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Creator:

Smithsonian American Art Museum  Search this

Type:

Interviews

YouTube Videos

Uploaded:

2012-12-03T20:39:07.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_1BtEJqvhosw

Creator:

Churchill, Frank C. (Frank Carroll), 1850-1912  Search this

Churchill, Clara G.  Search this

Names:

United States. Bureau of Indian Affairs  Search this

United States. Department of the Interior  Search this

Extent:

3,710 Photographic prints (29 photograph albums)

3 Linear feet

1430 Negatives (photographic) (acetate)

325 Lantern slides (colored)

Culture:

Oklahoma Cherokee  Search this

Oklahoma Muskogee (Creek)  Search this

Osage  Search this

A:shiwi (Zuni)  Search this

Indians of North America  Search this

Sioux [Crow Creek]  Search this

Ponca  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Oklahoma Seminole  Search this

Quapaw  Search this

Miami [Oklahoma]  Search this

Wyandotte [Oklahoma]  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Ho-Chunk (Winnebago)  Search this

Eastern Shawnee [Quapaw Agency, Oklahoma]  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Oto  Search this

Sioux [Crow Creek]  Search this

Chickasaw  Search this

Modoc  Search this

Kiowa  Search this

Kaw (Kansa)  Search this

Diné (Navajo)  Search this

Acoma Pueblo  Search this

Akimel O'odham (Pima)  Search this

Cahuilla  Search this

Chemehuevi  Search this

Cochiti Pueblo  Search this

Hopi Pueblo  Search this

Isleta Pueblo  Search this

K'apovi (Santa Clara Pueblo)  Search this

Kumeyaay (Diegueño)  Search this

Laguna Pueblo  Search this

Payómkawichum (Luiseño)  Search this

Mescalero Apache  Search this

Mojave (Mohave)  Search this

Ohkay Owingeh (San Juan Pueblo)  Search this

Picuris Pueblo  Search this

Piipaash (Maricopa)  Search this

Puye Pueblo  Search this

Quechan (Yuma/Cuchan)  Search this

San Carlos Apache  Search this

Taos Pueblo  Search this

Tohono O'odham (Papago)  Search this

Minnesota Chippewa  Search this

Lake Superior Chippewa  Search this

Potawatomi  Search this

Menominee (Menomini)  Search this

Pechanga Band Luiseño  Search this

Rincon Band Luiseño  Search this

Santa Ysabel (Santa Isabela) Diegueño  Search this

Pala Band Luiseño (Agua Caliente)  Search this

Yuit (Siberian Yup'ik)  Search this

Inupiaq (Alaskan Inupiat Eskimo)  Search this

Bering Strait Inupiaq  Search this

Alutiiq (Pacific Eskimo)  Search this

Tlingit  Search this

Eastern Band of Cherokee  Search this

Pikuni Blackfeet (Piegan)  Search this

Wahpetonwan Dakota (Wahpeton Sioux)  Search this

Seminole  Search this

Type:

Collection descriptions

Archival materials

Photographic prints

Negatives (photographic)

Lantern slides

Photographs

Photograph albums

Place:

Utah

Alaska

Oklahoma

Washington

Florida

Montana

Arizona

Arkansas

Missouri

North Carolina

Minnesota

New Mexico

California

Date:

1880-1928

bulk 1899-1909

Summary:

The Frank C. and Clara G. Churchill collection includes photographic negatives, photo albums, lantern slides, journals, scrapbooks and other documents created and compiled by the Churchills over the course of Frank's career as a special agent and Indian Inspector for the Department of the Interior between 1899 and 1909. Initially assigned as a revenue collector to the Cherokee Nation and later as an Indian Inspector reviewing boarding schools, Frank's assignments took him all over the United States including Indian Territory (present day Oklahoma), Missouri, Texas, Nebraska, Kansas, South Dakota, Minnesota, Wisconsin, New Mexico, Arizona, Utah, California, Florida, North Carolina and Alaska. During this time the Churchills visited over 80 different Native communities shooting photographs and taking notes.

Scope and Contents:

The Frank C. and Clara G. Churchill collection includes 1430 photographic negatives, 29 photo albums containing 3710 photographic prints, 325 lantern slides, and 3 linear feet of journals, scrapbooks, and other documents created and compiled by the Churchills over the course of Frank's career as a special agent and Indian Inspector for the Department of the Interior between 1899 and 1909.

Series 1: Photographs in Indian Territory (Oklahoma): Muskogee, Tahlequah, Sulphur Springs and Other Assignments, 1899-1903, includes 11 photo albums and 357 negatives from Frank Churchill's original assignment as revenue collector to the Cherokee Nation. Locations include Indian Territory (Oklahoma) [bulk], Kansas, Nebraska, Iowa, South Dakota, Arkansas, and Missouri. The Native communities visited and photographed in this series include— Oklahoma Cherokee, Oklahoma Muskogee (Creek), Quapaw, Osage, Miami, Wyandotte [Oklahoma], Tsitsistas/Suhtai (Cheyenne), Winnebago [Nebraska], Eastern Shawnee [Quapaw Agency, Oklahoma], Ponca, Chaticks Si Chaticks (Pawnee), Oto, Sioux [Crow Creek], Kaw (Kansa), Chickasaw, Modoc, Kiowa, Choctaw.

Series 2: Photographs in the Southwest and Midwest: Arizona, New Mexico, Califonia, Minnesota and Wisconsin, 1903-1907, includes 9 photo albums and 832 negatives from Frank Churchill's assignment as an Indian Inspector. Because the Churchills visited some of the same locations on multiple occasions, it has been hard to date some of the negatives. For that reason, all the negatives made in the Southwest have been included in this series, though there are two photo albums with Southwest photographs included in Series 4. Locations in this series includes Arizona, New Mexico, California, Minnesota and Wisconsin. The Native Communities visited and photographed in this series include—A:shiwi (Zuni), Diné (Navajo), Acoma Pueblo, Akimel O'odham (Pima), Cahuilla, Chemehuevi, Cochiti Pueblo, Hopi Pueblo, Isleta Pueblo, K'apovi (Santa Clara Pueblo), Kumeyaay (Diegueño), Laguna Pueblo, Luiseño (Luiseno), Mescalero Apache, Mojave (Mohave), Ohkay Owingeh (San Juan Pueblo), Picuris Pueblo, Piipaash (Maricopa), Puye Pueblo, Quechan (Yuma/Cuchan), San Carlos Apache, Taos Pueblo, Tohono O'odham (Papago).

