Search Results

Creator:

Gugler, Eric, 1889-1974  Search this

Names:

Cornell, Katharine, 1893-1974  Search this

Gugler, Frida  Search this

Manship, Paul, 1885-1966  Search this

Roosevelt, Eleanor, 1884-1962  Search this

Extent:

34.9 Linear feet

Type:

Collection descriptions

Archival materials

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Date:

1889-1977

Summary:

The papers of architect and painter Eric Gugler measure 34.9 linear feet and date from 1889-1977. Found within the papers are biographical materials, including papers relating to the Gugler family, personal and business correspondence, writings, project files for commercial and residential commissions, personal business records, photographic materials, including 180 glass plate slides, and artwork.

Scope and Contents:

The papers of architect and painter Eric Gugler measure 34.4 linear feet and date from 1889-1977. Found within the papers are biographical materials, including papers relating to the Gugler family, personal and business correspondence, writings, project files for commercial and residential commissions, personal business records, photographic materials, including 180 glass plate slides, and artwork.

Biographical materials include certificates, official documents, curriculum vitae, and histories of the Gugler family. Correspondence consists of professional letters regarding prospective and active projects, and personal correspondence from friends and family, including Eleanor Roosevelt, Katherine Cornell, and Paul Manship. Writings include book proposal drafts, essays, notes, speeches, and writings by others.

Project files consist of correspondence, architectural sketches, blueprints, and photographic and printed materials related to Gugler's work on commercial, residential, governmental, and memorial commissions. Renderings of specific design objects, sculptures, and Gugler's collaborative work on preservation efforts are also included.

Personal business records include correspondence related to Gugler's firm, including office leases, prospective client lists, and service fees. Printed material consists of clippings, exhibition material, postcards, and other miscellaneous items.

Photographic materials are of Eric Gugler and members of the Gugler family. Artwork includes sketches, watercolors, paintings, photographs of artwork, and artwork by Frida Gugler.

Arrangement:

The collection is arranged as 8 series. Glass plate slides are housed separately and closed to researchers, but listed where they fall intellectually within the collection.

Missing Title

Series 1: Biographical Material, 1898-1975 (0.5 linear feet; Box 1, OV 33)

Series 2: Correspondence, 1906-1974 (4 linear feet; Boxes 1-5, 20, OV 33)

Series 3: Writings, 1932-1973 (16 folders; Box 5)

Series 4: Project Files, 1889-1977 (28.2 linear feet; Boxes 5-18, 20-24, 70-72, OV 25-31, OV 33-49, RD 50-69)

Series 5: Personal Business Records, 1928-1972 (0.3 linear feet; Box 18)

Series 6: Printed Material, 1923-1977 (0.3 linear feet; Boxes 19, 24)

Series 7: Photographic Materials, 1890-1966 (9 folders; Box 19)

Series 8: Artwork, 1895-1970 (0.4 linear feet; Box 19, OV 32)

Biographical / Historical:

Architect and painter Eric Gugler (1889-1974) lived and worked in New York City, New York. Known for his work on monuments and memorials, Gugler was selected by President Roosevelt to head the redesign and building of the White House's West Wing in 1934.

Born in Milwaukee, Wisconsin to lithographer Julius Gugler and his wife, Bertha Bremer, Gugler attended Columbia University and received a three year scholarship to continue his studies at the American Academy in Rome. In 1919, he opened his architectural firm on Park Avenue in New York City and began accepting residential and commercial commissions. In addition to designing buildings and houses for clients, Gugler also completed smaller design objects for ceiling details, sculptures, murals, and decorative structures. In the late 1920s and early 1930s, his firm won commissions to complete World War I Memorials in New York and Chicago, Illinois, and also received a major commission to design the Educational Building in Harrisburg, Pennsylvania. Around this time, Gugler married Broadway actress and dancer Anne Tonetti and designed a second residence in the artist's community of Sneden's Landing, New York.

Gugler's interest and willingness to work on large scale memorials and institutional buildings aided in his appointment to a number of prominent commissions in the 1930s to the 1950s. These include the design of the White House's West Wing and the Sicily-Rome American Cemetery and Memorial in Italy, new construction and renovations to the Forman School (Conn.) and Wabash College (Ind.), and the building of residential houses for Katherine Cornell, Barry Faukner, and Paul Manship. In the 1960s, he was selected to head memorial designs for the Franklin Delano Roosevelt and Theodore Roosevelt Memorials in Washington, D.C., and also spent considerable time and energy developing the "Hall of Our History" project. Gugler remained active designing and working on projects until his death in 1974.

Related Materials:

The White House Historical Association's Office of the Curator holds additional Eric Gugler Papers related to the expansion and redesign of the West Wing in 1934.

Provenance:

The papers were donated in 1977 by Gugler's wife, Anne Tonetti Gugler. Additional materials were donated between 1979 and 1980 by Gugler's business associate, Ferdinand Eiseman.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architects as artists -- New York (State) -- New York  Search this

Topic:

Painters -- New York (State) -- New York  Search this

Architecture -- Designs and plans  Search this

Architecture, Modern -- 20th century  Search this

Architects -- New York (State) -- New York  Search this

Genre/Form:

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Citation:

Eric Gugler papers, 1889-1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.gugleric

See more items in:

Eric Gugler papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a729ea25-2ca9-4693-95a4-2f15b5651aab

EDAN-URL:

ead_collection:sova-aaa-gugleric

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2023-11-23T17:05:28.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_yvWJ7-wJA0E

Collection Creator:

Adler, Abigail  Search this

Extent:

1 Photographic print

Container:

Photo-folder 2

Culture:

Diné (Navajo)  Search this

Type:

Archival materials

Photographs

Photographic prints

Date:

1976

Scope and Contents:

RESTRICTED: Diné (Navajo) Medicine Man seated in a shade house, holding a rattle, with young girl seated in front of him and in the center of a sand painting. Photograph taken in 1976 by Abigail Adler in Monument Valley, Utah on the Navajo Reservation.

