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Robert Crannell Minor papers

Creator:
Minor, Robert Crannell, 1839-1904  Search this
Extent:
53 Items ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1896-1904
Scope and Contents:
Letter, 1879, from Minor in which he gives a brief sketch of his career as an artist; 2 pencil sketches of trees; 2 scrapbooks containing clippings, exhibition catalogs, photographs of paintings, a biographical sketch, and letters received, 4 photographs of Minor and 31 of his paintings; and clippings.
Biographical / Historical:
Landscape painter, etcher and painter; Watertown, Connecticut. Born in New York City. Studied under A. C. Howland for two years, under Diaz at Barbizon, Van Luppen in Antwep, Boulanger in Paris. Won a prize in the 1900 Paris exposition. Member of the American Barbizon School.
Provenance:
Lent by Minor's grandaughter, Isabel T. Davis, and great-grandaughter, Gladys T. Pritchard, 1983.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Etchers -- Connecticut -- Watertown  Search this
Landscape painters -- Connecticut -- Watertown  Search this
Painters -- Connecticut -- Watertown  Search this
Identifier:
AAA.minorobe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938ea0a63-71b6-4e63-8a9f-bbd97591dfa3
EDAN-URL:
ead_collection:sova-aaa-minorobe

Gorky, Arshile

Collection Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Container:
Box 3, Folder 25
Type:
Archival materials
Date:
1942-1986
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy C. Miller papers
Dorothy C. Miller papers / Series 2: Correspondence and Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94e523e09-572b-4261-8a49-989f71157fc1
EDAN-URL:
ead_component:sova-aaa-milldoro-ref167
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Charles Cajori papers

Creator:
Cajori, Charles, 1921-2013  Search this
Names:
New York Studio School of Drawing, Painting and Sculpture  Search this
Tanager Gallery (New York, N.Y.)  Search this
Dodd, Lois, 1927-  Search this
Finkelstein, Louis  Search this
Extent:
7.4 Linear feet
0.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Date:
1928-2018
Summary:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.
Scope and Content Note:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.

Biographical material consists of Charles Cajori's high school records, air force records, passports and other travel documents, material related to his 90th birthday celebration, resumes, exhibition lists, a few drawings, obituaries, memorial service information, conservation reports on paintings, and other material.

Correspondence is personal and professional and consists of mostly incoming letters to Cajori from artists, friends, family, art historians, and academic institutions. There are a few letters from Charles Cajori, including draft of his letters. Among the correspondents are Pat Adams, Leland Bell, Bernard Chaet, Cooper Union, Cleve Gray, Barbara Grossman, Louis Finkelstein, Philip Pearlstein, Sidney Simon, Norman Turner, and the University of California at Berkeley. Of interest, are letters from the founders of the Tanager Gallery, such as Lois Dodd, Angelo Ippolito, and William King. Correspondence also documents Cajori's dealings with galleries and museums as well as his involvement in arts organizations; included are letters from American University, Watkins Gallery; Bertha Schaffer Gallery; Colorado Springs Fine Arts Center; Gallery Association of New York; Museum of Modern Art; Roko Gallery; Stable Gallery; and the Whitney Museum of American Art. There are also condolences to Barbara regarding Cajori's death.

Cajori's writings include drafts on painting and drawing that Cajori prepared for classroom lectures and panel discussions; essays on Paul C├ęzanne and Chaim Soutine; and his account of the founding of the Tanager Gallery. Cajori's writings also include a biographical account and an artist's statement. There are writings by Louis Finkelstein, Andrew Forge, and Mercedes Matter about Cajori's work. Included are several guest registers for Cajori's exhibitions at the David Findlay Gallery, Lohin Geduld Gallery, and the New York Studio School. There are also some class notes and essays that are probably from Cajori's college days, as well as some undated writings that include notes on art and artist statements.

Interviews, talks, and panel discussions include a transcript of an interview with Charles Cajori, audiotaped and videotaped as well as born digital interviews with Charles Cajori, and panel discussions with Cajori and others. Panel discussions with Cajori and others cover such topics as the New York school artists and Chaim Soutine. Many of recordings focus on Cajori's association with the Tanager Gallery, the art scene in New York during the 1950s, and his reflections on art. Also included are miscellaneous videotaped recordings. One panel discussion is digitized.

Printed material contains exhibition catalogs, checklists, announcements, invitations, press releases, clippings, reviews, brochures, and miscellaneous printed material. There are files of printed materials on the New York Studio School as well as Tanager Gallery that include exhibition catalogs and clippings.

Photographic material includes photographs, slides, and negatives of Charles Cajori, his studio, family and friends, black and white and color photographs of works of art, events and exhibition installations.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1928-2018 (Box 5; 0.4 linear feet)

Series 2: Correspondence, 1929-2015 (Boxes 1-2, 5-6; 1.8 linear feet)

Series 3: Writings and Notes, 1940-2012 (Boxes 2, 6, 8; 0.4 linear feet)

Series 4: Interviews, Talks, and Panel Discussions, 1983-2012 (Boxes 2-3, 6; 1.3 linear feet, ER01; 0.070 GB)

Series 5: Printed Material, 1943-2018 (Boxes 3-4, 6, 8, OV 9; 2 linear feet)

Series 6: Photographic Material, circa 1928-2015 (Boxes 6-8; 1.6 linear feet)
Biographical Note:
Painter and teacher Charles Cajori (1921-2013) worked in New York City and Connecticut.

