Search Results

Collection Creator:

Pace, Stephen, 1918-2010  Search this

Extent:

Contains born-digital records, see ER04

Container:

Box 2, Folder 28

Type:

Archival materials

Moving Images

Date:

2008

Scope and Contents:

In film recording itself, title of the fim is "Stephen Pace: Maine Master".

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stephen Pace papers, circa 1915-2010. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Stephen S. Pace papers

Stephen S. Pace papers / Series 3: Professional Activity Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dab960ac-6fa5-42ce-ae7f-3eb1e22c5140

EDAN-URL:

ead_component:sova-aaa-pacestep-ref73

Collection Creator:

Pace, Stephen, 1918-2010  Search this

Container:

Box 2, Folder 29

Type:

Archival materials

Date:

2008

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stephen Pace papers, circa 1915-2010. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Stephen S. Pace papers

Stephen S. Pace papers / Series 3: Professional Activity Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90cf495c6-2f31-42b7-84df-39785bda4204

EDAN-URL:

ead_component:sova-aaa-pacestep-ref74

Collection Creator:

Goldwater, Robert John, 1907-1973  Search this

Extent:

0.5 Linear feet (Box 1)

Type:

Archival materials

Date:

1934-1973

Scope and Contents note:

Goldwater's correspondence is with academic colleagues, art museums, arts organizations, publishers, and former students. There is also scattered correspondence with artists and with family. Subjects include: requests to write book reviews and employment references, and to critique others' writings and provide research advice; Magazine of Art and Museum of Primitive Art business; awards and memberships; details about publishing texts by Goldwater and others; and congratulatory letters, comments, and questions about his writings. A small number of letters include comments about the personal lives of the correspondents, usually routine news of family and friends; a few letters are of a purely social nature. There are three letters addressed to Louise Bourgeois: two from Erick Hawkins and one from Ronnie Elliott.

Also found here are condolence letters received upon the deaths of Goldwater's mother and father in 1942 and 1958 respectively, and a small number of letters from his parents. Family letters include a few addressed to Clara A. Goldwater (Mrs. S. S. Goldwater).

Small amounts of additional correspondence can be found in Series 2: Subject Files and Series 3: Teaching Records.

See Appendix for a list of correspondents from Series 1.

Appendix: Correspondents from Series 1:

What follows is a complete list of correspondents (and the years of correspondence) in this series.

Abramson, Jerry, 1969

Albright Art Gallery, 1947, 1954-1955

Allen Memorial Art Museum, Oberlin College, 1953

Allen, Harold, 1953

Allert de Lange Verlag, 1952-1954

American Association of University Professors, 1946

American Council of Learned Societies, 1967-1968

American Federation of Arts, 1953

American Studies Association of Metropolitan New York, 1955

Anderson, Wayne V., 1964

Andiron Club of New York City, 1945-1946

Argent Galleries, 1947

Arnason, H. Harvard, 1948

Arnheim, Rudolf, 1945

Art Bulletin, 1940-1945, 1955

Art Forum, 1967

Art Gallery of Ontario, 1970

Art Gallery of Toronto, 1972

Art In America, 1941-1947, 1955

Art Institute of Chicago, 1940

Art News, 1946-1947

Art Students League of New York, 1940, 1943

Arts Magazine, 1964, 1967

Atlantic Transports, 1952

Auchincloss, James C., 1953

Authors Guild, 1947

Baltimore Museum of Art, 1946, 1954

Baltrusaitis, Mr., 1952, 1973

Barnard College, 1954

Barr, Alfred H., Jr., 1938-1939, 1949, 1951-1952

Becker, Marion R., 1945, 1949

Bellew, Peter, 1951

Bennington College, 1950

Benz, Helen, 1946

Bernheimer, Richard, 1955

Bernier, Rosamond, 1955

Besson, Mr., 1946

Black Mountain College, 1948

Board of Higher Education, City of New York, , 1944

Booth, Cameron, 1942

Boston Art Festival, 1954

British Council, 1951

British Museum, 1934

Brooklyn College, 1946

Brown University, 1964, 1968

Burlington Magazine, 1954

Busa, Peter, 1946

California Arts and Architecture, 1944

California School of Fine Arts, 1949

California State College, 1969

Carnegie Corporation, 1942-1943

Carnegie Institute of Technology, 1942

Chanticleer Press, Inc., 1955

Chapman, Ed, 1946

Choate, Mabel, 1946

Church, Howard, 1947

Cincinnati Modern Art Society, 1946-1946

Cleveland Institute of Art, 1952

Cleveland Museum of Art, 1952-1953

Colorado College, 1952

Columbia University Press, 1948

Columbia University, 1940, 1953-1955, 1962, 1965

Comité des Arts du Congres pour la Liberté de la Culture, 1964

Cook, Walter W. S., 1942-1943, 1945-1946, 1949-1950, 1955

Criterion Books, Inc., 1955

Critique, 1946

Crosby, Sumner McK., 1942

Dartmouth College, 1942

Davis, Stuart, 1943, 1945

Dersky, Morris, 1966

Dictionary of the Arts, 1941

Direction Départmentale de la Population de la Giornde, 1948

Dodd, Mead & Company, 1945

Duke University, 1946-1948, 1950

Edman, Irwin, 1942

Elliott, Ronnie, 1950*

Elsen, Al, 1969

Engel, Eugene W., 1946-1947

Exhibition Momentum, 1953, 1956

Falkenstein, Claire, 1951

Farwell, Beatrice, 1968-1969

Federation of Modern Painters and Sculptors, Inc., 1946, 1950

Fitzsimmon, Jim, 1953

Florida State University, 1953

Fogg Art Museum, Harvard University, 1945-1947, 1949, 1954, 1956, 1971

Ford Foundation, 1969

Fox, Milton, 1958

[Frankenthaler?], Helen, 1950-1951

Frederick A. Praeger, Inc., 1969

Frick Collection, 1941

Fried, Richard N., 1950

Friedensohn, Elias, 1956

Fund for the Republic, Inc., 1956

G. P. Putnam's Sons, 1956

Gallatin, A. E., 1944

Goldwater, Barry, 1966

Goodrich, Lloyd, 1945

Goucher College, 1967

Greene, Balcomb, 1942, 1947, 1951-1953

Guggenheim Foundation, 1945-1946, 1953-1955

Hallmark Art Award, 1949

Hammacher, Mr., 1952

Harcourt, Brace and Company, Inc., 1945

Harcourt, Brace and Company, Inc., 1952

Harper and Brothers Publishers, 1939-1942

Harry N. Abrams Incorporated, 1953, 1955, 1957

Harvard University, 1949-1951, 1968

Hawkins, Erick, 1950*

Herbert, Robert L., 1954

Hollins College, 1950

Hope, Henry R., 1943-1944, 1947, 1955

Horizon, 1949

Hunter College, 1967

Hunter, Sam, 1955

Indiana University, 1966

Ingram Merrill Foundation, 1966-1967

Institute for Advanced Study, 1964, 1966

Institute for Sex Research, Inc, Indiana University, 1966

Institute of Contemporary Arts, 1951

Institute of Design, 1947

Institute of Fine Arts Alumni Association, 1954

Institute of Fine Arts, 1969

Institute of International Education, 1953-1955

Intercultural Publications, Inc., 1953

International Ladies' Garment Workers' Union, 1954

Janson, H. W., 1952-1954

Johns Hopkins Press, 1966-1967

Joslin, Andrew, 1972

Kamer, Henri A., 1964

Karl, Aline, 1953

Kenyon Review, 1945-1947, 1954

Kerns Foundation, Theosophical Society in America, 1968

Keyserling, Leon H., 1948

Kimball, Fiske, 1945, 1949

Knowles, Edwin B., Jr., 1945

Koch, Bob, 1954

Komroff, Manuel, 1944, 1946

[Krautheimer], Richard, 1944

Ladies' Garment Workers' Union, 1944

Lee, Rensselaer W., 1942, 1944

Levy, Adele R., 1956

Levy, Julien, 1944

Leylan, Robert M., 1941

Library of Congress, 1944-1947, 1952-1953

Loran, Erle, 1941

Loshak, David, 1946

Lougee and Company, 1952

M. I. T. Press, 1967

MacAgy, Douglas, 1948

Magazine of Art, 1944-1945, 1948, 1950-1951

Massachusetts Institute of Technology, 1967

Masson, Rose, 1944

Mayhew, Edgar deN., 1944

McGraw, Patricia, 1953

McGraw-Hill Book Company, Inc., 1950, 1965

Mellquist, Jerome, 1951

Metropolitan Museum of Art, 1940, 1954

Miller, Peter, 1944

Mitchell, Eleanor, 1945

Moffett, Charles, 1969

Museum of Modern Art, 1942, 1946-1947, 1949, 1953, 1955, 1969

Museum Purchase Fund, 1952

National Arts Club, 1946

Nelson, Kathleen L., 1945

New School Associates, 1953

New School for Social Research, 1949

New School, 1953, 1955

New York Times, 1946

New York University, 1934, 1937-1941, 1945, 1947, 1954, 1956-1959, 1963, 1966, 1970

New York University Press, 1970

Newark Museum, 1944

Okun, Henry, 1967-1968

Old Dominion Foundation, 1969

Ozenfant, [Amédée], 1949

Pantheon Books, Inc., 1944-1946, 1953-1954

Partisan Review, 1946, 1961-1962

Perry, William, 1941

Perspectives U.S.A., 1952

Phillips, Duncan, 1952

Photo Berard, 1951

Pietrantoni, M. L., 1955

Plass, Margo, 1962

Porter, James A., 1942

Prendergast, Charles, 1945

Prentice-Hall, Inc., 1950

Princeton University, 1943, 1949

Princeton University Press, 1947-1949, 1954-1955, 1959

Prior, Harris, 1946

Quadrum, 1956

Queens College, 1938-1957, 1972, undated

Rand School of Social Science, 1945

Random House, 1964

[Rattner], Abe, 1945

Redon, Ari, 1951

Rewald, John, 1941-1942, 1946

Rhode Island School of Design Museum of Art, 1946

Rice Institute, 1954

Rice, Philip, 1952

Richter, H., 1952, 1954

Rijksmuseum Kröller-Müller-Otterlo, 1957

Robb, David M., 1946-1947

Robinson, Cortland A., 1945

Rockefeller Foundation, 1946, 1951, 1954, 1956

Rockefeller, Nelson A., 1957-1958, 1965

Roditi, Edouard, 1951

Rodman, Selden, 1946

Rose Art Museum, Brandeis University, 1967-1968

Ruksmuseum voor Volkenkunde, 1952

Sachs, Mrs. H. F., 1941

Samuel Kress Foundation, 1968

San Francisco Museum of Art, 1953

Sandström, Sven, 1954

Sarah Lawrence College, 1949-1950

Saturday Review, 1951, 1954

Schaefer-Sinnevenm 1945

Scheeffner, Denise Pauline, 1964

Schmalenbach, Fritz, 1951-1952, 1954

Seeman, Hugh, 1953

Seligman, Germain, 1947

Seuphor, Michel, 1951-1953, 1955

[Schapiro?], Meyer, 1941, 1943, 1952, 1960

Sihara, Laxmi P., 1968

Sloane, Joe, 1941

Smyth, Craig Hugh, 1952-1954, 1956

Soby, James Thrall, 1946-1947, 1950, 1955-1956

Société des Africanistes, 1936

Sokol, David M., 1969

Solomon, Alan, undated

State University of New York, Buffalo, 1969

State University of New York, Stony Brook, 1969

Stix, Hugh, 1952

Stokowski, Gloria (Mrs. Leopold), 1952

Sweeney, James Johnson, 1953, 1956

Sypher, Wylie, 1954

Time, 1945

Times Book Club, 1945

Tobé-Coburn School for Fashion Careers, 1947, 1950

[Trilling], Lionel, 1945-1946

Twin Editions, 1944

United States Educational Commission for France, 1951

United States Information Agency, 1959

University Club of Jamaica, New York, 1941

University of Birmingham, 1969

University of Birmingham, 1970

University of California, 1968-1969

University of California, Berkeley, 1948

University of Connecticut, 1950

University of Guelph, 1970-1971

University of Illinois, 1967

University of Iowa, 1968-1969

University of Massachusetts, 1966-1967, 1972

University of New Mexico, 1967

University of North Carolina, 1953

University of Texas, 1947

University of Washington Press, 1967

Valentin, Curt, 1953

Venturi, [illegible], 1941

Viking Press, Inc., 1944, 1968

Virginia Museum of Fine Arts, 1953

Visson, Assia R., 1942-1943, 1947, 1950

Vytlacil, Vaclav, 1942

Walker Art Center, 1954

Walker, Hudson D., 1948

Wardwell, Allen, II, undated

Webster J. Carson, 1945, 1955

Webster, J. Carson, 1955

Weller, Allen S., 1958

Werner-Gren Foundation for Anthropological Research, 1970

Wescher, Herta, 1956

Wesleyan University Press, 1965

Western Illinois University, 1969

Western Reserve University, 1946, 1954

Western Review, 1948

White Art Museum, Cornell University, 1954

Whitney Museum of American Art, 1948, 1954

Who's Who In America, 1952

Who's Who in the Western Hemisphere, 1943

Wiggin, Florence B., 1944

Wilber, Allen S., 1947

Wildenstein and Co., 1949

Williams College, 1969

Withers, William, 1941

Wittenborn, Shcultz, Inc., 1948

Wolff, Werner, 1945

Wurster, E. B., 1944

Yale French Studies, 1956

Yale University, 1954, 1962, 1967, 1972

[illegible], 1943, 1945-1946, 1950-1954, 1962, 1964, undated

[unknown], Alan, 1954

[unknown], Annie, 1952, 1954

[unknown], Donald, 1969

[unknown], Eddie, 1950

[unknown], Edith, 1957

[unknown], Ethel, 1955

[unknown], Fred, 1947, 1954

[unknown], Gerry, 1968

[unknown], Joe, 1953-1954

[unknown], John, 1953

[unknown], Marco, 1954

[unknown], Margaret, 1945

[unknown], Roy, 1969

[unknown], Russell, 1946

[unknown], Sarah, 1970

[unsigned], 1942

[unsigned], 1950

Collection Restrictions:

This material is ACCESS RESTRICTED; permission; written permission is required. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert John Goldwater papers, 1902-1974. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.goldrobe, Series 1

See more items in:

Robert John Goldwater papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fd94b039-91d9-4960-a152-b76121978eb3

EDAN-URL:

ead_component:sova-aaa-goldrobe-ref12

Collection Creator:

Macbeth Gallery  Search this

Extent:

3.3 Linear feet (Boxes 120-130 )

Type:

Archival materials

Date:

1892-1952

Scope and Contents:

The 19 scrapbooks in this series are the collection's main source of Macbeth Gallery exhibition catalogs and related news clippings. Although incomplete, the scrapbooks provide fairly comprehensive coverage of the gallery's history and include material on day-to-day events at the gallery as well as important occasions such as the gallery's fortieth, fiftieth and sixtieth anniversaries, news of the art world in general and some photographs. Some of the scrapbooks also contain printed material related to art, exhibitions and events elsewhere. Many of the exhibition catalogs found here are annotated with prices and other notes. Notably missing is the catalog for the 1908 exhibition, The Eight.

See Appendix for a list of Macbeth Gallery exhibitions documented in Series 5: Scrapbooks.

Arrangement:

As some of the dates of the scrapbooks overlap, they were numbered 1-19 for clarity. The scrapbook cover for #3 is housed in Box 120, and the contents are housed in Box 122.

Appendix: Macbeth Gallery Exhibitions Documented in Scrapbooks:

This chronological list of Macbeth Gallery exhibitions is extensive, but incomplete. While an attempt has been made to establish the accuracy of the information provided here, dates and titles of exhibitions are not guaranteed to be accurate. Most of the exhibitions listed here are documented in the scrapbooks through exhibition catalogs and/or invitations, lists of artwork and news clippings. The list is annotated with AAA microfilm reel and frame numbers to assist researchers in locating material on specific exhibitions.

Scrapbook 1, 1892-1901

Dec. 7-21, 1892 -- Water Colors by American Artists (NMc1: 273-275)

Jan.23-Feb.11, 1893 -- Landscapes in Oil (NMc1: 276-277)

Feb. 27-Mar. 18, 1893 -- Landscapes in Oil by William Keith (NMc1: 278-279)

Mar. 20-Apr. 8, 1893 -- Watercolors by Dutch Artists (NMc1: 281-282)

Nov. 8-29, 1893 -- Second Annual Exhibition of Watercolors by American Artists (NMc1: 283-285)

Dec. 2-16, 1893 -- Drawings in Watercolors and in Black and White by C. R. Grant and Wilson De Meza (NMc1: 287-290)

Jan. 20-Feb. 3, 1894 -- Pictures and Sketches by Anton Mauve (NMc1: 291-292, 311-313)

Feb. 6-17, 1894 -- Paintings by Henry W. Ranger (NMc1: 295-296)

Feb. 23-Mar. 8, 1894 -- Paintings by Gaylord Langston Truesdel (NMc1: 299-300)

Mar. 16-29, 1894 -- Figure Subjects by Seven American Artists (NMc1: 302-303)

Apr. 13-May 6, 1894 -- Landscapes by American Artists (NMc1: 304-305)

Dec. 1-22, 1894 -- Paintings and Drawings by D.A.C. Artz (NMc1: 315-316)

Feb. 2-16, 1895 -- Paintings and Sketches by Theodore Robinson (NMc1: 318-319)

Mar. 15-30, 1895 -- Pictures and Sketches by Anton Mauve (NMc1: 321-323)

Feb. 17-29, 1896 -- Paintings in Oil by Philip Zilcken (NMc1: 329-330)

Mar. 9-21, 1896 -- Paintings by Arthur B. Davies (NMc1: 329-331)

Mar. 6-20, 1897 -- Paintings by Robert C. Minor (NMc1: 343-344)

Apr. 24-May 8, 1897 -- Paintings by Arthur B. Davies (NMc1: 348-349)

Jan. 17-29, 1898 -- Portrait Drawings in Pastel and Chalk by Sergeant Kendall (NMc1: 356-357)

Jan. 31-Feb. 12, 1898 -- Expressions of New England Landscape by Leonard Ochtman (NMc1-358-359)

Jan. 9, 1898 -- Exhibition of Pictures and Sketches by Anton Mauve (NMc1: 362)

Nov. 7, 1898 -- Exhibition of Watercolors by Mr. Ozawa of Tokyo, Japan (NMc1: 363)

Jan. 9-21, 1899 -- Paintings by Willbur A. Reaser (NMc1: 366-367)

Feb. 1-14, 1899 -- Paintings by H. M. Rosenberg (NMc1: 368-369)

Feb. 17-Mar. 9, 1899 -- Paintings by Charles Walter Stetson (NMc1: 370-371)

Jan. 8-20, 1900 -- Twenty-seven Drawings by Childe Hassam (NMc1: 376-377)

Mar. 9-24, 1900 -- Watercolors and Monotypes in Color by Maurice B. Prendergast (NMc1: 379-380)

Nov. 19-Dec. 1, 1900 -- Pictures by Rosina Emmet Sherwood (NMc1: 383-384)

Jan. 21-Feb. 2, 1901 -- Pictures and Portraits by Wilbur A. Reaser (NMc1: 385)

Feb. 25-Mar. 9, 1901 -- Frederick Ballard Williams (NMc1: 394-395)

Feb. 4-16, 1901 -- Landscapes by Alexander H. Wyant and George Inness (NMc1: 390-391)

May 9-31, 1901 -- Paintings by Arthur B. Davies (NMc1: 400-402)

Nov. 29-Dec. 14, 1901 -- Watercolors, Color Prints from Wood Blocks and Etchings Printed in Color by Helen Hyde (NMc1: 405-406)

Scrapbook 2, 1893-1898

Primarily news clippings.

Scrapbook 3, 1902-1910

Feb. 3-15, 1902 -- Private Collection of American Pictures (NMc1: 2-5)

Mar. 17-29, 1902 -- Some Phases of London When the Lamps Are Lighted, Done in Pastel by Fernand Lungren (NMc1: 10-13)

Mar. 31-Apr. 5, 1902 -- Group of Pictures by Sidney Starr (NMc1: 13)

Apr. 1-12, 1902 -- Pictures by Robert Henri (NMc1: 15-16)

Apr. 14-26, 1902 -- Drawings by Jane Erin Emmet (NMc1: 21-22)

Apr. 28-May 11, 1902 -- Landscapes by W. L. Lathrop (NMc1: 20)

Jan 19-31, 1903 -- Drawings and Sketches by Homer D. Martin, 1836-1897 (NMc1: 27)

Jan. 27-Feb. 11, 1905 -- Pictures by William Sartain (NMc1: 37-39)

Feb. 23-Mar. 8, 1905 -- Paintings by Arthur B. Davies (NMc1: 62-64)

May 1-6, 1905 -- Oil Paintings by American Artists from the Macbeth Gallery (at the Galleries of George D. Brodhead, Rochester, NY) (NMc1: 69-72)

Jan 29-Feb. 10, 1906 -- Abbot H. Thayer and Gladys Thayer (NMc1: 77-78)

Feb. 19-Mar. 3, 1906 -- Pictures by Charles H. Davis (NMc1: 79-80)

Mar. 10-24, 1906 -- Stephen Parrish (NMc1: 81-82)

Nov. 9-24, 1906 -- A Group of American Paintings (NMc1: 91-92)

Jan. 11-26, 1907 -- Paintings by William Sartain (NMc1: 100-101)

Feb. 1-16, 1907 -- Paintings by Paul Dougherty (NMc1: 105-106)

Feb. 23-Mar. 9, 1907 -- Paintings by Charles H. Davis (NMc1: 107-108)

Mar. 11-23, 1907 -- Portraits by Ellen Emmet (NMc1: 112-113)

Mar. 28-Apr. 3, 1907 -- Paintings by William Keith (NMc1: 115-117)

Nov. 11-23, 1907 -- Paintings by Augustus Vincent Tack (NMc1: 124-125)

Nov. 27-Dec. 12, 1907 -- Paintings by John La Farge (NMc1: 127-131)

Jan. 6-18, 1908 -- Paintings by Jerome Myers (NMc1: 133-134)

Jan. 20-Feb. 1, 1908 -- Paintings by Paul Dougherty (NMc1: 137-138)

Feb. 3-15, 1908 -- Exhibition of Paintings by Arthur B. Davies, William J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, John Sloan (NMc:142-143 Catalog missing from scrapbook)

Feb. 19-Mar. 7. 1908 -- Forty Selected Paintings by Living American Artists (NMc1: 147-149)

Mar. 11-24, 1908 -- Paintings by a Group of American Artists (Deceased), Copley to Whistler (NMc1: 151-152)

1908 -- Kwaunon Meditating on Life by John La Farge (NMc1: 155)

Nov. 10-25, 1908 -- Paintings by Howard Pyle (NMc1: 158-159)

Nov. 27-Dec. 10, 1908 -- Paintings by Charles Melville Dewey (NMc1: 161-162)

Dec. 15-31, 1908 -- Bronzes by a Group of American Artists (NMc1: 165-166)

Jan. 7-21, 1909 -- Forty Selected Paintings by Living American Artists (NMc1: 168-169)

Jan. 22-Feb. 4, 1909 -- Paintings by Henry W. Ranger (NMc1: 171-172)

Feb. 5-18, 1909 -- Paintings by Paul Dougherty (NMc1: 176

Feb. 19-Mar. 4, 1909 -- Arthur B. Davies (NMc1: 178)

Mar. 5-Mar. 18, 1909 -- Paintings by Charles H. Davis, N.A. (NMc1: 183-184)

Mar. 19-Apr. 1, 1909 -- A Group of Figure Subjects by Blendon Campbell, Charles W. Hawthorne, Robert Henri, George Luks, Kenneth Miller (NMc1: 186-187)

Apr. 2-15, 1909 -- Paintings by Louis Loeb (NMc1: 188-189)

Apr. 16-29, 1909 -- Paintings by a Group of Boston Artists (NMc1: 191-192)

May 10-22, 1909 -- Paintings by American Artists from the Macbeth Galleries, New York [at Findlay Art Co., Kansas City, MO] (NMc1: 195-197)

Nov. 18-Dec. 4, 1909 -- Paintings by Albert P. Lucas (NMc1: 203-205)

Dec. 7-24, 1909 -- Watercolors and Pastels by American Artists (NMc1: 207-210)

Dec 7-24, 1909 -- Second Annual Exhibition of Bronzes by American Sculptors (NMc1: 211-212)

Jan. 6-19, 1910 -- Sixteen Paintings of the Cornish Coast by Paul Dougherty (NMc1: 213-215)

Jan. 20-Feb. 2, 1910 -- Paintings by Mary Curtis Richardson of San Francisco (NMc1: 218-220)

Jan. 20-Feb. 2, 1910 -- First Exhibition of Paintings by Ben Foster (NMc1: 216-218)

Feb 3-16, 1910 -- Landscapes and Figures by Frederick Ballard Williams (NMc1: 227-229)

Feb. 3-16, 1910 -- Spanish Paintings by F. Luis Mora (NMc1: 225-227)

Feb. 17-Mar. 2, 1910 -- The Fur Jacket by J. McNeill Whistler (NMc1: 231-232)

Feb. 17-Mar. 2, 1910 -- Paintings by William Sartain (NMc1: 233-235)

Mar. 3-16, 1910 -- Fourteen Landscapes by Charles H. Davis (NMc1: 237-239)

Mar. 3-16, 1910 -- Recent Portraits by Cecilia Beaux (NMc1: 239-240)

Mar. 17-30, 1910 -- Paintings by Hermann Dudley Murphy (NMc1: 244-246)

Mar. 17-30, 1910 -- Figure Paintings by Charles W. Hawthorne (NMc1: 242-244)

Mar. 31-Apr. 13, 1910 -- Paintings of Baily's Island by Frederick J. Waugh (NMc1: 249-251)

Mar. 31-Apr. 13, 1910 -- Nineteen Landscapes by Chaucey F. Ryder (NMc1: 247-249)

Apr. 14-27, 1910 -- George B. Luks (NMc1: 253-255)

Apr. 30-May 14, 1910 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc1: 259-262)

Scrapbook 4, 1907-1913

Primarily news clippings.

Scrapbook 5, 1910-1915

Nov. 3-16, 1910 -- Recent Paintings by Charles W. Hawthorne (NMc2: 1-2)

Nov. 17-30, 1910 -- The Navajo Country in Watercolors by Frederick J. McComas (NMc2: 4-6)

Dec. 6-24, 1910 -- Watercolors, Pastels and Small Bronzes (NMc2: 7-14)

Jan. 5-18, 1911 -- Portraits by Ellen Emmet (NMc2: 15-16)

Jan. 19-Feb. 1, 1911 -- Paintings by Henry B. Snell (NMc2: 17-24)

Feb. 2-22, 1911 -- A Group of Thirty Selected Paintings (NMc2: 25-28)

Feb. 23-Mar. 8, 1911 -- A Group of Forty Selected Paintings (NMc2: 29-32)

Mar. 9-22, 1911 -- Paintings by Charles H. Davis, Paul Dougherty, Daniel Garber, William Sartain, F. Ballard Williams (NMc2: 33-35)

Mar. 23-Apr. 5, 1911 -- A Group of Paintings by Ben Foster, Albert L. Groll, Leonard Ochtman, Chauncey F. Ryder, Gardner Symons (NMc2: 36-38)

Apr. 8-22, 1911 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc2: 39-42)

Nov. 16-29, 1911 -- Landscapes, Marines and Wood Interiors by Robert Henri (NMc2: 45-48)

Dec. 6-30, 1911 -- Small Bronzes by American Sculptors (NMc2: 49-52)

Jan. 3-16, 1912 -- Thirty Paintings by Thirty Artists (NMc2: 53-55)

Jan. 17-30, 1912 -- Paintings by Frederick C. Frieseke (NMc2: 56-58)

Jan. 31-Feb. 13, 1912 -- Paintings by Elihu Vedder (NMc2: 59-63)

Feb. 14-Mar. 2, 1912 -- Paintings by Charles H. Davis, Paul Dougherty, Ben Foster, William Sartain, Gardner Symons, F. Ballard Williams (NMc2: 64-66)

Mar. 4-16, 1912 -- Paintings by Emil Carlsen (NMc2: 67-69)

Mar. 6-19, 1912 -- Memorial Exhibition of a Collection of Paintings by Joseph R. Woodwell (NMc2: 71-75)

Mar. 18-30, 1912 -- Paintings by Arthur B. Davies (NMc2: 71, 76)

Apr. 1-10, 1912 -- Paintings by Richard E. Miller (NMc2: 77-79)

Apr. 15-27, 1912 -- A Group of Selected Paintings by American Artists (NMc2: 80-85)

Nov. 4-18, 1912 -- Frederick Ballard Williams (NMc2: 80-97)

Nov. 19-30, 1912 -- First Annual Exhibition of Painters of the Far West (NMc2: 99-103)

Dec. 3-16, 1912 -- Paintings by William Baxter Closson (NMc2: 99, 104)

Dec. 4-16, 1912 -- Marbles and Bronzes by Chester Beach (NMc2: 99, 105-114)

Dec. 30-Jan. 13, 1913 -- Lawrence Mazzanovich (NMc2: 116-119)

Jan 14-27, 1913 -- Paintings by Guy C. Wiggins (NMc2: 120-122)

Jan. 14-27, 1913 -- Paintings by Charles A. Hawthorne (NMc2: 120, 122-124)

Jan. 28-Feb. 10, 1913 -- Paintings by Paul Dougherty (NMc2: 125-127)

Feb. 11-24, 1913 -- Paintings by Gardner Symons (NMc2: 128-130)

Feb. 15-Mar. 1, 1913 -- Annual Exhibition of The Woman's Artclub (NMc2: 131-136)

Feb. 25-Mar. 10, 1913 -- Paintings by F. C. Frieseke (NMc2: 137-138)

Mar. 4-17, 1913 -- Paintings by Charles Morris Young (NMc2: 137-142)

Mar. 11-24, 1913 -- Landscapes by F.K.M. Rehn, N.A. (NMc2: 143-147)

Mar. 18-31, 1913 -- Paintings by John Carlson (NMc2: 148-151)

Mar. 25-Apr. 7, 1913 -- A Selected Group of Paintings (NMc2: 148, 152-154)

Apr. 15-28, 1913 -- A Selected Group of American Paintings (NMc2: 155-158)

Apr. 15-28, 1913 -- Paintings and Pastels by Blendon R. Campbell (NMc2: 155, 159)

Oct. 14-27, 1913 -- Paintings by Katherine S. Dreier (NMc2: 161-163)

Oct. 28-Nov. 10, 1913 -- A Group of Selected Paintings by American Artists (NMc2: 164-166)

Nov. 17-24, 1913 -- Thirty Paintings by Thirty Artists (NMc2: 167-169)

Dec. 2-15, 1913 -- Second Exhibition by the Society of Men Who Paint the Far West (NMc2: 172-176)

Jan. 1914 -- Drawings of Game Birds by Frank W. Benson (NMc2: 179-180)

Jan. 6-19, 1914 -- Paintings by Emil Carlsen, Paul Dougherty, Frederick C. Frieseke, Childe Hassam, Willard L. Metcalf, Kenneth H. Miller, J. Alden Weir (NMc2: 179, 181-183)

Jan. 27-Feb. 16, 1914 -- Recent Sculpture by Chester Beach (NMc2: 185-186)

Jan. 27-Feb. 16, 1914 -- Paintings by Charles H. Davis, Daniel Garber, Richard E. Miller, Chauncey F. Ryder, Gardner Symons (NMc2: 185, 187)

Feb. 17-Mar. 2, 1914 -- Sculpture by Chester Beach, Abastenia St. L. Eberle, Mahonri Young (NMc2: 188-191)

Feb. 17-Mar. 9, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 188, 192-193)

Mar. 10-30, 1914 -- Sketches in Passing by Frederick J. Waugh (NMc2: 195, 208-209)

Mar. 11-30, 1914 -- A Collection of Paintings by Deceased American Artists (NMc2: 195-207)

Mar. 31-Apr. 20, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 212-217)

Apr. 21, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 219-224)

Oct. 27-Nov. 16, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 226-227)

Nov. 17-Dec. 7, 1914 -- Portrait Heads in Terra Cotta by Janet Scudder (NMc2: 233)

Nov. 17-Dec 7, 1914 -- Recent Paintings by Robert Henri (NMc2: 235-237)

Dec. 8-28, 1914 -- Exhibition of Home Pictures (NMc2: 243-247)

Jan. 5-25, 1915 -- A Group of Selected Paintings (NMc2: 243, 248-249)

Jan. 26-Feb. 15, 1915 -- Thirty Paintings by Thirty Artists (NMc2: 251-254)

Jan. 26-Feb. 15, 1915 -- Parisian Sketches by Lester D. Boronda (NMc2: 251)

Feb. 2-15, 1915 -- Our Untrodden Empire: A Collection of Paintings Executed in South Central Alaska by Robert V. Sewell (NMc2: 257-260)

Feb. 16-Mar. 8, 1915 -- Paintings by Deceased American Artists (NMc2: 262, 265)

Feb. 16-Mar. 8, 1915 -- Small Paintings by Guy C. Wiggins (NMc2: 261)

Feb. 16-Mar. 8, 1915 -- Paintings by Colin Campbell Cooper (NMc2: 261-264)

Scrapbook 6, March 1915-January 1918

Mar. 10-30, 1915 -- The Dance As Interpreted in Marble and Bronze by American Sculptors (NMc2: 267)

Mar. 30-Apr. 19, 1915 -- Paintings by Twelve Landscape Painters (NMc2: 274-277)

Sept. 27-Oct. 17, 1915 -- Paintings and Sculpture by Woman Artists for the Benefit of the Woman Suffrage Campaign (NMc2: 279-283)

Oct. 30-Nov. 19, 1915 -- Oils and Water Colors by Hayley Lever; Recent Paintings by Randall Davey (NMc2: 294-296

Dec. 4-31, 1915 -- Third Exhibition of the Society of Men Who Paint the Far West (NMc2: 300, 302-305)

Feb. 1916 -- Decorations by Elmer Mac Rae (NMc2: 318-319)

Jan. 4-18, 1916 -- Recent Paintings by F. C. Frieseke (NMc2: 306-307)

Jan. 4-18, 1916 -- Paintings by John F. Carlson (NMc2: 306, 309-310)

Jan. 19-Feb. 1, 1916 -- Paintings by Emil Carlsen, Helen M. Turner, Daniel Garber (NMc2: 313)

Jan. 19-Feb. 1, 1916 -- Decorative Panels of Flowers, Birds and Animals by F. S. Church (NMc2: 311,317)

Feb. 2-15, 1916 -- Paintings by Jules Guerin (NMc2: 318-321)

Feb. 16-29, 1916 -- Annual Exhibition of Thirty Paintings by Thirty Artists (NMc2: 323-326)

Mar. 1916 -- Group of High Fire Porcelains by Adelaid Alsop Robineau of Syracuse, NY, recently shown at the Panama-Pacific Exposition (NMc2: 322)

