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Donald H. Sultner-Welles Collection

Collector:
Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this
Printer:
Janus, Allan  Search this
Interviewee:
Hanfstaengl, Erna  Search this
Names:
Baltimore Symphony Orchestra  Search this
Chautauqua Institute  Search this
Colonial Williamsburg Foundation  Search this
Holland-America Cruises  Search this
Hitler, Adolf, 1889-1945  Search this
Extent:
87.6 Cubic feet (331 boxes, 2 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Photographs
Travelogs
Receipts
Ephemera
Files
Filmstrips
Lecture notes
Personal papers
Silver-dye bleach process
Contracts
Notebooks
Prints
Press releases
Ships' passenger lists
Project files
Magnetic tapes
Posters
Postcards
Vertical files
Dye destruction process
Travel diaries
Letters (correspondence)
Professional papers
Bank statements
Correspondence
Audiotapes
Series 12.
Clippings
Card files
Concert programs
Dye destruction photoprints
Biography files
Awards
Business records
Birthday cards
Date:
circa 1790-1981
bulk 1945-1980
Scope and Contents:
This collection is primarily the work of one individual, Donald Harvey Sultner, known professionally as Donald Sultner-Welles (1914-1981). The collection forms a written and visual record of Sultner's family, life, and career from 1913-1980. Its major strength is Sultner's photographic documentation of the world during his travels, ca. 1950-1980. Work by other photographers and artists, correspondence, greeting cards, and contemporary memorabilia and ephemera are included, along with fewer than fifty examples of earlier materials, ca. 1790-1900, collected by Sultner.

The entire collection reflects Sultner's lifework and interests. Housed in boxes the collection is organized into eleven series: Personal Papers; Professional Papers; Lecture Materials; Biographical Materials; Transparencies; Photoprints; Photonegatives; Prints, Drawings, Mixed Media; Audio Tapes; Miscellaneous; and Steve Eyster Addenda. The arrangement within each series is based as closely as possi-ble on Sultner's own organization of the materials. However, in several instances similar materials were found separated and have been placed together. In addition, obvious filing mistakes and spelling errors have been corrected. The spelling of geographic place names is based on Official Standard Names prepared by the U.S. Board on Geographic Names, Office of Geography, U.S. Department of the Interior. Not all names given by Sultner were found in the gazetteers, so there may be errors.

The bulk of the collection consists of 2-1/4-inch by 2-1/4-inch color transparencies (Series 5). However, the manuscript materials (Series 1-4) provide a detailed complement to the transparencies. For example, from the mid-1950s until the late 1970s, Sultner kept a travel diary (Se-ries 1). Written on the backs of postcards, this stream-of-consciousness journal reflects not only his daily trips, but his impressions of the countries and thoughts on his photography. A juxtaposition of cards with images is especially useful in understanding what Sultner photographed as well as why and how he photographed it. Sultner's professional corre-spondence (Series 2) documents the various types of groups before which he performed and equipment manufacturers dealt with for cameras, projectors, and so on. Notes, drafts, and final lectures (Series 3) present the performance side of Sultner. This material, when viewed with tapes of concerts and slides, begins to recreate the photo-concert as Sultner presented it. Scrapbooks (Series 4), kept by Sultner from the 1940s to the 1980s, present Sultner's life and career in chronological fashion.

The transparency portion of the collection (Series 5), containing over 87,000 images, is especially rich because of its documentation of the countries of the world. People are seen at their daily tasks, such as washing clothes, marketing, shopping, and eating. Cities are documented as they changed over the years. Two areas in particular will be of spe-cial interest to European and Asian researchers. The first is Sultner's USIS Asian tour in 1959. He visited Japan, Java, India, Korea, the Phil-ippines, Laos, Cambodia and Vietnam. The serene, prewar cities and coun-tryside of Laos, Cambodia, and Vietnam evince nothing of the devastation to come in the 1960a and 70s.

The second area of interest is Sultner's passion for documenting archi-tecture. As a guest of the German government in 1954, Sultner documented the devastation of World War II and photographed both the reconstruction of bombed buildings and the construction of buildings reflecting "new" postwar architectural styles. In addition to photographing post-WW II styles, throughout his career Sultner documented Palladian, baroque and Rococo architecture. This interest manifested itself in several of his lectures.

A third subject area of interest to Sultner was gardens. Among his first lectures following his USIS tour was "Gardens of the World." Sultner de-veloped this theme into an ongoing commitment to ecology, culminating in a filmstrip, "The Time is Now" (Series 10), prepared for the Hudson River Conservation Society in the 1960s. Carl Carmer, a noted author, wrote the text for the filmstrip. Sultner's taped interviews, lectures, and program music (Series 9) complement the transparencies. During his USIS-sponsored Asian tour in 1959, Sultner recorded impressions of his trip on tape. Interviews with people living in the countries he visited, radio interviews, and his own personal reflections are included. Of particular interest are his "No Harm Asking" interviews in Manila (tape #2), his interview of two French hotel managers in Saigon discussing post-French control conditions (tape #9), and--perhaps the most unusual--his discussion with Erna Hanfstaengl about her personal relationship with Adolf Hitler (tape #107). Scripts for lectures (Series 3) round out the documentation of Sultner's profes-sional work.

