Search Results

Creator:

March, Benjamin, 1899-1934  Search this

Names:

March, Benjamin, 1899-1934  Search this

Rowe, Dorothy, 1898-  Search this

Extent:

15 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Lecture notes

Letters

Place:

China

Japan

China -- Description and Travel

Michigan

Date:

1923-1934

Summary:

Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.

Scope and Content Note:

The Benjamin March Papers span the years 1923 to 1934 and measure 15 linear feet. The collection includes: biographical data included in passports, obituaries, and fifty-seven condolence letters; lecture and course outlines; research notes; four diaries; one scrapbook; four illustrations including sketches for the March bookplate; fourteen photograph albums; printed matter; and 100 personal and artistic photographs.

Arrangement note:

The collection is divided into the following series:

Series 1: Biographical Information, 1927-1935

Series 2: Diaries, 1925-1934

Series 3: Writings and Research Materials, 1927-1934, undated

— Subseries 3.1: Lecture Materials

— Subseries 3.2: Research

— Subseries 3.3: Printed Matter

Series 4: Scrapbooks, 1924-1934

Series 5: Graphic Materials, 1925, 1933, undated

— Subseries 5.1: Illustrations

— Subseries 5.2: Photo Albums

— Subseries 5.3: Photographs

Biographical Information:

Biographical Sketch

1899 -- Born, Chicago, IL. Son of Benjamin Franklin and Isabel (née McNeal)

[1917?] -- Attended Lewis Institute and the YMCA College before transferring to the University of Chicago

1918-1919 -- Military service, Sergeant, Field Remount Squadron, No. 305, Army Service Corps

1922 -- Graduated from the University of Chicago (Ph.B)

1922-1923 -- Attended the Union Theological Seminary, New York, NY

1923-1925 -- Teacher of English, Latin, and Bible Studies at Hopei University; the Second Normal School; and the YMCA in Paotingfu, China

1925 June 25 -- Married Dorothy Rowe in Nanking, China

1925-1927 -- English instructor; Librarian; and Lecturer in Chinese Art, Yenching University Peiping, China

1927, summer -- Lecturer on Chinese art Columbia University

1927-1931 -- Curator of Asiatic Art Detroit Institute of Arts

1928 -- Honorary Curator of Oriental Aesthetic Art at the Museum of Anthropology, University of Michigan, Ann Arbor

1928 -- Appointed honorary curator at the Museum of Anthropology, University of Michigan, Ann Arbor

[1929?] -- Daughter (Judith) born

1929 -- China and Japan in Our Museums, published by the American Council, Institute of Pacific Relations

1931 -- Spent six months in China under a special grant from the American Council of Learned Societies to study 13th century painter, Ch'ien Hsuan

1932 -- Curator, Museum of Anthropology, University of Michigan, Ann Arbor

1932 -- Appointed honorary curator at the Detroit Institute of Arts

1933 -- Awarded a Freer Fellowship

1934 -- Standards of Pottery Description, published by the University of Michigan Press

1934, summer -- Organized, directed, and lectured at a summer session of the Institute of Asiatic Studies at the University of California, Berkeley

1934 December -- Died at home in Ann Arbor, Michigan after a five-week illness (heart ailment)

Far Eastern art writer, curator, and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.

After high school, March attended the Lewis Institute and the YMCA College before transferring to the University of Chicago from which he graduated in 1922 (Ph.B). With thoughts of becoming a Methodist minister, March enrolled at the Union Theological Seminary in New York City. At the same time, March enrolled in art classes at the Metropolitan Museum. After one year at the seminary, March was presented with and accepted the opportunity to work in China. From 1923 to 1927, March resided in China where he taught and lectured at colleges. Initially, March taught English, Latin, and Bible Studies at Hopei University, the Second Normal School, and the YMCA. From 1925 to 1927, he worked at Yenching University in Peiping (now Peking) as an instructor in English, a librarian, and lecturer in Chinese art.

