The papers of John Joseph Honigmann (1914-1977) consist largely of research material of a specialist in personality, socialization, and social problems of Subarctic and Arctic people. Trained at Yale University (M.A., 1943; Ph.D., 1947), Honigmann spent most of his professional career at the University of North Carolina (1951-77) and was chairman of its Department of Anthropology from 1970-1975. Some material reflects his classroom teaching and administrative work. There are also general reference materials and materials relating to the history of anthropology.
Correspondents include David F. Aberle, Saeed K. Alizai, Nels Anderson, Asen Balikci, Victor Barnouw, Harry Basehart, Ronald Berndt, William E. Bittle, Gordon Blackwell, Walter Boek, Paul J. Bohannan, Robert J. Braidwood, Robert Carneiro, Joseph B. Casagrande, Norman A. Chance, Yehudi A. Cohen, Earl W. Count, David Damas, William Davis, Pierrette Desy, Cora du Bois, Richard Duncan, Fred R. Eggan, Loren C. Eiseley, Gary L. Emmons, Vincent Erickson, Sam J. Ervin, Arthur Evans, Lita B. Fejos, Paul Fejos, William N. Fenton, F.L. Fischer, Regina Flannery, Don Charles Foote, Clellan Ford, Morris Freilich, Clifford Geertz, Mickey Gibson, John P. Gillin, Thomas F. Gladwin, Walter R. Goldschmidt, Ward H. Goodenough, Theodore D. Graves, John Gulick, Zachary Gussow, Charles Hamori-Torok, Asael T. Hansen, Edward B. Harper, S.I. Hayakawa, Dwight B. Heath, June Helm, Maria Herzmaier, George K. Hindley, Tom R. Hopkins, Francis L.K. Hsu, Katherine Jocher, Berton H. Kaplan, Michael Kenny, Solon T. Kimball, Harriet J. Kupferer, Gordon B. Laing, L.L. Langness, Margaret L. Lantis, Oscar Lewis, Nancy O. Lurie, Donald S. Marshall, Abraham H. Maslow, John S. Matthiasson, Selz C. Mayo, Tom F.S. McFeat, Margaret Mead, Betty J. Meggers, George P. Murdock, Raoul Naroll, George Nelleman, Arthur Niehall, Marrilee Oakes, Morris E. Opler, Harold Orlans, Cornelius Osgood, Simon Ottenberg, John G. Peck, William Pollitzer, Ruben E. Reina, David Reisman, Marcel Rioux, Frank H.H. Roberts, Jr., Edward S. Rogers, Irving Rouse, Beate R. Salz, A.H.A. Siddiqi, Norman Simpkins, Leon Sinder, Richard Slobodin, Edward H. Spicer, Leslie Spier, Robert F.G. Spier, George D. Spindler, Sol Tax, Morton I. Teicher, Laura Thompson, Mischa Titiev, Brian du Toit, John Trudeau, Arthur Tuden, Victor F. Valentine, Frank G. Vallee, Clark Vincent, Fred W. Voget, Evon Z. Vogt, C. Von Furer-Haimendorf, Willard Walker, Anthony F.C. Wallace, Gene Weltfish, and Eric R.Wolf.
Arrangement note:
The Honigmann papers are not fully processed and are only broadly desccribed in this finding aid. The collection is arranged into (1) Churchill, five northern towns, and Schefferville, undated; (2) the Cree of Attawapisdat, Ontario, 1947-1956; (3) Frobisher Bay, 1963; (4) Great Whale River; (5) Inuvik, 1967; (6) Material concerning the Kaska of Lower Post, British Columbia, and Southern Yukon Territory, 1944-1945; (7) General anthropological subjects and teaching;(8) General and miscellaneous material on peoples of the world; (9) West Pakistan; (10) Canadian Wildlife Service Arctic Ecology Map; (11) Understanding Culture; (12) Miscellany; (13) Correspondence, ca. 1950s-1970s
Biographical / Historical:
Honigmann was regularly in the field. In 1943, this began with an ethnographic study of the Fort Nelson Slave in Canada. In 1944-1945, he was with the Kaska in British Columbia. In 1947-1948, he worked at Attawapiskat on James Bay and, in 1949-1950, at Great Whale River on Hudson Bay. He investigated town life in Pakistan in 1952 and 1957-1958. During the summers of 1960-1962, 1964-1966, 1972, and 1975, his studies carried him to a village in Austria. In 1963, he worked at Frobisher Bay and in 1967 at Inuvik.