Series 3: Photographs in Alaska and Oregon, 1905-1910 (bulk 1905), includes four photograph albums and 71 negatives from Frank Churchill's appointment as special agent, by President Roosevelt, to investigate the condition of the school & reindeer service and other affairs in Alaska in the summer and fall of 1905. Two of the albums were not made by the Churchills. The first of these (Box 20) includes photographs by William Hamilton and the second (Box 21) includes photographs by W. T. Lopp. Locations in Alaska include St. Lawrence Island, Nuwukmiut/Point Barrow, Teller, Diomedes Islands, Nome, Kotzebue, Wrangell, Port Clarence Bay, Unalaska Island and Baranof Island. There are a number of photographs aboard the U.S. Cutter "Bear" and aboard the mailboat "Georgia." Native communities photographed include—Yuit (Siberian Yup'ik), Inupiaq (Alaskan Inupiat Eskimo), Bering Strait Inupiaq [Diomedes], Alutiiq (Pacific Eskimo), Tlingit.

Series 4: Photographs in Arizona, Utah, North Carolina, Montana, North Dakota, Florida and Miscellaneous, 1907-1909, includes five photograph albums and 163 negatives from Frank Churchill's assignment at Indian Inspector. Because the Churchills visited some of the same locations in the Southwest (Arizona and Utah) on multiple occasions, it has been hard to date some of the negatives. For that reason, all the negatives made in the Southwest have been included in Series 3. Locations include Arizona, Utah, North Carolina, Montana, North Dakota and Florida. Native communities visited and photographed include-Diné (Navajo), Hopi Pueblo, Kaibab Paiute, Quechan (Yuma/Cuchan), Eastern Band of Cherokee, Pikuni Blackfeet (Piegan), Wahpetonwan Dakota [Sisseton-Wahpeton Sioux Tribe], Turtle Mountain Chippewa, Seminole. There is restricted material in Box 23 (Album P23380).

Series 5: Non-Native Photographs: Colorado Vacation, Lebanon, New Hampshire, and other Materials, 1898-1913, includes four photograph albums from vacations and other visits made by the Churchills unrelated to Frank's activities as Indian Inspector.

Series 6: Manuscripts: Journals, Documents and Scrapbooks, 1880-1928 (bulk 1899-1909), includes three linear feet of materials arranged in three subseries. Subseries 6.1, Clara Churchill, includes 16 journals, 12 scrapbooks and various other manuscript materials written and accumulated by Clara Churchill during their travels. Many of the journals include personal writings as well as several photographs that are duplicated in the photograph albums. The journals and scrapbooks encompass the full range of the Churchills' travels and include notes from Indian Territory, Southwest, Midwest, Southeast, Plains and Alaska. Subseries 6.2, Colonel Frank C. Churchill, includes official documents around Churchill's assignments as well as the reports Frank submitted back to the Secretary of the Interior (Box 41 and 42). Subseries 6.3, Churchill Museum and Miscellaneous, includes catalogs and other notes related to the large collection of Native American objects amassed by Frank and Clara. Clara also collected other items such as shells, minerals, and sand.

Series 7: Lantern Slides for Lectures, 1899-1909, includes 325 hand colored glass lantern slides. These were made by the Churchills from existing negatives and used for lectures. Lantern slides #1-#121 include views photographed in Alaska in 1905. Sldes #122-#325 include an assortment of views from Oklahoma (Indian Territory), Nebraska, Montana, Minnesota, California, Arizona and New Mexico photographed between 1900 and 1909.

Arrangement:

The Frank C. and Clara G. Churchill collection has been arranged in seven series by material type and then chronologically. The first five series are then divided into subseries by "Photo Albums" and "Negatives." These include--Series 1: Photographs in Indian Territory (Oklahoma): Muskogee, Tahlequah, Sulphur Springs and Other Assignments, 1899-1903; Series 2: Photographs in the Southwest and Midwest: Arizona, New Mexico, California, Minnesota and Wisconsin, 1907-1907; Series 3: Photographs in Alaska and Oregon, 1905-1910 (bulk 1905-1905); Series 4: Photographs in Arizona, Utah, North Carolina, Montana, North Dakota, Florida and Miscellaneous, 1907-1909; Series 5: Non-Native Photographs: Colorado Vaction, Lebanon, New Hampshire, and other Materials.

Series 6: Manuscripts: Journals, Documents and Scrapbooks, 1880-1928, is arranged in three subseries. Subseries 6.1: Clara G. Churchill, Subseries 6.2: Frank C. Churchill, and Subseries 6.3: Churchill Museum and Miscellaneous. Series 7: Lantern Slides for Lectures, 1899-1909, is arranged in orginal number order from the Hood Museum at Dartmouth College.

Biographical / Historical:

Frank Carroll Churchill was born August 2, 1850 to Benjamin P. Churchill and Susanna Thompson in West Fairlee, Vermont. Frank was educated at Thetford Academy in Thetford, VT and worked as a clerk for D.C. Churchill & Co. in Lyme, NH between 1869-1870. Between 1870 and 1877, Churchill was employed by H.W. Carter as a wholesale merchant in Lebanon, New Hampshire. During this time, Churchill met Clara Corser Turner and they were married on June 11, 1874.

Clara G. (Turner) Churchill was born December 16, 1851, to Colonel Francis H. Corser and Sarah Hook (Perkins) Corser. Colonel Corser and his wife died young, and Clara was adopted by George and Abby H. Turner of Concord, New Hampshire. In 1877, in association with William S. Carter, Frank Churchill opened the business "Carter & Churchill" which was in this business for 21 years. Churchill held various political offices from 1879-91. He served as chairman of the Republican town committee of Lebanon and of the Republican State committee in 1890 and 1891. He served on the staff of Governor Natt Head in 1879 and 1880, with the rank of Colonel. He was chairman of the New Hampshire delegation at the Republican National Convention which nominated President Harrison and represented the Fourth District in the Executive Council in 1889-1890 during the administration of Governor David. H. Goodell.