While in China, March met Dorothy Rowe, the daughter of a Methodist missionary stationed in Nanking. On June 25, 1925 the two were married. Ms. Rowe, whom March sometimes called Doré, had lived in China since infancy. The author of the children's story, "The Begging Dear," Rowe wrote children's stories with Chinese settings.

During the summer of 1927, the March's moved to the United States when Columbia University offered March an appointment as lecturer of Chinese Art. Later that year March was appointed curator of Asiatic art at the Detroit Institute of Arts. He remained at the Detroit Institute of Arts in this capacity until 1931. In 1928, March was appointed Honorary Curator of Oriental Aesthetic Art by the University of Michigan's Museum of Anthropology. The next year, Dorothy March gave birth to the couple's only child, Judith.

During this period March published extensively, including two publications, China and Japan in Our Museums, in 1929 and, Standards of Pottery Description, in 1934. In the latter, March developed a new technique for the scientific study of the materials and methods of manufacture of ancient Chinese pottery. ( Ann Arbor Daily News. -- "Death Takes Noted Curator". -- December 14, 1934)

In 1931, March received a grant from the American Council of Learned Societies. This grant allowed March the opportunity to travel to China and Europe to study the 13th century painter, Ch'ien Hsuan. In 1932, March was named a curator at the Museum of Anthropology at the University of Michigan. The following year he was named a Freer Fellow. The summer of 1934 found March in Berkeley, California, organizing and directing the Institute of Asiatic Studies at the University of California. During the fall of 1934, March fell ill with a heart ailment. He was ill for five weeks before he died, at the age of 35, in December of 1934. At the time of his death, Benjamin March was survived by his wife Dorothy and their daughter, Judith.

Related Collections:

The Detroit Institute of Arts maintains administrative correspondence and files generated by Benjamin March during his tenure as curator.

The Bentley Historical Library at the University of Michigan houses the Benjamin Franklin March drawings collection, This is a collection of drawings by March for his daughter; includes illustrated poems of Pentwater Beach, Michigan.

Provenance:

Judith March Davis, the daughter of Benjamin March, donated her father's papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1995.

Benjamin March's daughter, Judith March Davis, donated her father's papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1995.

Restrictions:

Collection is open for research.

Rights:

No restrictions on use.

Topic:

Art, Japanese  Search this

Art, Chinese  Search this

Architecture -- China  Search this

Architecture, Japanese  Search this

Painting, Chinese  Search this

Art, Korean  Search this

Art, Asian  Search this

Painting, Japanese  Search this

Art, Asian -- Research  Search this

Chinese language -- Terms and phrases  Search this

Art -- Terminology  Search this

Genre/Form:

Photographs

Scrapbooks

Lecture notes

Letters

Citation:

Benjamin March Papers, FSA.A.1995.10. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995

Identifier:

FSA.A1995.10

See more items in:

Benjamin March Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3ee55f56d-42a6-4612-8585-2aaed10572c1

EDAN-URL:

ead_collection:sova-fsa-a1995-10

Creator:

March, Benjamin, 1899-1934  Search this

Names:

Yanjing da xue  Search this

Ferguson, John Calvin, 1866-1945  Search this

March, Benjamin, 1899-1934  Search this

Priest, Alan Reed  Search this

Rowe, Dorothy, 1898-1969  Search this

St. Denis, Ruth, 1880-1968  Search this

Collection Creator:

March, Benjamin, 1899-1934  Search this

Extent:

182 Items (typed unbound pages with solid wood covers)

Container:

Box 1, Folder 9

Type:

Archival materials

Diaries

Place:

China

Beijing (China)

China -- Description and Travel

Date:

1925-1926

Scope and Contents note:

Binding removed, 9 ½" x 6". 182 pages. First entry, 30 June 1925. Last entry, 13 March 1926. Inscribed, "The Memoirs of MA". Wood cover. In the introduction, March wrote, "Chronicles of Benjamin" had, for three years, served as a journal, notebook, and record for himself of places he visited. Said that since he's now not alone that it is fitting to rename his notes, "Memoirs of MA." (Chinese name of his family). ["Chronicles of Benjamin" may be found in Series V, subseries B, photo albums.]