Mar. 8-21, 1916 -- Paintings by Charles H. Davis, Paul Dougherty, Kenneth H. Miller, Chauncey F. Ryder, William Sartain (NMc2: 329-330)

Mar. 22-Apr.4, 1916 -- Recent Water Colors by Charles Hovey Pepper (NMc2: 333)

Mar. 22-Apr. 4, 1916 -- Paintings, Drawings and Sculpture by Arthur B. Davies, Walt Kuhn, Jules Pascin (NMc2: 332, 334)

Apr. 6-27, 1916 -- Paintings by American Artists Past and Present (NMc2: 338-341)

Oct. 31-Nov. 13, 1916 -- The Whalers of New Bedford: Paintings by Clifford W. Ashley (NMc2: 346-348)

Oct. 31-Nov. 14, 1916 -- Special Exhibition by Painter Friends (NMc2: 346)

Nov. 14-27, 1916 -- Memorial Exhibition of Paintings by the Late Roger Donoho (NMc2: 349-353)

Nov. 28-Dec. 11, 1916 -- Paintings by Randall Davey (NMc2: 356-357)

Nov. 28-Dec. 11, 1916 -- Paintings by Kenneth Hayes-Miller, Benjamin D. Kopman and J. M. Block (NMc2: 356)

Dec. 13-Jan. 15, 1917 -- Watercolors by Paul Dougherty (NMc2: 358-362)

Jan. 16-Feb. 5, 1917 -- Thirty Paintings by Thirty Artists (NMc2: 366-368)

Feb. 8-26, 1917 -- Loan Exhibition of Paintings by Charles W. Hawthorne (NMc2: 370-379)

Feb. 27-Mar. 12, 1917 -- Paintings by Charles H. Davis, Richard E. Miller, Chauncey F. Ryder (NMc2: 381-382)

Mar. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Mar. 28-Apr. 10, 1917 -- Pictures in Tempera of the St. Andrew's Golf Links by William R. O'Donovan (NMc2: 386-387)

Summer, 1917 -- Summer Exhibition (NMc2: 388-391)

Oct. 1917 -- Opening Exhibition of Our Second Quarter-Century (NMc2: 393-396)

Nov. 3-17, 1917 -- Portraits by Louis Betts (NMc2: 400-403)

Nov. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Nov. 22-Dec. 5, 1917 -- Paintings and Small Bronzes of New York (NMc2: 407-410)

Dec. 1917 -- Pastels by Lillian Crittenden (NMc2: 411)

Dec. 6-24, 1917 -- Small paintings and Pastels by Frederick C. Frieseke, Nancy M. Ferguson, Lilian Crittenden (NMc2: 411)

Jan. 2-31, 1918 -- In Aid of Men Blinded in Battle: Retrospective Loan Exhibition of Arthur B. Davies (NMc2: 412-416)

Scrapbook 7, February 1918-January 1922

Feb. 5-20, 1918 -- Watercolors by Gifford Beal (NMc2: 433-434)

Feb. 5-20, 1918 -- Intimate Paintings Moderately Priced (NMc2: 435-436)

Mar. 1918 -- Group of Paintings by American Artists (NMc2: 441-442)

Mar. 6-27, 1918 -- Thirty Paintings by Thirty Artists (NMc2: 438-439)

Mar. 27-Apr. 18, 1918 -- Paintings by Charles H. Davis, Ben Foster, Willard L. Metcalf (NMc2: 441, 443-444)

Apr. 18-May 10, 1918 -- Group of Paintings by Charlotte B. Coman (NMc2: 446)

Apr. 19-May 9, 1918 -- Paintings by Emil Carlsen, Childe Hassam, J. Alden Weir (NMc2: 446-447)

Oct. 23-Nov. 13, 1918 -- Opening Exhibition: Group of Selected Paintings (NMc2: 449-451)

Dec. 1918 -- Second Exhibition of Intimate Paintings (NMc2: 453-458)

Jan. 7-29, 1919 -- John H. Twachtman (NMc2: 460-470)

Jan. 27-Feb. 8, 1919 -- Paintings by Charles H. Davis and Paul Dougherty (NMc2: 473-474)

Feb. 17-Mar. 1, 1919 -- Thirty Paintings by Fifteen Artists (NMc2: 476-477)

Mar. 6-22, 1919 -- Paintings by Louis Ritman (NMc2: 480-483)

Mar. 6-29, 1919 -- Thirty Paintings by Thirty Artists (NMc2: 484-491)

Apr. 7-19, 1919 -- Paintings by Felicie Waldo Howell (NMc2: 496-497)

Apr. 7-19, 1919 -- Fifteen American Paintings (NMc2: 499-500)

May 1919 -- Comparative Exhibition of American Paintings (NMc2: 501-506)

Oct. 5-Nov. 8, 1919 -- Fifteen Paintings by Fifteen Artists (NMc2: 510-511)

Nov. 10-Dec. 6, 1919 -- Third Exhibition of Intimate Paintings (NMc2: 512-518)

Dec. 10-31, 1919 -- Loan Exhibition of Paintings by Emil Carlsen (NMc2: 520-527)

Dec. 3-20, 1919 -- Paintings by William Baxter Closson (NMc2: 520)

Jan. 9-31, 1920 -- Thirty Paintings by Thirty Artists (NMc2: 531-536)

Feb. 2-21, 1920 -- Paintings by Charles H. Davis, Frederick C. Frieseke, Richard E. Miller (NMc2: 539-541)

Mar. 20-Apr.10, 1920 -- Paintings by Hayley Lever (NMc2: 542-545)

Apr. 5-24, 1920 -- Group of Paintings by Felicie Waldo Howell (NMc2: 546)

Apr. 5-24, 1920 -- Paintings by Maurice Fromke (NMc2: 546-548)

Oct. 18-Nov. 8, 1920 -- Paintings of the Orient by Hovsep Pushman (NMc2: 550-554)

Oct. 18-Nov. 8, 1920 -- Group of Paintings by Ben Foster, Robert Henri, Hayley Lever, Gardner Symons (NMc2: 555-558)

Nov. 9-29, 1920 -- Paintings by Frank W. Benson and Willard L. Metcalf (NMc2: 559-562)

Nov. 30-Dec. 31, 1920 -- Fourth Exhibition of Intimate Paintings (NMc2: 564-570)

Jan. 3-17, 1921 -- Recent Landscapes by Chauncey F. Ryder (NMc2: 573-576)

Jan. 3-17, 1921 -- Old Salem Doorways Painted Last Summer by Felicie Waldo Howell (NMc2: 577-581)

Jan. 18-Feb. 7, 1921 -- Thirty Paintings by Thirty Artists (NMc2: 583-588)

Feb. 9-28, 1921 -- An American Summer in Watercolors by F. Luis Mora (NMc2: 596-599)

Feb. 9-28, 1921 -- The East Side in Sculpture by Abastenia St. L. Eberle (NMc2: 600)

Feb. 9-28, 1921 -- Recent Paintings by Emil Carlsen (Br14: 623; NMc2: 589-594)

Mar. 1-21, 1921 -- Connecticut Landscapes by Charles H. Davis (NMc2: 603-606)

Mar. 1-21, 1921 -- Paintings of Cornwall and Elsewhere by W. Elmer Schofield (NMc2: 607-610)

Mar. 1-21, 1921 -- Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 611-616

Mar. 22-Apr. 11, 1921 -- Paintings by F. C. Frieseke and Albert L. Groll (NMc2: 621-624)

Mar. 22-Apr. 11, 1921 -- Paintings by Jonas Lie (NMc2: 617-620)

Mar. 22-Apr. 11, 1921 -- Portraits and Landscapes by Gladys Thayer (NMc2: 625-628)

Apr. 12-May 7, 1921 -- Loan Exhibition of Paintings by J. Francis Murphy, 1853-1921 (NMc2: 629-637)

Oct. 11-30, 1921 -- Opening Exhibition, Season of 1921-1922: Group of Selected Paintings (NMc2: 640-641)

Nov. 1-19, 1921 -- West Indian Marines by Frederick J. Waugh (NMc2: 642-645)

Nov. 21-Dec. 12, 1921 -- Fifth Exhibition of Intimate Paintings (NMc2: 646-655)

Dec. 13-Jan. 2, 1922 -- Paintings of Glacier National Park by Charles Warren Eaton (NMc2: 660, 664-666)

Dec. 13-Jan. 2, 1922 -- Oils, Pastels, and Watercolors by George Alfred Williams (NMc2: 660-663)

Scrapbook 8, January 1922-March 1923

Jan. 3-23, 1922 -- Paintings of South America by E. W. Deming (NMc2: 669-670)

Jan. 3-23, 1922 -- New England Streets by Felicie Waldo Howell (NMc2: 671-674)

Jan. 3-23, 1922 -- California Landscapes by F. Ballard Williams (NMc2: 677-680)

Jan. 24-Feb. 13, 1922 -- Paintings by Elliot Torrey (NMc2: 681-684)

Jan. 24-Feb. 20, 1922 -- Thirty Paintings by Thirty Artists (NMc2: 685-692)

Feb. 14-Mar. 6, 1922 -- Third Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 694-698)

Mar. 7-27, 1922 -- Paintings by Edmund Greacen (NMc2: 704-707)

Mar. 7-27, 1922 -- Paintings by Gardner Symons (NMc2: 700-705)

Mar. 28-Apr. 17, 1922 -- Paintings by Charles H. Davis (NMc2: 707-717)

Apr. 27-May 20, 1922 -- Paintings by Frederick C. Frieseke Hayley Lever and Malcolm Parcell (NMc2: 721-726)

Apr. 27-May 20, 1922 -- Paintings by Malcolm Parcell (NMc2: 722)

Oct. 31-Nov. 20, 1922 -- Paintings by Alice Worthington Ball (NMc2: 731-735)

Oct. 31-Nov. 20, 1922 -- Recent Paintings and Figure Compositions by Charles W. Hawthorne (NMc2: 731-735)

Nov. 21-Dec. 11, 1922 -- Sixth Exhibition of Intimate Paintings (NMc2: 738-747)

Nov. 21-Dec. 11, 1922 -- George Wharton Edwards (NMc2: 748-749)

Dec. 12-30, 1922 -- Imaginitive Landscapes by W. G. Krieghoff (NMc2: 751-752)

Dec. 12-30, 1922 -- Watercolors of New York by Joseph Pennell (NMc2: 751, 753-755)

Jan. 2-22, 1923 -- Paintings and Studies by Orland Campbell (NMc2: 758-761)

Jan. 2-22, 1923 -- Recent Landscapes by Daniel Garber (NMc2: 758, 762-764)

Jan. 2-22, 1923 -- Decorative Paintings by Spencer Nichols (NMc2: 765, 769)

Jan. 2-22, 1923 -- Figure Compositions by Ivan G. Olinsky (NMc2: 765-768)

Jan. 23-Feb. 12, 1923 -- The Canadian Rockies in Paintings by Belmore Browne (NMc2: 772, 778)

Jan. 23-Feb. 12, 1923 -- Thirty Paintings by Thirty Artists (NMc2: 772-777)

Jan. 23-Feb. 12, 1923 -- Decorative Panels by Felicie Waldo Howell (NMc2: 778-782)

Feb. 13-Mar. 5, 1923 -- Paintings by Ruth A. Anderson and Elizabeth C. Spencer (NMc2: 783, 788-790)

Feb. 13-Mar. 5, 1923 -- Landscapes by Chauncey F. Ryder (NMc2: 783-786)

Feb. 13-Mar. 5, 1923 -- Paintings of the West by Maynard Dixon (NMc2: 783, 787)

Mar. 6-26, 1923 -- Recent Paintings by Emil Carlsen (NMc2: 792-794)

Mar. 12-31, 1923 -- Watercolors by J. Olaf Olson (NMc2: 795-796)

Scrapbook 9, March 1923-December 1924

Mar. 27-Apr. 16, 1923 -- Paintings by John J. Enneking (NMc3: 1-4)

Apr. 17-May7, 1923 -- Paintings by Maurice Braun (NMc3: 5-8)

Apr. 17-May 7, 1923 -- Recent Paintings by Catharine Wharton Morris (NMc3: 5, 9)

Oct. 9-29, 1923 -- Opening Exhibition, Season 1923-1924 (NMc3: 17-22)

Oct. 30-Nov. 19, 1923 -- Paintings by Emil Carlsen, Theodore Robsinson, J. Alden Weir (NMc3: 24-27)

Nov. 20-Dec. 10, 1923 -- Seventh Exhibition of Intimate Paintings (NMc3: 30-35)

Nov. 20-Dec. 11, 1923 -- South American Sketches by Rachel Hartley (NMc3: 37-42)

Dec. 11-31, 1923 -- Scenes about Provincetown by Charles W. Hawthorne; Flowers by Marion C. Hawthorne (NMc3: 37, 43)

Dec. 11-31, 1923 -- Recent Paintings by Douglas Parshall (NMc3: 44)

Dec. 1923 -- Collection of Paintings from the Macbeth Gallery, Halaby Galleries, Dallas (NMc3: 47-54)

Jan. 2-21, 1924 -- Paintings by Robert Henri and Grace Ravlin (NMc3: 56-57)

Feb. 7-25, 1924 -- Thirty Paintings by Thirty Artists (NMc3: 62-68)

Feb. 26-Mar. 17, 1924 -- Paintings by Victor Higgins (NMc3: 68, 72-74)

Feb. 26-Mar. 17, 1924 -- Paintings by Frank Duveneck (NMc3: 68-69)

Mar. 18-Apr. 7, 1924 -- Paintings from Tusayan by Maynard Dixon (NMc3: 76-79)

Apr. 8-28, 1924 -- Paintings of the Orient by Hovsep Pushman (NMc3: 80-82)

Apr. 8-28, 1924 -- The Canadian Rockies in Paintings by Belmore Browne (NMc3: 80, 84)

Sept. 23-Oct. 6, 1924 -- Paintings of the French West Indies by Christiana Moron (NMc3: 86-87)

Oct. 7-27, 1924 -- Selected Group of Paintings by Thirty American Artists (NMc3: 86, 88)

Nov. 4-17, 1924 -- Recent Paintings by Chauncey F. Ryder (NMc3: 90-91)

Nov. 18-Dec. 8, 1924 -- A Group of Paintings by Frederick C. Frieseke (NMc3: 92-93)

Dec. 9-29, 1924 -- Retrospective Exhibition of Paintings by Louis Comfort Tiffany (NMc3: 95-97)

Scrapbook 10, January 1925-November 1927

Dec. 30-Jan. 19, 1925 -- Montauk by Childe Hassam (NMc3: 104-112)

Jan. 20-Feb. 9, 1925 -- George Inness Centennial Exhibition, 1825-1894 (NMc3: 117-123)

Feb. 10-Mar. 2, 1925 -- Water Colors of Egypt and Jerusalem by Taber Sears (NMc3: 126, 129-130)

Feb. 10-Mar.2, 1925 -- The New England Year in Paintings by Charles H. Davis (NMc3: 126-128)

Mar. 3-23, 1925 -- Paintings by E. W. Redfield (NMc3: 131-133)

Mar. 24-Apr. 13, 1925 -- Paintings by Daniel Garber (NMc3: 135-138)

Apr. 14-May 4, 1925 -- Recent Paintings by Robert Henri (NMc3: 140-143)

Apr. 14-May 4, 1925 -- C. W. Hawthorne: Watercolors of Bermuda (NMc3: 139)

Oct. 13-26, 1925 -- Collection of American Masters Loaned for Exhibition (NMc3: 152-154)

Oct. 27-Nov. 16, 1925 -- Memorial Exhibition of Paintings by the Late William Sartain (NMc3: 155-158)

Nov. 7-23, 1925 -- Paintings by Contemporary American Artists Loaned by the Macbeth Galleries, New York, Engaged by the Muncie Art Students' League, Muncie, Indiana (NMc3: 147-148)

Nov. 17-Dec. 7, 1925 -- Paintings by DeWitt and Douglass Parshall (NMc3: 159-162)

Dec. 4-31, 1925 -- Easel Paintings by American Artists, Loaned by Macbeth Galleries to the Springfield Art Association (NMc3: 205, 207)

Dec. 8-Jan. 4, 1926 -- Watercolors by Distinguished American Artists (NMc3: 163-166)

Jan. 5-25, 1926 -- Recent American Portraits (NMc3: 168, 172-173)

Jan. 5-18, 1926 -- American Society of Miniature Painters, 27th Annual Exhibition (NMc3: 168-171)

Jan. 26-Feb. 15, 1926 -- Paintings by Jonas Lie (NMc3: 176-179)

Jan. 26-Feb. 15, 1926 -- First Exhibition of Paintings by John Huffington (NMc3: 176, 180-181)

Feb. 7-Mar. 17, 1926 -- Exhibition of Oil Paintings by American Artists Lent by the Macbeth Galleries to the Utica Public Library Art Gallery (NMc3: 205-206)

Feb. 16-Mar. 8, 1926 -- New Paintings by Charles W. Hawthorne (NMc3: 186-189)

Feb. 16-Mar. 8, 1926 -- Chauncey F. Ryder (NMc3: 184)

Feb. 16-Mar. 8, 1926 -- Sculpture by Gleb Derujinsky (NMc3: 186-189)

Mar. 9-29, 1926 -- Modern Landscapes by Guy Wiggins (NMc3: 191-194)

Mar. 9-29, 1926 -- Etchings and Drawings by Emil Fuchs (NMc3: 191, 195-197)

Mar. 30-Apr. 19, 1926 -- The Affairs of Anatol by Robert Reid (NMc3: 198-201)

Apr. 20-May 3, 1926 -- Pastels Done in Spain by A. Sheldon Pennoyer (NMc3: 202)

June 1-25, 1926 -- Pictures Selected from the Brooklyn Museum Exhibition of the National Association of Women Painters and Sculptors (NMc3: 204)

Summer, 1926 -- Summer Exhibition (NMc3: 199-201)

Oct. 11-18, 1926 -- Paintings Selected by Louis Bliss Gillet (NMc3: 210-212)

Oct. 19-Nov. 8, 1926 -- Paintings by Stanley M. Woodward (Br14: 671; NMc3: 213-214)

Nov. 9-22, 1926 -- Ernest Haskell, 1876-1925, Memorial Exhibition (NMc3: 215-222)

Nov. 23-Dec. 6, 1926 -- Porto Rico and St. Thomas: Exhibition of Paintings by Rachel Hartley (NMc3: 226-229)

Nov. 23-Dec. 6, 1926 -- Recent Landscapes and Marines by Jay H. Connaway (NMc3: 226, 230)

Dec. 1926 -- Watercolors and Etchings by American Artists (NMc3: 231-233)

Dec. 28-Jan. 10, 1927 -- Recent Paintings by a Group of Mystic, Conn., Artists (NMc3: 235-238)

Jan. 11-31, 1927 -- Thirty Paintings by Thirty Artists (NMc3: 239-244)

Jan. 18-31, 1927 -- Watercolors by John Lavalle of Boston (NMc3: 253-255)

Jan. 22-Feb. 7, 1927 -- Crapo Gallery Opening Exhibition: Thirty Paintings by Thirty Artists assembled by Macbeth Gallery at Swain School, New Bedford, Mass. (NMc3: 245-249)

Feb. 1-14, 1927 -- Recent Paintings by Frank W. Benson (NMc3: 259-262)

Feb. 2-14, 1927 -- American Society of Miniature Painters, 28th Annual Exhibition (NMc3: 253, 256-258)

Feb. 8-26, 1927 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc. at Anderson Galleries (Macbeth Gallery one of nine participants (NMc3: 263, 265-271)

Feb. 15-28, 1927 -- New Paintings by Chauncey F. Ryder (NMc3: 278-281)

Mar. 1-14, 1927 -- Watercolors by Aiden L. Ripley (NMc3: 282, 286)

Mar. 1-14, 1927 -- Paintings by a Group of Members of the Guild of Boston Artists (NMc3: 282-285)

Mar. 15-28, 1927 -- Paintings by Malcolm Parcell (NMc3: 287-290)

Mar. 15-28, 1927 -- Recent Pastels of Chartres by Carl Schmidt (NMc3: 287)

Mar. 29-Apr. 18, 1927 -- Thirty-fifty Anniversary Exhibition, Retrospect and Prospective (NMc3: 291-294)

Apr. 19-May 9, 1927 -- Frank A. Brown, Watercolors (NMc3: 296, 302-303)

Aug. 22-Sept. 5, 1927 -- American Art Exhibition arranged for Eastern Long Island by the Macbeth Gallery at Southampton, NY (NMc3: 297-301)

Oct. 18-29, 1927 -- American Art Exhibition, Art League of Fort Worth, Assembeled by the Macbeth Gallery (NMc3: 304, 306-311)

Oct. 18-31, 1927 -- Etchings by Walter Raymond Duff (NMc3: 313-315)

Oct. 18-31, 1927 -- Paintings by Max Bohm (NMc3: 313-315)

Nov. 1-14, 1927 -- Yankee Whalers by Clifford W. Ashley (NMc3: 316-317)

Scrapbook 11, November 1927-June 1930

Nov. 15-28, 1927 -- Paintings of Mallorca by Bernhard Gutmann (NMc3: 319-320)

Nov. 15-28, 1927 -- Paintings of Flowers by Carle J. Blenner (NMc3: 319, 321)

Nov. 29-Dec. 12, 1927 -- The Bathers , Paintings by William S. Horton (NMc3: 322-325)

Nov. 29-Dec. 12, 1927 -- Sidewalks of New York, Chalk Drawings by H. Devitt Welsh (NMc3: 326-327)

Dec. 13-31, 1927 -- Joint Exhibition of Paintings by Daniel Garber and Stanley Woodward (NMc3: 328)

Jan. 3-16, 1928 -- Portrait Drawings by Edith Leslie Emmet (NMc3: 329, 331)

Jan. 3-23, 1928 -- Recent Paintings by Jonas Lie (NMc3: 329-330)

Jan. 24-Feb. 13, 1928 -- Watercolors by John Lavalle (NMc3: 332-334)

Jan. 24-Feb. 13, 1928 -- Walter Ufer: Pictures from Taos (NMc3: 332, 334)

Jan. 24-Feb. 6, 1928 -- American Society of Miniature Painters, 29th Annual Exhibition (NMc3: 337-340)

Feb. 7-21, 1928 -- Small Pictures of Mountain and Sea by Jay Connaway (NMc3: 342)

Feb. 14-27, 1928 -- The Canadian Rockies by Belmore Brown (NMc3: 342-343)

Feb. 14-27, 1928 -- Sculpture by Gleb Derujinsky (NMc3: 342-344)

Feb. 21-Mar. 5, 1928 -- Watercolors of Venice, Spain and Brittany by Frank A. Brown (NMc3: 351-356)

Feb. 21-Mar. 10, 1928 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc., at Anderson Galleries; Macbeth Gallery one of sixteen participants (NMc3: 346-352)

Feb. 25-Mar. 17, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at Grand Rapids Art Gallery (NMc3: 385-387)

Feb. 28-Mar. 12, 1928 -- Paintings by Frank L. Schenk, 1856-1927 (NMc3: 357-358)

Feb. 28-Mar. 19, 1928 -- Thirty Paintings by Thirty Artists (NMc3: 357, 359-363)

Mar. 20-Apr. 2, 1928 -- Lanscapes of Italy by A. Sheldon Pennoyer (NMc3: 366, 368)

Mar. 20-Apr. 9, 1928 -- Recent Landscapes, Switzerland and Other Subjects by Carl Lawless (NMc3: 366-367)

Apr. 2-15, 1928 -- Water Colors by Earl Winslow (NMc3: 355)

Apr. 10-30, 1928 -- St. Ives by Hayley Lever (NMc3: 369)

Apr. 29-May 20, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at the University of Wyoming (NMc3: 385-386)

Spring, 1928 -- American Painting for Home Decoration (NMc3: 370-377)

Oct. 16-29, 1928 -- The Canadian Rockies in Watercolors by J. Olaf Olson (NMc3: 389-392)

Nov. 7-24, 1928 -- Etchings by Sears Gallagher (NMc3: 393)

Nov. 13-26, 1928 -- Sand Dunes and Flowers by Frederick Lowell (NMc3: 393-394)

Nov. 26-Dec. 17, 1928 -- Etchings by Carlton T. Chapman (NMc3: 395)

Nov. 27-Dec. 10, 1928 -- Portraits by Ernest L. Ipsen (NMc3: 396-397)

Dec. 4-31, 1928 -- Etchings by Margery A. Ryerson (NMc3: 395)

Dec. 11-24, 1928 -- Landscapes in Watercolor and Gouache by H. Anthony Dyer and Character Studies in Watercolor and Pastel by Nancy Dyer (NMc3: 398-400)

Jan. 2-14, 1929 -- Figures and Landscapes by the Late J. Alden Weir, 1852-1929 (NMc3: 401-402)

Jan. 15-28, 1929 -- Paintings by H. Dudley Murphy; Watercolors by Nellie Littlehale Murphy (NMc3: 404-405)

Jan. 15-28, 1929 -- Portraits by William James (NMc3: 406-407)

Feb. 4-18, 1929 -- Twenty-five Etchings by Harold Denison (NMc3: 410, 416-417)

Feb. 5-18, 1929 -- Paintings by Emil Carlsen and Dines Carlsen (NMc3: 408-409)

Feb. 19-Mar. 4, 1929 -- Thirty Paintings by Thirty Artists (NMc3: 410-415)

Mar. 5-18, 1929 -- Marine Paintings by Stanley W. Woodward (NMc3: 419-423)

Mar. 19-Apr. 1, 1929 -- Watercolors by Frederick C. Frieseke (NMc3: 424-425)

Mar. 19-Apr. 1, 1929 -- Pastels of Louisiana by Will H. Stevens (NMc3: 424)

Apr. 1929 -- Paintings by Childe Hassam (NMc3: 433-438)

Apr. 2-15, 1929 -- Paintings by Arthur Meltzer (NMc3: 431)

Apr. 2-15, 1929 -- Watercolors by Earle B. Winslow (NMc3: 431)

June, 1929 -- Old Mill Afternoon by Childe Hassam, Ainslie Galleries, Inc., Detroit in collaboration with Macbeth Gallery (NMc3: 465-467)

Oct. 1-14, 1929 -- Portraits in Oil and Pastel by Paul Swan (NMc3: 472-473)

Oct. 15-28, 1929 -- Exhibitions from the Summer Colonies: No. 1, Lyme (NMc3: 476-477)

Oct. 19-29, 1929 -- Milch-Macbeth Exhibition of Prints and Paintings by American Artists at the High Museum under the auspices of the Atlanta Art Association (NMc3: 462)

Oct. 20-Nov. 11, 1929 -- Memorial Exhibition of Paintings by John Huffington (NMc3: 476-479)

Nov. 12-25, 1929 -- Exhibition from the Summer colonies: No. 2, Selections from the North Shore Arts Association of Gloucester (NMc3: 480-481)

Nov. 26-Dec. 3, 1929 -- Recent Landscapes by Charles H. Davis (NMc3: 482-483)

Dec. 10-Dec. 23, 1929 -- Watercolors by J. Olaf Olson (NMc3: 484-486)

Dec. 24-Jan. 6, 1930 -- Exhibitions from the Summer Colonies: No. 3, Mystic (NMc3: 487-488)

Jan. 7-20, 1930 -- Paintings of Wyoming Days and Nights by Ogden N. Pleissner (NMc3: 490, 492)

Jan. 21-Feb. 3, 1930 -- Landscapes by Aldro T. Hibbard (NMc3: 490-491)

Feb. 4-17, 1930 -- Thirty Paintings by Thirty Artists (NMc3: 493-498)

Feb. 4-18, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 500-502)

Feb. 18-Mar. 3, 1930 -- Decorative Pastels by Wilbur A. Reaser (NMc3: 503-504)

Feb. 18-Mar. 3, 1930 -- Landscapes by John F. Carlson (NMc3: 503, 505

Mar. 4-17, 1930 -- Art of the Cartoon by Clare A. Briggs (NMc3: 507)

Mar. 4-17, 1930 -- Watercolors by Gladys Brannigan (NMc3: 507)

Mar. 18-31, 1930 -- Landscapes by Chauncey F. Ryder (NMc3: 508-509)

Apr. 1-14, 1930 -- Landscapes by Harry Leith-Ross (NMc3: 510-511)

Apr. 15-29, 1930 -- The Soviet Union as Seen by Eliot O'Hara (NMc3: 512-513)

Spring 1930 -- Spring/Summer Exhibition (NMc3: 514-516)

Scrapbook 12, September 1930-December 1932

Oct. 1930 -- Opening Exhibition, 1930-1931 Season (NMc3: 517-519)

Oct. 14-Nov. 4, 1930 -- Etchings by Thomas Handforth (NMc3: 523-524)

Nov. 1930 -- Paintings of Museum Importance (NMc3: 521)

Nov. 4-25, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 522, 524

Dec. 1930 -- Paintings by Young Americans (NMc3: 525)

Dec. 1930 -- Etchings and Lithographs by Edward Haskell (NMc3: 526-527)

Jan. 6-31, 1931 -- Brittany and Other Recent Paintings by Jonas Lie (NMc3: 528-531)

Feb. 2-8, 1931 -- Group Exhibition of Important Paintings (NMc3: 535)

Feb. 9-21, 1931 -- Brackman (NMc3: 536)

Feb. 24-Mar. 7, 1931 -- Paintings by Paul Dougherty and Mahonri Young (NMc3: 539)

Mar. 9-28, 1931 -- Recent Paintings by Daniel Garber (NMc3: 540)

Mar. 30-Apr. 11, 1931 -- Brittany Subjects by Jay Connaway, Landscapes by Arthur Meltzer, Pastel Impressions by J. H. Guest (NMc3: 545-549)

Apr. 13-May 2, 1931 -- Paintings and Drawings by Abbot H. Thayer (NMc3: 545-549)

May, 1931 -- Selected Paintings and Etchings by American Artists (NMc3: 552-553)

Oct. 1931 -- October Show (NMc3: 355)

Oct. 1931 -- October Watercolor Exhibition (NMc3: 556)

Nov. 4-30, 1931 -- Fifteen New Paintings from the Artists Studios (NMc3: 558-559)

Nov. 11-Dec. 31, 1931 -- Lithographs by Stow Wengenroth (NMc3: 560-566)

Dec. 1-19, 1931 -- Small Paintings by Ivan Olinsky and Cecil Chichester (NMc3: 562-563)

Dec. 8-31, 1931 -- Wood Engravings by Thomas Nason (NMc3: 564)

Dec. 21-Jan. 9, 1932 -- Maine Coast Towns by C. K. Chatterton (NMc3: 565-566)

Jan. 11-23, 1932 -- Landscapes, Figures, Still Life Subjects Painted in Vermont by Herbert Meyer (NMc3: 564)

Jan. 11-23, 1932 -- Paintings by Lily Cushing (NMc3: 569, 571)

Jan. 25-Feb. 13, 1932 -- Hudson River School (NMc3: 573-576)

Feb. 15-27, 1932 -- Paintings by James Chapin (NMc3: 589)

Feb. 15-Mar. 1, 1932 -- Monotypes in Black and White by Seth Hoffman (NMc3: 590-591)

Feb. 29-Mar. 10, 1932 -- Sanford Ross: 16 Wash Drawings of 16 New Jersey Landmarks (NMc3: 598-599)

Feb. 29-Mar. 12, 1932 -- George Fuller, 1822-1844 (NMc3: 593-596)

Mar. 14-26, 1932 -- Winter Landscapes and Other Subjects by F. C. Frieseke (NMc3: 600-601)

Mar. 28-Apr. 9, 1932 -- Recent Paintings by Jonas Lie (NMc3: 603)

Apr. 11-30, 1932 -- Forty Years of American Art (NMc3: 605-610)

May 2-14, 1932 -- Paintings by a Group of Younger Artists (NMc3: 616-618)

June 1932 -- June Exhibition (NMc3: 619)

Sept. 26-Oct. 15, 1932 -- Paintings from the Summer Colonies (NMc3: 621-622)

Oct. 17-Nov. 7, 1932 -- Special Sale Exhibition (NMc3: 626-628)

Oct. 17-Nov. 7, 1932 -- Etchings and Lithographs by Mons Breidvik (NMc3: 626-627)

Nov. 9-26, 1932 -- Paintings by Max Bohm, Eugene Higgins, Jerome Myers, John Noble (NMc3: 630)

Nov. 14-Dec. 5, 1932 -- Lithographs by Stow Wengenroth (NMc3: 630)

Nov. 29-Dec. 12, 1932 -- Vermont Watercolors by Henry Holt (NMc3: 632-633)

Dec. 6-19, 1932 -- Lights of New York by Felicie Waldo Howell (NMc3: 634-635)

Dec. 14-Jan. 3, 1933 -- Paintings by Robert Strong Woodward (NMc3: 636)

Scrapbook 13, 1932

Scrapbook of 40th Anniversary of Macbeth Gallery, 1932.

