Search Results

Publisher:

Teich, Curt, 1877-1974  Search this

Collection Creator:

National Philatelic Collection, Smithsonian Institution.  Search this

Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this

Collection Source:

Extractive Industries, Division of.  Search this

Extent:

1 Item (postcard book, color, 3.5" x 5.5".)

Culture:

Mexicans  Search this

Indians of North America -- New Mexico  Search this

Type:

Archival materials

Postcards

Photomechanical prints

Place:

New Mexico

Ranchos de Taos (N.M.)

Scope and Contents:

Postcard booklet of sites in New Mexico, plus front and back cover illustrations. Most views are mountain scenes and buildings. The cover illustration (shown here) depicts the Old Mission Church in Ranchos de Taos, New Mexico with women, children and men in Southwestern Indian style dress. Subjects include Raton Pass, Taos Indian Pueblo, Hermit's Peak (Las Vegas, N.M.), Starvation Peak on the Santa Fe Trail, Old San Miguel Mission (Santa Fe), "oldest house in America, Santa Fe," sunset on the Rio Grande, Albuquerque, and Palace of the Governors, Santa Fe. The cover and back illustrations (the latter shows Navajo Indian women weaving) are reproductions of paintings, while the postcards appear to be reproductions of hand-painted photographs.

Local Numbers:

BL318 (Image No., cover illustration, not in Archives Center file)

General:

Series 1, Box 10, U.S.A.--New Mexico--General Mountain Views.

Collection Restrictions:

The collection is open for research use.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Weaving  Search this

Churches -- Catholic -- Architecture  Search this

Mountains -- New Mexico  Search this

Pueblos  Search this

Tourism -- New Mexico  Search this

Genre/Form:

Postcards

Photomechanical prints

Collection Citation:

Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,

See more items in:

Victor A. Blenkle Postcard Collection

Victor A. Blenkle Postcard Collection / Series 1: Geographical Locations within United States / New Mexico - General Mountain Views

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0200-ref2213

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

South Africa

Date:

1949

Scope and Contents:

Alan Paton's Son and Boys Painting, Natal. Alan Paton's son is painting. One African boy is sitting on the floor holding a cup up to him. Another younger African boy is standing and watching him paint. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Contact Sheet Number: 332090-15

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060082

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / Alan Paton, Natal, South Africa

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref591

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

South Africa

Date:

1949

Scope and Contents:

Alan Paton's Son and Boy, Natal. Both of them are sitting on the ground of the garden, painting. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Contact Sheet Number: 330288-23

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060084

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / Alan Paton, Natal, South Africa

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref593

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Woman With Mud, 1936-1949. Photographic image of a woman holding a clump of mud over a container. Beside the container is a small pile of mud, a toothbrush and another paint container with a tool in it. The mud is a mixture of clay and cow dung used to spread on the floors and walls of the homestead and left to dry before painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N138

Contact Sheet Number: 715873-15

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060511

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1017

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Woman With Mud, 1936-1949. Photographic image of woman taking a piece of mud from a pile placed between two containers. The mud is a mixture of clay and cow dung used to spread on the floors and walls of the homestead and left to dry before painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N139

Contact Sheet Number: 321574-21

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060512

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1018

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Woman With Mud, 1936-1949. Photographic image of woman taking a piece of mud from a pile placed between two containers. The mud is a mixture of clay and cow dung used to spread on the floors and walls of the homestead and left to dry before painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N140

Contact Sheet Number: 321574-21

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060513

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1019

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Woman With Mud, 1936-1949. Photographic image of a woman putting wet mud into a container. Next to it is a pile of mud, a paint container, and a toothbrush. The mud is a mixture of clay and cow dung used to spread on the floors and walls of the homestead and left to dry before painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N133

