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Katharine Lane Weems papers

Creator:
Weems, Katharine Lane, 1899-1989  Search this
Names:
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Cornell, Katharine, 1893-1974  Search this
Cresson, Margaret French, 1889-1973  Search this
Gildersleeve, Basil L. (Basil Lanneau), 1831-1924  Search this
Grafly, Charles, 1862-1929  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Kroll, Leon, 1884-1974  Search this
Lane, Gardiner M., 1859-1914  Search this
Lane, Katharine Ward, 1862-1893  Search this
Manship, Paul, 1885-1966  Search this
Marans, Moissaye, 1902-1977  Search this
Monjo, Enric, 1895-1976  Search this
Putnam, Brenda, 1890-1975  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Wong, Anna May, 1905-1961  Search this
Extent:
14.8 Linear feet
3 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Date:
1865-1989
Scope and Contents:
Biographical material, extensive diaries, correspondence, notes, writings, business records, sketchbooks and drawings, project files, scrapbooks, printed materials, photographs and slides, motion picture film, and videotape relating to Weem's education and career as a sculptor. Also included are ca. 1 foot of papers of Weems' aunt, watercolorist Katharine Ward Lane (1862-1893), including letters, diaries, sketchbooks and photographs.
REEL 724: Biographical sketch, 1974; letters from Frederic Bartlett, George Demetrios, Walker Hancock, Leon Kroll, Lee Lawrie, Moissaye Marans, Adolph Alexander Weinman, and others; four sketchbooks, 1954-1965, containing pencil drawings of animals; a scrapbook of clippings, 1924-1941; and printed material.
UNMICROFILMED: Biographical material includes sketches and documents, and biographical information on Weems grandfather, Basil Lanneau Gildersleeve, and father, Gardiner Lane. Diaries (74 v.), 1906-1983, contain entries relating to art studies and her development as a sculptor; some include clippings and photographs. Correspondence, 1898-1989, includes letters from Gifford Beal, Margaret French Cresson, Charles Grafly, John Gregory, Walker Hancock, Malvina Hoffman, Anna Hyatt-Huntington, Paul Manship, Brenda Putnam, Gurdon Tarbox, and Adolph Weinman, discussing Weems' work and participation in various sculpture organizations. There are four notebooks on art history; recipes for clay and plaster; notes on patinas for bronze; lecture notes; lists of Weems' works and exhibitions; an exhibition guest book, 1931-1957; poems, 1933-1981; invoices and receipts, 1919-1981; copyright records, 1928-1978; and art work, including 15 v. of sketchbooks, 1913-1964, drawings and tracings of animal figures. and a copper printing plate mounted on a wood block.
Fourteen project files contain letters, drawings, photographs, and printed material on: an enlarging machine, the Saltus Medal for Merit, the frieze and Rhinoceros sculpture for the Biological Laboratories at Harvard, 1930-1942, including 7 reels of 16mm motion picture film (with script transferred to VHS), the Lotta Fountain, 1939-1974, Legion of Merit Medal, 1949-1952, War Department project, 1946, Goodwin Medal, 1949-1952, Wallace Goodrich Plaque, 1954, Hospital Teaching Clinic, 1955, Boston Museum of Science, 1964-1965, "Dolphins by the Sea" for the New England Aquarium, 1969-1979, Heredities Limited, 1971-1974, and the Museum School, 1977.
Included are two scrapbooks, one of clippings about the work of other artists and one containing poems, clippings of landscapes, animals, works by others, and autographed photographs of actresses Katharine Cornell and Anna May Wong and sculptor Brenda Putnam. Printed material includes clippings, 1911-1989; exhibition announcements and catalogs, 1922-1981; bulletins, programs, brochures on artists, organizations, Brookgreen Gardens, and supplies; reproductions of art works, and the books, Odds Were Against Me (1985, Weems autobiography, and Enrique Monjo (1955), inscribed by Mongo.
Photographs and slides, 1902-1988, are of Weems, family members, artists Charles Grafly, Walker Hancock, and Anna Hyatt-Huntington, Weems' house "The Chimneys," her studio, gardens, animals, works of art by Weems and others, exhibit installations, and views of New York City, Washington, D.C., Monticello, the University of Virginia, and Brookgreen Gardens. Nine albums, 1920-1980, contain photographs of an art class, Weems in her studio, her home, her friends, scenic views, and works of art. Videos and film include a videotape (5 min., U-matic) of an interview of Weems; a film, "From Clay to Bronze," showing the creation of Weems' sculpture "Dark Warrier" (transferred to VHS); motion picture film of the making of the sculpture "Rhinoceros" (transferred to digital betacam, VHS and DVD), and a home movie of a day at the beach, circa 1935.
The papers' of Weems' aunt, Katharine "Kitty" Ward Lane (d. 1893), include Lane's letters, 1898-1893, to her brother (Weems' father) and to other family members; a travel diary from Germany, 1886; notes; financial records, 1891-1892; 10 sketchbooks; printed material; and photographs, 1865-1893, of Lane, early views of Saranac Lake, and 9 views of the Columbia Exposition, 1893.
Biographical / Historical:
Sculptor; Boston, Mass. Died 1989. Specialized in animal sculpture. Studied at the School of the Museum of Fine Arts, Boston under Charles Grafly, Anna Hyatt-Huntington, George Demetrios, and Brenda Putnam. She married F. Carrington Weems in 1947. Named after her aunt, watercolor painter Katharine Ward Lane, who died in 1893.
Provenance:
Material on reel 724 lent for microfilming by Weems, 1974. The four sketchbooks on reel 724 were subsequently donated in 1989. Unmicrofilmed papers were donated 1975 and 1982 by Weems, and in 1989 by her estate. Eighteen diaries (1961-1965, 1967-1976 [1969 not included], 1978, and 1981-1983) and an apppointment book for 1966 donated by the Schlesinger Library, Radcliffe College, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Animal sculpture  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.weemkath
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96c1a0919-a71e-4b49-9b63-7e7e27c9052f
EDAN-URL:
ead_collection:sova-aaa-weemkath