Because of the arrangement of the transparencies, it is necessary to check several areas for the same subject. For example, Vietnam images are in the "World" section alphabetically under Vietnam (box 81). Sult-ner also lectured on Vietnam, so there are Vietnamese images in the "framed subjects" (Boxes 137-138). Another example, perhaps more compli-cated, but more common to Sultner, was his distinguishing between images of unidentified "People" and identified "Portraits." Transparency stud ies of human beings will be found under the subseries "People." "Subjects --Portraits," various countries in the subseries "World," and "Lectures." There are also individuals in the black-and-white photoprints (Series 6), and photonegatives (Series 8). The painter and print-maker Charles Shee-ler appears in a number of locations, as does tenor Roland Hayes. Another area of complexity with regard to people concerns the transparencies and negatives. Sultner interfiled his transparencies and negatives of iden-tified individuals. For appropriate storage, these two different formats have been arranged in separate series. Therefore, instead of container lists for the two series, there is a combined alphabetical index to both (pp. 166-206).

Of tangential interest are the photoprints (Series 6), etchings, wood-cuts, and other prints (Series 8) collected by Sultner. One particular subseries of interest contains photographs presented to Sultner by Asian photographers during his 1959 tour. Over 45 images were given to Sultner and represent the standards of camera-club photography in the 1950s. Thesecond subseries consists of over 25 prints by the Italian-American art-ist Luigi Lucioni (1900- ). For further information on this artist,see The Etchings of Luigi Lucioni, -A Catalogue Raisonne', by Stuart P.Embury (Washington, 1984). Lucioni also painted Sultner's portrait in1952 and the "People" section of the transparencies contains a number of images of Lucioni at work. Another significant category is the Japanese prints, including two by a major nineteenth-century artist, Ando Hiro-shige (1797-1858).
Arrangement:
The collection is arranged into eleven series.

Series 1: Personal Papers, 1923-1981

Series 2: Professional Papers, 1954-1980

Series 3: Lecture Materials, 1952-1980

Series 4: Biographical Materials, 1954-1980

Series 5: Transparencies, 1947-1980

Series 6: Photoprints, 1913-ca. 1980

Series 7: Photonegatives, 1929-1981

Series 8: Prints, Drawings, Mixed Media, ca. 1790-1979

Series 9: Audio Tapes, 1947-1980

Series 10: Miscellaneous, 1947-1980

Series 11: Steve Eyster Addenda, 1937-1980
Biographical / Historical:
Donald Harvey Sultner was bom in York, Pennsylvania, on April 13, 1914, the son of Lillian May Arnold Sultner and Harvey A. Sultner. In 1923 Sultner attended the Lewis Institute in Detroit, Michigan, to overcome a speech impediment. He entered the Wharton School of the University of Pennsylvania in 1932 and graduated in 1936. Sultner studied merchandising and sang in the glee club, then under the direction of composer Harl MacDonald. Sultner, a baritone, continued his interest in music and studied voice with Reinald Werrenrath and with Florence Benedict and Bruce Benjamin in New York City. In the late 1940s and early 1950s he appeared in concert with accompanists at schools, clubs, and resort hotels along the East Coast. It appears that photography was always an important part of Sultner's life. Using a small format (120) camera, he recorded his vacation travels around the United States and Canada, parties, and his family. While living in New York, Sultner continued photographing friends and family and began photographing the famous people he encountered on his concert tours. In the early 1950s he began taking 2-1/4-inch by 2-1/4-inch color transparencies (slides) of landscapes and architecture as he traveled giving concerts.

Sultner, who had taken the stage name of "Sultner-Welles," began what was to be his lifework as a professional "photo-lecturer" in 1952. He illustrated his talks on nature, art, architecture, and the environment with his color slides. In 1954 Sultner toured West Germany as a guest of the Bonn government, and in 1959 he lectured in Asia under the auspices of the U.S. State Department. He was dubbed the "camera ambassador." Constantly adding new material to his collection of slides, Sultner traveled extensively throughout the United States, speaking before garden clubs, cultural organi-zations, and schools. He also appeared aboard various ships of the Holland-America line during a number of cruises abroad.

Sultner had established his performance style by the early 1960s. He expanded his lectures to include a combination of art, words, and music. The expanded presentation resulted in the "photo-concert," a unique synthesis of light and sound that Sultner frequently per-formed with a symphony orchestra. The Baltimore Symphony Orchestra commissioned "Concertino for Camera and Orchestra" by Eric Knight with Sultner in mind. The world premiere was in Baltimore in March 1979. While he spoke on many art, garden, and architectural topics, Sultner specialized in subjects relating to the baroque and rococo periods and Palladian architecture.

Sultner died of cancer in York, Pennsylvania, on March 25, 1981, at the age of 67.

1914 -- April 13, born York, Pennsylvania.

1929 -- In Detroit at Lewis Institute to overcome a speech impediment.

1932 -- To University of Pennsylvania.

1935 -- Summer trip to Roanoke (VA), Picketts, Hershey (PA); fall trip to New England for fraternity (AXP) convention.

1936 -- Spring glee club trip; graduated from the Wharton School of the University of Pennsylvania; summer trips to Newport News (VA), northern trip to Canada, Picketts (PA).

1937 -- Fall trip to Williamsburg (VA), Duke University (NC); Sultner family begins building "Glen Hill" (Dover, PA).

1938 -- Summer at home, and Picketts (PA), Camp Pratt.

1939 -- Spring trip to Washington, D.C.; September trip to The Homestead (WV), Hot Springs (WV), Virginia; Lake Mohonk (NY).

