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Meet Consuelo Jimenez Underwood

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-05T14:06:36.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_j25Z8jzqWo0

Honoré Sharrer papers

Creator:
Sharrer, Honoré, 1920-2009  Search this
Names:
American Academy of Arts and Letters  Search this
Forum Gallery (New York, N.Y.)  Search this
Handmacher-Vogel, Inc.  Search this
Terry Dintenfass, Inc.  Search this
Women's Caucus for Art  Search this
Blume, Peter, 1906-1992  Search this
Bridaham, Lester Burbank  Search this
Caiserman-Roth, Ghitta, 1923-  Search this
Calderwood, Kathy, 1945-  Search this
Carpenter, Mary  Search this
Crutchfield, Mary  Search this
Goodwin, Betty  Search this
Kirstein, Lincoln, 1907-  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Oda, Mayumi, 1941-  Search this
Poland, Reginald  Search this
Sachs, Honoré  Search this
Sharrer, Madeleine  Search this
Tooker, George, 1920-2011  Search this
Zagorin, Adam  Search this
Zagorin, Perez  Search this
Extent:
9.45 Linear feet
1.12 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Photographs
Date:
circa 1920-2007
Summary:
The papers of realist painter, Honoré Sharrer, measure 9.45 linear feet and 1.12 GB and date from circa 1920-2007. The collection documents Sharrer's career through biographical material, personal and professional correspondence, writings and notes, research and source files, printed and digital material, artwork, sketchbooks, and photographs of Sharrer, her family, friends, colleagues, and artwork.
Scope and Contents:
The papers of realist painter, Honoré Sharrer, measure 9.45 linear feet and 1.12 GB and date from circa 1920-2007. The collection documents Sharrer's career through biographical material, personal and professional correspondence, writings and notes, research and source files, printed and digital material, artwork, sketchbooks, and photographs of Sharrer, her family, friends, colleagues, and artwork.

Biographical material includes biographical notes and resumés, awards, paintbrushes used by Sharrer, and sales records, as well as comprehensive documentation, compiled 2004-2007 by her husband, Perez Zagorin, and her son, Adam Zagorin, of Sharrer's artwork in their possession. Included are digital images of Sharrer's artwork.

Correspondence is with family members including Sharrer's mother, Madeleine Sharrer, and her second husband, Reginald Poland; husband Perez Zagorin; son Adam Zagorin; and daughter-in-law, Mary Carpenter Also found is correspondence with artists including Peter Blume, Lester Burbank Bridaham, Gitta Caiserman-Roth, Kathy Calderwood, Mary Crutchfield, Betty Goodwin, Lincoln Kirstein, Mayumi Oda, and George Tooker. Other professional correspondents include galleries, museums, and other art institutions such as American Academy of Arts and Letters, Terry Dintenfass, Forum Gallery, Handmacher-Vogel, Inc., M. Knoedler & Co., Dorothy Miller relating to the 1946 Fourteen Americans exhibition at the Museum of Modern Art, and the Women's Caucus for Art.

Writings and notes comprise drafts of several essays on art by Sharrer, preliminary notes for Tribute to the American Working People, and a mock-up for an unpublished book, "One White Christmas," written by Sharrer's grandmother, Honoré Sachs, and illustrated by Sharrer.

Research and source files consist of source material used throughout the course of Sharrer's career, including printed and photographic material used in the creation of Tribute to the American Working People, and later work dating up to, and including, the last decade of her life.

Printed material comprises announcements and catalogs for exhibitions and events featuring Sharrer, including a catalog for Fourteen Americans, as well as clippings about her and others, such as the Life Magazine cover story "Nineteen Young Americans."

Artwork and sketchbooks include studies for paintings and illustrations, and other preliminary sketches, as well as 14 sketchbooks of pencil and ink sketches dating from circa 1960s t0 2003.

Photographic material consists of photos of Sharrer, her family, friends, colleagues, exhibition installations, and houses. Also found are photos, negatives, and transparencies of Sharrer's artwork, as well as photos of artwork by Madeleine Sharrer and Lester Burbank Bridaham.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1941-2007 (0.44 linear feet; Boxes 1, 10, 1.12 GB; ER01-ER10)

Series 2: Correspondence, 1938-2006 (1.84 linear feet; Boxes 1-3, 10)

Series 3: Writings and Notes, circa 1940s-circa 1990s (5 folders; Boxes 3, 10)

Series 4: Research and Source Files, circa 1920s-2005 (3.43 linear feet; Boxes 3-6, 10-11)

Series 5: Printed Material, circa 1930s-2005 (0.85 linear feet; Boxes 6-7, 11, OV 13, OV 17)

Series 6: Artwork, 1941-circa 1990s (0.8 linear feet; Boxes 7, 11-12, OV 13

Series 7: Sketchbooks, 1960s-2003 (0.55 linear feet; Boxes 7, 12)

Series 8: Photographic Material, circa 1930s-circa 2000 (1.83 linear feet; Boxes 8-9, 12, OVs 13-16)
Biographical / Historical:
Realist painter Honoré Sharrer (1920-2009) lived and worked in New York, Massachusetts, London, Montreal and Charlottesville, Virginia. She was best known for her five-panel painting, Tribute to the American Working People, completed in 1951 and first shown at M. Knoedler & Co. in New York to wide critical acclaim.