Contact Sheet Number: 715873-15

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060514

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1020

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Woman With Mud, 1936-1949. Photographic image of a woman sitting in front of a painted wall scarping the mud off her hands onto a container. The mud is a mixture of clay and cow dung used to spread on the floors and walls of the homestead and left to dry before painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N134

Contact Sheet Number: 715873-15

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060515

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1021

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Woman With Mud, 1936-1949. Close-up photographic image of woman holding wet mud in her hand over a container. There is a shallow bowl with dirty water in it beside the container. The mud is a mixture of clay and cow dung used to spread on the floors and walls of the house dwelling and left to dry before painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N135

Contact Sheet Number: 715873-15

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060516

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1022

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Woman With Mud, 1936-1949. Close-up photographic image of a woman's hands reaching into a container to pull out mud. Beside the container is a shallow bowl of dirty water. There is also an old cardboard box cover with various symbols written on it. These symbols and designs are used to decorate the walls of the homesteads. The mud is a mixture of clay and cow dung used to spread on the floors and walls of the homestead and left to dry before painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N136

Contact Sheet Number: 715873-15

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060517

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1023

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Mother and Child, 1936-1949. The mother is painting a low wall with child sitting next to her. A girl is on the other side of the wall looking down on the woman painting. There are paint containers and slabs of wood on the ground behind the woman painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N341

Contact Sheet Number: 321574-59

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060604

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1110

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Mother and Child, 1936-1949. The mother is painting low wall with child sitting next to her. There are paint containers and slabs of wood on the ground behind the woman painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N351

Contact Sheet Number: 321574-44

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060605

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1111

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Mother and Child, 1936-1949. The mother is painting low wall with child sitting next to her. There are paint containers and slabs of wood on the ground behind the woman painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N350

Contact Sheet Number: 321574-44

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060606

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1112

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Ndebele Mother and Child, 1936-1949. The mother is painting a low wall with child sitting next to her. There are paint containers and slabs of wood on the ground behind the woman painting. Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N335

Contact Sheet Number: 715873-7A (42)

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060609

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Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1115

Creator:

Larrabee, Constance Stuart  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)

1 Photographic print ((contact print)., b&w, 6 x 6 cm.)

1 Photographic print ((dupe print)., b&w, 8 x 10 in.)

Type:

Archival materials

Negatives

Photographic prints

Place:

Africa

Pretoria (South Africa)

South Africa

Date:

1936-1949

Scope and Contents:

Entranceway to Ndebele Homestead, 1936-1949. Photographic image focused on a steeple like structure on top of the entranceway to a homestead area. The entrance way ins painted Photograph by Constance Stuart Larrabee, 1936-1949.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

Local Note:

Original Constance Stuart Larrabee Number: N269

Contact Sheet Numbers: 321574-17

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Vernacular architecture  Search this

Genre/Form:

Photographic prints

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-060827

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / 1: Ndebele Peoples

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

EDAN-URL:

ead_component:sova-eepa-1998-006-ref1328

Collection Creator:

Peto, John Frederick, 1854-1907  Search this

Extent:

(Box 2-7, OV 5; 1.3 linear feet)

Type:

Archival materials

Date:

circa 1850-1980

Scope and Contents note:

This series contains photographs and glass plate negatives of Peto, his family, his home and studio, and his artwork. Photographs of Peto include several portraits, Peto in his studio at Island Heights, New Jersey, with fellow artist William Harnett, and with family members. Additional photographs are of his wife Christine, his daughter Helen as a baby and young girl, and several other family members of the Peto family in Philadelphia, and of Christine's family, the Smiths, in Lerado, Ohio. Also found are photographs of the interior and exterior of Peto's home and studio in Island Heights, props he used for his paintings, photographs of Abraham Lincoln also used for his artwork, and miscellaneous photographs, some of which may have been taken by Peto. Also contained here are several photographs of Peto's artwork. Of the numerous glass plate negatives in this collection, some are also found among the photographs mentioned above, others have not been printed, but have been digitized and are available online.

