Search Results

Painter:

Hoening, Jules Robert 1835-1904  Search this

Type:

Paintings

Owner/Location:

New Orleans Museum of Art P. O. Box 19123 New Orleans Louisiana 70179

Topic:

Landscape  Search this

Still Life  Search this

Control number:

IAP 17430049

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_258026

Extent:

4 Boxes

7 Sound tape reels

Type:

Collection descriptions

Archival materials

Sound tape reels

Date:

1967

Summary:

This finding aid is intended as a historical document of the event, July 1-4, 1967 and the participants in this festival. Not all of the individuals listed below were recorded or photographed. The documentation of this festival was minimal so there is not a wealth of material still existing or accessible from this event for study. What exists is listed later in this document. Contains parts of several boxes of paper records. 7 reel to reel audiotapes, photographs.

Scope and Content note:

The collection includes the paper records that resulted from the production of the program. The collection includes audiovisual documentation during the festival itself including audio recordings and photographs. For specific information about the materials in each series, please refer to the series description. For additional information about the 1967 Festival of American Folklife, one should consult the central Smithsonian Institution Archives and the papers of the Division of Performing Arts.

Historical note:

In 1967, the Smithsonian held its first ever Festival of American Folklife. Then Smithsonian Secretary S. Dillon Ripley was interested in getting the museum out to the people. He assigned the task of creating a festival to James Morris, head of what was then the Smithsonian Division of Performing Arts. Ralph Rinzler was hired as the folklore consultant. Rinzler had been one of the chief talent scouts for the Newport Folk festival and had done extensive fieldwork on American folk traditions. Rinzler had also been involved in the creation of the "festival workshop" concept which incorporates narratives and audience interaction with musical performance. He also felt strongly that craft and food traditions were equally important and also a major part of the folklife of a traditional community.

This four day event set the pattern for what became a yearly event. It featured craft traditions as well as musical performances by some of the well known traditional musicians of the 20th century, many of whom had previously appeared at the Newport Folk Festival.

List of Festival Participants:

Crafts

Louise Jones, Coil basket making, South Carolina

Margaret Coochwytewa, Coil and Yucca leaves, Hopi basket maker, Arizona

Joseph Grismayer, Willow, basket maker, Pennsylvania

Bea Hensley, blacksmith, North Carolina

Homer Miracle, Hand-hewn bowls, carver, Kentucky

Charles Mayac, Ivory carver, Alaska

Leo J. Meyer, scrimshaw carver, Maryland

Edd Presnell, Dulcimer maker, North Carolina

Willard Watson, Toy maker, North Carolina

Dewey Harmon, Whittler, North Carolina

Herman Benton, Scoop maker, New York

Robert Keith, Chair maker, North Carolina

Mrs. Robert Keith, Chair maker, North Carolina

Clifford Lucas, Indian dolls, New Mexico

Hazel Miracle, Apple face, corn shuck dolls, Kentucky

Mildred Cleghorn, Indian cloth dolls, Oklahoma

Alice Merryman, Corn shuck dolls, Arkansas

Lila Marshall, Corn shuck dolls, North Carolina

Ann Mitchell, Corn shuck dolls, Maryland

Maisy Coburn, Apple face and Corncob dolls, Arkansas

Mary Bowers, Seminole patchwork, needlework, Florida

Georgianne Robinson, Osage ribbon work, needlework, Oklahoma

Genevieve Tomey, Osage ribbon work, needlework, Oklahoma

Ora Watson, Quilting, North Carolina

Freedom Quilting Bee, Alabama

Marie Chino, Acoma pottery, New Mexico

Norman Miller, Southern pottery, Alabama

Mrs. Norman Miller, Southern pottery, Alabama

Norman Kennedy, Carder, spinner, weaver, Massachusetts

Golda Porter, Spinner, North Carolina

Taft Greer, Weaver, Tennessee

Elisia Trivett, Rug hooker, North Carolina

Ambrose Roanhorse, Navajo silversmith, Arizona

Garnet Claw Roanhorse, Navajo rug weaver, Arizona

Lou Sesher, Model boat builder, Pennsylvania

Victor Coochwytewa, Hopi silversmith, Arizona

Harry Belone, Navajo sand painter, Arizona

Music

First Maryland Regiment Fife and Drum Corps, martial music, Maryland

Dejan's Olympia Brass Brand, New Orleans marching band, Louisiana

Clark Kessinger, mountain fiddler, West Virginia

Gene Meade, West Virginia

Scottish Pipe Band, Highland marching music, Washington, D.C.

Wade Ward and the Buck Mountain Band, mountain sting band, Virginia

Ed Young and family, African American fife and drum group, Mississippi

Bessie Jones and the Georgia Sea Island Singers, shouts, jubilees, spirituals, and ring games, Georgia

The Moving Star Hall Singers, shouts, jubilees, spirituals, and ring games, South Carolina

Yomo Toro Band, Puerto Rican music, New York

Billie and De De Pierce and the Preservation Hall Jazz Band, New Orleans jazz, Louisiana

Jimmie Driftwood, Ozark ballad singer, Arkansas

John Papakee, Mesquakie Indian music, Iowa

Grace Papakee, Mesquakie Indian music, Iowa

Almeda Riddle, Ozark ballad singer, Arkansas

Vinice Lejeune Group, Cajun band, Louisiana

John Jackson, Songster and blues singer, Virginia

Libba Cotten, Country guitarist, North Carolina, Washington, D.C.