Sharrer was born in 1920 in West Point, New York, where her father was an Army officer, and grew up in the United States, the Philippines, Paris, and La Jolla, California. She studied at the Yale University School of Art and the San Francisco Art Institute, and worked as a welder in shipyards in California and New Jersey during World War II. She moved to New York in the 1940s and lived subsequently in Amherst, Massachusetts, London, and Montreal.

Sharrer's Workers and Paintings (1943) was included in the landmark Museum of Modern Art exhibition, Fourteen Americans, in 1946, and her painting, Man at Fountain, was featured in the 1950 Life Magazine cover story, "Nineteen Young American Artists." Tribute to the American Working People, which depicted a factory worker surrounded by smaller scenes of ordinary life, was considered her masterwork, but in the years that followed it's unveiling at M. Knoedler & Co., Sharrer was noticeably absent from the art scene; between 1951 and 1969 she did not have a single solo exhibition. While many of her contemporaries immersed themselves in Abstract Expressionism, Sharrer continued to paint, in meticulous detail, the daily experiences of ordinary working people, and her later work often dealt with female perspectives and was imbued with humor and elements of magical realism.

In 2007 the Smithsonian American Art Museum held an exhibition titled Anatomy of a Painting: Honoré Sharrer's 'Tribute to the American Working People,' which was devoted exclusively to her most famous work, now in the Smithsonian's permanent collection, and the source material she used when painting it. Sharrer's works can also be found in the Metroplitan Museum of Art, the Museum of Modern Art, and the Pennsylvania Academy of Fine Arts.

Sharrer settled in Charlottesville, Virginia, in the early 1990s. She was married to her second husband, historian Perez Zagorin, for 61 years, before her death in 2009. Her mother, Madeleine Sharrer, was also a painter who married Reginald Poland, Director of the Fine Arts Gallery, San Diego, following the death of Sharrer's father, Robert Allen Sharrer.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Perez Zagorin, 2007, January 17-18, and the Madeleine Sharrer papers, 1954-1988.
Provenance:
The Honoré Sharrer papers were donated in 2006 and 2007 by Perez Zagorin, Sharrer's husband. A small addition was donated by Adam Zagorin, Sharrer's son, in 2018.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Virginia  Search this
Painters -- New York (State)  Search this
Topic:
Painting -- Equipment and supplies  Search this
Realism  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sketchbooks
Photographs
Citation:
Honoré Sharrer papers, circa 1920-2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sharhono
See more items in:
Honoré Sharrer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c06a9fc-29d0-42ee-9a3a-d6d2558dfc77
EDAN-URL:
ead_collection:sova-aaa-sharhono

Ankrum Gallery records

Creator:
Ankrum Gallery  Search this
Names:
Art Dealers Association of America  Search this
Black Arts Council (Washington, D.C.)  Search this
California Arts Council  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Krannert Art Museum  Search this
Laguna Art Museum (Laguna Beach, Calif.)  Search this
Paramount Pictures  Search this
San Diego Museum of Art  Search this
Staempfli Gallery (New York, N.Y.)  Search this
Storm King Art Center  Search this
Almaraz, Carlos  Search this
Andrews, Benny, 1930-2006  Search this
Ankrum, Joan  Search this
Bauer, Richard, 1944-  Search this
Block, Irving  Search this
Broderson, Morris, 1928-2011  Search this
Caryl, Naomi  Search this
Casey, Bernie  Search this
Duveneck, Frank, 1848-1919  Search this
Feitelson, Lorser, 1898-1978  Search this
Groth, Bruno  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Herschler, David  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirshhorn, Olga  Search this
Homer, Jessie  Search this
Jackson, Suzanne, 1944-  Search this
Johnson, Buffie  Search this
Lundeberg, Helen, 1908-1999  Search this
Mesches, Arnold, 1923-  Search this
Miller, Henry, 1891-  Search this
Palm Springs Desert Museum  Search this
Schuler, Melvin  Search this
Secunda, Arthur  Search this
Shores, Kenneth, 1928-  Search this
Varda, Jean  Search this
Zev  Search this
Extent:
41.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1900-circa 1990s
bulk 1960-1990
Summary:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.
Scope and Contents:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.

