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Evolution of a Community: 1972 Exhibition Records

Creator:
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Extent:
6 Linear feet (3 record boxes, 2 legal size clamshell boxes)
Type:
Collection descriptions
Archival materials
Exhibition catalogs
Contact sheets
Correspondence
Clippings
Photographic prints
Negatives
Exhibition records
Oral histories (document genres)
Place:
Anacostia (Washington, D.C.)
Date:
1898-1988
Scope and Contents:
The records of the Evolution of a Community: 1972 Exhibition presented by the Anacostia Community Museum measure 6 linear feet and date from 1898 to 1988. Included are exhibit administrative files, lists of images, press releases for the promotion of the exhibit, oral history transcripts and permission forms, and extensive research files into the Anacostia community in southeast Washington D.C.

The Research Files series contains news clippings, publications, unpublished articles, project files, and research material for the exhibitions. Subjects include local figures and the Barry's Farm neighborhood, unpublished historical narratives, and project records related to archaeological investigations and neighborhood development programs.

The Interview series consists of transcripts of the audio collected in 1970-1971 for the "Evolution of a Community" exhibits. This series also incliudes interview notes and thank you letters from the museum to the interviewees.

Exhibit File series includes an outline for exhibit themes and proposed layouts, drafts of the exhibit scripts, lists of exhibit objects, promotional press releases, and related correspondence.
Arrangement:
Evolution of a Community: 1972 exhibition records is arranged in 4 series.

Series 1: Research Files

Series 2: Interviews

Series 3: Exhibit Files

Series 4: Audiovisual Materials
Historical Note:
Three exhibitions were done by the Anacostia Neighborhood Museum between 1972 and 1975. The first exhibition was The Evolution of a Community, Part 1: 1608-1955 and was held from February 27, 1972 – August 31, 1972. This exhibition centered on the history of Anacostia from 1608 until shortly after World War II, drawing from the 1970 oral histories interviews with longtime residents. The second exhibition was The Evolution of a Community, Part 2: 1955-Present and was held from September 1, 1972 – December 31, 1972. This exhibition showcased Anacostia's history from 1955 to 1972 and was organized into five major topics: housing, unemployment, education, crime, and drugs. The last exhibition was Anacostia Today: The Evolution of a Community, Part 2: Continued and was held from March 1, 1973 – July 31, 1973. This exhibition was the same exhibition as The Evolution of a Community, Part 2: 1955-Present but brought back for the museum's fifth anniversary and continued its focus on its five major topics.
Related Materials:
Anacostia Story: 1608-1930 Exhibition Records, M03-039.
Anacostia Oral History Project, 1975
Provenance:
Records of the Evolution of a Community: 1972 Exhibition were created by the Anacostia Community Museum.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Museum exhibits  Search this
African American neighborhoods  Search this
African Americans  Search this
Genre/Form:
Exhibition catalogs
Contact sheets
Correspondence
Clippings
Photographic prints
Negatives
Exhibition records -- 1967-1989
Oral histories (document genres)
Citation:
Evolution of a Community: 1972 Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-040
See more items in:
Evolution of a Community: 1972 Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa75cac2f00-94cc-479a-bf58-1c9a3dd1ced4
EDAN-URL:
ead_collection:sova-acma-03-040
Online Media:

1921 Tulsa Race Massacre Oral History Collection

Created by:
Reginald Turner, American  Search this
Subject of:
Otis Clark, 1903 - 2012  Search this
Scott Ellsworth, American  Search this
John Hope Franklin, American, 1915 - 2009  Search this
Eddie Faye Gates, American, 1934 - 2021  Search this
Dr. Olivia Hooker, 1915 - 2018  Search this
Eunice Jackson, American, 1903 - 2004  Search this
Thelma Knight, 1915 - 2009  Search this
Charles Ogletree Jr., born 1952  Search this
Wess Young Sr., 1917 - 2014  Search this
Eldoris McCondichie, American, 1911 - 2010  Search this
Medium:
digital
Dimensions:
1.38 TB
Type:
oral histories
interviews
digital media - born analog
Place depicted:
Greenwood District, Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
2004-2007
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Hate crimes  Search this
Race discrimination  Search this
Race relations  Search this
Race riots  Search this
Tulsa Race Massacre  Search this
U.S. History, 1919-1933  Search this
Violence  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of The Tulsa Project, Inc. (Reginald Turner, J.D. Clement & The Lomax Company)
Object number:
A2014.240
Restrictions & Rights:
© The Tulsa Project, Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
1921 Tulsa Race Massacre Oral History Collection
Classification:
Media Arts-Film and Video
Archival Collections
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5266f261b-6412-4c5e-b91b-9d554dd1603d
EDAN-URL:
edanmdm:nmaahc_A2014.240