Restrictions:

Image restricted due to cultral sensitivity.

Rights:

This image is restricted due to cultural sensitivity.

Collection Citation:

Identification of specific item; Date (if known); Abigail Adler Diné (Navajo) photographs, NMAI.AC.373 catalog #; National Museum of the American Indian Archive Center, Smithsonian Institution.

Identifier:

NMAI.AC.373, Item P34068

See more items in:

Abigail Adler Diné (Navajo) Photographs

Abigail Adler Diné (Navajo) Photographs / Series 1: Diné (Navajo) Portraits, Families, and Community Events [Photographic Prints]

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4574da2c9-6fcf-47fc-9885-a744950b35f0

EDAN-URL:

ead_component:sova-nmai-ac-373-ref5

Creator:

Gugler, Eric, 1889-1974  Search this

Subject:

Gugler, Frida  Search this

Manship, Paul  Search this

Roosevelt, Eleanor  Search this

Cornell, Katharine  Search this

Type:

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Citation:

Eric Gugler papers, 1889-1977. Archives of American Art, Smithsonian Institution.

Topic:

Painters -- New York (State) -- New York  Search this

Architecture -- Designs and plans  Search this

Architecture, Modern -- 20th century  Search this

Architects -- New York (State) -- New York  Search this

Theme:

Architecture & Design  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8995

(DSI-AAA_SIRISBib)211184

AAA_collcode_gugleric

Theme:

Architecture & Design

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211184

Collection Creator:

Gugler, Eric, 1889-1974  Search this

Extent:

0.4 Linear feet (Box 19, OV 32)

Type:

Archival materials

Date:

1895-1970

Scope and Contents:

Artwork includes graphite and pen and ink sketches, watercolors, paintings, photographs of artwork, and artwork by Gugler's sister, Frida. Gugler's loose sketches are predominantly figure studies, landscapes, and studies for mural and sculptural designs. The series also includes two sketchbooks that document Gugler's travels in Italy and Spain.

Arrangement:

Materials are minimally arranged by document type.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Eric Gugler papers, 1889-1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.gugleric, Series 8

See more items in:

Eric Gugler papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99774bd00-b2d3-4250-96f8-ac6056fbf953

EDAN-URL:

ead_component:sova-aaa-gugleric-ref20

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2020-12-02T18:22:38.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_djQBWbxEjbo

Collection Creator:

Fort Reno (Okla.). Scouts  Search this

Collection Annotator:

Mooney, James, 1861-1921  Search this

Collection Collector:

Evans, Neal W. (Neal Wiltbank), 1844-1894  Search this

Extent:

1 Photograph

Container:

Box 2108, Folder 11

Type:

Archival materials

Graphic Materials

Photographs

Scope and Contents:

Inscription on verso in James Mooney's hand: "Cheyenne Pictures from Evans Cheyenne Picture Book 1906." Date refers to when copies were made, not date of original drawings.

Local Numbers:

NAA INV 11014500

NAA MS 2018 012

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

MS 2018 Hand colored photographs of drawings from a Fort Reno Scout ledger, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2018 Hand colored photographs of drawings from a Fort Reno Scout ledger

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3866476e0-9309-484d-860a-588938b7ae54

EDAN-URL:

ead_component:sova-naa-ms2018-ref11

Culture/People:

Nomtipom Wintu  Search this

Artist/Maker:

Frank LaPena (Frank La Pena/Towendolly), Nomtipom Wintu, 1937-2019  Search this

Previous owner:

Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this

IACB source:

Frank LaPena (Frank La Pena/Towendolly), Nomtipom Wintu, 1937-2019  Search this

Title:

Foot Steps

Object Name:

Painting

Media/Materials:

Masonite, casein paint, photograph/photographs, cardboard, wood, felt, iron nails

Techniques:

Painted, collaged

Dimensions:

61 x 43 cm

Object Type:

Painting/Drawing/Print

Place:

San Francisco; San Francisco County; California; USA

Date created:

1968

Catalog Number:

26/1026

Barcode:

261026.000

See related items:

Nomtipom Wintu

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws651e1474b-3b9c-4331-b947-2fe319280b26

EDAN-URL:

edanmdm:NMAI_277121

Culture/People:

Oklahoma Seminole  Search this

Artist/Maker:

C. Maxx Stevens, Seminole Nation of Oklahoma/Oklahoma Muscogee (Creek), b. 1951  Search this

Seller:

C. Maxx Stevens, Seminole Nation of Oklahoma/Oklahoma Muscogee (Creek), b. 1951  Search this

Title:

House of Transitions

Object Name:

Multimedia work

Media/Materials:

Plastic, metal, cotton twine/string, wood, photograph/photographs

Techniques:

Laced, painted, photographically reproduced

Dimensions:

237.5 x 98 x 97.3 cm

Object Type:

Works of Art (Other)

Place:

Boulder; Colorado; USA

Date created:

2012

Catalog Number:

26/9249

Barcode:

269249.000

See related items:

Oklahoma Seminole

Works of Art (Other)

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws6b205afbb-1135-4eee-879c-3cd3a5cacc29

EDAN-URL:

edanmdm:NMAI_409850

Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Names:

Geological Survey (U.S.)  Search this

United States. Army  Search this

Buffalo Bill, 1846-1917  Search this

Crook, George, 1829-1890  Search this

Custer, George Armstrong, 1839-1876  Search this

Hickok, Wild Bill, 1837-1876  Search this

Juárez, Benito, 1806-1872  Search this

Kinman, Seth  Search this

Miles, Nelson Appleton, 1839-1925  Search this

Powell, John Wesley, 1834-1902  Search this

Red Cloud, 1822-1909  Search this

Richard, Louis  Search this

Sheridan, Philip Henry, 1831-1888  Search this

Sitting Bull, 1831-1890  Search this

Spotted Tail, 1823-1881  Search this

Photographer:

Barry, D. F. (David Francis), 1854-1934  Search this

Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this

Eaton, E. L. (Edric L.), b. ca. 1836  Search this

Ebell, Adrian J. (Adrian John), 1840-1877  Search this

Gardner, Alexander, 1821-1882  Search this

Hillers, John K., 1843-1925  Search this

Jackson, William Henry, 1843-1942  Search this

M'Clees, Jas. E. (James E.)  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Pywell, Wm. R. (William Redish), 1843-1886  Search this

Vannerson, Julian, 1827-  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Extent:

4 Tintypes

3 Chromolithographs

3 Lithographs (3 chalk-manner lithographs)

1 Print (photogravure)

118 Pages (Scrapbook)

685 Prints (circa, albumen)

80 Items (circa 80 relief prints (including woodcuts and wood engraving))

30 Items (circa 30 intaglio prints (including etchings and engravings))

Culture:

Apache  Search this

Pueblo  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Cherokee  Search this

Niuam (Comanche)  Search this

Muskogee (Creek)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Fox  Search this

A'aninin (Gros Ventre)  Search this

Kiowa  Search this

Modoc  Search this

Diné (Navajo)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Omaha  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Potawatomi  Search this

Indians of North America -- Plateau  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Southwest, New  Search this

Ho-Chunk (Winnebago)  Search this

A:shiwi (Zuni)  Search this

Sauk  Search this

Shoshone  Search this

Ute  Search this

Indians of North America -- Great Plains  Search this

Type:

Collection descriptions

Archival materials

Tintypes

Chromolithographs

Lithographs

Prints

Pages

Photographs

Newspapers

Woodcuts

Place:

Mexico

Taos Pueblo (N.M.)

California

Oregon

Fort Davis (Tex.)

New Mexico

Fort Snelling (Minn.)

Arizona

Texas

San Juan Pueblo (N.M.)

Zuni (N.M.)

Kansas

Colorado

Date:

circa 1863-1900

Summary:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.

Scope and Contents:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.

Biographical Note:

James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).

Local Call Number(s):

NAA Photo Lot 4605

Related Materials:

The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.

Provenance:

Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Church buildings  Search this

Mines and mineral resources  Search this

Dance  Search this

White River Massacre, Colo., 1879  Search this

Painting  Search this

Washita Campaign, 1868-1869  Search this

Mormon Church -- History  Search this

Indians of North America -- Southern states  Search this

Indians of North America -- Northeast  Search this

Genre/Form:

Photographs

Newspapers

Woodcuts

Tintypes

Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4605

See more items in:

James E. Taylor scrapbook of the American West

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw33fa281bf-1e72-4f26-ae86-8c8389244b4e

EDAN-URL:

ead_collection:sova-naa-ms4605

Artist:

Bonnard, Pierre 1867-1947  Search this

Type:

Photograph

Topic:

Cityscape--Street  Search this

Figure  Search this

Animal--Dog  Search this

Image number:

JUL J0031545

See more items in:

Photograph Study Collection

Data Source:

Photograph Study Collection, Smithsonian American Art Museum

EDAN-URL:

edanmdm:siris_jul_31546

Artist:

Picasso, Pablo 1881-1973  Search this

Type:

Photograph

Date:

1916

Topic:

Figure  Search this

Abstract  Search this

Ethnic  Search this

Image number:

JUL J0041704

See more items in:

Photograph Study Collection

Data Source:

Photograph Study Collection, Smithsonian American Art Museum

EDAN-URL:

edanmdm:siris_jul_41705

Creator:

Gates, Robert Franklin, 1906-1982  Search this

Names:

American University (Washington, D.C.). Fine Arts Dept. -- Faculty  Search this

Jack Rasmussen Gallery (Washington, D.C.)  Search this

United States. Department of the Treasury. Section of Fine Arts  Search this

Taylor, Prentiss, 1907-1991  Search this

Extent:

2.3 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Christmas cards

Photographs

Scrapbooks

Date:

1910-1988

bulk 1928-1988

Summary:

The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department.

Scope and Content Note:

The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department.