In 1899 Frank was appointed revenue inspector for the Cherokee Nation in Indian Territory and was later appointed a special agent for the Interior Department to formulate a system of public schools in Indian Territory (Oklahoma) and across the Southwest. In 1905, he was appointed special agent, by President Roosevelt, to investigate the condition of the school & reindeer service and other affairs in Alaska and was reappointed Indian Inspector between 1905-1909. In 1909, Churchill resigned due to failing health and died November 5, 1912. Clara accompanied Frank on all his travels between 1899 and 1909 (see below chronology for full details) maintaining journals and writing articles for publication in "WHAT." Clara was also a painter, producing watercolors and hand-painting many of the photographs she and Frank made on their travels. Following Frank's death, Clara maintained their collection of Native artifacts and photographs in their home in Lebanon, New Hampshire. Clara died April 16, 1945, bequeathing the full collection to Dartmouth College.

Frank Churchill's assignments as Special agent and Indian Inspector from 1899-1909 took him all over the United States including Indian Territory (present day Oklahoma), Missouri, Texas, Nebraska, Kansas, South Dakota, Minnesota, Wisconsin, New Mexico, Arizona, Utah, California, Florida, North Carolina and Alaska. During this time the Churchills visited over 80 different Native communities. For more details, see the chronology below.

Travels in Indian Territory (Oklahoma) and other assignments, 1899-1903

1899, June 29 -- Churchills arrive in Muskogee, Indian Territory (Oklahoma).

1899, July-October -- Visit to Fort Gibson, Tahlequah, Sallisaw, and Vinita (Indian Territory/Oklahoma). Visit to Noel and South west City, Missouri. Visit to Chelsea and Coffeyville, Kansas. Visit to Fort Smith, Arkansas.

1899, November -- Visit Tahlequah while the Cherokee Nation legislature was in session.

1899, December -- Travel in Colorado.

1900, March -- Return to Muskogee and Fort Gibson.

1900, Sept 17-Oct 5 -- Dawes Commission in Vinita.

1901, Mar-Apr 3 -- Visit to the Quapaw Agency, Wyandotte Reservation and school, Modoc reservation and the town of Miami.

1901, April -- Visit to Denison, Texas. Visit to Checotah, Eufaula, South McAlester (Choctaw nation).

1901, Summer -- Visit to Pawhuska, Osage Nation.

1901, October -- Visit to Tishomingo, seat of government of the Chickasaws.

1902, January -- Trip to the Chickasaw Nation Visit to Anadarko, Indian Agency of the Kiowa, Comanche and Apache, Fort Sill, Wichita Mountains, and Lawton.

1902, May -- Frank is dispatched to Sioux City, Iowa.

1902, May-June -- Visit to Winnebago Agency, Omaha Agency, Santee Agency.

1902, July -- Visit to St. Paul, Minnesota and Eau Claire, Wisconsin, (Chippewa Falls). Frank is sent to Sulphur Springs, Texas, to author a report.

1902, August -- Churchills return to Muskogee, IT.

1902, September-October -- Trip to White Eagle, Ponca Agency for a month. Visit to Otoe school, Pawnee School, Shawnee, Sac and Fox reservations.

1902, November-December -- Visit to Crow Creek Agency.

1903, January -- Return to Sulpher Springs, Texas.

1903, March -- Visit to Pawhuska, Osage Nation.

1903, April -- Visit to Colorado.

1903, May-October -- Visit to 23 towns in Oklahoma (IT) with the Secretary of the Interior.

Travels in New Mexico, Arizona and California, 1903-1905

1903, November -- Frank receives orders to proceed to Zuni Pueblo, New Mexico.

1903, December 9 -- Visit to Zuni, followed by Canyon de Chelly, Hubbell's Ranch, Keams Canyon.

1903, December 21 -- Visit to Hopi Pueblo. Walpi, Polacca Day School, Oraibi, Shumopavi (Shungopavi/Songoopavi), Shipaulovi (Supawlavi) and Mishongnovi (Musungnuvi).

1903, December 28 -- Visit to Fort Defiance.

1904, January -- Travel in New Mexico. Visit to Gallup, Laguna Pueblo, Acomita, Paraje, Acoma, Albuquerque, Isleta Pueblo, Santa Fe, Ohkay Owingeh (San Juan Pueblo), K'apovi (Santa Clara Pueblo).

1904, February -- Visit to Sacaton, Akimel O'odham (Pima) Reservation and Casa Grande ruins in Arizona.

1904, March -- Visit to Lehi Day School, Salt River Day School, Phoenix Indian School, Gila River Crossing Day School and Maricopa Day School, Arizona.

1904, March 10-26 -- Visit to Fort Mojave and Chemehuevi.

1904, March 30-April -- Visit to Riverside, California, Sherman Institute and Perris School. Side trip to Yuma, Arizona.

1905, January-February -- Visit to Sulphur, IT.

1905, March -- Visit to Mescalero Apache Agency, San Carlos Apache Agency, Geronimo Settlement, Rice Station School at Talkalai.

1905, April 10-20 -- Return to Sherman Institute in Riverside, California. Visit to San Jacinto, Perris, Saboba, Cahuilla, San Manuella (Band of Mission Indians), Coachella, Torres Reservation, Martinez Reservation Day School, Cabazon Reservation, Protrero Reservation and Day School.

1905, April 22-May -- Visit to Temecula, Pechanga Day School, Pala Mission, Campo Reservation, Mission of San Luis Rey, Rincon Day School, Mesa Grande School, Santa Ysabel (Diegueno), Volcan Mountain Day School.

Travels in Alaska, 1905

1905, June -- Frank receives an assignment in Alaska.

1905, July -- Board the U.S. Revenue Cutter "Bear" in Nome. Visit to Reindeer Station in Teller, Cape Prince of Wales, Kotzebue Sound, Cape Thompson, Point Hope and Point Barrow.

1905, August -- Visit to Wainwright Inlet, return to Nome. Visit to Anvil Creek, Gologin (Golovin) Bay, St. Lawrence Island, Pribilof Islands (Seal Islands), St. George, Dutch Harbor and Unalaska.

1905, September -- Board the "Dora" anchored near Belkofski, Cold Bay, Karluk, Afgonak, and Kodiak. Stop in Homer, Seldovia and Seward. Visit to Sitka.

