Robinson, Franklin A., Jr., 1959- (actor) Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
1926
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Mary Charles Collection, Accession XXXX-0011, National Air and Space Museum, Smithsonian Institution.
1 Negatives (photographic) (film, black-and-white, 6.5 x 8.5 in.)
Type:
Archival materials
Negatives (photographic)
Place:
Mills Garden (Syracuse, New York)
United States of America -- New York -- Onondaga County -- Syracuse
Date:
09/01/1930
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Advanced Phosphorous Removal using HRFS- pilot Demonstration for Onondaga Co. New York WWJ Plant
Collection Creator:
American Academy of Environmental Engineers. Search this
Container:
Box 28, Folder 9
Type:
Archival materials
Date:
2001
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
American Academy of Environmental Engineers Awards Collection, 1988-2005, Archives Center, National Museum of American History.
Gloves must be worn when handling unprotected photographs and negatives.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Brannock Device Company Records, dates, Archives Center, National Museum of American History, Smithsonian Institution.
An account of Mr. Craton's life from his birth on June 23, 1902 to January 1, 1924. Written in 1972, from old letters, genealogical materials collected by Mr. Craton's mother and memory.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Forman H. Craton Collection, 1902-1983, Archives Center, National Museum of American History.
Onondaga Chief David John with grandchild and Mohawk man Levi Bomberry
Collection Creator:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937 Search this
Container:
Box 1, Folder 4, Item I.67-70
Type:
Archival materials
Photographs
Date:
1931
General:
No print for I.68
See Explorations and Fieldwork of the Smithsonian Institution, 1931
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 155, J.N.B. Hewitt photographs of Iroquois people on the Six Nations Reservation, National Anthropological Archives, Smithsonian Institution.
Onondaga Chief David John with sons Peter (left) and Leman (right), and grandchild
Collection Creator:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937 Search this
Container:
Box 1, Folder 4, Item I.71
Type:
Archival materials
Photographs
Date:
1931
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 155, J.N.B. Hewitt photographs of Iroquois people on the Six Nations Reservation, National Anthropological Archives, Smithsonian Institution.
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937 Search this
Container:
Box 1, Folder 4, Item I.72
Type:
Archival materials
Photographs
Date:
1931
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 155, J.N.B. Hewitt photographs of Iroquois people on the Six Nations Reservation, National Anthropological Archives, Smithsonian Institution.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
An oral history interview of Kay WalkingStick conducted 2011 December 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at WalkingStick's studio, in Jackson Heights, Queens, New York.
WalkingStick speaks of her childhood experiences and her parents; her grandfather Simon Ridge Walkingstick and jurisprudence; Dartmouth and Indian scholarships; how her parents met; her mother as a big influence; drawing and art in the family; her siblings; Syracuse; outdoors; Onondaga Valley; painting; winning a Scholastic Art Award; moving to Huntington Valley, Pennsylvania; attending Beaver; the 1950s; Pratt; review in Artnews; Danforth Foundation; Christianity; the women's movement; Cannabis Gallery; Native American heritage; Teepee Form and Chief Joseph; using wax; Dawes Commission; influences and artists; Catholicism; Italy; Bowling Green; sketchbooks; eroticism; Edward Albee's summer camp; Wenger Gallery; The Cardinal Points; being biracial; spirituality; Rome; abstraction and patterns; Il Cortile; Cairo; traveling; teaching; Cornell; Stony Brook; photography; technology; social and political commentary in art; changes to artwork over time; landscapes; mountains and the Rockies; Colorado; dialogues with God; symbols; art world; dealers; the WalkingSticks; Late Afternoon on the Rio Grande; art theory; drawing; diptych format; Venere Alpina; Sex, Fear and Aging; prints and books; and curiosity and humor. WalkingStick also recalls Simon Ralph WalkingStick, Margaret Emma McKaig, Charles WalkingStick, Murray Peterson McKaig, Benton Spruance, Michael Echols, Bear Paw, Bertha Urdang, Ramona Sakiestewa, Jody Folwell, Jaune Quick-To-See Smith, Emmi Whitehorse, George Longfish, David Penny, Dirk Bach, Bryn Mawr, and Marsden Hartley.
