsden Hartley.
Biographical / Historical:
Kay WalkingStick (1935- ) is a Cherokee painter and professor in Jackson Heights, New York. Mija Riedel (1958- ) is an independent scholar in San Francisco, California.
General:
Originally recorded as 7 sound files. Duration is 5 hr., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Cherokee artists -- New York (State) -- New York -- Interviews  Search this
Catholicism  Search this
Christianity  Search this
Feminism and art  Search this
Painting  Search this
Photography  Search this
Women artists  Search this
Women painters  Search this
Native American artists  Search this
Genre/Form:
Interviews
Sound recordings
Sketchbooks
Identifier:
AAA.walkin11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw906bfba9e-867a-4971-b422-993e186ba458
EDAN-URL:
ead_collection:sova-aaa-walkin11
Online Media:

Robert W. White papers, 1889-2003, bulk 1915-2003

Creator:
White, Robert W. (Robert Winthrop), 1921-2002  Search this
White, Robert W. (Robert Winthrop), 1921-2002  Search this
Subject:
White, Bessie Chanler  Search this
Matthiessen, Peter  Search this
Huntington, Willard R.  Search this
Pope, Laura Spencer  Search this
Ripley, Sidney Dillon  Search this
Simon, Sidney  Search this
White, Lawrence Grant  Search this
Oxman, Katja  Search this
Oxman, Mark  Search this
Lowe, David  Search this
O'Cain, Walker  Search this
Hobbs, Susan  Search this
Harrison, Jim  Search this
Kean, Rebekah Harkness  Search this
Ames, Amyas  Search this
Lamb, Ward  Search this
Platt, Frank C. (Frank Cheney)  Search this
Resika, Ellen  Search this
Lessard, Suzannah  Search this
White, Claire Nicolas  Search this
La Farge, Bancel  Search this
Cremer, Theodore  Search this
Fosburgh, Hugh  Search this
Hancock, Walker Kirtland  Search this
Fleischmann, Patricia  Search this
Resika, Paul  Search this
Russotto, Paul  Search this
Styron, William  Search this
Franklin, Gilbert  Search this
Parsons School of Design  Search this
Skowhegan School of Painting and Sculpture  Search this
Graham Modern (Gallery)  Search this
American Battle Monuments Commission  Search this
Graham Gallery  Search this
United States. Coast Guard  Search this
State University of New York at Stony Brook  Search this
Parsons School of Design  Search this
Suffolk Museum  Search this
Heckscher Museum  Search this
National Academy of Design (U.S.)  Search this
Steuben Glass (Firm)  Search this
American Academy in Rome  Search this
Century Association (New York, N.Y.)  Search this
Peabody Museum  Search this
Davis Galleries  Search this
Type:
Photographs
Diaries
Drawings
Essays
Sound recordings
Sketchbooks
Lectures
Notebooks
Sketches
Topic:
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State)  Search this
Sculpture -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)11144
(DSI-AAA_SIRISBib)246988
AAA_collcode_whiterobe
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_246988
Online Media:

William Sidney Mount papers, 1830-1860

Creator:
Mount, William Sidney, 1807-1868  Search this
Mount, William Sidney, 1807-1868  Search this
Topic:
Genre painting -- 19th century  Search this
Art, American -- New York (State)  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8026
(DSI-AAA_SIRISBib)210196
AAA_collcode_mounwilp
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210196

William Sidney Mount papers

Creator:
Mount, William Sidney, 1807-1868  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1830-1860
Scope and Contents:
Five pencil drawings (2 signed), one pen, ink and watercolor drawing, and one watercolor drawing by William Sidney Mount; and a pencil drawing by Shepard Alonzo Mount; 13 letters and 2 notes written by William Sidney Mount, and letters written by his brothers Shepard, Robert, and Henry, his mother Julia, many which mention William, and 5 letters from Thomas S. Mount to William. In addition, there are clippings, diplomas and a photograph of William S. Mount.
Biographical / Historical:
Painter; Stony Brook, Long Island. Born Setauket, L.I. to Thomas Shephard and Julia Hawkins Mount. Studied at National Academy of Design and with Henry Inman. Importance as an early genre painter. His three brothers and sister Ruth were also artistic and musical.
Provenance:
Collection purchased by Theodore Stebbins, Jr. and lent to AAA for microfilming, December 1967.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New York (State) -- Stony Brook  Search this
Topic:
Genre painting -- 19th century  Search this
Art, American -- New York (State)  Search this
Identifier:
AAA.mounwilp
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b92df927-a429-4ef7-ad6c-9aa711b7fb70
EDAN-URL:
ead_collection:sova-aaa-mounwilp