1905, September 28 -- Board the steamer "Georgia" to Juneau and Skagway via Hoonah.

1905, October -- Return to Lebanon, NH.

Travels in Arizona, New Mexico, Minnesota, Wisconsin, California and Utah, 1906-1907

1906, March-April -- Re-assigned to Southwest and arrive in Tucson, Arizona. Visit to San Xavier Mission, Tohono O'odham (Papago) reservation, Casa Grande, Sacaton, Maricopa, Gila Crossing, Salt River and Phoenix schools.

1906, May -- Return to New Mexico to visit Gallup and Zuni Day School.

1906, June -- Visit to St, Paul, Minnesota and the White Earth (Ojibwe) reservation and Wild Rice River School in Boliere.

1906, July -- Visit to Ashland, Wisconsin, Lac Courte Oreilles, Hayward, and Lac de Flambeau (La Pointe Agency.

1906, July-September -- Return to Lebanon, New Hampshire.

1906, September -- Visit to Fond du Lac (Winnebago Lake), Wabeno, and Carter, Wisconsin.

1906, October -- Visit to Phlox, Wausau, Minocqua, Star Lake, Bark River and Wausaukee, Wisconsin.

1906, November-December -- Visit to Keshena (Green Bay Indian School), Menominee Reservation and Ashland, Wisconsin.

1906, December-January -- Stay in Washington, DC.

1907, February -- Return to Albuquerque, New Mexico.

1907, March -- Visit to Santa Fe and various Pueblos (Cochiti, Tesuque, San Ildefonso, Ohkay Owingeh [San Juan], Toas and Picuris).

1907, April -- Return to Albuquerque, visit to Pueblos (Isleta, Laguna, Mesita, Acomita, Paraje, Acoma, Seama).

1907, April -- Visit to Phoenix, Arizona (Phoenix Indian School), Fort McDowell and Salt River Day School.

1907, May -- Visit to Sacaton, Maricopa, Casa Grande, and Yuma, Arizona.

1907, June -- Visit to Riverside (Sherman Institute), and Pomona, California.

1907, June-July -- Travel to Salt Lake City, Utah. Visit Panguitch, Orton, Kanab, Escalante and Marysvale, Utah.

1907, July-August -- Return to Arizona. Visit Flagstaff, Tuba Indian School, as well as Hopi Pueblo (Walpi, Moencopi, and Oraibi).

1907, September-October -- Return to Lebanon, NH.

Travels in North Carolina, Montana and Florida, 1907-1909

1907, October 22 -- Assigned to Cherokee, North Carolina, to make a new roll of the Eastern Band of Cherokee.

1907, November -- Arrive in Cherokee, North Caolina.

1908, February -- Visit to Robbinsville and Big Cove

1908, April -- Cherokee council meeting regarding Churchill's new roll.

1908, May -- Completes assignment in North Carolina.

1908, June-September -- Return to Washington, DC and Lebanon, New Hampshire.

1908, September-October -- Trip to Montana. Visit to Browning, Blackfeet Reservation, Harlem, Fort Belknap and Fort Peck.

1908, November -- Visit to Spirit Lake (Devil's Lake) and Wahpeton, and Fort Totten, North Dakota.

1908, December -- Visit to Morris, Minnesota.

1909, January -- Trip to Washington, DC for the inauguration of President Taft.

1909, February -- Visit to Carlisle, Pennsylvania.

1909, March-April -- Trip to Florida. Visit to Miami, Fort Lauderdale, Fort Myers, Tampa Bay, St. Petersburg, Gainesville, and St. Augustine.

1909, May -- Visit to Soco Creek and Cherokee, North Carolina.

1909, July -- Return to Lebanon, New Hampshire.

1909, August -- Resignation as Indian Inspector.

Related Materials:

A large collection of Native American cultural objects and archaeology bequeathed by Clara Churchill can still be found at the Hood Museum at Dartmouth College.

Provenance:

Frederick Dockstader, former director of the Museum of the American Indian (MAI), Heye Foundation, illegally removed the majority of the photographs (photo albums, negatives) and manuscript material (journals, reports) from the Hood Museum of Art at Dartmouth College in 1955, before depositing them at the MAI. Those materials were officially gifted to NMAI in 2018 by the Hood Museum. Additional materials from the Churchill collection that remained at the Hood Museum (lantern slides, photographs, scrapbooks, journals) were donated in 2020. These materials have been noted in the finding aid.

Restrictions:

Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiarchives@si.edu.

Topic:

Boarding schools  Search this

Genre/Form:

Photographs

Photographic prints

Photograph albums

Negatives (photographic)

Citation:

Identification of specific item; Date (if known); Frank C. and Clara G. Churchill collection, NMAI.AC.058, National Museum of the American Indian Archives Center, Smithsonian Institution.

Identifier:

NMAI.AC.058

See more items in:

Frank C. and Clara G. Churchill collection

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv45e31a2d8-afd7-4320-96c7-1f596f51c142

EDAN-URL:

ead_collection:sova-nmai-ac-058

Interviewee:

Garman, Ed  Search this

Interviewer:

Cartwright, Derrick  Search this

Names:

Transcendental Painting Group (N.M.)  Search this

Bisttram, Emil, 1895-1976  Search this

Jonson, Raymond, 1891-1982  Search this

Lumpkins, William T.  Search this

Extent:

4 Sound cassettes (Sound recording (4 hrs.), analog)

74 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound cassettes

Pages

Sound recordings

Interviews

Date:

1998 Mar. 25-30

Scope and Contents:

An interview of Ed Garman conducted 1998 Mar. 25-30, by Derrick Cartwright, for the Archives of American Art, at Garman's studio, Imperial Beach, Calif.

Garman recalls his early childhood; experiences in rural Pennsylvania; studying theater design at the University of New Mexico, Albuquerque; coming in contact with Raymond Johnson, Emil Bisttram, and William Lumpkins, they eventually inviting him to join them in the Transcendental Painting Group. A second session dealt with Garman's activity in California where he has lived since about 1946. He provides insights into the context of Southern California art activity in Post-World War II years, and his role as an independently-minded artist who has painted in a non-objective manner for more than fifty years.