Scrapbook 14, 1930-1934

Jan. 1-29, 1933 -- Forty Years of American Painting assembled by the Macbeth Gallery at Montclair Art Museum (NMc4: 263-268)

July 9-25, 1933 -- American Landscapes assembled by the Macbeth Gallery at Four Fountains, Southampton, NY (NMc4: 290-295)

Scrapbook 15, January 1933-February 1935

Jan. 1933 -- Watercolors Made by Americans, Assembled by the College Art Association (NMc3: 639-641)

Jan. 3-16, 1933 -- Drawings by J. Louis Lundean (NMc3: 643)

Jan. 17-30, 1933 -- Paintings of Flowers by C. G. Nelson (NMc3: 644)

Jan. 31-Feb. 13, 1933 -- Intimate Paintings (NMc3: 645)

Feb. 21-Mar. 6, 1933 -- Group Exhibition (NMc3: 646)

Mar. 1933 -- Paintings and Etchings by Living American Artists (NMc3: 647-648)

Mar. 7-20, 1933 -- Paintings by Robert Henri (NMc3: 649)

Mar. 21-Apr. 3, 1933 -- Watercolors by Sanford Ross (NMc3: 652)

Mar. 21-Apr. 10, 1933 -- Brackman (NMc3: 652-653)

Apr. 4-17, 1933 -- Opportunity Exhibition (NMc3: 661)

Apr. 4-18, 1933 -- Drawings by Adolf Dehn (NMc3: 661)

Apr. 11-24, 1933 -- The Sea at Monhegan by Jay Connaway (NMc3: 662)

Apr. 18-May 1, 1933 -- Watercolor Exhibition (NMc3: 663)

Apr. 25-May 8, 1933 -- Paintings by A. T. Hibbard, Hayley Lever and Ivan G. Olinsky (NMc3: 664)

May 2-22, 1933 -- Mono-Etchings by Bernard Sanders (NMc3: 664)

May 9-29, 1933 -- Child Portraits by Margery Ryerson (NMc3: 669)

May 16-29, 1933 -- Exhibition of Figures and Still Lifes, Macbeth Gallery Extension (NMc3: 669)

June 1933 -- American Art Past and Present (NMc3: 671)

Oct. 17-30, 1933 -- Paintings and Watercolors by a Group of American Artists Under 35 (NMc3: 672)

Oct. 31-Nov. 13, 1933 -- Drawings by Robert Henri (NMc3: 673)

Oct.-Nov. 1933 -- Mexico as Seen by American Printmakers (NMc3: 674)

Nov. 4-27, 1933 -- Brackman Portraits: Figures in Pastel (NMc3: 675, 678)

Nov. 4-27, 1933 -- American Sport and Other Subjects by Percy Crosby (NMc3: 675-677)

Nov. 28-Dec. 11, 1933 -- Paintings by Ogden M. Pleissner (NMc3: 684, 686)

Nov. 28-Dec. 11, 1933 -- Figures and Fantacies by Ralph Rowntree (NMc3: 684-685)

Nov. 28-Dec. 11, 1933 -- Paintings by Horace Day (NMc3: 681)

Nov. 28-Dec. 11, 1933 -- Drawings by Jerome Myers (NMc3: 682-683)

Dec. 12-23, 1933 -- Paintings by Janet Scudder (NMc3: 687)

Dec. 12-23, 1933 -- The New York Scene in Watercolor by Hamilton A. Wolf (NMc3: 688-689)

Dec. 26-Jan. 8, 1934 -- Group Exhibition, Members of the Louis Comfort Tiffany Foundation (NMc3: 692)

Jan. 9-27, 1934 -- Paintings by Herbert Meyer (NMc3: 692)

Jan. 24-Feb. 6, 1934 -- Oils, Watercolors, Drawings, Etchings by Harrison Cady (NMc3: 696-697)

Jan. 30-Feb. 19, 1934 -- Paintings and Drawings by Lintott (NMc3: 699-700)

Feb. 20-Mar. 12, 1934 -- Paintings by C. K. Chatterton (NMc3: 703-704)

Feb. 27-Mar. 12, 1934 -- Golinkin (NMc3: 707-708)

Mar. 6-20, 1934 -- Drawings by Meyer Bernstein (NMc3: 709)

Mar. 13-36, 1934 -- Paintings by Jonas Lie (NMc3: 710)

Mar. 20-Apr. 2, 1934 -- Watercolors of South America by Eliot O'Hara (NMc3: 712)

Mar. 27-Apr. 16, 1934 -- Memorial Exhibition, Paintings by Charles H. Davis, 1856-1933 (NMc3: 715-722)

Apr. 3-16, 1934 -- Drawings by Hetty Beatty, Sculptor (NMc3: 726)

Apr. 10-23, 1934 -- Oils and Watercolors by Gertrude Schweitzer (NMc3: 726)

Apr. 17-May 1, 1934 -- Monhegan Marines by Jan Connaway (NMc3: 727)

May 1-14, 1934 -- Watercolors and Pastels by H. Amaird Oberteuffer and Karl Oberteuffer (NMc3: 728)

May 1-21, 1934 -- Review of the Season (NMc3: 729)

May 7-14, 1934 -- Paintings by John C. E. Taylor, William Luther King, Stuyvesant van Veen (NMc3: 730)

May 1934? -- Third Exhibition and Sale of American Paintings at $100 (NMc3: 731)

June 4-15, 1934 -- Our Glorious Navy: Paintings by Arthur Beaumont, Lieut. U.S.N.R. (NMc3: 732-733)

Oct. 1-15, 1934 -- Opening Exhibition, Season of 1934-1935, Paintings by Nelson A. Moore, 1924-1902 (NMc3: 735-736)

Oct. 16-30, 1934 -- Collectors Examples of American Painting (NMc3: 739-740)

Nov. 7-19, 1934 -- Greenland and Other Subjects by Rockwell Kent (NMc3: 742-743)

Nov. 20-Dec. 3, 1934 -- Southern New Mexico: Drawings and Lithographs by Peter Hurd (NMc3: 748-749)

Nov. 20-Dec. 11, 1934 -- Brackman (NMc3: 742-743)

Dec. 4-31, 1934 -- Lithographs and Drawings of Stow Wengenroth (NMc3: 750)

Dec. 11-31, 1934 -- Robert Hallowell, Mostly Portraits (NMc3: 751-752)

Jan. 2-14, 1935 -- Leopold Seyffert, Subjects from Guatemala and Flowers (NMc3: 754-755)

Jan. 22-Feb. 4, 1935 -- Group of Paintings by Younger Artists (NMc3: 756)

Apr. 10-30, 1935 -- After St. Ives by Hayley Lever (NMc3: 761-762)

date unknown -- Mr. Jonas Lie: Brittany and Other Recent Paintings (NMc3: 764)

Sept. 30-Oct. 7, 1930 -- Watercolors by Carolyn G. Bradley and Marion L. Simmons (NMc3: 764-765)

March 28-April 19, 1932 -- Small Paintings of Museum Importance on Exhibition (NM3: 764-767)

Scrapbook 16, February 1935-January 1938

Feb. 5-19, 1935 -- Robert Strong Woodward, "Landscapes of New England" (NMc4: 401-402)

Feb. 19-28, 1935 -- Portraits by Leonebel Jacobs (NMc4: 404)

Mar. 5-18, 1935 -- Loan Exhibition (NMc4: 408-409)

Apr. 23-May 13, 1935 -- Still Lifes by Emil Carlsen, 1853-1932 (NMc4: 411-413)

May 14-June 3, 1935 -- Watercolors and Pastels (NMc4: 414)

Summer 1935 -- Summer Exhibition (NMc4: 415)

Oct. 8-21, 1935 -- Recent Paintings by Frederick C. Frieseke (NMc4: 416-417)

Nov. 19-Dec. 3, 1935 -- Drawings by Lintott (NMc4: 418-419)

Dec. 3-31, 1935 -- Drawings and Lithographs by Stow Wengenroth (NMc4: 420)

Dec. 9-31, 1935 -- Oils, Watercolors, Drawings by Gertude Schweitzer (NMc4: 421)

Jan. 14-Feb. 3, 1936 -- Herbert Meyer (NMc4: 422-423)

Feb. 1936 -- Group Exhibition (NMc4: 429)

Feb. 1936 -- Drawings by Eastman Johnson (NMc4: 430)

Feb. 4-17, 1936 -- Homer D. Martin, 1836-1897, Centennial Exhibition (NMc4: 426-427)

Mar. 10-23, 1936 -- Contemporary Americans (NMc: 430)

Mar. 10-23, 1936 -- Watercolors by Steven Donahos (NMc4: 430)

Mar. 24-Apr. 16, 1936 -- Brackman (NMc4: 431)

Apr. 7-27, 1936 -- Paintings and Watercolors by C. K. Chatterton (NMc4: 433-434)

Apr. 28-May 11, 1936 -- Group Exhibition (NMc4: 435)

Apr. 28-May 11, 1936 -- Watercolors by Mary S. Powers (NMc4: 435)

May 19-June 1, 1936 -- Drawings by Richard Guggenheimer (NMc4: 436)

May 27-June 3, 1936 -- Pastel Portraits by Frank Root McCreery (NMc4: 437-438)

Oct. 5-26, 1936 -- Opening Exhibition, 45th Season, New Paintings by Fourteen American Painters (NMc4: 447-448)

Nov. 4-16 1936 -- Paintings by Elliot Orr (NMc4: 444-445)

Nov. 17-30, 1936 -- Recent Paintings by Ogden M. Pleissner (NMc4: 447-448)

Dec. 1936 -- Lester D. Boronda: Paintings from Mason's Island (NMc4: 449)

Dec. 15, 1936-Jan. 18, 1937 -- An Introduction to Homer (NMc4: 451-460)

Jan. 19-Feb. 1, 1937 -- Exhibition of Portraits by Stuart, Copley, West, Allston, Badger, Jarvis, Morse, Sully, Peale, Smibert and Waldo (NMc4: 478-479)

Jan. 19-Feb. 1, 1937 -- Group of Watercolors (NMc4: 480)

Feb. 2-15, 1937 -- John C. E. Taylor: Flower Arrangements and Other Oils (NMc4: 481)

Feb. 16-Mar. 1, 1937 -- Paintings and Watercolors by Horace Day (NMc4: 482)

Mar. 2-15, 1937 -- Hayley Lever, Paintings New and Old (NMc4: 485)

Mar. 2-15, 1937 -- Paintings by Josef Presser (NMc4: 485)

Mar. 16-Apr. 5, 1937 -- Recent Work by Jon Corbino (NMc4: 487-490)

Apr. 13-26, 1937 -- Memorial Exhibition of Paintings, Crayon Drawings and Dry Points by the late Alexander Shilling (NMc4: 499)

Apr. 30-May 17, 1937 -- Edna Reindel (NMc4: 503)

Oct. 5-19, 1937 -- American Paintings Dedicating the Art Gallery Woman's Club Art Building, Montana State University (NMc4: 505-514)

Oct. 6-18, 1937 -- Opening Exhibition, Paintings by a Group of Contemporary Artists (NMc4: 517)

Oct. 19-Nov. 1, 1937 -- First Exhibition, Watercolors by Andrew Wyeth (NMc4: 518-519)

Nov. 2-15, 1937 -- Marine and Other Subjects from the Canary Islands by Cadwallader Washburn (NMc4: 524-525)

Nov. 16-29, 1937 -- Paintings by Lorenzo James Hatch (NMc4: 524-525)

Nov. 30-Dec. 14, 1937 -- Monhegan Island, Maine, Marines by Jay Connaway (NMc4: 527)

Jan. 4-17, 1938 -- "The Eight" Thirty Years Later (NMc4: 529-530)

Scrapbook 17, January 1938-July 1941

Jan. 18-Feb. 1, 1938 -- Paintings by Dale Nichols (NMc4: 538-540)

Feb. 8-21, 1938 -- Vermont in Watercolors by Stanford Stevens (NMc4: 541-542)

Feb. 8-21, 1938 -- Modern American Interior: Prizewinning Design and Selected Drawings from a Competition Sponsored by James H. Blauvet and Associates, Interior Designers (NMc4: 543)

Feb. 23-Mar. 7, 1938 -- Herbert Dickens Ryman (NMc4: 546)

Mar. 1-14, 1938 -- Paintings and Watercolors by Anne Goldthwaite (NMc4: 546-547)

Mar. 8-21, 1938 -- Recent Watercolors of Woodstock, Charleston, New England by John W. Taylor (NMc4: 548-549)

Mar. 22-Apr. 11, 1938 -- Jon Corbino (NMc4: 554-561)

Apr. 12-25, 1938 -- Paintings by Ohio Artists (NMc4: 580-571)

Apr. 26-May 9, 1938 -- Paintings by Furman Joseph Finck (NMc4: 572-573)

May-June 1938 -- Winslow Homer: Watercolors and Early Oils from the Estate of Mrs. Charles S. Homer and Other Sources (NMc4: 574-579)

Oct. 4-28, 1938 -- Opening Exhibition (NMc4: 581)

Nov. 1-23, 1938 -- Dale Nichols, Watercolors and Tempera of Alaskan Subjects (NMc4: 582-583)

Nov. 29-Dec. 19, 1938 -- Sea Island Country Watercolors by Horace Day (NMc4: 584)

Jan. 10-30, 1939 -- Herbert Meyer (NMc4: 588-589)

Feb. 7-27, 1939 -- American Watercolors Past and Present (NMc4: 592-597

Mar. 7-Apr. 3, 1939 -- Monhegan by Jay Connaway (NMc4: 602-603)

Apr. 5-24, 1919 -- Oils and Watercolors by Ogden M. Pleissner (NMc4: 606-607)

May 2-22, 1939 -- Paintings by Francis Chapin, Antonio P. Matino, and Moses Soyer and Drawings by Jon Corbino (NMc4: 609-611)

Oct. 10-30, 1939 -- Andrew Wyeth (NMc4: 614)

Nov. 1-30, 1939 -- Americana Paintings, Watercolors, Prints, Drawings (NMc4: 616-617)

Dec. 5-30, 1939 -- In the Georges Islands, Maine: Paintings by N.C. Wyeth (NMc4: 618)

Dec. 5-30, 1939 -- Dry Brush Drawings by Stow Wengenroth (NMc4: 618-619)

Jan. 2-27, 1940 -- Brackman (NMc4: 623-624)

Jan. 30-Feb. 19, 1940 -- Paintings by Moses Soyer (NMc4: 630-631)

Feb. 20-Mar. 11, 1940 -- Watercolors by Emil J. Kosa, Jr. (NMc4: 637)

Mar. 12-30, 1940 -- Paintings by Edna Reindel (NMc4: 636)

April 1940 -- Paintings and Drawings by Jon Corbino (NMc4: 639-640)

May 7-18, 1940 -- "Star Boat Races," by Gerald Foster (NMc4: 640)

Summer 1940 -- Summer Exhibition (NMc4: 641)

Oct. 1940 -- October Exhibition (NMc4: 642)

Nov. 12-Dec. 2, 1940 -- Paintings by Antonio P. Martino (NMc4: 645)

Dec. 10-30, 1940 -- Monhegan Paintings and Sketches by Jay Connaway (NMc4: 648)

Dec. 31, 1940-Jan. 13, 1941 -- Oils and Watercolors by Contemporary Artists (NMc4: 649)

Jan. 14-Feb. 3, 1941 -- Paintings and Drawings by Augustus Vincent Tack (NMc4: 650-651)

Feb. 4-24, 1941 -- Recent Paintings by Peter Hurd (NMc4: 652)

Feb. 18-Mar. 3, 1941 -- Earl Gross Watercolors (NMc4: 654-655)

Feb. 25-Mar. 16, 1941 -- Recent Paintings by Herman Maril (NMc4: 656-657)

Mar. 18-Apr. 5, 1941 -- Joseph de Martini Gouache Paintings (NMc4: 656)

Mar. 25-Apr. 7, 1941 -- Men of Moment: Drawings by Ivan Opffer (NMc4: 660)

Apr. 8-28, 1941 -- Paintings by Orland Campbell (NMc4: 661-662)

Apr. 29-May 12, 1941 -- Small Paintings by Moses Soyer (NMc4: 667-668)

May 1941 -- Group Exhibition (NMc4: 667)

May 13-24, 1941 -- The 1941 Showing of Blauvelt Interiors (NMc4: 669-671)

May-June 1941 -- Group Exhibition (NMc4: 669)

Scrapbook 18, July 1941-October 1945

Sept. 1941 -- Group Exhibition: Oils (NMc4: 682)

Oct. 7-27, 1941 -- Third Exhibition of Watercolors by Andrew Wyeth (NMc4: 685)

Oct. 28-Nov. 17, 1941 -- Recent Oils and Watercolors by Ogden M. Pleissner (NMc4: 685-686)

Oct. 28-Nov. 17, 1941 -- Watercolors by Merrill A. Bailey (NMc4: 685)

Nov. 18-Dec. 1, 1941 -- Drawings and Watercolors by Carl Newland Werntz (NMc4: 688-689)

Nov. 18-Dec. 1, 1941 -- Hymn to the Sun: A Sculpture in Bronze by Emily Winthrop Miles (NMc4: 688)

Dec. 1941 -- Group Exhibition (NMc4: 690)

Dec. 2-22, 1941 -- Original Dolls by Edith Flack Ackley and their Portraits in Watercolor by Telka Ackley (NMc4: 690)

Jan. 5-24, 1942 -- Paintings by Furman Joseph Finck (NMc4: 694)

Jan. 5-24, 1942 -- Watercolors of Maine and Florida by Maurice Becker (NMc4: 694-695)

Jan. 19-Feb. 14, 1942 -- Watercolors, Pastels, Drawings by Jerome Myers, 1867-1940 (NMc4: 696)

Feb. 16-28, 1942 -- Watercolors by Cory Kilvert (NMc4: 697-698)

Feb. 16-Mar. 7, 1942 -- Paintings by Deceased American Masters (NMc4: 697-698)

Mar. 9-28, 1942 -- Paintings by Marsden Hartley (NMc4: 700-701)

Mar. 9-28, 1942 -- Watercolors by Karl Mattern (NMc4: 700)

Apr. 13-30, 1942 -- Fiftieth Anniversary Exhibition, 1892-1942 (NMc4: 703-704)

May 4-29, 1942 -- Group Exhibition (NMc4: 707)

June 1942 -- June Exhibition (NMc4: 708)

June 15-27, 1942 -- War Bond Exhibitions of Contemporary American Art (NMc4: 708)

Sept. 1942 -- September Exhibition (NMc4: 709)

Nov. 16-28, 1942 -- Watercolors by Jean Paul Slusser (NMc4: 710)

Nov. 24-Dec. 12, 1942 -- T. Chambers, First American Modern (NMc4: 711-714)

Dec. 1-14, 1942 -- Watercolors by Red Robin (NMc4: 715-716)

Dec. 15, 1942-Jan. 2, 1943 -- Leaves From a Soldier's Sketchbook by Pvt. Olin Dows, U. S. Army (NMc4: 717)

Jan. 4-23, 1943 -- Paintings by Sprinchorn (NMc4: 717-718)

Feb. 1-13, 1943 -- Group Exhibition (NMc4: 719)

Feb. 15-Mar. 6, 1943 -- Small Paintings by Moses Soyer (NMc4: 720)

Mar. 15-27, 1943 -- Ellen du Pont Wheelwright (NMc4: 721)

Mar. 15-27, 1943 -- Watercolors by Cory Kilvert (NMc4: 721)

Mar. 29-Apr. 17, 1943 -- Recent Paintings by Joseph De Martini (NMc4: 722)

Mar. 29-Apr. 17, 1943 -- Watercolor Exhibition (NMc4: 722)

Apr. 19-May 1, 1943 -- Corp. Herman Maril (NMc4: 728)

Apr. 19-May 8, 1943 -- Theodore Robinson (NMc4: 723-725)

May-June 1943 -- Group Exhibition (NMc4: 729)

Sept. 1943 -- Group Exhibition (NMc4: 731)

Oct. 11-30, 1943 -- Watercolors by Henry Gasser (NMc4: 723-733)

Nov. 1-20, 1943 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 735-736)

Nov. 22-Dec. 4, 1943 -- Portraits of Children by Barnard Lentott (NMc4: 741-742)

Dec. 1943 -- Group Exhibition (NMc4: 741)

Dec. 6-24, 1943 -- Rural Vermont: Watercolors by Sylvia Wright (NMc4: 743-744)

Jan. 3-15, 1944 -- Watercolors of War by Red Robin (NMc4: 743-744)

Jan. 31-Feb. 19, 1944 -- Loan Exhibition, Worthington Whittredge, 1825-1910 (NMc4: 745-746)

Feb. 21-Mar. 11, 1944 -- Paintings by Constance Richardson (NMc4: 749-750)

Mar. 13-Apr. 1, 1944 -- Watercolors by Vanessa Helder (NMc4: 751, 753)

Mar. 13-Apr. 1, 1944 -- Temperas and Watercolors by Peter Hurd (NMc4: 751-753)

Apr. 3-22, 1944 -- American Paintings of the Early 19th Century (NMc4: 754-755)

Apr. 24-May 13, 1944 -- Brackman (NMc4: 756-757)

May 15-June 3, 1944 -- Two Vermont Artists: Clay Bartlett and Arthur K. D. Healy (NMc4: 758-759)

June 5-24, 1944 -- Women at War by Edna Reindel (NMc4: 760)

July 1944 -- Group Exhibition (NMc4: 762)

Sept. 25-Oct. 15, 1944 -- Group Exhibition (NMc4: 763)

Oct. 16-Nov. 4, 1944 -- Paintings by Felicia Meyer (NMc4: 764-765)

Nov. 15-Dec. 2, 1944 -- The Aleutian Air Force: Paintings by Ogden M. Pleissner (NMc4: 766-767)

Dec. 4-23, 1944 -- Paintings by John W. Taylor (NMc4: 769-770)

Jan. 8-27, 1945 -- Paintings by Carl Gaertner (NMc4: 771-772)

Jan. 29-Feb. 10, 1945 -- Contemporary American Watercolors (NMc4: 772)

Feb. 19-Mar. 10, 1945 -- Paintings and Watercolors by Maurice Becker (NMc4: 773-774)

Mar. 12-31, 1945 -- Some Early 19th Century Americans (NMc4: 777-778)

Apr. 2-21, 1945 -- Paintings by Joseph De Martini (NMc4: 778-779)

Apr. 23-May 12, 1945 -- Gouaches by Herman Maril (NMc4: 781)

Apr. 23-May 12, 1945 -- Paintings by Molly Luce (NMc4: 781-782)

May-June 1945 -- Group Exhibition: Contemporary Oils and Watercolors (NMc4: 783)

July, Sept., 1945 -- Group Exhibition (NMc4: 783)

Oct. 1-7, 1945 -- Group Exhibition (NMc4: 784)

Scrapbook 19, October 1945-November 1949

Oct. 26-Nov. 17, 1945 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 787-788)

Nov. 26-Dec. 15, 1945 -- Marsden Hartley: Paintings and Drawings (NMc4: 791-792)

Dec. 1945 -- Christmas Exhibition (NMc4: 793)

Jan. 7-26, 1946 -- New York in Watercolors by James Lechay (NMc4: 794)

Jan. 28-Feb. 16, 1946 -- Herbert Meyer (NMc4: 795)

Feb. 18-Mar. 19, 1946 -- Ary Stillman (NMc4: 797-798)

Mar. 11-30, 1946 -- Watercolors by Arthur K. D. Haley (NMc4: 800-801)

Apr. 1-20, 1946 -- Albert P. Ryder (NMc4: 802-805)

Apr. 22-May 11, 1946 -- Paintings by Constance Richardson (NMc4: 809-810)

May 13-31, 1946 -- Furman Jospeh Finck (NMc4: 811-812)

June 1946 -- Group Exhibition (NMc4: 813)

July 1946 -- Group Exhibition (NMc4: 813)

Sept. 1946 -- Group Exhibition (NMc4: 814)

Sept. 30-Oct. 19, 1946 -- Gouaches by Charles Schucker (NMc4: 815)

Oct. 2-Nov. 9, 1946 -- Watercolors and Drawings by Olin Dows (NMc4: 816-817)

Nov. 4-30, 1946 -- Ogden M. Pleissner (NMc4: 818)

Dec. 2-28, 1946 -- Oils and Watercolors by Emil J. Kosa, Jr. (NMc4: 819-820)

Jan. 6-26, 1947 -- Carl Gaertner (NMc4: 821-822)

Jan. 27-Feb. 15, 1947 -- Carl Sprinchorn (NMc4: 823)

Mar. 3-22, 1947 -- Dorothy Hoyt (NMc4: 825-826)

Mar. 24-Apr. 12, 1947 -- Joseph De Martini (NMc4: 827-828)

Apr. 14-May 10, 1947 -- Whistler Loan Exhibition (NMc4: 828-834)

June-July, 1947 -- Summer Exhibition (NMc4: 840)

Sept. 1947 -- Group Exhibition (NMc4: 841)

Oct. 13-Nov. 1, 1947 -- Paintings by Allen Tucker (NMc4: 842-844)

Nov. 3-22, 1947 -- Watercolors by Henry Gasser (NMc4: 846-847)

Nov. 24-Dec. 13, 1947 -- James Lechay (NMc4: 849-850)

Dec. 15, 1947-Jan. 3, 1948 -- Watercolor Exhibition (NMc4: 851)

Jan. 5-24, 1948 -- Clay Bartlett (NMc4: 852-853)

Jan. 26-Feb. 14, 1945 -- Exhibition (NMc4: 854)

Jan. 26-Feb. 14, 1948 -- Oils and Watercolors by Contemporary Artists (NMc4: 854)

Feb. 16-Mar. 6, 1948 -- Herman Maril (NMc4: 855-856)

Mar. 22-Apr. 3, 1948 -- American Art: A Multiple Exhibition arranged by the Associated Dealers in American Art (NMc4: 857-858)

Apr. 5-24, 1948 -- Raphael Gleitsmann (NMc4: 866-867)

Apr. 26-May 15, 1948 -- Oils and Watercolors by John La Farge (NMc4: 864)

May-Sept. 1948 -- Group Exhibitions (NMc4: 867)

Oct. 4-23, 1948 -- Watercolors by Charles Culver (NMc4: 869-870)

Oct. 26-Nov. 13, 1948 -- Ogden M. Pleissner (NMc4: 872)

Nov. 15-Dec. 4, 1948 -- Andrew Wyeth (NMc4: 874-875)

Nov. 21-Dec. 4, 1948 -- Oils and Gouaches by Charles Schucker (NMc4: 332-333)

Dec. 6-31, 1948 -- Watercolors and Drawings by Hermann Gross (NMc4: 877-878)

Jan. 4-22, 1949 -- Electra Bostwick (NMc4: 879, 882)

Jan. 27-Feb. 19, 1949 -- Paintings by Edna Reindel (NMc4: 880-881)

Feb. 28-Mar. 19, 1949 -- Thomas Doughty (NMc4: 885-887)

Mar. 21-Apr. 9, 1949 -- Watercolors by Arthur K. D. Healy (NMc4: 889)

Apr. 12-30, 1949 -- Drawings by Olin Dows (NMc4: 890)

May 1949 -- Group Exhibition (NMc4: 894)

Oct. 10-29, 1949 -- Clay Bartlett: Paintings of North and South America (NMc4: 895-896)

Nov. 1-19, 1949 -- Watercolors by Henry Gasser (NMc4: 897-898)

Scrapbook 20, 1949-1952

Nov. 21-Dec. 10, 1949 -- Oils and Gouaches by Charles Shucker (NMc4: 332-333)

Dec. 1949 -- Watercolor Exhibition (NMc4: 334)

Jan. 3-21, 1950 -- Carl Gaertner (NMc4: 335-356)

Jan. 23-Feb. 11, 1950 -- Constance Richardson (NMc4: 337-338)

Mar. 6-25, 1950 -- John Taylor (NMc4: 339-340)

Apr. 1950 -- Joseph De Martini (NMc4: 341)

May 8-27, 1950 -- Carl Sprinchorn (NMc4: 342-343)

Summer 1950 -- Summer Exhibition (NMc4: 345)

Oct. 9-28, 1950 -- Caseins by James Lechay (NMc4: 345-346)

Oct. 31-Nov. 18, 1950 -- Ogden M. Pleissner: Paris and the Provinces (NMc4: 347-348)

Nov. 21-Dec. 9, 1950 -- Andrew Wyeth (NMc4: 349-350)

Jan. 2-20, 1951 -- Nat Koffman (NMc4: 356-357)

Jan. 22-Feb. 10, 1951 -- Watercolors by Hermann Gross (NMc4: 358)

Feb. 12-Mar. 3, 1951 -- Watercolors (D55:390-391; NMc4: 359)

Mar. 5-24, 1951 -- Paintings by Francis Colburn (NMc4: 360)

Mar. 27-Apr. 14, 1951 -- Paintings by Herman Maril (NMc4: 361)

Apr. 16-May 5, 1951 -- Raphael Gleitsmann (NMc4: 362-363)

Summer 1951 -- Summer Exhibition (NMc4: 364)

July 7-Aug. 4, 1951 -- Paintings and Drawings by Andrew Wyeth (NMc4: 364-381)

Nov. 26-Dec. 15, 1951 -- Watercolors by Arthur K. D. Healy (NMc4: 387)

Feb. 4-Mar. 1, 1952 -- Italian Landscapes by George Inness (NMc4: 388-389)

June-July, Sept. 1952 -- Summer Exhibition (NMc4: 392)

Nov. 6-29, 1952 -- Andrew Wyeth (NMc4: 391-392)

Restrictions:

Fragile original scrapbooks are closed to researchers. For more information, please contact Reference Services.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.

Identifier:

AAA.macbgall, Series 5

See more items in:

Macbeth Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92653096a-424e-4227-a661-9a1b02109acc

EDAN-URL:

ead_component:sova-aaa-macbgall-ref13377

Former owner:

Thompson, William N.  Search this

Trimble, John H.  Search this

Trimble, John H., Mrs.  Search this

Landscape architect:

Remenschneider, Ken  Search this

Architect:

Huntee, Frank B.  Search this

Gardener:

Klein, Elaine Mrs.  Search this

Provenance:

Indianapolis Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

The John C. Klein Property (Indianapolis, Indiana)

United States of America -- Indiana -- Marion County -- Indianapolis

Scope and Contents:

The folders include a work sheet and slide view plan.

General:

The home, the residence of Governors of the State of Indiana from 1945-1973, is centered on the property, facing west. On the northeast corner of the property stands a pergola, approximately 40 feet in length, which is covered with "New Dawn" roses. The pergola was designed to mirror the French doors that march across the front of the house. The pergola provides entrance to the private slate patio and double-tiered pond. The unique raised structure of the pond was designed as a safety precaution for the Klein's active grandchildren. Water cascades from the higher tier of the pond into the lower tier. The outside structure of the pond is built with the same buff-colored brick, as is the house. Mrs. Klein grows Nelumbo Nucifera (Lotus) and Nymphaea Odoratoa (Water Lily) plants in the pond. Much of the garden area around the pond and patio contain a variety of Hostas, Day Lilies, Rhododendron, Azalea, and boxwood. The property is dotted with mature evergreen and deciduous trees, which are under planted with Hostas, Day Lilies, Painter's Palate, and Hydrangeas.

Persons of Organizations associated with the garden include: William N. Thompson (former owner, 1925-1926); Mr. and Mrs. John H. Trimble (former owners, 1926-1945); The State of Indiana (1945-1973); Mr. and Mrs. Robert L. Dawson (former owners, 1973-1978); Ken Remenschneider (landscape architect, 1997); Frank B. Huntee (architect); and Elaine Klein (Mrs. John C.) (gardener, 1973).

Related Materials:

The John C. Klein Property related holdings consist of 1 folders (6 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Indiana -- Indianapolis  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File IN036

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Indiana

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb62cb1135e-0933-4355-9513-0db11b831e28

EDAN-URL:

ead_component:sova-aag-gca-ref7230

Creator:

Johanson, Patricia, 1940-  Search this

Type:

Articles

Interviews

Photographs

Transcripts

Topic:

Sculpture, Modern -- 20th century  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Women architects  Search this

Theme:

Women  Search this

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)6794

(DSI-AAA_SIRISBib)208921

AAA_collcode_johapatr

Theme:

Women

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208921

Creator:

Johanson, Patricia, 1940-  Search this

Extent:

1.5 Linear feet

Type:

Collection descriptions

Archival materials

Articles

Interviews

Photographs

Transcripts

Date:

1964-1998

Summary:

Papers of sculptor Patricia Johanson include professional and personal correspondence, 1967-1998; writings on public art, articles, and reviews; a transcript of an interview of Johanson conducted by Jan Evans; a copy of a Master's thesis written on Johanson's sculpture; clippings, exhibition catalogs and announcements; and photographs of Johanson and her work. The collection measures 1.5 linear feet and dates from 1964 to 1998.

Scope and Content Note:

Papers of sculptor Patricia Johanson include professional and personal correspondence, 1967-1998; writings on public art, articles, and reviews; a transcript of an interview of Johanson conducted by Jan Evans; a copy of a Master's thesis written on Johanson's sculpture; clippings, exhibition catalogs and announcements; and photographs of Johanson and her work. The collection measures 1.5 linear feet and dates from 1964 to 1998.

Arrangement:

The collection is arranged as 5 series:

Missing Title

Series 1: Biographical Material, 1975-1997 (Box 1; 1 folder)

Series 2: Correspondence, 1967-1998, n.d. (Box 1; 17 folders)

Series 3: Writings, 1968-1997, n.d. (Box 1 and OV 3; 7 folders)

Series 4: Printed Material, 1966-1998, n.d. (Boxes 1-2 and OV 3; 12 folders)

Series 5: Photographs, 1962-1996, n.d. (Box 2 and OV 3; 8 folders)

Biographical Note:

Patricia Johanson, born in 1940, is an environmental sculptor and architect who creates large scale public works to solve environmental problems and create habitat and public recreational space. She graduated from Bennington College in 1962 and earned an M.A. in art history at Hunter College (1964). Johanson took civil engineering classes at New York's City College School of Architecture, earning a Bachelor's degree in Architecture in 1977. Inspired by the enormous canvases of the Abstract Expressionists, Johanson created huge sculptures such as Stephen Long (1968) which went beyond the field of vision and interacted with the environment. Johanson designed sculpture for Con Edison's Indian Point Nuclear Generating Plant (1972), the Whitney Colleges at Yale University (1972), and Columbus East High School, Columbus, Indiana (1973). Her architectural projects include Fair Park Lagoon in Dallas, Texas (1981-1982), Tidal Sculpture Garden for Pelham Bay Park in New York (1984), and the San Fransisco baywalk which transformed a new sewer into a public amenity and work of art. Her Park for the Amazon Rainforest (1992), commissioned for the Earth Summit, is an environmental sculpture that provides access from ground level up through the forest canopy along the Amazon River near Obidos, Brazil. Johanson's more recent projects include a master plan and ecological playgrounds for Ulsan Dragon Park (1996), a 912-acre site in South Korea, and the Rocky Marciano Trail and Salisbury River Greenway in Brockton, Massachusetts. Her husband is art historian Eugene C. Goossen.

Provenance:

Patricia Johanson donated her papers in 1975, 1983, 1989, 1997, and 1998.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Architects -- New York (State) -- New York  Search this

Topic:

Sculpture, Modern -- 20th century  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Women architects  Search this

Genre/Form:

Articles

Interviews

Photographs

Transcripts

Citation:

Patricia Johanson papers, 1964-1998. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.johapatr

See more items in:

Patricia Johanson papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b18df054-37e2-4602-8413-eb14ad6acd64

EDAN-URL:

ead_collection:sova-aaa-johapatr

Collection Creator:

McCausland, Elizabeth, 1899-1965  Search this

Extent:

2.9 Linear feet (Boxes 2-5)

Type:

Archival materials

Date:

1923-1960

Scope and Contents note:

Series consists primarily of McCausland's professional and, to a lesser extent, personal correspondence, which includes general, artist, and some family correspondence. Correspondence typically consists of letters to and copies of letters from McCausland, along with enclosures (such as clippings and other printed material; contracts, agreements, and other business and financial papers; and proposals and manuscripts) and related material (such as notes, illustrations, and writings). Correspondents include artists, art organizations, museums, curators, editors, publishers, scholars, research institutions, her agent (Mary Squire Abbot), friends, and her mother, Belle Noble McCausland. Correspondence largely documents McCausland's various professional activities as an art critic, art historian, and freelance writer, and her relationships with various figures of the art and publishing worlds before, during, and immediately after the Second World War.

General correspondence relates to articles and reviews that McCausland wrote for the Springfield Republican; to freelance articles she wrote over the years for various publications, including ones for Parnassus, The New Republic, and Magazine of Art, as well as yearly articles for various encyclopedias (such as Encyclopedia Britannica, Encyclopedia Americana, and Collier Encyclopedia); and to various book projects, including Changing New York (1939), Careers in the Arts (1950), and ones on the artists E. L. Henry, George Inness, and Alfred H. Maurer. General correspondence also relates to her teaching job at Sarah Lawrence College and other courses taught; to various editing projects, including photo-editing Carl Sandburg's Poems of the Midwest and the planned book Art and Advertising; her work as a research consultant on the American Processional exhibition and book, and on other exhibitions; and her involvement in various art and social organization, as well as her participation in various conferences. General correspondence largely documents McCausland's tireless efforts to drum up work, and to fund (through various grants and fellowships) and carry out her many research and writing projects.

