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Jacqueline Kennedy Onassis, Hyannis Port, Mass. letter to James Whitney Fosburgh

Creator:
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Fosburgh, James Whitney, 1910-1978  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Subject:
White House (Washington, D.C.)  Search this
Type:
Correspondence
Date:
1961 Oct. 22
Topic:
Art patrons  Search this
Collectors and collecting  Search this
Record number:
(DSI-AAA)626
See more items in:
James Whitney Fosburgh papers, 1937-1978
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_626
Online Media:

Jacqueline Kennedy letter to Robert W. White

Creator:
Onassis, Jacqueline Kennedy, 1929-1994  Search this
White, Robert W. (Robert Winthrop), 1921-2002  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Subject:
White, Stanford  Search this
White House (Washington, D.C.)  Search this
Type:
Correspondence
Date:
1969 June 29
Record number:
(DSI-AAA)14486
See more items in:
Robert W. White papers, 1889-2003, bulk 1915-2003
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14486
Online Media:

Jacqueline Kennedy Onassis, Hyannis Port, Mass. letter to James Whitney Fosburgh

Creator:
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Fosburgh, James Whitney, 1910-1978  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Subject:
Fosburgh, James Whitney  Search this
Onassis, Jacqueline Kennedy  Search this
White House (Washington, D.C.)  Search this
Type:
Correspondence
Date:
1961 Sept. 13
Topic:
Art patrons  Search this
Collectors and collecting  Search this
Record number:
(DSI-AAA)625
See more items in:
James Whitney Fosburgh papers, 1937-1978
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_625
Online Media:

Perry H. Wheeler collection

Landscape architect:
Wheeler, Perry H., 1914-1989  Search this
Photographer:
Stengle, James M., Dr.  Search this
Creator:
University of Georgia  Search this
Garden Club of America  Search this
Emory University  Search this
American Society of Landscape Architects  Search this
Names:
Arlington National Cemetery (Arlington, Va.)  Search this
National Arboretum (U.S.)  Search this
Washington National Cathedral (Washington, D.C.)  Search this
Bonnet, Henri, Ambassador  Search this
Bonnet, Henri, Madam  Search this
Estes, Billie Sol  Search this
Harriman, Pamela Digby Churchill Hayward, 1920-1997  Search this
Johnson, Lady Bird, 1912-  Search this
Mellon, Paul  Search this
Mellon, Rachel Lambert  Search this
Mesta, Perle, 1889-1975  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Palmer, Bertha Honoré, 1849-1918  Search this
Truman, Margaret  Search this
Extent:
25.75 Cubic feet
3,958 Photographic items
Type:
Collection descriptions
Archival materials
Lists
Awards
Certificates
Invoices
Negatives
Correspondence
Clippings
Photographs
Invitations
Slides (photographs)
Photographic prints
Plans (drawings)
Place:
Canada
White House (Washington, D.C.)
Africa
Europe
Caribbean
South America
West (U.S.)
Georgetown (Washington, D.C.)
Date:
1880-1984
bulk 1950-1965
Summary:
The Perry H. Wheeler Collection includes the design, client and business records of Perry H. Wheeler, a landscape architect best known for his work on numerous townhouse gardens in the Georgetown neighborhood of Washington, D.C., during the 1960s as well as the redesign of the White House Rose Garden in collaboration with Rachel Lambert ('Bunny') Mellon during the Kennedy administration.
Scope and Contents note:
The Perry H. Wheeler Collection includes the design, client and business records of Perry H. Wheeler, a landscape architect best known for his work on numerous townhouse gardens in the Georgetown neighborhood of Washington, D.C. during the 1960s as well as the redesign of the White House Rose Garen in collaboration with Rachel ('Bunny') Lambert Mellon during the Kennedy adminstration. The collection includes photographic images, plans, drawings, client correspondence, plant lists, invoices, newspaper and magazine clippings, certificates, awards, and invitations. The bulk of the collection and most of the professional papers date from about 1950 to 1965 and relate to various garden design projects by Wheeler, many of them located in the Georgetown neighborhood of Washington, D.C. Of particular note are documents for Wheeler's public design work including the White House grounds, Washington National Cathedral, U. S. National Arboretum, President John F. Kennedy's gravesite in Arlington National Cemetery, and the British and Cambodian Embassies in Washington, D.C. Noteworthy correspondents include President and Mrs. John F. Kennedy, Ladybird Johnson, Mr. and Mrs. Paul Mellon, and Margaret Truman.

There are also over 3,000 35mm slides dating from the 1950s and 1960s that document Wheeler's personal travels to Europe, Africa, South America, the Caribbean, Canada, and the American West.
Biographical/Historical note:
Perry Hunt Wheeler (1913-1989), a Georgia native, began his higher education at Emory University, going on to graduate from the University of Georgia with a Bachelor of Fine Arts degree in 1937. Immediately afterward Wheeler enrolled in Harvard University from which he earned a graduate degree in Landscape Architecture in 1938. After graduation, Wheeler collaborated on garden projects in Atlanta, Georgia with fellow landscape architect Helen Hawkins Clarke. During World War II, Wheeler moved to Washington, D.C. to serve under the Office of Civilian Defense and the Office of Strategic Services Camouflage Division. Following the war, Wheeler worked at Garden House a Georgetown shop where he advised homeowners on tasteful garden design, accessories, and furnishings. By 1948 Wheeler had established a landscape architecture practice in Washington, D.C. His practice grew via word of mouth through Washington's social circles and through a shared office with landscape architect Rose Ishbel Greely, and later with architect Gertrude Sawyer.

