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Anthony Angarola papers, circa 1910-1988, bulk 1920-1929

Creator:
Angarola, Anthony, 1893-1929  Search this
Type:
Drawings
Scrapbooks
Topic:
Painting, Modern -- 20th century -- Illinois -- Chicago  Search this
Modernism (Art) -- Illinois -- Chicago  Search this
Record number:
(DSI-AAA_CollID)9872
(DSI-AAA_SIRISBib)212374
AAA_collcode_angaanth
Theme:
Art Movements and Schools
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212374
Online Media:

Anthony Angarola papers

Creator:
Angarola, Anthony, 1893-1929  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Date:
circa 1910-1988
bulk 1920-1929
Summary:
The papers of Chicago-based painter Anthony Angarola measure 1.5 linear feet and date from circa 1910 to 1988, with the bulk of the material from 1920 to 1929. The collection includes biographical material, correspondence, writings, personal business records, printed material, and photographs.
Scope and Contents:
The papers of Chicago-based painter Anthony Angarola measure 1.5 linear feet and date from circa 1910 to 1988, with the bulk of the material from 1920 to 1929. The collection includes biographical material, correspondence, writings, personal business records, printed material, and photographs.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material, 1915-circa 1929 (0.2 linear feet; Box 1, OV 3)

Series 2: Correspondence, 1916-1988 (0.5 linear feet; Box 1)

Series 3: Writings, circa 1910-1929, 1988 (6 folders; Box 1)

Series 4: Personal Business Records, 1923-1937 (5 folders; Box 1)

Series 5: Printed Material, 1911-1986 (0.4 linear feet; Boxes 1-2, OV 3)

Series 6: Photographs, circa 1920-circa 1929 (0.2 linear feet; Box 2)
Biographical / Historical:
Anthony Angarola (1893-1929) was a Chicago-based painter. He studied painting and graduated from the Art Institute of Chicago in 1917. He also studied at the Minneapolis School of Fine Art, and exhibited at the Pennsylvania Academy of Fine Arts and the Carnegie Institute. He taught at the Art Institute of Chicago, Kansas City Art Institute and the St. Paul School of Art. Angarola was one of a group of Chicago artists advocating modernism in the 1920s.
Provenance:
The Anthony Angarola papers were donated to the Archives of American Art by Anthony Angarola's son, Richard Anthony Angarola, and his children, Ondine, Richard M.J. and Anthony Francis Angarola in 1988.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Illinois -- Chicago  Search this
Topic:
Painting, Modern -- 20th century -- Illinois -- Chicago  Search this
Modernism (Art) -- Illinois -- Chicago  Search this
Genre/Form:
Drawings
Scrapbooks
Citation:
Anthony Angarola papers, circa 1910-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.angaanth
See more items in:
Anthony Angarola papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-angaanth
Online Media:

Paul Jenkins papers

Creator:
Jenkins, Paul, 1923-2012  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Martha Jackson Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Baber, Alice  Search this
Bluhm, Norman, 1921-1999  Search this
De Kooning, Willem, 1904-1997  Search this
Dusanne, Zoe, -1977  Search this
Erma, Thomas, 1939-1964  Search this
Gilot, Francoise, 1921-  Search this
Guggenheim, Peggy, 1898-  Search this
Jenkins, Esther Ebenhoe  Search this
Krasner, Lee, 1908-1984  Search this
Prantl, Karl  Search this
Prince, Frank  Search this
Extent:
11.1 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Place:
China -- Description and Travel
Date:
circa 1915-2010
Summary:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.
Scope and Contents:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.

Biographical material and family papers consist of awards and certificates, calendars, marriage, divorce, and estate papers, and military service records. Also included are family papers and a scrapbook belonging to Jenkins's aunt, Louise Jenkins.

Correspondence, which makes up the bulk of the collection, is with family, friends, and fellow artists, including Alice Baber, Norman Bluhm, Willem de Kooning, and Lee Krasner Pollock, as well as art organizations, schools, museums, galleries, and gallery owners, such as the Art Students League of New York, New York University, Museum of Modern Art, Martha Jackson Gallery, Zoe Dusanne, and Peggy Guggenheim.

Writings includes scattered writings by Paul Jenkins, two of his travel diaries, and the guest book for an exhibition in Tokyo. Also found are a copy of Lili Krahmer Verame's China travel diary and the writings and research materials of others.

Personal business records consist of financial records, lease documents, price lists, travel documents, and papers regarding Jenkins's rental property. Also included are a file on the New York University medal designed by Jenkins and a file concerning a Karl Prantl statue.

Printed material consists of event programs, newsletters, bulletins, member reports, press releases, art exhibition announcements and catalogs, concert and theater announcements and programs, news and magazine clippings, and obituaries and memorial announcements.

Artwork contains miscellaneous sketches and collages by Paul Jenkins. Additional artworks include sketches, watercolors, and prints by other artists, as well as 8 oversize mixed media sketches by Frank Prince of Jenkins's Meditation Mandala Sundial sculptures.