Biographical / Historical:

Ed Garman (1914-2004) was a painter in New Mexico and California. Garman became one of the chief spokespersons for the Transcendental Painting Group and has written a historical art study of member Raymond Jonson's work.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Occupation:

Painters -- New Mexico -- Interviews  Search this

Topic:

Painters -- California -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funded by the Gerald Buck Fund.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.garman98

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw923c483a9-3a3d-45a3-94f2-0ad597ecb90e

EDAN-URL:

ead_collection:sova-aaa-garman98

Creator:

Garman, Ed  Search this

Names:

Transcendental Painting Group (N.M.)  Search this

Garman, Ed  Search this

Extent:

36 pp.

Type:

Collection descriptions

Archival materials

Date:

1994

Scope and Contents:

Garman's autobiography covers the years 1914-1943, which includes his years in Taos, N.M. and association with the Transcendental Painting Group.

Biographical / Historical:

Painter; Taos, N.M. and California. Painter Ed Garman grew up in rural Pennsylvania, later studying theatre design at the University of New Mexico, Albuquerque. There he came in contact with Raymond Jonson, Emil Bisttram, Agnes Pelton, and William Lumpkins and joined them in an influential vanguard group of painters known as the Transcendental Painting Group (T.P.G.). He became one of the chief spokespersons, chronicler, and archivist for the group and wrote a definitive historical art study of Jonson's work. In an early trip to Mexico he encountered José Clemente Orozco, whose murals were influential for his own work. During his years in New Mexico, he painted in a non-objective style that was finding an audience in the 1930s Southwest and became involved with the broader arts community. He moved in 1946 to Southern California participated in the art activity of the Post-World War II era. Garman has remained an independent-minded artist working in a non-objective style for more than fifty years.

Provenance:

Donated 1999 by Ed Garman. Additions to his papers are expected.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Identifier:

AAA.garmed

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw936ca7515-731c-4193-a79e-334f4d93cf05

EDAN-URL:

ead_collection:sova-aaa-garmed

Painter:

Hartley, Marsden 1877-1943  Search this

Medium:

Oil on canvas

Type:

Paintings

Owner/Location:

New Orleans Museum of Art P. O. Box 19123 New Orleans Louisiana 70179 Accession Number: 73.2

Date:

1908

Topic:

Landscape--Season--Winter  Search this

Landscape--Lake  Search this

Landscape--Weather--Snow  Search this

Landscape--Maine  Search this

Landscape--Time--Night  Search this

Landscape--Mountain  Search this

Control number:

IAP 61070697

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_78088

Painter:

Dasburg, Andrew 1887-1979  Search this

Medium:

Oil on canvas

Type:

Paintings

Owner/Location:

New Mexico Museum of Art 107 West Palace Avenue Santa Fe New Mexico 87504

Date:

1926

Topic:

Cityscape--New Mexico--Taos  Search this

Architecture exterior--Domestic--Adobe  Search this

Architecture exterior--Domestic--House  Search this

Landscape--Mountain  Search this

Control number:

IAP 8A510109

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_400382

Creator:

Adams, Kenneth M.  Search this

United States. Dept. of the Treasury. Section of Fine Arts  Search this

Subject:

Rowan, Edward Beatty  Search this

Jones, Cecil H.  Search this

Public Works of Art Project  Search this

Treasury Relief Art Project  Search this

Federal Art Project  Search this

Place:

United States -- Social conditions -- 1933-1945

United States -- Economic conditions -- 1918-1945

Citation:

Kenneth Miller Adams papers, 1933-1938. Archives of American Art, Smithsonian Institution.

Topic:

Mural painting and decoration -- Kansas  Search this

Mural painting and decoration -- New Mexico  Search this

New Deal, 1933-1939 -- Kansas  Search this

New Deal, 1933-1939 -- New Mexico  Search this

Federal aid to the arts -- Kansas  Search this

Federal aid to the arts -- New Mexico  Search this

Art and state -- Kansas  Search this

Art and state -- New Mexico  Search this

Theme:

New Deal  Search this

Patronage  Search this

Record number:

(DSI-AAA_CollID)5613

(DSI-AAA_SIRISBib)208447

AAA_collcode_adamkenn

Theme:

New Deal

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208447

Creator:

Gammon, Reginald, 1921-2005  Search this

Names:

Anacostia Community Museum  Search this

Harwood Art Center (Albuquerque, N.M.)  Search this

Midtown Galleries (New York, N.Y.)  Search this

National Afro-American Museum and Cultural Center (U.S.)  Search this

New Mexico African American Artists' Guild  Search this

Schomburg Center for Research in Black Culture, New York Public Library  Search this

Spiral (Group of artists)  Search this

Western Michigan University -- Faculty  Search this

Andrews, Benny, 1930-2006  Search this

Bearden, Romare, 1911-1988  Search this

Browne, Vivian E., 1929-1993  Search this

Fray, Thomas  Search this

Greenberg, Joseph J., 1915-1991  Search this

King, Patrick  Search this

Lee-Smith, Hughie  Search this

Overton, Harry  Search this

Wynberg, Jonathan  Search this

Extent:

2.4 Linear feet

5.3 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Photographs

Interviews

Paintings

Sketches

Drawings

Sound recordings

Video recordings

Date:

1927-2007

bulk 1960-2005

Summary:

The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

Scope and Contents:

The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

Biographical materials include Gammon's academic records and diplomas, certificates, military records, an address book, and information about his memorial service. There is a folder on The Spiral Group which includes an exhibition catalog and photographs. There are video interviews, a conversation video, and two TV advertisements, all digital; one analog and one digital audio interview.

Approximately one-half of the collection consists of correspondence with other artists, museums, galleries and arts organizations. Correspondents include Benny Andrews, Romare Bearden, Vivian Browne, Thomas Frey, Joseph Greenberg, Harwood Art Center, Patrick King, Hughie Lee-Smith, Midtown Galleries, National Afro-American Museum & Cultural Center, New Mexico African American Artists Guild, Harvey Overton, Schomberg Center, Smithsonian Institution's Anacostia Museum, Western Michigan University, and Jonathan Wynberg, among many others.

Writings by Gammon consists of essays, a research proposal, notes, grant applications, and notebooks wherein Gammon jotted down thoughts and drafted letters.