In 1947, he formed a 'bachelor household' in Georgetown with James Snitzler. Later, at the invitation of Rachel Lambert "Bunny" Mellon, he and Snitzler created a second home outside of Washington called "Spring Hill" on property owned by Mellon. Shortly after Snitzler's death in 1968, Wheeler moved permanently to Middleburg, Virginia and continued to travel, lecture, and consult with clients. Wheeler semi-retired in 1981 to 'Budfield,' a property in Rectortown, Virginia where he passed away in 1989, leaving his estate to his partner, James M. Stengle.

Wheeler is best known for his work on private gardens in Washington's Georgetown neighborhood. He frequently employed the use of intricate brickwork, low-maintenance planting, and simple water features in creating his charming and functional designs. His most noteworthy commissions outside the private realm include collaboration with Bunny Mellon on the White House Rose Garden, designing a Garden Club of America-commissioned gazebo and its surroundings for the U.S. National Arboretum, and plantings for the National Cathedral and President John F. Kennedy's gravesite in Arlington National Cemetery.
Provenance:
Gift from the estate of James M. Stengle, 1993.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Presidents -- United States  Search this
Landscape architects  Search this
Presidents' spouses -- United States  Search this
Gardens -- Washington (D.C.)  Search this
Genre/Form:
Lists
Awards
Certificates
Invoices
Negatives
Correspondence
Clippings
Photographs
Invitations
Slides (photographs)
Photographic prints
Plans (drawings)
Citation:
Smithsonian Institution, Archives of American Gardens, Perry H. Wheeler collection.
Identifier:
AAG.WHE
See more items in:
Perry H. Wheeler collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb62b29cd93-c01c-4a8c-ae82-fdd6e8499072
EDAN-URL:
ead_collection:sova-aag-whe
Online Media:

Pietro Lazzari papers

Creator:
Lazzari, Pietro, 1898-1979  Search this
Names:
Apollo 17 (Spacecraft)  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Phillips, Duncan, 1886-1966  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Rust, John D.  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Thomas, Norman, 1884-1968  Search this
Extent:
12.84 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Sketchbooks
Photographs
Slides (photographs)
Motion pictures (visual works)
Paintings
Date:
1878-1998
Summary:
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.
Scope and Content Note:
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The collection documents Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.

Biographical material includes biographical sketches and various identification documents. Correspondence comprises letters exchanged between Lazzari, family members, and colleagues and includes about a hundred letters concerning post office murals in several states.

Notebooks contain drawings and annotated diagrams in addition to notes on artwork and designs for inventions. Writings are both by and about Lazzari and include autobiographical material. Artwork includes sketchbooks, loose sketches, prints, and paintings.

Almost a quarter of the collection consists of photographs which include images of Lazzari, his family and colleagues, and gallery installations. Also found are photographs of several notable individuals.
Arrangement:
The collection is arranged as ten series according to material type. For each series, material within folders is arranged chronologically. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1880-1980 (box 1; 4 folders)

Series 2: Correspondence, 1895-1998, undated (boxes 1-2; 1.7 linear ft.)

Series 3: Personal Business Records, 1925-1993, undated (box 2; 0.4 linear ft.)

Series 4: Notes, 1915-1979, undated (boxes 3, 13, OV 14; 1 linear ft.)

Series 5: Writings, 1910-1979, undated (box 4, 13; 0.4 linear ft.)

Series 6: Artwork, 1918-1979, undated (boxes 4-5, 13, OV 14; 0.9 linear ft.)

Series 7: Printed Material, 1905-1994, undated (boxes 5-8, 13, OV 14; 3.8 linear ft.)

Series 8: Photographs, 1878-1980, undated (boxes 8-13, MGP 1, MGP 4; 3.8 linear ft.)

Series 9: Motion Picture Film, undated (FC 15; 1 film can)

Series 10: Artifact, undated (box 12; 1 folder)
Biographical Note:
Pietro Lazzari was born in Rome, on May 15, 1898. At the age of 15, he was apprenticed to Roman sculptor, Jerace. Four years on the Italian front in World War I interrupted his studies, until he could return to the Ornamental School of Rome, where he received a Master Artist degree in 1922. Lazzari's first solo exhibition was at the Theatre of the Independents in Rome. He was also employed by newspaper Il Messaggero to illustrate articles with athletes' portraits.