General correspondence is with artists, museums, collectors, and clients, and generally concerns sales, exhibitions, and consignments. Correspondents include Irving Block, Morris Broderson, Naomi Caryl, Suzanne Jackson, Joseph and Olga Hirshhorn, among many others. Correspondence is also found in the artists files and the collector/client files.

Project files document various events, benefits, and projects undertaken by the gallery, including a UNICEF benefit, "Up Against Hunger," the Exceptional Children's foundation, and the Young Art Patrons.

Administrative files document many activities of the gallery, such as the gallery's and Joan Ankrum's membership in the Black Arts Council, the California Arts Council, and the Art Dealers Association of California of which Joan Ankrum was a primary organizer. Also found are publicity files, a file on the history of the gallery, leases, floor plans, insurance documents, lists of graphics for sale, and other miscellany.

Exhbition files appear to be incomplete, but do include files for Huichol Indian's art, "The Art of African Peoples" (1973), "Five Contemporary Mexican Painters" (1977), Ethiopian Folk Painting (1978), San Diego Museum of Art Artists Guild All Media Exhibition (1982), "25th Anniversary Exhibition" (1985), among several others.

Extensive artists' files include correspondence, price lists, photographs and slides,resumes and biographical material, and sales invoices. Files are found for Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev, among many others. The Pat Alexander and Andy Nelson files also contain motion picture film.

Collector and client files document the gallery's relationship with over 115 collectors, museums, and art centers. Files may include correspondence and sales records and are found for Edith Halpert, Olga and Joseph Hirshhorn and the Hirshhorn Museum and Sculpture Garden, the Krannert Art Museum, Laguna Art Museum, Palm Spring Desert Museum, Paramount Pictures, San Diego Museum of Art, Staempfli Gallery, and Storm King Art Center, among many others.

Financial material documents sales through numbered invoices, consignments, loans, and insurance valuations. Printed material consists of exhibition catalogs and announcements, bulletins, periodicals, and newspaper clippings. One unbound scrapbook contains clippings and exhibition materials.

Photographs are of artwork, artists, and gallery openings. Additional photographs are found in the artists' files.

Joan Wheeler Ankrum personal papers document her personal and professional relationship with family, artists, and collectors. They include correspondence, personal writings, personal financial materials, printed material and loose scrapbook materials, family photographs and photographs of her as an actress, and artwork from various artists.

The papers of artist Morris Broderson, nephew of Joan Ankrum, document his professional relationship with the gallery as his primary dealer. Included are biographical materials, correspondence, publicity files, travel files, projects, exhibitions, collector/client files, financial material, printed material, photographs, and artwork.
Arrangement:
This collection is arranged as 12 series.

Missing Title

Series 1: Correspondence, 1961-1994 (0.5 linear feet; Box 1)

Series 2: Project Files, 1965-1987 (0.25 linear feet; Box 1)

Series 3: Administrative Records, 1961- circa 1990s (1 linear foot; Boxes 1-2)

Series 4: Exhibition Files, 1961-1991 (1 linear foot; Boxes 2-3)

Series 5: Artists' Files, 1957-1994 (22.5 linear feet; Boxes 3-25, 41-42, FC 43-45)

Series 6: Collector and Client Files, 1960-1994 (3.2 linear feet; Boxes 25-28)

Series 7: Financial Material, 1962-1990 (1.5 linear feet; Boxes 28-30)

Series 8: Printed Material, 1957-1994 (2 linear feet; Boxes 30-32, 41)

Series 9: Scrapbook, 1960-1988 (3 folders; Box 32)

Series 10: Photographs, circa 1960s-circa 1990s (0.35 linear feet; Boxes 32, 42)

Series 11: Joan Ankrum Personal Papers, circa 1900-1993 (2 linear feet; Boxes 32-34, 41)

Series 12: Morris Broderson Papers, 1941-1989 (7.2 linear feet; Boxes 34-42)
Biographical / Historical:
The Ankrum Gallery was established 1960 in Los Angeles by American film actress Joan Wheeler Ankrum and William Chalee. The gallery closed in 1989.

Joan Wheeler Ankrum and William Challee opened Ankrum Gallery on La Cienega Boulevard in Los Angeles in 1960 with a one-man show of Ankrum's nephew Morris Broderson. With a focus on contemporary California artists, Ankrum Gallery represented over 395 artists during its 30 years in operation, including Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev. In addition, the gallery was among the earliest to exhibit the work of black artists. The gallery also held exhibitions of world artists, which included "Art of African Peoples" (1973), "Yarn Paintings of the Huichol Indians" (1973), "Five Contemporary Mexican Painters" (1977), and "Ethiopian Folk Painting" (1978). Ankrum Gallery closed in 1989.