William Sidney Mount and Mount family papers

Creator:
Mount, William Sidney, 1807-1868  Search this
Names:
Mount family  Search this
Mount, William Sidney, 1807-1868  Search this
Extent:
6 Reels (3,000 items (on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Sketchbooks
Date:
1830-1947
bulk 1830-1860
Scope and Contents:
Correspondence, journals, notebooks, sketchbooks, notes, scrapbooks, documents, photographs, lists, catalogs, clippings, and other publications, primarily of William Sidney Mount.
REEL A: Correspondence of William Sidney Mount, 1833-1868, pertaining to art, politics, personal affairs, and other matters. Among the correspondents are Charles Lanman, William Schaus, Jonathan Sturges, B.T. Hutchinson, Evelina Mount, Charles B. Wood, Samuel P. Avery and others. Also included are Robert Nelson Mount correspondence, undated cards and announcements, and notes.
REELS SM1-SM4: The Mount Brothers, exhibition catalog (1947); Scrapbook of clippings re Edward P. Buffet's biography of William Sidney Mount; Wm. S. Mount journals and notebooks, 1843-1868?; biographical notes; genealogy; Micha Hawkins papers; papers of Mount family members: Thomas S., John S., Henry S., Shepard Alonzo, Robert Nelson, John Henry, Thomas Shepard, Evelina, William Shepard, John Brester, Sarah Fisher, and Clara Brewster; William Sidney Mount correspondence, 1830-1868; estate papers; books owned and inscribed by Mount; and photographs of sketches by Mount.
REEL N726: A sketchbook of William Sidney Mount.
Biographical / Historical:
William Sidney Mount: painter; New York City and Stony Brook, Long Island. Born Setauket, L.I. to Thomas Shephard and Julia Hawkins Mount. Studied at National Academy of Design and with Henry Inman. Importance as an early genre painter. His three brothers Robert, Henry and Shepard and sister Ruth were also artistic and musical.
Related Materials:
Mount family papers also located at: Public Library, Smithtown, Long Island.
Provenance:
Material on reel A was received by the New York Historical Society from the Clara Brewster Mount estate, December 1, 1943. Papers on reel SM1-SM4 were collected by Ward Melville and donated to the Suffolk Museum at Stony Brook, Long Island. The papers were arranged for microfilming by AAA collector, Mary Bartlett Cowdrey, and microfilmed in 1958. The sketchbook on reel N726 was lent for microfilming by the Queensborough Public Library, 1967.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New York (State) -- Stony Brook  Search this
Topic:
Genre painting -- 19th century  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.mounwill
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9acdad208-e97a-4602-bf39-09328a69c0c4
EDAN-URL:
ead_collection:sova-aaa-mounwill

William Sidney Mount, a biography : the story of old-time life in Brookhaven North, told through his pictures / by Edward P. Buffet

Creator:
Buffet, Edward P., b. 1873  Search this
Names:
Mount, William Sidney, 1807-1868  Search this
Extent:
Partial microfilm reel.
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Contains photographs of Mount's home and his paintings, articles from the Port Jefferson (Long Island) Times, and a letter written by Mount.
Biographical / Historical:
Mount was a genre painter; New York, N.Y., and Stony Brook, Long Island, N.Y.
Provenance:
Lent for microfilming 1968 by the Metropolitan Museum of Art.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New York (State)  Search this
Identifier:
AAA.buffedwa
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96f19539c-7f42-4f3b-83c0-04d7ea43a859
EDAN-URL:
ead_collection:sova-aaa-buffedwa

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