The Baca Family Band, Czech-American polka music, Texas

Norman Kennedy, Scots ballad singer, Massachusetts

The McGee Brothers with Sid Harkreader, String band, Tennessee

Glenn Ohrlin, Cowboy singer, Arkansas

Young People's Chorus from the Scripture of Church of Christ, gospel, Virginia

Dance

Blue Ridge Mountain Dancers, cloggers, North Carolina

St. Andrews Society Group, Scottish dancing, Washington, D.C.

Glinka Dancers, Russian dance group, New Jersey

McNeff Dancers, Irish dancing with Ceilidh band, New York

Chinese Lion Group, Washington, D.C.

Jochim Koyuk, King Island Eskimo dancer, Alaska

Mrs. Jochim Koyuk, King Island Eskimo dancer, Alaska

Los Gallegos d'Espana, Galician dance, New York

Henry Paterick, square dance caller, Virginia

Maurice Flowers, square dance caller, Maryland

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Related Publications:

The following publications exist in the archive library and can be studied on-site.

Eaton, Allen H., Handicrafts of the Southern Highlands, New York: Russell Sage Foundation, 1937 Jones, Bessie and Bess Lomax Hawes, Step it Down: Games, Plays, Songs, and Stories from the Afro-American Heritage, New York: Harper and Row, 1972. Kirlin, Katherine S., and Thomas M. Kirlin, Smithsonian Folklife Cookbook, Washington, D.C.: Smithsonian Press, 1991 Kurin, Richard, Reflections of a Culture Broker: A View from the Smithsonian, Washington, D.C.: Smithsonian Press, 1997 Kurin, Richard, Smithsonian Folklife Festival: Culture Of, By, and For the People, Washington, D.C.: Smithsonian Institution. Center for Folklife Programs and Cultural Studies, 1998

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Citation:

Smithsonian Folklife Festival Documentation Collection, Ralph Rinzler Folklife Archive and Collection, Smithsonian Institution.

Identifier:

CFCH.FAF.1967

See more items in:

1967 Festival of American Folklife papers

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5fabff08d-9361-49ed-9b08-f8486e7688f5

EDAN-URL:

ead_collection:sova-cfch-faf-1967

Painter:

Gerhardt, Karl 1853-1940  Search this

Medium:

Oil on board

Type:

Paintings

Owner/Location:

University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130

Date:

1915

Topic:

Architecture exterior--Domestic--House  Search this

Cityscape--Street  Search this

Occupation--Domestic--Laundry  Search this

Control number:

IAP 68050157

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_381807

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

Crispus Attucks, American, 1723 - 1770  Search this

Sojourner Truth, American, 1797 - 1883  Search this

Harriet Tubman, American, 1822 - 1913  Search this

Sarah C. Roberts, American, born 1844  Search this

Susan McKinney Steward, American, 1847 - 1918  Search this

Dred Scott, American, ca 1800 - 1858  Search this

Frederick Douglass, American, 1818 - 1895  Search this

Booker T. Washington, American, 1856 - 1915  Search this

George Washington Carver, American, 1860s - 1943  Search this

W.E.B. Du Bois, American, 1868 - 1963  Search this

Scott Joplin, American, 1867 - 1917  Search this

Marcus Garvey, Jamaican, 1887 - 1940  Search this

James Weldon Johnson, American, 1871 - 1938  Search this

Father Divine, American, ca. 1876 - 1965  Search this

A. Philip Randolph, American, 1889 - 1979  Search this

Adam Clayton Powell Jr., American, 1908 - 1972  Search this

Rosa Parks, American, 1913 - 2005  Search this

Medgar Evers, American, 1925 - 1963  Search this

Dr. Martin Luther King Jr., American, 1929 - 1968  Search this

President Lyndon Baines Johnson, American, 1908 - 1973  Search this

Mary McLeod Bethune, American, 1875 - 1955  Search this

National Association of Black Social Workers, American, founded 1968  Search this

Congressional Black Caucus, American, founded 1971  Search this

Prince Hall Freemasonry, founded 1784  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Shriners International, American, founded 1870  Search this

National Pan-Hellenic Council, American, founded 1930  Search this

National Dental Association, American, founded 1913  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Democratic Party, American, founded 1828  Search this

Republican Party, American, founded 1854  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

National Urban League, American, founded 1910  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

National Medical Association, American, founded 1895  Search this

Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this

National Council of Negro Women, founded 1935  Search this

Daughters of Isis, American, founded 1910  Search this

Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this

369th Veterans Association, American  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Langston Hughes, American, 1902 - 1967  Search this

Paul Robeson, American, 1898 - 1976  Search this

Ezzard Mack Charles, American, 1921 - 1975  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 1 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Date:

1976

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

U.S. History, 1969-2001  Search this

U.S. History, Colonial period, 1600-1775  Search this

United States History  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.10

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5e57ffdd9-2ab1-46da-b6e7-10757007351f

EDAN-URL:

edanmdm:nmaahc_2012.167.10

Edited by:

W.E.B. Du Bois, American, 1868 - 1963  Search this

Subject of:

The Crisis, American, founded 1910  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Illustrated by:

Frank Walts, American  Search this

Hilda Rue Wilkinson Brown, American, 1894 - 1981  Search this

Written by:

Waverley Turner Carmichael, American, 1881 - 1936  Search this

Medium:

ink on paper with metal

Dimensions:

H x W: 9 7/8 × 6 7/8 in. (25.1 × 17.5 cm)

H x W (Open): 9 7/8 × 13 5/8 in. (25.1 × 34.6 cm)

Type:

magazines (periodicals)

Place printed:

New York City, New York, United States, North and Central America

Place depicted:

East Saint Louis, St. Clair County, Illinois, United States, North and Central America

Houston, Harris County, Texas, United States, North and Central America

Date:

January 1918

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Civil Rights  Search this

Education  Search this

Law  Search this

Literature  Search this

Mass media  Search this

Military  Search this

Poetry  Search this

Race relations  Search this

Race riots  Search this

Social life and customs  Search this

Social reform  Search this

U.S. History, 1865-1921  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2015.97.15.6

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5885dd3a8-6bb5-47f3-9e41-02bca6fd14a1

EDAN-URL:

edanmdm:nmaahc_2015.97.15.6

Edited by:

W.E.B. Du Bois, American, 1868 - 1963  Search this

Subject of:

The Crisis, American, founded 1910  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Samuel Coleridge-Taylor, British, 1875 - 1912  Search this

Illustrated by:

John Henry Adams Jr., American, 1880 - 1944  Search this

Written by:

Charles Edward Stowe, American, 1850 - 1934  Search this

Jessie Redmon Fauset, American, 1882 - 1961  Search this

Jane Addams, American, 1860 - 1935  Search this

Lafayette M. Hershaw, American, 1863 - 1945  Search this

Medium:

ink on paper with metal

Dimensions:

H x W: 9 3/4 × 6 3/4 in. (24.8 × 17.1 cm)

H x W (Open): 9 3/4 × 13 1/2 in. (24.8 × 34.3 cm)

Type:

magazines (periodicals)

Place printed:

New York City, New York, United States, North and Central America

Date:

November 1912

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Civil Rights  Search this

Composers (Musicians)  Search this

Education  Search this

Journalism  Search this

Literature  Search this

Mass media  Search this

Music  Search this

Poetry  Search this

Politics  Search this

Race relations  Search this

Slavery  Search this

Social life and customs  Search this

Social reform  Search this

U.S. History, 1865-1921  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2015.97.14.5

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Movement:

Women's Club Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd56505ca46-a235-449f-a8ae-7208fb57a32f

EDAN-URL:

edanmdm:nmaahc_2015.97.14.5

Painter:

Molinary, Andres 1847-1915  Search this

Medium:

Oil on canvas

Type:

Paintings

Owner/Location:

Louisiana State Museum P. O. Box 2448 New Orleans Louisiana 70176

Date:

Ca. 1890

Topic:

Landscape--Tree--Oak Tree  Search this

Landscape--Road  Search this

Figure group  Search this

Control number:

IAP 17470022

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_480111

Painter:

Graner, Luis 1867-1929  Search this

Medium:

Oil

Type:

Paintings

Owner/Location:

New Orleans Museum of Art P. O. Box 19123 New Orleans Louisiana 70179

Topic:

Figure male  Search this

Control number:

IAP 17430075

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_258051

Painter:

Lion, J.  Search this

Subject:

Coco, A. B  Search this

Type:

Paintings

Owner/Location:

Historic New Orleans Collection New Orleans Louisiana

Topic:

Portrait male  Search this

Control number:

IAP 72900886

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_163953

Painter:

Amans, Jacques 1801-1888  Search this

Subject:

Guillaume, Marie Arthur  Search this

Medium:

Oil

Type:

Paintings

Topic:

Portrait male--Waist length  Search this

Control number:

IAP 72900187

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_163261

Painter:

Woodward, Ellsworth 1861-1939  Search this

Medium:

Watercolor on paper

Type:

Paintings

Owner/Location:

University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130

Date:

1931

Topic:

Landscape--Louisiana--Abita Springs  Search this

Control number:

IAP 68050255

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_382172

Painter:

Haller  Search this

Subject:

Tompkins, Abel  Search this

Type:

Paintings-Miniature

Paintings

Date:

Ca. 1854

Topic:

Portrait male  Search this

Control number:

IAP 72902029

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_164202

Painter:

Julio, Everett B. D. Fabrino 1843-1879  Search this

Subject:

Labatt, Abraham  Search this

Type:

Paintings

Topic:

Portrait male  Search this

Control number:

IAP 72900993

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_164060

Creator:

Rattner, Abraham  Search this

Names:

Downtown Gallery (New York, N.Y.)  Search this

Esther Gentle Reproductions  Search this

Kennedy Galleries  Search this

Paul Rosenberg & Co.  Search this

Bedwell, Bettina, 1889-1947  Search this

Biddle, George, 1885-1973  Search this

Boyle, Kay, 1902-  Search this

Burlin, Paul, 1886-1969  Search this

Carton, Norman, 1908-1980  Search this

Coates, Robert M. (Robert Myron), 1897-1973  Search this

Davis, Stuart, 1892-1964  Search this

De Rochemont, Richard  Search this

Dehn, Adolf, 1895-1968  Search this

Dos Passos, John, 1896-1970  Search this

Gentle, Esther, 1900-  Search this

Gonzalez, Xavier, 1898-1993  Search this

Griffin, John Howard, 1920-  Search this

Guthrie, Ramon, 1896-  Search this

Gwathmey, Robert, 1903-1988  Search this

Hall, William Weeks, 1894-1958  Search this

Hayter, Stanley William, 1901-  Search this

Hiler, Hilaire, 1898-1966  Search this

Hirsch, Joseph, 1910-1981  Search this

Hirsch, Stefan, 1899-1964  Search this

Holty, Carl, 1900-1973  Search this

Hélion, Jean, 1904-1987  Search this

Kronberg, Louis, 1872-1965  Search this

Lebrun, Rico, 1900-1964  Search this

Leepa, Allen, 1919-2009  Search this

Lipchitz, Jacques, 1891-1973  Search this

Ludgin, Earle, 1898-1981  Search this

Malcolm, Thalia Westcott, b. 1878  Search this

Miller, Henry, 1891-  Search this

Miró, Joan, 1893-  Search this

Nordfeldt, Bror Julius Olsson, 1878-1955  Search this

Peake, Channing, 1910-  Search this

Poor, Henry Varnum, 1887-1970  Search this

Ruvolo, Feliz  Search this

Stark, Jack Gage, 1882-1950  Search this

Watkins, Franklin Chenault, 1894-1972  Search this

Weller, Allen S. (Allen Stuart), 1907-1997  Search this

Extent:

26.3 Linear feet

Type:

Collection descriptions

Archival materials

Sketches

Diaries

Scrapbooks

Photographs

Interviews

Date:

1891-1986

Summary:

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

Scope and Content Note:

Abraham Rattner's papers provide insight into an important time for twentieth century American art and culture. By studying Rattner's papers, the researcher may view the beginnings of Modernism, the cultural change that pushed the boundaries of artistic and literary traditions and provided new ways in which to express ourselves.

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

The biographical files contain documents such as Rattner's birth certificate, travel visas, his senior yearbook from 1912 which shows some of his early art work, and some of his awards. His birth certificate is of particular interest since it shows Rattner's birth date to be 1893 instead of the recognized 1895.

The correspondence offers great insight into the thoughts of many American and European artists and writers during the 1930s and 1940s. Rattner, a prolific writer, expressed many of his own thoughts and concerns through his letters, many of which are included in this collection. The vast amount of correspondence include letters from notable figures such as George Biddle, Kay Boyle, Paul Burlin, Norman Carton, Robert Coates, Stuart Davis, Adolph Dehn, Richard de Rochemont, John Dos Passos, Xavier Gonzales, John Howard Griffin, Ramon Guthrie, Robert Gwathmey, Weeks Hall, Stanley W. Hayter, Jean Helion, Hilaire Hiler, Joseph Hirsch, Stefan Hirsch, Carl Holty, Louis Kronberg, Rico Lebrun, Jacques Lipchitz, Earle Ludgin, Thalia Wescott Malcolm, Henry Miller, Joan Miro, Bror Julius Olsson Nordfeldt, Channing Peake, Henry Varnum Poor, Felix Ruvolo, Waverly Root, Jack Gage Stark, Frank C. Watkins, and Allen Weller, among others.

Rattner was engaged in a wide range of special art projects, and he kept detailed files on these projects. The projects spanned from 1940 through 1973 and included endeavors such as illustrations for Life magazine, stained-glass designs, mosaic and tapestry projects, as well as special paintings such as Victory--Jerusalem the Golden and The Gallows of Baghdad. Rattner's papers also detail the history of a fresco painted by Paul Gauguin entitled Joan d'Arcwhich Rattner purchased in France in 1925.

Rattner's forty year friendship with the writer Henry Miller is chronicled throughout the collection in the forms of correspondence, writings, printed material, phototographs and artwork. Their correspondence ranges from 1938 through 1978 and offers great insight into their relationship. Rattner and Miller's road trip from New York to New Orleans in 1940-1941 is documented in the series entitled Special Projects. Also included in the collection are printed material, such as biographical material on Miller, Miller's writings, literary announcements and reviews; Miller's writings on Rattner; and photographs of Miller.

The gallery files contain correspondence, receipts, and notes regarding the galleries which represented Rattner. Those galleries included the Rosenberg Gallery, the Downtown Gallery, and the Kennedy Gallery. A small series of exhibition files contain material about exhibitions held outside of Rattner's representative galleries.

Rattner's writings proved to be an outlet for his thoughts on painting, his inspirations, frustrations, and sadness. In addition to painting, Rattner was able to express his creativity through writing poetry. Writing also helped him work through his depression over the death of his first wife Bettina Bedwell.

He also kept finely detailed studio notebooks. The original order has been maintained, and they trace the history of almost each painting, drawing, and study attempted by Rattner. The notebooks often provide information regarding whether the work was sent to a gallery or given as a gift. Sometimes they contain correspondence or writings that reveal the inspiration for a work. They have been arranged in chronological order, according to Rattner's own filing system.

Rattner retained receipts for most of his art expenses. Arranged by decade, these receipts show the type of paint, colors, types of paper and brushes that he used.

Rattner also kept many household files and personal financial records. Household files contain insurance records, warranties and rental agreements, while the financial records contain returned checks and bank statements. Some bank statements from Esther Gentle Reproductions are also included. The household files and financial records are not filmed.

The date books and diaries reveal the aspects of daily life and the personal thoughts of Rattner and Esther Gentle. In many cases, Rattner shared his date books and diaries with Gentle. The early diaries are fascinating, especially the 1939 diary that discloses the Rattners' last days in France before escaping Nazism and returning to the United States.

