This collection is access restricted; written permission is required. Contact Reference Services for more information.
Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing, with permission, born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.
An interview with Laura Owens conducted 2020 September 2, by Jacob Proctor, for the Archives of American Art's Pandemic Oral History Project, at Owens's studio in Arles, France.
Biographical / Historical:
Laura Owens (1970 - ) is a Los Angeles-based painter known for her large scale works that include a wide range of art historical allusions and painterly techniques. She was born in Euclid, Ohio.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is access restricted; written permission is required. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Artists' files including biographical information, slides, reviews; exhibition files; a scrapbook (unbound); slides and photographs of works of art and exhibition installations; works of art; printed material including posters; and financial material regarding the Rosamund Felsen Gallery.
Among the artists are Alicia Beach, Meg Cranston, Richard Jackson, Kaz Oshiro, John Boskovich, Jeff Gambill, Robert Rauschenberg, William Wegman, Ann Thorny Craft, Raymond Pettibon, Jeffrey Vallance, Mitchell Syrop, Mac James, Stephen Bush, Ali Acerol, Marnie Weber, Keith Sklar, Leland Rice, Steve Rogers, Greg Brown, Robert Ackerman, Dan Burkhart, Oliver Andrews, Ron Cooper, Guy Dill, James Hayward, Billy Al Bengston, Erika Rothenberg, Peter Lodato, Keith Sonnier, Tom Knechtel, Paul McCarthy, Jim Shaw, Maria Nordman, Kori Newkirk, Laura Owens, Al Ruppersberg, Ilya Kabakov, Alexis Smith, Roy Dowell, Lari Pittman, Guy de Cointet, Cisco Jiménez, Glenn Kaino, John Miller, Chris Burden, Mike Kelley, Heidi Kidon and others.
Biographical / Historical:
The Rosamund Felsen Gallery (established 1978) is an art gallery in Santa Monica, California that focuses on the art community in Los Angeles, California.
Provenance:
Donated 2014- 2016 by the Rosamund Felsen Gallery via Rosamund Felsen, gallery founder and owner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