Gardner Cox papers, 1920-1995

Creator:
Cox, Gardner, 1906-1988  Search this
Massachusetts Art Commission  Search this
Subject:
Forbes, Edward Waldo  Search this
Saint-Gaudens, Augustus  Search this
Shaw, Robert Gould  Search this
Morison, Samuel Eliot  Search this
Stevens, Austin  Search this
Driver, Phoebe Barnes  Search this
American Academy in Rome  Search this
Saint Botolph Club (Boston, Mass.)  Search this
Putnam & Cox, (Boston, Mass.)  Search this
Portraits (Firm: New York, N.Y.)  Search this
Museum of Fine Arts, Boston. School  Search this
Boston Arts Festival  Search this
Type:
Interviews
Sketchbooks
Sound recordings
Citation:
Gardner Cox papers, 1920-1995. Archives of American Art, Smithsonian Institution.
Topic:
Portrait painting -- 20th century -- Massachusetts  Search this
Politicians -- Portraits  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8156
(DSI-AAA_SIRISBib)210327
AAA_collcode_coxgard
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210327

John Wilson papers

Creator:
Wilson, John, 1922-2015  Search this
Interviewer:
Trachtenberg, Alan  Search this
Extent:
5 Microfilm reels
1 Cassette (Sound recording, analog)
Type:
Collection descriptions
Archival materials
Microfilm reels
Cassettes
Drawings
Interviews
Scrapbooks
Sound recordings
Date:
circa 1939-1993
Scope and Contents:
This microfilm collection of the papers of African American painter, sculptor, illustrator, printmaker, and educator John Woodrow Wilson contains biographical material such as autobiographical notes, school records, personal documents, and a bibliography; personal and business correspondence, undated and 1938-1993; files on the New York City Board of Education, 1959-1965, regarding his teaching; and project files, including Wilson's submission for the competition for a Frederick Douglass statue, Eternal Presence, Father and Child Reading, and Wilson's monuments and bust of Martin Luther King, Jr. Correspondents represented include the Albany Institute of History and Art, Atlanta University, Carnegie Institute, Ebony, David Porter of the G Place Gallery, the Institute of Modern Art, Alain Locke, Gloria May, the Museum of Modern Art, Frederick G. Rice, and Hale Woodruff.