A Biography of the Lives of Cortez W. Peters, Sr., World's Accuracy Typist and Cortez W. Peters, Jr., Author and Recorder of Championship Keyboarding Methodology

Narrated by:
JoAnne Peters King, American  Search this
Subject of:
Cortez W. Peters Jr., American, 1925 - 1993  Search this
Cortez W. Peters Sr., American, 1906 - 1964  Search this
Manufactured by:
Royal Typewriter Company, American, founded 1904  Search this
Medium:
ink on paper (fiber product) with plastic
Dimensions:
H x W x D (Closed): 11 1/8 × 9 × 11/16 in. (28.3 × 22.8 × 1.7 cm)
H x W x D (Open): 11 1/8 × 17 5/16 × 11/16 in. (28.3 × 44 × 1.7 cm)
Type:
oral histories
transcripts
Place made:
Silver Spring, Montgomery County, Maryland, United States, North and Central America
Date:
June 2017
Topic:
African American  Search this
Business  Search this
Communication  Search this
Education  Search this
Labor  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Joanne Peters King and Darryl Wayne Joyce
Object number:
2019.30.1
Restrictions & Rights:
© JoAnne Peters King
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b95c8537-a392-4f36-bae7-f914a68936bb
EDAN-URL:
edanmdm:nmaahc_2019.30.1
Online Media:

Anne Valk Papers

Creator:
Valk, Anne M., 1964-  Search this
Names:
Burlage, Dorothy, 1937-  Search this
Butler, Josephine "Jo", 1920-1997  Search this
Horn, Etta, 1928 – 2001  Search this
Martin-Felton, Zora  Search this
Reagon, Bernice Johnson, 1942-  Search this
Extent:
3.75 Linear feet (4 boxes)
Culture:
African American women  Search this
Type:
Collection descriptions
Archival materials
Oral histories (document genres)
Newsletters
Audio cassettes
Correspondence
Newspapers
Date:
bulk 1964-1997
Scope and Contents:
The papers of Anne Valk— a specialist in oral history, public history, and the social history of the 20th-century United States measure 3.75 linear feet and date from 1964 to 1997. The collection contains oral history interviews and documents acquired or created by Dr. Valk during her extensive research of key figures in D.C. community activism for her book, Radical Sisters: Second-Wave Feminism and Black Liberation in Washington D.C. (University of Illinois Press, 2010).

Research files and ephemera from the following people, organizations, and publications are represented in the collection: Josephine Butler (DC Statehood Party; Adams Morgan Organization), Etta Horn (Southeast Neighborhood House's Band of Angels; National Welfare Rights Organization), Dorothy Burlage (Southeast Neighborhood House), Betty Garman (Student Nonviolent Coordinating Committee), Judy Richardson (Student Nonviolent Coordinating Committee), Bernice Reagon (Student Nonviolent Coordinating Committee), Marcia Sprinkle (Student Nonviolent Coordinating Committee), Juanita Weaver (Quest), LaValleJones (Rape Crisis Center), Loretta Ross (Rape Crisis Center, National Black United Front, National Organization of Women), Peggy Cleveland (The Bridge), Joan Biren (DC Women's Liberation Movement), Cathy Wilkerson (SDS, Weather Underground), Tina Smith (SNCC), Off Our Backs newspaper, and Congress Of Racial Equality (CORE), among others.
Biographical / Historical:
Anne Valk (1964- ) is a specialist in oral history, public history, and the social history of the 20th-century United States. Dr. Valk received a M.A. from Mount Holyoke College and a PhD in history from Duke University in 1996. Professor Valk has written extensively in the areas of women's history, history of feminism, and oral history. She teaches public history at the Graduate Center at City University of New York (CUNY) and is the director of the Center for Media and Learning/American Social History Project.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Anne Valk papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Feminism  Search this
Activism  Search this
Women  Search this
Student Nonviolent Coordinating Committee (U.S.)  Search this
Civil rights  Search this
Housing  Search this
Genre/Form:
Oral histories (document genres)
Newsletters -- 1960-1970
Audio cassettes -- 20th century
Correspondence
Newspapers
Citation:
Anne Valk papers, Anacostia Community Museum, Smithsonian Institution, Dr. Anne Valk.
Identifier:
ACMA.06-114
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7e83e8566-9fba-41a4-989a-58300f2e2900
EDAN-URL:
ead_collection:sova-acma-06-114