Biographical / Historical:
Kay WalkingStick (1935- ) is a Chaerokee painter and professor in Jackson Heights, New York. Mija Riedel (1958- ) is an independent scholar in San Francisco, California.
General:
Originally recorded as 7 sound files. Duration is 5 hr., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- New York (State) -- New York -- Interviews Search this
Cherokee artists -- New York (State) -- New York -- Interviews Search this
Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply. Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. All duplication requests must be reviewed and approved by Archives Center staff. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies.
Collection Citation:
NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History
Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply. Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. All duplication requests must be reviewed and approved by Archives Center staff. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies.
Collection Citation:
NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History
Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply. Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. All duplication requests must be reviewed and approved by Archives Center staff. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies.
Collection Citation:
NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The United States is blessed with a diversity of community dance traditions and new dance forms that have developed from interactions between communities. This exciting American mix has had a profound impact on the popular cultures of nations across the world. The dance program at the 1993 Festival explored social dancing traditions in five communities - an Appalachian community in southwest Virginia, Iroquois communities in upstate New York, and African American, Bolivian, and Cambodian American communities of Washington, D.C.
Tradition-bearers taught dances to Festival visitors in workshops, participated in conversations on a variety of themes, and demonstrated skills, repertoires, and performance styles from their communities. In each of these communities, dance is centrally important in the expression of cultural identity. Dancing brings members of a community together and strengthens cohesiveness by emphasizing shared ethical and aesthetic values. Performing a common vocabulary of movement, in time to a shared repertoire of music, one participates in a culture; Festival audiences became active participants during this program and had the opportunity in so doing to experience others' cultures.
Vivien Ta-Ying Chen was Curator and Marianne Hicks and Arlene Reiniger were Program Coordinators. Program Advisors included LeeEllen Friedland, Joan Frosch-Schroder, Robert Frye, Gonzalo Gutierrez, Glenn Hinson, Anthony Hovington, Adrienne Kaeppler, Martin Koenig, Ethel Raim, Denise Richards, Sally Sommer, Jane Woodside, and Vicki Risner Wulff.
American Social Dance was made possible with the support of the recording industries Music Performance Trust Funds.
Robert "Captain Fly" Frye, 1949-, deejay, Lanham, Maryland
Leroy Green, 1945-, Capitol Heights, Maryland
Cynthia Jefferson, 1963-, Capitol Heights, Maryland
Addie Robinson, 1947-, Washington, D.C.
Cynthia Shelton, 1949-, Hyattsville, Maryland
Luvenia Shelton, 1950-, Washington D.C.
Howard Watkins, 1938-, Fort Washington, Maryland
Hip-Hop
Anthony Hovington, Silver Spring, Maryland
John "Super Cool" Mackey, 1961-, deejay, Morningside, Maryland
Denise Richards, 1957-, Washington, D.C.
The Nasty Boys
Rosetta Fultz-Mackey, Hyattsville, Maryland
Brian Robinson, 1967-, Temple Hills, Maryland
Chuck Sanders, Washington, D.C.
Kimberly Monique Simpson, 1968-, District Heights, Maryland
Michael Smith, Washington, D.C.
Tyrone Thornton, Washington, D.C.
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Access to Recognition: The Case of Lacrosse / Emmett Printup, Freeman Bucktooth, Melvin White.
102 Indian Problems Marketing Crafts and Food / Becky Eagle, Bob Gough, Frank Benedict.
Local Numbers:
FP-1989-CT-0187
General:
"Access To Recognition: The Case Of Lacrosse", Emmett Printup, Melvin White, Freeman Bucktooth, Tom Vennum (P) "Indian Problems In Marketing Crafts And Foods", Frank Benedict, Becky Eagle, Bob Gough;
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