Biographical material includes resumes, biographical accounts, award certificates, records for employment through a State Department Specialists Grant, address lists, teaching notes, writings about Gates, and a guest book signed by colleagues celebrating Gates' forty years at American University. There is a also a group of Navy Department records documenting Gates' employment designing three-dimensional photo-surfaced topography models for use by troops during World War II.

Letters are primarily from the U.S. Treasury Department and the Federal Works Agency discussing commissions, including the painting of post office murals in Maryland and West Virginia, and from various museums and galleries discussing exhibitions and other art-related activities. There are one or two letters each from colleagues Alice Acheson, Adelyn Breeskin, Charles Burchfield, Alida Conover, John Gernand, Duncan Phillips, Henry Varnum Poor, and Prentiss Taylor. Some letters are Christmas cards decorated with original block prints.

Business records primarily document Gates' interaction with the Jack Rasmussen Gallery in Washington, D.C., but also include miscellaneous sales records and pay stubs from American University.

Artwork consists of scattered drawings of modern houses by Gates and abstract sketches by others, and small block prints by Joe Goethe and D. Neufeld. Two Scrapbooks contain clippings, exhibition announcements and catalogs, and scattered letters.

Additional printed material includes clippings, exhibition announcements and catalogs for Gates and others, prospectuses for art exhibitions, press releases, calendars of events, booklets about color and lenses, brochures for art schools and books, and an unannotated calendar containing a reproduction of one of Gates' paintings.

Photographs are of Robert Gates, various family members including Gates with his first wife photographed by Prentiss Taylor, models, artwork, and exhibition installations. There are two photograph albums and unbound photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department. Images of this trip are of Gates and colleagues including Mitchell Jamieson, the ship Doris Hamlin, the crew, markets, a cock fight, miscellaneous buildings, town squares, and the countryside of the Virgin Islands.

Arrangement:

The collection is arranged into 7 series. Each series is arranged chronologically:

Missing Title

Series 1: Biographical Material, 1928-1975 (Box 1, OV 4; 34 folders)

Series 2: Letters, 1930-1988 (Box 1; 25 folders)

Series 3: Business Records, 1961-1982 (Box 1; 5 folders)

Series 4: Artwork, circa 1962 (Box 1; 6 folders)

Series 5: Scrapbooks, 1932-1939 (Box 1-2; 4 folders)

Series 6: Printed Material, 1916-1988 (Box 2; 48 folders)

Series 7: Photographs, 1910-1982 (Boxes 2-3, OV 4; 20 folders)

Biographical Note:

Robert Franklin Gates was born on October 6, 1906 in Detroit, Michigan. He studied at the Detroit School of Arts and Crafts, and from 1929 to 1930 attended the Art Students' League in New York. Between 1930 and 1932, Gates studied under C. Law Watkins at the Phillips Gallery Art School in Washington, D.C., later becoming an instructor in life drawing and painting there. During this time, he met fellow student Margaret Casey, and they married on January 7, 1933. Between 1934 and 1938, Robert Gates was an art instructor at the Studio House in Washington, D.C.

In 1934, Gates received a commission from the U.S. Treasury Department Section of Fine Arts to create a series of watercolors of Charles Gardens, South Carolina, and from 1929-1940, murals for post offices in Bethesda, Maryland, Oakland, Maryland, and Lewisburg, West Virginia. In 1936, the Treasury Department also commissioned Gates and fellow artists Mitchell Jamieson and Prentiss Taylor to create series of watercolors of the Virgin Islands, arranging for several voyages there.

Between 1937 and 1942, Gates was a guest instructor at the University of Florida, taught art classes at Hood College in Frederick, Maryland and at the Washington County Museum of Art in Hagerstown, Maryland. He also taught at the Phillips Gallery Art School in Washington, D.C. while his wife was employed as the school secretary. In 1938, Gates received a summer scholarship to study under Henry Varnum Poor at the Colorado Springs Fine Arts Center.

During World War II, Gates worked as a civilian technician for the Navy Department doing model making and camouflage design, receiving the Distinguished Civilian Service Award for his work.

After the war, and the closing of the Phillips Gallery Art School, Gates attended classes taught by Bill Calfee at American University. In 1946, he joined the faculty and eventually becane chairman of the Art Department in 1954. Robert and Margaret Gates were divorced sometime in the mid-1950s. From 1966 to 1967, Gates was Artist-in-Residence at the U.S. Embassy in Baghdad, Iraq, under the Department of State Educational and Cultural Exchange Program. In 1967, he married his second wife, Sarita, while in Baghdad.

Gates is represented in the permanent collections of the American University, the Baltimore Museum of Art, the Corcoran Gallery of Art, the Dumbarton Oaks collection, the Phillips Collection, and the Lewisshon collection.

Robert Franklin Gates died on March 11, 1982 in Alexandria, Virginia.