William "Cat" Anderson Collection

Creator:
Anderson, William "Cat", 1916-1981 (musician)  Search this
Names:
Cat Anderson Quintet  Search this
Duke Ellington Orchestra  Search this
Lionel Hampton Orchestra  Search this
Mingus Quintet  Search this
Bechet, Sidney (musician)  Search this
Calloway, Cab, 1907-1994  Search this
Carter, Benny, 1907-2003  Search this
Ellington, Duke, 1899-1974  Search this
Fitzgerald, Ella, 1917-1996  Search this
Hampton, Lionel  Search this
Humphrey, Hubert H. (Hubert Horatio), 1911-1978  Search this
Humphrey, Muriel  Search this
Johnson, Lucy Bird  Search this
Johnson, Lyndon B. (Lyndon Baines), 1908-1973  Search this
Tatum, Art, 1909-1956  Search this
Webster, Ben  Search this
Extent:
5 Cubic feet (12 boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Transcripts
Oral histories (document genres)
Oral history
Phonograph records
Photographs
Recordings
Interviews
Clippings
Audiotapes
Awards
Audiocassettes
Articles
Date:
1940-1981
bulk 1963-1977
Scope and Contents note:
Primarily audiotapes, sheet music, and photographic images. Also: correspondence, newspaper clippings, magazine articles, itineraries, awards, and ephemera.,Of particular interest are recordings or photographic images, including the personalities listed below, and President and Mrs. Tubman of Liberia; also, two interviews and three recordings of Cat Anderson as guest with various university and college jazz bands.
Arrangement:
Collection is divided into four series.

Series 1: Music

Series 2: Original tapes and recordings

Series 3: Photographs

Series 4: Miscellaneous
Biographical/Historical note:
Cat Anderson (Sept 12, 1916 - April 29, 1981) was one of the premier trumpet players of the Duke Ellington Orchestra. Known for his effortless high notes, he was a strong section leader and a great soloist whose style exhibited humor and precision. He grew up in Jenkins= Orphanage in Charleston, SC, received basic music training there, and participated in many of their famous student ensembles. He formed and played with the Cotton Pickers, a group of orphanage teens while still a young man. Before joining Ellington in 1944, he played in several big bands, including Claude Hopkins and Lionel Hampton. Anderson left the Ellington organization from 1947 through 1949 again to lead his own group. From 1959 to1961 and after 1971 Anderson free lanced, working with the Ellington orchestra intermittently. He died in 1981 after receiving honors from the US Air Force, the Prix du Disque de Jazz, and the City of Los Angeles.
Related Archival Materials:
Related artifacts include: awards, plaques, mutes, trumpet mouth pieces, and the Jon Williams/Cat Anderson simulator in the Division of Cultural and Community Life (now Division of Cultural and Community Life). See accession: 1998.3074.
Provenance:
The collection was donated to the National Museum of American History in January 1998, by Dorothy Anderson, Cat Anderson's widow. It was acquired through negotiations with her, her brother, Mr. John Coffey and her nephew, Andrew Brazington. The materials were picked up from Mr. John Coffey of upper N.W. Washington, DC on January 21, 1998.
Restrictions:
Collection is open for research. Master tapes not available to researchers.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright status of items varies. Signed copies of releases on file.
Occupation:
Composers -- 20th century  Search this
Topic:
Music -- 20th century  Search this
Music -- Acoustics and physics  Search this
Musicians -- 20th century  Search this
Piano and synthesizer music  Search this
Inventions -- 1980-2000  Search this
Synthesizer music  Search this
Electric engineering -- 1980-2000  Search this
Band musicians  Search this
African American musicians  Search this
Jazz musicians -- United States  Search this
Inventors -- 20th century  Search this
Genre/Form:
Manuscripts -- Music -- 20th century
Transcripts
Oral histories (document genres)
Oral history
Phonograph records
Photographs -- 20th century
Recordings
Interviews
Interviews -- 1950-2000
Clippings -- 20th century
Audiotapes -- 1940-1980
Awards
Audiocassettes
Audiotapes
Articles -- 1940-1980
Citation:
William "Cat" Anderson Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0630
See more items in:
William "Cat" Anderson Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep891a9a0e4-7c4f-4956-b81e-6d65c57e1f29
EDAN-URL:
ead_collection:sova-nmah-ac-0630
Online Media:

A Right to the City Exhibition Records

Extent:
855.72 Gigabytes (96 MP3's; 19 QuickTime Movies, 12.3 GBs of Audio Interviews 843.42 GBs of Video Interviews )
Culture:
Hispanic Americans  Search this
Chinese Americans  Search this
African Americans  Search this
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Oral histories (document genres)
Place:
Washington Metropolitan Area
Chinatown (Washington, D.C.)
Anacostia (Washington, D.C.)
Barry Farms (Washington, D.C.)
Shaw (Washington, D.C.)
Columbia Heights (Washington, D.C.)
Adams Morgan (Washington, D.C.)
Mount Pleasant (Washington, D.C.)
Chevy Chase (Md.)
Brookland (Washington, D.C.)
Deanwood (northeast Washington, D.C.)
Capitol Hill (Washington, D.C.)
Foggy Bottom (Washington, D.C.)
Georgetown (Washington, D.C.)
Baltimore (Md.)
Southwest (Washington, D.C.)
Date:
2016-2018
Summary:
The oral histories in this collection were conducted as part of the research for an exhibition exploring the history of neighborhood change and civic activism in the nation's capital. Focused on the dynamic histories of six DC neighborhoods—Adams Morgan, Anacostia, Brookland, Chinatown, Shaw and Southwest—the exhibition recounted the story of these communities through the eyes of the Washingtonians who helped shape and reshape the city in extraordinary ways. The exhibit was organized by the Anacostia Community Museum and curated by Samir Meghelli. The audio and video interviews were conducted between 2016-2018.
Scope and Contents:
In the early twenty-first century, as Washington, DC was experiencing rapid population growth, mounting tensions over gentrification, and persistent inequality, the Anacostia Community Museum's "A Right to the City" exhibition explored the history of neighborhood change and civic activism in the nation's capital. Focused on the dynamic histories of six DC neighborhoods—Adams Morgan, Anacostia, Brookland, Chinatown, Shaw and Southwest—the exhibition recounted the story of these communities through the eyes of the Washingtonians who helped shape and reshape the city in extraordinary ways: through their fights for quality public education, healthy and green urban spaces, equitable development and transportation, and a genuinely democratic approach to city planning. The oral histories that comprise this collection were conducted as part of the research for the exhibition. The audio and video interviews were conducted between 2016-2018.
Provenance:
"A Right to the City" Exhibition were created by the Anacostia Community Museum. Records of "A Right to the City" Exhibition were created by the Anacostia Community Museum.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Museum exhibits  Search this
Neighborhoods -- Washington, D.C. -- History  Search this
Gentrification  Search this
City planning  Search this
Urban renewal  Search this
Urban policy  Search this
Activism  Search this
Housing policy  Search this
Genre/Form:
Interviews -- 21st century
Oral histories (document genres)
Citation:
"A Right to the City" Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-119
See more items in:
A Right to the City Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa70de8ee2c-83f7-49a7-880f-d272715441b6
EDAN-URL:
ead_collection:sova-acma-03-119
Online Media:

MS 2009-15 May Mayko Ebihara oral history interviews with anthropologists

Creator:
Ebihara, May, 1934-2005  Search this
Interviewee:
Arensberg, Conrad M. (Conrad Maynadier), 1910-1997  Search this
Conklin, Harold C., 1926-2016  Search this
Davenport, William  Search this
Griffin, James B. (James Bennett), 1905-1997  Search this
Foster, George McClelland, 1913-  Search this
Hanks, Jane Richardson, 1908-2014  Search this
Hanks, L. M.  Search this
Heizer, Robert F. (Robert Fleming), 1915-1979  Search this
Hockett, Charles Francis  Search this
Kirsch, Thomas G.  Search this
Kroeber, A. L. (Alfred Louis), 1876-1960  Search this
Lounsbury, Floyd Glenn  Search this
Mandelbaum, David G.  Search this
Mead, Margaret, 1901-1978  Search this
Meggitt, Mervyn J., 1924-  Search this
Miller, Robert J., 1923-1994  Search this
Miller, Beatrice Diamond, 1919-  Search this
Miner, Horace M.  Search this
Murdock, George Peter, 1897-1985  Search this
Murphy, Robert  Search this
Murra, John V. (John Victor), 1916-2006  Search this
Posposil, Leopold  Search this
Rouse, Irving, 1913-2006  Search this
Sharp, Lauriston  Search this
Shils, Edward, 1910-1995  Search this
Smith, Robert J.  Search this
Names:
Columbia University. Department of Anthropology  Search this
University of Chicago. Department of Anthropology  Search this
University of Michigan. Department of Anthropology  Search this
University of Pennsylvania. Department of Anthropology  Search this
French, David H. (David Heath), 1918-  Search this
Sapir, Edward, 1884-1939  Search this
Stern, Theodore, 1917-  Search this
Extent:
1 Item (document box and 34 sound cassettes)
Type:
Collection descriptions
Archival materials
Oral histories (document genres)
Interviews
Date:
circa 1959-1986
Scope and Contents:
May Mayko Ebihara's oral history interviews with Conrad Arensberg (3/7/84); Harold Conklin (1/26/82); William Davenport (8/19/82); James B. Griffin (10/7/81); Jane Richardson Hanks (8/6/82); Lucien M. Hanks (8/7/82); Robert Heizer and George Foster (10/2/74); Charles Hocket (8/25/81); Thomas Kirsch (8/25/81); Alfred Kroeber, et al. on Sapir (dub 5/11/1959); Floyd Lounsbury (1/27/82); David Mandelbaum (11/9/78); Margaret Mead (12/8/66); Mervyn Meggitt; Robert and Beatrice Miller (7/29/86); Horace Miner (10/7/81); George P. Murdock (8/20/82); Robert Murphy (10/17/80); John V. Murra (8/24/81); Leopold Pospisil (1/28/82); Irving Rouse (1/27/82); Lauriston Sharp (5/6/82); Edward Shils (11/19/83); Robert J. Smith (8/26/81). Also includes typewritten transcripts for some of the above, as well as for interviews with Theodore Stern and David H. French. The collection also contains notes on anthropology departments at Columbia University, University of Chicago, University of Michigan, and University of Pennsylvania.
Local Numbers:
NAA MS 2009-15
Other Archival Materials:
May Ebihara's Reed College bachelor's thesis (1955), "An Ethnohistorical Study of the Shoshoni Indians of the Northern Basin," was received with the collection and transferred to the John Wesley Powell Library of Anthropology.
Topic:
Anthropology -- History  Search this
Genre/Form:
Oral histories (document genres)
Interviews
Citation:
Manuscript 2009-15, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2009-15
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw37fb11cf4-b333-4377-8d02-e495b97ec03c
EDAN-URL:
ead_collection:sova-naa-ms2009-15

Calvert Coggeshall Papers

Creator:
Coggeshall, Calvert, 1907-1990  Search this
Names:
Artists Space (Gallery)  Search this
Betty Parsons Gallery  Search this
Bowdoin College, Museum of Art  Search this
Jack Tilton Gallery  Search this
William A. Farnsworth Library and Art Museum  Search this
Evans, Walker, 1903-1975  Search this
Lekakis, Michael, 1907-  Search this
Morgan, Priscilla  Search this
Penn, Arthur, 1922-  Search this
Perkins, Frances  Search this
Shoji, Sadao, 1937-  Search this
Tworkov, Jack  Search this
Washburn, Gordon B. (Gordon Bailey), 1904-1983  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Architectural drawings
Oral histories (document genres)
Notes
Transcripts
Essays
Blueprints
Photographs
Drafts (documents)
Poems
Date:
1920-1999
bulk 1965-1989
Summary:
The papers of Maine abstract painter and interior designer Calvert Coggeshall measure 1.7 linear feet and date from 1920-1999, with the bulk of the material dating from 1965-1989. They consist of scattered biographical material, personal and business related correspondence, writings, exhibition files, design business files, printed material, and photographs of Coggeshall, his friends, and his work.
Scope and Contents note:
The papers of Maine abstract painter and designer Calvert Coggeshall measure 1.7 linear feet and date from 1920-1999, with the bulk of the material dating from 1965-1989. They consist of biographical material, personal and business correspondence, personal writings, exhibition and business files, printed material, and photographs. The bulk of the material documents Coggeshall's professional work and his friendships with other artists.

Biographical material includes Coggeshall's personal address books and day planning notes, oral history transcripts, including an interview discussing his friendship with Walker Evans, a copy of his Guggenheim application and acceptance letters, and miscellaneous records.

Correspondence is predominantly in the form of cards, postcards, and short letters received from family and friends. These include correspondence from Coggeshall's father, children, his older grandchildren, and his mother-in-law, Frances Coralie Perkins. Other frequent correspondents include family friend Daphne Cox, artists Michael Lekakis, Loren McIver, Jack Tworkov, and museum director Gordon Washburn.

Personal writings consist of poetry notes and drafts and a short essay on church design.

Exhibition files concern Coggeshall's one man shows at the Betty Parsons Gallery during the 1970s and early 1980s, his retrospective at Bowdoin College in 1977, and his inclusion in shows at Artists Space, the Farnsworth Museum, and Jack Tilton Gallery.