Photographs of Paul Jenkins depict him in his studio, with family and friends, and at events. Photographs of family and friends include Esther Ebenhoe Jenkins, Alice Baber Jenkins, Norman Bluhm, Thomas Erma, Françoise Gilot, Matsumi "Mike," Carole, and Bunshi Paul Kanemitsu, and Frank Prince.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, circa 1915-1997 (Box 1; 9 folders)

Series 2: Correspondence, circa 1930-2010 (Box 1-9, 13; 9 linear feet)

Series 3: Writings, circa 1950-2003 (Box 9-10; 0.5 linear feet)

Series 4: Personal Business Records, circa 1944-1990 (Box 10; 0.3 linear feet)

Series 5: Printed Material, circa 1952-2010 (Box 10-11; 0.6 linear feet)

Aeries 6: Artwork, circa 1935-2007 (Box 11-12, OV 14; 0.2 linear feet)

Series 7: Photography, circa 1940-1998 (Box 12; 0.4 linear feet)
Biographical / Historical:
Paul Jenkins (1923-2012) was an abstract expressionist painter and playwright in New York, New York, and Paris, France. Jenkins was born in Kansas City, Missouri in 1923, and moved to Youngstown, Ohio as a teenager. After serving in the U.S. Maritime Service and the U.S. Naval Air Corps, Jenkins studied playwriting with George McCalmon at the Carnegie Institute of Technology (now Carnegie Mellon University). In 1948, he moved to New York City, where he studied with Yasuo Kuniyoshi at the Art Students League of New York.

Over the course of his career, Jenkins experimented with multiple techniques, including oil on primed canvas, flowing paints, acrylics, watercolor, and mixed media collages. After traveling extensively and meeting many artists, Jenkins ultimately became associated with the Abstract Expressionists. His work gained the attention of other members of the art world and he held solo exhibitions at venues such as the Zoe Dusanne Gallery in Seattle and the Martha Jackson Gallery in New York. Jenkins' paintings were purchased by both museums and private collectors, including the Museum of Modern Art, the Whitney Museum of American Art, and Peggy Guggenheim.

In addition to his painting, Jenkins continued to explore other creative endeavors. He experimented with sculpture, producing works for events and permanent displays, including the Sculptors' Symposium at the Cooper-Hewitt Museum and the Sculpture Garden of the Hofstra Museum. His plays, such as Strike the Puma, were published and performed off Broadway in New York City. Jenkins's art served as the backdrop for multiple stage productions, and in 1978, his paintings were featured in the Academy Award nominated movie An Unmarried Woman. Jenkins also collaborated on a number of book projects, including Anatomy of a Cloud, a collection of autobiographical collages and texts.

Throughout his adult life, Jenkins split most of his time between New York and Paris. He continued to create and exhibit new works until his death in New York in 2012.
Related Materials:
Also found at the Archives of American Art are an interview of Paul Jenkins, August 1969, conducted by Albert Elsen, and an oral history interview, 1968, conducted by Colette Roberts.
Provenance:
The papers were donated 2007-2009 and in 2012 by Paul and Suzanne Jenkins.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. One letter from Paul Jenkins to Norman Bluhm, circa 1966, is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Rights:
The Paul Jenkins papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote or reproduce for the purposes of publication requires written permission from Suzanne Jenkins.
Occupation:
Dramatists -- France -- Paris  Search this
Dramatists -- New York (State) -- New York  Search this
Topic:
Abstract expressionism  Search this
Artists' studios -- Photographs  Search this
Medals -- Design  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Citation:
Paul Jenkins papers, circa 1915-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jenkpaul2
See more items in:
Paul Jenkins papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jenkpaul2

Arthur J. Hall Smith correspondence with Charles K. Steiner

Creator:
Steiner, Charles K.  Search this
Names:
Cassatt, Mary, 1844-1926  Search this
Degas, Edgar, 1834-1917  Search this
Kainen, Jacob  Search this
Moore, Bruce, 1905-1980  Search this
Tobey, Mark  Search this
Extent:
13 Items
Type:
Collection descriptions
Archival materials
Date:
2007-2011
Scope and Contents:
Seven letters from Arthur J. Hall Smith to Charles K. Steiner and two letters from Steiner to Smith while Steiner was the director of the Wichita Art Museum, Wichita, Kansas, and Smith was living in Paris, France. They write about various artists including Jacob Kainen, Mary Cassatt, Edward Degas, Bruce Moore, and Mark Tobey among others and works of art. Included with the April 16, 2007 letter to Steiner are two photographs of Smith and two slides of his works of art.
Biographical / Historical:
Charles K. Steiner is an artist and museum consultant in Fort Smith, Arkansas and former museum director. Arthur J. Hall Smith (1929-2013) was a painter.
Provenance:
Donated 2014 by Charles Steiner, who was friend's with artist Arthur J. Hall.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Arts administrators -- Arkansas  Search this
Identifier:
AAA.steichar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-steichar

Houghton Cranford Smith papers

Creator:
Smith, Houghton Cranford, 1887-1983  Search this
Names:
Académie Julian  Search this
Art Students League (New York, N.Y.) -- Students  Search this
Butler Institute of American Art  Search this
Cape Cod School of Art  Search this
Carnegie Institute, Museum of Art  Search this
Passedoit Gallery (New York, N.Y.)  Search this
Pratt Institute. Art School -- Students  Search this
University of Kansas -- Faculty  Search this
Lhote, André, 1885-1962  Search this
Ozenfant, Amédée, 1886-1966  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Laura Gilbert Williams  Search this
Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Place:
Chile -- description and travel
Paris (France) -- description and travel
Provincetown (Mass.) -- Description and Travel
Date:
1890-1991
Summary:
The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.
Scope and Content Note:
The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.