Related Material:

Also in the Archives of American Art are the papers of Gates' first wife Margaret Casey Gates, 1934-1988,

Provenance:

The Robert Franklin Gates papers were donated in 1995 by Sarita W. Gates, the artist's widow, via legal representative Bradford G. Weekes III.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Art teachers -- Washington (D.C.)  Search this

Topic:

World War, 1939-1945 -- Art and the war  Search this

Post office buildings  Search this

Mural painting and decoration, American  Search this

Genre/Form:

Drawings

Christmas cards

Photographs

Scrapbooks

Citation:

Robert Franklin Gates papers, 1910-1988, bulk 1928-1988. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.gaterobe

See more items in:

Robert Franklin Gates papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d311e740-03de-4049-91d8-ab87870ebc27

EDAN-URL:

ead_collection:sova-aaa-gaterobe

Creator:

Jacques Seligmann & Co.  Search this

Subject:

Hauke, Cesar M. de (Cesar Mange)  Search this

Glaenzer, Eugene  Search this

Haardt, Georges  Search this

Seligman, Germain  Search this

Seligmann, Arnold  Search this

Parker, Theresa D.  Search this

Waegen, Rolf Hans  Search this

Trevor, Clyfford  Search this

Seligmann, René  Search this

Seligmann, Jacques  Search this

De Hauke & Co., Inc.  Search this

Jacques Seligmann & Co  Search this

Eugene Glaenzer & Co.  Search this

Germain Seligmann & Co.  Search this

Gersel  Search this

Type:

Gallery records

Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Topic:

Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this

Schiff, Mortimer L. -- Art collections  Search this

Arenberg, duc d' -- Art collections  Search this

Liechtenstein, House of -- Art collections  Search this

Art -- Collectors and collecting -- France -- Paris  Search this

Art -- Collectors and collecting  Search this

World War, 1939-1945 -- Art and the war  Search this

La Fresnaye, Roger de, 1885-1925  Search this

Art, Renaissance  Search this

Decorative arts  Search this

Art treasures in war  Search this

Art, European  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)9936

(DSI-AAA_SIRISBib)212486

AAA_collcode_jacqself

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212486

Creator:

Vytlacil, Vaclav, 1892-1984  Search this

Subject:

Zalmar  Search this

Manoir, Irving K. (Irving Kraut)  Search this

Matter, Mercedes  Search this

Ryder, Worth Allen  Search this

Thurn, Ernest  Search this

Vytlacil, Elizabeth Foster  Search this

Wessels, Glenn A. (Glenn Anthony)  Search this

Albers, Josef  Search this

Rivera, Diego  Search this

Day, Worden  Search this

Feigl, Hugo  Search this

Haley, John  Search this

Jensen, Alfred  Search this

Larsen, Susan C.  Search this

Lazzell, Blanche  Search this

Type:

Writings

Interviews

Scrapbooks

Photographs

Drawings

Sound recordings

Woodcuts

Motion pictures (visual works)

Prints

Etchings

Citation:

Vaclav Vytlacil papers, 1885-1990. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Study and teaching  Search this

Painters -- New York (State) -- New York  Search this

Theme:

Diaries  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)13411

(DSI-AAA_SIRISBib)211466

AAA_collcode_vytlvacl

Theme:

Diaries

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211466

Creator:

Vytlacil, Vaclav, 1892-1984  Search this

Names:

Albers, Josef  Search this

Day, Worden, 1916-1986  Search this

Feigl, Hugo  Search this

Haley, John, 1905-1991  Search this

Jensen, Alfred, 1903-1981  Search this

Larsen, Susan C.  Search this

Lazzell, Blanche, 1878-1956 -- Photographs  Search this

Manoir, Irving K. (Irving Kraut), 1891-1982  Search this

Matter, Mercedes  Search this

Rivera, Diego, 1886-1957 -- Photographs  Search this

Ryder, Worth Allen, 1884-1960  Search this

Thurn, Ernest  Search this

Vytlacil, Elizabeth Foster, 1899-  Search this

Wessels, Glenn A. (Glenn Anthony), 1895-  Search this

Zalmar  Search this

Extent:

5.2 Linear feet

Type:

Collection descriptions

Archival materials

Writings

Interviews

Scrapbooks

Photographs

Drawings

Sound recordings

Woodcuts

Motion pictures (visual works)

Prints

Etchings

Date:

1885-1990

Summary:

The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence primarily discussing art school-related matters and the exhibition and sale of Vytlacil's work, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.

Scope and Content Note:

The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.

Scattered biographical materials include documents relating to family history and biographical accounts for Vytlacil. Correspondence consists of letters exchanged between Vytlacil and his wife and colleagues including Josef Albers, Worden Day, Hugo Feigl, John Haley, Alfred Jensen, Irving Manoir, Mercedes Matter, Worth Ryder, Ernest Thurn, and Glenn Wessels.

Scattered business and financial records consist of teaching contracts and scattered financial records. Notes and writings include lecture notes, notebooks concerning teaching, minutes of meetings, essays, and writings by others. Three untranscribed sound recordings on cassette contain an interview of Vytlacil by Susan Larsen and interviews of Vytlacil's students and associates.

Artwork consists of drawings and prints by Vytlacil and others, etchings by Betty Vytlacil, and a color woodcut by Zalmar. Four scrapbooks contain printed materials and artwork by students compiled as a get-well gift to Vytlacil. Additional printed materials include numerous clippings, exhibition catalogs, and art school catalogs. Photographs in the collection are of Vytlacil, family members, his artwork, and his colleagues including Blanche Lazzell and Irving Manoir with Diego Rivera. One small motion picture film reel, 8mm, shows views of Manhattan and a family outing.