Business files related to Coggeshall's interior design work consist of architectural renderings and blueprints, work proposals, invoices, and receipts. Some of the more significant projects include work done for Lisa de Kooning, Priscilla Morgan, Arthur Penn, and Shoji Sadao.

Printed material includes newspaper clippings, exhibition announcements from other artists, and a booklet showcasing abstract artists titled, "Artfully Taught."

Photographs are color and black and white prints of Coggeshall and his friends in his studio and outside his Newcastle, Maine residence. There are also black and white photographs of Coggeshall's early design work in furniture and fabric, as well as documentation of his gallery design work for the Albright Art Gallery.
Arrangement note:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1960-1990 (Box 1, OV 3; 8 folders)

Series 2: Correspondence, 1920-1993 (Box 1, OV 3; 28 folders)

Series 3: Writings, 1965-1989 (Box 1; 5 folders)

Series 4: Exhibition Files, 1970-1992 (Box 1, OV 3; 12 folders)

Series 5: Business Files, 1973-1989 (Boxes 1-2, OV 4-5; 27 folders)

Series 6: Printed Material, 1950-1999 (Box 2, OV 3; 6 folders)

Series 7: Photographs, 1940-1985 (Box 2; 6 folders)
Biographical/Historical note:
Calvert Coggeshall (1907-1990) worked as an abstract painter and interior designer primarily in Maine and New York City. From 1951 to 1978, he exhibited regularly with the Betty Parsons Gallery.

Born in Whitesboro, New York, Coggeshall started his career as an interior designer, working on commissions for clients in the New York City area. He later consulted on the interior designs for Henry Dreyfuss'line of cruise/cargo ships called American Export, popular from the 1940s through the 1960s. In the 1940s, he also worked with inventor Arthur Young to design interiors for the first full-sized scale of Bell helicopter models. By the 1950s, Coggeshall began splitting his time between painting and design work, though he continued to regularly consult and work on several architectural and interior design projects throughout the 1980s.

As a painter, his early monochromatic abstracts were influenced by his friend and abstract expressionist, Bradley Walker Tomlin. An early member of Betty Parson's stable of painters, Coggeshall was friends with other artists, including Jack Tworkov, Grace Hartigan, Katharine Kuh, Nora Sayre, Hedda Sterne, and Richard Tuttle. After summering and eventually moving to Newcastle, Maine in the 1960s, he began introducing color into his abstract paintings. and A major retrospective of his work was held at the Bowdoin College Museum of Art in Maine in 1977. In 1978, he received a Guggenheim fellowship in recognition of his work. Working out of his studios in Newcastle and Manhattan, Coggeshall continued producing abstract paintings into the late 1980s. Coggeshall died in 1990.
Provenance:
The papers of Calvert Coggeshall were donated in 2006 by his son Tomlin Coggeshall.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Topic:
Designers -- Maine  Search this
Artists' studios -- Photographs  Search this
Poets -- New York (State) -- New York  Search this
Interior decorators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Architectural drawings
Oral histories (document genres)
Notes
Transcripts
Essays
Blueprints
Photographs
Drafts (documents)
Poems
Citation:
Calvert Coggeshall papers, 1920-1999, bulk 1965-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coggcalv
See more items in:
Calvert Coggeshall Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw912056340-19f0-48d6-a5c5-b15e3d74b31b
EDAN-URL:
ead_collection:sova-aaa-coggcalv

The NMAAHC Collection Donor Oral History Project

Creator:
National Museum of African American History and Culture  Search this
Names:
Student Nonviolent Coordinating Committee (U.S.)  Search this
Extent:
36 Video recordings (Oral histories were recorded in 1920x1080 video)
Type:
Collection descriptions
Archival materials
Video recordings
Oral histories (document genres)
Date:
2016
Scope and Contents:
The NMAAHC Donor Oral History Project provides rich background interviews with 18 individuals who donoated collections to NMMAHC prior to the Museum opening in September 2016.
Arrangement:
Collection is arranged with each oral history being its own series. There are 18 oral histories in this collection. Each oral history has two files - the unedited file and the edited file. The edited files trimmed silences from the beginning and end of the unedited file and added in NMAAHC logo and oral history information. Only the edited file is available for streaming.
Provenance:
Oral Histories were created by NMAAHC in 2016 and acquired into the Collection that same year.
Rights:
© Smithsonian National Museum of African American History & Culture. Proper usage is the responsibility of the user.