Rettner's scrapbooks span from 1938 to 1952 and contain newspaper and magazine clippings that mention the artist or his work.

The printed material covers a period from 1930s through the 1980s and includes exhibition catalogs, exhibition announcements, clippings, and miscellaneous material such as an autograph book from 1969 and a map of Israel that shows Rattner's travel route. There is a large amount of unfilmed printed material that is listed in the series description.

Writings by others consists of writings on Rattner and other topics.

The collection contains many photographs taken of Rattner and taken by him, as well as photos of family, friends, his studio, travels, and photographs of Rattner's art. Photographs of notable people include Henry Miller, Joan Miro, John Dos Passos, Archibald MacLeish, and Malcolm Cowley, among others.

The amount of Rattner's art work included in the collection is small, but it is significant because it provides examples of his very early work, dating from 1912-1914. Some later studies are also present, as well as a number of random sketches. Color was very important to Rattner, and some of his color studies from the 1940s are also included. Art work by other artists is comprised of some small paintings by Max Weber, a water color by Henry Miller, a painting by Ken Buryd, as well as some work by unknown artists.

In addition to tracing Rattner's life and career, the collection also documents the lives of Rattner's two wives, Bettina Bedwell and Esther Gentle. Both women had profound effects on Rattner's work. Among Bettina Bedwell's papers are her diary, fashion sketches, and correspondence. Esther Gentle's papers include correspondence, writings, as well as papers documenting her business Esther Gentle Reproductions. There are a small amount of papers relating to Allen Leepa, Rattner's stepson with Esther Gentle.

See index for list of correspondents from various series.

Arrangement:

The collection is arranged into twenty-four series based primarily on type of document or special project. Though concentrated in its own series, additional correspondence is scattered throughout the collection and may be found in special project files, gallery files, exhibition files, studio notebooks, and scrapbooks. The correspondence has been divided into two subseries, one chronological and the other according to Rattner's subject-oriented filing system. Special art projects have been organized by project, and placed in chronological order. The studio notebooks have also been divided into subseries, and all notebook pages maintain Rattner's original order. The first subseries of notebooks reflects Rattner's numbering system, while the second subseries is arranged chronologically. The vast amount of printed material has been divided into subseries, and all of the unfilmed printed material has been organized chronologically at the end of the series.

Within each series, material is arranged either in chronological order, or in some cases, according to Abraham Rattner's own organizational system.

Oversized materials from various series are housed in oversized folders 33-45 and are noted in the Series Description/Container Listing with see also/see references or in the container columns.

Missing Title

Series 1: Biographical Files, 1893-1978, undated (box 1; 0.2 linear ft.)

Series 2: Interviews, 1957-1975, undated (box 1; 7 folders)

Series 3: Correspondence Files, 1933-1978, undated (boxes 1-5; 4.3 linear ft.)

Series 4: Special Projects, 1940-1987, undated (boxes 5-6, ovs 33-35; 1.5 linear ft.)

Series 5: -- Joan d'Arc -- Fresco painted by Paul Gaugin, 1925-1963, undated (box 7, ov 36; 12 folders)

Series 6: Gallery Files, 1942-1975 (boxes 7-8; 1.5 linear ft.)

Series 7: Exhibition Files, 1963-1978 (boxes 7, 9; 9 folders)

Series 8: Writings, 1940-1972, undated (box 9; 0.9 linear ft.)

Series 9: Studio Notebooks, 1935-1975, undated (boxes 10-11; 1.9 linear ft.)

Series 10: Art Expenses, circa 1940-1970 (boxes 11-13; 0.7 linear ft.)

Series 11: Household Files, 1940-1970, undated (box 13; 0.8 linear ft.)

Series 12: Financial Records, 1933-1963 (boxes 13-14; 0.7 linear ft.)

Series 13: Notes and Lists, 1936-1972, undated (box 14; 0.5 linear ft.)

Series 14: Address Books, 1939-1977, undated (box 15; 1.0 linear ft.)

Series 15: Date Books/Diaries, 1937-1977, undated (boxes 16-17; 1.6 linear ft.)

Series 16: Scrapbooks, 1938-1952 (boxes 18-22; 1.5 linear ft.)

Series 17: Printed Material, 1920s-1980s, undated (boxes 23-26; 3.6 linear ft.)

Series 18: Writings by Others, 1945-circa 1980, undated (box 26; 20 folders)

Series 19: Photographs, 1891-1970s, undated (boxes 27-29; 1.6 linear ft.)

Series 20: Works of Art by Rattner, 1912-1914, 1940-1967, undated (box 30, ovs 37-44; 2.4 linear ft.)

Series 21: Works of Art by Others, undated (box 30, ov 45; 7 folders)

Series 22: Bettina Bedwell Papers, 1932-1947, undated (box 31; 0.4 linear ft.)

Series 23: Esther Gentle Papers, 1921-1984, undated (boxes 31-32; 1.3 linear ft.)

Series 24: Allen Leepa Papers, 1952-1969, undated (box 32; 8 folders)

Biographical Note:

Abraham Rattner was born in Poughkeepsie, New York in 1895. His parents immigrated to the United States to escape antisemitism in Czarist Russia. He was the second of six children, including his eldest brother Louis, younger brothers Manuel (Manny) and Harry, and his younger sisters Rose and Jennie.