Biographical materials include photographs of Smith, of his artwork and of friends and family in Provincetown and New Mexico, school documents from the Foebel Academy, the Pratt Institute in Brooklyn and the Art Students' League, autographed menus, correspondence, including postcards and letters to family and friends sent from Bermuda and Jamaica, customs declarations, exhibition catalogs, newspaper clippings, a passport to Chile, newsletters, and Smith's teaching contract from the University of Kansas. Additionally, there are significant photographs and letters documenting Smith's art studies with E. Ambrose Webster at the Cape Cod School of Art in Provincetown, Massachusetts.

The collection also includes Smith's correspondence from France and South America. A significant portion of the collection includes papers from his time in France from 1913-1914, where he studied at the Parisian art school Academie Julian. These include a log from a tandem bicycle trip with classmate Harold P. Browne, an invitation to the Bal Randolphe, a Browne Art Class brochure and a narrative entitled "A Party of Fugitives from France," which describes Smith's forced fleeing from France after the French mobilization in 1914. There are also papers describing his South American travels which include notes and correspondence about Argentina, Uruguay and his time in Chile, which spans five years.

Materials documenting Smith's return to France and studies at the Academie Ozenfant from 1926 to 1933 include Smith's passport, ship passenger lists and other travel documents, correspondence with family, French identification letters, exhibition catalogs, newspaper clippings and his Academie Ozenfant list of classes and student card. Of particular note are correspondence from and a picture of Sir Walter Kitchener, governor of Bermuda, and letters from wife Elena Peralta to her parents-in-law. Topics covered in the correspondence of this scrapbook include sons Houghton Jr. and Gerrit and the birth of daughter Florence, financial difficulties, art teachers Amadee Ozenfant and Andree L'hote and the family's travels to Bermuda, New Mexico and New York City.

Materials from later in Smith's life include correspondence from Smith to second wife Laura Gilbert Williams, exhibition catalogs and registers, photographs of artwork, newspaper clippings of reviews received for Smith's exhibited paintings and congratulatory letters from family and friends on Smith's successful exhibits and feature article in The American Artist. Additionally, there is significant correspondence with the Passedoit Gallery, Homer Saint-Gaudens of the Carnegie Institute regarding the exhibition and purchase of Smith's artwork and Smith's gifted painting to the Butler Institute of American Art. Additionally, there are several biographical newspaper articles and a biographical sketch written by his wife Laura after his death.

Of note is the artist's original handwritten notes and final published version of his reminiscence "The Provincetown I Remember," notes about painting with various colors and color charts, related assignments from Smith's Color Theory Class, a signed copy of the book Color by E. Ambrose Webster, Smith's former art teacher, pencil sketches, a class notebook about lettering and an address book.
Arrangement:
As requested by the donor, the original arrangement has been maintained, but the collection has been rehoused for preservation purposes. The collection is arranged as 4 series.

Series 1: Scrapbooks, 1890-1991 (Boxes 1-2; 1.5 linear feet)

Series 2: Writings, 1963-1991 (Box 2; 2 folders)

Series 3: Printed Material, 1916-1991 (Box 2, OV 4; 6 folders)

Series 4: Miscellany, circa 1920s-1977 (Box 2, OV 3; 7 folders)
Biographical Note:
Painter Houghton Cranford Smith (1887-1983) traveled extensively and painted throughout his life. He lived and studied art in France, South America, New York City and Provincetown. He had three children, Houghton Jr., Gerrit and Florence with his first wife, Elena Peralta. He held the position of Assistant Professor at the University of Kansas department of Drawing and Painting from 1921-1925.

Smith became widely recognized for his artwork in the 1940s. He married his second wife, Laura Gilbert Williams, in 1941. He has exhibited at many venues including the Passedoit Gallery, Corcoran Gallery, Richmond Museum, Columbia Art Museum, Walker Memorial Gallery, Art Institute of Kansas City and the Provincetown Art Association. For six consecutive years he was represented at Carnegie Institute's annual invitation exhibition.
Provenance:
Florence Cranford Smith Shepard donated her father's papers in 1993-1994.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Houghton Cranford Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Color in art  Search this
Color guides  Search this
Art, American -- Massachusetts -- Provincetown  Search this
Art teachers -- Kansas  Search this
Art students -- France -- Paris  Search this
Genre/Form:
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Citation:
Houghton Cranford Smith papers, 1890-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smithoug
See more items in:
Houghton Cranford Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smithoug

E. Boyd Smith diary

Creator:
Smith, E. Boyd (Elmer Boyd), 1860-1943  Search this
Extent:
1 Volume ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1882-1886
Scope and Contents:
A journal, including clippings and drawings, kept by Smith as an art student in Paris, an itinerant portrait painter in the mid-west, and as an art teacher in Kansas City.
Biographical / Historical:
Portrait painter, art instructor.
Provenance:
Lent for micofilming 1963 by Mr. and Mrs. Charles Wilding, West Hartford, Ct., whose relationship, if any, to Smith is unclear.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Portrait painters  Search this
Art teachers  Search this
Identifier:
AAA.smitelme
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitelme

Gladys Nelson Smith papers

Creator:
Smith, Gladys Nelson, 1890-1980  Search this
Names:
Nelson, Josephine  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
1891-1989
Scope and Contents:
Papers compiled and annotated by Smith's younger sister, Josephine Nelson, as part of her research for her memoir, "My Sister Gladys," in GLADYS NELSON SMITH (Corcoran Gallery of Art, Washington, D.C., 1984).
Included are correspondence between Gladys Nelson Smith and her sisters Josephine and Lorraine Nelson; letters from her dealers, Marie Witwer in Kansas, 1921-1937, the Turner Art Galleries in Denver, 1929-1952, and the Thurber Galleries in Chicago, 1924-1927; a letter from the Art League of Washington with a membership card attached; exhibition catalogs; clippings; a notebook on watercolor painting and frames, with pencil sketches of frames; photographs of braided rugs and wood burning art by Smith; notes about her paintings, The Tippler and Time Out; sales receipts; a diary of a trip to Europe, 1930-1931;
photographs of Smith, her family, friends and homes; poems and short stories by Smith, some based on her experiences as a painter; three books with sketches on the end pages by Smith; and miscellany. Also included are Josephine Nelson's writings about Smith and the Nelson Nelson family genealogy and an unbound autobiography of Smith's father, Joseph Kibler Nelson, Recollections of My Early Life.
ADDITION: Snapshots of Gladys Nelson Smith's paintings; a list of Smith's paintings arranged by owner; and printed material about Smith.
Biographical / Historical:
Painter; Washington, D.C.
Provenance:
Donated 1989 and 1992 by Josephine Nelson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Women painters -- Washington (D.C.)  Search this
Painting, American  Search this
Genre/Form:
Drawings
Identifier:
AAA.smitglad
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitglad

Roger Shimomura papers

Creator:
Shimomura, Roger, 1939-  Search this
Names:
Chin, Frank, 1940-  Search this
Day, Akiko  Search this
Hughes, Jonathan R. T.  Search this
Miller, Wayne  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Scripts (documents)
Date:
1965-1990
Summary:
The papers of painter, printmaker, performance artist, and teacher Roger Shimomura measure 2.6 linear feet and date from 1965 to 1990. Found within the papers are biographical materials, correspondence, writings, notes, printed material, one scrapbook, and photographs.
Scope and Content Note:
The papers of painter, printmaker, performance artist, and teacher Roger Shimomura measure 2.6 linear feet and date from 1965 to 1990. Found within the papers are biographical materials, correspondence, writings, notes, printed material, one scrapbook, and photographs.

Biographical materials include a photograph of Shimomura and a resume. The bulk of the papers consist of correspondence files about exhibitions, grants, performances, lectures, and the Japanese-American redress movement. Correspondence is with friends, colleagues, galleries, and with universities and colleges. Correspondents include Frank Chin, Akiko Day, Jonathan R. T. Hughes, and Wayne Miller. Writings and notes include Shimomura's artist's statement, scripts to four plays, and one folder of miscellaneous notes. The papers also include clippings, exhibition announcements, catalogs and miscellaneous printed material. A scrapbook contains clippings of articles that document Shimomura's career. Photographs are of artwork by other artists.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1989-1990 (Box 1; 1 folder)

Series 2: Correspondence, 1969-1990 (Boxes 1-3; 2.3 linear feet)

Series 3: Writings and Notes, 1984, 1987-1989 (Box 3; 5 folders)

Series 4: Printed Material, 1975-1990 (Box 4; 0.2 linear feet)

Series 5: Scrapbook, 1975-1989 (Box 4; 1 folder)

Series 6: Photographs, circa 1970s (Box 4; 1 folder)
Biographical Note:
Roger Shimomura (b. 1939) is a Japanese-American painter, printmaker, performance artist, and teacher who has worked primarily in Kansas since 1969.

Roger Shimomura was born in 1939 in Seattle, Washington. He was a third generation Japanese-American and received his B.A. in Graphic Design from the University of Washington in 1961, and a M.F.A. in Painting from Syracuse University in 1969. Shimomura spent two childhood years in one of 10 concentration camps for Japanese-Americans during WWII, and later served as an officer in the United States Army from 1962 to 1965. He was active in the Japanese-American redress movement in the 1970s. Since the 1970s, Shimomura's work has combined American popular imagery with the Japanese ukiyo-e tradition.

He has had over 125 solo exhibitions of paintings and prints, as well as presented his experimental theater pieces at such venues as the Franklin Furnace, New York City, Walker Art Center, Minneapolis, and The Smithsonian Institution, Washington, DC. Shimomura has been a visiting artist and lectured on his work at more than 200 universities, art schools, and museums across the country. Shimomura began teaching at the University of Kansas' Department of Art in 1969 and worked there until his retirement in 2004. At that time he started the Shimomura Faculty Research Support Fund, an endowment to foster faculty research in the Department of Art. Throughout his career, Shimomura has had numerous exhibitions and experimental theater pieces on a national level. In 1999, the Seattle Urban League designated a scholarship in his name that has been awarded annually to a Seattle resident pursuing a career in art. In 2002, the College Art Association presented him with the "Artist Award for Most Distinguished Body of Work," for his 4 year, 12-museum national tour of the painting exhibition, "An American Diary." Shimomura continues to live and work in Kansas.
Provenance:
Roger Shimomura donated his papers in 1990, as part of the Archives of American Art's Northwest Asian-American project in Seattle.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Robert Shimomura papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Kansas -- Lawrence  Search this
Topic:
Performance artists -- Kansas -- Lawrence  Search this
Performance art -- United States  Search this
Printmakers -- Kansas -- Lawrence  Search this
Painting, Modern -- 20th century -- United States  Search this
Japanese American painting  Search this
Asian American artists  Search this
Japanese Americans  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Art -- Study and teaching -- Kansas -- Lawrence  Search this
Genre/Form:
Photographs
Scrapbooks
Scripts (documents)
Citation:
Roger Shimomura papers, 1965-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.shimroge
See more items in:
Roger Shimomura papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shimroge