Art dealer and gallery owner, Joan Wheeler Ankrum was an actress before establishing the Ankrum Gallery primarily to showcase the work of her deaf nephew, Morris Broderson. Born in 1913 in Palo Alto, California, she began acting at the Pasadena Playhouse where she met her first husband Morris Ankrum with whom she had two sons, David and Cary Ankrum. She married gallery co-owner and partner William Challee in 1984. She helped organize the Los Angeles Art Dealers Association and the Monday Night Art Walks on La Cienega Boulevard. She was a member of the relatively short-lived Black Arts Council. Joan Wheeler Ankrum died in 2001 at the age of 88.

Morris Broderson (1928-2011) was a deaf painter. His first one-man show was at the Stanford Museum in 1957, followed by the Santa Barbara Museum of Art. By 1959 he'd won two awards from the Los Angeles County Museum, and appeared in the Whitney Museum's "Young America" show in 1960. His travels influenced his work, including the hand gestures of Kabuki art in Japan. His work is in the collections of the Whitney Museum of American Art and the Hirshhorn Museum and Sculpture Garden, among others. Following Joan Ankrum's death in 2001, Broderson was represented by her son David Ankrum.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Joan Ankrum, one conducted by Betty Hoag, April 28, 1964, and a second by Paul Karlstrom, November 5, 1997-February 4, 1998. Additionally, there is an oral history interview with Morris Broderson conducted by Paul Karlstrom, March 11-13, 1998.
Provenance:
The Ankrum Gallery records were donated to the Archives of American Art by Joan Ankrum in 1995.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- California -- Los Angeles  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Scrapbooks
Photographs
Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ankrgall
See more items in:
Ankrum Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d89bb020-f420-4b01-9a0f-f1d5132866c4
EDAN-URL:
ead_collection:sova-aaa-ankrgall
Online Media:

Ernest Briggs papers, circa 1900-2013, bulk 1940-1984

Creator:
Briggs, Ernest, 1923-1984  Search this
Subject:
Miller, Dorothy Canning  Search this
Still, Clyfford  Search this
Greenberg, Clement  Search this
McChesney, Mary Fuller  Search this
Arnold, Anne  Search this
Crehan, Hubert  Search this
Type:
Photographs
Diaries
Citation:
Ernest Briggs papers, circa 1900-2013, bulk 1940-1984. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Abstract expressionism  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6828
(DSI-AAA_SIRISBib)208955
AAA_collcode_brigerne
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208955
Online Media:

Archives of San Diego Art Oral History Project interviews, 1979-1980

Creator:
Archives of San Diego Oral History Project  Search this
Subject:
Klauber, Leda  Search this
Volkmann, Mary Gordon  Search this
Andrews, Julia Gethman  Search this
Jackson, Everett Gee  Search this
Jensen, Alfred  Search this
Bogat, Regina  Search this
San Diego Museum of Art  Search this
Citation:
Archives of San Diego Art Oral History Project interviews, 1979-1980. Archives of American Art, Smithsonian Institution.
Topic:
Art, American -- California -- San Diego  Search this
Painters -- California -- San Diego -- Interviews  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)10653
(DSI-AAA_SIRISBib)214235
AAA_collcode_archofsd
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214235

Oral history interview with Ivan Messenger, 1964 July 31

Interviewee:
Messenger, Ivan, 1895-1983  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ivan Messenger, 1964 July 31. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Painters -- California -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)11651
(DSI-AAA_SIRISBib)213663
AAA_collcode_messen64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213663
Online Media:

Oral history interview with Ivan Messenger

Interviewee:
Messenger, Ivan, 1895-1983  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 July 31
Scope and Contents:
An interview of Ivan Messenger conducted 1964 July 31, by Betty Hoag, for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Ivan Messenger (1895-1983) was a painter from San Diego, Calif.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 37 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Federal aid to the arts  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.messen64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw916883016-6b02-4fb4-85f1-e19c760d75ca
EDAN-URL:
ead_collection:sova-aaa-messen64
Online Media:

Oral history interview with Arthur and Jean Goodwin Ames, 1965 June 9

Interviewee:
Ames, Arthur Forbes, 1906-1975  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Ames, Jean Goodwin, 1903-1986  Search this
Albro, Maxine  Search this
Bruton, Helen  Search this
Bruton, Margaret  Search this
Drerup, Karl  Search this
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Arthur and Jean Goodwin Ames, 1965 June 9. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Mosaics -- California  Search this
Mural painting and decoration -- California  Search this
Tapestry -- California  Search this
Mosaicists -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12923
(DSI-AAA_SIRISBib)213229
AAA_collcode_ames65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213229
Online Media:

Oral history interview with Lowell Houser, 1964 July 31

Interviewee:
Houser, Lowell, 1902-1971  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lowell Houser, 1964 July 31. Archives of American Art, Smithsonian Institution.
Topic:
Mural painting and decoration -- Iowa  Search this
Federal aid to the arts  Search this
Muralists -- Iowa -- Interviews  Search this
Painters -- Iowa -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13061
(DSI-AAA_SIRISBib)213575
AAA_collcode_houser64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213575

Oral history interview with Arthur and Jean Goodwin Ames

Interviewee:
Ames, Arthur Forbes, 1906-1975  Search this
Ames, Jean Goodwin, 1903-1986  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Albro, Maxine, 1903-1966  Search this
Bruton, Helen, 1898-1985  Search this
Bruton, Margaret, 1894-  Search this
Drerup, Karl, 1904-2000  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 June 9
Scope and Contents:
An interview of Arthur and Jean Goodwin Ames conducted 1965 June 9, by Betty Hoag McGlynn, for the Archives of American Art New Deal and the Arts Project. They speak of their participation in WPA projects at Newport Harbor Union High School, the San Diego County Courthouse, the Jon Lindbergh Junior High School, and the California Federal Building and Loan in Los Angeles; mural, mosaic and tapestry techniques and materials; Karl Drerup and the development of enameling in America; and the effect of the federal art programs on contemporary art. They also describe the work of Maxine Albro and Helen and Margaret Bruton.
Biographical / Historical:
Arthur Forbes (1906-1975) and Jean Goodwin Ames (1903-1986) were mural painters, mosaicists, and tapissiers from Claremont, California.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 12 minutes.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Tapissiers -- California -- Interviews  Search this
Topic:
Federal aid to the arts  Search this
Mosaics -- California  Search this
Mural painting and decoration -- California  Search this
Tapestry -- California  Search this
Mosaicists -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ames65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw917e4630c-6d30-48ab-8a20-45433b71a2aa
EDAN-URL:
ead_collection:sova-aaa-ames65
Online Media:

Oral history interview with Harry Sternberg, 1999 March 19-2000 January 7

Interviewee:
Sternberg, Harry, 1904-2001  Search this
Interviewer:
Yard, Sally  Search this
Subject:
Hoehn, Robert  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Harry Sternberg, 1999 March 19-2000 January 7. Archives of American Art, Smithsonian Institution.
Topic:
Philosophy  Search this
Art -- Philosophy  Search this
Prints -- Technique  Search this
Record number:
(DSI-AAA_CollID)12394
(DSI-AAA_SIRISBib)223512
AAA_collcode_sternb99
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_223512
Online Media:

Oral history interview with Harry Sternberg

Interviewee:
Sternberg, Harry, 1904-2001  Search this
Hoehn, Robert  Search this
Interviewer:
Yard, Sally  Search this
Extent:
70 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 March 19-2000 January 7
Scope and Contents:
An interview of Harry Sternberg, conducted 1999 March 19-2000 January 7, by Sally Yard, for the Archives of American Art, in Sternberg's studio and nearby restaurant in Escandido, California.
Sternberg discusses his early life in New York, his studio, teaching and the WPA in NYC in the 1930s, including artists' camaraderie and causes. He remembers his childhood and youth; he speaks about his religion and culture. Robert Hoehn also participated in the interview.
During a discussion about printmaking, Sternberg recalled a Martin Schongauer print and the first meeting with Bob Hoehn at the San Diego Museum of Art. He talks about the nature of doing prints and the dialogue with and challenge of the medium. In this context he mentions printer Will Barnet. Among his early exhibition activity, Sternberg recalls his first gallery exhibition at the Weyhe Gallery in NYC, his first review, which was in New Yorker, and his first museum exhibition at the Whitney Museum of American Art.
Biographical / Historical:
Harry Sternberg (1904-2001) was a Graphic artist/painter of Escondido, California.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 5 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by Robert Hoehn grant.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Philosophy  Search this
Art -- Philosophy  Search this
Prints -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sternb99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91988e3b3-81b5-4fca-baee-34171d115700
EDAN-URL:
ead_collection:sova-aaa-sternb99
Online Media:

Oral history interview with Everett Gee Jackson, 1964 July 31

Interviewee:
Jackson, Everett Gee, 1900-1995  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Everett Gee Jackson, 1964 July 31. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Illustrators -- California -- San Diego -- Interviews  Search this
Painters -- California -- San Diego -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12274
(DSI-AAA_SIRISBib)213584
AAA_collcode_jackso64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213584