Rattner's parents encouraged him to paint at a young age, and as he grew up, painting became a part of his daily life. He graduated from Poughkeepsie High School in 1912 and left to study architecture at George Washington University in Washington, D.C. At night, he took art courses at the Corcoran School of Art. He soon became a full-time art student, and applied for a scholarship to the Pennsylvania Academy of the Fine Arts in Philadelphia. He was accepted in 1919 and supported himself by doing illustrations for Philadelphia newspapers.

In 1917, World War I interrupted his studies. Rattner entered the United States Army in France where he became Sergeant of camouflage section, 40th Engineers. Camouflage, reflecting aspects of modern art in its form and pattern, made use of Rattner's artistic skills. During the second battle of the Marne, Rattner injured his back and returned to the States with an ailment that would affect him for the rest of his life.

Rattner returned to the Pennsylvania Academy and was awarded the Cresson scholarship to study art in Europe. He traveled for one year, then settled in Paris for the next twenty years. Those twenty years in Paris became the most formative for Rattner because he was able to study and experiment with Futurism, Cubism, and Expressionism. Post World War I Paris was the center of modern culture for Americans disillusioned by the destruction of the war. Expatriate writers, poets, and artists were searching for a culture that shunned the traditions of the past and exchanged ideas with one another at the lively Paris cafes and salons.

In 1924, Abraham Rattner married Bettina Bedwell, an American art student and fashion illustrator. Bettina became the Paris fashion correspondent for the New York News-Chicago Tribune Syndicate. In 1927, Rattner was a member of the Minotaure group, along with Picasso, Miro, Giacometti, Le Corbusier, Braque, Dali, and Reverdy. He also illustrated an article for Jon Dos Passos in Verve magazine in 1931.

Rattner's first one-man show was in 1935 at the Galerie Bonjean in Paris, which was followed by one-man shows at the Julien Levy Gallery in New York, the Arts Club of Chicago, and the Courvoisier Gallery in San Francisco.

The threat of Hitler and Nazism forced Rattner and his wife to flee Paris in 1939. Arriving in New York in early 1940, Rattner agreed to take a trip by car with the writer Henry Miller. Their route took them from New York to New Iberia, Louisiana via the East coast and Southern states. Their mission was to rediscover America, with Henry Miller writing about their experiences and Rattner sketching the scenery. Rattner's friendship with Henry Miller was an important one that lasted throughout his life.

During the 1940s, Rattner's art was widely exhibited. In 1941, he joined the Rosenberg Gallery in New York, and remained with the gallery for fourteen years. He won awards for his work such as the Temple Gold Medal in 1945 and second prize in the Pepsi-Cola Fourth Annual Art Competition in 1946. In 1947, Bettina Bedwell suddenly died due to a kidney infection, sending Rattner into a spiral of grief and depression. To escape depression, from 1947-1949, he taught at the New School for Social Research in New York.

In 1949, Rattner married Esther Gentle, an artist and business woman who ran an art reproductions business. In 1951, the Rattners moved to Rome where he worked as Artist in Residence at the American Academy. The next year, they moved to Illinois where he was the Artist in Residence at the University of Illinois. Ratter was awarded first prize in 1953 at the 23rd Corcoran Biennial Exhibition and also served as Vice-President of Artists' Equity. In 1956, Rattner was the Distinguished Visiting Professor at Michigan State University, and along with his stepson, Allen Leepa, established an art school on Long Island. In 1957, Rattner left the Rosenberg Gallery to join the Downtown Gallery. He felt he would professionally profit from representation by the well-known Edith Halpert; however, the next twelve years reflected a tumultuous relationship between the artist and the gallery owner.

In 1957, Rattner reached out to other forms of art and design. He experimented with mosaic, tapestry and stained-glass. He designed mosaic columns and tapestries for the Fairmont Temple Anche Chesed in Cleveland and a mosaic for a friary and college in Centerville, Ohio. His stained-glass designs were highly celebrated and respected. His most famous stained-glass piece was the window for the Chicago Loop Synagogue. For this piece, Rattner spent two years traveling to Paris to design and supervise every process involved in the design and installation of the window.

Rattner felt that while his paintings during the 1940s and 1950s were romantic and self-reflective, the 1960s marked a new inspirational period in his work. His painting reflected religious comment, bringing Rattner back in touch with his Jewish heritage, as well as reflecting a sense of social protest. In 1968, Rattner exhibited his painting Victory--Jerusalem the Golden to honor the celebration of Israel's twentieth anniversary of independence. It was also in 1968 that Rattner left the Downtown Gallery for the Kennedy Gallery. In 1969, he painted The Gallows of Baghdad series as a protest to the hanging of nine Jews by Iraqi authorities.

The 1970s marked a time of many exhibitions. In 1976, the National Collection of Fine Arts in Washington, D.C. sponsored an exhibition of his designs for stained-glass entitled "...and let there be light". Also, from 1976 through 1977, "Our America" exhibited Rattner's drawings from his 1940 U.S.A. trip with Henry Miller in England and in the United States. In 1977, Michigan State University bestowed upon him the Honorary Degree for Humanity. On February 14, 1978, Abraham Rattner died due to heart failure.

Missing Title

1893 -- Born June 8th in Poughkeepsie, New York.

1912 -- Graduated from Poughkeepsie High School.

1914-1917 -- Student at George Washington University, Corcoran School of Art and Pennsylvania Academy of the Fine Arts.