Arrangement:

The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, 1885, 1933-1981 (Box 1; 3 folders)

Series 2: Correspondence, 1911-1985 (Boxes 1-2, 7; 2.0 linear feet)

Series 3: Business Records, 1912-1982 (Box 3; 11 folders)

Series 4: Notes and Writings, 1928-1978 (Boxes 3, 7; 0.9 linear feet)

Series 5: Interviews (Sound Recordings), 1974, 1984 (Box 4; 2 folders)

Series 6: Artwork, 1921-1952 (Boxes 4, 7; 5 folders)

Series 7: Scrapbooks, 1927-1979 (Boxes 4, 7; 4 folders)

Series 8: Printed Material, 1912-1990 (Boxes 4-5, 7; 1.3 linear feet)

Series 9: Photographs, 1906-1976 (Boxes 6-7; 27 folders)

Series 10: Motion Picture Film, circa 1938-1968 (Box FC 8; 1 film reel)

Biographical Note:

Vaclav Vytlacil (1892-1984) was an abstract painter and art instructor who worked primarily in the New York city area. He was also one of the co-founders of the American Abstract Artists group.

Born in New York City of Czech parentage, Vytlacil moved at an early age with his family to Chicago. Beginning in 1906 he studied at the Art Institute of Chicago under Antonin Sterba for approximately 3 years. In 1912 he graduated as William Vytlacil from Crane Technical and English High School. After receiving a scholarship in 1913, Vytlacil returned to New York to study at the Art Students League with John C. Johansen for three years. From 1917 to 1921 Vytlacil was employed as an instructor at the Minneapolis School of Art.

Beginning in 1921 Vytlacil traveled to Paris, Prague, and Munich, deciding to remain in the latter city indefinitely. He enrolled as a student at the Royal Academy of Art in Munich with fellow American art students Worth Ryder and Ernest Thurn. Vytlacil first studied under Karl Kaspar and, a year later, he and Ernest Thurn enrolled at the Hans Hofmann School in Munich. Vytlacil studied with Hofmann sporadically over the next seven years.

On August 18, 1927, Vytlacil married Elizabeth Foster of St. Paul, Minnesota at the Palazzo Vecchio in Florence, Italy. In the following year, he accepted an invitation to teach at the Art Students League and became an invited lecturer at the University of California at Berkeley during the summer terms of 1928 to 1929. Vytlacil urged Hans Hofmann, with his assistance, to come to the United States to teach at the Art Students League during the 1931-1932 term. Also during the early 1930s, Vytlacil and his wife spent summers in Positano, Italy, and winters in Paris.

In 1935 the Vytlacils returned permanently from Europe to live at 8 West 13th Street in New York City, where they stayed for three years. Vytlacil resumed teaching at the Art Students League, spending the summer sessions teaching at the California College of Arts and Crafts. In the following year he accepted an invitation to teach at the Florence Cane School at Rockefeller Center and continued teaching during the summer session at the California College of Arts and Crafts. It was also during 1936 that Vytlacil co-founded the American Abstract Artists with thirteen other artists.

While continuing to teach at the Art Students League and at the Florence Cane School, Vytlacil began conducting art classes at the Dalton School, where he taught until 1941. In 1938, he moved from New York City to South Mountain Road in New City. Two years later, Vytlacil established his residence and studio in Sparkill, New York, and in 1941, he acquired property in Martha's Vineyard which provided a place to work during the summers.

In 1942, Vytlacil left the Art Students League to become Chairman of the Art Department of Queens College in Flushing, New York. He held this position until 1945, when he accepted an invitation to teach at Black Mountain College. From 1946 to 1951, he returned as instructor at the Art Students League and began selling his artwork through the Feigl Gallery in New York. He also taught at the Minneapolis School of Art in 1947, and at Columbia University in 1950.

From 1952 to 1954, Vytlacil traveled to Colorado to paint and teach at the summer sessions of the Colorado Springs Fine Arts Center. After a summer spent on Monhegan Island, Maine, Vytlacil and his wife spent 1955 in Europe. Upon his return in 1956, he became a guest instructor at the Art Institute of Chicago and, in the following year, he taught a summer session at Boston College.

During the winter months of 1960 and 1961, Vytlacil lived in Oaxaca, Mexico. In 1964, he was a guest instructor at the University of Georgia in Athens, Georgia.

Vytlacil was a member of the Art Students League of New York, the American Abstract Artists, the Federation of American Painters and Sculptors, and the Audubon Artists.

Vaclav Vytlacil died at his home in Sparkill, New York on January 5, 1984.

Related Material:

Also found in the Archives of American Art are oral history interviews with Vaclav Vytlacil, March 2, 1966 and January 10, 1974, and 19 items microfilmed on reel 2016 relating to a 1975 Montclair Art Museum exhibition organized by Worden Day.

Separated Material:

The Archives of American Art also holds material lent for microfilming (D295) including correspondence, lecture notes, general notes, clippings, notebooks concerning paintings, photographs of paintings, photographs titled "Vineyard Boats," and two of Mrs. Vytacil's Paris journals. Two dozen of these letters were later donated. All other lent materials remain with the lender and are not described in the collection container inventory.

Provenance:

Vaclav Vytlacil lent the Archives of American Art materials for microfilming in 1966. Vaclav Vytlacil's daughter, Anne Vytlacil, donated the Vaclav Vytlacil papers in several installments from 1989 to 1993.