1940 -- Summer trip to New Orleans, Blowing Rock (NC); winter trip to Skytop Club (NY); fall trip to Atlantic City (NJ), Philadelphia (PA), Annapolis (MD).

1941 -- Winter 1941-42 appearance in "Hit the Deck." Lake Mohonk (NY) with Ted Walstrum (Sept. 22-23); Skytop Club (NY) (February); summer trip to Canada, Lake Chazy (NY) (Aug. 17-23).

1942 -- Spring in Atlantic City (NJ); summer to Buck Hill Falls, Lakes Chazy and Mohonk.

1943 -- Summer trip to Mohonk (NY).

1944 -- Summer: To Toronto (Ontario), Muskoka Lake, Bigwin Island, Montreal (Quebec), Mohonk (NY).

1945 -- Summer: To Winnepesauke (ME), Woodstock (NY), Ogunquit (ME), Bridgeport (CT).

1946 -- To Mohonk (NY), Ogunquit (ME), Old Saybrook (CT), Nantucket (RI).

1947 -- Singing tour of Canada and New England; winter-spring tour to Georgia and Florida.

1948 -- To Florida and Nassau, Feb.-Mar., Vermont, July-Aug.; Nassau-Havana-Miami-Bermuda, October.

1949 -- Singing tour of North and South Carolina.

1950 -- Summer trip to South.

1951 -- To District of Columbia, Massachusetts, New Hampshire, [New Jersey?], New York, Vermont.

1952 -- January 9: first public photo-concert, Pennsylvania Academy of the Arts, Philadelphia; trips to Connecticut, Florida, Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, South Carolina, Vermont.

1953 -- To Connecticut, Florida, Georgia, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, South Carolina, Vermont.

1954 -- Guest of German government for a study tour in the fall. To District of Columbia, Florida, Georgia, Massachusetts, New Hampshire, New Jersey, New York, North Carolina, Pennsylvania, South Carolina, Virginia.

1955 -- To Holland; Connecticut, District of Columbia, Florida, Massachusetts, New Hampshire, New York, North Carolina, Pennsylvania, South Carolina, Vermont, Virginia.

1956 -- To California, District of Columbia, Florida, Georgia, Illinois, Indiana, Massachusetts, New Jersey, New York, North Carolina, Ohio, Pennsylvania, South Carolina, Tennessee, Virginia.

1957 -- Holland-America Cruise to Germany, Austria, Italy. To Connecticut, Illinois, Massachusetts, New Hampshire, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Vermont, Virginia.

1958 -- Holland-America Cruises to Germany, Austria, Holland, Italy, Switzerland. To Connecticut, Florida, Georgia, Illinois, Massachusetts, Minnesota., Missouri, New Hampshire, New York, Pennsylvania, Rhode Island, South Carolina, Tennessee, Vermont, Wisconsin.

1959 -- United States Information Service (USIS)-sponsored tour of Asia: Burma, Cambodia, Hong Kong, India, Indonesia, Japan, Korea, Laos, Malaya, Philippines, Singapore, Taiwan, Thailand, Turkey, Vietnam. Also visited Austria, Czechoslovakia, Germany, Greece, Iran, Italy, Spain; Alaska, California, Massachusetts, New York, Pennsylvania.

1960 -- Holland-America Cruise to Austria, Belgium, Caribbean, France, Germany, Holland, Italy, Morocco. To Arizona, California, Florida, Indiana, Massachusetts, Minnesota, Nevada, New Hampshire, New Mexico, New York, Texas, Utah, Virginia, Washington, Wisconsin.

1961 -- To Canada, France, Germany, Switzerland; Alabama, California, Colorado, Connecticut, Florida, Georgia, Idaho, Illinois, Louisiana, Mississippi, Missouri, Montana, New Hampshire, New Jersey, New York, North Carolina, Ohio, Oregon, Pennsylvania, Rhode.Island, South Dakota, Tennessee, Utah, Vermont, Virginia, Washington, Wisconsin.

1962 -- Portfolio, "Autumn in Vermont," with introduction by Carl Carmer, published in Autumn issue of Vermont Life. Holland-America Cruise to Denmark, England, France, Germany, Holland, Italy, Sweden. To Connecticut, District of Columbia, Florida, Illinois, Iowa, Massachusetts, Michigan, New York, North Carolina, Pennsylvania, South Carolina, Vermont, Virginia.

1963 -- Holland-America Cruise to Caribbean, Canada, Sweden, Thailand. To Alabama, California, District of Columbia, Florida, Georgia, Illinois, Louisiana, Massachusetts, Minnesota Mississippi, Missouri, New Hampshire, New Jersey, N;w York, Ohio, Pennsylvania, Texas, Vermont, Virginia, Washington.

1964 -- Holland-America Cruise to Germany, Canada, England, Holland, Wales. To Delaware, District of Columbia, Indiana, Kentucky, Massachusetts, New Hampshire, New York, Ohio, Pennsylvania, Texas, Virginia.

1965 -- Holland-America Cruise to Austria, Czechoslovakia, France, Germany, Holland, Portugal, Wales. To Arkansas, Connecticut, District of Columbia, Indiana, Kentucky, New Hampshire, New York, Pennsylvania, Vermont, Virginia.

1966 -- Holland-America Cruise to Caribbean, Germany, France, Holland, Italy, Portugal, Switzerland. To New Jersey, North Carolina, Pennsylvania, South Carolina, Tennessee, Virginia.