1917 -- Enlisted in the United States Army in France as Sergeant, camouflage section, 40th Engineers. Fought at Seicheprey, second battle of the Marne, and Chateau-Thierry.

1919 -- Returned to Pennsylvania Academy of the Fine Arts. Awarded Cresson traveling fellowship to Europe.

1920 -- Traveled in France, Spain, England, Belgium and Holland.

1921 -- Art student in Paris at Ecole des Beaux-Arts, Grand Chaumiere, and Academie Ranson.

1922 -- Lived and painted in Giverny, France.

1923 -- Returned to Paris.

1924 -- Married Bettina Bedwell, Paris fashion correspondent for the New York News-Chicago Tribune news syndicate. Exhibited at Salon d'Automne and Salon des Independants.

1927 -- Member of the Minotaure group in Paris.

1931 -- Illustrated article, "Fire," by John Dos Passos for Verve magazine.

1935 -- First one-person show at Galerie Bonjean, Paris. French government purchased Card Party for Museum of Impressionism, The Louvre.

1936 -- One-person show at Julien Levy Gallery, New York (also 1939, 1941); Arts Club of Chicago; Courvoisier Gallery, San Francisco (also 1941).

1940 -- Returned to the United States following Nazi invasion of France. Traveled with Henry Miller from New York to New Iberia, Louisiana.

1941 -- One-person shows: Stendahl Gallery, Los Angeles; Faulkner Memorial Art Gallery, Santa Barbara (also 1943); Paul Rosenberg Gallery, New York (also 1942, 1944, 1946, 1948-1950, 1952, 1956); Studio, New York.

1945 -- Awarded the Temple Gold Medal from the Pennsylvania Academy of Fine Arts. Wrote "An American in Paris" for Magazine of Art.

1946 -- Awarded second prize at the Pepsi-Cola Fourth Annual Art Competition.

1947 -- Death of Bettina Bedwell Rattner.

1948 -- Taught at the New School for Social Research, New York.

1949 -- Married Esther Gentle. Visiting artist at Yale University and at the Brooklyn Museum School. Awarded honorable mention at the Carnegie Institute Exhibition of American Painting.

1950 -- Awarded the Purchase Prize at the University of Illinois Biennial Exhibition.

1951 -- Artist in residence at the American Academy in Rome.

1952 -- Artist in residence at the University of Illinois.

1953 -- Awarded first prize at the 23rd Corcoran Biennial Exhibition. Served as Vice-President of Artists' Equity.

1954 -- Taught at the Art Students League. Panelist at the Design Conference in Aspen, Colorado.

1955 -- Exhibited drawings at the Chicago Art Institute.

1956 -- Distinguished Visiting Professor at Michigan State University. Established an art school in East Hampton and Sag Harbor, Long Island.

1957 -- Designed mosaic columns and tapestries for the Fairmont Temple Anche Chesed in Cleveland. One-person show at Downtown Gallery, New York (also 1958-1967).

1958 -- Designed mosaic wall for St. Leonard's Friary and College in Centerville, Ohio. Designed stained-glass windows for the Flint Institute of Arts, Michigan. Began designs for stained-glass window for the Chicago Loop Synagogue. Exhibited with Alexander Calder at the Corcoran Gallery of Art. Elected member of the National Institute of Arts and Letters. Awarded the Butler Memorial Prize at the Pennsylvania Academy of Fine Arts.

1959 -- Retrospective exhibition circulated by the American Federation of Arts. Exhibited at the Whitney Museum of Art.

1964 -- Exhibited at the Edinburgh International Festival in Scotland.

1968 -- Exhibited painting entitled Victory--Jerusalem the Golden at the celebration of Israel's 20th anniversary of independence.

1969 -- One-person shows: Kennedy Galleries, New York; Galerie Weil, Paris ( Baghdad Hangings), Galerie Belgique, Brussels ( Baghdad Hangings).

1970 -- Film commissioned by ABC-TV entitled "The Long Prayer of Abraham Rattner."

1972 -- Beggar's Opera lithographs exhibited at Circle Gallery, Chicago.

1976 -- Displayed stained-glass on religious themes with the National Collection of Fine Arts in Washington, D.C.

1977 -- "Our America" exhibition in England and the United States. Awarded Honorary Degree for Humanity from Michigan State University.

1978 -- Died on February 14th.

Index: List of Major Correspondents in Various Series:

These correspondents will be found in the following series: Correspondence, Special Projects, Gallery Files, Studio Notebooks, and Scrapbooks: Edward Albee, 1928-

John Anderson, 1904-

Bettina Bedwell, 1889-1947

Carl Beiber

George Belmont

George Biddle, 1885-1973

Kay Boyle, 1902-1992

Brassai, 1899-

Paul Burlin, 1886-1969

McClure Capps "Mac"