Restrictions:

Use of the original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art teachers -- New York (State) -- New York  Search this

Topic:

Art -- Study and teaching  Search this

Painters -- New York (State) -- New York  Search this

Genre/Form:

Writings

Interviews

Scrapbooks

Photographs

Drawings

Sound recordings

Woodcuts

Motion pictures (visual works)

Prints

Etchings

Citation:

Vaclav Vytlacil papers, 1885-1990. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.vytlvacl

See more items in:

Vaclav Vytlacil papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9942f5bfb-5740-4892-b9c8-e93398edef40

EDAN-URL:

ead_collection:sova-aaa-vytlvacl

Artist:

Floyd MacMillan Davis, 1896 - 1966  Search this

Sitter:

Floyd MacMillan Davis, 1896 - 1966  Search this

Gladys Rockmore Davis, 1901 - 16 Feb 1967  Search this

David Edward Scherman, 2 Mar 1916 - 1997  Search this

Janet Flanner, 13 Mar 1892 - 7 Nov 1978  Search this

William Lawrence Shirer, 23 Feb 1904 - 28 Dec 1993  Search this

Ernest Miller Hemingway, 21 Jul 1899 - 2 Jul 1961  Search this

A. J. Liebling, 18 Oct 1904 - 28 Dec 1963  Search this

Merrill Mueller, 1916 - 1980  Search this

Hans Von Kaltenborn, 9 Jul 1878 - 1965  Search this

Richard De Rochemont, 13 Dec 1903 - Aug 1982  Search this

Bill Reusswig, 1902 - 1978  Search this

Ham Green  Search this

Robert Allen Cromie, 1909 - 1999  Search this

Hugh Schuck  Search this

Will Lang, 1914 - Jan 1968  Search this

Lee Miller, 23 Apr 1907 - 21 Jul 1977  Search this

Graham Miller  Search this

Donald MacKenzie, 1918 - 1993  Search this

Robin Duff  Search this

Ralph Morse, 23 Oct 1917 - 7 Dec 2014  Search this

Charles Wertenbaker, 1901 - 1955  Search this

Robert Capa, 22 Oct 1913 - 25 May 1954  Search this

Noel Busch, 1906 - 1985  Search this

Medium:

Oil on canvas

Dimensions:

Stretcher: 48.3 x 74.3 x 2.5cm (19 x 29 1/4 x 1")

Frame: 68.6 x 94 x 6.4cm (27 x 37 x 2 1/2")

Type:

Painting

Place:

France\Île-de-France\Ville de Paris, Départment de\Paris

Date:

1944

Topic:

Home Furnishings\Furniture\Seating\Chair  Search this

Costume\Headgear\Military  Search this

Costume\Dress Accessory\Eyeglasses  Search this

Home Furnishings\Furniture\Table  Search this

Home Furnishings\Drinking vessel\Glass  Search this

Artwork\Photograph  Search this

Equipment\Smoking Implements\Cigarette  Search this

Home Furnishings\Furniture\Seating\Stool  Search this

Caricature  Search this

Interior\Nightclub  Search this

Symbols & Motifs\Flag\National\French  Search this

Symbols & Motifs\Flag\National\British  Search this

Symbols & Motifs\Flag\Nazi  Search this

Container\Bottle\Wine bottle  Search this

Symbols & Motifs\Emblem\Hammer and sickle  Search this

Symbols & Motifs\Flag\National\USSR  Search this

Symbols & Motifs\Flag\National\United States  Search this

Lee Miller: Female  Search this

Lee Miller: Visual Arts\Artist\Photographer\War photographer  Search this

Lee Miller: Visual Arts\Fashion model  Search this

Lee Miller: Visual Arts\Artist\Photographer\Fashion photographer  Search this

Gladys Rockmore Davis: Female  Search this

Gladys Rockmore Davis: Visual Arts\Artist\Painter  Search this

Donald MacKenzie: Male  Search this

Donald MacKenzie: Journalism and Media\Journalist\Correspondent  Search this

Robert Allen Cromie: Male  Search this

Robert Allen Cromie: Literature\Writer  Search this

Robert Allen Cromie: Journalism and Media\Journalist\Columnist  Search this

Robert Allen Cromie: Journalism and Media\Journalist\Correspondent  Search this

Janet Flanner: Female  Search this

Janet Flanner: Literature\Writer\Novelist  Search this

Janet Flanner: Literature\Writer\Essayist  Search this

Janet Flanner: Journalism and Media\Journalist\Correspondent  Search this

Robin Duff: Male  Search this

Robin Duff: Journalism and Media\Journalist\Correspondent  Search this

Hugh Schuck: Male  Search this

Hugh Schuck: Journalism and Media\Journalist\Correspondent  Search this

A. J. Liebling: Male  Search this

A. J. Liebling: Journalism and Media\Journalist\Reporter\Newspaper  Search this

A. J. Liebling: Journalism and Media\Journalist\Columnist  Search this

A. J. Liebling: Journalism and Media\Journalist\Reporter\Magazine  Search this

A. J. Liebling: Journalism and Media\Journalist\Correspondent  Search this

Ham Green: Male  Search this

Ham Green: Journalism and Media\Journalist\Correspondent  Search this

Merrill Mueller: Male  Search this

Merrill Mueller: Journalism and Media\Journalist\Correspondent  Search this

Bill Reusswig: Male  Search this

Bill Reusswig: Visual Arts\Artist\Illustrator  Search this

Graham Miller: Male  Search this

Graham Miller: Journalism and Media\Journalist\Correspondent  Search this

Floyd MacMillan Davis: Male  Search this

Floyd MacMillan Davis: Visual Arts\Artist\Painter  Search this

Floyd MacMillan Davis: Visual Arts\Artist\Illustrator  Search this

Floyd MacMillan Davis: Visual Arts\Artist\Printmaker\Lithographer  Search this

Richard De Rochemont: Male  Search this

Richard De Rochemont: Literature\Writer  Search this

Richard De Rochemont: Performing Arts\Performing arts director\Film director  Search this