Glass plate negatives are housed separately and closed to researchers, though all have been digitized to provide access.

Collection Restrictions:

The collection has been digitized and is available online via AAA's website. Glass plate negatives are housed separately and closed to researchers.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

John Frederick Peto and Peto family papers, circa 1850-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.petojohn, Series 4

See more items in:

John Frederick Peto and Peto family papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-petojohn-ref47

Collection Creator:

Porter, Fairfield  Search this

Extent:

(Boxes 6 and 11; 0.6 linear feet)

Type:

Archival materials

Date:

circa 1880-1990, undated

Scope and Contents note:

This series includes photographs of Fairfield Porter, his family, homes and studios, photographic studies, and works of art. Most of the photographs are unattributed, but photographs by James Schuyler, John MacWhinnie, Ellen "Pit" Auerbach, and Edith Schloss are found. Photographs of Fairfield Porter are filed at the beginning of the series, except for his childhood photographs, wedding photographs, and photographs of Porter with his wife and children, which are filed with family photographs. New York City street scenes appear to have been used as studies for some of Porter's paintings. Photographs of works of art by others include paintings by Alex Katz and Alex Haberstroh that were owned by the Porters, and a bust of Porter sculpted by Robert White. See file headings below for more information about subjects.

Throughout this series, duplicates, negatives, and copy prints have not been scanned. The remainder of the series has been selectively scanned.

Collection Restrictions:

The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Fairfield Porter papers, 1888-2001 (bulk 1924-1975). Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.portfair, Series 8

See more items in:

Fairfield Porter papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-portfair-ref295

Collection Creator:

Tewes, Robin  Search this

Extent:

0.7 Linear feet (Box 7, OV 14-15)

Type:

Archival materials

Date:

circa 1950-2015

Scope and Contents:

Artwork dates from circa 1950-2015 and includes a hand drawn animation made while Tewes was still a high school student, early illustration and design work, several Rorschach inkblot experiments, a folder of collaged traffic related clippings, as well as hundreds of preliminary pencil drawings for paintings. Photographic printouts used as source material are also found in these folders.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robin Tewes papers, 1950-2016. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.tewerobi, Series 9

See more items in:

Robin Tewes papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-tewerobi-ref18

Collection Creator:

Al-Hilali, Neda, 1938-  Search this

Container:

Box 4, Folder 11

Type:

Archival materials

Date:

circa 1980

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Rights:

Unpublished writings by Neda Al-Hilali: Authorization to publish, quote, or reproduce requires written permission from the donor. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Neda Al-Hilali papers, circa 1960-1995. Archives of American Art, Smithsonian Institution.

See more items in:

Neda Al-Hilali Papers

Neda Al-Hilali Papers / Series 5: Artwork

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-alhineda-ref71

Collection Creator:

Carlen Galleries  Search this

Type:

Archival materials

Date:

1928-1994

Scope and Contents note:

Five volumes of notebooks concerning Horace Pippin, Edward Hicks, and Robert Carlen. Three Horace Pippin notebooks contain correspondence with and about Pippin, photographs of Pippin and his works of art, exhibition catalogs and brochures, printed material, receipts, and cancelled checks. One notebook concerns Edward Hicks and contains correspondence about Hicks' paintings, photographs of his work, and printed matter. One notebook concerns Robert Carlen and contains photographs of Carlen, newsclippings, a small number of letters to Carlen, and a photocopy of Carlen's student record from the Pennsylvania Academy of the Fine Arts.

Some of the Horace Pippin and Edward Hicks material in vols. 1-4 was microfilmed with Part 4 is partially duplicated in Part 2, but was significantly rearranged in the interim.

Collection Restrictions:

Patrons must use microfilm copy.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.carlgall, Subseries 4.4

See more items in:

Carlen Galleries, Inc., records

Carlen Galleries, Inc., records / Series 4: Loan (2002)

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-carlgall-ref500