Correspondence from particular artists, including Arthur Dove, Louis Eilshemius, Marsden Hartley, Georgia O'Keeffe, and Alfred Stieglitz, was maintained by McCausland in files separate from general correspondence. Artist correspondence documents her relationships with these artists - particularly well-documented are her relationships with Dove and Stieglitz - and the artists' reactions to her reviews of their shows. Files of artist correspondence also include some of McCausland's own notes on her feelings about or relationship with particular artists.

Family correspondence consists almost entirely of letters and copies of letters from McCausland to her mother, Belle Noble McCausland. These seem to have originated from the scrapbook kept by McCausland's mother which can be found amongst personal papers.

See Appendix for a list of notable correspondents from Series 2

Arrangement note:

General correspondence is arranged in rough chronological order. Within individual yearly files, McCausland often grouped together letters to and from a particular correspondent; this existing organization has for the most part been maintained. Selected artist correspondence and family correspondence are arranged in files at the end of the series. Correspondence can also be found amongst research and writing files.

Appendix: Notable Correspondents from Series 2:

List represents only a selection of correspondents from general correspondence.

A. A. Wynn Inc.: 1951

ACA Gallery: 1941, 1943, 1945, 1946, 1947

Abbot, Mary Squire (McIntosh and Otis Company): 1941, 1945, 1947, 1948, 1949, 1950, 1952, 1953, 1954, 1955, 1958

Abbott, Berenice: 1934

Adams, Charles: 1938, 1939, 1940, 1943, 1944, 1946, 1947, 1948, 1949, 1950, 1951, 1952

Adams, Harriet Dyer: 1946

Adelphi College: 1953

Adlow, Dorothy ( -- Christian Science Monitor -- ): 1950, 1951, 1952, 1953, 1954

Albany Institute of History and Art: 1946, 1947

Aldrich, Adolf: 1945

American Academy of Arts and Sciences: 1946, 1947

American Artist Magazine -- : 1952

American Artists Congress: 1938, 1939, 1942

American Artists Group: 1939, 1945, 1946, 1947, 1950

American Association of University Women: 1951

American Federation of Arts: 1946, 1947, 1948, 1949, 1951, 1952, 1954, 1956

American Museum of Natural History: 1944

American Newspaper Guild: 1942

American Philosophical Society: 1947

Anderson, Mrs. Sherwood (Eleanor): 1949

Antiques -- : 1955

Arden, Elizabeth: 1937

Arnason, H. Harvard (Walker Art Center): 1951, 1952, 1953, 1954

Art Digest -- : 1951

Art in America -- (see also Jean Lipman): 1957

Art Institute of Chicago: 1945, 1947

Art of this Century: 1944

Artists for Victory: 1944

Artists Equity Association: 1956

Artists League of America: 1942, 1943, 1944, 1945

Artists Society for National Defense: 1941

Associated American Artists: 1940

Baltimore Museum of Art: 1953

Bard College: 1953

Barnes, Djuna: 1951

Barr, Alfred H.: 1939, 1944, 1947, 1951

Barr, Norman: 1941, 1942, 1943, 1945

Baumann, Gustave: 1946

Baur, John I. H.: 1939, 1942, 1946

Beam, Lura: 1945, 1958

Beard, Mary: 1938, 1939, 1944

Benn, Ben: 1951

Bennington School of the Arts: 1940

Berkshire Museum: 1939, 1940

Biddle, George: 1947

The Bobbs-Merrill Company: 1944

Bourke-White, Margaret (letter to Berenice Abbott): 1940

Brewster, William F.: 1954, 1955

The Brooklyn Museum: 1943, 1945, 1948, 1954

Brown, Milton: 1945

Buchholz Gallery: 1941, 1943

Butler, Joseph (Butler Institute of Art): 1954, 1955

Cahill, Holger: 1937, 1942, 1944, 1946, 1950

Carter, Clarence H.: 1945, 1946

Cinema -- : 1947

Clarke, Bert: 1950

Constantine, Mildred: 1939, 1941, 1942

Cook, Waldo Leland: 1949

Cooper Union: 1949, 1952

Cooper Union Art School: 1947, 1948

Corcoran Gallery of Art: 1948, 1949, 1950, 1951

Cowdrey, Mary Bartlett (Smith College Museum of Art): 1943, 1949, 1951, 1952, 1953, 1954

Crawley, Lawrence: 1950

Crehan, Hubert ( -- Art Digest -- ): 1953

Crichlow, Ernest: 1941

Curran, Charles: 1942

D'Harnoncourt, Rene: 1947

Daura, Pierre: 1949, 1951, 1954

Detroit Institute of Arts: 1945

Devree, Howard: 1949

Diamond (Rotkin), Adele: 1941

Donato, Louis: 1939

Dows, Olin: 1942

Eames, Charles: 1950, 1951

Estler, William C.: 1944

Federation of Modern Painters and Sculptors: 1946

Fitch, George: 1955

Fitch, James: 1940

Fortune Magazine -- : 1946

Francis, Robert: 1940, 1942, 1943

Frick Art Reference Library: 1944, 1948, 1950, 1951, 1953, 1958

Friedman, William: 1939

Fuerstenberg, Eugenia Maurer: 1950, 1951

Fulton, W. Joseph (University of Chicago): 1951, 1952, 1954, 1955, 1956, 1958, 1959

G. P. Putnam's Sons: 1937

Genauer, Emily: 1947

George Walter Vincent Art Museum (Cordelia Sargent Pond): 1945, 1946, 1947, 1948

Gibran, Khalil: 1928

Gilbert, Dorothy: 1950

Godsoe, Robert Ulrich: 1951

Golden, Samuel (see also American Artists Group): 1946

Goodrich, Lloyd: 1942, 1947, 1950, 1951, 1952

Goodwin, Phillip L.: 1943

Gottlieb, Harry: 1944

Griffin, Maude: 1953

Graham, Martha: 1934, 1942

Grossman, Sid: 1938

Gwathmey, Robert: 1945

Harcourt, Brace and Company: 1947, 1949

Harper and Brothers: 1951

Hayes, Bartlett (Addison Gallery of Art): 1942, 1945, 1947

Hess, Thomas ( -- Art News -- ): 1950

Hope, Henry (University of Indiana): 1949, 1950

International Fine Arts Council: 1950

Irvine, Rosalind: 1952

J. B. Lippincott Company: 1951, 1952

Jacques Seligmann and Company: 1938

James, Rebecca Salsbury: 1951

Javitz, Romana: 1946, 1950, 1951, 1952, 1954, 1955

Jewell, Edward Alden: 1946, 1947

John Day Company: 1950, 1951, 1955

John Simon Guggenheim Memorial Foundation: 1941, 1942, 1943, 1944, 1945, 1946, 1947, 1952, 1953

Jones, Howard Mumford (Harvard University): 1947

Kauffer, E. McKnight: 1946

Kent, Rockwell: 1945, 1946

Kirstein, Lincoln: 1941, 1943, 1944, 1946, 1947

Kish, Maurice: 1945

Kistler, Aline: 1941

Knight Publishers Inc.: 1938

Kuniyoshi, Yasuo: 1945

Landon, Edward: 1939

Lange, Dorothea: 1945

Larkin, Oliver: 1943, 1944, 1949

Leeper, John and Blanche (see also Corcoran Gallery of Art): 1950, 1951, 1954

Leighton, George: 1945

Lerner, Abe (see also World Publishing Company): 1950, 1951

Lipman, Jean: 1945, 1946, 1947, 1952

Lipton, Norman C. ( -- Good Photography -- ): 1941, 1942, 1943

Longman, Lester: 1940

MacMahon, Audrey (see also -- Parnassus -- ): 1936, 1938, 1939, 1940, 1942

The MacMillan Company: 1943, 1947, 1949, 1950

Magazine of Art -- : 1944, 1945, 1946, 1947

Magriel, Paul: 1954

Maurer, Alfred L.: 1951

Metropolitan Museum of Art: 1943, 1947, 1955

Miller, Dorothy: 1950, 1951

Milwaukee Art Institute: 1948

Minicam Photography -- : 1941, 1943, 1944

Modernage Furniture Corp.: 1945

More, Herman (Whitney Museum of American Art): 1954

Morton, Phillip: 1951, 1952

Mount Holyoke College: 1943

Munson-Williams-Proctor Institute: 1956

Museum of Modern Art: 1934, 1942, 1943, 1944, 1945

Museum of the City of New York: 1958

N.W. Ayer and Son: 1945, 1946, 1950

The Nation -- : 1940, 1955

National Gallery of Art: 1944, 1945

National Maritime Union: 1945

Navas, Elizabeth: 1952, 1953, 1954

Neuberger, Roy: 1952

The New American Library -- : 1955, 1956

The New Republic -- : 1944, 1947

The New School for Social Research: 1945

The New York Herald Tribune -- : 1945, 1947

New York Historical Society: 1943

New York Public Library: 1943, 1955, 1956

New York State Museum: 1949

The New York Times -- : 1940

Newark Museum: 1944

Newhall, Beaumont: 1944

Newhall, Nancy: 1945

Norman, Dorothy: 1934, 1937, 1938, 1940

Old Print Shop: 1945

Olmsted, Anna Wetherill (Syracuse Museum of Art): 1950

Opportunity -- : 1943, 1944, 1945

Ossorio, Alfonso: 1953

P. F. Collier and Son Corp.: 1947, 1948, 1949, 1951, 1952, 1953, 1954, 1955, 1957, 1958

Pach, Walter: 1955

Parnassus -- : 1939

Pennsylvania Academy of Fine Art: 1951

Pepsi-Cola Company: 1944, 1945

Philadelphia Art Alliance: 1946

Pierre Matisse Gallery: 1938, 1939

Popular Photography -- : 1943

Portland Art Museum: 1940

Porter, Eliot: 1954

Printer's Ink (Carl Weiss): 1951

Railway Express Agency: 1949

Rivera, Diego: 1949

Rogers, John C.: 1941

Roosevelt, Eleanor: 1944

Rosenblum, Walter: 1944

Rothschild, Lincoln: 1937, 1942, 1945, 1946, 1949

Royce, William: 1933, 1934, 1935, 1942, 1958

Rukeyser, Muriel: 1941, 1950



San Francisco Chronicle -- : 1951, 1953

Sarah Lawrence College: 1942, 1943, 1944

Saturday Evening Post -- : 1946

Schlesinger, Arthur: 1943

School Art League of New York City: 1953, 1954

Schwimmer, Rosika: 1933, 1935, 1943

Sculpture's Guild: 1938, 1940, 1941

Segy, Ladislaw: 1943

Shelter -- : 1939

Sloan, John: 1951

Smith College Museum of Art: 1939, 1954

Soby, James Thrall: 1935, 1946, 1951

Social Science Research Council: 1948

Springfield Museum of Fine Art: 1938, 1940, 1941

Standard Oil: 1946

Stein, Gertrude: 1934

Sterling, Charles (Department of Painting, The Louvre): 1951

Strand, Paul: 1942

Survey Associates -- : 1938, 1939

Sweeney, James John: 1954, 1955, 1956

Thornton, Russell (see also Corcoran Gallery of Art): 1951, 1952, 1953

Time Magazine -- : 1945

Toklas, Alice B.: 1949

Traphagen School of Fashion: 1957

U.S. Camera -- : 1940

University of Chicago Library: 1951

University of Minnesota: 1951

University of Nebraska: 1953, 1954, 1956, 1957

Vanderbilt, Paul (Library of Congress): 1950

Vogue Magazine -- : 1953

Vose, Robert C.: 1945

Wade, Henry: 1954

Walker Art Center: 1946, 1947, 1949, 1950, 1951

Walker, Hudson: 1948, 1949, 1950, 1951, 1952

Ward, Lynd: 1942, 1945, 1947



Western Photography -- : 1946

Weston, Edward: 1943

Weyhe Gallery: 1940, 1951

Wheaton College: 1955

Wheeler, Monroe: 1941, 1942, 1943, 1944, 1945

Whitney Museum of American Art: 1946, 1947, 1951

Wichita Art Association: 1947

Williams, Hermann Warner (see also Corcoran Gallery of Art): 1950, 1951, 1952, 1954

Wilson, Sol: 1945

Worcester Art Museum: 1943, 1945

World Publishing Company: 1946, 1949, 1950, 1955

Yale University Art Gallery: 1949

Yale University Library: 1951, 1952, 1953, 1954

Young, Art: 1941

Young Artists Guild: 1948

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.mccaeliz, Series 2

See more items in:

Elizabeth McCausland papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c5d24e2b-e768-46c3-ad9f-cdb7e238e691

EDAN-URL:

ead_component:sova-aaa-mccaeliz-ref60

Creator:

Byron Gallery  Search this

Names:

Galleria dell'Ariete  Search this

Antonakos, Stephen, 1926-2013  Search this

Calder, Alexander, 1898-1976  Search this

Consagra, Pietro, 1920-  Search this

Copley, Alfred L.  Search this

De Chirico, Giorgio, 1888-  Search this

Ernst, Max, 1891-1976  Search this

Friedeberg, Pedro, 1937-  Search this

Gilliam, Sam, 1933-  Search this

Goeritz, Mathias, 1915-1990  Search this

Grilo, Sarah  Search this

Matta Echaurren, Roberto Sebastián, 1911-  Search this

Meadmore, Clement  Search this

Nivola, Costantino, 1911-1988  Search this

Sleigh, Sylvia  Search this

Talman, Paul  Search this

Youngerman, Jack, 1926-2020  Search this

Extent:

16.3 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Date:

circa 1950s-1991

Summary:

The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are over ten linear feet of artists and subject files, fifty-seven exhibition scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.

Scope and Content Note:

The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are extensive artists and subject files, exhibition files and scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.

Artist and subject files comprise over one-half of the records and contain business correspondence, sales information, photographs and transparencies, catalogs, and exhibit reviews for each artist either represented or sold by the gallery, or participated in an exhibition organized by the gallery. Particularly rich files are found for Alcopley, Stephen Antonakos, Alexander Calder, Pietro Consagra, Giorgio De Chirico, Max Ernst, Pedro Friedeberg, Sam Gilliam, Mathias Goeritz, Sarah Grilo, Roberto Sabastiano Matta, Clement Meadmore, Constantino Nivola, Sylvia Sleigh, Paul Talman, and Jack Youngerman.

Fifty-seven exhibition scrapbooks in binder sleeves represent a complete documentary record of Byron Gallery exhibits from 1963-1970. The scrapbook contain a wide variety of materials, including correspondence, catalogs, price lists, installation photographs and slides, printed reproductions of exhibited art work, and newspaper clippings and reviews. Additional printed materials include exhibition catalogs and invitations. There is also a near-complete run of catalogs from the Galleria Dell'Arieti, a contemporary gallery in Milan, Italy, 1961-1970.

Financial and business records are contained in a series of invoices from 1963-1971, and a card file of artwork sold or returned.

Arrangement:

The collection is arranged as 5 series:

Missing Title

Series 1: Artist and Subject Files, circa 1950s-1991, undated (Box 1-10, 17; 10.2 linear feet)

Series 2: Exhibition Scrapbooks, 1963-1970 (Box 11-14, 17; 4.1 linear feet)

Series 3: Printed Material, 1961-1970 (Box 15; 0.5 linear foot)

Series 4: Invoices, 1963-1971 (Box 15; 0.5 linear foot)

Series 5: Card Files, circa 1960s-1970s (Box 16; 1 linear foot)

Historical Note:

The Byron Gallery was founded in 1961 by Charles Byron (b. 1918) and located on Madison Avenue in New York, New York. The gallery primarily showed Surrealist masters and up-and-coming contemporary American painters and sculptures, as well as an occasional ancient and Old Masters exhibit.

Among the artists represented by the gallery were Alcopley, Herbert Bayer, Albert Kotin, Clement Meadmore, Richard Merkin, Constantino Nivola, Brian O'Doherty, and Hans Richter. Additional artists handled by the gallery or given shows were Max Ernst, Sam Gilliam, Robert Sebastian Matta, Renee Magritte, Sylvia Sleigh, and Jack Youngerman. The gallery also sold work by artists represented by other galleries, or from the secondary market.

Several prescient group shows were organized by the gallery, including the Box Show in 1965, featuring the work of over 100 artists, including Arakawa, Lee Bontecou, Chryssa, Joseph Cornell, Alcopley, Walter De Maria, Dan Flavin, Donald Judd, Edward Kienholz, Sol Lewitt, Louise Nevelson, Constantino Nivola, Robert Rauschenberg, Michell Stuart, and Andy Warhol. The Paris Review show in 1965 was another stellar event, with contributions from Richard Anuszkiewicz, Allan D'Arcangelo, Jim Dine, Helen Frankenthaler, Robert Indiana, Alex Katz, Ellsworth Kelly, Lindner, Richard Robert Motherwell, Louise Nevelson, Estaban Vicente, and Andy Warhol. In 1964, the gallery also organized an exhibition of over 40 American landscape artists, American Landscapes. The gallery also exhibited two shows based on Pre-Columbian objects, and, in the late 1960s, held two major exhibitions, 400 Years of Italian Art: Florentine Relief Fund Art Show (1967) and Greek Gold Exhibition (1967-1968).

Provenance:

The Byron Gallery papers were donated to the Archives of American Art by gallery owner Charles Byron in 1999.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Surrealism  Search this

Function:

Art galleries, Commercial -- New York (State)

Genre/Form:

Photographs

Scrapbooks

Citation:

Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.byrogall

See more items in:

Byron Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bd7a7571-1027-4885-9bdb-30c575a99764

EDAN-URL:

ead_collection:sova-aaa-byrogall

Collection Creator:

Lippard, Lucy R.  Search this

Container:

Box 15, Folder 30

Type:

Archival materials

Date:

1970-1984

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

See more items in:

Lucy R. Lippard papers

Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99a224ee4-2b06-4dfd-b21c-5eebf3ef5d3e

EDAN-URL:

ead_component:sova-aaa-lipplucy-ref1850

Creator:

Freer, Charles Lang, 1856-1919  Search this

Extent:

131 Linear feet (29 architectural drawings)

Type:

Collection descriptions

Archival materials

Diaries

Financial records

Correspondence

Photographs

Place:

China

Syria

Egypt

India

London (England)

Japan

Boston (Mass.)

Detroit (Mich.)

Washington (D.C.)

Kandy (Sri Lanka)

Sri Lanka

Anuradhapura (Sri Lanka)

Date:

1876-1931

Summary:

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.

Scope Content:

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.

Organization of the Papers:

This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs

Biographical Note:

1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Korin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.

Index:

Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company

Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts

Related Material:

The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.

Provenance:

Gift of the estate of Charles Lang Freer.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American -- Collectors and collecting  Search this

Art, Asian -- Collectors and collecting  Search this

Art -- Collectors and collecting  Search this

Architecture -- Asia  Search this

Genre/Form:

Diaries

Financial records

Correspondence

Photographs

Citation:

Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

Identifier:

FSA.A.01

See more items in:

Charles Lang Freer Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3f1a0e3e0-630c-48d4-ba28-485946b1d615

EDAN-URL:

ead_collection:sova-fsa-a-01

Creator:

Vevers, Tony  Search this

Names:

Long Point Gallery (Provincetown, Mass.)  Search this

Provincetown Art Association  Search this

Purdue University -- Faculty  Search this

Sun Gallery (Provincetown, Mass.)  Search this

Andersen, Yvonne  Search this

Dickinson, Edwin Walter, 1891-1978  Search this

Falcone, Dominic  Search this

Grooms, Red  Search this

Halvorsen, Elspeth  Search this

Hofmann, Hans, 1880-1966  Search this

L'Engle, Lucy, 1889-1978  Search this

L'Engle, William, 1884-1957  Search this

Motherwell, Robert  Search this

Smith, Houghton Cranford, 1887-1983  Search this

Stout, Myron, 1908-1987  Search this

Tworkov, Jack  Search this

Vevers, Tabitha  Search this

Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this

Yamamoto, Gwen  Search this

Yamamoto, Taro  Search this

Extent:

3.4 Linear feet

Type:

Collection descriptions

Archival materials

Prints

Photographs

Portraits

Watercolor paintings

Place:

Provincetown (Mass.) -- Description and Travel

Date:

1947-2008

bulk 1960-1999

Summary:

The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.

Scope and Contents:

The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.

Among the biographical materials are résumés, a personal statement, the transcript of Tabitha Vevers's 1986 "Conversation with My Father," and applications for grants to study Provincetown artists and the history of the Provincetown art community from the 1920s to the 1950s. Personal and professional includes some letters to his wife Elspeth.

The collection as a whole—and especially Vevers's writings and subject files–focuses on the Provincetown art community, its history and significance. Vevers's writings include many lectures prepared for classes he taught at Purdue University and the Provincetown Art Association and Museum, catalog essays, and notes. There are notes and research materials about artists Houghton Cranford Smith, E. Ambrose Webster, Edwin Dickinson, and Lucy and William L'Engle, and subject files about the Provincetown Art Association and Museum, Long Point Gallery, and other galleries in the area, as well as a file of Provincetown-related obituaries and eulogies for Hans Hofmann, Robert Motherwell, and Jack Tworkov, with Vevers's eulogies for Tworkov and Myron Stout.

Printed materials consist mainly of clippings, exhibition catalogs and announcements relating to Vevers and his art interests. Artwork consists of a small print and watercolor, probably by Vevers, as well as a pen-and-ink portrait by an unidentified artist.

Photographs are mainly of artwork by Vevers. The two images of Vevers show him as a young boy and in 1984 at work in his studio. There are several photographs of exhibition installations at the Sun Gallery in Provincetown, 1958-1959, identified artists are: Yvonne Andersen, Dominic Falcone, Red Grooms, Taro and Gwen Yamamoto.

Arrangement:

The collection is arranged in 7 series:

Missing Title

Series 1: Biographical Materials, 1962-2000 (Box 1; 1 folder)

Series 2: Correspondence, 1950s-2006 (Box 1; 0.1 linear foot)

Series 3: Writings, 1947-2008 (Boxes 1-2; 1.9 linear feet)

Series 4: Subject Files, 1954-2006 (Boxes 2-3; 0.7 linear foot)

Series 5: Printed Material, 1960s-2008 (Boxes 3-4; 0.7 linear foot)

Series 6: Artwork, circa 1950s-circa 2005 (Box 4; 2 folders)

Series 7: Photographs, circa 1950s-1984 (Box 4; 0.1 linear foot)

Biographical / Historical:

Painter and art historian, Tony Vevers (1926-2008) and his artist wife Elspeth Halvorsen (b. 1929) lived and worked in Provincetown, Massachusetts, as year-round or summer residents from 1955 to 2006. From 1964 to 1988, Vevers taught art and art history at Purdue University in Indiana. An active participant in the Provincetown art community, he was also an historian of the Provincetown art scene.

Vevers was born in London, England and immigrated to the United States in 1940, graduating from the Hotchkiss School in Lakeville, Connecticut and Yale University. Following college he studied in Florence, Italy, and with Hans Hofmann in New York City, where he met his wife Elspeth Halvorsen. The couple had two daughters, one of whom, Tabitha is also an artist.

Vevers, active in the Abstract Expressionist movement, had several one-man exhibitions and participated in over one hundred group exhibitions. His works are in the Hirshhorn Museum in Washington, DC, the Delgardo Museum in New Orleans and many universities, corporate, and private collections in the United States and abroad.

Tony Vevers died in Chatham, Massachusetts on March 2, 2008 following complications from pneumonia.

Related Materials:

Also found in the Archives of American Arts are two oral history interviews with Tony Vevers, one conducted by Dorothy Seckler 1965 September 9, the second conducted by Robert F. Brown in 1998 July 9 and August 25.

Provenance:

The papers were donated to the Archives of American Art in 2013 by Elspeth Halvorsen-Vevers the widow of Vevers.

Restrictions:

Use of original materials requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Massachusetts -- Provincetown  Search this

Art historians -- Massachusetts  Search this

Topic:

Transcripts  Search this

Artists' studios -- Photographs  Search this

Art -- History -- Study and teaching  Search this

Art, Modern -- 19th century  Search this

Art -- Study and teaching  Search this

Abstract expressionism  Search this

Educators -- Massachusetts  Search this

Genre/Form:

Prints

Photographs

Portraits

Watercolor paintings

Citation:

Tony Vevers papers, 1947-2008, bulk 1960-1999. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.vevetony

See more items in:

Tony Vevers papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97a6ef0cb-3446-4e9b-9d4d-c34188ac23c6

EDAN-URL:

ead_collection:sova-aaa-vevetony

Collection Creator:

Shahn, Ben, 1898-1969  Search this

Container:

Box 1, Folder 2

Type:

Archival materials

Date:

circa 1947-1961

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Ben Shahn papers, 1879-1990, bulk 1933-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

See more items in:

Ben Shahn papers

Ben Shahn papers / Series 1: Biographical and Family Records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9502c0fb0-3856-4a02-9c19-a02a46d276c0

EDAN-URL:

ead_component:sova-aaa-shahben-ref17

Artist:

Cornell, Joseph  Search this

Names:

Benton, Elizabeth Cornell  Search this

Cornell, Robert  Search this

Extent:

196.8 Linear feet

186 Nitrate negatives

Type:

Collection descriptions

Archival materials

Nitrate negatives

Photographs

Place:

New York, New York

Date:

1750-1980, bulk 1930-1972

Summary:

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

Scope and Contents:

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

Correspondence is with collectors, museums, galleries, artists, friends, family, charity organizations, admirers and those admired by Cornell, and World War II European pen pals. Discussions about the appreciation, donation, sale, purchase, and exhibition of Cornell's works are frequent, with the inclusion of shipping and loan documentation or notices of payment installments. Galleries and museums frequently request that Cornell agree to an exhibition, which he often declines, and fans request free works be mailed or affordable works be sold to them. With friends, artists, and those he admired, Cornell discussed topics that fascinate him, included bits of poetry or philosophical musings, sent clippings or a collaged letter, and occasionally discussed a project or work in process. After World War II, when so many were displaced by the war in Europe, Cornell answered ads for pen pals in the "Christian Science Monitor," often responding to requests for clothing or other goods, and sometimes exchanging many letters over several years. Family correspondence is with his mother, sisters, brother, and others, and often notes activities of the day, foods eaten, and general musings, as well as occasionally mentioning a project or artwork. Correspondents of note include Stan Brakhage, Betty Freeman, Charles Henri Ford, Allegra Kent, Yayoi Kusama, Roberto Matta, Marianne Moore, Octavio Paz, Sonia Sekula, Pavel Tchelitchew, Parker Tyler, Dorothea Tanning, and Betsy von Furstenberg, among others.

Cornell was often preoccupied with his thoughts, feelings, memories, a project or thematic "exploration," and jotted notes on seemingly any surface available. Notes and musings are on napkins, the backs of envelopes, newspaper clippings, and paper bags from record and magazine stores. Frequently, an observation would trigger a lengthy nostalgic moment, or a "feé," fairy-like child or girl, would capture his imagination and lead him to thoughts of 18th-century ballerinas and silent film stars. Cornell wrote longer diary notes, sometimes expanding on an earlier notation or emotion, and often wrote when he experienced trouble sleeping or woke early. Drafted letters to imaginary muses or admired individuals are interspersed among diaries, often revealing Cornell's yearnings to find emotional intimacy and human connection. Over time, Cornell revisited his notes and occasionally made further notations about renewed thoughts on a topic, dating the note with "revisited" or "reviewed." Notes are often written in a stream-of-consciousness style, for example, jumping from the mention of a record album or composer, to a ballerina of the same period, a note about a French poet, the memory of childhood, or an observation made earlier in the day, all in the space of a few lines. Notes about artistic processes or meanings behind works or images do occasionally emerge from the tangled, poetic notations. Notes also often provide insights into Cornell's internal emotional state and give clues about his intentions behind an artwork or a particular thematic fixation.

Financial materials document Cornell's professional and personal business activities, including the sale of artworks, annual expenses for supplies and household incidentals, payments and schedules for personal assistants, receipts for donations to charities and nonprofits, and tax documents. There is also information about who worked as assistants, or "helpers," in his later years and where Cornell purchased art supplies. Additionally, specific details are documented through receipts and invoices, such as what kind of paint he purchased. Estate records include preparations made for Cornell's artworks after his death, and clippings about other deceased artist's estates show that he thought often about such arrangements in his later years.

Exhibition files highlight several select solo exhibitions for Cornell, as well as preparations and planning for the "Robert Cornell: Memorial Exhibition" in honor of his brother in 1966. Also included are several early exhibition catalogs and announcements, including "Surréalisme" (January 9-29, 1932) and "Exhibition of Objects (Bibloquet) by Joseph Cornell" (December 6-31, 1939) at the Julien Levy Gallery, and "Romantic Museum: Portraits of Women, Constructions and Arrangements by Joseph Cornell" (December 1946) at the Hugo Gallery.

Film projects and collected film materials consist of files related to Cornell's various experimental film projects: "Aviary," "Cappuccino," "Centuries of June," "Fable for Fountains," "Nymphlight," "Serafina's Garden," and unrealized film scenario "Monsieur Phot." Files include film-making notes, correspondence, and photographs. Cornell's interest in film also led him to collect film-related materials, such as film stills, film posters, and screening programs. Scattered correspondence documents the interest other institutions and individuals had in purchasing and viewing his collection. Though most of his collected film stills and movie posters were donated to the Anthology Film Archives, film stills from "Escape Me Never" (1935) and "The Passion of Joan of Arc" (1928) are still within the collection, as well as film-screening programs for Cornell's collection of films.

Writing and design projects document Cornell's work authoring articles and designing issues of specialty dance magazine "Dance Index," and his layouts for popular magazines like "Good Housekeeping," "House and Garden," and "Mademoiselle." Other writing projects include brochures dedicated to opera singers Maria Malibran and Giulia Grisi, "Maria" and "Bel Canto Pet." Materials used for these brochures, such as copper photo engraving plates, are also found. Design work includes a series of Christmas cards created with The Museum of Modern Art as well as traced patterns ("textile tracings") and design clippings from Cornell's time working as a "textile designer" for Traphagen Commercial Textile Studio.

Cornell acquired troves of source material from bookstalls, antique stores, sporting good and department stores, hardware stores, and magazine and record shops. He kept boxes and files of material on admired individuals, such as actresses, artists, dancers, and singers, as well as on art projects or thematic "explorations." Files are on general topics such as American history, scientific phenomena, animals, plants, and humankind, as well as on series of artworks, such as "Castles," "Homage to the Romantic Ballet," and "Medici Slot Machines." Focused "exploration" projects include "Celestial Theatre," "Colombier," "GC 44," and "Switzerland," among others. Materials include photographs, photostats, maps, book fragments, autographed letters, notes, collage clippings and cutouts, collected prints and engravings, box and collage fragments, and scattered artifacts.

Collected ephemera includes large amounts of blank postcards and greeting cards, stamps, collected bus and train tickets, food labels and packaging, decals, and other materials. Artifacts are three-dimensional collected objects and source objects, which include found objects from the streets, dried flowers, and pieces of nature gathered from walks around his neighborhood. Cornell may have gathered materials because they inspired a memory or nostalgic feeling, or because they fit with a bin of other similar objects to select from for an artwork in progress.

Photographs found within the collection are of Cornell at work and as a child with family. Also found are assorted personal and family photographs, photographs of Cornell's attic and garage storage, and photographs of his Utopia Parkway house. Photographs of artwork include few installation photographs, in addition to photographs of Cornell's boxes and collages. Collected photographic materials include vintage photographs, such as tintypes, a cyanotype, stereoscopic glass slides, albumen prints, cabinet cards, and cartes-de-visite. Cornell also collected cased photographs, such as daguerreotypes, ambrotypes, and one opalotype. Negatives and photostats were often produced from various prints and even other photographs and used in Cornell's boxes and collages. Images are of men and women, actors, authors, dancers, performers, well-known men and women, royalty, places, and artwork. Photographs of note include those by Hans Namuth of Willem and Lisa de Kooning and of Edward Hopper's bedroom; photographs by Henri Cartier-Bresson; a photograph by Julia Margaret Cameron; photographs by Brassai; and a photogravure by Alfred Stieglitz from "Camerawork."

Also found in the collection are works of art by others, including a sketch by Pavel Tchelitchew, as well as artwork by Cornell, such as unfinished collages, Rorschach drawings or ink blots, and childhood artwork. Printed material includes assorted bulletins, flyers, exhibition materials for other artists, journals, and sent printed membership and charity materials. Magazines, including "View," are also included, and often have annotations by Cornell or a note to "cut" or "review" with page numbers. A large amount of magazine and newspaper clippings are in the collection, sometimes collected with a group of like material by Cornell, and at other times simply gathered in heaps. Occasional annotations are also found on the clippings.

Cornell's personal library and book collection includes over 2500 titles, ranging from fiction, poetry, and cinema, to history, science, and travel. Notable among the titles are "Baedeker's" travel guides that Cornell often sourced for his "Hotel" box series, as well as an influential publication by Max Ernst, "La Femme 100 têtes," which includes a typed letter and exhibition flyer tucked within. Books often have annotations, some fairly extensive, by Cornell, and assorted collected items, notes, and correspondence tucked between pages. Pages were often cut by Cornell, either to make photostats and use in a box, or to file with other thematic "explorations." A wide range of authors and topics provide insight into Cornell's interests and to ideas behind artwork and diary notes. Cornell's collection of record albums includes over 145 records. These contain inserted notes and clippings and are often referenced in diary notes Cornell made, noting a recent album or song listened to while at work in his studio.

The papers of Cornell's mother, Helen Storms Cornell, and his brother, Robert Cornell, are also included in the collection. Both lived with Cornell his whole life, spending the most time with him at their home at 3708 Utopia Parkway. Financial materials document shared responsibilities for billing, utilities, household fixes and chores, and expenditures, and Helen kept detailed financial records in a series of ledgers. Robert notes when he borrowed money from Cornell, or when he means to pay Cornell back for the purchase of a typewriter. Activities documented in diaries also occasionally cross paths with Cornell, noting his visitors or an exchange of letters continued after introductions through Cornell. Personal activities, such as Robert's interest in his train collection and his drawing projects and cartoon series, are also documented.