1967 -- Holland-America Cruise to Caribbean, Austria, Denmark, England, Germany, Holland, Italy, Portugal, Sweden, Wales. To Massachusetts, New Jersey, New York, Rhode Island, Vermont, Virginia.

1968 -- To Germany; Massachusetts, New Hampshire, New Jersey, New York, Ohio, Pennsylvania, Vermont, Virginia.

1969 -- To England, France, Germany, Holland, Switzerland; Ohio, Pennsylvania, Virginia.

1970 -- Holland-America Cruise to Caribbean, Denmark, Iceland, Sweden. To Alabama, District of Columbia, Florida, Georgia, Massachusetts, New Hampshire, New York, Pennsylvania, South Carolina, Vermont, Virginia.

1971 -- Holland-America Cruise to Caribbean, Canada, Denmark, Italy, Portugal, Sweden. To Alabama, Georgia, Massachusetts, Nebraska, New Hampshire, New York, North Carolina, Pennsylvania.

1972 -- Holland-America Cruise to Asia, Pacific, Caribbean, Africa, Austria, Italy, Japan, Thailand, Turkey. To California, New Jersey, New York, Pennsylvania, Rhode Island, Virginia.

1973 -- Holland-America Cruise to Austria, Denmark, Germany, Holland, Iceland, Sweden. To California, Connecticut, District of Columbia, Massachusetts, New York, Ohio, Pennsylvania, Vermont.

1974 -- To Germany, Switzerland; California, Illinois, Massachusetts, New Jersey, New York, Ohio, Pennsylvania, Virginia.

1975 -- To Austria; California, Connecticut, District of Columbia, Massachusetts, New Jersey, New York, North Carolina, Pennsylvania, Virginia.

1976 -- To Canada; Connecticut, District of Columbia, Illinois, Iowa, Massachusetts, Missouri, Nebraska, New Mexico, New York, Ohio, Pennsylvania, Utah.

1977 -- To Canada, Germany; New York, Pennsylvania, Vermont, Virginia.

1978 -- To Scotland; Connecticut, Florida, Georgia, Kentucky, Massachusetts, New York, Pennsylvania, Rhode Island, South Carolina.

1979 -- To England; Florida.

1980 -- To Florida.

1981 -- March 25: Sultner dies of cancer, York, Pennsylania.
Introduction:
The Donald H. Sultner-Welles Collection, ca. 1790-1981, came to the National Museum of American History in 1982 from the estate of Mr. Sultner. The collection was created by Sultner over his adult life and represents one of the most extensive collections of color transparencies created by one individual and held in a public repository. Sultner's emphasis was on world culture. He took the majority of his photographs in the eastern United States, western Europe, and Asia. Gardens, architecture, and people are the three major subject areas represented in the collection. Of additional interest are Sultner's taped impressions of his 1959 United States Information Service (USIS)-sponsored Asian tour. The collection occupies 309 boxes and covers more than 83 cubic feet.

The Donald H. Sultner-Welles Collection is open to researchers in the Archives Center, third floor east, of the National Museum of American History, between 12th and 14th Streets, on Constitution Avenue, N.W., Washington, D.C. 20560. The Archives Center is open Monday through Friday from 10:00 a.m. to 5:00 p.m. Written and telephone (202/357-3270) inquiries are welcome and researchers are encouraged to contact the Archives Center before their arrival. The FAX number is 202/786-2453.

This is the eleventh in a series of occasional guides to collections in the Archives Center. Finding aids to other collections are available. The Guide to Manuscript Collections in the National Museum of History and Technology (1978) and an updated compilation contain brief descriptions of all archival holdings in the Museum. All current Archives Center holdings are available for search on the Smithsonian Institution Bibliographic Information System (SIBIS), an online database.
Restrictions:
Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

A small number of letters and photographs are restricted until the year 2031. Identification list in box.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits -- 20th century  Search this
Lecturers  Search this
Photographers  Search this
Gardens -- Photographs -- 1300-1980  Search this
Architecture -- Photographs -- 1300-1980  Search this
Travel photography -- 1950-2000  Search this
Genre/Form:
Passports
Photographs -- Black-and-white negatives -- Acetate film
Travelogs
Receipts -- 20th century
Ephemera
Files
Filmstrips
Lecture notes
Personal papers -- 20th century
Silver-dye bleach process
Contracts
Notebooks
Prints
Press releases
Ships' passenger lists
Project files
Magnetic tapes
Posters
Postcards
Vertical files
Dye destruction process
Travel diaries
Letters (correspondence) -- 20th century.
Professional papers
Bank statements
Correspondence -- 1930-1950
Photographs -- Phototransparencies -- 20th century
Audiotapes -- 1940-1980
Series 12. -- Cibachrome (TM)
Photographs -- 20th century
Clippings
Card files
Concert programs
Dye destruction photoprints
Biography files
Awards
Business records
Birthday cards
Identifier:
NMAH.AC.0145
See more items in:
Donald H. Sultner-Welles Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0145
Online Media:

Smithsonian Archivists Oral History Interviews

Extent:
0.25 cu. ft. (1 half document box)
Type:
Collection descriptions
Archival materials
Compact discs
Sound recordings
Place:
United States -- History
Date:
2011
Introduction:
The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also reminiscences and interviews recorded by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.