Enrique Riverón papers

Creator:
Riverón, Enrique  Search this
Names:
Wichita State University -- Faculty  Search this
Baker, Josephine, 1906-1975  Search this
Bermúdez, Cundo, 1914-  Search this
Cantinflas, 1911-1993  Search this
Carreño, Mario  Search this
Carreño, Mario -- Photographs  Search this
Cugat, Xavier, 1900- -- Photographs  Search this
De Diego, Julio, 1900-  Search this
García Lorca, Federico, 1898-1936  Search this
Gattorno, Antonio  Search this
Gómez Sicre, José  Search this
Hughes, Langston, 1902-1967  Search this
Kiki, 1901-1953  Search this
Lozano Castro, Alfredo  Search this
Milland, Ray -- Photographs  Search this
Neruda, Pablo, 1904-1973 -- Photographs  Search this
Orozco, José Clemente, 1883-1949 -- Photographs  Search this
Peláez, Amelia, 1897-1968 -- Photographs  Search this
Picasso, Pablo, 1881-1973  Search this
Pidgeon, Walter, 1897-  Search this
Prohias, Antonio  Search this
Rebajes, Pauline  Search this
Reed, Alma M. -- Photographs  Search this
Russell, Rosalind -- Photographs  Search this
Salinas, Baruj  Search this
Sicre, Juan José -- Photographs  Search this
Siqueiros, David Alfaro -- Photographs  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Waguermert, Luis Gomez -- Photographs  Search this
Yunkers, Adja, 1900-  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
1918-1990s
Summary:
The papers of Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.
Scope and Content Note:
The Enrique Riverón papers measure 3.3 linear feet, date from 1918-1990s and document Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, his teaching career at Wichita University in Kansas. The collection includes correspondence, the majority of which concerns Riverón's exhibitions; writings, primarily Riverón's recollections of his trips to Paris and Madrid and his memories of people he met in Latin America, Europe, and the United States; printed material documenting exhibitions and Riverón's work for magazines such as Cine-Mudial and Bally-Hoo; and photographs.
Arrangement:
The collection is organized into eight series.

Series 1: Biographical Material, circa 1929-1960 (Box 1; 2 folders)

Series 2: Correspondence, 1918-1991 (box 1, 0.6 ft.)

Series 3: Writings, 1923-1980s, undated (box 1, 0.2 ft.)

Series 4: Scrapbooks, 1920s-1990s, undated (boxes 1, 3, and 4, 0.7 ft.)

Series 5: Artwork, 1958-1983, undated (boxes 1 and 5, 0.4 ft.)

Series 6: Printed Material, circa 1930-1992 (boxes 2 and 5, 0.7 ft.)

Series 7: Photographs, 1918-1992, undated (boxes 2, 5 and 6, 0.6 ft.)

Series 8: Miscellany, 1927-1989, undated (box 6, 7 folders)
Biographical Note:
Painter, sculptor, cartoonist, and illustrator Enrique Riverón was born in 1902 in Cienfuegos, Cuba and belonged to the first generation of Cuban modernists, experimenting with Cubism and pursuing abstraction from very early on in his career. During his early twenties Riverón traveled to France, Italy, Belgium, and Spain to study under scholarships and attend the Academia de San Fernando in Madrid. In 1926 Riverón's first major one-man exhibition took place at the Association Paris Amerique Latine where the catalog introduction was written by noted Mexican writer Alfonso Reyes.

In 1927 Riverón returned to Havana and had a one-man show of his European work at the Asociación de Pintores y Escultores, as well as several other shows in Havana and New York. He moved to the United States in 1930 and became a United States citizen in 1943.

In addition to being known for his naturalistic drawings of street life in Paris and Cuba, Riverón began working with collage in the 1930s and was, for a number of years, a cartoonist for newspapers in Havana and other publications such as The New Yorker and Cine Mundial which was published in New York and widely circulated in Latin America. He also worked in Hollywood for a time as an illustrator for Walt Disney Pictures.

