Skip to main content Smithsonian Institution

Search Results

Collections Search Center
1,492,274 documents - page 1 of 500Result pages are truncated to 500.

Duncan P. Schiedt Photograph Collection

Photographer:
Schiedt, Duncan P., 1921-2014  Search this
Extent:
65 Cubic feet (124 boxes)
Type:
Collection descriptions
Archival materials
Date:
1900-2012, undated
Summary:
Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.
Scope and Contents:
The collection consists of Schiedt's own photographs of jazz performers, photographs of jazz performers taken by other photographers, research notes, films, and recordings of jazz.
Arrangement:
Collection is arranged into five series.

Series 1: Background Information and Research Materials, 1915-2012, undated

Series 2: Photographic Materials, 1900-2012, undated

Subseries 2.1: Historical Photographs and Negatives, 1915-2012

Subseries 2.2: Artist Files Photographs, 1900-2000, undated

Subseries 2.3: Subject Files Photographs, 1916-2002, undated

Subseries 2.4: Roscoe Allen Photographic Prints, undated

Subseries 2.5: Individual Instrumentalists Photographic Prints and Negatives, 1938-1990, undated

Subseries 2.6: John Minor Negatives, undated

Subseries 2.7: Indianapolis Theater Photographic Prints and Negatives, 1935-1956, undated

Subseries 2.8: Theater and Vaudeville Negatives, 1910-1948, undated

Subseries 2.9: Glass Plate Negatives and Copy Prints, undated

Subseries 2.10: Publicity and Festival Negatives, 1930-1962, undated

Series 3: Charles T (Ted) Grubb Papers, 1919-1999, undated

Series 4: Scrapbooks, 1901-1950, undated

Series 5: Audiovisual Materials, undated
Biographical / Historical:
For over sixty-five years, professional photographer Duncan Preston Schiedt combined his love of jazz with his love of photography. Born in 1921 in Atlantic City, New Jersey to Jacob and Kitty Schiedt, he later moved with his family to New York City. In the mid-1930s, he discovered the two loves of his life. Ironically, he first heard jazz or "swing music" as it was then known in a radio broadcast while attending a boys' school in England in 1936. Back in the States by 1938, he was enthralled when a friend showed him his basement darkroom and taught him how to develop film. He soon bought his own camera and began taking pictures in the Times Square movie palaces, nightclubs, and big band shows of New York. In World War II, he served as a cameraman in the Army Air Force, where he recorded atomic bomb tests in the western Pacific area, including Bikini Atoll.

In 1950, Schiedt married Betty Benjamin and moved to Hollywood where he worked at the Atomic Energy Commission's film laboratory for eight months. After returning to civilian life, he worked as a photographer in advertising in New York before moving in 1951 to Pittsboro, Indiana, where his parents had relocated. He had two children, Cameron and Leslie.

Thereafter, his interests in jazz and photography merged and became more than a hobby, as he transformed himself into one of the country's leading jazz historians and photographers. He traveled the country to photograph performers in movie houses, night clubs, big-band shows, jazz festivals, and other venues. Schiedt always shot in black and white, since to him that was the essence of jazz. As he wrote in the introduction to his book, Jazz in Black and White: The Photographs of Duncan Schiedt, "Jazz is a black and white music. Its range, from blinding brilliance to deepest shadings, seems to demand the drama that black and white can so easily provide. Consequently, when I take a photograph of a jazz subject, I see it in those terms."

He processed all his own film in his own darkroom so that any picture bearing his name was totally his own work. His photographs have been exhibited in numerous galleries, including the Birmingham Civil Rights Museum, the Chicago Public Library, the Indianapolis Museum of Art, and the Pensacola Art Museum. While shooting, Schiedt also interviewed his subjects, and those interviews added to his ever-growing scholarship in the field. He was the author of three books, The Jazz State of Indiana, Twelve Lives in Jazz,and Jazz in Black and White: The Photographs of Duncan Schiedt, and co-author of Ain't Misbehavin': The Story of Fats Waller. His photographs and articles have been published in the leading jazz periodicals and magazines. Over the years, he also amassed a first-rate collection of historical photographs of jazz musicians. Both his historical photographs and his original work were featured extensively in Ken Burns' Public Broadcasting Station series "Jazz." Duncan Schiedt died on March 12, 2014.
Related Materials:
Materials in the Archives Center