Teaching files are related to Reginald Gammon's tenure at Western Michigan University. There are teaching certifications, lecture notes, one sound recording (sound cassette) of a lecture, student recommendations, and grade books, among other items.

Printed materials primarily consist of exhibition catalogs and announcements, including the catalog Ida Y Vuelta on Gammon's 1998 exhibition in Rodez, France. Other materials found in this series are clippings that feature Gammon and his work, periodicals, posters designed by Gammon, and source materials related to jazz. and limited subject files.

Photographic materials include prints, slides, digital photographs, and negatives depicting Reginald Gammon and his artwork, friends and family, and various studios and events.

Artwork includes pencil and ink sketches, drawings, and paint sketches. The series also contains storyboards for children's books as well as mockups for advertisements.

Arrangement:

The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1936-2006 (0.2 linear feet; Box 1, 3, 5.29 GB; ER01-ER03)

Series 2: Correspondence, 1964-2005 (0.8 linear feet; Box 1-3)

Series 3: Writings and Notebooks, 1948-circa 2000 (0.1 linear feet; Box 2)

Series 4: Teaching Files, 1969-1991 (0.1 linear feet; Box 2)

Series 5: Printed Material, 1955-2005 (0.4 linear feet; Box 2, OV 4)

Series 6: Photographic Material, 1927-2007 (0.2 linear feet; Box 2-3, 0.010 GB; ER04)

Series 7: Artwork, 1937-circa 1999 (0.5 linear feet; Box 2-3)

Biographical / Historical:

Reginald A. Gammon (1921-2005) was a painter and art educator who worked in New York City, Michigan, and Albuquerque, New Mexico. He was a member of Spiral, an African American artist's collective based in New York City, as well as a member of the New Mexico Afro-American Artist Guild. He taught in the New York public schools and at Western Michigan University.

Gammon was born and raised in Philadelphia, Pennsylvania. In 1941, he received a scholarship to study art at the Philadelphia Museum College of Arts (then the Philadelphia Museum School of Industrial Arts) and the following summer worked in the Philadelphia Naval Shipyard refurbishing battleships for the war effort. While working, he also attended school at night. He was drafted and served in the Navy from 1944-1946 with an African-American unit stationed in Guam. He lived in Philadelphia briefly after the war and moved to New York City in 1948. During his early years in New York City, Gammon worked at various jobs such as sorting mail for the post office and designing advertising copy. Around this time, he first met his future wife Janice Goldberger whom he married in 1972.

In 1963, Gammon was invited to join Spiral, a group of African American artists which included Charles Alston, Romare Bearden, Alvin Hollingsworth, Norman Lewis, Richard Mayhew, and Hale Woodruff. As a member of this group, Gammon participated in the 1965 exhibition First Group Showing: Works in Black and White. Spiral disbanded later that same year. In 1969, Gammon and Benny Andrews formed the Black Emergency Cultural Coalition. This politically active group of artists picketed the Metropolitan Museum of Art and the Whitney Museum of Modern Art to protest the exclusion of black artists and curators.

Gammon also taught at the Saturday Academy Program for New York public schools. He set up an informal studio so that children from Harlem could work with resident artists. This position and a recommendation from Hughie Lee-Smith led to an offer from Western Michigan University for a visiting lectureship that turned into a full-time teaching position in which Gammon served until 1991, when he retired as Full Professor Emeritus of Fine Arts and Humanities.

After his retirement from Western Michigan University, Gammon and his wife moved to Albuquerque, New Mexico and he became involved in the New Mexico Afro-American Artist Guild and the Albuquerque United Artists, among other civic organizations. He regularly participated in exhibitions and art fairs sponsored by the Guild and served as their treasurer from 1999 until his death. He was artist-in-residence from 1992-2005 at the Harwood Art Center where he also maintained a studio.

Gammon was also one of the founding members of the New Grounds Print Workshop, where he completed his final collection of artworks - a collection of over 100 prints of historically significant gospel singers and jazz musicians. Gammon died on November 4, 2005.

Provenance:

The collection was donated in 2007 and 2008 by Reginald Gammon's widow Janice Gammon.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Printmakers -- New Mexico  Search this

Painters -- New Mexico -- Albuquerque  Search this

Educators -- New Mexico -- Albuquerque  Search this

Educators -- Michigan  Search this

Topic:

Art -- Study and teaching  Search this

Artists' studios -- Photographs  Search this

African American artists  Search this

African American educators  Search this

African American painters  Search this

African American printmakers  Search this

Genre/Form:

Photographs

Interviews

Paintings

Sketches

Drawings

Sound recordings

Video recordings

Citation:

Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.

Identifier:

AAA.gammreg

See more items in:

Reginald Gammon papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90788f342-725f-4d47-8d83-9603f237e656

EDAN-URL:

ead_collection:sova-aaa-gammreg

Creator:

Lee-Smith, Hughie  Search this

Names:

Art Students League (New York, N.Y.) -- Faculty  Search this

Audubon Artists (New York, N.Y.)  Search this

Ira Aldridge Society  Search this

National Academy of Design (U.S.)  Search this

Bearden, Romare, 1911-1988  Search this

Goreleigh, Rex, 1902-  Search this

Correspondent:

Carter, Clarence Holbrook, 1904-2000  Search this

Gammon, Reginald, 1921-2005  Search this

Hirsch, Joseph, 1910-1981  Search this

Wald, Carol  Search this

Wessel, Sophie  Search this

Woodruff, Hale, 1900-1980  Search this

Extent:

33.7 Linear feet

0.381 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Scrapbooks

Interviews

Photographs

Video recordings

Sound recordings

Drawings

Date:

circa 1890-2007

bulk 1931-1999

Summary:

The papers of painter and educator Hughie Lee-Smith measure 33.7 linear feet and 0.381 GB and date from circa 1890 to 2007, with the bulk of the material dating from 1931 to 1999. The collection documents Lee-Smith's career through biographical material, personal and professional correspondence, writings by Lee-Smith and others, personal business records, exhibition files, organization records, printed material, scrapbooks, photographs, a small amount of artwork, numerous interviews, and recordings for a documentary film on Lee-Smith. Also found are the papers of artist Rex Goreleigh, a friend of Lee-Smith.