Scope and Contents:

A diary typed by the young Chinese art scholar Benjamin March from June 1925 to March 1926 describing his life in China. Events include March's marriage to the author Dorothy Rowe (1898-1969) in Nanjing, their honeymoon in Hangzhou and Suzhou, and their subsequent life in Beijing. March describes hikes through scenic areas in Hangzhou and Beijing; his acquaintance with scholars such as John Calvin Ferguson and Alan Priest; attending performances by Ruth St. Denis and Mei Lanfang, and his work at Yenching University.

The Memoirs of Ma

Biographical / Historical:

East Asian art historian, curator and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. March was East Asian art lecturer at the University of Michigan, and curator of Asian art at the Detroit Institute of Art. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.

Local Numbers:

FSA A1995.10 2.3

Collection Restrictions:

Collection is open for research.

Collection Rights:

No restrictions on use.

Topic:

Art, Asian  Search this

Art, Asian -- Research  Search this

Art, Chinese  Search this

Chinese language -- Terms and phrases  Search this

Painting, Chinese  Search this

Genre/Form:

Diaries

Collection Citation:

Benjamin March Papers, FSA.A.1995.10. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995

Identifier:

FSA.A1995.10, File FSA A1995.10 2.3

See more items in:

Benjamin March Papers

Benjamin March Papers / Series 2: Diaries

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc36bd63e4b-4db8-4872-ac06-0002023d7c84

EDAN-URL:

ead_component:sova-fsa-a1995-10-ref40

Creator:

Allen, Mary Cecil, 1893-1962  Search this

Names:

Allen, Mary Cecil, 1893-1962  Search this

Hensche, Henry, 1901-  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

1928-1970

Summary:

The scattered papers of Australian artist and lecturer Mary Cecil Allen measure 0.2 linear feet and date from 1928 to 1970. Found is a copy of Allen's book, The Mirror of the Passing World (1928) and a mixed media scrapbook focusing on Allen's return to Melbourne, Australia. Inserted in the book are a letter to Elisabeth Hooker, and a snapshot of Allen with the painters Henry and Ada Hensche and art shop owner, Will Rogers, in the Hensche's house, Provincetown, Massachusetts.

Scope and Contents:

The scattered papers of Australian-born painter and educator Mary Cecil Allen measure 0.2 linear feet and date from 1928 to 1970. Found is a copy of Allen's book, The Mirror of the Passing World (1928) and a mixed media scrapbook focusing on Allen's return to Melbourne, Australia. Inserted in the book are a letter to Elisabeth Hooker, and a snapshot of Allen with the painters Henry and Ada Hensche and art shop owner, Will Rogers, in the Hensche's house, Provincetown, Massachusetts.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Mary Cecil Allen (1893-1962) was a painter and educator in Melbourne, Australia, New York, New York, and Provincetown, Massachusetts who was also known as Cecil Allen and Mary Cecil.

Born in Australia, Allen studied at the National Gallery of Victoria for several years, and briefly at the Slade School in London. In 1927, she accepted an invitation to lecture on art for the People's Institute, sponsored by the Carnegie Corporation. The lectures formed the basis for her two books, The Mirror of the Passing World and Painters of the Modern Mind, and for her successful lifelong career as a lecturer. She returned to Melbourne during 1935-1936, where she lectured on modern art and exhibited her work. From 1950 until her death she split her time between Provincetown, Massachusetts and Australia. She died in Provincetown on April 7, 1962.