Born in Palo Alto, California in 1921, Charles Cajori studied painting at Colorado College and the Cleveland Art School. Cajori served in the United States Air Force during World War II. Upon his return, he attended Columbia University and then spent two years at the Skowhegan School of Painting and Sculpture.

Charles Cajori was one of the founding members of the Tanager Gallery, an early artists' cooperative gallery, originally located at 90 East Tenth Street in New York, which provided a venue for contemporary artists to exhibit their work. Through Tanager Gallery, Cajori became acquainted with Franz Kline, Willem de Kooning, and other Abstract Expressionist artists. In 1956, Charles Cajori had his first solo exhibition at the Tanager Gallery and since then, he continuously showed his work in numerous solo and group exhibitions in the United States and abroad including American University, Bertha Schaeffer Gallery, David Findlay Jr. Gallery, El Museo de Bellas Artes de Caracas, Ingber Gallery, Lohin Geduld Gallery, Mattatuck Museum, New Arts Gallery, Paesaggio Gallery, Sala di Esposizione della Biblioteca Americana, Stable Gallery, and the Whitney Museum of American Art. Charles Cajori's work is represented in a number of public and private collections including the Ciba-Geigy Corporation, the Metropolitan Museum of Art, the National Academy of Design, Walker Art Center, and the Weatherspoon Museum.

In conjunction with his activities as an artist, Charles Cajori taught painting and drawing at major academic institutions and art schools: Colorado Springs Fine Arts Center, Cooper Union, Cornell University, the University of California at Berkeley and Queens College (CUNY) where he taught for 20 years. Cajori was a co-founder of the New York Studio School, where he continued to serve on the faculty and the Board.

Charles Cajori received many honors for his work including the 1959 Distinction in the Arts, Yale University; Benjamin Altman, Figure Prize at the National Academy, 1983, 1987; the Childe Hassam Purchase Award by the Institute of Art and Letters Award, 1975-1976, 1980; and the Louis Comfort Tiffany Award, 1979. Also, Cajori was awarded a Fulbright grant to Italy, 1952-1953, and a grant from the National Endowment for the Arts in 1981, as well as a Guggenheim Fellowship in 2001.

Charles Cajori was married to the painter Barbara Grossman and they lived in Watertown, Connecticut.
Provenance:
The Charles Cajori papers were donated to the Archives of American Art by Charles Cajori in 2011 and by Barbara Grossman in 2015 and 2021.
Restrictions:
This collection is open for research. Access to original papers requires an appointments and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Citation:
Charles Cajori papers, 1928-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cajochar
See more items in:
Charles Cajori papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4683c60-e4b6-49e4-8bc3-1f44de6b3349
EDAN-URL:
ead_collection:sova-aaa-cajochar
Online Media:

Robert Crannell Minor papers, 1896-1904

Creator:
Minor, Robert Crannell, 1839-1904  Search this
Citation:
Robert Crannell Minor papers, 1896-1904. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7089
(DSI-AAA_SIRISBib)209222
AAA_collcode_minorobe
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209222

Portrait of Dr. John Deforest, (painting)

Painter:
Allen, W. R.  Search this
Subject:
Deforest, John  Search this
Type:
Paintings
Owner/Location:
Watertown Historical Society 22 DeForest Street Watertown Connecticut 06795
Topic:
Portrait male--Profile  Search this
Portrait male--Bust  Search this
Control number:
IAP 07790003
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_312281

Country Road, Watertown, (painting)

Painter:
Hopson, William F. 1849-1935  Search this
Medium:
Watercolor
Type:
Paintings
Owner/Location:
Mattatuck Historical Society 119 West Main Street Waterbury Connecticut 06702
Topic:
Landscape--Connecticut--Watertown  Search this
Control number:
IAP 07770183
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_39285

Portrait of Benjamin Deforest, (painting)

Painter:
Allen, W. R.  Search this
Subject:
Deforest, Benjamin  Search this
Type:
Paintings
Owner/Location:
Watertown Historical Society 22 DeForest Street Watertown Connecticut 06795
Topic:
Portrait male--Bust  Search this
Control number:
IAP 07790002
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_312280

Son of a Gentleman, (painting)

Painter:
Unknown  Search this
Subject:
Unidentified  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Mary R. Atwood Antiques Routes 6 and 202 Watertown Connecticut
Date:
18th c
Topic:
Portrait male--Child  Search this
Control number:
IAP 80043509
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_176981

Cattle on Elton Farm, Watertown, (painting)

Painter:
Beach, J. H.  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Mattatuck Historical Society 119 West Main Street Waterbury Connecticut 06702
Date:
1873
Topic:
Animal--Cattle  Search this
Landscape--Farm  Search this
Landscape--Connecticut--Watertown  Search this
Control number:
IAP 07770005
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_39109

Farm Scene, (painting)

Painter:
Unknown  Search this
Type:
Paintings
Owner/Location:
Watertown Historical Society 22 DeForest Street Watertown Connecticut 06795
Topic:
Architecture--Farm  Search this
Landscape--Farm  Search this
Landscape--Water  Search this
Figure  Search this
Architecture--Boat--Rowboat  Search this
Control number:
IAP 07790001
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_312279

(Landscape), (painting)

Painter:
Unknown  Search this
Type:
Paintings
Owner/Location:
Watertown Historical Society 22 DeForest Street Watertown Connecticut 06795
Topic:
Landscape--Water  Search this
Control number:
IAP 07790004
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_312282

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