American University history student Allison Earnest conducted oral history interviews of Smithsonian archivists to document the history of Smithsonian's archival programs, for an oral history seminar taught by Smithsonian Archives historian Pamela M. Henson.
Descriptive Entry:
The History of Smithsonian Archivists Oral History Interviews consist of 4.3 hours of digital audio interviews, in 2 digital .wav audio files, and 99 pages of transcript. Each interview recording has two generations: an original digital audio file in .wav format and a reference digital audio file in .mp3 format. The original digital audio files are preserved in security storage with .mp3 files available for reference. The Monday interview has not been transcribed.
Historical Note:
John A. Fleckner and Liza Kirwin were interviewed about their pioneering careers at the Smithsonian and the development of archival programs at the Institution.

There are numerous archives across the Smithsonian that provide documentation for museum collections and the history of the Smithsonian. The Archives of American Art was founded in Detroit, Michigan, in 1954 as an independent research institution committed to encouraging and aiding scholarship in the visual arts in America from the 18th century to the present. After a successful pilot project, the Archives was incorporated in 1955 with a national board of trustees. In 1970, the Archives of American Art officially became a bureau of the Smithsonian Institution and its headquarters were moved to Washington, DC. In 1976, the archives opened a Midwest Regional Office at the Detroit Institute of the Arts. Today the archives maintains research centers located in New York City and Washington, DC, as well as affiliated reference centers located at the Fine Arts Department of the Boston Public Library; the American Art Study Center of the M. H. de Young Memorial Museum in San Francisco; the Amon Carter Museum Library in Fort Worth, Texas; and the Huntington Library in San Marino, California.

The Archives Center at the National Museum of American History was founded in 1982 to identify, acquire, and preserve archival records in many media and formats to document America's history and its diverse cultures. Center staff arrange, describe, preserve, and make collections accessible to support scholarship, exhibitions, publications, and education. The Center offers these services in a professionally managed reference facility and through online databases, finding aids, and other forms of publication. It also provides expert advice on accepted archival practices and standards and strives to clarify the role that organized archives play in American life. To encourage cooperation with other organizations and attract financial support, the Center actively pursues alliances inside and outside the Smithsonian.

Liza E. Kirwin (1957- ) received the B.A. in art history from the Johns Hopkins University in 1979, the M.L.S., Library and Archival Science, The Catholic University of America, with a concentration in archival management in 1984, and Ph.D. in American Studies, University of Maryland at College Park, in 1999 with a dissertation on "It's All True: Imagining New York's East Village Art Scene of the 1980s." She began her career in 1979 as an archivist at the Maryland Hall of Records in Annapolis, Maryland. From 1979 to 1999, she was an Archives Technician at the Archives of American Art, serving as Southeast Regional Collector from 1983 to 1999, and Curator of Manuscripts from 1999-2011. She also served as Acting Director of AAA in 2011. Her publications include To-dos, Illustrated Inventories, Collected Thoughts, and other Artists' Enumerations from the Smithsonian's Archives of American Art based on an exhibit of the same title and With Love: Artists' Letters and Illustrated Notes.

John A. Fleckner (1941- ) served as director of the Archives Center at the National Museum of American History from its founding in 1982 until his retirement in 2007. He was a history graduate student at the University of Wisconsin, receiving the M.A. in 1965, and received the B.A. from Colgate University in 1963. At the State Historical Society of Wisconsin from 1971 to 1982, Fleckner directed a thirteen-member archival network affiliated with the Society and, with the help of others, made the Area Research Center system a national model. He has also been a faculty member in the Department of Museum Studies at The George Washington University.
Rights:
Restricted. Contact reference staff for details.
Topic:
Museum archives  Search this
Collectors and collecting  Search this
Archivists  Search this
Art -- History  Search this
Genre/Form:
Compact discs
Sound recordings
Citation:
Smithsonian Institution Archives, Record Unit 9630, Smithsonian Archivists Oral History Interviews
Identifier:
Record Unit 9630
See more items in:
Smithsonian Archivists Oral History Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru9630

Print Council of America records

Creator:
Print Council of America  Search this
Names:
Print Council of America. Newsletter  Search this
Degas, Edgar, 1834-1917  Search this
Fine, Ruth, 1941-  Search this
Haverkamp Begemann, Egbert  Search this
Ostrow, Stephen E.  Search this
Reed, Sue Welsh  Search this
Extent:
24.5 Linear feet
3.056 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Sound recordings
Transcripts
Date:
1951-2020
Summary:
The records of the Print Council of America measure 24.5 linear feet and 3.056 gigabytes, and date from 1951 to 2020. The collection includes administrative files, correspondence and subject files, interviews, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists. There is a unprocessed born-digital addition to the collection that includes audio recordings and transcripts of interviews that date from 2012-2020. Included are interviews with Georgia "Gigi" Barnhill, Francesca Consagra, Alan Fern, Richard Field, Betsy Fryberger, Katherine Lochan, Timothy Riggs. Also included are Consent and Git forms and some corresponding CVs and photographs.
Scope and Contents:
The records of the Print Council of America measure 24.5 linear feet and 3.056 gigabytes, and date from 1951 to 2020. The collection includes administrative files, correspondence and subject files, interviews, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists.There is a unprocessed born-digital addition to the collection that includes audio recordings and transcripts of interviews that date from 2012-2020. Included are interviews with Georgia "Gigi" Barnhill, Francesca Consagra, Alan Fern, Richard Field, Betsy Fryberger, Katherine Lochan, Timothy Riggs. Also included are Consent and Git forms and some corresponding CVs and photographs.