Also included in the collection are files on exhibitions; notebooks, 1958-1960; lesson plans, 1959, 1963; notes, writings, and lectures, circa 1945-1993; transcripts of interviews of Wilson and related correspondence, 1978-1987; legal material, 1978; financial records 1944-1991, including a notebook of sales and expenses 1945-1950; photographs, 1940-1990, of Wilson, his work, sculpture, and exhibition installations; a scrapbook, 1939-1967; artwork, including sketchbooks, 1970-1992, life studies completed as a student, 1939-1947, and miscellaneous art work, 1939-1992; and printed material, 1939-1993, including exhibition catalogs, illustrated books and book jackets, and ephemera. The collection also includes a copy of a sound recording of an interview of Wilson conducted by Alan Trachtenberg, circa 1979 (untranscribed).
Biographical / Historical:
John Woodrow Wilson (1922-2015) was an African American painter, sculptor, illustrator, printmaker, and educator in Boston, Massachusetts. Wilson studied at the School of the Museum of Fine Arts, Boston under Ture Bengtz and Karl Zerbe, graduating in 1945. He lived in Paris through the MFA fellowship and studied with modern artist Fernand Leger. He then attended Tufts University, graduating in 1947. Wilson received a John Hay Whitney fellowship and lived in Mexico for five years with his wife, Julie Kowtich. After his return from Mexico in 1956, Wilson made artwork for Chicago labor unions and taught in New York City before returning to teach at Boston University in 1964. During his career, Wilson won competitions to execute statues of Martin Luther King, Jr. for the city of Buffalo, New York and for the Capitol Rotunda in Washington, D.C.
Provenance:
Lent for microfilming 1993 by John W. Wilson, except for the 1979 sound recording which he lent for copying.
Restrictions:
Microfilm portion must be consulted on microfilm. Use of untranscribed interview requires an appointment.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American sculptors  Search this
Genre/Form:
Drawings
Interviews
Scrapbooks
Sound recordings
Identifier:
AAA.wilsjohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea018d94-6ec4-4d8f-9d56-9428d4c92e78
EDAN-URL:
ead_collection:sova-aaa-wilsjohn