From 1940 on, Riverón focused on painting and sculpture. He moved to Miami from Wichita, Kansas, in 1964. Enrique Riverón died in 1998.
Related Material:
The Archives of American Art also has a collection of Enrique Riverón letters to Mario Carreño, 1981-1990, in which Riverón writes of their mutual friends, his memories of Cuba, health issues, politics, pricing paintings, collages, and his longings for Paris and New York.
Provenance:
The Enrique Riverón papers were donated to the Archives of American Art by Patricia Riverón Lee, daughter of Riverón, in 1996.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Enrique Riverón papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Cartoonists  Search this
Topic:
Artists -- Florida -- Miami  Search this
Illustrators  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Magazine illustration  Search this
Caricatures and cartoons  Search this
Sculptors -- Florida -- Miami  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.riveenri
See more items in:
Enrique Riverón papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-riveenri

Oral history interview with Clark Richert

Interviewee:
Richert, Clark, 1941-  Search this
Interviewer:
Auther, Elissa, 1966-  Search this
Creator:
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
Names:
Rocky Mountain College of Art and Design  Search this
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
University of Kansas -- Students  Search this
Bernofsky, Gene  Search this
Brown, Joan, 1938-1990  Search this
Conner, Bruce, 1933-2008  Search this
DeFeo, Jay, 1929-1989  Search this
Fleming, Dean  Search this
Fleming, Linda  Search this
Fudge, John  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Kallweit, Richard  Search this
Kaprow, Allan  Search this
McClure, Michael  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rothko, Mark, 1903-1970  Search this
Sands, Nick  Search this
Extent:
4 Items (Sound recording: 4 sound files (2 hr., 55 min.), digital, wav)
52 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2013 August 20-21
Scope and Contents:
An interview with Clark Richert conducted 2013 August 20- 21, by Elissa Auther, for the Archives of American Art's, Stoddard-Fleischman Fund for the History of Rocky Mountain Area Artists, at the Museum of Contemporary Art in Denver, Colorado.
Richert speaks of deciding to become an artist; his influences; studying art at the University of Kansas; the Wichita Vortex; Droppings: working with geometric art; Drop City; geodesic domes; The Ultimate Painting; Zome Toy; Criss-Cross; using computers in art; being a teacher; the Armory Group; and A.R.E.A. Richert also recalls Bruce Conner, Richard Kallweit, Joan Brown, Gene Bernofsky, Buckminster Fuller, Michael McClure, Alan Kaprow, Nick Sands, Robert Rauschenberg, Mark Rothko, Jay Defeo, Dean Fleming, Linda Fleming, John Fudge, and others.
Biographical / Historical:
Clark Richert (1941- ) is a painter in Denver, Colorado and is head of the painting and drawing department at Rocky Mountain College of Art and Design. Elissa Auther (1966- ) is associate professor of contemporary art in the Department of Visual and Performing Arts at the University of Colorado, Colorado Springs, Colorado.
General:
Originally recorded as 4 sound files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Colorado -- Denver -- Interviews  Search this
Topic:
Arts administrators -- Colorado -- Denver -- Interviews  Search this
Art teachers -- Colorado -- Denver -- Interviews  Search this
Art and computers  Search this
Art -- Study and teaching  Search this
Geodesic domes  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.richer13
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richer13

Oral history interview with Clark Richert, 2013 August 20-21

Interviewee:
Richert, Clark, 1941-  Search this
Interviewer:
Auther, Elissa, 1966-  Search this
Subject:
Bernofsky, Gene  Search this
Brown, Joan  Search this
Conner, Bruce  Search this
DeFeo, Jay  Search this
Fleming, Dean  Search this
Fleming, Linda  Search this
Fudge, John  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Kallweit, Richard  Search this
Kaprow, Allan  Search this
McClure, Michael  Search this
Rauschenberg, Robert  Search this
Rothko, Mark  Search this
Sands, Nick  Search this
Rocky Mountain College of Art and Design  Search this
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
University of Kansas  Search this
Type:
Interviews
Sound recordings
Topic:
Arts administrators -- Colorado -- Denver -- Interviews  Search this
Art teachers -- Colorado -- Denver -- Interviews  Search this
Art and computers  Search this
Art -- Study and teaching  Search this
Geodesic domes  Search this
Record number:
(DSI-AAA_CollID)16129
(DSI-AAA_SIRISBib)363610
AAA_collcode_richer13
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_363610

Oral history interview with Thomas Hart Benton, 1973 July 23-24

Interviewee:
Benton, Thomas Hart, 1889-1975  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Craven, Thomas  Search this
Ingram, Rex  Search this
Macdonald-Wright, Stanton  Search this
Pollock, Jackson  Search this
Reed, Alma M.  Search this
Robinson, Boardman  Search this
Stieglitz, Alfred  Search this
Weichsel, John  Search this
Type:
Sound recordings
Interviews
Topic:
Mural painting and decoration -- 20th century  Search this
Regionalism in art  Search this
Synchromism (Art)  Search this
Muralists -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12796
(DSI-AAA_SIRISBib)212013
AAA_collcode_benton73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212013

E. Boyd Smith diary, 1882-1886

Creator:
Smith, E. Boyd (Elmer Boyd), 1860-1943  Search this
Record number:
(DSI-AAA_CollID)13495
(DSI-AAA_SIRISBib)210648
AAA_collcode_smitelme
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210648

Roger Shimomura papers, 1965-1990

Creator:
Shimomura, Roger, 1939-  Search this
Subject:
Miller, Wayne  Search this
Chin, Frank  Search this
Hughes, Jonathan R. T.  Search this
Day, Akiko  Search this
Type:
Photographs
Scrapbooks
Scripts (documents)
Topic:
Performance artists -- Kansas -- Lawrence  Search this
Performance art -- United States  Search this
Printmakers -- Kansas -- Lawrence  Search this
Painting, Modern -- 20th century -- United States  Search this
Japanese American painting  Search this
Asian American artists  Search this
Japanese Americans  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Art -- Study and teaching -- Kansas -- Lawrence  Search this
Record number:
(DSI-AAA_CollID)10269
(DSI-AAA_SIRISBib)213417
AAA_collcode_shimroge
Theme:
Asian American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213417
Online Media:

Houghton Cranford Smith papers, 1890-1991

Creator:
Smith, Houghton Cranford, 1887-1983  Search this
Subject:
Lhote, André  Search this
Ozenfant, Amédée  Search this
Saint-Gaudens, Homer  Search this
Smith, Laura Gilbert Williams  Search this
Webster, E. Ambrose (Edwin Ambrose)  Search this
University of Kansas  Search this
Carnegie Institute, Museum of Art  Search this
Art Students League (New York, N.Y.)  Search this
Académie Julian  Search this
Butler Institute of American Art  Search this
Cape Cod School of Art  Search this
Passedoit Gallery (New York, N.Y.)  Search this
Pratt Institute. Art School  Search this
Type:
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Place:
Chile -- description and travel
Paris (France) -- description and travel
Provincetown (Mass.) -- description and travel
Topic:
Color in art  Search this
Color guides  Search this
Art, American -- Massachusetts -- Provincetown  Search this
Art teachers -- Kansas  Search this
Art students -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)6424
(DSI-AAA_SIRISBib)215521
AAA_collcode_smithoug
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215521
Online Media:

Enrique Riverón papers, 1918-1990s

Creator:
Riverón, Enrique, 1902-1998  Search this
Subject:
Hughes, Langston  Search this
Yunkers, Adja  Search this
Sicre, Juan José  Search this
Salinas, Baruj  Search this
Russell, Rosalind  Search this
Waguermert, Luis Gomez  Search this
Neruda, Pablo  Search this
Peláez, Amelia  Search this
Pidgeon, Walter  Search this
Prohias, Antonio  Search this
Rebajes, Pauline  Search this
De Diego, Julio  Search this
García Lorca, Federico  Search this
Carreño, Mario  Search this
Gattorno, Antonio  Search this
Tamayo, Rufino  Search this
Gómez Sicre, José  Search this
Siqueiros, David Alfaro  Search this
Reed, Alma M.  Search this
Kiki  Search this
Orozco, José Clemente  Search this
Lozano Castro, Alfredo  Search this
Milland, Ray  Search this
Bermúdez, Cundo  Search this
Baker, Josephine  Search this
Cantinflas  Search this
Cugat, Xavier  Search this
Carreño, Mario  Search this
Picasso, Pablo  Search this
Wichita State University  Search this
Type:
Scrapbooks
Photographs
Topic:
Artists -- Florida -- Miami  Search this
Illustrators  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Magazine illustration  Search this
Caricatures and cartoons  Search this
Sculptors -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)5433
(DSI-AAA_SIRISBib)216020
AAA_collcode_riveenri
Theme:
Latino and Latin American
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216020
Online Media:

John Steuart Curry and Curry family papers, 1848-1999

Creator:
Curry, John Steuart, 1897-1946  Search this
Subject:
Curry, Kathleen  Search this
Type:
Scrapbooks
Video recordings
Photographs
Sketches
Interviews
Topic:
Art -- Study and teaching  Search this
Art -- Technique  Search this
Works of art  Search this
Regionalism in art  Search this
Muralists -- Wisconsin  Search this
Illustrators -- Wisconsin  Search this
Record number:
(DSI-AAA_CollID)9459
(DSI-AAA_SIRISBib)211657
AAA_collcode_currjohn
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211657
Online Media:

Billy Al Bengston papers, circa 1940s-1989, bulk 1960-1988

Creator:
Bengston, Billy Al, 1934-  Search this
Subject:
Ruscha, Edward  Search this
Plagens, Peter  Search this
Motherwell, Robert  Search this
Flavin, Dan  Search this
Diebenkorn, Richard  Search this
Chamberlain, John  Search this
Goode, Joe  Search this
Lichtenstein, Roy  Search this
Andre, Carl  Search this
Alexander, Peter  Search this
Altoon, John  Search this
Martha Jackson Gallery  Search this
James Corcoran Gallery  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
John Berggruen Gallery (San Francisco, Calif.)  Search this
Type:
Interviews
Photographs
Topic:
Works of art  Search this
Art galleries, Commercial  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Record number:
(DSI-AAA_CollID)10220
(DSI-AAA_SIRISBib)213296
AAA_collcode_bengbill
Theme:
The Art Market
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213296
Online Media:

Albert Bloch papers, 1873-2014

Creator:
Bloch, Albert, 1882-1961  Search this
Subject:
Kandinsky, Wassily  Search this
Fehl, Philipp P.  Search this
Bloch, Anna  Search this
Penney, James  Search this
Marc, Franz  Search this
Klinker, Emmy  Search this
Klee, Paul  Search this
Sudlow, Robert  Search this
Type:
Photographs
Sketches
Topic:
Art -- Study and teaching  Search this
Expressionism (Art) -- Germany  Search this
Der Blaue Reiter (Art)  Search this
Record number:
(DSI-AAA_CollID)16245
(DSI-AAA_SIRISBib)370481
AAA_collcode_blocalbe
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370481
Online Media:

Ross and Dorothy Lake Gregory Moffett papers

Creator:
Moffett, Ross  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Provincetown Art Association  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Del Deo, Josephine Couch  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Portraits  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Moffett, Ross (Art in narrow streets)  Search this
Rehn, Frank Knox Morton, 1848-1914  Search this
Extent:
7.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Date:
circa 1870-1992
Summary:
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Scope and Content Note:
The Ross and Dorothy Lake Gregory Moffett papers measure 7.7 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.