Arrangement:

The Joseph Cornell Study Center Collection is arranged into 15 series:

Series 1: Biographical Material, 1917-1972 (Boxes 1, 98, OV118; 0.9 linear feet)

Series 2: Correspondence, 1813, 1934-circa 1973 (Boxes 1-8, 86; 6.5 linear feet)

Series 3: Diaries and Notes, 1940-1976 (Boxes 8-10, 98-99, 135, OV108, OV119; 3.5 linear feet)

Series 4: Personal Business and Estate Records, 1950-1978 (Boxes 10-14; 4.1 linear feet)

Series 5: Exhibition Files, 1932-1973 (Box 14; 0.3 linear feet)

Series 6: Film Projects and Collected Film Materials, circa 1924-1972 (Boxes 14-16, 100, 133; 1.6 linear feet)

Series 7: Writing and Design Projects, circa 1910s, 1936-1962 (Boxes 16-18, 86, 100, 131-132, OV109-OV111, OV120-OV122; 3.6 linear feet)

Series 8: Source Material, 1750-circa 1911, 1926-1972 (Boxes 19-49, 86-92, 96, 100-105, 126-130, 132-137, OV112-OV115, OV125; 42.2 linear feet)

Series 9: Artifacts and Ephemera, 1768, circa 1839-1972 (Boxes 49-52; 3.2 linear feet)

Series 10: Photographic Material, circa 1800s-1972 (Boxes 52-56, 80-86, 93, 106, 128, 133, OV116, OV123-OV124; 7.5 linear feet)

Series 11: Artwork, circa 1810-1972 (Boxes 56-57, 107, OV117; 1.2 linear feet)

Series 12: Printed Material, 1855-1972 (Boxes 57-76, 94-96, 107; 16 linear feet)

Series 13: Book Collection and Personal Library, 1722-1980 (99.8 linear feet)

Series 14: Record Album Collection, circa 1925-1974 (3.2 linear feet)

Series 15: Cornell Family Papers, 1910-1980 (Boxes 77-79, 97, 107; 3.2 linear feet)

Biographical / Historical:

Joseph Cornell (1903-1972) was a self-taught assemblage and collage artist, and filmmaker, active in New York City. He was born in Nyack, New York on December 24, 1903, and died of heart failure at his home in Queens, New York on December 29, 1972. The oldest of four children, he was born Joseph I. Cornell to his mother, Helen Storms Cornell (1882-1966), and his father, Joseph I. Cornell (1875-1917). Cornell had two younger sisters, Elizabeth ("Betty") Cornell Benton (1905-2000) and Helen ("Sissy") Cornell Jagger (1906-2001), as well as one brother, Robert Cornell (1910-1965), who had cerebral palsy.

Cornell attended the Phillips Academy, a preparatory boarding school in Andover, Massachusetts, beginning shortly after his father's death in 1917. He attended for four years but did not receive a diploma, and soon began work as a textile salesman for the William Whitman Company in Manhattan. His work took him, by foot, through the city, visiting secondhand bookshops on Fourth Avenue, browsing music stores and magazine shops, and catching early shows at the Metropolitan Opera House. He would occasionally wait outside the stage doors for favorite singers and dancers to emerge, requesting signatures on photographs or bits of costumes.

Around 1926, Cornell joined the Christian Science Church, joined by his brother Robert shortly thereafter, and both continued to be lifelong members. Cornell kept a number of books in his personal library on Christian Science teachings and regularly subscribed to "The Christian Science Monitor."

After living in several rental houses in Bayside, New York, Cornell's mother purchased a house for the family in 1929 in Flushing, Queens. Cornell, along with his mother and brother, would live at 3708 Utopia Parkway, for the rest of their lives. His two sisters soon married and moved away, eventually settling in Westhampton, Long Island and in the poultry-farming business.

With no formal art training to speak of, Cornell's first work was a Max Ernst-inspired collage, "Untitled (Schooner)," created in 1931. He was especially inspired by Ernst's collage novel, "La Femme 100 têtes," published in 1929. French artist Odilon Redon was also among the few artists Cornell named as an influence on his art. His first sculptural works were small, cardboard pill boxes with bits of ephemera, costume adornments, and nature hidden inside. Cornell also created a series of glass bell jar works, placing small trinkets and Victorian-era-like compositions within. It was these early collages and bell jar works that were included in Cornell's debut exhibition, "Surréalisme" (January 9-29, 1932), a group show at the Julien Levy Gallery. Cornell designed the announcement for the show and exhibited alongside Max Ernst, Man Ray, Pierre Roy, Pablo Picasso, Marcel Duchamp, Eugène Atget, George Platt Lynes, Jean Cocteau, and Salvador Dalí. Months later, Cornell was invited to have his first solo show, "Objects by Joseph Cornell: Minutiae, Glass Bells, Shadow Boxes, Coups d'Oeil, Jouets Surréalistes" (November 26-December 30, 1932), also at the Julien Levy Gallery.

In 1932, after eleven years of work, Cornell was laid off from the William Whitman Company due to the Great Depression. Soon after, he took on more responsibility in the church, working part-time as an attendant in the Christian Science Reading Room in Great Neck, New York. Beginning in 1933, he taught Sunday school classes for three years and in 1935, became the Sunday school librarian. However, his religious activities and artistic ventures continued to remain separate.

In the early 1930s, Cornell progressed from movie lover to filmmaker. When Julien Levy began his New York Film Society in 1933, holding screenings of various experimental films in the gallery, Cornell began buying and collecting films and film stills in earnest. He set up a 16-millimeter projector in his home to screen favorites, such as those by Georges Méliès, D.W. Griffith, and Louis Feuillade. His collection quickly grew to over 2,500 film stills and several hundred films, and included silent era films, such as nature documentaries, goofy newsreels, travelogues, early cartoons, and slapstick comedies, as well as several feature films. In 1933, Cornell wrote a screenplay, or "scenario," entitled "Monsieur Phot." Between 1935 and 1937, Cornell also occasionally created publicity photomontages for Universal and Columbia studios. Of the nearly thirty films Cornell created, periods of activity can generally be separated into two areas: collage films of the late 1930s, consisting of combined elements from films in his own collection, and films he directed in the 1950s, which were collaborations with other filmmakers set in New York City. "Rose Hobart," Cornell's most celebrated collage film, was created and shown in the Julien Levy Gallery in 1936 and includes clipped footage from "East of Borneo." Later films were directed and filmed with cinematographers Stan Brakhage, Rudy Burckhardt, and Larry Jordan.

In 1934, Cornell began a job at the Traphagen Commercial Textile Studio as a "textile designer," a job he held for six years. Continuing to work at his kitchen table in the evenings, Cornell completed his first assemblage box construction, "Untitled (Soap Bubble Set)," in 1936. It was first exhibited at The Museum of Modern Art's show, "Fantastic Art, Dada and Surrealism" (December 9, 1936-January 17, 1937). This work was also the first to be acquired by a museum, purchased for $60.00 by the Wadsworth Atheneum in Massachusetts in 1938. Cornell's European debut was also in 1938, as one of three Americans represented in the "Exposition Internationale du Surréalisme" (January 17-Febuary 24, 1938) at the Galerie Beaux-Arts in Paris, alongside Man Ray and Anne Clark.

At the end of 1939, Cornell began corresponding with poet Charles Henri Ford, founder of avant-garde magazine "View," Pavel Tchelitchew, and Parker Tyler. After his "Soap Bubble Sets," this period saw the development of Cornell's homages to singers and actresses, including "Untitled (Fortune-Telling Parrot for Carmen Miranda)," the destroyed "Garbo (Greta Garbo in the Legendary Film 'The Crystal Mask,' c. 1845)," and "Dressing Room for Gilles." He also began using photostats of art reproduction prints, as with the print of Jean Antoine-Watteau's painting, "Pierrot" (circa 1719), used in his "Gilles" box.

In the 1940s, the Romantic ballet emerged as Cornell's new topic of interest. Through his friend Pavel Tchelitchew, Cornell was introduced to the School of American Ballet and New York City Ballet founders, Lincoln Kirstein and George Balanchine. Cornell collected dance memorabilia and had a great love of the Romantic ballet. His favorite dancers were primarily ballerinas of the nineteenth century, including Fanny Cerrito, Marie Taglioni, Fanny Elssler, Lucille Grahn, and Carlotta Grisi. Cornell's "Homage to the Romantic Ballet" works largely took the shape of jewel-box style wooden boxes with glass overlays and included bits of velvet, tulle, sequins, crystals, and chiffon, occasionally collected from dancers themselves. His most well-known work of this series is "Taglioni's Jewel Casket" (1940). Cornell also admired several living ballet dancers, including Tamara Toumanova, Zizi Jeanmaire, and Allegra Kent, who would all make their way into Cornell's box works and/or collages. Collecting for the "exploration," "Portrait of Ondine," Cornell's cased portfolio dedication to Fanny Cerrito and her role in the ballet "Ondine," began in the 1940s, though not completed until around 1960.

In late 1940, Cornell quit his job at Traphagen to concentrate on freelance commercial magazine design and editorial work during the day and his artwork at night. That same year, Charles Henri Ford started "View" magazine to promote Surrealists and Neo-Romantics in New York City and often asked Cornell to contribute. Published in the December 1941-January 1942 issue, one of his early contributions was a collage dedication to stage actress Hedy Lamarr: "Enchanted Wanderer: Excerpt from a Journey Album for Hedy Lamarr" (1941). Along with writing the accompanying text, he created a photomontage of Lamarr with her face overlaying the painted portrait of a Renaissance boy by Italian painter Giorgione. Peggy Guggenheim, at the advice of Marcel Duchamp, purchased multiple Cornell works prior to opening her new gallery, Art of This Century. Cornell also befriended Roberto Matta Echaurren, another Surrealist living in exile, who introduced him to Robert Motherwell.

After deciding to fully dedicate his time to his art in early 1940, he set up a studio in his basement. Complete with floor-to-ceiling wooden shelving, he kept his large collection of boxed source material stacked with handwritten labels in cardboard boxes. Themed folders of materials such as "Stamps" or "Maps" were kept in stacks and works in progress and finished works were stored in the basement, garage, and attic. Entering a renewed period of productivity, Cornell embarked on many new and important box projects in 1942. One of the first boxes created in his new basement studio, and the first of the "Penny Arcade" or "Medici Slot Machine" series, was "Medici Slot Machine" (1942), which includes a photostat of "Portrait of Marquess Massimiliano Stampa" (1557) by Sofonisba Anguissola. Another work from this time is the first of his "Castle" or "Palace" series, "Setting for a Fairy Tale" (1942), which uses a photostat of a French building from Jacques Androuet du Cerceau's book, "Les Plus excellents bastiments de France" (1576). "Untitled (Pharmacy)" (circa 1942) was the first of his "Pharmacy" series and included twenty-two apothecary jars. Cornell tended to work in series and created thirteen "Palace" boxes between 1942 and 1951, and ultimately created six "Pharmacy" works.

In 1943, Cornell began working at an electronics company, the Allied Control Company, Inc., to do his part to contribute to the defense effort during the war. He also sent correspondence and care packages to displaced Europeans, who listed their needs in "The Christian Science Monitor." Influenced by World War II, one of his strongest works to emerge in 1943 was "Habitat Group for a Shooting Gallery." Another notable work to come out of this period, "The Crystal Cage (Portrait of Berenice)," was an excerpt from one of his album "explorations" that was published in the January 1943 issue of "View."

Cornell left his job at Allied Control in 1944, but soon began working at the Garden Centre in Flushing, owned by a fellow Christian Scientist. Cornell was often nostalgic for this time in his life, devoting an entire "exploration" of material fondly remembered as "GC 44." He rode a bicycle to work and enjoyed collecting trips gathering dried grasses, driftwood, shells, and other relics of nature on the same bicycle as he rode through the streets of Queens. During this time, he continued to tend to his projects for "Dance Index," a magazine founded in 1942 by Lincoln Kirstein, but taken over by Donald Windham in 1944. Cornell designed several covers for the magazine and was given control of the entire summer 1944 issue, which he devoted to the Romantic ballet. He also devoted a special 1945 issue to Hans Christian Andersen, making great use of the New York Public Library Picture Collection.

Throughout the 1940s, Cornell continued to support himself with commercial design work for magazines like "Vogue," "Good Housekeeping," "Harper's Bazaar," "Town & Country," and "Mademoiselle." In 1946, after thirteen years at the Julien Levy Gallery, he joined the Hugo Gallery. In December 1946, Cornell's solo exhibition, "Romantic Museum at the Hugo Gallery: Portraits of Women by Joseph Cornell," celebrated his favorite movie stars, singers, and ballet dancers, and included his work created for the show, "Untitled (Penny Arcade Portrait of Lauren Bacall)." Cornell's "Greta Garbo" box, as well as "Souvenir for Singleton," an homage to Jennifer Jones and her role in the film "Love Letters," were also included in the show. In late 1948, his West Coast debut was in the exhibition, "Objects by Joseph Cornell," held at the Copley Gallery. The end of the 1940s saw the final issue of "View" magazine in 1947, the closure of the Julien Levy Gallery in April 1949, and Cornell's departure from the Hugo Gallery after his last show in November 1949.

In late 1949, Cornell joined the Charles Egan Gallery, known primarily for showing Abstract Expressionists. At this time, Cornell was working on a new series of boxes known as his "Aviary" works, most of which include a white-painted box with cutouts of birds mounted on wood. Though he had worked on bird-related boxes before, including an "Owl" series in the mid-1940s, his "Fortune Telling Parrot" (1939), and "Object 1941" (1941), these newer works were stripped of French elements and left "clean and abstract" by design. His first show at the Egan Gallery, "Aviary by Joseph Cornell" (December 7, 1949-January 7, 1950), included twenty-six "Aviary" works, nearly all created in 1949. Donald Windham agreed to write the foreword for the exhibition catalog, a single folded sheet, and Cornell gave him one of the boxes in the show, "Cockatoo: Keepsake Parakeet," in appreciation. Through the Egan Gallery, Cornell became friends with a new group of artists, including Franz Kline, Jack Tworkov, and Willem de Kooning. Cornell also held two screenings of a selection of his collected films at Subjects of the Artist, an art school founded by Robert Motherwell, Mark Rothko, David Hare, and William Baziotes.

In 1950, Cornell's second show at the Egan Gallery, "Night Songs and Other New Work" (December 1, 1950-January 13, 1951), introduced his new "Observatory" series. These works are largely defined by stark, whitewashed spaces with astronomical charts and constellations replacing colorful birds. The Museum of Modern Art purchased its first Cornell work from this show in early 1951, "Central Park Carrousel, in Memoriam" (1950).

For three months in 1951, Cornell was beset by various ailments and had trouble finding the energy to create new work. He worried more for his aging mother and the health of his brother. After a monthlong vacation with his sisters in Westhampton, he returned with renewed interest in Emily Dickinson's poetry. His whitewashed boxes took on a new form in his newest "Dovecote" series, using grids and circular cutouts. The works then transformed into homages to Dickinson, notably "Toward the Blue Peninsula: For Emily Dickinson" (circa 1953), and then to his "Hotel" series. Cornell's "Hotel" boxes include photostats of vintage European ads for hotels collected from vintage travel guides, especially "Baedeker's," adhered to the back walls of the boxes. Another new series of work, his "Juan Gris" series, was dedicated to Cubist artist Juan Gris. Between 1953 and the mid-1960s, Cornell created at least fifteen "Juan Gris" boxes, which often include a cutout of a white cockatoo in a Cubist-collage habitat. Cornell's third and last show at Egan Gallery, "Night Voyage" (February 10-March 28, 1953), included some of these newest works. After leaving Egan Gallery, his work was introduced to Chicago collectors in a solo show at the Frumkin Gallery, "Joseph Cornell: 10 Years of His Art" (April 10-May 7, 1953), which included nearly thirty pieces. Cornell's first museum retrospective was this same show held at the Walker Art Center in Minneapolis (July 12-August 30, 1953).

As New York City continued to change, Cornell grew more nostalgic for the city he had explored since the 1920s. The impending closure of the Third Avenue El train prompted him to dream up a film project to capture its last days, resulting in "Gnir Rednow," a reworking of Stan Brakhage's 1955, "Wonder Ring." During this time, Cornell joined the Stable Gallery, run by Eleanor Ward, interacting often with Robert Rauschenberg, Cy Twombly, and Joan Mitchell, remaining there until the end of the 1950s. His astronomy-themed exhibition, "Winter Night Skies" (December 12, 1955-January 13, 1956), included his "Night Skies" series of work with celestial chart fragments, Greek mythological figures, and paint-splattered "windows" representative of star-filled night skies. In 1956, he became aware of ballerina Allegra Kent, and began a series of work devoted to her, the first of which was "Via Parmigianino (Villa Allegra)" (1956), which included a photostat of a painting by Parmigianino, "The Madonna of the Long Neck" (circa 1540). In late 1957, after two years, Cornell had his last show at Stable Gallery, "Joseph Cornell: Selected Works" (December 2-31, 1957), consisting of a series of "Sand Fountain" boxes and "Space Object" or "Celestial Navigation" works. The "Sand Fountain" boxes included different colors of sand meant to flow within, often from the tops into cordial glasses. His "Celestial Navigations" included galaxy-like compositions set within the boxes, with rolling, painted cork balls, metal rings, and constellation charts, sometimes hovering over cordial glasses or clay pipes. This last Stable Gallery show earned him his first published profile, written by Howard Griffin for the December 1957 issue of "Art News." Also in 1957, he won the Kohnstamm Prize for Construction at the Art Institute of Chicago's 62rd Annual Exhibition of Paintings and Sculpture.

Towards the end of the 1950s, Cornell spent less time creating new bodies of work, and focused more on revisiting previous series and reviewing piles of collected source material. In 1959, Cornell returned to making collages, frequently sourcing popular magazines. In December 1959, Cornell was awarded $1,500 for his "Orion" collage, entered in the Art Institute of Chicago's "63rd American Exhibition of Painting and Sculpture." Also in December, he was offered a show at Bennington College in Vermont, which he titled, "Bonitas Solstitialis: Selected Works by Joseph Cornell and an exploration of the Colombier" (November 20-December 15, 1959). The show included one of his newest "explorations" of collected material related to "colombier," or pigeon houses.

By 1962, Cornell was working diligently on new collages, using Masonite boards and colorful magazine clippings. He also began creating collages using nude images interspersed with constellation clippings or hazy blue dyes. As in previous decades and art movements, Cornell became acquainted with new artists, spending less time in the city and more time hosting visitors at his Utopia Parkway home. Visitors included artists Walter De Maria, Robert Whitman, Andy Warhol, James Rosenquist, and Robert Indiana. Tony Curtis also became a frequent visitor and friend, introduced by Richard Feigen in 1964. The early 1960s was also the first time Cornell put out an advertisement for assistants in the "Long Island Star-Journal," employing a number of young men and women who helped organize clippings and run errands. Cornell also met Joyce Hunter, a young runaway waitress at a city coffee shop, who would occupy his thoughts and diary notes for the next several years. When she was murdered at the end of 1964, Cornell paid for her funeral. He went on to make several "Penny Arcade" collages in memoriam to her, including, "Penny Arcade (re-autumnal)" (1964).

In 1964, Cornell began friendships with several women including artist Carolee Schneeman, who was his first assistant in the early 1960s. He also met artist Yayoi Kusama through art dealer Gertrude Stein. After becoming friends, she visited him often and they exchanged letters and notes. As he did with other artist friends, Cornell supported her by purchasing several of her early watercolor paintings, and they stayed connected until his death in 1972.

Cornell's life greatly changed in 1965 with the death of his brother, Robert. By this time, his mother lived with his sister in Long Island, and Cornell was alone in the Utopia Parkway house for the first time. He exchanged frequent letters and phone calls with his mother and devoted much time to thinking about Robert and Joyce, often aligning them in his diary notations. Cornell also created a series of collages dedicated to his brother's memory, incorporating photostats of Robert's hundreds of drawings into Cornell's work, as with the later collage, "The Heart on the Sleeve" (1972). Cornell's "Time Transfixed" series of collages were also dedications to Robert's memory, referencing Magritte and Robert's love of trains. He mounted an exhibition, "Robert Cornell: Memorial Exhibition" (January 4-29, 1966), at the Robert Schoelkopf Gallery, where he showed Robert's artwork alongside his newly created collage dedications.

After Robert's death, Cornell relied more heavily on assistants, going through many part-time "helpers." In October 1966, Cornell's mother died, adding her to his constant thoughts and diaries. Though he was still grieving, he was given two major retrospectives in 1967. The first was at the Pasadena Art Museum, put on by James Demetrion and Walter Hopps, "An Exhibiton of Works by Joseph Cornell" (January 9-February 11, 1967). The second retrospective was at the Guggenheim Museum just three months later, "Joseph Cornell" (May 4-June 35, 1967), organized by Diane Waldman. After these shows, he was highlighted in the December 15, 1967 issue of "Life" in the article, "The Enigmatic Bachelor of Utopia Parkway."

In 1968, Cornell was given an "award of merit," which included a medal and $1,000, by the American Academy and Institute of Arts and Letters. He was also given a medal and $1,000 by the Brandeis University Creative Arts Awards in the painting category, along with an exhibition. Days later, "The New York Times" announced Cornell the winner, along with Donald Judd, of India's first Triennale of Contemporary World Art. The Brandeis exhibition, "Boxes and Collages by Joseph Cornell" (May 20-June 23, 1968), was organized by William Seitz and concentrated on Cornell's more recent 1960s collages. Cornell was also included in the Metropolitan Museum of Art's hundredth anniversary show, "New York Painting and Sculpture: 1940 to 1970" (October 18, 1969-February 1, 1970), where twenty-two of Cornell's boxes were shown in their own gallery. At the end of 1970, Cornell was given a solo show at the Metropolitan, "Collages by Joseph Cornell" (December 10, 1970-January 24, 1971), which included forty-five of his newest collages.

Now preferring to stay closer to his home in Flushing, Cornell was more interested in sharing his art with young adults and children, than an adult audience. He hosted a group of high school students, sponsored by the Metropolitan Museum of Art's education department, at his home in conjunction with his collage show (1970-1971). He also showed his work in the art department of Queens College of the City University of New York. Cornell still hosted visitors on occasion, having Yoko Ono and John Lennon at his home at least once. Leila Hadley, Betsy von Furstenberg, and Anne Jackson also made frequent visits. With his deteriorating health, Cornell worried about what would happen to his work after his death and hired lawyer Harry Torczyner to help him plan his estate and get his affairs in order.

In 1972, Cornell had a show at the Cooper Union, a college in New York, specifically for children. He displayed his boxes and collages at child-height and had cherry soda and brownies at the opening reception on February 10. He then held a show at the Albright-Knox Art Gallery in Buffalo, also for children: "Children's Preview of the Exhibition of Joseph Cornell – Collages and Boxes (April 18-June 17, 1972). In the winter of 1972, at the request of the Phoenix House drug treatment and prevention program, Cornell contributed to a charity project compiling limited-edition lithographic prints for a portfolio, which included artists like David Hockney, James Rosenquist, and Ellsworth Kelly.

On December 29, 1972, a week after turning sixty-nine, Cornell died of heart failure at his home. He was cremated and interred near the graves of his mother, father, and brother, overlooking the Hudson River in Nyack, New York.

Works Cited:

1. Hartigan, Lynda Roscoe. "Joseph Cornell: Navigating the Imagination." New Haven, Connecticut and London: Yale University Press, 2007. Exhibition Catalog.

2. McShine, Kynaston. "Joseph Cornell." New York: Museum of Modern Art, 1980.

3. San Francisco Cinematheque and The San Francisco Museum of Modern Art. "Joseph Cornell: Films." 2007. Exhibition Program. (Presented in conjunction with SFMOMA's exhibition of "Joseph Cornell: Navigating the Imagination").

4. Schaffner, Ingrid and Lisa Jacobs. "Julien Levy: Portrait of an Art Gallery." Cambridge, Massachusetts and London: The MIT Press, 1998.

5. Solomon, Deborah. "Utopia Parkway: The Life and Work of Joseph Cornell." New York: Farrar, Straus and Giroux, 1997.

Separated Materials:

The Smithsonian Archives of American Art houses the Joseph Cornell papers, 1804-1986, bulk 1939-1972.

Provenance:

The Joseph Cornell Study Center collection was donated to the Smithsonian American Art Museum by Joseph Cornell's sister and brother-in-law, Elizabeth Cornell Benton and John A. Benton, in 1978, which prompted the creation of the Joseph Cornell Study Center. Additional materials were donated in installments by the artist's estate, the Joseph and Robert Cornell Memorial Foundation, from 1985 to 1997. Elizabeth and John A. Benton originally donated 66 linear feet of three-dimensional and non-textual source material and 50 linear feet of books to the Smithsonian Archives of American Art, which were subsequently transferred to the Smithsonian American Art Museum's Joseph Cornell Study Center in 1994 and 1995.

Restrictions:

Access to the collection requires an advanced appointment. Contact collection staff at least two weeks prior to preferred date, at AmericanArtCornellStudy@si.edu.

Series 9: Artifacts and Ephemera, Series 13: Personal Library and Book Collection, and Series 14: Record Album Collection, are still undergoing processing and preservation and may not be available for research use. Record albums are unavailable for playback. Contact collection staff for full lists of publications and record albums.

Rights:

Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.

Occupation:

Collagists -- New York (State) -- New York  Search this

Topic:

Art, Modern -- 20th century -- United States  Search this

Assemblage (Art)  Search this

Assemblage artists -- New York (State) -- New York  Search this

Found objects (Art)  Search this

Works of art  Search this

Celebrities  Search this

Filmmakers -- New York (State) -- New York  Search this

Genre/Form:

Photographs -- 1900-1950 -- Photoprints -- Silver gelatin

Photographs -- 1860-1870 -- Black-and-white photoprints -- Silver albumen -- Cartes-de-visite

Photographs -- Daguerreotypes -- 1840-1860

Citation:

Joseph Cornell Study Center collection, 1750-1980, bulk 1930-1972. Joseph Cornell Study Center, Smithsonian American Art Museum.

Sponsor:

Funding for the processing of this collection was generously provided by the Joseph and Robert Cornell Memorial Foundation.

Identifier:

SAAM.JCSC.1

See more items in:

Joseph Cornell Study Center Collection

Archival Repository:

Smithsonian American Art Museum, Research and Scholars Center

GUID:

https://n2t.net/ark:/65665/ih7d97fc249-474d-41bf-953d-5305df1e4c06

EDAN-URL:

ead_collection:sova-saam-jcsc-1

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Introduction:

From the soaring skyscrapers of New York City to the adobe churches of New Mexico, from the sturdy stone walls of New England to the majestic monuments of the nation's capital, master craftworkers in the building arts have brought enduring beauty to our built environment. Working in wood, stone, brick, and metal, in plaster, paint, glass, and clay, they transform designs on paper into three-dimensional works of art. Much depends on their workmanship and skill: on their deep understanding of raw materials, their careful selection and use of tools, their mastery of technique. The final product is the result not only of their knowledge and abilities, but also their creativity and care - their will to excellence.

Artisans in the building trades share a deep appreciation for the aesthetic value and expressive power of technical perfection. They delight in skill and find meaning and pleasure in the poetic qualities of workmanship - in their ability to craft objects of beauty and strength through their special touch. Their great pride and creative spirit, their love for their work, and their commitment to excellence are manifested in a lasting legacy of architectural achievement left behind for generations to come.

The 2000 Festival program celebrated the extraordinary artistry of craftspeople in the building arts and explored the many challenges they face today as they work to preserve our nation's past and build for the future. The Festival brought together a selection of master artisans - stone carvers, masons, carpenters, terra cotta artisans, plasterers, blacksmiths, stained glass artisans, and adobe builders - who have enriched our world with the work of their hands, and who educated and informed Festival visitors not only with their skills but also with their knowledge and lore.

Marjorie Hunt was Curator and James Deutsch was Program Coordinator; Betty Belanus was Education Specialist and Family Activity Guide Coordinator. An Advisory Committee included: J. Bryan Blundell, Kurt Dewhurst, William Dupont, Cynthia Field, Henry Glassie, Norman Koonce, Betty Monkman, Peter Nabokov, Joanna Reagan, Rex Scouten, William Seale, Chris Sturbaum, John Michael Vlach, and Ed Worthy.

The program was produced in collaboration with the International Union of Bricklayers and Allied Craftworkers and the International Masonry Institute, the National Trust for Historic Preservation, the National Building Museum, the American Institute of Architects, and the Preservation Trades Network. Major funding was provided by Homestore.com, the Marble Institute of America, Allied Stone Industries, the Building Stone Institute, the Indiana Limestone Institute, and the National Building Granite Quarries Association. Major contributors included Target Stores, the Associated General Contractors of America, the National Association of Realtors, and the Smithsonian Women's Committee. Additional donors included the School of the Building Arts, Duron, Inc., the Brick Industry Association, the Laborers' International Union of North America, the Smithsonian Educational Outreach Fund, and the Copper Development Association, Inc.

Researchers:

Jane Beck, Betty Belanus, Ray Brassieur, Amanda Dargan, James Deutsch, Kurt Dewhurst, Karen Duffy, Lynn Martin Graton, Dwight Pauahi Kauahikaua, Winnie Lambrecht, Tim Lloyd, Gregory Sharrow, Gary Stanton, David Taylor, Elaine Thatcher, John Michael Vlach

Presenters:

Betty Belanus, Barry Bergey, Ray Brassieur, Olivia Cadaval, Amanda Dargan, William Dupont, Brian Finnegan, Lynn Martin Graton, Tim Lloyd, Philip "Pete" Pederson, Clift Seferlis, Peter Seitel, Gregory Sharrow, Angelo Simone, Nick Spitzer, Gary Stanton, David Taylor, Elaine Thatcher, Cynthia Vidaurri, John Michael Vlach

Participants:

David Adams, historic preservation specialist, Portsmouth, New Hampshire

Robert Alger, stone carver, sculptor, Spencerville, Maryland

Joseph Alonso, stone mason, Vienna, Virginia

Onofre Anguiano, terra cotta hand presser, mold maker, Lincoln, Calif.

Walter S. Arnold, stone carver, Skokie, Illinois

Sam Baca, program director, Cornerstones Community Partnerships, Santa Fe, New Mexico

Earl A. Barthe, 1932-2010, plasterer, historian and consultant, New Orleans, Louisiana

Hurchail Barthe, plasterer, New Orleans, Louisiana

Terry Barthe, plasterer, historic housing specialist, New Orleans, Louisiana

Nick Benson, stone carver, letterer, Newport, Rhode Island

Johan Bjurman, decorative painter, Cheshire, Connecticut

Anna Bowen, stone carver, letterer, Newport, Rhode Island

Dan Boyle, timber framer, Dover, New Hampshire

Rory Brennan, historic plaster specialist, Putney, Vermont

Ron Brooks, decorative painter, Rockville, Maryland

John Canning, decorative painter, Cheshire, Connecticut

Jacqueline Canning-Riccio, decorative painter, Cheshire, Connecticut

Jesus Cardenas, terra cotta modeler, mold maker, Lincoln, California

Charles Cardine, architectural blacksmith, Chantilly, Virginia

Patrick Cardine, architectural blacksmith, Chantilly, Virginia

Carson Christian, timber framer, Wooster, Ohio

Rudy Christian, timber framer, Burbank, Ohio

Peter "Billy" Cleland, 1921-2010, stone mason, Clinton, Maryland

William R. Cleland, Jr., stone mason, Dunkirk, Maryland

Rose Concha, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Brian Cox, carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

John Drew, carpenter, St. Leonard, Maryland

William Dupont, Graham Gund Architect of the National Trust, National Trust for Historic Preservation, Washington, D.C.

Cane Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

Billy Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

David Flaharty, ornamental plasterer, sculptor, Green Lane, Pennsylvania

lsidoro Flaim, stone mason, Camp Springs, Maryland

Tom Glynn, timber framer, South Berwick, Maine

Dieter Goldkuhle, 1938-2011, stained glass artisan, Reston, Virginia

Giles Harper, preservation carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Adam Heller, stone carver, letterer, Newport, Rhode Island

Randy Herald, sheet metal craftsperson, Bethesda, Maryland

Randy Herald, Jr., sheet metal craftsperson, Bethesda, Maryland

Hans Herr, coppersmith, Holtwood, Pennsylvania

John Paul Huguley, president, School of the Building Arts, Charleston, South Carolina

Judy Jacob, architectural conservator, National Park Service, New York, New York

Raymond Johnson, terra cotta modeler, draftsman, Lincoln, California

Dean Kalomas, decorative painter, Washington, D.C.

Vikki Keys, deputy superintendent, National Park Service, Washington, D.C.

Rick King, dry stone wall mason, Holderness, New Hampshire

Scott King, dry stone wall mason, Holderness, New Hampshire

Naomi Kroll, architectural conservator, National Park Service, New York, New York

Wade Lawrence, assistant director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Elmo Leonardelli, scaffold erector, Baltimore, Maryland

Stephen Lorenzetti, chief of resource management, National Park Service, Washington, D.C.

Amber Lucero, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Rick Lykins, restoration carpenter, Bloomington, Indiana

George McDaniel, director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Richard Marks, architectural conservator, Charleston, South Carolina

Antonio Martinez, community leader, Upper Rociada, New Mexico

David Martinez, terra cotta draftsman, Roseville, California

David Mason, dry stone wall mason, Starksboro, Vermont

Rick Mason, dry stone wall mason, Hinesburg, Vermont

John O'Connor, engineer, Universal Builders Supply, Cheverly, Maryland

David Overholt, restoration project manager, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Albert D. Parra, adobe builder, Albuquerque, New Mexico

Theodore Pierre, Jr., brick mason, New Orleans, Louisiana

Konstantinos Pilarinos, Byzantine-style woodcarver, Astoria, New York

Panagiota Pylarinos, architect, Astoria, New York

Dennis Playdon, program manager, Cornerstones Community Partnerships, Santa Fe, New Mexico

Patrick Plunkett, stone carver, Takoma Park, Maryland

Joseph Pringle, blacksmith, Charleston, South Carolina

Nol Putnam, artist blacksmith, The Plains, Virginia

Clay Raley, restoration carpenter, Norman, Indiana

Brad Robinson, architectural blacksmith, Chantilly, Virginia

Steve Roy, historic preservation specialist, Portsmouth, New Hampshire

Brett Rugo, president, Rugo & Carosi, Woodbridge, Virginia

Laura Saeger, timber framer, Burbank, Ohio

George Salvador, restoration crew leader, Pueblo of Acoma, New Mexico

Eduardo Seara, vice-president, Lorton Contracting Company, Lorton, Virginia

Manuel Seara, president, Lorton Contracting Company, Lorton, Virginia

Tony Segreti, architect, Bethesda, Maryland

Carlton Simmons, blacksmith, Charleston, South Carolina

Philip Simmons, 1912-2009, blacksmith, Charleston, South Carolina

Louis Soublet, plasterer, New Orleans, Louisiana

Larry E. Stearns, coppersmith, Westford, Vermont

Ben Sturbaum, restoration carpenter, Owensburg, Indiana

Chris Sturbaum, restoration carpenter, Bloomington, Indiana

Arran Sturgis, timber framer, Eliot, Maine

Daniel Szwed, construction manager, Waldorf, Maryland

Mark Tamara, structural engineer, James Madison Cutts, Washington, D.C.

Lonn Taylor, historian, National Museum of American History, Smithsonian Institution, Washington, D.C.

Lloyd Tortalita, Adult, Higher Education director, former governor, Pueblo of Acoma, New Mexico

Roman Troyer, timber framer, Wooster, Ohio

Dexter Trujillo, adobe builder, mud preserver, Abiquiu, New Mexico

Mark Tsirigos, president, Universal Builders Supply, Cheverly, Maryland

George Void, masonry crew, Washington National Cathedral, Washington, D.C.

Chuck Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Sheila Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Tom Weddle, restoration carpenter, Bloomington, Indiana

Bob Wooldridge, slater, Mercersburg, Pennsylvania

Jeff Wooldridge, slater, project manager, Bethesda, Maryland

Bill Yeingst, curator, National Museum of American History, Smithsonian Institution, Washington, D.C.