Collection oral history videos are streaming for viewing.
Topic:
Civil rights  Search this
African Americans -- Civil rights  Search this
Genre/Form:
Oral histories (document genres)
Citation:
Collection of the Smithsonian National Museum of African American History and Culture
Identifier:
NMAAHC.2016.129
See more items in:
The NMAAHC Collection Donor Oral History Project
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3a4b13cd3-6d64-41a7-98a7-381c514d9c5d
EDAN-URL:
ead_collection:sova-nmaahc-2016-129

Voices of Rondo oral histories of Saint Paul's historic Black community as told to Kateleen Jill Hope Cavett ; foreword by David Vassar Taylor

Author:
Cavett, Kate  Search this
Hand in Hand Productions (Saint Paul, Minn.)  Search this
Rondo Oral History Project  Search this
Physical description:
xv, 365 pages illustrations, maps 23 cm
Type:
Interviews
Entretiens
Biography
Interview
History
oral histories (literary works)
Oral histories
Biographies
Histoires orales
Place:
Minnesota
Saint Paul
Rondo (Saint Paul, Minn.)
Saint Paul (Minn.)
Rondo
Date:
2005
20th century
20e siècle
Topic:
African Americans  Search this
African Americans--Social life and customs  Search this
African American neighborhoods--History  Search this
Oral history  Search this
Interviews  Search this
Noirs américains  Search this
Noirs américains--Mœurs et coutumes  Search this
Quartiers noirs américains--Histoire  Search this
Histoire orale  Search this
Entretiens  Search this
African American neighborhoods  Search this
Manners and customs  Search this
Social life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1159180

Who we are now stories of what Americans lost and found during the COVID-19 pandemic Michelle Fishburne

Author:
Fishburne, Michelle  Search this
Author:
Duke University Center for Documentary Studies  Search this
Physical description:
1 online resource
Type:
Electronic resources
Electronic books
Oral histories
Place:
United States
Date:
2023
Topic:
COVID-19 Pandemic, 2020---Social aspects  Search this
COVID-19 Pandemic, 2020---Economic aspects  Search this
Economics  Search this
Social aspects  Search this
Call number:
RA644.C67 F56 2023 (Internet)
Restrictions & Rights:
Unlimited users
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1160750

We the People: The Citizens of NYCHA in Photos + Words Project Records

Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Names:
New York City Housing Authority  Search this
Extent:
4 Linear feet (2 boxes; 4 linear ft., 3.58 GB)
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Digital audio formats
Digital images
Oral histories (document genres)
Place:
Bronx Park (New York)
Brooklyn (New York, N.Y.)
Harlem (New York, N.Y.)
Queens (New York, N.Y.)
Staten Island (New York, N.Y.)
Date:
2009-2011
Summary:
An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.
Scope and Contents:
An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.

Materials date from 2009-2011 and include photographic prints, over fifty audio interviews, digital images, a digital video commercial for the exhibition, a photocopy of a letter from Associate Justice of the United States Supreme Court Honorable Sonia Sotomayor to the curators pertaining to the exhibition. Brochures, postcards, and copies of newspaper articles and journals featuring the exhibition are also present.
Biographical / Historical:
Washington, D.C. native Rico Washington holds a BA from Fordham University's African & African-American Studies program. As a journalist who has interviewed celebrities such as Erykah Badu, his work has appeared in New York Moves, Upscale, Wax Poetics, Ebony.com, and Okayplayer.com. He has also served as music editor for Brooklynbased Free Magazine and staff writer/columnist at XLR8R magazine. Rico is also a teaching artist with the non-profit arts organization Arts Connection. He lives and works in New York City.

Shino Yanagawa holds a BA in Economics from Japan's Hoesi University, A Tokyo native she has been a professional photographer for more than a decade. Yanagawa has photographed an array of musicians including Q-Tip. In addition to being a regular contributor to Japanese newspapers Nikkei and Sankei, her works have also appeared in publications such as GQ-Japan, Harper's Bazaar-Japan, and Blue Note-Japan. She lives and works in New York City.
Provenance:
Donated by Rico Washington and Shino Yanagawa in 2017.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Public housing  Search this
Exhibitions  Search this
Gentrification  Search this
Genre/Form:
Interviews -- 21st century
Photographs -- Color photoprints -- 21st century
Digital audio formats
Digital images
Oral histories (document genres)
Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa73ac716ac-b539-4ce3-b439-9bb0e6b65c68
EDAN-URL:
ead_collection:sova-acma-06-103
Online Media:

Interview with Ephraim Benton

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
Brooklyn (New York, N.Y.)
Date:
2010 March 28
Scope and Contents:
Ephraim Benton is an actor who grew up in Thompkins Houses in Brookyln, New York City. He recalls his time in the neighborhood, both the good and bad experiences and how it could have possibly been better with help from community activies. He talks about acting and how his artwork got him noticed. Benton explains his intentions to help out the community that he came from with various programs he has helped establish.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Acting  Search this
Charity  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-EphraimBenton
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa73ee7c68b-27fe-4abf-86a6-d6d72ffc8b07
EDAN-URL:
ead_component:sova-acma-06-103-ref12

Interview with Felipe Luciano

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
Manhattan (New York)
Date:
2010 April 4
Scope and Contents:
Felipe Luciano talks about his life growing up in diverse housing projects in Manhattan. Luciano also speaks about how to live with diversity. He talks about joining the Young Lords gang, and the poetry group Last Poets explaining how these groups impacted his life.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gangs  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-FelipeLuciano
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa74933ba62-b9b6-46c1-9909-b70bd806f20b
EDAN-URL:
ead_component:sova-acma-06-103-ref13

Interview with Gail Paupaw Brown

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
Brooklyn (New York, N.Y.)
Date:
2010 February 28
Scope and Contents:
Gail Paupaw Brown is a resident of Brooklyn, New York. She discusses her uprbringing in the city. Brown talks about the communities relationship with the police. As well as the benefits of having an art organizations that she could send her son to, which helped him become a succesful artist later in life.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Art -- New York  Search this
Police -- New York  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-GailPaupawBrown
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa77261605f-853a-4df0-a0c9-283ca8634e58
EDAN-URL:
ead_component:sova-acma-06-103-ref14

Interview with George Lorenzama

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
Brooklyn (New York, N.Y.)
Date:
undated
Scope and Contents:
George Lorenzana is a rapper who goes by the name "Yung Punch" who lives in Thompkins Houses in Brooklyn. He argues that Housing Projects can be positive areas full of opportunities.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Rap (Music)  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-GeorgeLorenzama
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7f883a693-a4d3-47d5-8489-144ef984889f
EDAN-URL:
ead_component:sova-acma-06-103-ref15

Interview with Godborn

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
Brooklyn (New York, N.Y.)
Date:
undated
Scope and Contents:
God Born is a Brooklyn native and college student looking to improve his community. He talks about how someone like Sonia Sotomayor could go from the housing projects to the Supreme court. He talks about the pitfalls of the ghetto, both the residents aiming to be bad influences and police officers harassing innocent civilians. God Born further explains the good parts of live in the ghetto.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-Godborn
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7a560569e-4e4b-41a4-96dc-176dd258c80c
EDAN-URL:
ead_component:sova-acma-06-103-ref16

Interview with Jameel & Jaleel

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
New York (State) -- New York City
Date:
undated
Scope and Contents:
Jameel and Jaleel are 9 year old twin brothers from New York City. They talk about sports and their favorite atheletes. Also they talk abou their families and the differences between Virginia and New York City.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Basketball  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-Jameel&Jaleel
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa701f010f5-f612-427d-bcf5-e64c0da88e94
EDAN-URL:
ead_component:sova-acma-06-103-ref17

Interview with Jamel Shabazz

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
Brooklyn (New York, N.Y.)
Date:
2010 July 5
Scope and Contents:
Jamel Shabazz is an artist who mostly works in photography from Brooklyn, New York. Shabazz talks about growing up in the Red Hook projects and how that shaped him as an individual. He goes into why he uses photography and what he aims to achieve with his artwork.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Art -- New York  Search this
Photography  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-JamelShabazz
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7691bc414-7e40-4c52-bb63-fc7e25da0609
EDAN-URL:
ead_component:sova-acma-06-103-ref18

Interview with Jayro

Collection Creator:
Washington, Rico, Music Journalist  Search this
Yanagawa, Shino (Photographer)  Search this
Type:
Archival materials
Oral histories (document genres)
Interviews
Place:
Brooklyn (New York, N.Y.)
Rio de Janeiro (Brazil)
Date:
2010 July 11
Scope and Contents:
Jayro explain what life was like growing up in Queensbridge, a housing project in Brooklyn, New York. He explains the differences between Brazalian Favelas and New York City housing. Jayro further explains how he discovered his love for graffiti and why he does graffiti .
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Identifier:
ACMA.06-103, Item acma_06-103-Jayro
See more items in:
We the People: The Citizens of NYCHA in Photos + Words Project Records
We the People: The Citizens of NYCHA in Photos + Words Project Records / Series I: Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa74e9ac41a-df32-4abf-8c0a-5ce9bd53b33a
EDAN-URL:
ead_component:sova-acma-06-103-ref19

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