1914 -- Born June 7, New York City, New York
1937 -- Married Irma Grabel
1942 -- Student at Columbia University Received BA from Brooklyn College
1943 -- Received MA from Yale University Field trip with the Fort Nelson Slave in Fort Nelson (3-6 months)
1944-1945 -- Field trip with the Kaska in British Columbia, Canada (3-6 months)
1946-1947 -- Assistant professor of Sociology and anthropology at State College, Washington
1947 -- Received PhD in anthropology from Yale University
1947-1948 -- Field trip at Attawapiskat, James Bay, Ontario, Canada Research anthropologist for the National Committee for Community Health Studies in Toronto, Canada
1948-1951 -- Assistant professor of sociology and anthropology at New York University
1949 -- Published Anthropology, Culture and Ethos of the Kaska Society
1949-1950 -- Field trip at Great Whale River, Hudson's Bay, Ontario, Canada
1951-1955 -- Associate professor of anthropology, University of North Carolina, Chapel Hill
1952 -- Field trip at Pakistan
1955 -- Field trip at Attawapiskat, James Bay, Ontario, Canada
1955-1957 -- Professor of anthropology, UNC, Chapel Hill
1957-1958 -- Field trip at Pakistan
1959 -- Published The World of Man
1960 -- Field trip at Austria
1962 -- Published Foodways in a Muskeg Community Field trip at Austria
1963 -- Published Understanding Culture Field trip at Frobishers Bay, Baffin Island, Canada
1964 -- Field trip at Austria
1965 -- With wife Irma, co-authored Eskimo Townsmen
1966 -- Field trip in Austria
1967 -- Published Personality in Culture Field trip at Inuvik, Northwest Territories, Canada
1967-1970 -- Postdoctoral fellowship and grants: NSF grant
1970 -- Co-authored Arctic Townsmen Chairman of the department of anthropology, UNC, Chapel Hill
1972 -- Field trip at Austria
1975 -- Field trip at Austria
1977 -- Died at Chapel Hill, NC, August 4
Provenance:
Most of Honigmann's papers were donated to the National Anthropological Archives by Irma Honigman, his wife, between October 1977 and January 1979. Honigmann's daughter, Karen Honigmann Schaefer, donated her father's field journals in July 1993.
Restrictions:
Some materials concerning the operations of the University of North Carolina Department of Anthropology are restricted.
Rights:
Honigmann used pseudonyms when referring to his informants in publications. Irma Honigmann has requested that researchers refrain from publishing their names.
A recording of drum dancing.Side 2 6/23 Drum Dancing - Starting about 077 then a silent period then to end. First Sigliang then Nunatahmiut
Collection Restrictions:
Some materials concerning the operations of the University of North Carolina Department of Anthropology are restricted.
Collection Rights:
Honigmann used pseudonyms when referring to his informants in publications. Irma Honigmann has requested that researchers refrain from publishing their names.
Topic:
Athapaskan -- Ritual ceremonies -- Dances Search this
Language and languages -- Documentation Search this
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.
Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Background.
Some materials are oversize, specifically these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.
1949 -- Received his Bachelor of Arts from the University of Nebraska.
1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.
1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.
1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.
1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.
1957-1963 -- Taught anthropology at the University of North Dakota.
1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.
1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.
1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.
1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).
1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).
As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife,
Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Indians of North America -- Southern States Search this
Type:
Archival materials
Audio
Sound tape reels
Songs
Date:
probably 1979
Scope and Contents:
Singers: Adam Sampson, Ardis Mose, and Bienum Pickins. This recording has been published and is restricted.
MPM tape 6 includes: Choctaw Chickasaw Dance Songs from the Chocktaw-Chickasaw Heritage committee (Chairman: Buster Ned). Side One. 1. Jump Dance, by Adam Sampson; 2. Jump Dance, by Adam Sampson; 3. Tick or Walk Dance, by Adam Sampson; 4. Drunken Man Dance, by Ardis Mose. Side Two. 1. Garfish or Hard Fish Dance (Chickasaw Dance), by Bienum Pickins; 2. Drum or War Dance, by Ardis Mose; 3. Duck Dance, by Adam Simpson; 4. Snake Dance, by Adam Simpson.
Local Numbers:
Howard Sound Recording 6
Funding note:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Collection Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Indians of North America -- Southern States Search this
Type:
Archival materials
Audio
Sound tape reels
Date:
probably 1979
Scope and Contents:
Singers: Adam Sampson, Ardis Mose, and Bienum Pickins. This recording has been published and is restricted.
MPM tape 7 includes: Choctaw Chickasaw Dance Songs (volume two) from the Chocktaw-Chickasaw Heritage committee (Chairman: Buster Ned). Side One. 1. Jump Dance; 2. Doublehead Dance; 3. Stealing Partners; 4. Drunken Man Dance. Side Two. 1. Drunken Man Dance; 2. Drum or War Dance; 3. Drum or War Dance; 4. Memorial Song (Palata).