Administrative files consist of general administrative records and files for memberships, board of directors, trustees, committees, and digital photographs. Correspondence and subject files contain a mixture of correspondence, writings, and printed material for various correspondents and topics. The oral history project consists of twelve digital sound recordings and transcripts of interviews with council members Ruth Fine, Egbert Haverkamp-Begemann, Stephen E. Ostrow, Sue Reed, Robert Waddell, and others.

Files for exhibitions include American Prints Today 1959 and 1962 , the VII São Paulo Biennial exhibition Eleven American Printmakers (1963), the New York World's Fair of 1964-1965, and 30 Contemporary American Prints (1964). Project files include documentation for the Index to Print Catalogues Raisonné database, other publishing and research projects, surveys, a print collection in India, the People-to-People Program, the sales of an Edgar Degas work, and project proposals.

Financial records consist of cash vouchers, check stub books, financial reports, disbursement and cash receipt ledgers, The Lessing and Edith Rosenwald Foundation grant information, paid bills, and tax information. In printed materials are issues of Print Council's Newsletter, press releases, print sales and exhibition catalogs, reprints of advertisements, informational flyers created by the council, and a booklet marking the council's 50th anniversary.
Arrangement:
The collection is arranged as eight series.

Series 1: Administrative Files, 1955-2016 (9.2 linear feet; Boxes 1-7, 24-28, OV 29; 0.26 gigabytes, ER01)

Series 2: Correspondence and Subject Files, 1953-2016 (5.9 linear feet; Boxes 7-12)

Series 3: Oral History Project, 2006-2016 (0.4 linear feet; Box 13; 2.08 gigabytes, ER02-ER13)

Series 4: Exhibition Files, 1956-2005 (3.0 linear feet; Boxes 13-16, OV 29)

Series 5: Project Files, 1956-2013 (3.4 linear feet; Boxes 16-19, OV 29)

Series 6: Financial Records, 1956-1995 (1.5 linear feet; Boxes 19-21)

Series 7: Printed Materials, 1951-2016 (1.1 linear feet; Boxes 21-22)

Series 8: Unprocessed Addition, 2012-2020 (0.716 GB and 1 CD)
Biographical / Historical:
The Print Council of America (est. 1956- ) is a non-profit, professional organization of print specialists in Boston, Massachusetts.

The idea of a print council began in 1954 when a group of prominent art collectors, curators, and scholars gathered in New York to discuss creating a national organization that could promote prints and print collecting. After much discussion, by-laws and other legal documentation were drawn up by Joshua Binion Cahn, a legal advisor for the Print Council of America, to establish the organization. Some of the earliest members of the council, including Adelyn Breeskin, Gustav von Groschwitz, Una Johnson, William Lieberman, A. Hyatt Mayor, Elizabeth Mongan, Paul J. Sachs, and Carl Zigrosser, were led by Lessing J. Rosenwald, an art collector and son of Julius Rosenwald, who was part owner of Sears, Roebuck and Company.

Rosenwald's mission was to "foster the creation, dissemination, and appreciation of fine prints, old and new," and to encourage and professionalize the preservation, administration, and study of print collections in the United States and Canada. Eventually the organization evolved to become an authority on print standards, educating print professionals and collectors on how to prevent fraudulent practices by learning ways to identify authentic or "original" prints. As an authority on prints, the council published numerous guides and directories of print resources. One of the council's most notable accomplishments was the compilation of European, American, and Japanese print resources into the Index of Print Catalogues Raisonné online database. The council also aimed to provide its members with an avenue to share ideas through holding annual meetings. After the closing of the organization's New York office in 1973, annual and semi-annual meetings continued to be a valuable resource for members.

Today, the council continues to provide educational tools and resources for print professionals.
Provenance:
The Print Council of America records were donated in multiple installments from 1981 to 2017 via former council presidents Andrew Robinson, Sue Reed, Jay Fisher, Marjorie B. Cohn, and James A. Ganz and in 2020 via Jane Myers McNamara, Coordinator, Oral History Program.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of born-digital records with no duplicate copies requires advance notice.
Occupation:
Art dealers  Search this
Topic:
Art -- Societies, etc.  Search this
Curators -- United States  Search this
Printmakers  Search this
Prints  Search this
Prints -- societies, etc  Search this
Prints -- Technique -- United States  Search this
Genre/Form:
Interviews
Photographs
Sound recordings
Transcripts
Citation:
Print Council of America records, 1951-2020. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.princoun
See more items in:
Print Council of America records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-princoun

Website Records

Topic:
Collections Search Center (Website)
Creator::
Smithsonian Institution  Search this
Type:
Collection descriptions
Archival materials
Electronic records
Date:
2017
Descriptive Entry:
This accession consists of the "Collections Search Center" website as it existed on March 24, 2017. The "Collections Search Center" is the public search portal for over 10 million catalog records for Smithsonian Institution museum objects and library and archives materials, many of which include online images, video and sound files, electronic journals and other online resources. This accession consists of the information pages on the website and does not include collections information. Materials are in electronic format.
Topic:
Web sites  Search this
Museums -- Public relations  Search this
Museums -- Collection management  Search this
Museum archives  Search this
Museum libraries  Search this
Online databases  Search this
Genre/Form:
Electronic records
Citation:
Smithsonian Institution Archives, Accession 18-254, Smithsonian Institution, Website Records
Identifier:
Accession 18-254
See more items in:
Website Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa18-254