Oral history interview with Everett Gee Jackson

Interviewee:
Jackson, Everett Gee, 1900-  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
16 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 July 31
Scope and Contents:
An interview of Everett Gee Jackson conducted by Betty Hoag on 1964 July 31 for the Archives of American Art.
Biographical / Historical:
Everett Gee Jackson (1900-1995) was a painter and illustrator from San Diego, Calif.
General:
An interview of Belle Baranceanu and Hilda Preibisius conducted by B. Hoag is also on this tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Illustrators -- California -- San Diego -- Interviews  Search this
Painters -- California -- San Diego -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.jackso64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cf76af4f-69f6-4e58-aa73-aa24813da6a0
EDAN-URL:
ead_collection:sova-aaa-jackso64
Online Media:

John McLaughlin papers

Creator:
McLaughlin, John, 1898-  Search this
Names:
Tamarind Lithography Workshop  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Date:
1922-1979
bulk 1936-1976
Summary:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.2 linear feet and date from 1922 to 1979, bulk 1936 to 1976. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, preliminary sketches and designs, and photographic material.
Scope and Contents:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.2 linear feet and date from 1922 to 1979, bulk 1936 to 1976. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, preliminary sketches and designs, and photographic material.

Biographical material includes McLaughlin's military service records, art awards, and resumes.

Correspondence is with friends, artists, museums, and galleries. Notable correspondents include Eugene Anderson, Karl Benjamin, Frederick Hammersley, Jules Langsner, Stanton Macdonald-Wright, and others.

Writings include artist statements, lectures, and notes. Researchers will find McLaughlin's ideas about his work and aesthetics are also referenced in much of the correspondence. There are also writings about McLaughlin by others.

The Tamarind Lithography fellowship files consists of the letter of appointment, printed material, and profiles for fellow artists at the workshop.

Personal business records include assorted legal and financial papers, such as contracts with galleries, art loan agreements, consignment records, and art shipment expenses. There are business papers about McLaughlin's Japanese print gallery, The Tokaido, Inc.

Printed material consists of exhibition catalogs for McLaughlin's shows at the Andre Emmerich Gallery, Felix Landau Gallery, a retrospective at the Corcoran Gallery of Art in 1968, and the seminal 1959 Four Abstract Classicists exhibition in Los Angeles, among others. Also included are exhibition announcements, news clippings, and press releases.

Artwork includes annotated sketches, collages and designs for paintings, and one painting.

Photographs, negatives, and slides are of McLaughlin, artwork, and exhibition installations. There is one album of photographs from a 1963 retrospective exhibition at the Pasadena Art Museum.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Material, 1941-circa 1975 (8 folders; Box 1)

Series 2: Correspondence, 1936-1976 (0.6 linear feet; Box 1)

Series 3: Writings, circa 1936-1976 (0.2 linear feet; Box 1)

Series 4: Tamarind Lithography Fellowship Files, 1958-1970 (0.2 linear feet; Box 1)

Series 5: Personal Business Records, circa 1937-1975 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1932-1979 (1.5 linear feet; Boxes 2-3, 5)

Series 7: Artwork, circa 1948-circa 1976 (0.2 linear feet; Boxes 4-6)

Series 8: Photographic Material, 1922-1979 (0.3 linear feet; Box 4)
Biographical / Historical:
John Dwyer McLaughlin (1898-1976) was best known as one of the leading Los Angeles "hard-edge" geometric abstractionist painters and one of the artists featured in the seminal 1959 exhibition "Four Abstract Classicists" curated by Jules Langsner. McLaughlin was also a dealer of Japanese art prints.

McLaughlin was born and educated in Massachusetts. He served in the United States Navy during World War I from 1917-1921 and married Florence Emerson in 1928. McLaughlin began painting around 1932 with no formal training. In 1935, the couple moved to Japan and lived there for several years before moving back to Boston, where they opened The Tokaido, Inc., a Japanese art print gallery. From this time up to the start of World War II, McLaughlin worked primarily as a print dealer. During World War II, he served as a language intelligence officer in the Marines, thanks to his knowledge of Japanese.

After the war, McLaughlin and his wife settled in Dana Point, California, where he began painting in earnest, gaining some early local success. His painting, Hope Deferred was awarded first prize for oil painting in the 1948 San Diego Art Guild Annual. He became associated with the Felix Landau Gallery in Los Angeles and was one of four painters included in the historic 1959 Four Abstract Classicists, exhibition at the Los Angeles County Museum of Art organized by critic Jules Langsner which also featured the work of Frederick Hammersley, Lorser Feitelson, and Karl Benjamin. The phrase "hard-edge painting" was first used in association with this exhibition as a description of a unique California style of geometric abstractionist painting.