Lazzari visited the United States in 1925, exhibiting in a group show at the New Gallery in the New York the following year. He also married American social worker Elizabeth Paine in 1926. After four more trips between the United States and Italy, he permanently settled in New York City in 1929. In addition to participating in major art exhibitions, he was hired by a New York newspaper to make courtroom sketches at the Lindbergh kidnapping trial. Divorcing his first wife in 1932, Lazzari married Evelyn Cohen in 1934, and became a U.S. citizen in 1936. Between 1936 and 1942, he worked on four post office murals for the U.S. Section of Fine Arts and began experimentation that led to his own method of painting in polychrome concrete.

In 1942, Lazzari moved to Washington, D.C. and participated in the war effort. He also taught painting and sculpture at The American University, and from 1948 to 1950, he headed the Art Department at Dumbarton College. In 1950, he received a Fulbright Fellowship for research in techniques of Etruscan Art.

Lazzari is known for his bronze busts of humanitarians, most notably Pope Paul VI, Adlai Stevenson, and Eleanor Roosevelt. Represented by the Betty Parsons Gallery in New York, he was also very active in the Washngton, D.C. art community, where he was represented by the Caresse Crosby Gallery.

Pietro Lazzari died on May 1, 1979 in Bethesda, Maryland.
Related Material:
Also found in the Archives of American Art is one sound tape reel of a transcribed interview with Pietro Lazzari, conducted by Harlan Phillips in 1964.
Provenance:
The Pietro Lazzari papers were donated to the Archives of American Art in 1989 by Evelyn C. Lazzari, widow of Pietro Lazzari, and in 1998 by her estate.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Portrait sculpture, American -- Washington (D.C.)  Search this
Works of art  Search this
Muralists -- Washington (D.C.)  Search this
Sculpture, American -- Washington (D.C.)  Search this
Sculptors -- Washington (D.C.)  Search this
Genre/Form:
Prints
Sketchbooks
Photographs
Slides (photographs)
Motion pictures (visual works)
Paintings
Citation:
Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lazzpiet
See more items in:
Pietro Lazzari papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c1076b1d-cfcb-4c35-82b7-058eb79dc787
EDAN-URL:
ead_collection:sova-aaa-lazzpiet
Online Media:

[Senator John F. Kennedy and Jacqueline Kennedy at Howard University during presidential campaign] [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University  Search this
Kennedy, John F. (John Fitzgerald), 1917-1963  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet, 4" X 5".)
Container:
Box 72
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
October 1960
Scope and Contents:
No ink on negative. John F. Kennedy greeting a man standing next to Jackie Kennedy. "KODAK - - SAFETY - - FILM" edge imprint. Unnumbered. No Scurlock No.
Exhibitions Note:
Image reproduced in companion book to following exhibit: "The Scurlock Studio and Black Washington: Picturing the Promise," NMAAHC Gallery, NMAH, January 30 - November 15, 2009.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Presidential candidates  Search this
Presidents -- United States -- Election.  Search this
Genre/Form:
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e9b668c2-22b5-46ef-8d09-c28019d50b4d
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2291
Online Media:

First Ladies Gowns, Jacqueline Kennedy

Author:
Unknown  Search this
Subject:
Onassis, Jacqueline Kennedy 1929-1994  Search this
National Museum of American History (U.S.) (NMAH)  Search this
National Collections  Search this
Physical description:
Color: Black and White; Size: 8 x 10; Type of Image: Object; Medium: Photographic print
Type:
Photographic print
Object
Place:
United States
Date:
c. 1960s
Topic:
Clothing and dress  Search this
Costumes  Search this
Exhibitions  Search this
First Ladies Gowns  Search this
Gifts  Search this
Museum mannequins  Search this
Mannequins (figures)  Search this
Presidents' spouses  Search this
Women--History  Search this
Standard number:
50202 or MAH-50202
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_9741

In the Russian style / edited by Jacqueline Onassis, with the cooperation of the Metropolitan Museum of Art ; introd. by Audrey Kennett ; designed by Bryan Holme

Author:
Onassis, Jacqueline Kennedy 1929-1994  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Physical description:
184 pages : illustrations ; 29 cm
Type:
Books
Biography
Biographies
History
Place:
Russia
Date:
1976
1533-1917
Topic:
Nobility  Search this
Costume--History  Search this
Costume  Search this
Courts and courtiers  Search this
Kings and rulers  Search this
Manners and customs  Search this
Court and courtiers  Search this
Social life and customs  Search this
Soviet Union  Search this
Call number:
DK32.3 .I5 1976X
DK32.3.I5 1976X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_86795

First Ladies Hall, NMHT

Author:
Unknown  Search this
Subject:
Coolidge, Grace Goodhue 1879-1957  Search this
Eisenhower, Mamie Doud 1896-  Search this
Harding, Florence Kling  Search this
Hoover, Lou Henry  Search this
Truman, Bess Wallace  Search this
Onassis, Jacqueline Kennedy 1929-1994  Search this
Johnson, Lady Bird 1912-  Search this
Nixon, Pat 1912-  Search this
First Ladies Hall  Search this
National Museum of American History (U.S.) (NMAH)  Search this
National Museum of History and Technology (U.S.)  Search this
National Collections  Search this
Physical description:
Color: Black and White; Size: 10w x 8h; Type of Image: Exhibit; Medium: Photographic print
Type:
Photographic print
Exhibit
Place:
United States
Date:
1972
Topic:
Artifacts  Search this
Clothing and dress  Search this
Costumes  Search this
Exhibitions  Search this
First Ladies Gowns  Search this
Gifts  Search this
Mannequins (figures)  Search this
Museum mannequins  Search this
Presidents' spouses  Search this
Women--History  Search this
Standard number:
72-7078
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_9340