Website Records

Topic:
William L. Brown Memorial Digital Library (Website)
Creator::
National Museum of Natural History  Search this
Type:
Collection descriptions
Archival materials
Electronic records
Date:
2015
Descriptive Entry:
This accession consists of the "William L. Brown Memorial Digital Library" website as it existed on November 9, 2015. The website includes information about ant scientist William L. Brown, Jr. as well as an online database of ant taxonomic literature. Due to technical issues, the search feature does not function properly in the crawled website and content may be incomplete. Password-protected content is not included in this accession. Materials are in electronic format.
Topic:
Ants  Search this
Animals -- Classification  Search this
Web sites  Search this
Museums -- Public relations  Search this
Natural history museums  Search this
Genre/Form:
Electronic records
Citation:
Smithsonian Institution Archives, Accession 16-184, National Museum of Natural History, Website Records
Identifier:
Accession 16-184
See more items in:
Website Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa16-184

Dr. Garnet C. Wilkinson, #132 [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Wilkinson, Garnet, Dr.  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 80
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Portraits
Photographs
Place:
Washington (D.C.) -- African Americans
Scope and Contents:
No ink on negative, no Scurlock number. Bust portrait. In 1924, Dr. Garnet C. Wilkinson became the first assistant superintendent in charge of D.C. public African American schools (from the African American Heritage Trail online database at: http://www.culturaltourismdc.org/info-url3948/info-url_show.htm?doc_id=212985&attrib_id=7972 ). No edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Portraits -- African American men
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2681

Website Records

Creator::
National Museum of Natural History  Search this
Type:
Collection descriptions
Archival materials
Electronic records
Date:
2015
Descriptive Entry:
This accession consists of a web-based database of hymenoptera holotypes at the National Museum of Natural History (NMNH) as it existed on April 23, 2015. The database is maintained by United States Department of Agriculture scientists stationed at the NMNH with contributions from scientists at several other organizations. It is hosted on the NMNH website. This accession consists of descriptive pages about the database as well as a list of holotypes. Data in this accession may be incomplete and the search features do not function properly. Materials are in electronic format.
Topic:
Web sites  Search this
Natural history museums  Search this
Museums -- Public relations  Search this
Hymenoptera  Search this
Online databases  Search this
Entomology  Search this
Research  Search this
Museums -- Collection management  Search this
Genre/Form:
Electronic records
Citation:
Smithsonian Institution Archives, Accession 15-227, National Museum of Natural History, Website Records
Identifier:
Accession 15-227
See more items in:
Website Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa15-227

Website Records

Creator::
National Museum of Natural History  Search this
Type:
Collection descriptions
Archival materials
Electronic records
Date:
2010
Descriptive Entry:
This accession consists of the Museum Collections Records subdomain of the National Museum of Natural History website as it existed on November 26, 2010. The primary purpose of this subdomain is to allow the public to search collections maintained by the Department of Anthropology, the Department of Botany, the Department of Entomology, the Department of Invertebrate Zoology, the Department of Mineral Sciences, the Department of Paleobiology, and the Department of Vertebrate Zoology, including the Division of Fishes, the Division of Amphibians and Reptiles, the Division of Birds, and the Division of Mammals. Searches query the museum's central collections management system. Materials include the introductory and explanatory pages as well as the search screens, but does not include the underlying data.
Topic:
Web sites  Search this
Museums -- Collection management  Search this
Natural history museums  Search this
Anthropology  Search this
Botany  Search this
Entomology  Search this
Invertebrates  Search this
Minerals  Search this
Paleobiology  Search this
Vertebrates  Search this
Fishes  Search this
Amphibians  Search this
Reptiles  Search this
Mammals  Search this
Birds  Search this
Museums -- Public relations  Search this
Online databases  Search this
Genre/Form:
Electronic records
Citation:
Smithsonian Institution Archives, Accession 11-048, National Museum of Natural History, Website Records
Identifier:
Accession 11-048
See more items in:
Website Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa11-048

Online initiative makes massive database of herbarium specimens accessible worldwide

Creator:
Smithsonian Insider  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 12 Jan 2011 13:15:26 +0000
Topic:
Science  Search this
See more posts:
Smithsonian Insider
Data Source:
Smithsonian Insider
EDAN-URL:
edanmdm:posts_22fd7a01d4287a6c8dff0d101648fa36

Global SPHERE Network promotes research opportunities for high school students

Creator:
Smithsonian Insider  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 29 Nov 2017 19:09:35 +0000
Topic:
Science  Search this
See more posts:
Smithsonian Insider
Data Source:
Smithsonian Insider
EDAN-URL:
edanmdm:posts_977e2c3d96b23e49fc8e579f458d1709

Jack, 14

Artist:
Ben Durham, born 1982  Search this
Sitter:
Unidentified Sitter  Search this
Medium:
Graphite text on paper
Dimensions:
Sheet: 45.7 x 38.1cm (18 x 15")
Frame: 50.8 x 43.2 x 5.1cm (20 x 17 x 2")
Type:
Drawing
Date:
2008
Topic:
Portrait  Search this
Credit Line:
Owner: Suzanne Morsfield
Object number:
EXH.DR.21
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm49002e9d8-2b7d-4b4e-abf9-0a5645b020aa
EDAN-URL:
edanmdm:npg_EXH.DR.21

Authorities Recover Intricate Renaissance Armor Stolen From the Louvre in 1983

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 05 Mar 2021 19:26:33 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_926ccadae887873435599cc66091b570