Pauli Zmolek, decorative painter, Takoma Park, Maryland

INTERNATIONAL UNION OF BRICKLAYERS AND ALLIED CRAFTWORKERS (BAC), INTERNATIONAL MASONRY INSTITUTE (IMI)

Frank Baiocchi, marble mason, Mt. Airy, Maryland

Ed Bellucci, IMI deputy director of Apprenticeship and Training, Jefferson, Maryland

Robert Bernardon, marble mason, Suitland, Maryland

Lewis Carrara, mosaic worker, Fortville, Indiana

Raoul Cervantes, bricklayer, Claremont, California

Kurt Colo, bricklayer, New Baltimore, Michigan

Laird Donaldson, IMI regional director, Auburn, Washington

James Farris, stone mason, Stafford, Virginia

Richard Francescon, marble mason, South Easton, Massachusetts

Greg Hartseil, IMI Job Corps regional director, Lorida, Florida

Dennis Holloway, IMI Scola Training Center director, West Babylon, New York

Mike Kassman, IMI pointing, cleaning, and caulking instructor, Waynesboro, Pennsylvania

Tony Kassman, IMI National Safety, pointing, cleaning, and caulking coordinator, Tonawanda, New York

John Kitchen, bricklayer apprentice, Dryden, New York

Frank Koletar, refractory bricklayer, Orchard Park, New York

Annette Ludwig, tile layer, Bellevue, Washington

Nelson McMath, BAC Local 9 Michigan field representative, Saline, Michigan

Tom McQuaid, BAC Local 1 DC, MONA secretary, treasurer, Gettysburg, Pennsylvania

Steve Martini, IMI Strategic Programs director, Cascade, Maryland

Steve Mason, terrazzo apprentice, Washington, D.C.

Antoine Matthews, bricklayer, Baltimore, Maryland

Michael Menegazzi, IMI terrazzo instructor, South Gate, California

Bob Mion, IMI tile, marble, and terrazzo instructor, Binghamton, New York

Guillermo Moreno, stone mason, Hyattsville, Maryland

Colleen Muldoon, coordinator of Education Programs, bricklayer, Baltimore, Maryland

Clarence Nichols, IMI deputy director of Apprenticeship and Training, Cumberland, Maryland

Angela Olszewski, tile layer, Jersey City, New Jersey

Lester Parnell, bricklayer, Detroit, Michigan

Bob Perry, IMI regional director, Culver City, California

Darren Raines, tile layer, Chicago, Illinois

Matthew Redabaugh, IMI coordinator of Special Projects, Cascade, Maryland

Butch Rovder, BAC stone craft director, South Riding, Virginia

Joe Stewart, BAC pointing, cleaning, and caulking craft director, Pittsburgh, Pennsylvania

Gene Stinner, IMI director of Apprenticeship and Training, Cascade, Maryland

Dennis Studley, IMI Job Corps regional director, Yucaipa, California

Harold Sugg, refractory bricklayer, West Seneca, New York

Jimmy Ternent, marble mason, Westminster, Maryland

John Totten, IMI plaster instructor, Clintondale, New York

Drew Vecchione, IMI stone instructor, Flourtown, Pennsylvania

Battista Yon, bricklayer, Hyattsville, Maryland

Collection Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Collection Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Collection Citation:

Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.2001, Series 3

See more items in:

Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk504922fdd-8abb-43a1-a132-41400c430cd8

EDAN-URL:

ead_component:sova-cfch-sff-2001-ref26

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Introduction:

Virtually every area of the South harbors a potter, weaver, toy maker, wood-carver, boatbuilder, calligrapher, ornamental blacksmith, sign painter, or seamstress who has maintained his or her craft in the face of nearly total indifference by the outside world. It is true, certainly, that many southern craftworkers have discarded quilt making, coverlet weaving, and pottery turning as unpleasant reminders of their humble origins. For others, the crafts remain a beloved preoccupation that, like family reunions and music festivals, have grown to symbolize an important component of regional and ethnic identity.

There are few generalizations that can be made about contemporary southern craftworkers as a group. Some are articulate about their work while others are inexpressive. Some practice crafts originally restricted to only one sex and passed from parent to child through an informal apprenticeship while others have not been so constrained. Many find monetary benefit in what they do; a few such as the solitary carver or painter work to some inner purpose largely devoid (until the coming of the folk art collector) of remunerative value. While some folk craftworkers employ modern labor and timesaving techniques, in every case they blend these with the preindustrial technologies of earlier generations. Such technologies, as well as the forms of the objects themselves, are the product of family and regional folk traditions.

The craft component at the 1981 Festival had three subdivisions:

1. a demonstration area where craftworkers were explaining their work; traditional Southeastern music - played, in part, on instruments made by the demonstrators - was also featured;

2. an exhibition of carefully-selected items commissioned specifically for the Festival and reminiscent of forms and styles made by the craftworkers' forebears; these objects were later sold at auction;

3. a general sales tent, planned with the Smithsonian Museum Shops, where an array of traditional crafts made for the Festival were on sale daily.

Secretary S. Dillon Ripley, in commenting on a previous Festival, noted: "The possibility of using a museum that is essentially a historical documentary museum as a theatre of live performance where people actually show that the objects in the cases were made by human hands, and are still being made, practiced on, worked with, is a very valuable asset for our role as a preserver and conservator of living cultural forms." Indeed, many of the objects crafted, exhibited, and sold at the 1981 Festival were very similar to items on view in the Museum. In fact, some of the objects in the permanent collections were purchased from Festival craftworkers in the late 1960s.

Participants:

Participants

David Allen, 1925-, walking stick carver, Homer, Louisiana

Linda Bowers, Seminole jacket maker, Clewiston, Florida

Charles Christian, chair maker, Mt. Judea, Arkansas

Lucreaty Clark, 1904-1986, basket maker, Lamont, Florida

Burlon B. Craig, 1914-2002, potter, Vale, North Carolina

Mrs. B. Craig, potter, Vale, North Carolina

Edsel Martin, musical instrument maker, Old Fort, North Carolina

Irene Miller, 1907-, rag rug maker, Oakland, Maryland

Jack McCutcheon, 1923-2001, chair maker, Mt. Judea, Arkansas

Lois McCutcheon, 1929-, chair maker, Mt. Judea, Arkansas

Lee Willie Nabors, 1916-, chair maker, Oklona, Mississippi

Judd Nelson, 1911-, blacksmith, Sugar Valley, Georgia

Ada Thomas, 1924-1992, basket maker, Charenton, Iowa

Donny Tolson, wood carver, Campton, Kentucky

Celestine Turner, 1928-, basket maker, Mt. Pleasant, South Carolina

Southeastern Crafts Exhibition, Exhibitors

Melvin Owens, pottery, Seagrove, North Carolina

Robert Brown, pottery, Arden, North Carolina

Lanier Meaders, pottery, Cleveland, Georgia

Daniel Garner, pottery, Robbins, North Carolina

Charles Craven, 1944-1997, pottery, Robbins, North Carolina

Hobart Garner, 1922-1985, pottery, Robbins, North Carolina

Burlon B. Craig, pottery, Vale, North Carolina

Vernon Owens, 1941-, pottery, Seagrove, North Carolina

Mary Livingston, pottery, Seagrove, North Carolina

David Farrell, pottery, Seagrove, North Carolina

Wayman Cole, 1905-1987, pottery, Seagrove, North Carolina

Walter Cornelison, pottery, Waco, Kentucky

Dorothy Cole Auman, 1925-1991, pottery, Seagrove, North Carolina

John Wiltshire, carvings, Coffee County, Indiana

Dicie Malone, corn shuck mat – Knox County, North Carolina

Mrs. Blaine Whitaker, corn shuck bonnet, Henderson County, North Carolina

Fairy Moody, 1907-1994, corn shuck crèche, Ashe County, North Carolina

Dieudonne Montoucet, Cajun triangle, Scott, Louisiana

Napolean Strickland, cane fife, Como, Mississippi

Clifford Glenn, 1935-, banjo & dulcimer, Sugar Grove, North Carolina

Dewey Shepherd, 1906-1996, gourd fiddle, David, Kentucky

Edsel Martin, dulcimer, Old Fort, North Carolina

Albert Hash, 1917-1983, fiddle, Mouth of Wilson, Virginia

Audrey Hash Miller, 1949-, dulcimer, Mouth of Wilson, Virginia

Mr. Mabry, wood carvings, Stone County, Arkansas

Willard Watson, wood carvings, Watauga County, North Carolina

Donny Tolson, wood carvings, Campton, Kentucky

David Allen, 1925-, wood carvings, Homer, Iowa

Dallas Bump, furniture, Royal, Arkansas

Charlie Christian, furniture, Mount Judea, Arkansas

Jack McCutcheon, 1923-2001, furniture, Mount Judea, Arkansas

Lee Willie Nabors, 1916-, furniture, Okolona, Mississippi

Bill McClure, furniture, Bloss, Kentucky

Amanda Palmer, baskets, Mount Pleasant, South Carolina

Susan Peoples, 1898-1986, baskets, Aragon, Georgia

Mildred Youngblood, baskets, Woodbury, Indiana

Eva Wolfe, 1922-, baskets, Cherokee, North Carolina

Carol Welch, baskets, Cherokee, North Carolina

Agnes Welch, baskets, Cherokee, North Carolina

Dolly Taylor, baskets, Cherokee, North Carolina

Geneva Ledford, 1921-1998, baskets, Cherokee, North Carolina

Ada Thomas, 1924-1992, baskets, Charenton, Louisiana

Lucreaty Clark, 1904-1986, baskets, Lamont, Florida

Edna Langley, baskets, Elton, Louisiana

Earnest Patton, wood carvings, Compton, Kentucky

Louise Jones, baskets, Mt. Pleasant, South Carolina

Floyd Harmon, baskets, Ocean City, Maryland

Goodwin Family Weavers, Blowing Rock, North Carolina

Pecolia Warner, quilt, Yazoo City, Mississippi

Ora Watson, 1909-2004, quilts, Watauga County, North Carolina

Linda Bowers, Seminole jacket, Clewiston, Florida

Sally Tommie, Seminole jacket, Clewiston, Florida

Philip Simmons, 1912-, metal work, Charleston, South Carolina

Phipps Bourne, metal work, Elk Creek, Virginia

Erwin Thieberger, 1908-1997, metal work, Wheaton, Maryland

James Barnwell, metal work, Henderson County, North Carolina

Pete Howell, 1902-1981, metal work, Yancey County, North Carolina

Collection Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Collection Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Collection Citation:

Smithsonian Folklife Festival records: 1981 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1981, Series 7

See more items in:

Smithsonian Folklife Festival records: 1981 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk58bbc8392-fdbd-4561-9225-886732de78b9

EDAN-URL:

ead_component:sova-cfch-sff-1981-ref52

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Introduction:

Hungary is a small country in Central Europe, roughly the size of Indiana. Its population is approximately 10 million, but another 2.5 million Hungarians reside within the seven countries that surround its borders (Austria, Slovakia, Ukraine, Romania, Serbia, Croatia, and Slovenia) and another 2 million Hungarians live in other parts of the world. These people speak Hungarian - known as Magyar (which is also the word that refers to a person of Hungarian ancestry). The Magyars' unique language helped them survive as a cohesive ethnic group and also to develop a distinctive identity and culture.

Throughout its thousand years of history, Hungary has been a multiethnic country, drawing and incorporating new peoples and traditions. The territory has been an area of contact in Europe's geographic center, welcoming influences from all directions. The resulting culture expresses itself in a rich and diverse heritage of music, dance, costume, arts and crafts, gastronomy, speech, and even the conventions of naming (Hungarians place the family name before the given name).

In the 1970s, popular interest in folk music and dance traditions was revived by the so-called táncház (dance house) movement. This urban grassroots movement reinvented the institution of the village dance in urban settings. Young people were searching for traditions that were "true" and "authentic," and their interest focused on learning dances that were varied, improvisational, and performed to live musical accompaniment. They strove to understand the original techniques, performing styles, and contexts of the dance and the accompanying vocal and instrumental music. Their teachers were remarkable personalities in rural areas of Hungary and neighboring countries who had been able to preserve these traditions in spite of twentieth-century modernization.

A similar motivation to preserve traditional Hungarian handicrafts has provided a boost to a flourishing crafts revival. The táncház and the crafts revival provided refreshing alternatives to the mandated, ideologically controlled Socialist youth movement and forms of entertainment of the time. Their practices became not only an act of protest, but also a new channel for the expression of collective memory and identity.

Thanks to the transmission of traditional knowledge from these "last preservers" to the succeeding generations, 2013 saw a rich repertoire and high standard of dance, musical, and crafts knowledge throughout the country. What had started as an amateur movement thus revolutionized the methods and concepts of choreographed stage performances, thereby creating new sensibilities and possibilities for both contemporary and traditional dance. Recent experiments in music, design, and fashion are reshaping the boundaries and meanings of tradition.

The Hungarian Heritage: Roots to Revival program at the Festival demonstrated not only the diversity of these contemporary traditions, but also the worldwide significance of the Hungarian folk revival movement. Featuring highly skilled masters and apprentices from rural areas, as well as musicians, dancers, and artisans from more urban settings, the program highlighted the vitality of this culture, as well as the strength it derives from the reinterpretation of traditions.

James Deutsch and Ágnes Fülemile were Program Curators and Zsuzsanna Cselényi was Program Coordinator. The Curatorial Advisory Board included: Miklós Cseri and Eszter Csonka-Takács, Hungarian Open Air Museum; László Diószegi, György Martin Folk Dance Association; Gabriella Igyártó, Festival of Folk Arts and Crafts; László Kelemen, House of Traditions; and János Tari, National Museum of Ethnography.

The program was produced by the Smithsonian Center for Folklife and Cultural Heritage in partnership with the Balassi Institute, Budapest. Major support was provided by the Hungary Initiative Foundation and National Cultural Endowment of Hungary. Additional support was provided by the Hungarian American Coalition, American Hungarian Federation, Hungarian Ministry of Foreign Affairs, Embassy of Hungary in Washington, D.C., Center for Humanities of the Hungarian Academy of Sciences, Ferenc Liszt University of Music, Hungarian National Tourist Office, William Penn Association, Hungarian American Cultural Association, City Council of Karcag, Hungarian Communion of Friends, and Tisza Ensemble Washington.

Presenters:

Ágnes Fülemile, Andrea Navratil, Bob Cohen, Boldog Anna, Csiki István, Eszter Bíró, Fruzsina Cseh, János Mihaly Tari, Judy Olson, Kálmán László, Kálmán Magyar, Kiss Réka, László Károly Diószegi, László Orbán, Laura Götzinger, Lisa Overholser, Mary Taylor, Csaba Mészáros, Pál Richter, Simon Ervin, Sivo Marta, Szilágyi Gyula, Tekla Tötszegi, Váradi Viktória, Vendégh Gábor, Veress Janka, Zoltán József Juhász, Zsuzsa Seres

Participants:

Musicians

Mátyás Bolya, zither, Solymár, Hungary

James Cockell, 1971-, violin, Edmonton, Alberta, Canada

Bob Cohen, 1956-, violin, Budapest, Hungary

Anna Csizmadia, 1992-, vocalist, Budapest, Hungary

Péter Deáky, French horn

Elisabeta Dezső, 1950-, vocalist, Suatu, Cluj, Romania

Balázs Istvánfi, 1972-, bagpipes, Zebegény, Hungary

István "Dumnezeu" Jámbor, 1951-, fiddle, Ceuaș, Mureș, Romania

Martin "Florin" Kodoba, 1977-, fiddle, Cluj-Napoca, Romania

Andrea Navratil, 1978-, vocalist, Budapest, Hungary

András Németh, 1984-, hurdy-gurdy, Pomáz, Hungary

Csilla Németh, drum

László Orbán, 1960-, fiddle, Sammamish, Washington

István "Gázsa" Papp, 1959-, fiddle, Budapest, Hungary

Bálint Schmidt, trumpet

Gábor Schmidt, trumpet

Jake Shulman-Ment, 1984-, violin, Brooklyn, New York

Áron Székely, 1984-, viola, Brooklyn, New York

Tibor Tillmann, trumpet

István "Kiscsipás" Varga, 1974-, fiddle, Huedin, Romania

ESZTER BÍRÓ AND BAND -- ESZTER BÍRÓ AND BANDEszter Bíró, 1977-, vocalist, Budapest, HungarySándor Födö, 1981-, percussion, Páty, HungaryMáté Hámori, 1986-, guitar, Budapest, HungaryPéter Papesch, 1973-, bass, Szentendre, HungaryNikola Parov, 1960-, clarinet, Nagykovácsi, Hungary

HEVEDER -- HEVEDERGyörgy Bajna, 1977-, double bass, Gheorgheni, RomaniaAlbert Fazakas, 1985-, viola, Sfântu Gheorghe, RomaniaLevente Fazakas, 1981-, fiddle, Sfântu Gheorghe, RomaniaSzabolcs Molnár, 1978-, fiddle, Miercurea Ciuc, RomaniaLászló Szilágyi, 1981-, viola, harmonica, Sfântu Gheorghe, Romania

JUHÁSZ FAMILY -- JUHÁSZ FAMILYDénes Juhász, 1986-, flute, Budapest, HungaryRéka Juhász, 1983-, vocalist, gardon, Budapest, HungaryZoltán Juhász, 1955-, bagpipes, flute, Budapest, Hungary

PARNO GRASZT -- PARNO GRASZTMária Balogh, vocalist, Paszab, HungarySándor Horváth, 1974-, spoons, Paszab, HungaryJános Jakocska, 1968-, guitar, Paszab, HungaryIstván Németh, vocal, percussionJózsef Oláh, 1971-, guitar, Paszab, HungaryJános Oláh, 1972-, double bass, Paszab, HungaryKrisztián Oláh, 1992-, accordion, Paszab, HungaryViktor Oláh, 1990-, guitar, Paszab, HungaryLászló Sándor, 1968-, tour manager, Budapest, Hungary

SZALONNA AND HIS BAND -- SZALONNA AND HIS BANDRóbert Doór, 1964-, bass, Gyermely, HungaryAttila Gera, 1978-, wind instruments, Nagytarcsa, HungaryTamás Gombai, 1970-, fiddle, Budapest, HungaryGyula Karacs, 1974-, viola, Veresegyház, HungaryIstván Pál, 1980-, fiddle, Budapest, HungarySándor Ürmös, 1976-, cimbalom, Budapest, Hungary

Dancers

Dalma Bangó, 1990-, dancer, Gödöllő, Hungary

Zsófia Bartha, 1989-, dancer, Győr, Hungary

István Berecz, 1987-, dancer, Budapest, Hungary

Dóra Cseke-Császár, 1990-, dancer, Lenti, Hungary

Péter Darabos, 1988-, dancer, Tordas, Hungary

Andrea Dobi, 1973-, dancer, Toronto, Ontario, Canada

Péter Ertl, 1968-, dancer, Budapest, Hungary

Tamás Farkas, 1984-, dancer, Kamut, Hungary

Annamária Fekete, 1995-, dancer, Gödöllő, Hungary

Dezső Fitos, dancer, Budapest, Hungary

Kristóf Fundák, 1985-, dancer, Budapest, Hungary

Richárd Hideg, dancer, Budapest, Hungary

Brigitta Horváth, 1990-, dancer, Lenti, Hungary

Lili Kaszai, 1988-, dancer, Budapest, Hungary

Kata Kádár, 1985-, dancer, Érd, Hungary

Kata Kovács, 1990-, dancer, Győr, Hungary

Zoltán Kovács, 1993-, dancer, Dunaföldvár, Hungary

Dániel Légár, 1991-, dancer, Zákány, Hungary

Máté Módos, 1991-, dancer, Győr, Hungary

Ahmed Moussa, 1990-, dancer, Gödöllő, Hungary

Zoárd Pálffy, 1986-, dancer, Budapest, Hungary

Gergely Papp, dancer, Gödöllő, Hungary

Máté Papp, dancer, Gödöllő, Hungary

Rita Radics, 1964-, dancer, Budapest, Hungary

Tünde Schnelczer, dancer, Budapest, Hungary

Mariann Temkó, 1984-, dancer, Szatymaz, Hungary

FASHION MODELS

Bernadett Foeldi

Luca Glavatity

Dalma Kármán

Ágnes Kerék

Lili Mosonyi

Communities of Tradition

GYIMES (TRANSYLVANIA, ROMANIA)

Csaba André, 1987-, dancer, Lunca de Jos, Romania

Irén André, 1995-, vocalist, Lunca de Jos, Romania

Lóránt Bodor, 1991-, dancer, Lunca de Jos, Romania

Henrietta Simon, 1996-, fiddler, Lunca de Jos, Romania

KALOCSA

Éva Bagó, 1941-, machine embroiderer, Kalocsa, Hungary

Erzsébet Romsics, 1941-, folk painter, Homokmégy, Hungary

Mária Pandúr, 1942-, folk painter, Drágszél, Hungary

Ilona Bolvári, 1940-, embroiderer, china painter, Kalocsa, Hungary

Rózsa Tóth, 1963-, embroiderer, Újtelek, Hungary

KARCAG

György Csontos, Sr., 1953-, shepherd, cook, Karcag, Hungary

György Csontos, Jr., 1976-, shepherd, cook, Karcag, Hungary

Péter Csontos, 1979-, shepherd, cook, Kecskemét-Katonatelep, Hungary

KISHEGYES (BÁCSKA, SERBIA)

Ilona Kollár, cook, egg painter

Péter Utasi, cook

MÉRA (TRANSYLVANIA, ROMANIA)

György Muszka, 1957-, dancer, Győr, Hungary

Ilona Muszka, 1969-, dancer, Győr, Hungary

Enikő Pálfi, 1975-, dancer, Cluj-Napoca, Romania

András Tötszegi, 1957-, dancer, Mera, Baciu, Cluj, Romania

Szilárd Tötszegi, 1986-, dancer, Mera, Baciu, Romania

SÁRKÖZ

Ágnes Komjáthi, 1958-, weaver, Szekszárd, Hungary

Julianna Minorits, 1945-, beader, Őcsény, Hungary

SZÉK (TRANSYLVANIA, ROMANIA)

Klára Serestély, wool processor, weaver

Zsuzsanna Zsoldos, wreath maker, weaver

CRAFTSPEOPLE

Zsuzsanna Angyal Csupor, 1955-, gingerbread and candle maker, Csókakő, Hungary

Andrea Barcsay, 1973-, potter, folk crafts teacher, Békéscsaba, Hungary

Bernadett Tenk Czefernek, 1973-, horsehair jewelry maker, Veszprém, Hungary

Balázs Fodor, 1975-, leatherworker, Enying, Hungary

Tibor Gáts, 1949-, instrument maker, Budapest, Hungary

Zoltán Gosztonyi, 1952-, bone and horn carver, Kaposvár, Hungary

György Jakab, carver, sculptor

Sándor Konyári, 1963-, coppersmith, Debrecen, Hungary

Gyula Mihalkó, 1949-, hat maker, Balmazújváros, Hungary

József András Molnár, 1958-, folk games teacher, Budapest, Hungary

Béla Nagy, 1952-, shingle and thatch roofer, Zalaegerszeg, Hungary

Katalin Nagyari, 1952-, folk crafts teacher, Salomvár, Hungary

Árpád Péter Román, 1978-, oven builder, Szentendre, Hungary

Levente Lehel Sütő, 1954-, furniture maker, Budakeszi, Hungary

Márton László Szakács, 1982-, saddle maker, Pilisszentlászló, Hungary

Éva Székelyi, 1947-, basket weaver, Hévizgyörk, Hungary

Gábor Miklós Szőke, sculptor

Ildikó Marietta Tóth, 1962-, blue-dyer, Győr, Hungary

Róbert Vágó, sculptor

Collection Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Collection Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Collection Citation:

Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.2013, Series 2

See more items in:

Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5d367acb3-5231-4503-96e7-330e9360b167

EDAN-URL:

ead_component:sova-cfch-sff-2013-ref18

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Introduction:

The United States has always been a country of immigrants and, thus, the proud inheritor of the artistic styles of many different peoples. The section of the Festival that focused on this particular feature of American culture was called "Old Ways in the New World". Here were brought together the sons and daughters of people who immigrated to the United States from various parts of the world and their cultural cousins who stayed at home. These two groups joined together at the Festival in the practice of their traditional artistic and creative behavior; thus they could celebrate a kind of family reunion while they examined together the changes that their different experiences had brought about.

Where possible, participants were invited from the same region or even the same village - both those who migrated and those who stayed at home. Where this was impossible or impractical, attention focused on behavior or style, tracing parallels in all aspects of tradition from cooking to dance. As in past years of the Festival, this program stimulated a healthy kind of self-examination for domestic communities that drew strength from discovering their relationship with older cultures as well as for the foreign guests, who could return to their homelands proud of the vitality of their own art forms that remained clearly identifiable, although removed by oceans of time and space.

June 16-20, Israeli and American Jewish, Romanian

June 23-27, Danish, Norwegian, Icelandic, Swedish, Finnish, Faroese

July 1-5, French, Canadian, Polish

July 7-11, British, Canadian, Portuguese

July 14-18, Yugoslav, Irish

July 21-25, Belgian, Egyptian

July 28-August 1, German, Pakistani

August 4-8, Spanish, Mexican

August 11-15, Japanese, Greek

August 18-22, Austrian, Indian

August 25-29, Swiss, Hungarian

September 2-6, Italian

Program Coordinator for the Old Ways in the New World was Shirley Cherkasky, with Assistant Program Coordinators Suzanne Cox, Jeffrey LaRiche, Genie Kitlaus, and Larisa Lucaci. An advisory group included Conrad Arensberg, Svatava Pirkova Jakobson, Alan Lomax, and David McAIIester.

Fieldworkers and presenters:

Héctor Aguíñiga, Richard González, Antony Hellenberg, Nazir Jairazbhoy, Anna Lomax, John McDowell, Daniel Sheehy, Gordon Thompson, Roger Welsch, Maria Behr, David Bjork, Calogero Cascio, Svatava Pirkova Jakobson

Participants:

Israeli

Mord'chai Abrahamov, 1945-, singer, dancer, instrumentalist, Tel Aviv, Israel

David Levi, 1934-, dancer

Mord'chai 'Aziz, 1935-, dancer

Yosef Gum'ah, 1923-, drummer, Tel Lachish, Israel

Elijahu Israel Lassa, 1932-, zurna player, Tel Lachish, Israel

Mord'chai 'Ezra, 1935-, singer, dancer, Tel Lachish, Israel

Yosef Rahamim, 1937-, dancer, Kiryat Malakhi, Israel

Rivka Levi, 1945-, singer, dancer, Kiryat Malakhi, Israel

Bathia Rahamim, 1947-, singer, dancer, Kiryat Malakhi, Israel

Bathia Levi, 1919-, dancer, instrumentalist, Kiryat Ono, Israel

Shoshana Danukh, 1920-, singer, instrumentalist, Kiryat Ono, Israel

Zehava Gedasi, 1957-, dancer, singer, Tel Aviv, Israel

Ahuva Gedasi, 1948-, dancer, singer, Givatayim, Israel

Moshe 'Oved, 1953-, singer, dancer, Amka, Israel

Amnon 'Oved, singer, dancer, Amka, Israel

Avraham Daniel 'Arussi, 1968-, singer, dancer, Kiryat Ono, Israel

Menachem 'Arussi, 1930-, dancer, singer, drummer, Kiryat Ono, Israel

Saadia Gur-Esh, 1928-, singer, drummer, dancer, Midrakh Oz, Israel

Ziona Nagar, 1951-, dancer

Binyamin Hershkowitz, 1946-, accordion, singer, drummer, Netanya, Israel

Arie Polak, 1956-, drummer, Herzlia, Israel

Moshe Choen, 1929-, singer, dancer, Bnei Brak, Israel

Yosef Pinchas Reimer, 1955-, dancer, drummer, Jerusalem, Israel

Yitzhak Meier Tritel, 1951-, dancer, clarinetist, Jerusalem, Israel

Levi 'Ochayom, 1927-, singer, drummer, Jerusalem, Israel

Yosef Ben-Nun, 1927-, singer, Jerusalem, Israel

David Weissman, 1933-, 'ud player, Jerusalem, Israel

Dr. Daniel Ronen, leader

Itimar Gurevitch, tour administrator

Uri Sharvit, folklorist

Jewish American

Ira Axelrod, badkhn, Brooklyn, New York

Nechama Biderman, succah maker, Flushing, New York

Avram Dahari, 1923-1999, singer, Brooklyn, New York

Naomi Dahari, 1924-1988, singer, food demonstrator, Brooklyn, New York

Ray Faust, 1900-1993, painter, New York, New York

Miriam Haymie, singer, food demonstrator, Brooklyn, New York

Shlomo Hymie, singer, Brooklyn, New York

Meyer Kirshenblatt, 1916-2009, toy maker, immigrant narrator, Downsview, Ontario

Rivka Kirshenblatt, food demonstrator

Lillian Klempner, 1897-1984, Yiddish folksinger, Brooklyn, New York

Tuvia Mekhabar, scribe, New York, New York

Mazel Nagar, singer, dancer, cook, Brooklyn, New York

Nissim Nagar, singer, dancer, Brooklyn, New York

Arie Ovagia, cantor, singer, Brooklyn, New York

Jerold Roschwalb, shofar demonstrator

William Shuster, 1904-2002, tailor, New York, New York

Tsirl Waletsky, paper cutter, Bronx, New York

Workmen's Circle Mandolin Orchestra -- Workmen's Circle Mandolin OrchestraRosario Carcione, 1909-1984, mandolinist, Bronx, New YorkFrances Darvick, mandolinist, Brooklyn, New YorkSophie Fuchs, mandolinist, Jamaica, New YorkBeverly Frierman, mandolinist, New York, New YorkMuriel Isbitts, mandolinist, New Milford, New JerseyFani Jacobson, mandolinist, leader, New York, New YorkNorman Levine, mandolinist, Brooklyn, New YorkTessie Nerenberg, mandolinist, Yonkers, New YorkMeyer Schein, mandolinist, Bronx, New YorkCharles Slater, mandolinist, Brooklyn, New YorkHenry Wurman, 1900-1981, mandolinist, Bronx, New York

Romanian

Anna Calauzan

Aurel Ciinary, dance group leader

Elena Cismas

Pavel Dacin

Nicolae Falcuie

Dumitru Farcas, clarinet

Nina Gheorghe

Susana Meghegan

Maria Mesenschi

Ioh Miclos

Gheorghe Milea

Marian Miu, hammered dulcimer

Vlad Nanoveanu

Florea Neagrau

Octavian Pitan

Ion Preda

Viorel Radulescu, interpreter

Cristian Simionescu, pan pipes, nay

Dumitru Stanescu

Cristian Topoloveanu

Stefan Turcitu

Gheorghe Turda, singer, violinist

Mioara Tutan

Sofia Vicoveanca

Dumitru Zamfira, flutist, bagpiper

Romanian-American

Didi Alexe, 1928-, craftsperson, Detroit, Michigan

George Alexe, 1925-, singer, Detroit, Michigan

Valentin Balaj, singer, Highland Park, Michigan

Barbara Barsan, dancer, North Canton, Ohio

Alexandru Chonka, drummer, Utica, Michigan

Patru Dumitrie, 1930-2000, accordionist, Detroit, Michigan

Ekaterina Feraru, 1926-1990, singer, Troy, Michigan

Stefan Feraru, 1922-, singer, dancer, Troy, Michigan

Michaela Iancu, 1956-, singer, dancer, Detroit, Michigan

John Lazar, musician, North Canton, Ohio

Larisa M. Lucaci, 1919-, food demonstrator, Cleveland, Ohio

Lillian Majeran, 1948-, singer, dancer, Detroit, Michigan

Cornelia Miclau, 1906-2000, food demonstrator, Cleveland, Ohio

Jack Moga, musician, Parma, Ohio

Victor Moldovan, clarinet, saxophone plater, Royal Oak, Michigan

John Musat, clarinet player, Parma, Ohio

Valerie Musat, 1918-2001, dancer, Canton, Ohio

Carol Negulici, dancer, Canton, Ohio

Jennie Polak, 1923-, singer, St. Clair Shores, Michigan

Livin Stoia, Alliance, Ohio

John Tate, Canton, Ohio

Aurel Trocea, 1926-1996, singer, Detroit, Michigan

Susana Trocea, 1935-2004, singer, dancer, embroiderer, Detroit, Michigan

Dolly Turkus, singer, Warren, Michigan

Aurel Ursaki, 1920-1994, singer, Madison Heights, Michigan

Lucille Velkov, 1912-, singer, dancer, Detroit, Michigan

Danish

Steen Jagd Andersen, 1950-, fiddler, Hogager, Denmark

Svend Erik Bendtsen, 1950-, fiddler, fiddle maker, Hjerm, Denmark

Børge Christensen, 1925-, fiddler, dancer, Hogager, Denmark

Elly Christensen, 1936-, traditional dancer, Hogager, Denmark

Lene Halskov Hansen, 1956-, fiddler, singer, Gørding, Denmark

Vagn Dahl Hansen, 1945-, fiddler, singer, Holstebro, Denmark

Hasse Havgaard, 1931-, fiddler, Kornerup, Denmark

Ludvig Larsen, fiddler, dancer, Holstebro, Denmark

Knud Laursen, 1901-, fiddler, Haderup, Denmark

Poul Lendal, 1952-, fiddler, Tommerup, Denmark

Keld Nørgaard Kristenson, 1953-, fiddler, Kolding, Denmark

Niels "Brygger" Petersen, 1910-, flute player, Kvaerndrup, Denmark

Evald Thomsen, 1913-, fiddler, Vester Åby, Denmark

Hardy Thomsen, 1951-, fiddler, guitar player, Vester Åby, Denmark

Hilbert Thomsen, 1915-, fiddler, Aalborg, Denmark

Danish American

Marie K. Portier, 1907-1982, cook, Seattle, Washington

Suzanne Broback, 1952-, singer, Seattle, Washington

Faroese

Barður Jákupsson, traditional singer, ethnologist, Tórshavn, Faroe Islands

Anna Bertha Mohr, 1932-, wool processor, singer, Tórshavn, Faroe Islands

Høgni Mohr, 1927-, wool processor, singer, Tórshavn, Faroe Islands

Elisabeth i Koltri, wool processor, singer, Tórshavn, Faroe Islands

Niklas i Koltri, boat builder, singer, Tórshavn, Faroe Islands

Finnish

Kauhajoki Folk Musicians -- Kauhajoki Folk MusiciansRisto Ala-Ikkelä, 1939-, accordion player, Kauhajoki, FinlandAntti Hosioja, 1949-, accordion player, Karijoki, FinlandEino Ketola, 1940-, clarinet player, Kauhajoki, FinlandRaimo Vitalis Leino, 1932-, clarinet player, Klaukkala, FinlandTopi Luoma, 1936-, accordion player, fiddler, Karijoki, FinlandUrho Johannes Myllymäki, 1917-, accordion player, fiddler, Harja, Finland

Kaustinen Wedding Musicians -- Kaustinen Wedding MusiciansKimmo Anttila, 1948-, fiddler, Kaustinen, FinlandTeuvo Anttila, 1945-, bass fiddle player, Kaustinen, FinlandRisto Hotakainen, 1945-, fiddler, Kokkola, FinlandReino Uusitalo, 1945-, reed organ player, Kaustinen, Finland

