New Deal and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Beatrice Mandelman, 1964 July 20. Archives of American Art, Smithsonian Institution.
New Deal and the Arts Oral History Project Search this
Extent:
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 July 20
Scope and Contents:
An interview of Beatrice Mandelman conducted by Sylvia Loomis on 1964 July 20, for the Archives of American Art.
Mandelman speaks of her background and education; getting started on the Federal Art Project mural project; later going on the graphic arts project; how the project worked; the effect of the project on the artists; her post-Federal Art Project career; government support for the arts; the current art scene; and Taos as an art center.
Biographical / Historical:
Beatrice Mandelman (1912-1998) was a painter in Taos, N.M.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 51 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Quotes and excerpts must be cited as follows: Oral history interview with Andrew Dasburg, 1974 March 26. Archives of American Art, Smithsonian Institution.
An interview of Andrew Dasburg conducted 1974 March 26, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Andrew Dasburg (1887-1979) was a painter from Taos, New Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 53 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Venezuelan born American paitner, Luchita Hurtado, conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
1994 May 1 session: The interview focuses on Hurtado's family background; years with her second husband, artist and collector Wolfgang Paalen; the surrealist artist group, Dynaton, living and traveling in Mexico with Paalen, moving to San Francisco and her relationships with artists, collectors; influences on her painting; and Surrealism. Among those mentioned are Rufino and Olga Tamayo, Isamu Noguchi, Gordon Onslow Ford, Jacqueline Johnson, Frida Kahlo, Remedios Varos, Leonora Carrington, Edward James, Lucienne Bloch, Stephen Dimitroff, Grace McCann Morley, Sybil Moholy-Nagy, Jack and Frank Stauffacher, James Broughton, Rene d'Harnoncourt, Julius Karlebach, Herbert (Joe) Spinden, and Robert Motherwell.
April 13, 1995 session: Hurtado continues with a focus on the California years, discussing her reasons for settling there, the Dynaton group and her circle of friends; her third husband, Lee Mullican; the birth of her son Matthew Mullican; her work; California and Mexican imagery; importance of experience and senses, particularly smell, to her creativity and work; importance of her family; and difficulties of pursuing art as a career for a woman, wife and mother; and life in Taos, N.M. She recalls Jean Varda, Shiela and Giles Healey, Mary and Paul Wescher, and Joyce Kozloff.
Biographical / Historical:
Luchita Hurtado (1920-2020) was a painter from Santa Monica, Calif. and Arroyo Seco, N.M. She was born in Caracas, Venezuela.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
New Deal and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Kenneth M. Adams, 1964 April 23. Archives of American Art, Smithsonian Institution.
New Deal and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dora Kaminsky (Gaspard), 1965 Apr. 22. Archives of American Art, Smithsonian Institution.
An interview of Gene Kloss conducted 1964 June 11, by Sylvia Loomis for the Archives of American Art's New Deal and the Arts Oral History Project.
Biographical / Historical:
Printmaker, painter; Taos, N.M.
General:
Interview of Boris Gilbertson conducted by Sylvia Loomis is also on the tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Kenneth Miller Adams conducted 1964 April 23, by Sylvia Glidden Loomis, for the Archives of American Art.
Adams discusses his involvement with federal art projects in Taos, New Mexico, including easel painting and mural painting for the Treasury Relief Art Project (TRAP) and the Public Works of Art Project (PWAP). He describes the contracts and methods of TRAP; he recalls Gustave Baumann, George Biddle, Emil J. Bisttram, Raymond Jonson, Willard Nash, and other associated with the federal projects of the WPA. He also reflects on his role as artist-in-residence at the University of New Mexico.
Biographical / Historical:
Kenneth M. Adams (1897-1966) was a painter, mural painter, and educator from Albuquerque, New Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 51 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Dora Kaminsky Gaspard conducted by Sylvia Loomis on 1965 Apr. 22 for the Archives of American Art.
Biographical / Historical:
Dora Kaminsky (1909-1977) was a printmaker, painter, and illustrator from Taos, N.M. Kaminsky also used the name Dora Deborah Kaminsky Gaspard.
General:
An interview of Jozef Bakos conducted by S. Loomis is also on this tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
New Deal and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Andrew M. Dasburg, 1964 July 2. Archives of American Art, Smithsonian Institution.
New Deal and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Emil Bisttram, 1963 October 17. Archives of American Art, Smithsonian Institution.