General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.

Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of Art in Narrow Streets, the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.

The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.

Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.

The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.

Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Arrangement:
The collection is arranged into thirteen series:

Series 1: Biographical Material, circa 1888-1965 (box 1; 1 folder)

Series 2: Correspondence, 1915-1972 (box 1; 0.6 linear ft)

Series 3: Financial Material, 1933-1971 (box 1; 2 folders)

Series 4: Notebook/Notes, undated (box 1; 2 folders)

Series 5: Projects, 1880-1969, undated (boxes 1-2; 1.2 linear ft.)

Series 6: Subject File, 1960-1968 (box 2; 1 folder)

Series 7: Printed Material, 1916-1992, undated (boxes 2-4, 7; 1.5 linear ft.)

Series 8: Photographs, circa 1900-1975, undated (box 4; 15 folders)

Series 9: Slides of Art Association, Iowa Farmland and the Chrysler Museum, circa 1960, undated (box 4; 1 folder)

Series 10: Drawings, circa 1929-1934 (box 5; 1 folder)

Series 11: Sketchbooks, 1913-1969 (boxes 5-8; 2.5 linear ft.)

Series 12: Annotations/Item Descriptions by Josephine Couch Del Deo, undated (box 6; 2 folders)

Series 13: Dorothy Lake Gregory Moffett Papers, circa 1870-1975 (boxes 9-11; 0.7 linear ft.)
Biographical Note:
Ross Moffett (1888-1971) was an important figure in the development of modernism in American Art after World War I. His paintings primarily depict the life and landscapes of the Provincetown, Massachusetts area. Dorothy Lake Gregory Moffett is perhaps best known as a printmaker and illustrator of children's books and magazines.

Born in Iowa in 1888, Moffett trained at the Art Institute in Chicago and studied with Charles Hawthorne during the summer of 1913, in Provincetown, Massachusetts. Moffett then studied at the Art Students League and returned to Provincetown in 1915, to establish himself as an artist. He was one of the founders of the Provincetown Art Association and a leading figure in the art colony for many years. In 1920, Moffett married artist Dorothy Lake Gregory in Brooklyn, New York. Dorothy studied at the Pratt Institute and with Robert Henri and George Bellows in New York, and then went to Provincetown to study with Hawthorne as well.

During the 1920's and 1930's, Ross Moffett's success increased steadily and he had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. He served on several exhibition juries around the country during this time. Between 1936 and 1938, Moffett painted four murals in two Massachusetts post offices for the Federal Works Progress Administration (WPA). Moffett received full membership to the National Academy of Design in 1942.

While Moffett's painting slowed somewhat during World War II he continued his involvement in the arts by maintaining the Provincetown Art Association. He taught briefly at the University of Miami in Ohio from 1932 to 1933, and returned to Provincetown to pursue painting full-time. In the 1950's, Moffett became interested in archaeology and even delivered a few lectures on the subject. During this time he continued to paint and his art reflected his preoccupation with the science of archaeology. In 1954, Moffett was one of two artists selected by the National Academy of Design to paint murals depicting President Dwight D. Eisenhower's life for the Eisenhower Memorial Museum in Abilene, Kansas. Moffett was chosen to portray Eisenhower's civilian life.

In 1960, Moffett became active in the movement to establish the 1400 acres known as the Province Lands as part of the Cape Cod National Seashore Park. After the park was established Moffett wrote and published a history of the first thirty-three years of the Provincetown Art Association in a book titled Art in Narrow Streets, 1964. He continued to serve as a juror for the Provincetown Art Association and was artist-in-residence for the Provincetown Fine Arts Work Center in 1970.

Dorothy Moffett also pursued a successful career in art, and publishers such as Rand McNally used her illustrations for youth magazines and childrens books, such as the classic Green Fairy Book. Her work was exhibited in the Metropolitan Museum, the National Academy, and the Brooklyn Museum, and her Alice in Wonderland series of lithographs was purchased for the permanent collection of the Boston Museum of Fine Arts. Though best known as a printmaker, Moffett also worked in oil.

Ross Moffett died of cancer on March 13, 1971.
Related Material:
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D80) including 150 letters relating to art organizations, museums, and government art projects, news clippings, records of the Provincetown Art Association, and the Emergency Committee for the Protection of Province Lands, and miscellaneous publications. Lent materials were returned to Ross Moffett and are now housed at Syracuse University in Syracuse, New York. This material is not described in the collection container inventory.
Provenance:
Ross Moffett initally lent the Archives of American Art material for microfilming in 1962. The remainder of the collection was donated in 1974 by his widow, Dorothy Lake Gregory Moffett (died 1975), via Ross Moffett's biographer, Josephine Del Deo, who turned the papers over in installments. Archaeological material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
A portion of the Ross and Dorothy Lake Gregory Moffett papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Topic:
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Citation:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moffross
See more items in:
Ross and Dorothy Lake Gregory Moffett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moffross

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