Norman Carton, 1908-1980

Jack Chapman

G. Alan Chidsey

Frederick Childs

Robert Coates, "Bob" 1897-1973

Malcolm Cowley, 1898-1989

Salvador Dali 1904-1989

Paul Damaz

Bernard Davis

Stuart Davis, 1894-1964

Adolph Dehn, 1895-1968

Richard de Rochemont

John Dos Passos, 1896-1970

Armand and Suzi D'usseau

Rene Lefebore Foinet

Gisele Freund, 1912-

Emily Genauer, 1911-

Esther Gentle, 1905-1984

Alberto Giacometti, 1901-1966

Xavier Gonzales, 1898-1993

John Howard Griffin

Ramon Guthrie, 1896-1973

Robert Gwathmey 1903-1988

Weeks Hall

Edith Gregor Halpert, 1900-1970

Stanley W. Hayter, 1901-1988

Nathan Hecht

Jean Helion, 1904-1987

William H. Henrick

Henry Herschkvitz

Hilaire Hiler, 1898-1966

Joseph Hirsch "Joe," 1910-1981

Stefan Hirsch, 1889-1964

Carl Holty, 1900-1973

Etienne Hubert

Arno Hummucher

Frederick I. Kann "Fred," 1886-

L.J. Konigsberg "Leib"

Louis Kronberg, 1872-1965

Alexandra Laks

Rico Lebrun (Fredrico), 1900-1964

Allen Leepa, 1919-

Isadore Levy

Julian Levy, 1906-1981

Jacques Lipchitz, 1891-1973

Ward Lockwood, 1894-1963

Jean Louste

Earle Ludgin, 1898-1981

Thalia Wescott Malcolm, 1888-

Reginald Marsh, 1898-1954

Archibald McLeish, 1892-

Henry Miller, 1891-1980

Joan Miro, 1893-1983

Gloria Nardin

Anais Nin, 1903-1977

Bror Julius Olsson Nordfeldt "B.J.O.," 1878-1955

Hugh O'Neill

Channing Peake, 1910-1989

Gabor Peferdi

Irving Penn

Peter Pollack, 1911-1978

Henry Varnum Poor 1888-1970

Andre Raizorkacs

Robert Rey

Maurice Reynal

Raymond Reynal

Hans Richter, 1888-1976

Edward Roditi

Shelden Rodman, 1909-

Waverly Root, 1903-1982

Felix Emmanuele Ruvolo, 1912-

Frank Sedlak

Paul Shapiro

Jack Gage Stark, 1882-1950

Barrie Stavis

Ike Stoeffle

Benjamin Ellis Tepper

David Turnbull

Alfredo Valente

Siegfried Wang

Frank C. Watkins (Franklin Chenault), 1894-1972

Allen Weller, 1907-

Separated Materials note:

Loaned material, including notebooks, writings, and some correspondence, were returned to Abraham Rattner after microfilming. This material is now part of the Abraham Rattner notes collection at the Leepa-Rattner Museum of Art at St. Petersburg College. Loaned material is available on reels D203-D205, D205A-D205B, and reel 1212, but is not described in this finding aid.

Provenance:

The collection was given to the Archives of American Art in stages by Abraham Rattner 1972-1983, by Esther Gentle 1986-1987, and by Gene Allen in 1992. The donated material that was previously filmed has been integrated and refilmed includes reels D203 and D205C-D205D. The material found on reels D205A-D205B was loaned by Rattner and the material found on reel 1212 was loaned by his sister, Jennie Allen.

Restrictions:

The collection is open for research. Use of unmicrofilmed portion requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Painters -- New York (State) -- New York  Search this

Works of art  Search this

Artist couples  Search this

Painters -- France -- Paris  Search this

Art -- Study and teaching -- France -- Paris  Search this

Genre/Form:

Sketches

Diaries

Scrapbooks

Photographs

Interviews

Citation:

Abraham Rattner and Esther Gentle papers, 1891-1986. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.rattabra

See more items in:

Abraham Rattner and Esther Gentle papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98b38e43e-390b-4c78-9a1b-51b9d7ff2357

EDAN-URL:

ead_collection:sova-aaa-rattabra

Painter:

Stevens, Will Henry 1881-1949  Search this

Medium:

Oil on board

Type:

Paintings

Owner/Location:

University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130

Date:

1944

Topic:

Abstract  Search this

Control number:

IAP 68050103

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_381584

Painter:

Woodward, Ellsworth 1861-1939  Search this

Medium:

Watercolor on paper

Type:

Paintings

Owner/Location:

University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130

Date:

1912

Topic:

Architecture--Classical--Acropolis  Search this

Cityscape--Greece--Athens  Search this

Landscape--Mountain  Search this

Control number:

IAP 68050256

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_382173

Painter:

Vaudechamp, Jean Joseph 1790-1866  Search this

Subject:

Bailey-Blanchard, Adele  Search this

Medium:

Oil

Type:

Paintings

Date:

1837

Topic:

Portrait female--Waist length  Search this

Control number:

IAP 72900664

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_163732

Painter:

Unknown  Search this

Subject:

Hillyer, Adele  Search this

Hillyer, Giles  Search this

Hillyer, Sallie  Search this

Type:

Paintings

Topic:

Portrait group--Family  Search this

Portrait female  Search this

Portrait male  Search this

Control number:

IAP 72900965

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_164032

Painter:

de Haas, Mauritz Frederik Hendrik 1832-1895  Search this

Medium:

Oil

Type:

Paintings

Owner/Location:

Hirschl & Adler Galleries New York New York

Topic:

Waterscape--Boat  Search this

Cityscape--Louisiana--New Orleans  Search this

Control number:

IAP 71064126

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_140658

Painter:

Unknown  Search this

Subject:

Cassard, Adrien B  Search this

Medium:

Oil

Type:

Paintings

Topic:

Portrait male--Head  Search this

Control number:

IAP 72900090

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_163164