Leonard Gaskin Papers, NMAH.AC.0900
Provenance:
Donated to the Archives Center in 2014 by Duncan Schiedt's daughter and son, Leslie Michel and Cameron Schiedt.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Musicians  Search this
Music  Search this
Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1323
See more items in:
Duncan P. Schiedt Photograph Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81f29a1f3-28db-4274-babb-fe5a9ee71064
EDAN-URL:
ead_collection:sova-nmah-ac-1323
Online Media:

Correspondence and envelopes of Philip St. George

Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Extent:
176 Items
Type:
Archival materials
Letters
Date:
1945 to 1953
Scope and Contents:
These letters are clues to a secret life. This is a series of letters and addressed envelopes sent to Philip St. George (?-1997) of New York City who, from all indications, identified as being a closeted gay man. George's correspondents, who may have also have been gay or bisexual, tell of their experiences in the armed forces after World War II and their life after the war, 1945-1953.
Arrangement:
In Box 84, Folders 1 - 10.
Local Numbers:
AC1146-0000117-01 to AC1146-0000273 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
LGBT  Search this
Homosexuality  Search this
Genre/Form:
Letters
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 13: St. George, Philip / 13.1: Correspondence and envelopes
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep859ce5d95-b8bb-4f26-8d04-1541e00c1ac2
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2773
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Correspondence and envelopes of Philip St. George digital asset number 1

Huebner, David

Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Type:
Archival materials
Date:
2009-2014
Scope and Contents:
This series contains two United States diplomatic passports for Ambassador David Huebner, Ambassadour to New Zealand and Samoa from 2009-2014, and his husband, Dr. Duane E. McWaine and four challenge coins issued by Ambassadour Huebner during his time in office. Huebner was nominated to the post by President Obama in October 2009. He was confirmed by the United States Senate in November 2009. During his confirmation hearing before the Senate Committee on Foreign Relations, Huebner introduced his partner of twenty years, Dr. Duane E. McWaine; the hearing was held on the couple's 20th wedding anniversary, which Huebner acknowledged in his remarks. He was the first openly gay ambassdor in the Obama administration and the third openly gay ambassador in United States history. Huebner was sworn in by Vice President Joseph Biden in December 2009. Dr. McWaine is the first same-sex spouse of an ambassador to be identified as a spouse in his passport.

This addendum also includes four challenge coins issued during Huebner's term of office. "A challenge coin is a small coin or medallion (usually military), bearing an organization's insignia or emblem and carried by the organization's members. Traditionally, they are given to prove membership when challenged and to enhance morale. In addition, they are also collected by service members. In practice, challenge coins are normally presented by unit commanders in recognition of special achievement by a member of the unit. They are also exchanged in recognition of visits to an organization." (Wikipedia, accessed 2014 July 8.) The coins commemorate the 70th anniversary of U.S. and New Zealand bilaterial relations; 175 years of U.S. diplomatic presence in New Zealand (picturing Jame Reddy Clendon, Eleanor Roosevelt, and Rangitiaria Dennan); Samoa decorated with the U.S., Samoan, and Rainbow flags on the reverse; and New Zealand, decorated with the U.S., New Zealand, and Rainbow flags on the reverse.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146, Series 12
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d006f082-df0f-4e1b-822e-682546a241a5
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref961

Painting, by James Earl Taylor in 1896, of Non-Native Northern Pacific Railroad Engineer, Thomas L. Rosser at Battle with Chief Little Red Horn and Group of Men in Native Dress and On Horseback; Lieutenant Louis D. Adair Lying Wounded Nearby

Creator:
Taylor, James E. (Artist)  Search this
Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (006 in x 009 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 106
Culture:
Oglala Lakota (Oglala Sioux)  Search this
Indians of North America -- Great Plains  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
1896
Local Numbers:
NAA INV.01605212

NAA MS.MS 4605

OPPS NEG.56455
Local Note:
Black and white Photoprint on Paper Mount in Album
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Topic:
Sioux  Search this
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 106
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3e1da128a-a9b2-4249-b09d-70957a9bdd16
EDAN-URL:
ead_component:sova-naa-ms4605-ref1336