Scope and Contents:

The papers of painter and educator Hughie Lee-Smith measure 33.7 linear feet and 0.381 GB and date from circa 1890 to 2007, with the bulk of the material dating from 1931 to 1999. The collection documents Lee-Smith's career through biographical material, personal and professional correspondence, writings by Lee-Smith and others, personal business records, exhibition files, organization records, printed material, scrapbooks, photographs, a small amount of artwork, numerous interviews, and recordings for a documentary film on Lee-Smith. Also found are the papers of artist Rex Goreleigh, a friend of Lee-Smith.

Biographical material includes records of Hughie Lee-Smith's schooling, military service, and awards, as well as resumes, bibliographies, and biographical summaries. Also found are family records, including the papers of his mother, Alice Carroll.

Lee-Smith's correspondence is with family, students, arts and cultural organizations, as well as schools, galleries, and museums, primarily regarding his participation in events and exhibitions. He also corresponded with fellow artists, such as Clarence Holbrook Carter, Reginald Gammon, Joseph Hirsch, Carol Wald, and Hale Woodruff, among many others. He maintained extensive correspondence with artist Sophie Wessel.

Lee-Smith's writings include artist statements and personal writings on his history and early influences, as well as many draft lectures and speeches, school writings, notes, and untitled writing fragments. Writings by others primarily include student essays and articles on the topic of Lee-Smith's work. Personal business records include scattered financial documents, including artwork sales records, and contracts and agreements with various art galleries and other organizations. Also found are files regarding his art commissions, gifts, professional activities, and records of his employment at the Art Students League. Exhibition files document select exhibitions in which Hughie Lee-Smith participated, primarily during the 1980s and 1990s. Organization records were maintained by Lee-Smith to document his participation in various groups, such as the National Academy of Design, Ira Aldridge Society, and Audubon Artists.

Printed material consists primarily of exhibition announcements and invitations for exhibitions of Lee-Smith's work, as well as news clippings, magazines, press releases, and publications from various art organizations and schools. One scrapbook contains exhibition announcements additional loose scrapbook pages document his early career. Photographs include many portraits of Hughie Lee-Smith, Lee-Smith in his studio, at events, and with friends and family. Additionally there are many photographs, slides, and transparencies of Lee-Smith's artwork. Also found are five photograph albums. A small amount of original artwork includes drawings by Lee-Smith and two sketchbooks belonging to his wife Patricia.

The collection includes numerous interviews of Hughie Lee-Smith, recorded on 37 sound cassettes, one sound tape reel, and four video cassettes. One audio interview is in digital format. Also found are planning documents, research material, and video footage for a documentary about the life and work of Hughie Lee-Smith, produced by New Deal Films, Inc, but never completed. Footage includes interviews with artists and art historians regarding Lee-Smith, gallery events, and images of his paintings.

The papers of artist Rex Goreleigh primarily documents his later life and includes a letters, biographical documents, printed material, estate records, and photographs and slides depicting Goreleigh, his studio, and artwork. Hughie Lee-Smith was close friends with Goreleigh and served as executor of his estate.

Also of note is a scrapbook put together for Goreleigh's 70th birthday in 1972. Of note is one scrapbook which contains photographs, notes, and artwork by fellow artists and students, including drawings by Romare Bearden and Hughie Lee-Smith.

Arrangement:

The collection is arranged as 13 series.

Missing Title

Series 1: Biographical Material, circa 1890-2001 (1.7 linear feet; Box 1-2, 35, RD 38)

Series 2: Correspondence, 1931-2006 (6.1 linear feet; Box 2-8, 0.006 GB; ER01)

Series 3: Writings, circa 1934-1998 (0.8 linear feet; Box 8-9)

Series 4: Personal Business Records, 1934-2001 (1.6 linear feet; Box 9-11, 35)

Series 5: Exhibition Files, circa 1973-2001 (1.2 linear feet; Box 11-12)

Series 6: Organization Records, 1941-2005 (2.1 linear feet; Box 12-14)

Series 7: Printed Material, 1919, 1930-2007 (8.5 linear feet; Box 14-22, 34)

Series 8: Scrapbooks, circa 1938-1990s (0.2 linear feet; Box 22, 35)

Series 9: Photographs, circa 1890-2003 (4.4 linear feet; Box 22-26, 35, OV 37)

Series 10: Artwork, circa 1940s-1980s (0.2 linear feet; Box 26)

Series 11: Interviews, 1973-1998 (2.1 linear feet; Box 26-28, 0.375 GB; ER02)

Series 12: Documentary Film Materials, 1985-2004 (3.5 linear feet; Box 28-32)

Series 13: Rex Goreleigh Papers, 1935-1994 (0.9 linear feet; 32-33, 36)

Biographical / Historical:

Hughie Lee-Smith (1915-1999) was a painter and educator in Ohio, Michigan, and New York. Born in Eustis, Florida, he lived for a period of time with family in Atlanta before joining his mother in Cleveland, Ohio, in 1925. In 1934 he received a scholarship to attend the Art School of the Detroit Society of Arts and Crafts, and in 1935 returned to Cleveland to attend the Cleveland School of Art. While in school he began exhibiting his paintings and teaching part-time at Karamu House. From 1938 to 1940 Lee-Smith completed lithography commissions for the Ohio WPA. In 1941 he moved to Detroit, married his first wife Mabel Louise Everett, and worked at a Ford automobile factory. He was then drafted into the U.S. Navy as a mural artist. After the war he briefly returned to factory work before enrolling at Wayne State University, earning a degree in Art Education in 1953. From 1953 to 1965 he taught summer art classes at the Grosse-Point War Memorial in Detroit.

In 1957 Lee-Smith moved to the East Village in New York City, signed with the Janet Nassler Gallery (Petite Gallery), exhibited his work extensively, and joined several art organizations. He also taught art at schools in Princeton, New Jersey. In 1967 he became the second African-American member of the National Academy of Design. He was visiting instructor and artist-in-residence at several art programs, including Howard University, and taught at the Art Students League from 1972 to 1988. In 1978 he married his third wife, Patricia. The New Jersey State Museum organized an extensive retrospective of Lee-Smith's work in 1988 which travelled nationally. Despite ill-health in the mid-1990s, he continued to create new paintings and exhibit his work. In 1997 he moved with his wife to Albuquerque, New Mexico, where he lived until his death in 1999.