Provenance:

The collection was donated to the Archives of American Art in 1996 by Elisabeth Hooker. Hooker was a friend of Allen's and found the papers among Allen's effects soon after her death.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Massachusetts -- Provincetown  Search this

Educators -- Massachusetts -- Provincetown  Search this

Educators -- Australia -- Melbourne  Search this

Painters -- Australia -- Melbourne  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Genre/Form:

Scrapbooks

Citation:

Mary Cecil Allen papers, 1928-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.allemary

See more items in:

Mary Cecil Allen papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98d92b3f9-a533-4c56-9c83-cc6e98007920

EDAN-URL:

ead_collection:sova-aaa-allemary

Collection Creator:

Allen, Mary Cecil, 1893-1962  Search this

Extent:

0.2 Linear feet (Box 1)

Type:

Archival materials

Date:

1928-1970

Scope and Contents:

Found is a copy of Allen's book The Mirror of the Passing World (1928). Within the book is a letter to Elisabeth Hooker, 1970, and a snapshot of Allen with the painters Henry and Ada Hensche and art shop owner, Will Rogers, in the Hensche's house in Provincetown, Massachusetts. A mixed media scrapbook contains letters, clippings, lecture announcements, and a portrait of Allen. The scrapbook focuses on Allen's return to Australia in the mid- to late-1930s.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Mary Cecil Allen papers, 1928-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.allemary, Series 1

See more items in:

Mary Cecil Allen papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91a58ad1d-6f06-4493-b6a8-d8399720d51b

EDAN-URL:

ead_component:sova-aaa-allemary-ref3

Artist:

Traditionally attributed to Li Gonglin (傳)李公麟 (ca. 1049-1106)  Search this

Calligrapher:

Frontispiece by Hongli, the Qianlong emperor 乾隆帝 (1711-1799)  Search this

Inscription:

Three inscriptions by Hongli, the Qianlong emperor 乾隆帝 (1711-1799)  Search this

Colophon:

Two colophons by Hongli, the Qianlong emperor 乾隆帝 (1711-1799)  Search this

Colophon attributed to Su Shi (1037-1101)  Search this

Colophon by Dongcun (13th-14th century?)  Search this

Medium:

Ink and color on paper

Dimensions:

H x W (image): 32.5 x 60.8 cm (12 13/16 x 23 15/16 in)

Type:

Painting

Origin:

China

Date:

mid-12th to mid-13th century

Period:

Southern Song dynasty

Topic:

Southern Song dynasty (1127 - 1279)  Search this

drinking  Search this

China  Search this

monk  Search this

Chinese Art  Search this

baimiao style  Search this

Credit Line:

Gift of Eugene and Agnes E. Meyer

Accession Number:

F1968.18

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

Song and Yuan Dynasty Painting and Calligraphy

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3e3e25fee-b8fc-46f2-8eba-a5413eab2256

EDAN-URL:

edanmdm:fsg_F1968.18

Editor:

Emeagwali, Gloria T.,  Search this

Dei, George J. Sefa (George Jerry Sefa) 1954-  Search this

Physical description:

xiii, 180 pages illustrations 24 cm

Type:

Books

Place:

Africa

Afrique

Date:

2014

Topic:

Ethnoscience  Search this

Indigenous peoples--Education  Search this

Ethnosciences  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158192

Artist:

An-My Lê, born 1960  Search this

Sitter:

Ann Elizabeth Dunwoody, born 14 Jan 1953  Search this

Associated Person:

Ulysses Simpson Grant, 27 Apr 1822 - 23 Jul 1885  Search this

William Tecumseh Sherman, 8 Feb 1820 - 14 Feb 1891  Search this

Medium:

Inkjet print

Dimensions:

Image/Sheet/Mount: 76.3 × 101.6 × 2.3 cm (30 1/16 × 40 × 7/8")

Frame: 77 × 102.4 × 4 cm (30 5/16 × 40 5/16 × 1 9/16")

Type:

Photograph

Place:

United States\Virginia\Arlington\Arlington

Date:

2019 (printed 2021)

Topic:

Costume\Jewelry\Earring  Search this

Symbols & Motifs\Medal  Search this

Interior  Search this

Costume\Jewelry\Ring  Search this

Artwork\Painting  Search this

Symbols & Motifs\Star  Search this

Artist's Effects\Frame  Search this

Ann Elizabeth Dunwoody: Female  Search this

Ann Elizabeth Dunwoody: Military and Intelligence\Army\Officer\General  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; acquisition made possible through partial Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center

Object number:

NPG.2022.148.1

Restrictions & Rights:

Usage conditions apply

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4dfd74b20-e901-4250-b975-8187b400c90a

EDAN-URL:

edanmdm:npg_NPG.2022.148.1

Artist:

An-My Lê, born 1960  Search this

Sitter:

Michelle Janine Howard, born 30 Apr 1960  Search this

Medium:

Inkjet print

Dimensions:

Image/Sheet/Mount: 76.2 × 101.6 × 2.3 cm (30 × 40 × 7/8")

Frame: 77 × 102.4 × 4 cm (30 5/16 × 40 5/16 × 1 9/16")

Type:

Photograph

Place:

United States\Virginia\Arlington\Arlington

Date:

2019 (printed 2021)

Topic:

Symbols & Motifs\Medal  Search this

Interior  Search this

Costume\Dress Accessory\Neckwear\Tie  Search this

Printed Material\Map  Search this

Symbols & Motifs\Star  Search this

Symbols & Motifs\Seal  Search this

Michelle Janine Howard: Female  Search this

Michelle Janine Howard: Military and Intelligence\Navy\Officer\Admiral  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; acquisition made possible through partial Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center

Object number:

NPG.2022.149.1

Restrictions & Rights:

Usage conditions apply

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm477c1e7ad-c74c-4d93-be7d-37e6164b7c91

EDAN-URL:

edanmdm:npg_NPG.2022.149.1

Artist:

Christine Sun Kim, born Orange County, CA 1980  Search this

Medium:

charcoal on paper

Dimensions:

overall: 58 1/4 × 58 1/4 in. (148 × 148 cm) frame: 60 3/4 × 60 3/4 in. (154.3 × 154.3 cm)

Type:

(not assigned)

Date:

2020

Topic:

Object\written matter\sheet music  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase and purchase through the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and through the Julia D. Strong Endowment

Copyright:

© 2020, Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles

Object number:

2021.31.1

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk73a43e519-d9ce-4383-941a-a62ac4c80a26

EDAN-URL:

edanmdm:saam_2021.31.1

Artist:

Christine Sun Kim, born Orange County, CA 1980  Search this

Medium:

charcoal on paper

Dimensions:

overall: 58 1/4 × 58 1/4 in. (148 × 148 cm) frame: 60 3/4 × 60 3/4 in. (154.3 × 154.3 cm)

Type:

(not assigned)

Date:

2020

Topic:

Allegory\place\America  Search this

Object\written matter\sheet music  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase and purchase through the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and through the Julia D. Strong Endowment

Copyright:

© 2020, Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles

Object number:

2021.31.2

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk70be62015-8987-48c1-8c81-4fa49cb3cc4d

EDAN-URL:

edanmdm:saam_2021.31.2

Creator:

Allen, Mary Cecil, 1893-1962  Search this

Subject:

Hensche, Henry  Search this

Allen, Mary Cecil  Search this

Type:

Scrapbooks

Citation:

Mary Cecil Allen papers, 1928-1970. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6674

(DSI-AAA_SIRISBib)215997

AAA_collcode_allemary

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_215997

Measurements:

overall: 3/8 in x 3 5/8 in; .9525 cm x 9.2075 cm

Object Name:

Coaster ceramic

Date made:

October 17, 1986

Credit Line:

Gift of Norman Mineta

ID Number:

1987.3058.15

Nonaccession number:

1987.3058

Catalog number:

1987.3058.15

See more items in:

Political and Military History: Armed Forces History, General

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-08f4-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1313936

Manufacturer:

Cutter & Peche  Search this

Materials:

Hawaiian Koa hardwood, crystal, silver, bronze, copper alloy, epoxy, wood glue

Dimensions:

Overall (Main Trophy Body (wood base, glass sphere, figure at top)): 81.3 × 31.1cm, 31.5kg (2 ft. 8 in. × 1 ft. 1/4 in., 69.5lb.)