Local Numbers:
Howard Sound Recording 7
Funding note:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Collection Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Indians of North America -- Southern States Search this
Type:
Archival materials
Audio
Sound tape reels
Date:
circa 1965-1970
Scope and Contents:
Field recording by Claude Medford of Natchitoches, Louisiana.
MPM tape 10 includes: 1. Snake Dance (a capella); 2. House dance (violin, guitar, Choctaw version of quadrille); 3. House Dance (violin, guitar); 4. Jump Dance (a capella, men only); 5. Walk Dance (a capella, men and women); 6. Stealing Partners (a capella, men and women); 7. Jump Dance; 8. Drunken Man Dance, by Chouteu (a capella solo); 9. Turtle Dance (claves, men only); 10. Fast War Dance, by chanter (claves); 11. 'Four Step' War Dance, by chanter (claves); 12. Quail Dance (claves, men and women, counterpoint we ha yo yo by men only); 13. Friendship Dance (a capella); 14. Wedding Dance (claves, men and women); 15. Duck Dance (claves, men and women, quacking by dancers). Side Two. 1. Raccoon Dance (no claves, men and women); 2. Snake Dance (no claves, men and women). Note: This is tape 2 of 2 tapes. The other tape is unnumbered. See Howard Sound Recording 14.
Local Numbers:
Howard Sound Recording 10
Funding note:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Collection Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Indians of North America -- Southern States Search this
Type:
Archival materials
Audio
Sound tape reels
Date:
undated
Scope and Contents:
Field recording by Claude Medford of Natchitoches, Louisiana.
Side One. 1. Mosquito dance or Raccoon dance (sung twice); 2. War dance (claves, bells); 3. Quail dance (claves, bells); 4. Duck dance (claves, bells); 5. Turtle dance (claves, bells); 6. Jump dance (bells); 7. Jump dance (bells); 8. Double Header (Hita Falams, bells); 9. Drunk Dance (bells); 10. Drunk Dance (bells); 11. Night Walk dance (a capella); 12. Snake dance (a capella). Side Two. 1. Creek Seminole type 'Crazy' or Stomp dance; 2. Creek Seminole type 'Crazy' or Stomp dance; 3. Creek Seminole type 'Crazy' or Stomp dance; 4. Creek Seminole type 'Crazy' or Stomp dance; 5. Creek Seminole type 'Crazy' or Stomp dance; 6. Creek Seminole Four-corner dance; 7. Four time stop dance; 8. Four time stop dance (claves, women singing); 9. Slow Jump dance; 10. Sunrise Walk dance (a capella); 11. Stealing Partners; 12. Jump dance (a capella); 13. Oval dance (no claves, male chanter solo); 14. Turtle dance (claves); 15. Mosquito dance (claves); 16. Duck dance (claves); 17. Raccoon dance (claves). Note: This is tape one of two tapes. See Howard Sound Recording 10.
Local Numbers:
Howard Sound Recording 14
Funding note:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Collection Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Indians of North America -- Southern States Search this
Type:
Archival materials
Audio
Sound tape reels
Place:
Bogue Chitto (Lincoln County, Miss.)
Philadelphia (Miss.)
Date:
1965
Scope and Contents:
Singers: Prentis Jackson, Ida May Frazier, Henry Joe, and Ouie Joe; Recorded at the Bogue Chitto School, near Philadelphia, Miss.
1. Raccoon dance, by Prentis Jackson and Ida May Frazier; 2. Tick or Walk Dance, by Prentis Jackson and Ida May Frazier; 3. Stealing Partners Dance, by Prentis Jackson and Ida May Frazier; 4. Jump Dance, by Henry Joe and Ouie Joe; 5. Tick or Walk Dance, by Henry Joe and Ouie Joe; 6. Drunken Man Dance, by Henry Joe and Ouie Joe; 7. Drunken Man Dance, by Henry Joe and Ouie Joe; 8. War Dance, by Henry Joe and Ouie Joe; 9. Starting Dance, by Henry Joe and Ouie Joe; 10. Jump Dance, by Henry Joe and Ouie Joe; 11. Snake Dance, by Henry Joe and Ouie Joe; 12. Tick or Walk Dance, by Henry Joe and Ouie Joe; 13. Turtle Dance, by Henry Joe and Ouie Joe. This is labeled tape 2. It probably goes with Howard Sound Recording 9.