Related Materials:

Also found at the Archives of American Art is an oral history interview with Hughie Lee-Smith conducted by Carroll Greene in 1968.

Provenance:

A small amount of material was donated 1969-1981 by Hughie Lee-Smith. Additional papers were donated in 2011 by Patricia Lee-Smith, widow of Hughie Lee-Smith.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Fragile original address books are closed to researchers and have been digitized for access. Contact Reference Services for more information.

Rights:

Authorization to publish requires written permission from Robert Panzer, VAGA. The donor has retained all intellectual property rights, including copyright, that they may own. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Michigan -- Detroit  Search this

Painters -- New York (State) -- New York  Search this

Painters -- Ohio -- Cleveland  Search this

Educators -- New York (State) -- New York  Search this

Educators -- Michigan -- Detroit  Search this

Topic:

Artists' studios -- Photographs  Search this

African American artists  Search this

African American educators  Search this

African American painters  Search this

African American military personnel  Search this

Genre/Form:

Scrapbooks

Interviews

Photographs

Video recordings

Sound recordings

Drawings

Citation:

Hughie Lee-Smith papers, circa 1890-2007, bulk 1931-1999. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.leeshugh

See more items in:

Hughie Lee-Smith papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d69fbd0e-001a-499b-9af3-a6dde3bc825e

EDAN-URL:

ead_collection:sova-aaa-leeshugh

Creator:

Rolshoven, Julius, 1858-1930  Search this

Citation:

Julius Rolshoven papers, 1873-1985. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7141

(DSI-AAA_SIRISBib)209275

AAA_collcode_rolsjuli

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209275

Creator:

Moses, Ed, 1926-  Search this

Citation:

Ed Moses papers, 1954-1980. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8019

(DSI-AAA_SIRISBib)210189

AAA_collcode_moseed

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210189

Creator:

Ribak, Louis, 1902-1979  Search this

Citation:

Louis Ribak papers, [ca. 1930]-1982. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8337

(DSI-AAA_SIRISBib)210509

AAA_collcode_ribaloui

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210509

Creator:

Von Hassler, Carl, 1887-1969  Search this

Citation:

Carl von Hassler papers, 1930-1983. Archives of American Art, Smithsonian Institution.

Topic:

Painting, Modern -- 20th century -- New Mexico -- Albuquerque  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8541

(DSI-AAA_SIRISBib)210719

AAA_collcode_vonhass

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210719

Creator:

Tamotsu, Chūzō, 1888-1975  Search this

Subject:

Evergood, Philip  Search this

Ribak, Louis  Search this

Rush, Olive  Search this

Shonnard, Eugenie Frederica  Search this

Sloan, John  Search this

Tamotzu, Louise Kates  Search this

Citation:

Chuzo Tamotzu papers, 1920-1982. Archives of American Art, Smithsonian Institution.

Topic:

Painting, American  Search this

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Theme:

Diaries  Search this

Asian American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9228

(DSI-AAA_SIRISBib)211423

AAA_collcode_tamochuz

Theme:

Diaries

Asian American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211423

Creator:

Jonson, Raymond, 1891-1982  Search this

Subject:

Albers, Josef  Search this

Bisttram, Emil  Search this

Bloch, Albert  Search this

Cheney, Sheldon  Search this

Dasburg, Andrew  Search this

De Kooning, Elaine  Search this

Hiler, Hilaire  Search this

Levy, Beatrice S. (Beatrice Sophia)  Search this

Nordfeldt, Bror Julius Olsson  Search this

O'Hara, Eliot  Search this

O'Keeffe, Georgia  Search this

Pelton, Agnes  Search this

Wells, Cady  Search this

Xceron, Jean  Search this

Federal Art Project (N.M.)  Search this

United States. Dept. of the Treasury. Section of Fine Arts  Search this

Jonson Gallery  Search this

Type:

Scrapbooks

Citation:

Raymond Jonson papers, 1910-1964. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts -- New Mexico -- Albuquerque  Search this

Art and state -- New Mexico -- Albuquerque  Search this

Mural painting and decoration -- 20th century -- New Mexico -- Albuquerque  Search this

Art, Modern -- 20th century -- New Mexico -- Albuquerque  Search this

Theme:

Diaries  Search this

New Deal  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9289

(DSI-AAA_SIRISBib)211484

AAA_collcode_jonsraym

Theme:

Diaries

New Deal

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211484

Creator:

Antreasian, Garo Z. (Garo Zareh), 1922-2018  Search this

Citation:

Garo Z. Antreasian papers, 1923-1984. Archives of American Art, Smithsonian Institution.

Topic:

Painting, American  Search this

Mural painting and decoration  Search this

Prints -- Technique  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)10493

(DSI-AAA_SIRISBib)213917

AAA_collcode_antrgaro

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_213917

Creator:

McCulloch, Frank E., 1930-  Search this

Citation:

Frank McCulloch papers, 1959-1983. Archives of American Art, Smithsonian Institution.

Topic:

Painting, American -- New Mexico -- Albuquerque  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)10538

(DSI-AAA_SIRISBib)214010

AAA_collcode_mccufran

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_214010

Creator:

Mandelman, Beatrice, 1912-1998  Search this

Citation:

Beatrice Mandelman papers, 1949-1984. Archives of American Art, Smithsonian Institution.

Topic:

Painting, American  Search this

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)10542

(DSI-AAA_SIRISBib)214014

AAA_collcode_mandbeat

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_214014

Creator:

Willis, Paul Brooks, 1903-1981  Search this

Citation:

Paul Brooks Willis papers, 1930-1978. Archives of American Art, Smithsonian Institution.

Topic:

Painting, Modern -- 20th century -- New Mexico -- Santa Fe  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)10579

(DSI-AAA_SIRISBib)214055

AAA_collcode_willpaul

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_214055

Creator:

Garman, Ed, 1914-2004  Search this

Subject:

Garman, Ed  Search this

Transcendental Painting Group (N.M.)  Search this

Citation:

[Ed Garman autobiography] / by Ed Garman, 1994. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6288

(DSI-AAA_SIRISBib)220247

AAA_collcode_garmed

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_220247