Audiovisual material relating to Pacita Abad

Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
89.63 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Video recordings
Date:
1984-2008
Summary:
The collection of audiovisual material relating to Pacita Abad measures 89.63 GB and dates from 1984 to 2008. All materials in this collection are in born-digital format and include video and audio recordings and presentations. The Biographical Materials series includes videos of Pacita Abad's life in the Washington, D.C., region, and several recordings of memorials and services after her passing in 2004. The Professional Materials series consists of videos of two workshops and two lectures given by Pacita Abad. The Interviews and Documentaries series consists of American and Asian TV programs, films, and radio interviews with and about Pacita Abad and her art. The Exhibitions and Artwork series has videos and presentations of Pacita Abad's art, and solo and group exhibitions.
Scope and Contents:
The collection of audiovisual material relating to Pacita Abad measures 89.63 GB and dates from 1984 to 2008. All materials in this collection are in born-digital format and include video and audio recordings and presentations. Several of the videos were transferred from VHS tapes. Some recordings in this collection are only partially transferred, and technical quality of both audio and video components varies. The Biographical Materials series includes videos of Pacita Abad's life in the Washington, D.C., region, and several recordings of memorials and services after her passing in 2004. The Professional Materials series consists of videos of two workshops and two lectures given by Pacita Abad. The Interviews and Documentaries series consists of American and Asian TV programs, films, and radio interviews with and about Pacita Abad and her art. The Exhibitions and Artwork series has videos and presentations of Pacita Abad's art, and solo and group exhibitions.
Arrangement:
The collection is arranged as four series.

Series 1: Biographical Material, 1994-2005 (19.39 GB; ER01-ER08)

Series 2: Professional Material, 1995-2000 (11.86 GB; ER09-ER11, ER42)

Series 3: Interviews and Documentaries, 1990-2004 (36.68 GB; ER12-ER29)

Series 4: Exhibitions and Artwork, 1984-2008 (21.70 GB; ER30-ER41)
Biographical / Historical:
Pacita Abad (1946-2004) was an Ivatan and Filipina painter based in New York, San Francisco, and Washington, D.C. Abad emigrated to the United States from the Philippines in 1970, and became a naturalized U.S. citizen in 1994.

Abad traveled in over 80 countries and different cultures had a profound influence on her artistic style. She developed a technique of trapunto painting, which entailed stitching and stuffing painted canvases to give them a three-dimensional, sculptural effect, and incorporating materials such as traditional cloth, mirrors, beads, shells, plastic buttons, and other objects into the surface of paintings. Abad crafted more than 5,000 artworks over a 30-year career. Her work has been featured in over 60 solo and group exhibitions at museums and galleries worldwide, and her art is held in private collections and cultural institutions in more than 70 countries.
Provenance:
Donated 2009 by Jack Garrity, Abad's husband and director of Pacita Abad Art Estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Women artists  Search this
Asian American artists  Search this
Filipino American artists  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.abadpaci
See more items in:
Audiovisual material relating to Pacita Abad
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99775ecb3-a651-4cd9-ba7e-cd3aa3107d95
EDAN-URL:
ead_collection:sova-aaa-abadpaci

Funeral in Batanes, Philippines (2004), Digital Video Recording

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
2.67 Gigabytes (One computer file)
Container:
Folder ER04
Type:
Archival materials
Gigabytes
Date:
2004
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97d7e2014-ce2e-418d-bd97-1111bb1551a3
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref10

Memorial for Pacita, Manila, Philippines (2004), Digital Presentation

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
0.011 Gigabytes (One computer file)
Container:
Folder ER06
Type:
Archival materials
Gigabytes
Date:
2004
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986f723e0-2c92-48a1-b547-e853d240bdb6
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref12

Parangal for Pacita, Manila, Philippines (2005), Digital Video Recording

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
0.056 Gigabytes (One computer file)
Container:
Folder ER08
Type:
Archival materials
Gigabytes
Date:
2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986037bb7-3727-44f1-bb41-a00773649084
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref14

Biographical Materials

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
19.39 Gigabytes (ER01-ER08)
Type:
Archival materials
Gigabytes
Date:
1994-2005
Scope and Contents:
The Biographical Materials series consists of videos of Pacita Abad's life in the Washington, D.C. region, and of memorials and services in the Philippines and Singapore after her passing in 2004. Materials in the series are arranged chronologically.