Throughout the 1960s and 1970s McLaughlin exhibited widely and became a mentor for many younger Los Angeles area reductive painters. He was admired for his integrity and independent position regarding the art market. John McLaughlin died in Dana Point, California in 1976 at the age of 77.
Related Materials:
The Archives of American Art also holds an oral history interview of John D. McLaughlin conducted July 23, 1974, by Paul J. Karlstrom.
Provenance:
The John McLaughlin papers were donated to the Archives of American Art in multiple installments. John McLaughlin donated material in 1973 and his widow Florence McLaughlin donated material in 1976. Additional papers were donated by the artist's nephew John McLaughlin in 1998 and 1999. A painting was donated 2015 by the Stephne' Hesen estate.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- California  Search this
Painters -- California  Search this
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Genre/Form:
Sketches
Photographs
Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mclajohn
See more items in:
John McLaughlin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90baa8e3e-4554-441e-beef-c10b28d25768
EDAN-URL:
ead_collection:sova-aaa-mclajohn
Online Media:

Oral history interview with Monty Lewis, 1964 June 25

Interviewee:
Lewis, Monty, 1907-1997  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Coronado School of Fine Arts  Search this
New Deal and the Arts Oral History Project  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Monty Lewis, 1964 June 25. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- California -- San Diego -- Interviews  Search this
Muralists -- California -- San Diego -- Interviews  Search this
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12016
(DSI-AAA_SIRISBib)216443
AAA_collcode_lewis64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216443

Oral history interview with Irena Brynner, 2001 April 26-27

Interviewee:
Brynner, Irena F., 1917-2003  Search this
Interviewer:
Fisch, Arline M  Search this
Subject:
Bergman, Franz  Search this
Campbell, David Robert  Search this
Daniels, Grete  Search this
Faber, Aaron  Search this
Jensen, Georg Arthur  Search this
Jeremias, Trudy  Search this
Rosene, Caroline Gleick  Search this
Resnikoff, Florence Lisa Herman  Search this
Stackpole, Ralph  Search this
Winston, Robert  Search this
Renk, Merry  Search this
De Patta, Margaret  Search this
Craft Students League  Search this
Metal Arts Guild  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Society of North American Goldsmiths  Search this
Renwick Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Irena Brynner, 2001 April 26-27. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12026
(DSI-AAA_SIRISBib)226926
AAA_collcode_brynne01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_226926
Online Media:

Oral history interview with Merry Renk, 2001 January 18-19

Interviewee:
Renk, Merry, 1921-2012  Search this
Interviewer:
Fisch, Arline M  Search this
Subject:
Albers, Josef  Search this
Asawa, Ruth  Search this
Bates, Kenneth F. (Kenneth Francis)  Search this
Brancusi, Constantin  Search this
Brynner, Irena  Search this
Cunningham, Imogen  Search this
Curtis, Earle  Search this
De Patta, Margaret  Search this
Godfrey, Mary Jo Slick  Search this
Guermonprez, Trude  Search this
Hall, Doris.  Search this
Nordness, Lee  Search this
Oliver, Olive  Search this
Tawney, Lenore  Search this
Tajiri, Shinkichi  Search this
750 Studio  Search this
American Craft Council  Search this
Metal Arts Guild  Search this
Mobilia Gallery  Search this
Institute of Design (Chicago, Ill.)  Search this
School of Industrial Design (Trenton, N.J.)  Search this
University of California, Berkeley. Department of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Merry Renk, 2001 January 18-19. Archives of American Art, Smithsonian Institution.
Topic:
Enamel and enameling  Search this
Enamelers -- California -- San Francisco -- Interviews  Search this
Jewelry making  Search this
Jewelers -- California -- San Francisco -- Interviews  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Sculptors -- United States -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Women jewelers  Search this
Women sculptors  Search this
Women painters  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11961
(DSI-AAA_SIRISBib)227005
AAA_collcode_renk01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227005
Online Media:

Oral history interview with Irena Brynner

Interviewee:
Brynner, Irena  Search this
Interviewer:
Fisch, Arline M.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Craft Students League -- Faculty  Search this
Metal Arts Guild  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Renwick Gallery  Search this
Society of North American Goldsmiths  Search this
Bergman, Franz  Search this
Campbell, David Robert, 1907-1963  Search this
Daniels, Grete  Search this
De Patta, Margaret, 1903-1964  Search this
Faber, Aaron  Search this
Jensen, Georg Arthur, 1866-1935  Search this
Jeremias, Trudy  Search this
Renk, Merry, 1921-2012  Search this
Resnikoff, Florence Lisa Herman  Search this
Rosene, Caroline Gleick, 1907-  Search this
Stackpole, Ralph, 1885-1973  Search this
Winston, Robert, 1915-  Search this
Extent:
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 April 26-27
Scope and Contents:
An interview of Irena Brynner conducted 2001 April 26-27, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Brynner's home and studio, New York, New York.
Brynner speaks of her childhood in Vladivostok in Primorski Krai, Russia; her artistic family including her cousin Yul Brynner; fleeing from Russia to Darian (on the southern tip of the Liaotung peninsula, in the Kwantung Leased Territory of Manchuria); her art studies in Lausanne, Switzerland; her father's illness during World War II; moving with her mother to San Francisco in 1946; her studies with Ralph Stackpole and Franz Bergman in San Francisco; her relationship with architect Frank Merwin; teaching art in Catholic schools in San Francisco; her decision to make jewelry after seeing Claire Falkenstein's sculpture; working as an apprentice to Caroline Rosene and Franz Bergman; forming the Metal Arts Guild with Bob Winston, Merry Renk, Florence Resnikoff, Margaret De Patta, and others; and introducing forging and three-dimensional jewelry in the Metal Arts Guild. She also talks about her move to New York City in 1957; acting as her own agent; "open-air art shows" in San Francisco; her first show at Walker & Eberling; starting her own shop; teaching at the Craft Students League and at MoMA's Institute of Modern Art, at Victor D'Amico's invitation, circa 1962; her friendships with students and clients; her book, "Jewelry as an Art Form" (New York : Van Nostrand Reinhold, 1979) and its influence; learning to work with a Henes water welder; the treatment of women artists in America; her move to Geneva, Switzerland, in 1972, and the difficulties of starting a shop there; and her return to New York and reestablishing her career in the United States. Brynner also discusses her interest in singing, her voice lessons, her public performances of Russian classical music, and her health.
She comments on the intuitive development of her jewelry; the influence of Margaret De Patta; learning wax techniques from Bob Winston at Mills College; her progression from geometric to organic forms; her large-scale sculpture; her invention of "wrap-around earrings"; her use of niobium in the 1980s; drawing inspiration from Antonio Gaudi, Alberto Jaccometti, and others; involvement with the community of artists in the San Francisco Bay Area; the Society of North American Goldsmiths (SNAG); craft periodicals; her exhibitions at the Little Gallery of the Museum of Contemporary Crafts, the Musée de l'horlogerie et de l'émaillerie in Geneva, the Renwick Gallery in Washington, D.C., and others; her work in museum collections; serving as a juror; and writing her memoir. Brynner recalls Georg Jensen, Grete Daniels, Trudy Jeremias, Aaron Faber, David Campbell, and others.
Biographical / Historical:
Irena Brynner (1917-2003) was a jeweler from New York, New York. Arline M. Fisch (1931- ) is a metalsmith from San Diego, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New Jersey -- Roosevelt  Search this
Printmakers -- New Jersey -- Roosevelt  Search this
Illustrators -- New Jersey -- Roosevelt  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.brynne01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c304fce-983c-4d4f-95d4-8c5bfadff677
EDAN-URL:
ead_collection:sova-aaa-brynne01
Online Media:

Oral history interview with Monty Lewis

Interviewee:
Lewis, Monty, 1907-1997  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Coronado School of Fine Arts  Search this
New Deal and the Arts Oral History Project  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
1 Sound tape reel (Sound recordings, 5 in.)
15 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 June 25
Scope and Contents:
An interview of Monty Lewis conducted 1964 June 25, by Betty Hoag, for the Archives of American Art.
Interview conducted at Coronado School of Fine Arts in San Diego, Calif. Lewis discusses his art training at the Art Students' League in N.Y., his study of mural and easel painting in Europe, and his freelance mural work before his involvement with the Public Works of Art Project. He describes the developing presence of mural art in New York with Diego Rivera's mural at Rockefeller Center and the 1939 New York World's Fair. Lewis tells of the Artists, Painters, and Sculptors Collaborators, a collaborative group interested in developing community art projects, and discusses the use of murals in the 1939 New York World's Fair and the different techniques used for those and other public projects.
Biographical / Historical:
Monty Lewis (1907-1997) was a painter, designer, muralist in New York and California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 49 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- San Diego -- Interviews  Search this
Muralists -- California -- San Diego -- Interviews  Search this
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lewis64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9451a0e60-085e-49ed-8895-466a14e47ad7
EDAN-URL:
ead_collection:sova-aaa-lewis64
Online Media:

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