First Ladies Gowns

Author:
Unknown  Search this
Subject:
Harding, Florence Kling  Search this
Hoover, Lou Henry  Search this
Coolidge, Grace Goodhue 1879-1957  Search this
Roosevelt, Eleanor 1884-1962  Search this
Truman, Bess Wallace  Search this
Eisenhower, Mamie Doud 1896-  Search this
Johnson, Lady Bird 1912-  Search this
Onassis, Jacqueline Kennedy 1929-1994  Search this
Nixon, Pat 1912-  Search this
First Ladies Hall  Search this
National Museum of History and Technology (U.S.)  Search this
National Museum of American History (U.S.) (NMAH)  Search this
National Collections  Search this
First Ladies Exhibit  Search this
Physical description:
Number of Images: 1 Color: Color Size: 10w x 8h Type of Image: Exhibit Medium: Photographic print
Type:
Photographic print
Exhibit
Place:
United States
Date:
1972
Topic:
Artifacts  Search this
Chandeliers  Search this
Clothing and dress  Search this
Costumes  Search this
Exhibitions  Search this
First Ladies Gowns  Search this
Gifts  Search this
Mannequins (figures)  Search this
Museum exhibits  Search this
Museum mannequins  Search this
Piano  Search this
Presidents' spouses  Search this
Women--History  Search this
Standard number:
SIA2010-3412 or 72-7078-CN
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_11427

Jacqueline Kennedy Onassis at National Museum of Natural History

Author:
Ploskonka, Jeffrey  Search this
Subject:
Onassis, Jacqueline Kennedy 1929-1994  Search this
National Museum of Natural History (U.S.)  Search this
Physical description:
Color: Black and White; Size: 10w x 8h; Type of Image: Group, candid; Medium: Photographic print
Type:
Photographic print
Group, candid
Place:
India
Date:
1985
Topic:
Celebrities and Dignitaries  Search this
Exhibitions  Search this
First ladies  Search this
Presidents' spouses  Search this
Celebrities  Search this
Standard number:
85-10472-20
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_8936

Architectural History of the Renwick Gallery of Art, 1859

Subject:
Jacobson, Hugh Newell  Search this
Corcoran, W. W (William Wilson) 1798-1888  Search this
Herman, Lloyd E  Search this
Onassis, Jacqueline Kennedy 1929-1994  Search this
Renwick, James 1818-1895  Search this
Renwick Gallery  Search this
Pennsylvania Avenue Development Corporation  Search this
Corcoran Gallery of Art Early History  Search this
Corcoran Gallery of Art  Search this
Type:
Second Empire
Place:
Washington (D.C.)
United States
Date:
1859-1873
Civil War, 1861-1865
Topic:
Museum architecture  Search this
Architecture--Conservation and restoration  Search this
Museum buildings  Search this
Architecture  Search this
Historic buildings  Search this
Architecture--Washington (D.C.)  Search this
Buildings--Conservation and restoration  Search this
History  Search this
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14439

Lady Bird Johnson Visits First Ladies Hall

Author:
Unknown  Search this
Subject:
Carmichael, Leonard 1898-1973  Search this
Eisenhower, Mamie Doud 1896-  Search this
Johnson, Lady Bird 1912-  Search this
Onassis, Jacqueline Kennedy 1929-1994  Search this
Roosevelt, Eleanor 1884-1962  Search this
Truman, Bess Wallace  Search this
Arts and Industries Building  Search this
National Museum of American History (U.S.) (NMAH)  Search this
United States National Museum  Search this
National Collections  Search this
First Ladies Exhibit  Search this
Physical description:
Color: Black and White; Size: 8w x 10h; Type of Image: Event; Medium: Photographic print
Type:
Photographic print
Place:
United States
Date:
November 15, 1962
Topic:
Artifacts  Search this
Chandeliers  Search this
Clothing and dress  Search this
Costumes  Search this
Exhibitions  Search this
Fireplace  Search this
First Ladies Gowns  Search this
Mannequins (figures)  Search this
Museum mannequins  Search this
Museum visitors  Search this
Presidents' spouses  Search this
Secretaries  Search this
Special events  Search this
Women--History  Search this
Standard number:
MAH50700
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_9980

