Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Erkin, U.C. Ko.c.ekc.e.--Saygun, A.A. 5 folk songs.--AksOEes, N.K. Scherzo.--Tu.zu.n, F. Esintiler (Inspirations).
Local Numbers:
FW-ASCH-LP-4539
Qualiton.405
Publication, Distribution, Etc. (Imprint):
Hungary Qualiton 1977
General:
Program and biographical notes ([10] p. port.) in Turkish, English, French, & German bound in container. Performer(s): Ayhan Baran, bass (in 2d work); Budapest Philharmonic Orchestra; Hikmet S.ims.ek, conductor. Ulvi Cema.l Erkin; Ahmed Adnan Saygun; Necil Ka.zim Akses; Ferit Tu.zu.n; Ayhan Baran; Hikmet S.ims.ek; Filharmorniai Tarrsasarg (Budapest, Hungary)
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Skies and mountains--Lopin' along--Desert tragedy--Eagle Pass--Sunset trail--Sandstone flats
Local Numbers:
FW-ASCH-10RR-0148
General:
CDR copy; sound file exists in the DAMS system
Orchestral recordings intended for use on "Background Music for Home Movies (FW06110 / FX 6110)." Only "Pets and Pretzels" was used on the Folkways LP. Liner notes include tips on how to edit your film to include music. - 1964
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only. Materials in the Moses and Frances Asch Collection may be examined by appointment. Contact the Ralph Rinzler Folklife Archives and Collections for more information.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
A recording of Edison Records Phonographic Cylinder #9315, featuring Ada Jones singing "Waiting at the Church" with orchestral backing. - 1906
Edison cylinder dub - Edited and from the collection of George A. Blacker. Reel #10 - Edison Records #9315: Edison Gold Moulded Record
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Lousadzak : The coming of light : concerto no. 1 for piano and string orchestra, imitating the tar, kanoon, oud, and saz -- Tzaikerk : Evening song.
Local Numbers:
FW-ASCH-78-2993
Disc
Publication, Distribution, Etc. (Imprint):
New York Disc 1947
Participant or Performer Note:
Maro Ajemian, piano, orchestra, Alan Hovhaness, conductor (in the 1st work) ; Anahid Ajemian, violin, Phillip Kaplan, flute, [Saul Goodman, timpani], orchestra, Alan Hovhaness, conductor (in the 2nd work).
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Genre/Form:
Music
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Videe --Mazurka --Medley of old Calypso --Vals guadeloupienne --Mambo no. 5 --Bula waya-tumba --Seven step --Aura waltz --Fourth figure of lanceros.
Track Information:
101 Videe / Orchestra du Groupe Folklorique.
102 Mazurka / Orchestra du Groupe Folklorique.
103 Medley of Old Calypso / Mighty Zebra, Quinteto Trinitario.
104 Vals Guadeloupienne / Orchestre du Fanfant Gilbert.
105 Mambo No. 5 / Brute Force (Musical group).
201 Bula Waya-Tumba / Netherlands Antilles Orchestra, Padu del Caribe.
202 Seven Step / Mebobo's Quintet.
203 Aura Waltz / Netherlands Antilles Orchestra, Padu del Caribe.
204 Fourth Figure of Lanceros / Mebobo's Quintet.
Local Numbers:
Folkways.6840; Folkways.840
FW-COMM-LP-06840
Publication, Distribution, Etc. (Imprint):
New York Folkways 1953
General:
Commercial
Recorded by Lisa and Walter Lekis.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.