Local Numbers:
Howard Sound Recording 15
Date/Time and Place of an Event Note:
Recorded at Bogue Chitto School near Philadelphia, Mississippi
Funding note:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Collection Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
The Philleo Nash papers attest to Nash's interest in anthropology, not only research and teaching but also in its application to public service. His papers can be separated into four main areas: undergraduate and graduate education, research, teaching, and public service. Files contain class notes from Nash's undergraduate and graduate studies as well as papers by well-known professors lecturing at the University of Chicago including Ralph Linton, Robert Redfield, and R.A. Radcliffe-Brown. The bulk of his research was conducted in the Pacific Northwest where he studied the Klamath-Modoc culture on the reservation, focusing on revivalism and socio-political organization (1935-1937). Other research included archeology at two sites, a study of the Toronto Jewish community, and a continuing interest in minority issues. Nash taugh at the University of Toronto (1937- 1941) and at American University in Washington, D.C. (1971-1977). Teaching files contain lecture notes from his work at the University of Toronto. Public service files include correspondence from the period when he was Lieutenant Governor of Wisconsin (1959-1961) as well as reports and photos from the years as Commissioner of Indian Affairs (1961-1966). Other public service and business positions are not represented in these files.
Scope and Contents:
The Philleo Nash Papers attest to Nash's interest in anthropology, not only research and teaching but also in its application to public service. His papers can be separated into four main areas: undergraduate and graduate education, research, teaching, and public service. Files contain class notes from Nash's undergraduate and graduate studies as well as papers by well-known professors lecturing at the University of Chicago including Ralph Linton, Robert Redfield, and R.A. Radcliffe-Brown. The bulk of his research was conducted in the Pacific Northwest where he studied the Klamath-Modoc culture on the reservation, focusing on revivalism and socio-political organization (1935-1937). Other research included archeology at two sites, a study of the Toronto Jewish community, and a continuing interest in minority issues. Nash taugh at the University of Toronto (1937-1941) and at American University in Washington, D.C. (1971-1977). Teaching files contain lecture notes from his work at the University of Toronto. Public service files include correspondence from the period when he was Lieutenant Governor of Wisconsin (1959-1961) as well as reports and photos from the years as Commissioner of Indian Affairs (1961-1966). Other public service and business positions are not represented in these files.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Philleo Nash was born on October 25, 1909, in Wisconsin Rapids, Wisconsin. He studied at the University of Wisconsin, taking a year off to study music at the Curtis Institute in Philadelphia. On his return to the University of Wisconsin, Nash completed his undergraduate degree in anthropology (1932) and went on to the University of Chicago for a Ph.D. in anthropology (1937). His doctoral dissertation explored the concepts of revivalism and social change with a focus on the Klamath Ghost Dance activities of the 1870s.
Nash held positions in teaching as well as in government and his family business. He was a lecturer in anthropology at the University of Toronto (1937-1941). He also lectured at the University of Wisconsin (1941-1942) and at American University in Washington, D.C. (1971-1977).
From 1942 to 1953, Nash served in various positions in the federal government, first in the Office of War Information and later as Assistant to President Truman, focusing on minority affairs and as liaison to the Department of the Interior. During this period in Washington, Nash also acted as President of the Georgetown Day School (1945-1952), where he was one of the founders of this racially integrated cooperative school. In 1953, Nash returned to Wisconsin where his interest in politics continued, and he became Lieutenant Governor of Wisconsin from 1959 to 1961. In 1961, he returned to Washington, DC as U.S. Commissioner of Indian Affairs, a position he held until 1966.
Following his work as Commissioner, Nash remained in Washington where he acted as a consultant in applied anthropology and held offices in various associations including hte Society for Applied Anthropology (SfAA), the American Anthropological Association (AAA), and the American Association for the Advancement of Science (AAAS). During all the years of professional responsibilities, Nash also held positions in the family business, Biron Cranberry Company. He returned to Wisconsin in 1977 to be President and Manager of the Company.
Throughout his life Nash was active in various associations for science and anthropology. He was awarded the AAA's Distinguished Service Award in 1984. In 1986, the SfAA presented him with the Bronislaw Malinowski Award in recognition of outstanding scholarship and long term commitment in applying the social sciences to contemporary issues.
Philleo Nash died in 1987. Some years before his death Nash sent his archaeological research material from the Pound Village Site (1938-1939) to Toronto and his research material from the DuBay Village Site (1940) to the Milwaukee Public Museum. According to the terms of his will, his government and political papers are housed at the Harry S. Truman Library in Independence, Missouri.
Reference: Landman, Ruth H. and Katherine S. Halpern (eds.). Applied Anthropologist and Public Servant: the Life and Work of Philleo Nash. NAPA Bulletin #7. Washington, DC: American Anthropological Association, 1989.
Related Materials:
According to the terms of his will, Nash's government and political papers are housed at the Harry S. Truman Library in Independence, Missouri.
Restrictions:
The Philleo Nash papers are open for research.
Access to the Philleo Nash papers requires an appointment.
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