Women and social movements in the United States,1600-2000 Kathryn Sklar and Thomas Dublin, editors

Title:
WASM
Women & social movements in the United States1600-2000, Basic ed
Author:
Sklar, Kathryn Kish  Search this
Dublin, Thomas 1946-  Search this
Alexander Street Press  Search this
Alexander Street (Firm)  Search this
State University of New York at Binghamton Center for the Historical Study of Women and Gender  Search this
Physical description:
1 online resource
Type:
Sources
Databases
Bibliographies
Online databases
History
Place:
United States
Date:
1997
Topic:
Women--History  Search this
Women  Search this
Women social reformers--History  Search this
Women social reformers  Search this
Feminism--History  Search this
Feminism  Search this
Social movements--History  Search this
Social movements  Search this
Women--Social conditions  Search this
Women--Government policy  Search this
Call number:
HQ1410 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1146044

Researchers Are Recreating Europe's Centuries-Old Scents

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 19 Nov 2020 20:23:12 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_8c6568fbcf9aa4cccddcb64a08dda9e2

Field guide to freshwater fishes of Virginia Paul E. Bugas, Jr., Corbin D. Hilling, Val Kells, Michael J. Pinder, Derek A. Wheaton, Donald J. Orth ; illustrated by Valerie Kells and Joseph R. Tomelleri

Author:
Bugas, Paul E. Jr  Search this
Physical description:
195 pages 21 cm
Type:
Identification
Field guides
Place:
Virginia
Date:
2019
Topic:
Freshwater fishes  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1112381

Miscellanea alchymica et astrologica

Former owner:
Boncompagni, Baldassarre 1821-1894 DSI  Search this
Girometti, Pietro 1811-1859 DSI  Search this
Donor:
Dibner, Bern DSI  Search this
Burndy Library DSI  Search this
Bookseller:
Bernard M. Rosenthal, Inc. (Firm) DSI  Search this
Author:
Burndy Library Manuscripts Collection (Smithsonian Libraries) DSI  Search this
Physical description:
104 leaves in various foliations : illustrations (some color) ; 32 cm
Type:
Early works to 1800
Specimens
Early works
Manuscripts (documents).)
Sources
Place:
Italy
Date:
1550
1599
Topic:
Alchemy  Search this
Astrology  Search this
Calendar  Search this
Distillation  Search this
Medicine  Search this
Science  Search this
Science--History  Search this
Science, Renaissance  Search this
Technology--History  Search this
Toy and movable books  Search this
History  Search this
Technology  Search this
Call number:
MSS 000867 B
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_177235

Albert Einstein galley proofs with typescript and handwritten corrections for his article on relativity, prepared for the American peoples encyclopedia

Title:
Einstein encyclopedia article galleys, 1948 DSI
Author:
Einstein, Albert 1879-1955  Search this
Donor:
Dibner, Bern DSI  Search this
Burndy Library DSI  Search this
Annotator:
Meine, Franklin J. 1896-1968 DSI  Search this
Author:
Burndy Library Manuscripts Collection (Smithsonian Libraries) DSI  Search this
Physical description:
9 items ; 16-57 cm in portfolio 62 cm
Type:
Electronic resources
Manuscripts (documents).)
Sources
Date:
1948
1948-1948
Topic:
Relativity (Physics)  Search this
Science--History  Search this
Technology--History  Search this
History  Search this
Science  Search this
Technology  Search this
Call number:
MSS 000248 A
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_169263

Discorso di Leontio artefice sopra la sfera di Arato et fabbrica di quella

Title:
Sfera di Arato et fabbrica di quella
Author:
Baldi, Bernardino 1553-1617  Search this
Author:
Aratus Solensis  Search this
Leontius Mechanicus Peri Arateias sphairas  Search this
Burndy Library Manuscripts Collection (Smithsonian Libraries) DSI  Search this
Former owner:
Albani, Annibale 1682-1751 DSI  Search this
Boncompagni, Baldassarre 1821-1894 DSI  Search this
Donor:
Dibner, Bern DSI  Search this
Burndy Library DSI  Search this
Physical description:
1 volume (31 pages) ; 21 cm, in portfolio 22 cm
Type:
Early works to 1800
Early works
Manuscript waste
Manuscripts (documents).)
Sources
Vellum bindings
Date:
1573
1617
Topic:
Astronomy  Search this
Celestial sphere  Search this
Science--History  Search this
Technology--History  Search this
History  Search this
Science  Search this
Technology  Search this
Call number:
MSS 000235 B
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_169267

DNA Barcoding as a Reliable Method for the Authentication of Commercial Seafood Products

Author:
Nicole, Silvia  Search this
Negrisolo, Enrico  Search this
Mantovani, Roberto  Search this
Patarnello, Tomaso  Search this
Barcaccia, Gianni  Search this
Erickson, David L.  Search this
Eccher, Giulia  Search this
Kress, W. John  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2012
Topic:
Natural History  Search this
Botany  Search this
Plants  Search this
See others in:
Botany
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_114459

Gale directory of databases

Title:
Directory of databases
Author:
Gale Research Inc  Search this
Physical description:
v. ; 28 cm
Type:
Periodicals
Date:
1993
C1993-
Topic:
Databases--Directories  Search this
Information storage and retrieval systems--Directories  Search this
Information services--Directories  Search this
Call number:
QA76.9.D32 G15
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_438134

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