First Ladies Gowns

Author:
Unknown  Search this
Subject:
Coolidge, Grace Goodhue 1879-1957  Search this
Eisenhower, Mamie Doud 1896-  Search this
Harding, Florence Kling  Search this
Hoover, Lou Henry  Search this
Johnson, Lady Bird 1912-  Search this
Onassis, Jacqueline Kennedy 1929-1994  Search this
Roosevelt, Eleanor 1884-1962  Search this
Truman, Bess Wallace  Search this
National Collections  Search this
National Museum of History and Technology (U.S.)  Search this
National Museum of American History (U.S.) (NMAH)  Search this
First Ladies Exhibit  Search this
Physical description:
Number of Images: 1; Color: Black and white; Size: 5w x 4h; Type of Image: Exhibit; Medium: Photographic print
Type:
Photographic print
Exhibit
Place:
United States
Date:
c. 1968
Topic:
Artifacts  Search this
Chandeliers  Search this
Clothing and dress  Search this
Costumes  Search this
Exhibitions  Search this
First Ladies Gowns  Search this
Gifts  Search this
Mannequins (figures)  Search this
Museum mannequins  Search this
Piano  Search this
Presidents' spouses  Search this
Women--History  Search this
Standard number:
SIA2010-3415 or P65460G or MAH-P65460G
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_11426

Eloise and Otto Spaeth papers

Creator:
Spaeth, Eloise  Search this
Spaeth, Otto, d. 1966  Search this
Names:
American Federation of Arts  Search this
Dayton Art Institute  Search this
Spaeth Foundation  Search this
UNESCO  Search this
Brook, Alexander, 1898-1980  Search this
Calder, Alexander, 1898-1976  Search this
Congdon, William, 1912-1998  Search this
Girard, André  Search this
Hopper, Edward, 1882-1967  Search this
Kennedy, John F. (John Fitzgerald), 1917-1963  Search this
Kuhn, Walt, 1877-1949  Search this
Lipchitz, Jacques, 1891-1973  Search this
Merton, Thomas, 1915-1968  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1937-1983
Scope and Contents:
Scrapbooks, correspondence, exhibition files, photographs, and printed materials.
REEL D181: Scrapbooks containing correspondence, clippings, reviews, and photographs relating to the Dayton Art Institute and to the Religious Art Exhibition held there in 1944.
REEL 63: Correspondence concerning a Spaeth Foundation commission to Jacques Lipchitz for a bronze bust of John F. Kennedy. Correspondents include Lipchitz, Jacqueline Kennedy, and Arthur Schlesinger, Jr.
REEL 1201: Correspondence concerning the Spaeth Foundation Religious Art Information Center; a Foundation prospectus; letters from Thomas Merton concerning his book on sacred art; correspondence dealing with the Annual Liturgical Congress Architectural Competition, an exhibition of architectural students' work, the Woodstock Center for Religion and Worship, and other aspects of art and religion.
REEL 1817 and scanned: Photograph of Alexander Brook taken by Peter A. Juley and Son.
UNMICROFILMED: Letters from Alexander Brook, Alexander Calder, William Congdon, Andre Girard, Edward Hopper, Walt Kuhn, Grant Wood, and others; correspondence concerning the American Federation of Arts, the Archives of American Art, Guild Hall, the Spaeth Foundation, UNESCO, and other art organizations; exhibition files of the AFA containing correspondence, printed material, and photographs; files on the "Films on Art" project developed by Otto Spaeth; correspondence and a scrapbook of Otto Spaeth concerning the Liturgical Arts Society; a scrapbook on the Spaeth's art collection; printed material and photographs used in AMERICAN ART MUSEUMS; photographs of paintings by John Singleton Copley, and other works of art and exhibition installations; Correspondence with Daniel Longwell, Harris K. Prior, and Thomas Brown Rudd regarding activities of the American Federation of Arts; Correspondence and clippings, 1963-1966, regarding the Lipchitz bust of JFK; letters, 1981-1983, from critic John Russell, and art collectors, Gertrude Schweitzer, Robert Osborn and Jean de Menil; and an exhibition catalog on Rico Lebrun, 1950; a letter to Otto Spaeth from Gala Dali regarding a loan of the painting "La Naissance du Noveau Monde," 1943; writings about Walt Kuhn, and an illustrated letter to Spaeth from Walt Kuhn.
Biographical / Historical:
Eloise O. Spaeth (1902-1998) was an art collector, writer and art patron from New York, N.Y. She and husband Otto Spaeth founded the Spaeth Foundation.
Provenance:
Material on reels 63 and 1201 lent for microfilming 1971 and 1977 by Eloise Spaeth. Unmicrofilmed material donated 1966-1988 by Spaeth. Material on reel D181 lent for filming 1965 and subsequently donated in 1977.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art and religion -- United States  Search this
Art patronage -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Busts  Search this
Identifier:
AAA.spaeeloi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw921be0383-26c1-4a5d-b7a8-0ba9d670a723
EDAN-URL:
ead_collection:sova-aaa-spaeeloi