Oral history interview with Dana Chandler

Interviewee:
Chandler, Dana, 1941-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
African-American Master Artists in Residence Program  Search this
Massachusetts College of Art -- Students  Search this
Museum of Fine Arts, Boston  Search this
Northeastern University (Boston, Mass.) -- Faculty  Search this
Simmons College. Art and Music Dept. -- Faculty  Search this
Andrews, Benny, 1930-2006  Search this
Bearden, Romare, 1911-1988  Search this
Catlett, Elizabeth, 1915-2012  Search this
Mazur, Michael, 1935-2009  Search this
Tovish, Harold, 1921-2008  Search this
Extent:
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-May 5
Scope and Contents:
An interview of Dana Chandler conducted 1993 March 11-May 5, by Robert F. Brown, for the Archives of American Art.
Chandler remembers his childhood in the Black community of Roxbury, Massachussets, with numerous siblings, pugnacious, hard-drinking longshoreman father, and mother who was the linchpin of the family; precocity as a reader and child artist; attendance at Saturday morning children's art classes at Museum of Fine Arts, Boston, and at Boston Educational High School where needed discipline was instilled in him by its all-white faculty; and as an assistant at school after graduation (1959-61).
Chandler talks about his awareness of budding civil rights movement; his attendance (1962-67) at Massachusetts College of Art while supporting his new, young family and working for the Jamaica Plain Area Planning Action Council which was funded by the federal Model Cities program; his first exhibitions (1967), in a liberal local church and a black businessmen's club; the exhibition (1969) "Twelve Black Artists from Boston," at the Rose Art Museum, Brandeis University; and his involvement, along with Harold Tovish and Michael Mazur, in the group, Artists Against the War.
He recalls his initiation of the exhibition, "Afro-American Artists/New York and Boston," at the Museum of Fine Arts, Boston, 1970, for which he was given no credit; his position as an unpaid cultural commentator for a Black newspaper and radio station; his politically-charged paintings and prints from the late 1960s onward; his meetings with senior Black artists, such as Romare Bearden, Elizabeth Catlett Mora, and Benny Andrews; and his steady espousal of confrontation.
Chandler discusses teaching at Simmons College, Boston, 1971 to present; his creation in 1974 of the African-American Master Artists-in-Residence Program (AMARP), Northeastern University, Boston, and his direction of it until 1993, when he was relieved of the position by the University.
Chandler discusses his exhibition at Northeastern University in 1976, "If the Shoe Fits, Hear It!" under the name Akin Duro, and its evidence of the respect in which he was held; the loss of much of his work in a studio fire; and his current large-scale graphic work.
Biographical / Historical:
Dana Chandler (1941- ) is an African American painter, printmaker, and educator from Boston, Massachussets.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 51 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American educators  Search this
African American printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chandl93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96808788d-bda2-48a7-a3c2-5372ecb30aed
EDAN-URL:
ead_collection:sova-aaa-chandl93
Online Media:

Oral history interview with Allan Rohan Crite

Interviewee:
Crite, Allan Rohan, 1910-2007  Search this
Thompson, Susan  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Museum of Fine Arts, Boston. School  Search this
Rambusch (Firm)  Search this
Rambusch Glass and Decorating Company  Search this
Society of Independent Artists (New York, N.Y.)  Search this
Extent:
179 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1979 January 16-1980 October 22
Scope and Contents:
An interview of Allan Rohan Crite conducted 1979 January 16-1980 October 22, by Robert F. Brown for the Archives of American Art. Also participating in the interview is Crite's assistant, Susan Thompson.
Crite describes his family background and his youth in Boston. He gives great detail about his childhood interest in art and the art classes he took as a child, sharing drawings he did then with the interviewer. He remembers his art education at the Museum of Fine Arts School and involvement with the Society of Independent Artists. Crite discusses his ideas about the Episcopal church, his religious beliefs, and his interest in the liturgy and spirituals in his artwork. He recounts his engagement in the Navy, participation in the WPA, and work with the Rambusch Company. Crite describes paintings he did of street life in Black communities of Boston in the 1930s, a series of portraits, and paintings he did to illustrate spirituals and the Episcopal liturgy. He speaks about race relations and explains his motivations for an educational project in progress entitled, "The Cultural Heritage of the United States: a Rediscovery," promoting a multicultural view of American history. The last segment of the interview includes Susan Thompson, a fabric artist and close friend collaborating with Crite on projects mostly of a religious nature, including vestments and altar cloths.
Biographical / Historical:
Allan Rohan Crite (1910-2007) was a painter and illustrator from Boston, Massachusetts.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 7 hr., 8 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Illustrators -- Massachusetts -- Boston  Search this
Topic:
Art, American  Search this
Christian art and symbolism  Search this
African American artists  Search this
African American painters  Search this
African American military personnel  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.crite79
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98829e1dc-d779-4202-84eb-a2a2e306175f
EDAN-URL:
ead_collection:sova-aaa-crite79
Online Media:

Oral history interview with John Wilson

Interviewee:
Wilson, John, 1922-2015  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston University. School of Fine and Applied Arts  Search this
Museum of Fine Arts, Boston. School  Search this
Aronson, David, 1923-2015  Search this
Bengtz, Ture, 1907-1973  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney, 1932-  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Lewis, Elma  Search this
Léger, Fernand, 1881-1955  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
497 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-1994 August 16
Scope and Contents:
An interview of John Woodrow Wilson conducted 1993 March-1994 August, by Robert F. Brown, for the Archives of American Art.
Wilson discusses his childhood as a member of a family of middle class blacks from British Guiana (now Guyana); his father's grave disappointments in the face of racial discrimination; his parents' push for their children to succeed; early urge to read and draw; encouragement by School of the Museum of Fine Arts, Boston students who taught at the Roxbury Boys Club; his secondary education; and friends.
He talks about his education at the MFA School, Boston, and comments on such teachers as Ture Bengtz and Karl Zerbe and compares their exacting methods with those of Fernand Leger, his teacher in Paris.
His work of the 1940s prior to going to Paris; the importance of early awards and sales received while still a student at the MFA School; the excitement of sharing a studio with fellow students, Francesco Carbone and Leo Prince; and encouragement to stay in school during WW II with the promise of a European study fellowship after the war.
The great impact of his years in Paris (1948-49); the lack of racial prejudice; the liberating effect of Leger's teaching; his awe of the work of Masaccio and Piero della Francesca during a trip to Italy; and the deep impression made on him by seeing tribal art in the Musee de l'Homme, Paris.
Continued discussion of Leger; his teaching methods; and influences on his work.
His first teaching position at the MFA School; his involvement in civil rights in Boston; his gregariousness and the use of his studio as a meeting place for artists and political activists; his involvement with socialism in Boston and New York; and working in a socialist children's camp. He remembers meeting Paul Robeson, Charles White, Elizabeth Catlett, and Bob Blackburn, who was then setting up his printmaking atelier in New York; marriage to a fellow socialist (June 1950); move to Mexico on a fellowship to study with Jose Orozco on the advice of Leger, only to find that Orozco had died; terrors of travel as an interracial couple through the U.S.; and different racial attitudes in Mexico and the U.S.
Living in Mexico (1950-56) and anecdotes of David Alfaro Siqueiros and Diego Rivera; his wife's meeting with Frieda Kahlo and seeing her collection of folk art; their free and cosmopolitan, if impoverished, life in Mexico; his work in a printmaking atelier and on the production of frescoes, and a lengthy aside about his brilliant brother, Freddie, who because he was black was not allowed to pursue his first love, geology, for many years.
Continued discussion of his experiences in Mexico; the dreary year (1957) he spent doing commercial art for a meatpackers' union in Chicago, a city he disliked; his move to New York in 1958, taking on commercial work to support his family, and teaching anatomy at the Pratt Institute.
Teaching art at a junior high school in the Bronx, and his gaining respect of students through special projects; teaching drawing at Boston University (1965-86), his approach to teaching including his demanding standards, the seriousness of the students, his opposing rigid attendance and grading rules, and colleagues, such as David Aronson who had created the School, Reed Kay, Jack Kramer, Sidney Hurwitz, and the University president, John Silber.
Working with the black arts entrepreneur, Elma Lewis, in setting up a visual arts program for the Boston black community (late 1960s-1970s), including the selection of a curator, Edmund Barry Gaither, a young art historian, who eventually established a museum of African-American art; his participation in various black art exhibitions, despite his belief that art should be seen regardless of the ethnic origins of artists; his move toward sculpture, beginning in the early 1960s, as a medium most expressive of black persons, culminating in the 1980s in a series of colossal heads and a statue of Martin Luther King, Jr. for the U.S. Capitol (1985-86); and why he makes art and will so long as he is able.
Biographical / Historical:
John Wilson (1922- ) is an African American painter, sculptor, illustrator, printmaker, and educator from Boston, Massachusetts. Full name John Woodrow Wilson.
General:
Originally recorded on 11 sound cassettes. Reformatted in 2010 as 22 digital wav files. Duration is 16 hr., 2 min.
Uneven transcription reflects Wilson's unusual speech pattern.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription and microfilming of the interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
African American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wilson93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f3601751-82e4-488d-b246-deda68bea613
EDAN-URL:
ead_collection:sova-aaa-wilson93
Online Media:

Dana Chandler papers

Creator:
Chandler, Dana, 1941-  Search this
Names:
Northeastern University (Boston, Mass.)  Search this
Extent:
0.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1968-1993
Summary:
The papers of painter and educator Dana Chandler (1941-) date from 1968-1993 and measure 0.9 linear feet. The papers consist of biographical material, correspondence, printed material, professional records, and reproductions of works of art, and relate primarily to Chandler's founding of the African American Master Artists in Residency Program (AAMARP) at Northeastern University.
Scope and Contents:
The papers of painter and educator Dana Chandler (1941-) date from 1968-1993 and measure 0.9 linear feet. The papers consist of biographical material, correspondence, printed material, professional records, and reproductions of works of art, and relate primarily to Chandler's founding of the African American Master Artists in Residency Program (AAMARP) at Northeastern University.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Dana Chandler (1941-), also known as Akin Duro, is an African American painter, printmaker, and educator in Boston, Massachusetts. Chandler is an activist known for his work with the Black integrationist movement in Boston, and Professor Emeritus at Simmons College. Chandler founded the African American Master Artists in Residency Program (AAMARP) at Northeastern University.
Related Materials:
Also found in the Archives of American Art is an interview of Dana Chandler conducted 1993 March 11-May 5, by Robert F. Brown, for the Archives of American Art
Provenance:
Donated 1993 by Dana Chandler.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Authorization to publish, quote or reproduce requires written permission of Dana Chandler. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
Citation:
Dana Chandler papers, 1968-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chandana
See more items in:
Dana Chandler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c33978c1-ef7b-4c17-a577-92e40cdec497
EDAN-URL:
ead_collection:sova-aaa-chandana

Oral history interview with Calvin Burnett

Interviewee:
Burnett, Calvin, 1921-2007  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 June 13-1981 January 6
Scope and Contents:
An interview of Calvin Burnett conducted 1980 June 13-1981 January 6, by Robert Brown, for the Archives of American Art.
Burnett speaks of his education at the Massachusetts College of Art, Boston; freelancing in commercial art; his career as a Black artist; teaching methods; recent paintings; and his civil rights activities.
Biographical / Historical:
Calvin Burnett (1921-2007) was a graphic artist, illustrator, painter, and designer from Cambridge, Massachusetts. Full name Calvin W. Burnett.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 19 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Massachusetts -- Cambridge  Search this
Educators -- Massachusetts  Search this
Illustrators -- Massachusetts  Search this
Designers -- Massachusetts -- Cambridge  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.burnet80
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ec4d0fc-2093-4c7d-815e-f66adda86991
EDAN-URL:
ead_collection:sova-aaa-burnet80
Online Media:

Albert Alcalay papers, 1944-1978

Creator:
Alcalay, Albert, 1917-2008  Search this
Type:
Scrapbooks
Citation:
Albert Alcalay papers, 1944-1978. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5627
(DSI-AAA_SIRISBib)208461
AAA_collcode_alcaalbe
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208461