Finland-Swedish Fiddlers -- Finland-Swedish FiddlersMaja Granvik, 1913-, fiddler, Korpo, FinlandErik Jansson, 1911-, fiddler, Pargas, FinlandRobert Kevin, 1909-, fiddler, Tenhola, FinlandKarl Nyberg, 1922-, fiddler, Tenhola, FinlandLauri Kahilainen, 1916-, kantele player, Jyskä, FinlandAnn-Mari Häggman, folklorist, Helsinki, Finland

Finnish American

Lois Mattson, 1933-, cook, Esko, Minnesota

Maria Wirkkala, 1943-, weaver, Naselle, Washington

Icelandic

Thórdur Tómasson, horsehair braider, Skógar, Iceland

Margrét Lindal Jakobsdóttir, 1920-, spinner, knitter, Reykjavik, Iceland

Kristinn Gíslason, wool processor, Reykjavik, Iceland

Icelandic American

Ingibjorg Emma Scheving, 1900-1989, cook, Seattle, Washington

Norwegian

Elsa Eikås, traditional dancer, Eikås, Norway

Sigmund Eikås, hardanger fiddler, Eikås, Norway

Kjell Folkestad, traditional dancer, Naustdal i Sunnfjord, Norway

Knut Hamre, hardanger fiddler, Folkedal, Norway

Svein Skjerdal, hardanger fiddler, dancer, Sogndal, Norway

Erna Skjerdal, traditional dancer, Sogndal, Norway

Kari Vethe, traditional dancer, Bulken, Norway

Olav Vethe, traditional dancer, Bulken, Norway

Norwegian American

Ingulv Eldegard, 1912-1996, hardanger fiddler, Seattle, Washington

Edward Erickson, 1917-1983, banjo player, La Crosse, Wisconsin

Leonard Finseth, 1911-1991, fiddler, Mondovi, Wisconsin

John Gundersen, 1933-, rosemaler, chip carver, Minneapolis, Minnesota

Sonya Savig, 1927-, singer, Grand View, New York

Carol Ann Sersland, 1956-, traditional dancer, Minneapolis, Minnesota

Harold K. Sersland, 1897-1992, traditional dancer, Minneapolis, Minnesota

Else Sevig, backstrap weaver, singer, Minneapolis, Minnesota

Michael Sevig, backstrap weaver, singer, Minneapolis, Minnesota

William Sherburne, 1903-1991, fiddler, Spring Grove, Minnesota

Hazel Omodt, 1913-1985, pianist, Spring Grove, Minnesota

Kristin Forster, 1946-, fiddler, Glen Cove, New York

C. Alan Johnson, 1926-, fiddler, Rollingbay, Washington

Laurie Johnson, 1952-, fiddler, Rollingbay, Washington

Swedish

Magnus Bäckström, 1954-, fiddler, Falun, Sweden

Pontus Fredrik Berggren, 1935-, fiddler, Säter, Sweden

Göras Leif Erik, 1946-, fiddler, Orsa, Sweden

Kurt Grälls, 1922-, fiddler, Vikmanshyttan, Sweden

Per Gudmundsson, 1955-, fiddler, Falun, Sweden

Bo Isaksson, 1946-, fiddler, Munkfors, Sweden

Pelle Gustav Jakobsson, 1928-, fiddler, pastoral horns, Orsa, Sweden

Johan Larsson, 1902-, traditional dancer, Hedemora, Sweden

Knut Erik Moraeus, 1920-, fiddler, Orsa, Sweden

Kungs Levi Nilsson, 1944-, fiddler, Leksand, Sweden

Anders Sparf, 1915-, fiddler, Lidingö, Sweden

Björn Erik Ståbi, 1940-, fiddler, Korskrogen, Sweden

Viveka Sundstrom Ståbi, 1949-, traditional dance, Skärholmen, Sweden

Karl Magnus Ceylon Wallin, 1922-, key fiddle player, Uppsala, Sweden

Karl Gunnar Henry Wallin, fiddler, Uppsala, Sweden

Swedish American

Ann Bergstrom, fiddler, Tukwila, Washington

Paul S. Dahlin, 1954-, fiddler, Minneapolis, Minnesota

Bruce D. Johnson, 1946-, fiddler, Minneapolis, Minnesota

Edwin W. Johnson, 1905-1984, fiddler, Hayward, Wisconsin

Olga E. Nilsen, 1896-1985, singer, St. Paul, Minnesota

Henry Axel Person, 1903-1993, storyteller, singer, Grapeview, Washington

Ove Gullin, dancer, folk game leader, Seattle, Washington

June Anderson Evanoff, 1930-, Dala kurbits painter, cook, Mercer Island, Washington

Kathleen Grambsch, 1946-, accordionist, St. Louis Park, Minnesota

British

Boys of the Lough -- Boys of the LoughAly Bain, 1946-, Shetland fiddler, Edinburgh, ScotlandCathal McConnell, 1944-, flute player, singer, Fermanagh, Northern IrelandRobin Morton, 1939-, concertina player, singer, Edinburgh, ScotlandDavid Richardson, 1948-, instrumental musicianThomas Breckons, 1928-2009, piper, Bellingham, England

Peter Elliott, 1925-2000, singer, Killingsworth, Newcastle-on-Tyne, England

Angus Grant, 1931-, Highland fiddler, Fort William, Inverness-Shire, Scotland

Headington Quarry Morris Dancers -- Headington Quarry Morris DancersPeter James Davies, 1941-, dancer, Garsington, Oxford, EnglandJohn Brian Graham, 1941-Robert William Grant, 1937-, dancer, Headington Quarry, Oxford, EnglandAnthony Morris, 1938-, dancer, Northants, EnglandFrancis Charles Parsons, 1939-, dancer, Cowley, Oxford, EnglandRoger James Phillips, 1939-, dancer, Headington, Oxford, EnglandTerence Michael PhippsMalcolm James Price, 1934-, dancer, Headington, Oxford, EnglandPeter Douglas Scudder, 1938-, dancer, Headington, Oxford, EnglandRobert Paul Turrell, 1938-, dancer

Flora MacNeil, 1928-, Gaelic singer, Whitecraigs, Glasgow, Scotland

Sheila MacGregor, 1935-, singer, Blairgowrie, Perthshire, Scotland

Walter Pardon, 1914-, singer, North Walsham, Norfolk, England

Anne Rosetta Springfield, 1911-, Pearlie Queen, London, England

The Watersons and Martin Carthy -- The Watersons and Martin CarthyLal Waterson, 1943-1998, singerMike Waterson, 1941-2011, singer, Robin Hoods Bay, Yorkshire, EnglandNorma Waterson, 1939-, singer, Robin Hoods Bay, EnglandMartin Carthy, 1941-, singer, Robin Hoods Bay, England

A. L. (Albert Lancaster) Lloyd, 1908-1982, folklorist

S. A. Matthews, folk dance specialist, London, England

British-American

United States

John Ashby, 1915-1979, fiddler

Dillard Chandler, 1907-1992, ballad singer, Rosedale, New York

Lloyd Chandler, 1896-1978, ballad singer, Marshall, North Carolina

Nell Fernandez, singer, Summer Shade, Kentucky

Ray Hicks, 1922-2003, storyteller, Banner Elk, North Carolina

Roscoe Holcomb, 1912-1981, ballad singer, banjo player, Daisy, Kentucky

Eunice Jewell, cook, Dodgeville, Wisconsin

Julia Mainer, 1919-2015, guitarist, Flint, Michigan

Wade Mainer, 1907-2011, banjo player, Flint, Michigan

Almeda Riddle, 1898-1986, ballad singer, Heber Springs, Arkansas

Jean Ritchie, 1922-2015, ballad singer, Port Washington, New York

Grant Rogers, 1907-1979, fiddler and singer, Walton, New York

Dallas Turner, ballad singer, Reno, Nevada

Ricky Walker, fiddler, Summer Shade, Kentucky

Sammie Walker, 1910-1987, banjoist, fiddler, Summer Shade, Kentucky

Canada

Alex Kerr, singer

Christine MacDonald MacInness, singer

Malcolm Angus Macleod, singer

Thomas MacDonald, singer

Mike MacDougall, fiddler, piper

French

Auvergne

Guy Nebout, 1945-, hurdy-gurdy player, Moulins, Allier, France

Henri Reichert, 1905-, harmonica, accordion player, Entraygues-sur-Truyère, Aveyron, France

Louise Reichert, 1896-, singer, dancer, Entraygues-sur-Truyère, Aveyron, France

Dominique Roux, 1960-, hurdy-gurdy player, Avermes, Allier, France

André Vermerie, 1901-, bagpiper, Entraygues-sur-Truyère, Aveyron, France

Christiane Vermerie, 1933-, dancer, Entraygues-sur-Truyère, Aveyron, France

Bearn

François Laberere, 1948-, singer, Gan, Pyrénées-Atlantiques, France

Roger Laberere, 1949-, singer, Gan, Pyrénées-Atlantiques, France

Francis Lorry, 1944-, singer, Oloron, Pyrénées-Atlantiques, France

Jean-Baptiste Soust, 1916-, France

Brittany

Yves Castel, 1950-, oboe player, singer, Sceaux, Hauts-de-Seine, France

Lomig Donniou, 1903-, singer, dancer, Rostrenen, Côtes-d'Armor, France

Jean-Baptiste Hamel, 1958-, bagpiper, singer, Sceaux, Hauts-de-Seine, France

Eric Marchand, 1955-, singer, Poullaouen, Finistère

Mr. Jean, accordion player, singer

Emmanuel Kerjean, 1913-, singer, dancer, Plouray, Morbihan, France

Gascony

Lucette Samazan, 1930-, dancer, Samatan, Gers, France

Lea St. Pé, 1904-, singer, accordion player, Polastron, Gers, France

Poitou

Madeleine Clochard, 1939-, singer, dancer, Gençay, Vienne, France

Michel Clochard, 1934-, singer, cornet player, Gençay, Vienne, France

Pascal Guerin, 1956-, fiddler, Moncoutant, Deux-Sèvres, France

Michel Lacombe, 1941-, melodeon player, La Chapelle-Gaudin, Deux-Sèvres, France

John Wright, 1939-, folklorist, Paris, France

Catherine Perrier Wright, 1941-, folklorist, Paris, France

French American

Cajun

The Balfa Brothers -- The Balfa BrothersDewey Balfa, 1927-1992, fiddler, Basile, LouisianaRodney Balfa, 1934-1979, guitarist, Mamou, LouisianaWill Balfa, 1917-1979, fiddler, Mamou, LouisianaAllie Young, 1912-2003, accordionist, Eunice, Louisiana

Alma Barthelemy, 1900-1999, ballad singer, Port Sulphur, Louisiana

Eloi Barthelemy, 1920-1993, ballad singer, Port Sulphur, Louisiana

Inez Catalan, 1913-1994, ballad singer, Kaplan, Lousiana

Lula Landry, 1906-1990, ballad singer, Abbeville, Louisiana

Carina Sue Vasseur, cook, New Orleans, Louisiana

Earl Vasseur, 1922-1983, cook, New Orleans, Louisiana

French Canadian from the United States

Noella Beaudet, 1923-2012, singer, spoon & washboard player, Slatersville, Rhode Island

Omer Beaudet, 1919-2002, singer, harmonica player, Slatersville, Rhode Island

Monique Belisle, 1923-1992, singer, storyteller, Slatersville, Rhode Island

Georgette Berthiaume, 1919-1990, cook, Woonsocket, Rhode Island

Romeo Berthiaume, 1906-1980, singer, Woonsocket, Rhode Island

Omer Marcoux, 1898-1982, fiddler, woodcarver, Concord, New Hampshire

Alain Philibert, 1951-, banjo player, Smyrna Mills, Maine

Joseph Pomerleau, 1932-1995, guitarist, Rochester, New Hampshire

Daniel St. Pierre, 1957-, guitarist, Smyrna Mills, Maine

Simon St. Pierre, 1930-, fiddler, Smyrna Mills, Maine

Polish

Stanislaw Borowiecki, 1934-, concertina, drum player, singer, Opoczno, Poland

Stanislaw Kaleta, 1931-, fiddler, Opoczno, Poland

Urszula Tomasik, 1954-, singer, dancer, Kraśnica, Poland

Jozef Wrobel, 1930-, fiddler, singer, Łysa Góra, Poland

Franciszek Klecki, 1914-, singer, trumpeter, Brzesko, Poland

Jan Ochonski, 1925-, singer, bassist, Łysa Góra, Poland

Zbigniew Brozek, singer, dancer, clarinet player, Brzesko, Poland

Grazyna Lyszczarz, singer, dancer, Łysa Góra, Poland

Zbigniew Kural, singer, dancer, Łysa Góra, Poland

Stanislaw Macheta, dancer, singer, Łysa Góra, Poland

Eugeniusz Wilczak, fiddler, singer, Bukowina Tatrzańska, Poland

Antonina Bafia, 1948-, singer, fiddler, Biały Dunajec, Poland

Adam Kuchta, 1935-, instrumentalist, Bukowina Tatrzańska, Poland

Jozef Koszarek, 1939-, instrumentalist, Bukowina Tatrzańska, Poland

Jozef Stasik, 1949-, dancer, singer, Bukowina Tatrzańska, Poland

Stanislaw Stasik, 1944-, dancer, singer, Kaniówka, Poland

Jan Kalata, 1940-, dancer, singer, Bukowina Tatrzańska, Poland

Maria Stasik, 1945-, dancer, singer, Bukowina Tatrzańska, Poland

Anna Guzy, 1959-, dancer, singer, Bukowina Tatrzańska, Poland

Feliks Chudy, 1918-, fiddler, shawm player, Skoraszewice, Poland

Szczepan Sadowski, 1906-, shawm player, Skoraszewice, Poland

Maria Majchrzak, 1919-, dancer, singer, Skoraszewice, Poland

Marcin Grunt, 1902-, dancer, singer, Stara Krobia

Karol Byrtek, 1907-, fiddler, dancer, singer, Bielsko-Biała, Poland

Edward Byrtek, 1944-, singer, shawm player, Bielsko-Biała, Poland

Władyslawa Byrtek, 1936-, dancer, singer, Bielsko-Biała, Poland

Wiktoria Stopka, 1953-, singer, concertina player, Węgierska_Górka, Poland

Wiktor Mikolajski, 1910-, tour administrator, Warsaw, Poland

Ludwik Bielawski, 1929-, folklorist, Warsaw, Poland

Polish American

The Gromada Family -- The Gromada FamilyAniela Gromada, 1908-1984, cellist, singer, Elmwood Park, New JerseyAnn Gromada, 1965-, dancer, Wyckoff, New JerseyJan Gromada, 1905-1996, fiddler, embroiderer, Elmwood Park, New JerseyJohn Gromada, 1964-, dancer, Wyckoff, New JerseyTadeusz Gromada, 1929-, second fiddler, dancer, Wyckoff, New JerseyTeresa Gromada, 1930-, dancer, singer, Wyckoff, New JerseyHenryk Kedron, 1926-, dancer, singer, metal worker, Hasbrouck Heights, New JerseyJanina Kedron, 1931-, fiddler, singer, dancer, Hasbrouck Heights, New JerseyTadeusz Koziek, 1930-1979, fiddle, bass player, singer, Garfield, New JerseyEdward Nowobielski, 1924-2006, singer, dancer, Garfield, New Jersey

Ed Potoniec's Polkateers -- Ed Potoniec's PolkateersPaul Chojnacki, 1952-, clarinet, tenor sax player, vocalist, Independence, OhioDavid Feador, 1957-, trumpet player, Cleveland, OhioEd Potoniec, 1948-, band leader, accordion player, Cleveland, OhioBrian C. Riley, 1958-1998, trumpet player, vocalist, Cleveland, OhioGary J. Smith, 1955-, bass guitar player, Cleveland, OhioJoe Zebrowski, 1955-, drummer, Cleveland, Ohio

Stephanie Batory, 1913-1994, decorative paper cuttings, Philadelphia, Pennsylvania

Portuguese

Grupo Coral da Aldeia Nova de São Bento -- Grupo Coral da Aldeia Nova de São BentoManuel de Mira Monge, 1925-, singer, São Bento, PortugalSilvestre Charraz Morais, 1945-, singer, São Bento, PortugalJosé Candeias Rosa, 1935-, singer, São Bento, PortugalManuel Carrasco Valadas, 1949-, singer, São Bento, PortugalManuel Toira Varela, 1934-, singer, São Bento, PortugalBento Charraz Calvinho, 1922-, singer, São Bento, PortugalJosé Francisco Esparteiro Serrano, 1951-, singer, São Bento, PortugalJosé Lopes Carrilho, 1919-, singer, São Bento, PortugalBento Brito Coelho, 1937-, singer, São Bento, PortugalJosé Valadas Mata-Setam, 1936-, singer, São Bento, Portugal

Grupo Folclórico Mirandes de Duas Igrejas -- Grupo Folclórico Mirandes de Duas IgrejasAntonio Maria Moorinho, 1917-, director, Duas Igrejas, PortugalJosé Pires Martins, 1912-, musician, Duas Igrejas, PortugalAlexandre Feio, 1914-, musician, Duas Igrejas, PortugalAlfredo Augusto Ventura, 1912-, musician, Duas Igrejas, PortugalDelmiro Braz Antão, 1915-, musician, Duas Igrejas, PortugalDomingos Augusto Ruano, 1955-, musician, Duas Igrejas, PortugalLuciano de São Pedro Martins, 1953-, musician, Duas Igrejas, PortugalAdão Dos Santos Moreira, 1926-, musician, Duas Igrejas, PortugalClemente de Jésus Amaro Dias, 1957-, musician, Duas Igrejas, PortugalMateus Augusto Martins Fidalgo, 1927-, musician, Duas Igrejas, PortugalArtur Raposo Alves Galego, 1956-, musician, Duas Igrejas, PortugalManuel João Alves, 1927-, musician, Duas Igrejas, PortugalManuel Baltazar Fernandes Aires, 1959-, musician, Duas Igrejas, Portugal

Maria Ernestina Costa Rodrigues, interpreter, Murtal São Pedro Do Estoril, Portugal

Portuguese American

Odete Amarelo, 1950-, food demonstrator, Fall River, Massachusetts

Manuel Azuvedo, 1917-2004, singer, dancer, Sacramento, California

Maria Alice Cordeiro, 1961-, singer, Fall River, Massachusetts

Elaine C. Oliveira, 1938-, singer, musician, Somerset, Massachusetts

Armindo I. Paira, 1963-, singer, Fall River, Massachusetts

Gilberta Pimentel, musician, Somerville, Massachusetts

Jose Pimentel, musician, Somerville, Massachusetts

Rancho Folclorico do Clube Portuguese de Hartford -- Rancho Folclorico do Clube Portuguese de HartfordMario Arede, choreographer, Newington, ConnecticutAlvaro Carreira, dancer, Newington, ConnecticutAdelia Castro, dancer, Newington, ConnecticutMaria Fatima Couceiro, 1962-, dancer, Hartford, ConnecticutMaria Noémia Couceiro, 1959-, dancer, Hartford, ConnecticutFernando Covinha, dancer, Newington, ConnecticutDaisy Frazao, dancer, Newington, ConnecticutAntonio Barreiros Frutuoso, 1926-2005, musician, Wethersfield, ConnecticutGavriel B. Frutuoso, 1923-1991, musician, Hartford, ConnecticutJulie Gaio, dancer, Newington, ConnecticutDavid Gregorio Marques, 1960-, dancer, Newington, ConnecticutPaul Mendes, dancer, Newington, ConnecticutAnabella Nunes, dancer, Newington, ConnecticutJohn Quintas Nunes, 1957-, dancer, Hartford, ConnecticutJoão S. Pena, 1922-1997, musician, Hartford, ConnecticutMaria Irene Pinho, 1960-, dancer, Hartford, ConnecticutMaria Quintas, dancer, Newington, ConnecticutChristine Marie Reis, 1960-, dancer, Hartford, ConnecticutCarlos A. Reverendo, 1960-, dancer, East Hartford, ConnecticutArthur Manuel Santos, 1958-, dancer, Hartford, ConnecticutAmandio Seguro, dancer, Newington, ConnecticutElvira Vidal, dancer, Newington, Connecticut

Nemesio Rebolo, 1919-2003, singer, Tracy, California

João Soares, singer, San Leandro, California

Agostinho Valim, 1917-2000, singer, dancer, Sacramento, California

Larry Valim, singer, dancer, Sacramento, California

Yugoslav

Dragoslav Antonijevic, coordinator, Belgrade, Serbia

Zorica Rajkovic, assistant, Zagreb, Croatia

Macedonian

P. Atanasovski, bagpipe player

Olgica Apostolovka, Skopje, Macedonia

Akiv Bajramovski, 1957-, Skopje, Macedonia

Redžep Bajramovski, 1932-, Skopje, Macedonia

Ilija Blaževski, 1951-, Skopje, Macedonia

Tomaislav Blaževski, 1939-, Skopje, Macedonia

Radica Čangouska, 1957-, Skopje, Macedonia

Pajazit Dalipi, 1944-, Skopje, Macedonia

Gordana Filipouska, 1960-, Skopje, Macedonia

Mile Kolarov, 1908-, Skopje, Macedonia

Angele Trajkouski, 1944-, Skopje, Macedonia

Montenegran

Boško Vujačić, 1947-, Crna Gora, Montenegro

Bosnia-Herzegovinian

Ćamil Metiljević, 1952-, Hrasnica, Bosnia and Herzegovina

Dominik Ramljak, 1942-, Posušje, Bosnia and Herzegovina

Ana Romić, 1953-, Rakitno, Bosnia and Herzegovina

Emina Zečaj, 1941-, Sarajevo, Bosnia and Herzegovina

Serbian

Aleksandar Djordjevic, 1929-, Gornji Milanova, Serbia

Milovan Matić, 1944-, Belgrade, Serbia

Drago Ognjanovic, 1934-, Gornji Milanova, Serbia

Miroslav Ognjanovic, 1945-, Gornji Milanova, Serbia

Milovan Živković, 1934-, Gornji Milanova, Serbia

Croatian

Blaz Glavaš, 1920-, Pula, Croatia

Martin Glavaš, 1925-, Pula, Croatia

Milan Orlić, 1941-, Pula, Croatia

Petar Skuflić, 1940-, Pula, Croatia

Slovenian

Women folksingers

frula, kava, small pipe players from Serbia, Macedonia, Croatia

Serbian American

Dragica Dobrijevic, 1956-, singer, dancer, Broadview Heights, Ohio

Milan Opacich, tamburica maker, Schererville, Indiana

Rose Opacich, food demonstrator, Schererville, Indiana

Paula Svilar, 1957-, singer, dancer, Euclid, Ohio

Croatian American

Ljubica's Tamburasi -- Ljubica's TamburasiDarlene Balog, 1954-, singer, brac player, Youngstown, OhioLjubica Fillovich, 1927-, singer, bugarija player, leader, Campbell, OhioAnastacia Vesolich, 1951-, singer, prim player, Cornopolis, PennsylvaniaMark Brajak, bass player, Youngstown, Ohio

Slovenian American

Slovan Men's Quartet -- Slovan Men's QuartetMatthew Dolenc, 1926-, first bass, Richmond Heights, OhioFrank Ivancic, 1924-2009, bass, Willowick, OhioJoseph Penko, 1921-2000, tenor, Willoughby Hills, OhioRichard Sterle, 1925-2006, second tenor, Euclid, Ohio

Jack Mejac, 1912-1996, butare maker, Cleveland, Ohio

Maria Paulin, food demonstrator, Gaithersburg, Maryland

Olga M. Petek, 1938-, Slovenian costume and avba maker, Wickliffe, Ohio

Molly Thomas, food demonstrator, Arlington, Virginia

Macedonian American

Taleff Macedonian Orchestra -- Taleff Macedonian OrchestraWalter Mahovlich, 1952-, clarinet, gajda player, Cleveland, OhioChris Taleff, 1930-, accordion player, drummer, North Olmsted, OhioDavid Taleff, 1957-, drummer, North Olmsted, OhioDaniel Zegarac, 1955-, trumpet player, Cleveland, Ohio

Irish

Lonan Byrne, 1952-, piper, Dublin, Ireland

Eamonn Clarke, 1945-, harmonica player, Dublin, Ireland

Seán Christopher Corcoran, 1946-, singer, Drogheda, Ireland

Martin Patrick Crehan, 1908-, fiddler, Mullagh, Ireland

Dé Donann -- Dé DonannPatrick Francis Gavin, 1956-, fiddler, Galway, IrelandJohnnie Moynihan, 1946-, singer, instrumentalist, Dublin, IrelandJohn Joseph McDonagh, 1951-, bodhran player, Galway, IrelandAlexander James Phinn, 1966-, bozouki player, Spiddal, IrelandCharles Piggott, 1948-, banjo player, Clarinbridge, Ireland

Mary Ann Donnelly, 1958-, fiddler, Loughrea, Ireland

Denis Francis Doody, 1937-, accordion player, storyteller, Shannon, Ireland

John Christopher Lyons, 1933-, singer, Newmarket-on-Fergus, Ireland

James Patrick McDonagh, 1925-, flute player, Ballymote, Ireland

Patrick Anthony Mitchell, uilleann piper, Dublin, Ireland

Stephen Anthony Murray, 1920-, concertina player, Ennis, Ireland

Mairéad Ní Dhomnaill, 1955-, Gaelic singer, Dublin, Ireland

Mullagh Set Dancers -- Mullagh Set DancersMary Terasa Conway, 1954-, dancer, Dublin, IrelandOliver Thomas Conway, 1922-, dancer, Dublin, IrelandIta Margaret Crehan, 1947-, dancer, Mullagh, IrelandWilliam Henry Keane, 1927-, dancer, Doonbeg, Ireland

Daniel Gerard O'Connor, 1934-, fiddler, Limerick, Ireland

Michael Joseph Russell, 1915-, tin whistle player, Doolin, Ireland

Patrick Tunney, 1921-2003, singer, storyteller, Saltmill, Ireland

Ciarán MacMathúna, 1925-, group escort, Dublin, Ireland

Tom Munnelly, presenter, Dublin, Ireland

Irish American

Elizabeth Carroll, 1956-, fiddler, dancer, Chicago, Illinois

Fay B. Casey, 1902-2005, guitar, lace maker, weaver, Alexandria, Virginia

Charles Coen, 1934-, concertina, tin whistle, player, singer, Staten Island, New York

John Coen, 1925-, flute player, flute maker, Bronx, New York

Mary Cooley, 1945-, singer, Chicago, Illinois

Seamus Cooley, 1929-1997, flute player, Chicago, Illinois

Michael Flatley, 1958-, dancer, flute and tin whistle player, Palos Park, Illinois

Michael Flynn, flute player, Elmhurst, New York

Colleen Griffith, 1957-, dancer, Wethersfield, Connecticut

Joseph Heaney, 1919-1984, singer, Brooklyn, New York

Pat Height, guitar, lace maker, weaver, Alexandria, Virginia

Pat Hennelly, 1896-1978, uilleann pipe maker, Chicago, Illinois

The Irish Tradition -- The Irish TraditionBilly McComiskey, 1951-, button accordionist, Washington, D.C.Brendan Mulvihill, 1954-, fiddler, Washington, D.C.Andy O'Brien, 1947-, singer, Washington, D.C.

James Keane, Sr., 1928-, singer, Chicago, Illinois

James Keane, Jr., 1958-, musician, Chicago, Illinois

Eugene Kelly, 1909-1984, button accordionist, Lake Ronkonkoma, New York

Maureen Meehan Malcolm, 1929-, cook, Fairfax, Virginia

Sean McGlynn, 1937-1983, button accordionist, Mineola, New York

John McGreevy, 1919-1990, fiddler, Burbank, Illinois

Michael Preston, flute player, New York, New York

Michael Rafferty, 1926-2011, flute player, Hasbrouck Heights, New Jersey

Susan Sylvia, lace maker, weaver, Alexandria, Virginia

Mick Moloney, 1944-, presenter

Joseph Shannon, 1916-2004, uilleann piper, Chicago, Illinois

Belgian

Flemish

Christine Bruyneel, 1953-, fool dancer, Mater-Oudenaarde, Belgium

Henry Bruyneel, 1915-, fife player, Mater-Oudenaarde, Belgium

Stefaan Jozeph Leyman, 1906-, drummer, Mater-Oudenaarde, Belgium

Ernest Van Eynde, 1924-, flag handler, Sint-Niklaas, Belgium

Greta Hermans, 1958-, plucked dulcimer player, Erps-Kwerks, Belgium

Jean Viktor Smout, 1914-, fiddler, Valtem-Beisem, Belgium

Jozef Andre Heremans, 1926-, accordion player, Winksele-Delle, Belgium

Hubert Boone, 1940-, Flemish presenter, Nederokkerzeel, Belgium

Walloon

Henri Schmitz, 1904-, fiddler, Longchamps, Belgium

Ernest Schmitz, 1909-, folk singer, harmonica player, Longchamps, Belgium

Maria-Philomène Gehlen, 1908-, folk singer, Robertville, Belgium

Robert Simons, 1929-, fife player, Gerpinnes, Belgium

Alain Simons, 1962-, drummer, Gerpinnes, Belgium

René Berthulot, 1930-, drummer, Gerpinnes, Belgium

Elisabeth Melchior, 1926-, accordion player, Waimes, Belgium

Françoise Lempereur, 1949-, Walloon presenter, Liège, Belgium

Belgian American

Alfred Vandertie, 1910-1983, folk singer, Algoma, Wisconsin

Martha Bultinck, 1903-1994, lace maker, singer, Moline, Illinois

Madeline Sercu, 1908-2002, lace maker, singer, Moline, Illinois

Ann Hunter, 1960-, lace maker, Moline, Illinois

Mary Jane Porath, 1924-2001, food demonstrator, Algoma, Wisconsin

Albert Van Puyvelde, 1922-, archer, Moline, Illinois

Evelyn Van Puyvelde, 1922-, food demonstrator, Moline, Illinois

Florence Acke, 1915-2005, rolle bolle player, Moline, Illinois

John Acke, 1913-2005, rolle bolle player, Moline, Illinois

Elizabeth Verstraete, 1918-1995, rolle bolle player, East Moline, Illinois

Valerie Verstraete, 1913-1988, rolle bolle player, East Moline, Illinois

Charlene Vanlerberghe, 1927-2000, archer, Rock Island, Illinois

Teresa Vanlerberghe, 1960-, archer, Rock Island, Illinois

Charles Vanlerberghe, 1922-1996, archer, Rock Island, Illinois

Egyptian

Abdal'lah Ali Abdâl'lah, rababa, Faqos, Sharkiy'ya, Egypt

Aezat Muhammed Abdâl'lah, drum

Ramada El-Said Abdelgawad, tabla

Abdelhamid El'Aeon, tamboura, darag seif

Muntasar Ali Ahmed, arghoul, Faqos, Sharkiy'ya, Egypt

Al Saiyed Halal Aleih, dance and mime

Abdelsatar Higazy Muhammed Ali, nagara drum, Bunweit, Egypt

Shanady Higazy Muhammed Ali, mizmar

Mohsen Hassan Yusef Ashrey, singer, dancer, sumsumiy'ya, Port Said, Egypt

Adham Muhammed Farag, tahteeb

Sha'aban Ghal'laab, tamboura

Mutawil Mahgoub Yonsuf Hagag, arghoul

Sai-veda Muhammed Hind'dawi, riq, solo singer

Amin Abdel Kâader, singer, Alexandria, Egypt

Mufad'dal Muhammed Ahmed Khalil, mizmar

Gaad Muhammed Mahrous, 'aelba drum

Mubarak Sadiq Mersaal, kythar, singer

Ahmed Ahmed Muhammed, tahteeb

Fay'qa Abdel Azeem Mursi, solo dancer, solo singer

Rizk Ibraheem Rizk, quarter tone accordion

Masria Mubarak Sadiq, dancer

Rushdi El-Said Abdel Samy'a, salamya flute

Abdel Hamid Muhammed Suleiman, singer

Suleiman Ahmed Suleiman, drum, dancer

Athma Yusef Wanees, solo singer, drummer, zaar healer

Yusef Hassan Yusef, singer, dancer

Egyptian American

Mikhail Agaidi, singer, Euclid, Ohio

Muhammed El Akkaad, 1911-1993, qanoon player, Brooklyn, New York

Michel Attia, singer, Jersey City, New Jersey

Gorgi Ayad, dancer, drummer

Hanny Anis Bebawy, singer, Jersey City, New Jersey

Hanna Demetery, singer, Jersey City, New Jersey

Tewfik Faragallah, 1931-1984, ney player, Staten Island, New York

Khamis El Fino, 1920-1990, oud player, Jackson Heights, New York

Debra Green, Cleveland, Ohio

Mahmood Hassan, singer, dancer

Ajad G. Kallini, drummer, dancer, Cleveland, Ohio

Monir Iskandar, singer, Cleveland, Ohio

Father Mikhail, Coptic liturgy, East Cleveland, Ohio

Sameh Mitry, 1945-1999, singer, Stow, Ohio

Awad Othman, singer, dancer

Ali Patria, Jackson Heights, New York

Alice Rizk, dancer, Brooklyn, New York

Fady Rizk, drummer, Brooklyn, New York

Michael Tobia, singer, Jersey City, New Jersey

Pakistani

Ghulam Abbas, Karachi, Pakistan

Ali Akbar, instrumentalist, Karachi, Pakistan

Azhar Anjam, dancer, singer

Bashir Anjam, dancer, singer

Alia Baksh, singer, instrumentalist

Faiz Mohammed Baluch, d. 1980, ballad singer, instrumentalist, Karachi, Pakistan

Nawab Baluch, dancer

Bachal Fakir, ballad singer, instrumentalist

Allan Faqir, dancer, singer, instrumentalist, Dadu, Sind, Pakistan

Salma Ferrena, Karachi, Pakistan

Faqir Abdul Ghafoor, dancer, singer, instrumentalist, Hyderabad, Sind, Pakistan

Samar Gul, dancer, singer, Peshawar, Pakistan

Rehana Hakim, Karachi, Pakistan

Tufail Hussain, instrumentalist (dhol)

Mohammad Ibrahim, dancer, singer, Karachi, Pakistan

Mazhar ul Islam, technician, Islamabad, Pakistan

Ghulam Haidar Kambrani, dancer, singer, instrumentalist, Hyderabad, Sind, Pakistan

Khameesu Khan, instrumentalist (alghoza), Hyderabad, Sind, Pakistan

Mansha Khan, instrumentalist (dholak)

Zahir Khan, ballad singer, instrumentalist (rabab, thambal), Peshawar, Pakistan

Mohammad Mansha, instrumentalist (dhol), Hafizabad, Pakistan

Mumtaz Mirza, Karachi, Pakistan

Faiz Mohammad, Islamabad, Pakistan

Fateh Mohammad, instrumentalist, singer, Karachi, Pakistan

Ghulam Mohammed, instrumentalist (tota), Hafizabad, Pakistan

Sain Mushtag, ballad singer, instrumentalist (king, chimta), Sheikhupura District, Punjab, Pakistan