Overall (Overall Assembled for Display with Bottom Base A19870046001): 90.2 × 34.3cm, 35.2kg (2 ft. 11 1/2 in. × 1 ft. 1 1/2 in., 77.5lb.)

Type:

AWARDS-Trophies

Country of Origin:

United States of America

Date:

1986

Credit Line:

Donated by the Air Traffic Control Association

Inventory Number:

A19870046000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Location:

National Air and Space Museum in Washington, DC

Exhibition:

Trophy Case

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9ac2d63ff-7ac8-401c-aebe-aeeb19ac2284

EDAN-URL:

edanmdm:nasm_A19870046000

Creator:

Yoshida, Ray  Search this

Names:

Art Institute of Chicago. School -- Faculty  Search this

Phyllis Kind Gallery  Search this

Berdich, Vera, 1915-2003  Search this

Blackshear, Kathleen, 1897-1988  Search this

Brown, Roger, 1941-1997  Search this

Ito, Miyoko, 1918-1983  Search this

Kapsalis, Thomas Harry, 1925-  Search this

Kim, Jin Soo, 1950-  Search this

Nilsson, Gladys, 1940-  Search this

Nutt, Jim, 1938-  Search this

Ramberg, Christina  Search this

Rossi, Barbara, 1940-  Search this

Spears, Ethel, 1903-1974  Search this

Wirsum, Karl, 1939-  Search this

Extent:

10 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sketchbooks

Scrapbooks

Collages

Drawings

Interviews

Prints

Sketches

Transcripts

Video recordings

Date:

circa 1895-2010

bulk 1950-2005

Summary:

The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.

Scope and Contents:

The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.

Biographical material about Ray Yoshida includes award certificates, identification records, student records, and interview transcripts. Also found is one video recording of a documentary short about Yoshida's art and object collection at his Chicago home.

Correspondence includes letters, postcards, and greeting cards from friends, colleagues, and artists, including Roger Brown, Jim Nutt, Gladys Nilsson, Christina Ramberg, Karl Wirsum, Miyoko Ito, Jin Soo Kim, Barbara Rossi, Vera Berdich, and Tom Kapsalis.

Notebooks contain notes on art history, art technique, Japanese language, travel, and other subjects. Many of the notebooks include sketches and contain loose items.

Writings by Yoshida consist of college papers, fragments of writings on art and other subjects, and notes. Writings by others include essays by Yoshida's students, exhibition essay drafts, and poetry.

Teaching records primarily document Yoshida's tenure as a professor at the School of the Art Institute of Chicago, though a few records of guest professorships at other schools are included. These records include course evaluations, employment records, teaching notes, and letters of recommendation for students. Miscellaneous teaching records include department memos, course summaries, correspondence, and notes.

Personal business records consists of documentation regarding the sale, exhibition, and loan of artwork by Ray Yoshida, including his business dealings with the Phyllis Kind Gallery. Additionally there are several files regarding the estate of artist Roger Brown.

Printed material includes exhibition catalogs, announcements, news clippings, newsletters and press releases documenting Yoshida's career and other subjects.

Source material consists of material that Yoshida gathered and intended to use for his art. Collected printed material includes postcards, comics and comic books, mail order catalogs, magazines, product labels, and advertisements. Also found are many small clippings from comics collected for collages.

Photographs depict Ray Yoshida, friends, students, travel, and artwork. Also found are a few photographs of Karl Wirsum's studio, as well as photographs of various subjects collected by Yoshida. Additionally, there is one photograph album from the early 1910s of an unidentified family.

Sketchbooks include pencil and ink sketches of various subjects.