Henry Botkin papers, 1917-1979

Creator:
Botkin, Henry, 1896-1983  Search this
Subject:
Arlen, Harold  Search this
Botkin, Benjamin Albert  Search this
Brice, Fanny  Search this
Brice, William  Search this
Gershwin, George  Search this
Gershwin, Ira  Search this
Godowsky, Frances  Search this
Gross, Chaim  Search this
Hasegawa, Saburō  Search this
Hofmann, Hans  Search this
Knaths, Karl  Search this
Laurent, Toinette Botkin  Search this
Mocsanyi, Paul  Search this
Motherwell, Robert  Search this
Nevelson, Louise  Search this
Newman, Barnett  Search this
Picasso, Pablo  Search this
Putnam, Wallace  Search this
Schoenberg, Arnold  Search this
Siqueiros, David Alfaro  Search this
Shadbolt, Jack  Search this
Von Wicht, John  Search this
Rattner, Abraham  Search this
Robus, Hugo  Search this
American Abstract Artists  Search this
Artists Equity Association  Search this
Federation of Modern Painters and Sculptors  Search this
Gallery 256 (Provincetown, Mass.)  Search this
Type:
Drawings
Scrapbooks
Citation:
Henry Botkin papers, 1917-1979. Archives of American Art, Smithsonian Institution.
Topic:
Art, Abstract  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7456
(DSI-AAA_SIRISBib)209614
AAA_collcode_botkhenr
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209614

Philip Leslie Hale papers, 1818-1962, bulk 1877-1939

Creator:
Hale, Philip Leslie, 1865-1931  Search this
Subject:
Butler, Theodore Earl  Search this
Hale, Nancy  Search this
Cox, Kenyon  Search this
Hart, William H.  Search this
Tarbell, Edmund Charles  Search this
Kennedy, Albert J. (Albert Joseph)  Search this
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Type:
Photographs
Interviews
Sketchbooks
Sketches
Citation:
Philip Leslie Hale papers, 1818-1962, bulk 1877-1939. Archives of American Art, Smithsonian Institution.
Topic:
Art -- History  Search this
Art -- Study and teaching  Search this
Painting, American  Search this
Painters -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7634
(DSI-AAA_SIRISBib)209797
AAA_collcode_halephil
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209797
Online Media:

David Humphreys and Beatrice Jackson papers, 1928-1974

Creator:
Humphreys, David, 1901-1970  Search this
Humphreys, Beatrice Jackson, 1905-1991  Search this
Citation:
David Humphreys and Beatrice Jackson papers, 1928-1974. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7818
(DSI-AAA_SIRISBib)209984
AAA_collcode_humpdavi
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209984

Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965

Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Subject:
Pershing, John J. (John Joseph)  Search this
Manship, Paul  Search this
Loring, Charles Greely  Search this
James, Henry  Search this
Smith, Corinna Lindon  Search this
Sargent, John Singer  Search this
Ross, Denman Waldo  Search this
Alma-Tadema, Lawrence, Sir  Search this
Thayer, Abbott Handerson  Search this
Beaux, Cecilia  Search this
Benson, Frank Weston  Search this
Brush, George de Forest  Search this
Carson, Kit  Search this
Gardner, Isabella Stewart  Search this
Académie Julian  Search this
Type:
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Place:
Egypt -- Antiquities
Egypt -- description and travel
Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
Topic:
Historical drama  Search this
Community theater  Search this
Art, Egyptian  Search this
Art, Ancient  Search this
Art, Egypt  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8473
(DSI-AAA_SIRISBib)210649
AAA_collcode_smitjose
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210649
Online Media:

Calvin Burnett papers, 1920-1979, bulk 1960s-1970s

Creator:
Burnett, Calvin W., 1921-2007  Search this
Type:
Drawings
Scrapbooks
Sketchbooks
Citation:
Calvin Burnett papers, 1920-1979, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
African American artists  Search this
African American educators  Search this
Theme:
Sketches & Sketchbooks  Search this
Diaries  Search this
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8493
(DSI-AAA_SIRISBib)210669
AAA_collcode_burncalv
Theme:
Sketches & Sketchbooks
Diaries
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210669
Online Media:

Katharine Lane Weems papers, 1865-1989

Creator:
Weems, Katharine Ward Lane, 1899-  Search this
Subject:
Cornell, Katharine  Search this
Cresson, Margaret French  Search this
Grafly, Charles  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Manship, Paul  Search this
Monjo, Enric  Search this
Putnam, Brenda  Search this
Wong, Anna May  Search this
Gildersleeve, Basil L. (Basil Lanneau)  Search this
Lane, Gardiner M.  Search this
Hancock, Walker Kirtland  Search this
Kroll, Leon  Search this
Marans, Moissaye  Search this
Weinman, Adolph A. (Adolph Alexander)  Search this
Lane, Katharine Ward  Search this
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Type:
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Citation:
Katharine Lane Weems papers, 1865-1989. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Animal sculpture  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8603
(DSI-AAA_SIRISBib)210783
AAA_collcode_weemkath
Theme:
Sketches & Sketchbooks
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210783

William Robert Pearmain and Pearmain family papers, 1888-1955

Creator:
Pearmain, William Robert, 1888-1912  Search this
Subject:
Sanger, Margaret  Search this
Trautmann, W. E. (William Ernst)  Search this
Sanger, William  Search this
Upton, Sarah  Search this
Dole, Charles F. (Charles Fletcher)  Search this
Pearmain, Alice  Search this
Kent, Rockwell  Search this
Brush, George de Forest  Search this
Pearmain, Margaret  Search this
Pearmain, Jack  Search this
Pearmain, Summer  Search this
Pearmain, Mary  Search this
Berkman, Alexander  Search this
Clemens, Samuel Langhorne  Search this
Bowditch, Nancy Douglas  Search this
Brooks, John Graham  Search this
Industrial Workers of the World  Search this
Type:
Writings
Photographs
Sketches
Watercolors
Diaries
Citation:
William Robert Pearmain and Pearmain family papers, 1888-1955. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Travel -- Europe  Search this
Painters -- Massachusetts -- Boston  Search this
Art -- Study and teaching  Search this
Political activists -- Massachusetts -- Boston  Search this
Political activists -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8812
(DSI-AAA_SIRISBib)210997
AAA_collcode_pearwill
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210997
Online Media:

John Joseph Enneking papers, 1879-1972

Creator:
Enneking, John J., 1841-1916  Search this
Type:
Sketchbooks
Citation:
John Joseph Enneking papers, 1879-1972. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painting -- Massachusetts -- Boston  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8864
(DSI-AAA_SIRISBib)211049
AAA_collcode_ennejohn
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211049

Richard E. Filipowski papers, circa 1940-1998

Creator:
Filipowski, Richard E., 1923-2008  Search this
Subject:
Agoos, Herbert M.  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro  Search this
Davis, Stuart  Search this
Kepes, Gyorgy  Search this
Moholy-Nagy, László  Search this
Gropius, Walter  Search this
Kepes, Gyorgy  Search this
Eckbo, Garrett  Search this
Bauhaus  Search this
Harvard University  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology  Search this
Boston Arts Festival  Search this
Type:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Citation:
Richard E. Filipowski papers, circa 1940-1998. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Industrial design  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Theme:
Sketches & Sketchbooks  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9644
(DSI-AAA_SIRISBib)211852
AAA_collcode_filirich
Theme:
Sketches & Sketchbooks
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211852
Online Media:

John Wilson papers, circa 1939-1993

Creator:
Wilson, John Woodrow, 1922-  Search this
Subject:
Trachtenberg, Alan  Search this
Type:
Drawings
Interviews
Scrapbooks
Sound recordings
Citation:
John Wilson papers, circa 1939-1993. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American sculptors  Search this
Theme:
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6395
(DSI-AAA_SIRISBib)215365
AAA_collcode_wilsjohn
Theme:
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215365

Dana Chandler papers, 1968-1993

Creator:
Chandler, Dana, 1941-  Search this
Subject:
Northeastern University (Boston, Mass.)  Search this
Citation:
Dana Chandler papers, 1968-1993. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
Theme:
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6417
(DSI-AAA_SIRISBib)215439
AAA_collcode_chandana
Theme:
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215439

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