Richard De Rochemont: Performing Arts\Producer\Film producer  Search this

Richard De Rochemont: Performing Arts\Producer\Newsreel producer  Search this

Richard De Rochemont: Oscar  Search this

David Edward Scherman: Male  Search this

David Edward Scherman: Literature\Writer  Search this

David Edward Scherman: Journalism and Media\Magazine editor  Search this

David Edward Scherman: Visual Arts\Artist\Photographer\War photographer  Search this

David Edward Scherman: Literature\Literary critic  Search this

David Edward Scherman: Journalism and Media\Journalist\Correspondent  Search this

Will Lang: Male  Search this

Will Lang: Military and Intelligence\Soldier  Search this

Will Lang: Journalism and Media\Journalist\Reporter\Magazine  Search this

Will Lang: Journalism and Media\Journalist\Correspondent  Search this

Charles Wertenbaker: Male  Search this

Charles Wertenbaker: Journalism and Media\Journalist\Correspondent  Search this

Noel Busch: Male  Search this

Noel Busch: Journalism and Media\Journalist\Correspondent  Search this

Ralph Morse: Male  Search this

Ralph Morse: Visual Arts\Artist\Photographer\War photographer  Search this

Ralph Morse: Journalism and Media\Journalist\Photojournalist  Search this

Robert Capa: Male  Search this

Robert Capa: Visual Arts\Artist\Photographer  Search this

Robert Capa: Visual Arts\Artist\Photographer\War photographer  Search this

William Lawrence Shirer: Male  Search this

William Lawrence Shirer: Journalism and Media\Journalist\Reporter\Newspaper  Search this

William Lawrence Shirer: Literature\Writer\Novelist  Search this

William Lawrence Shirer: Journalism and Media\Broadcast journalist  Search this

William Lawrence Shirer: Literature\Writer\Historical  Search this

William Lawrence Shirer: Journalism and Media\Broadcast journalist\Newscaster  Search this

Hans Von Kaltenborn: Male  Search this

Hans Von Kaltenborn: Journalism and Media\Newspaper editor  Search this

Hans Von Kaltenborn: Journalism and Media\Broadcast journalist\Radio  Search this

Hans Von Kaltenborn: Journalism and Media\Journalist\Correspondent  Search this

Hans Von Kaltenborn: Journalism and Media\Broadcast journalist\Newscaster  Search this

Ernest Miller Hemingway: Male  Search this

Ernest Miller Hemingway: Journalism and Media\Journalist\Reporter\Newspaper  Search this

Ernest Miller Hemingway: Literature\Writer\Novelist  Search this

Ernest Miller Hemingway: Sports and Recreation\Outdoorsman  Search this

Ernest Miller Hemingway: Journalism and Media\Journalist\Correspondent  Search this

Ernest Miller Hemingway: Nobel Prize  Search this

Ernest Miller Hemingway: Pulitzer Prize  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.88.57

Restrictions & Rights:

Usage conditions apply

Copyright:

© Life Magazine

See more items in:

National Portrait Gallery Collection

Exhibition:

20th Century Americans: 1930-1960

On View:

NPG, South Gallery 321

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4d7d33b2b-490a-4574-b43b-243fc94cf956

EDAN-URL:

edanmdm:npg_NPG.88.57

Donor Name:

Louis H. Ayme  Search this

Culture:

Maya, Yucatec  Search this

Object Type:

Photograph

Place:

Merida, Yucatan, Mexico, North America

Accession Date:

26 Nov 1884

Topic:

Ethnology  Search this

Accession Number:

015230

USNM Number:

E73979-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3a31b87ed-6e0f-4ce4-9a52-679e64d6686d

EDAN-URL:

edanmdm:nmnhanthropology_8477710

Creator:

Lamb, Rose, 1843-1927  Search this

Subject:

Turner, Ross  Search this

Sterner, Albert  Search this

Woodbury, Charles H. (Charles Herbert)  Search this

Noyes, Alfred  Search this

Ritchie, Anne Thackeray  Search this

Pyle, Howard  Search this

Hart, Albert Bushnell  Search this

Fiske, John  Search this

Lamb, Aimée  Search this

Hunt, William Morris  Search this

Deland, Margaret Wade Campbell  Search this

Type:

Oil paintings

Sketchbooks

Watercolor paintings

Photographs

Charcoal drawings

Citation:

Rose Lamb papers, circa 1870-1961, bulk 1870-1900. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5615

(DSI-AAA_SIRISBib)208449

AAA_collcode_lambrose

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208449

Creator:

Freeman, Richard B., 1908-1987  Search this

Subject:

Crawford, Ralston  Search this

Spencer, Niles  Search this

Citation:

Research material on Ralston Crawford and Niles Spencer, 1934-1986. Archives of American Art, Smithsonian Institution.

Topic:

Painting, Modern -- 20th century -- United States  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)6713

(DSI-AAA_SIRISBib)208838

AAA_collcode_freerich

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208838