This series includes a 1994 recording of Abad's U.S. citizenship naturalization ceremony. One recording illustrates the construction and blessing of Fundacion Pacita, Abad's studio and home in Batanes, Philippines, where she is buried. In January 2005, the National Museum of the Philippines hosted a parangal [eulogy] in her memory.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.abadpaci, Series 1
See more items in:
Audiovisual material relating to Pacita Abad
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cf75888-a687-46da-a1cf-0b32ce43c6e2
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref3

A Philippine Painter Looks at the World, Museum of Philippine Art, Manila, Philippines (1984 22 February-15 April), Digital Audio Recording

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
0.32 Gigabytes (One computer file)
Container:
Folder ER30
Type:
Archival materials
Gigabytes
Date:
2008
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 4: Exhibitions and Artwork
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9986dcd19-3417-4820-a804-d7bcfc82b676
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref36

Assaulting the Deep Sea, Ayala Museum, Manila, Philippines (1986 May 26-Jun 25), Digital Video Recording

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
0.964 Gigabytes (Two computer files)
Container:
Folder ER31
Type:
Archival materials
Gigabytes
Date:
2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 4: Exhibitions and Artwork
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96a181604-cd32-42cf-8c5b-bfb54b5f3d6c
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref37

Jamming on an Old Saya, fashion theater show, Cultural Center of the Philippines, documentary by Sari Dalena (1995), Digital Video Recording

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
4.12 Gigabytes (One computer file)
Partial transfer only.
Container:
Folder ER33
Type:
Archival materials
Gigabytes
Date:
2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 4: Exhibitions and Artwork
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98bd9c393-fe84-4882-8772-c3f62ad12db4
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref39

The Sky Is the Limit, Finale Art Gallery, SM Megamall, Manila, Philippines, (2001 March 13-26), Digital Video Recording

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
2.61 Gigabytes (One computer file)
Container:
Folder ER35
Type:
Archival materials
Gigabytes
Date:
2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 4: Exhibitions and Artwork
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4c46d8a-5c88-4b84-81d7-d127fe8f4984
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref41

Construction and Blessing of Fundacion Pacita, Batanes, Philippines (2004), Digital Video Recording

Collection Creator:
Abad, Pacita  Search this
Garrity, Jack  Search this
Extent:
4.08 Gigabytes (One computer file)
Container:
Folder ER03
Type:
Archival materials
Gigabytes
Date:
2004
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Audiovisual material relating to Pacita Abad
Audiovisual material relating to Pacita Abad / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f142007f-e3e8-4e78-8b07-559eef494ba1
EDAN-URL:
ead_component:sova-aaa-abadpaci-ref9

The presumed larva of Himalopsyche phryganea (Ross) (Trichoptera : Rhyacophilidae)

Author:
Flint, Oliver S., Jr.  Search this
Object Type:
Smithsonian staff publication
Year:
1962
Citation:
Flint, Oliver S., Jr. 1962. "The presumed larva of Himalopsyche phryganea (Ross) (Trichoptera : Rhyacophilidae)." Pan-Pacific Entomologist, 37 199–202.
Identifier:
132556
ISSN:
0031-0603
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_132556

Flora of Micronesia, 3: Convolvulaceae

Author:
Fosberg, F. Raymond  Search this
Sachet, Marie-Hélène  Search this
Object Type:
Smithsonian staff publication
Year:
1977
Citation:
Fosberg, F. Raymond and Sachet, Marie-Hélène. 1977. Flora of Micronesia, 3: Convolvulaceae. In Smithsonian Contributions to Botany, 36. https://doi.org/10.5479/si.0081024X.36.
Identifier:
73366
DOI:
https://doi.org/10.5479/si.0081024X.36
ISBN:
0081-024X
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_73366

Conservation of New Guinea Rainforest Birds

Author:
Beehler, Bruce McP  Search this
Object Type:
Smithsonian staff publication
Year:
1985
Citation:
Beehler, Bruce McP. 1985. "Conservation of New Guinea Rainforest Birds." In International Council for Bird Preservation Technical Publication. 233–247.
Identifier:
99342
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_99342

Meet Jaune Quick-To-See Smith

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-03T20:39:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_1BtEJqvhosw

East-West Interchanges in American Art: J.M. Mancini

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
Lectures
YouTube Videos
Uploaded:
2013-04-30T14:38:51.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_BBpyNr5m0oY

Nam June Paik's "Electronic Superhighway" - American Art Moments

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-08-26T15:03:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_Q_6HAMtqW3Y

Modify Your Search







or


Narrow By