Adam Peiperl papers

Creator:
Peiperl, Adam, 1935-  Search this
Names:
Marlborough Gallery  Search this
Borge, Victor  Search this
Brown, J. Carter (John Carter), 1934-  Search this
Getlein, Frank  Search this
Levai, Pierre  Search this
Mellon, Rachel Lambert  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Robb, Lynda Bird, 1944-  Search this
Waesche, Marilla Beth  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1968-2007
Scope and Contents:
Letters, photographs, loan agreements, printed material, and miscellany relating to Adam Peiperl's career as a kinetic artist.
Letters are from museums, galleries, and organizations and include e-mails. Included are one letter each from Jacqueline Kennedy Onassis and Lynda Johnson Robb. Photographs are of Peiperl with Frank Getlein, J. Carter Brown and Lynda Johnson Robb, Victor Borge, and Bunny Mellon, Pierre Levai and Marilla Beth Waesche with Peiperl's work installed at the Marlborough Gallery, New York City. Printed material includes magazine articles, newspaper clippings, and brochures.
Biographical / Historical:
Adam Peiperl, b. 1935, is a kinetic light sculptor, photographer, and videographer who creates sculptures by using polarized light. He also uses digital technology to create his art.
Provenance:
Donated in 2008 by Adam Peiperl.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Kinetic artists -- Washington (D.C.)  Search this
Photographers -- Washington (D.C.)  Search this
Identifier:
AAA.peipadam
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b14de90b-a1c3-45f9-8ea4-fc9424a535a1
EDAN-URL:
ead_collection:sova-aaa-peipadam

James Whitney Fosburgh papers

Creator:
Fosburgh, James Whitney, 1910-1978  Search this
Names:
White House (Washington, D.C.) -- Preservation  Search this
Kennedy, John F. (John Fitzgerald), 1917-1963  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1937-1978
Scope and Contents:
Correspondence, financial materials, exhibition materials, photographs, and printed materials.
REEL 2156: Correspondence with Jacqueline Kennedy concerning the restoration of the White House, with friends concerning Fosburgh's portrait of John F. Kennedy for the cover of LIFE magazine, with Frederick Mortimer Clapp, and concerning an alumni exhibition at Yale; general correspondence; lists of works of art and addresses; financial material; press releases and clippings regarding the White House resotration; articles by Fosburgh; a catalog for the above mentioned exhibition at Yale University; and photographs of Fosburgh and his wife.
UNMICROFILMED: Notes for lectures given by Fosburgh at the Frick Collection; notes and writings on art; and typescripts of published articles. Also included is a pilot's log book kept by Fosburgh.
Biographical / Historical:
Painter, portrait painter, and writer; New York, N.Y.
Provenance:
Donated 1981 by Leila Fosburgh Wilson, Fosburgh's sister.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Topic:
Portrait painting  Search this
Presidents -- Dwellings -- United States  Search this
Identifier:
AAA.fosbjame
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e81be051-ef00-4dc9-b38d-ebf4bc3e0f0e
EDAN-URL:
ead_collection:sova-aaa-fosbjame

Constantin Alajalov papers

Creator:
Alajalov, Constantin, 1900-1987  Search this
Names:
Bernstein, Leonard, 1918-1990  Search this
Flanner, Janet, 1892-  Search this
Nash, Ogden, 1902-1971  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Windsor, Edward, Duke of, 1894-1972  Search this
Windsor, Wallis Warfield, Duchess of, 1896-  Search this
Extent:
300 Items ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1940-1979]
Scope and Contents:
Printed biographical information; letters, notes, and telegrams from various correspondents, including the Duke and Duchess of Windsor, Jacqueline Kennedy Onassis, Ogden Nash, and Leonard Bernstein; photographs of Alajalov with others, and photographs of his works; exhibition catalogs, invitations, and announcements; a manuscript and a published copy of CONVERSATION PIECES, a book about Alajalov by Janet Flanner; and magazine articles, and clippings.
Biographical / Historical:
Painter, illustrator; New York, N.Y.
Related Materials:
Constantin Alajalov papers also at Syracuse University.
Provenance:
Donated 1980 by Constantin Alajalov.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators  Search this
Painters  Search this
Identifier:
AAA.alajcons
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928f874c4-9466-4b57-980e-737d3d6d5459
EDAN-URL:
ead_collection:sova-aaa-alajcons

Tibor de Nagy Gallery records

Creator:
Tibor de Nagy Gallery  Search this
Names:
Art Dealers Association of America  Search this
Art in America  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Institute of Arts and Letters (U.S.)  Search this
United States Information Agency  Search this
Castoro, Rosemarie  Search this
Ciarrocchi, Ray, 1933-  Search this
De Nagy, Tibor, 1908-1993  Search this
Goodnough, Robert, 1917-  Search this
Gregor, Harold, 1929-  Search this
Grooms, Red  Search this
Hirsch, Pauli  Search this
Kozloff, Joyce  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Penney, Charles Rand, 1923-2010  Search this
Reginato, Peter, 1945-  Search this
Robbin, Tony  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rose, Leatrice  Search this
Witteman-Widrig, Nancy  Search this
Extent:
43.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1941-2016
Summary:
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.
Scope and Contents:
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, a small amount of records of the Houston Branch, and exhibition announcements.