Artwork by Ray Yoshida includes collages on paper, pencil sketches, and ink drawings. Artworks by others include numerous prints by Kathleen Blackshear, Ethel Spears, and Vivian Mayers, and collages, drawings, and prints given to Yoshida by students and friends. Some work by unidentified artists is included as well. Other artwork, such as handmade picture and alphabet books, appears to have been created by children and collected by Yoshida.

Scrapbooks include volumes that were created by Yoshida as well as books created by others. Three of the scrapbooks containing source images, clippings, and comics appear to have been created by Yoshida. Additional scrapbooks were created by others and collected by Yoshida.

Arrangement:

The collection is arranged as 12 series.

Missing Title

Series 1: Biographical Material, 1950-2005 (0.5 Linear feet; Box 1)

Series 2: Correspondence, 1952-2009 (2 Linear feet; Boxes 1-3, 11, 15)

Series 3: Notebooks, circa 1956-circa 2000 (0.3 Linear feet; Box 3)

Series 4: Writings, circa 1950-2003 (0.3 Linear feet; Box 3)

Series 5: Teaching Records, circa 1960-2003 (0.6 Linear feet; Boxes 3-4)

Series 6: Personal Business Records, circa 1960-2010 (0.4 Linear feet; Box 4)

Series 7: Printed Material, 1906-2010 (1.8 Linear feet; Boxes 4-6, 11, OV 14)

Series 8: Source Material, circa 1940-circa 2005 (0.7 Linear Feet; Boxes 6-7, 11)

Series 9: Photographs, circa 1910-circa 2005 (0.5 Linear feet; Box 7)

Series 10: Sketchbooks, circa 1960-circa 2000 (1.1 Linear feet; Boxes 7-8, 11-13)

Series 11: Artwork, 1903-2009 (0.7 Linear feet; Boxes 8, 13)

Series 12: Scrapbooks, circa 1895-circa 2005 (1 Linear feet; Boxes 8-10, 13)

Biographical / Historical:

Ray Yoshida (1930-2009) was a Japanese American painter, collagist, and educator based in Chicago, Illinois.

Raymond Kakuo Yoshida was born in Kapaa, Hawaii, in 1930. He attended the University of Hawaii for two years and completed a B.A. in Arts Education at the Art Institute of Chicago in 1953. He also served in the U.S. Army for two years during the Korean War. In 1957 he recieved his M.F.A from Syracuse University and became a faculty member at the School of the Art Institute of Chicago in 1959. He was named Frank Harold Sellers Professor in the Department of Painting and Drawing in 1971, retired as professor emeritus in 1998, and continued to teach until 2003.

Yoshida was a member of the Chicago Imagists, a loose and informal group of representational artists from the late 1960s to early 1970s who were influenced by Surrealism and connected to the School of the Art Institute of Chicago. Yoshida's friends and contemporaries among this group include but are not limited to Roger Brown, Ed Paschke, Christina Ramberg, and Barbara Rossi. Yoshida was an inspiring teacher and he mentored many of the later Chicago Imagists such as Gladys Nilsson, Jim Nutt, and Karl Wirsum.

Yoshida's paintings and collages were strongly influenced by comics as well as his own collection of folk and outsider art. He regularly exhibited at Phyllis Kind Gallery in Chicago from 1975 to 1996, and a major retrospective of his work was organized by the Contemporary Museum of Honolulu in 1998. He retired to Hawaii in 2005 where he lived until his death in 2009 due to cancer. The School of the Art Institute of Chicago's Sullivan Galleries held a posthumous retrospective exhibition of Yoshida's work from 2010-2011 and the John Michael Kohler Art Center had an exhibition of Yoshida's personal collection of art and artifacts in 2013.