Mohammad Nazir, purkush player, singer, Karachi, Pakistan

Mohammad Tufail Niazi, singer, Rawalpindi, Pakistan

Roshan Ara Parveen, Lahore, Pakistan

Parveen Qasim, Karachi, Pakistan

Amir Sardar, dancer, Peshawar, Pakistan

Muneer Sarhadi, instrumentalist (sarinda), Peshawar, Pakistan

Mitha Khan Zardari, dancer, singer, instrumentalist, Nawab Shah, Sind, Pakistan

Pakistani American

Shahnawaz Alam, 1950-, flautist, singer, Detroit, Michigan

Nasrin R. Alimohamed, 1952-, singer, dancer, Minneapolis, Minnesota

Ghaias Beg, 1946-, singer, dancer, Chicago, Illinois

Mansoor Ahmad Butt, 1951-, singer, dancer, Detroit, Michigan

Javed Bashir Choudhary, 1949-, dancer, singer, Highland Park, Michigan

Edith Edwin Mall, 1947-, singer, dancer, Philadelphia, Pennsylvania

Ernest Edwin Mall, 1950-, singer, musician, Philadelphia, Pennsylvania

Kanwal Errol Edwin Mall, 1944-, singer, musician, Philadelphia, Pennsylvania

Chaudhry M. Hans, singer, dancer, Hamtramack, Michigan

Asraf Shah Hashmi, 1950-, singer, Pasadena, California

Umar Hayat, 1950-, singer, dancer, Chicago, Illinois

Nauman Javaid Ismail, 1953-, singer, dancer, Alexandria, Virginia

Hameed S. Khan, 1951-, dancer, Chicago, Illinois

Masood Parvez Malik, 1955-, singer, dancer, Hawthorne, California

Sultan A. Meghani, 1954-, singer, percussionist, Chicago, Illinois

Tajmoon Merchant, Glendale Heights, Illinois

Sajjad Aslam Mirza, 1947-, dancer, Gardena, California

Sara Naqvi, food demonstrator, Alexandria, Virginia

Narjis Irshad Shah, 1943-, dancer, singer, Cerritos, California

German

Langenschiltach Blaskapelle -- Langenschiltach BlaskapelleKarl Friedrich Zuckschwerdt, 1956-, dancer, St. Georgen-Langenschiltach, GermanyHugo Emil Jäckle, 1933-, dancer, St. Georgen-Langenschiltach, GermanyDorothea Ruth Weisser, 1947-, dancer, St. Georgen-Langenschiltach, GermanyAnneliese Fleig, 1954-, dancer, St. Georgen-Langenschiltach, GermanyGottlieb Fleig, dancer, St. Georgen-Langenschiltach, GermanyHelmut Heinz Heinzmann, 1957-, dancer, St. Georgen-Langenschiltach, GermanyCornelia Kerstin Sodl, 1958-, dancer, St. Georgen-Langenschiltach, GermanyMonika Maria Stockburger, 1958-, dancer, St. Georgen-Langenschiltach, GermanyWillie Fleig, 1949-, musician, St. Georgen-Langenschiltach, GermanyHelmut Christian Hildbrand, 1935-, musician, St. Georgen-Langenschiltach, GermanyWilli Müller, 1926-, musician, St. Georgen-Langenschiltach, GermanyWerner Erwin Schneider, 1935-, musician, Tennenbronn, GermanyGerd Wilhelm Weisser, 1943-, clarinet player, St. Georgen-Langenschiltach, GermanySiegfried Weisser, 1937-, trumpet player, St. Georgen-Langenschiltach, Germany

Oberpfalzer Klarinetten -- Oberpfalzer KlarinettenGeorg Sperber, 1948-, accordion player, Röckenricht, GermanyHans Loos, 1956-, bass player, Neukirchen, GermanyFritz Leugner, 1955-, clarinet player, Sulzbach-Rosenberg, GermanyGeorg Leugner, 1959-, clarinet player, Sulzbach-Rosenberg, Germany

Scheeseler Beekschepers -- Scheeseler BeekschepersWilhelm Leuenroth, 1906-, clarinet player, Wittkopsbostel, GermanyBernd Meyer, accordion player, Visselhoevede, GermanySiegfried Johann Karl Lott, 1933-, friction drum, flute, jaws harp player, Rohr, GermanyHans Johannes Almering, 1941-, clarinet player, Ahaus-Wüllen, GermanyUrsula Christina Wassing Almering, 1942-, accordion player, Ahaus-Wüllen, GermanyUrsula Blomeier, 1920-, street organ player, Berlin, GermanyKonrad Koestlin, 1940-, folklorist and presenter, Hoffeld über Bordesholm, Germany

German American

Albert Fahlbusch, 1925-2005, hackbrett player and maker, Scottsbluff, Nebraska

Mary Fahlbusch, 1932-2013, food demonstrator, Scottsbluff, Nebraska

Roger Fahlbusch, 1958-, hackbrett player and maker, Scottsbluff, Nebraska

Ray Stahla German-Russian Band -- Ray Stahla German-Russian BandRay Stahla, 1929-, accordion player, Grand Island, NebraskaPhil Stahla, 1949-, trombone player, Gillette, WyomingRandy Stahla, 1952-, drummer, Greeley, ColoradoJohn Klein, 1919-1982, hackbrett player, Lincoln, Nebraska

Dorf Musikanten -- Dorf MusikantenJohn Braun, 1938-, accordion player, Mequon, WisconsinRoland A. Braun, 1923-2004, clarinet and zither player, Milwaukee, WisconsinEarl Hilgendorf, 1934-, trumpet and fluegel horn player, Mequon, WisconsinHarold Pipkorn, 1927-, baritone player, Mequon, WisconsinJacob Skocir, 1913-2008, guitar and mandolin player, Milwaukee, Wisconsin

Die Tiefen Keller-Kinder -- Die Tiefen Keller-KinderLarry Bobe, 1955-, trombone player, Amana, IowaJeff Ehrmann, 1956-, cornet player, Amana, IowaPatrick H. Kellenberger, 1951-, tuba player, South Amana, IowaDennis Kraus, 1955-, cornet player, Middle Amana, IowaMark H. Rettig, 1951-, baritone player, Middle Amana, IowaCarol Schuerer, 1958-, clarinet player, Amana, IowaPaul R. Staman, 1958-, cornet player, Amana, IowaAlan J. Trumpold, 1953-, tuba player, South Amana, IowaGuy H. Wendler, baritone and cornet player, Amana, IowaBrad Zuber, 1956-, manager, Amana, IowaRobert Zuber, 1957-, trombone player, Homestead, Iowa

Spanish American

Andalusian

Manuel "Agujetas" De Los Santos, flamenco singer, New York, New York

Tibulina De Los Santos, flamenco dancer, New York, New York

Asturian

Sixto Alonso, singer, Kearney, New Jersey

Basque

Elisa Vidasolo, dancer, Brooklyn, New York

Luis Vidasolo, dancer, Brooklyn, New York

Maria Luisa Vidasolo, cook, Brooklyn, New York

Alys Viña, 1914-1993, tambourine player, Cranford, New Jersey

Angelo Viña, 1914-2003, drummer and fife player, Cranford, New Jersey

Galician

Domingo Casais, bombo player, Bayonne, New Jersey

Francisco Castineira, dancer, Kearny, New Jersey

Manuel Galan, bagpiper, Seaford, New York

Manolo Garcia, dancer, North Tarrytown, New York

Fina Meizoso, dancer, Woodside, New York

Kim Munoz, dancer, Queens, New York

Manuel Pena, tambor player, Corona, New York

Carlos Rodriguez, bagpiper, Elizabeth, New Jersey

Old Spanish

Cleofes Vigil, 1917-1992, singer, San Cristobal, New Mexico

Puerto Rican

Cuarteto Isabelino, instrumental ensemble -- Cuarteto Isabelino, instrumental ensembleWilfredo Cordero, Isabela, Puerto RicoJoaquin Rivera, 1910-1995, Isabela, Puerto RicoMatildo Rosado Santiago, Isabela, Puerto RicoDomingo Ruiz, Isabela, Puerto Rico

Mexican

Los Caporales -- Los CaporalesRicardo Gutierrez Villa, violin, Apatzingán, Michoacán, MexicoRubén Cuevas Maldonado, harp, Apatzingán, Michoacán, MexicoCarlos Cervantes Mora, guitarra de golpe, Michoacán, MexicoOvaldo Ríos Yañez, five string guitar, Tomatlán, Michoacán, MexicoJesús Espinoza Mendoza, violin, Apatzingán, Michoacán, Mexico

Pokar de Ases -- Pokar de AsesMartín Ruíz Luciano, small drum, San Juan, Guerrero, MexicoZacarías Salmerón Daza, violin, Tlapehuala, Guerrero, MexicoJuan Taviera Simón, violin, Ajuchitlán, Guerrero, MexicoSalomón Echeverría de la Paz, bass guitar, Tlapehuala, Guerrero, MexicoNicolas G. Salmerón, guitar and lead singer, Tlapehuala, Guerrero, Mexico

Grupo de Musica Azteca – Puebla -- Grupo de Musica Azteca – PueblaJulio Ocelo Abrajan, huehuetl playerFrancisco García, redoblante, Tlacopac, San Angel, MexicoCrescenciano Chantes Misnáhuatl, chirimia, Tlacopac, San Angel, Mexico

Los Gavilanes -- Los GavilanesAlberto Hernández Carmona, Veracruz, MexicoFortino Hoz Chávez, jarana, Boca del Rio, Veracruz, New MexicoRamon Hoz Chávez, arpa, Boca del Rio, Veracruz, MexicoEvaristo Silva Reyes, pandero, Tlacotlalpan, Veracruz, MexicoJosé Aguirre Vera, requinto, Tlacotlalpan, Veracruz, Mexico

Trio Huasteco -- Trio HuastecoRaúl Vázquez Díaz, dancer, Pánuco, Veracruz, MexicoLeonard Reyes Domínguez, jarana, Pánuco, Veracruz, MexicoAureliano Orta Juárez, violin, Pánuco, Veracruz, MexicoFrancisca Orta Juárez, dancer, Pánuco, Veracruz, MexicoMatio González Ramos, guitarra quinta, singer, Pánuco, Veracruz, Mexico

Salvador Ortega, field researcher and presenter

Mexican American

Banda Sinaloense -- Banda SinaloenseJuventino Cruz, bass drum, Los Angeles, CaliforniaFrancisco Garcia, trombone, Los Angeles, CaliforniaPascual Garxiola, trombone, Los Angeles, CaliforniaAntonio Ibarra, snare drum, Los Angeles, CaliforniaManuel Luna, clarinet, Los Angeles, CaliforniaMiguel Nuñez, clarinet, tuba, Los Angeles, California

Isabella Ortega, 1926-2000, food demonstrator, Santa Fe, New Mexico

Ben Ortega, 1923-1998, wood carver, Santa Fe, New Mexico

Luis Eligio Tapia, 1950-, wood carver, Santa Fe, New Mexico

Conjunto Jarocho -- Conjunto JarochoRoberto Murillo, 1941-2001, Vera Cruz harp player, La Mirada, CaliforniaHarry González, 1932-, guitar and requinto jarocho player, Walnut Creek, CaliforniaSteve Luévano, 1939-, jarana jarocho player, Los Angeles, CaliforniaCarlos Gonzalez, 1936-, jarana jarocho player

José Mariano Ortega, 1921-, corrido singer, guitar player, Los Angeles, California

María Elena Villarreal, corrido singer, guitar player, Los Angeles, California

Japanese

Tsugaru Min'yo -- Tsugaru Min'yoGoro Abo, 1923-, singer, dancer, musician (flute, shakuhachi, shamisen, taiko), Hirosaki, Aomori, JapanMizuguchi Kachie, 1927-, singer, dancer, taiko player, Hirosaki, Aomori, JapanTakashi Satomi, shakuhachi player, Hirosaki, Aomori, JapanKimio Sugawara, 1951-, shamisen player, singer, Tokyo, JapanSato Suma, 1930-, singer, taiko player, Aomori, Japan

Kuruma Ningyo -- Kuruma NingyoNorio Hioki, 1933-, puppet theater narrator, Tokyo, JapanBunnosuke Kaneko, 1912-, shamisen player, Tokyo, JapanTokiyo Senuma, 1922-, puppeteer, Tokyo, JapanToru Senuma, 1947-, puppeteer, Tokyo, JapanShiro Tanzawa, 1931-, puppeteer, dancer, taiko player, Tokyo, JapanSenuma Yasushi, puppeteer, Tokyo, Japan

Otsugunai Yamabushi Kagura -- Otsugunai Yamabushi KaguraTeiji Fujiwara, 1922-, dancer, Ohasama, Iwate, JapanHitoshi Ito, 1946-, dancer, Ohasama, Iwate, JapanMasayoshi Kobayashi, 1946-, taiko player, Tenri, Nara, JapanHideo Sasaki, 1943-, dancer, cymbals player, Ohasama, Iwate, JapanKaneshige Sasaki, 1914-, dancer, taiko player, Ohasama, Iwate, JapanKazuo Sasaki, 1933-, dancer, Ohasama, Iwate, JapanTakashi Sasaki, 1931-, dancer, Ohasama, Iwate, JapanYutaka Sasaki, 1942-, dancer, flautist, Ohasama, Iwate, JapanShinji Yamada, 1959-, flautist, Minami Izu, Shizuoka, JapanKiyoshi Yamamoto, recitation, cymbals, mask maker, Ohasama, Iwate, JapanShin'ichiro Yoshida, 1954-, dancer, cymbals player, Ohasama, Iwate, Japan

Hideyuki Kojima, travel aide, tour director

Kozo Yamaji, 1939-, folklorist

Japanese American

Rev. Shingetsu Akahoshi, 1906-2007, calligrapher, Elmer, New Jersey

Itsuko Asada, 1928-, traditional food preparation, Seabrook, New Jersey

Kimiko Fukuda, dance workshop, San Diego, California

Fusaye Kazaoka, 1930-2006, kusudama maker (ornamental balls made with aromatic barks), Bridgeton, New Jersey

Chiyoe Kubota, 1915-, traditional food preparation, Ogden, Utah

Katsuko Lee, ikebana, Alexandria, Virginia

Asako Marumoto, 1911-2006, traditional food preparation, Layton, Utah

Sunako Oye, 1923-, dance workshop, Vineland, New Jersey

Kyokuho Otsubo, 1911-2006, lutenist (biwa), singer, Los Angeles, California

Toku Sugiyama, ikebana, Towson, Maryland

Kuwako Takahashi, 1916-2008, bonseki (sand painting), Berkeley, California

Karen Takata, 1955-, origami demonstrator, Bridgeton, New Jersey

Suzie Takata, 1924-2004, kimono dressing, Bridgeton, New Jersey

Harumi Taniguchi, 1902-2001, food demonstrator, Seabrook, New Jersey

Hisano Tazumi, 1898-1999, kimono making, Seabrook, New Jersey

Kiyoko Uyeda, ikebana, Annandale, Virginia

Kazuo Yano, 1900-1999, singer (traditional shigin), Los Angeles, California

Greek

Island of Skyros

Anna Ftoulis, 1924-, singer, dancer, Skyros, Greece

Constantin Ftoulis, 1938-, Skyros, Greece

George Ftoulis, 1923-, singer, dancer, Skyros, Greece

John Ftoulis, 1927-, singer, dancer, Skyros, Greece

Mantzouranis Ftoulis, Skyros, Greece

Achilles Katsarelias, 1942-, singer, Skyros, Greece

Aliki Lambrou, 1935-, singer, dancer, Athens, Greece

Alexandros Louloudas, Skyros, Greece

Dimitrios Mavrikos, 1941-, Skyros, Greece

Frangiskos Tziotakis, Skyros, Greece

Island of Amorgas

Dimitra Gavalas, 1933-, singer, dancer, Athens, Greece

Efstathios Gavalas, singer, dancer, Athens, Greece

Theofanis Roussos, 1935-, singer, dancer, Athens, Greece

George Stephanides, 1899-, laouto player, Amorgos, Greece

Marousa Synodinos, 1934-, singer, dancer, Athens, Greece

Nikitas Synodinos, 1931-, violin player, Athens, Greece

Roumeli and Macedonia

Nikolaos Adamopoulos, 1906-, clarinet player, Argos Orestiko, Orestida, Greece

Alexandros Economopoulos, 1913-, violin player, Megara, Attica, Greece

Christos Halkias, 1917-, clarinet, violin player, Athens, Greece

Elias Haralambos, 1922-, laouto player, Athens, Greece

Nicolaos Sterghiou, 1928-, floghera player, singer, Athens, Greece

Stefanos Imellos, 1933-, folklorist, Athens, Greece

Spyros Peristeris, 1913-, musicologist, Athens, Greece

Sophia Kallipolitis, 1943-, interpreter, Athens, Greece

Greek American

Elli Andonyadis, cook, Washington, D.C.

Aris Diakovassilis, dancer, singer, Astoria, New York

George Eliakis, dancer, laouto player, Cleveland, Ohio

Irene Eliakis, dancer, Cleveland, Ohio

Eleftheria Frantzeskakis, dancer, singer, Astoria, New York

Jim Hatzis, laouto player, Chicago, Illinois

Costas Maris, lyra, violin player, Jamaica, New York

Elias Maris, 1912-1993, lyra player, lyra maker, Jamaica, New York

Bill Mavrakis, dancer, Cleveland, Ohio

Bill John Mavrakis, dancer

Dona Mavrakis, dancer, South Euclid, Ohio

Georgia Mavrakis, dancer, South Euclid, Ohio

Stella Mavrakis, dancer, South Euclid, Ohio

Vassilios Mavrakis, dancer, South Euclid, Ohio

Dimitrios Pantopoulos, singer, Astoria, New York

Emmanuel Papadopoulos, 1928-1991, singer, lyra player, Astoria, New York

John Pappas, dancer, singer, instrumentalist, Stockton, California

Nick Ramakis, cook, Washington, D.C.

Ioannis Roussos, singer, instrumentalist, Philadelphia, Pennsylvania

Frank G. Savakis, lyra player, Chicago, Illinois

Nikos Sophos, laouto, violin player, Jamaica, New York

Emmanuel G. Varouhas, dancer, Rocky River, Ohio

Austrian

Altausseer Seitlpfeifer -- Altausseer SeitlpfeiferJohann Stöck, 1912-, transverse flute playerThomas Simentschitsch, 1956-, transverse flute playerKurt Simentschitsch, 1958-, cylindrical drum & transverse flute playerAlois Blamberger, 1912-1989, violin, jaws harp, & transverse flute player

Lungauer Birkenblattbläser -- Lungauer BirkenblattbläserEngelbert Kocher, 1911-, birchback whistlerGerfield Weilharter, 1958-, birchbark whistler, singer and hollerer

Thaurer Fastnachtler -- Thaurer FastnachtlerKonrad Giner, 1949-, dancerAlois Hofmann, 1944-, dancerMaximilian Nagl, 1944-, dancerFranz Felderer, 1948-, dancerKarl Feichtner, 1947-, dancerRomed Giner, 1954-, dancerOtto Fehr, 1956-, dancerHerbert Schaur, 1955-, dancerFranz Schaur, 1944-, dancerFranz Posch, 1953-, accordion player

Pamhagen Frauen -- Pamhagen FrauenKatharina Lörincz, 1922-, singerRosa Koppi, 1922-, singerKatharina Lüttmannsberger, singer

Schneebergbuam -- SchneebergbuamFriedl PfefferKurt LesarWalter Sacchet

Dr. Christian Feest, fieldworker and presenter

Sebastian Ulrich Pfaundler, 1957-, presenter

Austrian American

The Tyrolers -- The TyrolersEmery Wechselberger, 1933-, zither player, yodeler, Leavenworth, WashingtonEric Wechselberger, 1961-, trumpet player, Leavenworth, WashingtonRoy Wechselberger, 1963-, trumpet and bells player, schuhplatt dancer, Leavenworth, WashingtonFranz Schauer, drummer, Seattle, Washington

The Alpiners -- The AlpinersDick Theml, 1922-2003, violin player, singer, Glenview, IllinoisJohn Weber, 1945-, tuba player, Chicago, IllinoisMiles G. Soumar, 1933-2013, clarinet player, Chicago, IllinoisEdward C. Richter, 1917-1998, accordion player, Chicago, IllinoisRichard A. Jenson, 1942-, trumpet player, Palatine, IllinoisJerome C. Olson, 1934-1991, drummer, Chicago, IllinoisHeidi Siewert, 1938-, singer, yodeler, Glen Ellyn, Illinois

Sara Schwarz, 1912-1992, embroiderer, Chicago, Illinois

Rosegger Steirer Group -- Rosegger Steirer GroupBeryl Rossner, 1925-2010, folk dancer, Highland, IndianaCarl Rossner, 1921-1993, folk dancer, Highland, IndianaBarbara Rossner, 1958-, folk dancer, Highland, IndianaMichael Rossner, 1955-, folk dancer, Highland, IndianaBetty Wagner, 1930-, folk dancer, Chicago, IllinoisEdward Wagner, 1958-, folk dancer, Chicago, IllinoisAdolph Wagner, 1924-1982, accordion player, Chicago, IllinoisSharon Schuch, folk dancerMary Schuch, 1928-, folk dancer, Oak Lawn, IllinoisRoberta Schuch, 1961-, folk dancer, Oak Lawn, IllinoisAnthony Schuch, 1928-, folk dancer, Oak Lawn, IllinoisEllen Guenther, 1962-, folk dancer, Oak Lawn, IllinoisHedwig Guenther, folk dancer, Oak Lawn, IllinoisPaul Coglianese, 1957-, folk dancer, Oak Lawn, IllinoisFred Semmler, 1939-, folk dancer, Chicago, Illinois

Indian

The Chetana Indian Women's Organization, traditional food preparation

Dancers & singers from Manipur

Dancers & singers from Rajasthan and Gujarat

Dancers & singers from the Punjab and Haryana

Mrs. Battobai, folk doll maker

Surya Dev, madhubani painter

Bindeshwari Devi, sikki grass work

Sita Devi, madhubani painter

Mohan Mehar, ikat weaving from Orissa

Shantantra Prakash, craft program coordinator, New Delhi, India

Raghunath Singha, loin loom weaving of Manipur

Indian American

Arun Agrawal, 1945-, singer, dancer, musician, Fall River, Massachusetts

Paul Anderson, 1935-, singer, Windsor, Ontario, Canada

Gulbarg Singh Basi, 1941-, singer, Cleveland, Ohio

Guriqbal Singh Basi, 1956-, dancer, Bedford Heights, Ohio

Rupinder Gulbarg Basi, 1947-, dancer, Cleveland, Ohio

Ashok G. Bhatt, 1941-, singer, dancer, Springfield, Illinois

Bharti Desai, dancer, Lanham, Maryland

Hansa Desai, dancer, Lanham, Maryland

Ila Desai, dancer, Lanham, Maryland

Jahanui Desai, dancer, Lanham, Maryland

Nita Desai, dancer, Lanham, Maryland

Pankaj Desai, dancer, Lanham, Maryland

Purnima Desai, dancer

Smita Desai, dancer, Lanham, Maryland

Utpala Desai, dancer, Lanham, Maryland

Gurdev Singh Dhanda, 1937-, dancer, Newark, California

Jaidev Singh Dhanda, singer, dancer

Vasant Joshi, 1941-, singer, drummer, El Cerrito, California

Tilu Lakhani, dancer, Queens, New York

Mrudula Mehta, dancer, Lanham, Maryland

Narender Pandit, 1948-, dancer, New York, New York

Harsha Pandya, dancer, Lanham, Maryland

Nayan Pandya, 1948-, singer, dancer, Gettysburg, Maryland

Paresh Pandya, dancer, Lanham, Maryland

Bhanu Patel, dancer, Lanham, Maryland

Kanti Patel, 1951-, singer, dancer, Oakland, California

Maya Patel, 1946-, singer, dancer, Berkeley, California

Nina Patel, dancer, Lanham, Maryland

Rohit Patel, 1940-, dancer, Deerfield, Maryland

Satal Patel, dancer, Lanham, Maryland

Suman Patel, dancer, Lanham, Maryland

Viru Patel, dancer, Lanham, Maryland

Uma Rana, 1935-, dancer, Flushing, New York

Kalpana Mazumder Row, 1943-, singer, Boston, Massachusetts

Rita Sahai, 1953-, singer, Berkeley, California

Iqbal Singh Sandhu, 1957-, dancer, Columbus, Ohio

Uma Shankar, 1954-, singer, Cambridge, Massachusetts

Anju Shah, dancer, Lanham, Maryland

Dilip Shah, dancer, Lanham, Maryland

Pinkey Shah, 1945-, dancer, College Park, Maryland

Kamlini Vaidya, dancer, Lanham, Maryland

Yashodhara Vyas, dancer

Hungarian

Mrs. Ferenc Bajzáth, 1927-, singer, Fedémes, Hungary

Ödŏn Fehér, 1935-, musician, Jánoshida, Hungary

László Gyalog, 1955-, singer, musician, Gyoma, Hungary

Ferenc Harnyos, 1940-, musician, Jászberény, Hungary

György Hidas, 1939-, dancer, musician, Pilisvörösvár, Hungary

Borbála Horváth, 1952-, dancer, Budapest, Hungary

Zsigmond Karsai, 1920-, dancer, singer, Pécel, Hungary

Mrs. Zsigmond Karsai, 1920-, dancer, singer, Pécel, Hungary

Mrs. Gabor Koltai, 1953-, dancer, Budapest, Hungary

Gusztáv Kovács, 1937-, dancer, singer, Nagyecsed, Hungary

Mrs. Gusztav Kovacs, 1939-, dancer, Nagyecsed, Hungary

Katalin Lázár, dancer, singer, Budapest, Hungary

István Litkey, 1943-, dancer, musician, Budapest, Hungary

Mrs. Tivadar Kali Molnar, singer, Fedémes, Hungary

Lajos Murgaly, 1949-, dancer, singer, Nagyecsed, Hungary

Mrs. Laszlo Nagy, 1948-, craftsperson, dancer, singer, Kalocsa, Hungary

Mrs. Lajos Szabó, dancer, singer, Nagyecosed, Hungary

Miklós Szalóczy, 1949-, musician, Jászberény, Hungary

Lajos Tóth, 1948-, dancer, Szekszánd, Hungary

Mrs. Imre Vanko, 1919-, painter, singer, Galgamácsa, Hungary

Ferenc Varga, 1919-, dancer, singer, Szany, Hungary

László Vásárhelyi, group leader, Budapest

Ferenc Vén, dancer, singer, Drákszél, Hungary

László Vŏlgyi, 1952-, musician

Hungarian American

Anna Kovach Arceneaux, 1936-2002, dancer, Albany, Louisiana

Ildiko Berger, ceramicist, Silver Spring, Maryland

Mickey Duczer, 1938-, dancer, Albany, Louisiana

Arabella Fendlason, 1911-1985, saxophone player, Hammond, Louisiana

John A. Huszar, 1936-1993, dancer, Baton Rouge, Louisiana

John Kapsco, saxophone player, Hammond, Louisiana

Betty Kovach, 1938-, dancer, Albany, Louisiana

Géza Kovach, 1912-1977, dancer, Albany, Louisiana

Jimmie Kovach, 1933-, dancer, Albany, Louisiana

Judith Magyar, dancer, Bogota, New Jersey

Kalman Magyar, Sr., 1945-, zither player, zither maker, Teaneck, New Jersey

Kalman Magyar, Jr., dancer, Bogota, New Jersey

Suzan Nyeki Martin, 1948-, dancer, Baton Rouge, Louisiana

Helen Nyeki, 1926-, dancer, folk singer, Hammond, Louisiana

Andy Olah, 1913-1997, pianist, Hammond, Louisiana

Bobby Olah, drummer, Albany, Louisiana

Frank Olah, 1931-2008, dancer, Albany, Louisiana

Mary Resetar, 1909-2001, food demonstrator, Hammond, Louisiana

Steve Resetar, 1907-1981, violinist, Hammond, Louisiana

Edith Sayko, embroiderer, ceramicist, Greenbelt, Maryland

Prisca Weems, food demonstrator, Washington, D.C.

Swiss

Rigihundsbuchmusik -- RigihundsbuchmusikJosef Odermatt, 1950-, spoons and broomstick player, Vitznau, Lucerne, SwitzerlandJustus Waldis, 1933-, leaf player, Vitznau, Luzern, SwitzerlandDavid Camenzino, 1941-, mouth organ and rhythm instruments player, Gersau, Schwyz, SwitzerlandJohann Camenzino, 1945-, mouth organ and jaws harp player, Vitznau, Lucerne, SwitzerlandKaspar Küttel, 1913-, mouth organ and jaws harp player, Vitznau, Lucerne, SwitzerlandUrs Müller, 1949-, clappers player, Gersau, Schwyz, SwitzerlandPaul Ulrich, mouth organ and jaws harp player, Bisisthal, Schqyz, Switzerland

Albin Lehmann, 1924-, plucked zither player, Mollis, Glarus, Switzerland

Maria Margrith Ulrich, 1929-, zither player, Bisisthal, Schwyz, Switzerland

Paul Walder, 1956-, alphorn player and maker, Bubikon, Zürich, Switzerland

Käthi Gyger, 1937-, yodeler, Kaufdorf, Bern, Switzerland

Ernst Gyger, 1935-, yodeler, Kaufdorf, Bern, Switzerland

Bandela Tremonese -- Bandela TremoneseGiorgio Ferrari, 1956-, trombone and bass player, Stabio, SwitzerlandGianni Aspesi, tuba player, Meride, Ticino, SwitzerlandMario Robbiani, 1941-, trombone player, San Pietro di Stabio, SwitzerlandBruno Maspoli, 1943-, clarinet player, San Pietro di Stabio, SwitzerlandAldo Onusti, 1932-, trumpet player, Mendrisio, SwitzerlandCinzio Baracchi, 1927-, cornet player, Tremona, Switzerland

Serge Broillet, 1955-, accordion player, Le Locle, Neuchâtel, Switzerland

Gilbert Schwab, 1926-, accordion player, Le Locle, Neuchâtel, Switzerland

Appenzeller Streichmusik -- Appenzeller StreichmusikErnst Baenziger, 1940-, musician, Herisau, Appenzell, SwitzerlandHansueli Adler, musician, Urnäsch, SwitzerlandJohann Josef Dobler, 1954-, musician, Weissbad, SwitzerlandJakob Düsel, 1942-, musician, Letz Tell, Urnäsch, SwitzerlandAlbert Düsel, 1941-, musician, Herisau, Switzerland

Brigitte Geiser, 1941-, field researcher and presenter, Bern, Switzerland

Swiss American

Kapelle Werner Blaser -- Kapelle Werner BlaserWerner Blaser, 1926-, clarinet and saxophone player, Chehalis, WashingtonJoe Blaser, 1956-, clarinet and saxophone player, Chehalis, WashingtonDon Blaser, 1961-, accordion player, Chehalis, WashingtonMary Ann Ackerman, piano player, Orting, WashingtonJoe Burgi, 1906-1990, bass and accordion player, Tacoma, WashingtonRandy Grab, 1953-, bass player, Tacoma, Washington

Young Swiss Musicians -- Young Swiss MusiciansHelen Rast, 1961-, accordion player, San Jose, CaliforniaFrank Rast, 1959-, trumpet and alphorn player, San Jose, CaliforniaFred Rast, 1958-, clarinet, saxophone and alphorn player, San Jose, CaliforniaChristine Anderson, 1961-, bass player, Newark, CaliforniaKaren Anderson, 1959-, clarinet and alto saxophone player, Newark, CaliforniaSonja Ruckli, 1958-, piano player and singer, Newark, CaliforniaMichael Imhof, 1959-, accordion player, Fremont, California

Aelplergruppe -- AelplergruppeSergio Sartori, 1927-1978, accordion player and singer, San Francisco, CaliforniaDennis Sartori, 1954-, accordion player and singer, San Francisco, CaliforniaConrad Grass, 1954-, wrestler, San Bruno, CaliforniaRobert Wipfli, 1953-, wrestler, Fremont, California

Kaspar Hunkeler, flag thrower, Chevy Chase, Maryland

Robbi Hunkeler, flag thrower and alphorn player, Chevy Chase, Maryland

Italian

Calabria

Francesco Crudo, 1933-, piffero (oboe) player, Rombiolo, Italy

Michele Monteleone, 1918-, zampogna player (bagpiper), Rombiolo, Italy

Liguiria

Squadra Nuova Pontedecima, polyphonic chorus

Alessandro Anzini, 1940-, escort, Rome, Italy

Italian American

Basilicata

Antonio Davida, singer, drum player

Calabria

Anunziata Chimento, 1917-2006, singer, masker in Carnevale

Anunziato Chimento, singer, dancer, castanets player, "Doctor" in Carnevale

Franco Cofone, singer, dancer, quadrille caller, "Pulcinella" and master of ceremonies in Carnevale

Giuseppe DeFranco, 1933-, musician, singer, dancer

Raffaela DeFranco, 1935-, singer, dancer

Antonio DiGiacomo, tambourine player, singer, dancer

Carmine Ferraro, singer, dancer, masker in Carnevale

Francesco Feraco, singer, dancer, tambourine player

Angelo Gabriele, 1921-2006, singer, tambourine player, dancer, masker in Carnevale

Angelo Gencarelli, 1920-2004, singer, dancer, "La Quaresima" (Lent) in Carnevale

Federico Gencarelli, singer, tambourine player

Giuglio Gencarelli, singer, "Carnevale" in Carnevale

Maria Melito, dancer, masker in Carnevale

Molise

Vincenzo Deluca, 1933-1983, bagpiper

Sicily

Vincent Ancona, 1915-2000, chanty singer

Nino Curatolo, 1928-1980, singer of chanties, carittiere and fish vendors' songs, jaws harp player

Gaetano D'Angelo, 1906-1996, chanty singer

Giovanni Pellitteri, friscalettu (cane flute) player

Collection Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Collection Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Collection Citation:

Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1976, Series 7

See more items in:

Smithsonian Folklife Festival records: 1976 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk58f41267b-1ab8-4a22-8d9e-83805d6063f2

EDAN-URL:

ead_component:sova-cfch-sff-1976-ref50

Artist:

Maurice Prendergast, American, b. St. John's, Newfoundland, Canada, 1858–1924  Search this

Medium:

Oil on canvas

Dimensions:

21 1/4 X 27 3/8 IN. (54.1 X 69.6 CM.)

Type:

Painting

Date:

(c. 1910)

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number:

66.4129

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

American Impressionism

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2ebbd3d95-04cc-40d1-8c56-1fffd48ddd3c

EDAN-URL:

edanmdm:hmsg_66.4129

Artist:

John Sloan, American, b. Lock Haven, Pennsylvania, 1871–1951  Search this

Medium:

Oil on canvas

Dimensions:

30 1/4 X 36 1/4 IN. (76.7 X 92.0 CM.)

Type:

Painting

Date:

(1929-1945)

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number:

66.4614

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

American Realism (Ashcan School)

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2a191e107-d36f-45e6-81a5-f0aeeae7cf18

EDAN-URL:

edanmdm:hmsg_66.4614