Business records include correspondence and administrative files. Business correspondence is with clients, curators, galleries, museums, colleges and universities, organizations, and publications, such as the Museum of Modern Art, Art Dealers Association, National Institute of Arts and Letters, United States Information Agency, The Hirshhorn Museum, Art News, Art in America, Pauli Hirsch, Jacqueline Kennedy, Charles Penney, Nelson Rockefeller, and many others. Correspondence concerns sales, purchases, shipping, loans, general exhibitions, publicity, events, publications and publishing, and other topics. Additional documents found within the correspondence files are purchase invoices, inquiries, shipping receipts, and photographs. Correspondence with artists is found in the Artist Files series. Administrative files concern day-to-day operations and include leases and construction documents, incorporation, insurance, art appraisals, art framing, and other general business affairs.

Exhibition files document many exhibitions held at the Gallery and include clippings and research materials, exhibition catalogs, exhibit and gallery plans, correspondence, and photographs. Some loan agreements and shipping receipts are also included.

Artist files document business affairs with individual artists and also contain collected information on artists. Typically, there are several files on each artist which may include printed materials, biographies, consignments, loans documentation, sales documentation, correspondence, photographic material, publicity, and reviews. Artists well represented among these files include Rosemarie Castoro, Ray Ciarrocchi, Robert Goodnough, Harold Gregor, Red Grooms (including a transcript of "A Conversation with Marison and Red Grooms"), Joyce Kozloff, Peter Reginato, Tony Robbin, Leatrice Rose, and Nancy Witteman-Widrig.

Financial records include incomplete runs of billing statements, expenses and cash disbursements, paid and unpaid invoices, and sales and shipping receipts. Inventory records consist primarily of index cards and/or sheets that document stock, consignments, loans, sales, and shipping.

A relatively small amount of Houston branch records include announcements, clippings, correspondence, financial information including consignments, income, invoices, and statements, photographs, publicity materials and a research file on Houston art museums.

Exhibition announcements promote the gallery's exhibitions for artists including Joe Brainard, Shirley Jaffe, Fairfield Porter, Rosemarie Castoro, Alfred Leslie, and many others.
Arrangement:
The Tibor de Nagy Gallery records are arranged into seven series.

Missing Title

Series 1: Business Records and Correpondence, 1950-1993 (10 linear feet; Boxes 1-10)

Series 2: Exhibition Files, 1941-1992 (2 linear feet; Boxes 11-12)

Series 3: Artist Files, 1956-1993 (18.6 linear feet; Boxes 13-31, 46)

Series 4: Financial and Legal Records, 1951-1984 (3.5 linear feet; Boxes 31-34)

Series 5: Inventory Records, 1952-1989 (9 linear feet; Boxes 34-43)

Series 6: Houston Branch Records, 1969-1984 (1.2 linear feet; Boxes 43-45)

Series 7: Exhibition Announcements, 1953-2016 (0.8 linear feet; Boxes 47-48)
Biographical / Historical:
One of the earliest modern art galleries in New York, Tibor de Nagy Gallery was founded in 1950 by Tibor de Nagy and John Bernard Myers. Initially the gallery featured the work of second generation Abstract Expressionists and continues to operate today with a focus on the Post War second generation New York School.

John B. Myers served as the gallery's first director and De Nagy was the business manager while continuing to work in the banking business. Early on, the gallery introduced and promoted second generation Abstract Expressionists such as Grace Hartigan and Alfred Leslie. The gallery quickly earned a reputation for promoting the work of emerging artists, including Carl Andre, Helen Frankenthaler, Jane Freilicher, Red Grooms, Fairfield Porter, and Larry Rivers, among others, giving many of them their first solo shows.

Later the gallery gained a reputation as a space for collaborative artistic ventures and organized exhibitions that combined visual imagery and poetry by several New York School poets. The gallery also published books by poets John Ashbery, Frank O'Hara, and James Schuyler, as well as a poetry newsletter entitled Semi-Colon.

In 1973 de Nagy teamed with Marvin Watson to open the Watson/deNagy Gallery in Houston, which closed in 1983. Tibor de Nagy retired from banking in 1970 and continued running the gallery until he died in 1993. The Tibor de Nagy gallery continues operating today at 724 Fifth Avenue under the direction of Andrew Arnot and Eric Brown. It also works with a number of estates, including those of Joe Brainard, Rudy Burckhardt, Donald Evans, and Jess.
Related Materials:
Among the holdings of the Archives of American Art are an oral history interview with Tibor de Nagy, March 29, 1976 conducted by Paul Cummings; the John Bernard Myers papers (which do not contain documentation of his work at the gallery); and the Watson/de Nagy Houston gallery records available only on microfilm, a small portion of which may also be duplicated in the original records described in this finding aid.
Provenance:
The records were donated by Tibor de Nagy Gallery in multiple accessions between 1993-1996 and in 2018. Additional material about the exhibition, Digital Explorations: Emerging Visions in art, 1988, donated in 2020 by one of the exhibition curators, Ligia Ercius-DiPaola.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern  Search this
Function:
Art galleries, Commercial -- New York (State)
Art galleries, Commercial -- Texas
Genre/Form:
Photographs
Citation:
Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tibode
See more items in:
Tibor de Nagy Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw946ac8606-480f-4fee-ae39-03f1093720dc
EDAN-URL:
ead_collection:sova-aaa-tibode
Online Media:

Lily Emmet Cushing papers

Creator:
Cushing, Lily Emmet, 1909-1969  Search this
Names:
Maynard Walker Gallery  Search this
Zhonghua fu nu fan gong kang E lian he hui  Search this
Bernstein, Henri  Search this
Chiang, May-ling Soong, 1897-2003  Search this
Frankfurter, Alfred M.  Search this
Graham, Katharine, 1917-  Search this
Kefauver, Nancy, 1912-1967  Search this
Kuhn, Walt, 1877-1949  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Postcards
Notebooks
Photographs
Typescripts
Paintings
Date:
1929-1972
Summary:
The papers of painter Lily Emmet Cushing date from 1929 to 1972 and measure 4.0 linear feet. Found within the papers are biographical material; letters from friends including Henri Bernstein, Alfred M. Frankfurter, Katharine Graham, Nancy Kefauver, and Walt Kuhn; personal business records including financial material concerning the Maynard Walker Gallery; notes and writings; art work; printed material; and photographs.
Scope and Content Note:
The papers of painter Lily Emmet Cushing date from 1929 to 1972 and measure 4.0 linear feet. Found within the papers are biographical material; letters from friends including Henri Bernstein, Alfred M. Frankfurter, Katharine Graham, Nancy Kefauver, and Walt Kuhn; personal business records including financial material concerning the Maynard Walker Gallery; notes and writings; art work; printed material; and photographs.

Biographical material consists primarily of address books and lists of addresses, but also includes miscellaneous resumés and a certificate of participation in the Art in the Embassies program. signed by Nancy Kefauver.

Scattered letters received by Cushing are primarily from friends including Henri Bernstein, Alfred M. Frankfurter, Katharine Graham, Nancy Kefauver, and Walt Kuhn. There are also letters concerning the Chinese Women's Anti-Aggression League that benefited the charitable and social welfare organizations of the Chinese Navy.

Personal business records include lists of art work and purchasers, price lists, financial and legal documents, and various receipts, including some for art supplies. Papers concerning the Maynard Walker Gallery include letters discussing sales, invoices, and a ledger listing sales of art work by various artists including Lily Cushing Emmet.

Notes and Writings consist of notebooks containing annotations on miscellaneous topics including household items, painting, plants, and recipes. Miscellaneous notes concern art work, fabric, and furnishings. Typescripts by others concern the genealogy of the Clark family.

Art work consists of a schematic drawing, small oil paintings on masonite, and a commercial printing block of a design by Walt Kuhn.

Printed material consists of clippings, exhibition announcements and catalogs, programs, miscellaneous brochures, picture postcards of scenes in the United States, Europe, and Mexico and of Native Americans.

Photographs are of Cushing, her daughters, her third husband Capt. Alston Boyd, friends and colleagues including Mme. Chiang Kai-Shek, various houses, travel scenes, miscellaneous plants, and of art work. There is also a photograph of Jacqueline Kennedy Onassis.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, 1953-1967 (Box 1; 14 folders)

Series 2: Letters, 1929-1972 (Box 1-2, OV 7; 1.4 linear feet)

Series 3: Personal Business Records, 1934-1969 (Box 2-3, 6; 0.8 linear feet)

Series 4: Notes and Writings, 1955-1969 (Box 3; 23 folders)

Series 5: Art Work, circa 1940 (Box 3, 6; 3 folders)

Series 6: Printed Material, 1930-1968 (Box 3, 6; 30 folders)

Series 7: Photographs, 1940-1968 (Box 3-6; 0.8 linear feet)
Biographical Note:
Lily Cushing (1909-1969) of New York City was primarily known as a painter of landscapes and still lifes of flowers.

Lily Cushing was born on January 13, 1909 in New York City, the third child of Ethel Cochrane and artist Howard Gardiner Cushing. She studied painting in the studio of Alexandre Jacovleff in Paris from 1926-1927, and with Walt Kuhn in New York City in 1929. Cushing's first solo exhibition was at the Arden Gallery in New York in 1930.

In 1929, Cushing married George Crawford Clark Jr. in Newport, Rhode Island. Following her divorce from Clark, she married William Temple Emmet, Jr. in 1932. They had two daughters, Alexandra and Lily. Cushing's second marriage also ended in divorce. In 1953, she married naval officer Alston M. Boyd in New York.

Cushing's work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, and in the private collections of Paul Mellon, John Hay Whitney, and Joseph P. Kennedy, among others.

Lily Cushing died on September 21, 1969, in Fishers Island, New York.
Separated Material:
An unrecorded number of exhibition catalogs were removed from the collection and given to the Smithsonian American Art Museum/National Portrait Gallery Art Library in 1977.
Provenance:
The Lily Emmet Cushing papers were donated in 1972 by the artist's daughters Alexandra Emmet Schlesinger and Lily Emmet West.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Landscape painting  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Postcards
Notebooks
Photographs
Typescripts
Paintings
Citation:
Lily Emmet Cushing papers, 1929-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cushlily
See more items in:
Lily Emmet Cushing papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96c1d34f2-db7f-4657-8a5b-46b489f7c54e
EDAN-URL:
ead_collection:sova-aaa-cushlily

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