Provenance:

The collection was donated in 2012 by Ray Yoshida via Terri Yoho of the Kohler Foundation, representing Yoshida's estate, and in 2013 and 2015-2016 by Jennifer Sabas and Shayle Miller, estate executors.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate copy requires advance notice. One box of letters from Jim Nutt are ACCESS RESTRICTED; use requires written permission.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- Illinois -- Chicago  Search this

Painters -- Illinois -- Chicago  Search this

Collagists -- Illinois -- Chicago  Search this

Topic:

Folk art -- Collectors and collecting  Search this

Art -- Study and teaching  Search this

Art -- History  Search this

Art -- Technique  Search this

Artists' studios -- Photographs  Search this

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American educators  Search this

Genre/Form:

Photographs

Sketchbooks

Scrapbooks

Collages

Drawings

Interviews

Prints

Sketches

Transcripts

Video recordings

Citation:

Ray Yoshida papers, circa 1895-2010, bulk 1950-2005. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of the Ray Yoshida papers received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.

Identifier:

AAA.yoshray

See more items in:

Ray Yoshida papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw993d0cce5-3340-4d85-adeb-cb1711fd67e8

EDAN-URL:

ead_collection:sova-aaa-yoshray

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 2, Folder 4

Type:

Archival materials

Date:

1960-1961

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 2: Diaries

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a2ea3a10-9103-4332-b546-0186860d812d

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref41

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 2, Folder 6

Type:

Archival materials

Date:

1962

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 2: Diaries

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9006f28ba-0d5c-455f-a80c-8061d5098f52

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref43

Collector:

Whitehead, Henry Preston, 1917-2002  Search this

Extent:

156.91 Linear feet (178 boxes)

Type:

Collection descriptions

Archival materials

Pamphlets

Sound recordings

Clippings

Memorabilia

Newspapers

Photographs

Books

Brochures

Date:

1843-2010

bulk 1940-1986

Summary:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.

Scope and Contents note:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.

Arrangement note:

This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney

Biographical/Historical note:

Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.

Provenance:

The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Howard Theatre (Washington, D.C.)  Search this

African Americans  Search this

National Negro Congress (U.S.)  Search this

National Council of Negro Women  Search this

Radio broadcasting  Search this

African American neighborhoods  Search this

African American musicians  Search this

Genre/Form:

Pamphlets

Sound recordings

Clippings

Memorabilia -- 20th century

Newspapers

Photographs

Books

Brochures

Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

Identifier:

ACMA.06-042

See more items in:

Henry P. Whitehead collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46

EDAN-URL:

ead_collection:sova-acma-06-042

Collection Collector:

Watkins, J. Elfreth (John Elfreth), 1852-1903  Search this

Collection Creator:

White, John H., 1933-  Search this

Container:

Box 81, Folder 11

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Transportation Railroad Reference Files, Archives Center, National Museum of American History.

See more items in:

Division of Transportation Railroad Reference Files

Division of Transportation Railroad Reference Files / Series 4: Railroad Companies and Lines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c7502ad2-4659-41d6-8a5c-13d05ca5081c

EDAN-URL:

ead_component:sova-nmah-ac-0523-ref1022

Collection Collector:

Watkins, J. Elfreth (John Elfreth), 1852-1903  Search this

Collection Creator:

White, John H., 1933-  Search this

Container:

Box 82, Folder 1

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Transportation Railroad Reference Files, Archives Center, National Museum of American History.

See more items in:

Division of Transportation Railroad Reference Files

Division of Transportation Railroad Reference Files / Series 4: Railroad Companies and Lines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8cfaf05dd-a3bd-46db-846c-285935a31646

EDAN-URL:

ead_component:sova-nmah-ac-0523-ref1024

Collection Collector:

Watkins, J. Elfreth (John Elfreth), 1852-1903  Search this

Collection Creator:

White, John H., 1933-  Search this

Container:

Box 82, Folder 2

Type:

Archival materials

Date:

1870-1900

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Transportation Railroad Reference Files, Archives Center, National Museum of American History.

See more items in:

Division of Transportation Railroad Reference Files

Division of Transportation Railroad Reference Files / Series 4: Railroad Companies and Lines

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep85a96f9ab-28b1-4073-ba0d-f32fd9f04439

EDAN-URL:

ead_component:sova-nmah-ac-0523-ref1025