3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides.
Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.
Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.
Arranged in 14 series:
Series 1: Newport Folk Festival
Series 2: Philadelphia Folk Festival
Series 3: Broadside Magazine
Series 4: -- Sing Out! -- Magazine Concerts
Series 5: Miscellaneous Concerts and People
Series 6: Festival of American Folklife
Series 7: Recording Sessions
Series 8: Instruction Book Shots
Series 9: Jazz, Blues, and Salsa Musicians
Series 10: Georgia Sea Islands
Series 11: Social Justice
Series 12: New York City Scenes
Series 13: Miscellaneous Papers and Correspondence
Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.
Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.
Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Oh Mary don't you weep ; Never wed an old man (Pete Seeger) -- Corinna (Sleepy John Estes) -- Melora ; Cod'ine (Buffy Sainte-Marie) -- La bamba ; El pastor ; I'm satisfied with my babe (Joser Feliciano) -- Yo soy negro (Rodriguez Brothers) -- The power and the glory ; Draft dodger rag (Phil Ochs) -- Tom Dooley ; Moonshine still (Frank Proffitt) -- I'm a woman ; Sadie Green ; My gal (Jim Kweskin and the Jug Band).
Track Information:
101 Oh, Mary Don't You Weep / Pete Seeger. Banjo.
102 Maids When You're Young Never Wed an Old Man / Pete Seeger. Banjo.
108 I'm Satisfied with My Babe / José Feliciano. Guitar.
201 Yo Soy Negro / Rodriguez Brothers (Musical group). Guitar.
202 The Power and the Glory / Phil Ochs. Guitar.
203 The Draft Dodger Rag / Phil Ochs. Guitar.
204 Tom Dooley / Frank Proffitt. Banjo.
205 Moonshine Still / Frank Proffitt. Banjo.
206 I'm a Woman / Jug Band.
207 Sadie Green / Jug Band.
208 My Gal / Jug Band.
Local Numbers:
FP-RINZ-LP-0356
Vanguard.9184
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1965
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), Rhode Island, United States.
General:
Program notes on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
107 Welcome Welcome Emigrante / Broadside Singers (Musical group), Buffy Sainte-Marie, Patrick Sky. Guitar.
108 Migrant's Song / Agustin Lira, Danny Valdez. Guitar.
109 The Faucets are Dripping / Malvina Reynolds. Guitar.
110 The Willing Conscript / Pete Seeger. Banjo.
111 Inez / Human Condition (Musical group), Beverly Grant. Guitar,Violin.
Local Numbers:
SF-COMM-CD-40129
Smithsonian Folkways.40129
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Smithsonian Folkways 2000
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Bonnie Dobson--Morning dew; Matt McGinn--If it wasn't for the union; Pete Seeger--Get up and go; Phil Ochs--A.M.A. song--Freedom riders; Mark Spoelstra--Times I've had; Broadside Singers---Ain't gonna give no more--Billy Sol; Pete Seeger--From way up here--Banks of Marble
Track Information:
101 Morning Dew / Bonnie Dobson. Guitar.
102 If It Wasn't for the Union / Matt McGinn. Guitar.
103 Get Up and Go / Pete Seeger. Banjo.
104 A.M.A. Song / Phil Ochs. Guitar.
105 Freedom Riders / Phil Ochs. Guitar.
106 The Times I've Had / Mark Spoelstra. Guitar.
107 Ain't Gonna Grieve No More / Broadside Singers (Musical group). Guitar.
108 Billy Sol / Broadside Singers (Musical group). Guitar.
109 From Way Up Here / Pete Seeger. Banjo.
110 Banks of Marble / Pete Seeger. Banjo.
Local Numbers:
FW-ASCH-10RR-1379
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
3 TAPES;REMASTERED FROM BROADSIDE COLLECTION OF TAPES;SONGS MIXED FROM TWO RECORDS (VOL II NOT RELEASED BUT ARTWORK EXISTS);
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
9. Len Chandler and Bernice Johnson Reagon "I'm Here to Get My Baby Out of Jail" 10. Phil Ochs "Hunger and Cold" 11. Raimon "Its Time to Say No" 12. Sis Cunningham and others "Jesse James" 13. Bobby Donaghey "Only Time Will Tell " 14. Richard Black "Very Close Friend of Mine" 15. Ernie Marrs "Plastic Jesus" 16. Mike Millius "Moon Song"
Track Information:
101 I am Going to Get My Baby Out of Jail / Len Chandler. Guitar. English language.
102 Hunger and Cold / Phil Ochs. Guitar. English language.
103 It's Time to Say No / Raimon. Guitar. Spanish language.
201 Jesse James / Sis Cunningham. Guitar. English language.
202 Only Time Will Tell / Bobby Donaghey. Guitar. English language.
203 Very Close Friend of Mine / Richard Black. Guitar. English language.
204 Plastic Jesus / Ernie Marrs and the Dixie Devils Guitar. English language.
205 Moon Song / Mike Millius. Guitar. English language.
Local Numbers:
FW-ASCH-7RR-1668
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
12. I'm Going to Say What I Have to Say 13. Color Town 14. Christmas in Kentucky 15. We Seek No Wider War 16. World Will Taste of You 17. A.M.A. Song 18. More Good Men Going Down 19. Cruel Years
Local Numbers:
FW-ASCH-7RR-2081
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Broadside Singers-- Ain't that good news--Paths of victory--Links on the chain--Faucets are dripping-Times I've had--Paths of victory--Carry it on--Freedom is a constant struggle
Track Information:
101 Ain't That Good News / Broadside Singers (Musical group), Tom Paxton. Guitar.
102 Paths of Victory / Broadside Singers (Musical group). Guitar.
103 Links on the Chain / Broadside Singers (Musical group), Phil Ochs. Guitar.
104 The Faucets are Dripping / Broadside Singers (Musical group), Tom Paxton. Guitar.
105 Times I've Had / Broadside Singers (Musical group), Phil Ochs. Guitar.
106 Paths of Victory / Broadside Singers (Musical group). Guitar.
107 Carry it On / Broadside Singers (Musical group). Guitar.
108 Freedom is a Constant Struggle / Broadside Singers (Musical group). Guitar.
Local Numbers:
FW-ASCH-10RR-3968
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1. No Christmas in Kentucky 2. We Seek No Wider War 3. Green Hills 4. Ballad of John Henry Faulk 5. If I Knew 6. A.M.A. Song 7. Time Was
Local Numbers:
FW-ASCH-7RR-3182
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The Passing of My Life 10. Spaceman 11. Changing Hands
Track Information:
101 The Passing of My Life / Phil Ochs. Guitar.
102 Spaceman / Phil Ochs. Guitar.
103 Changing Hands / Phil Ochs. Guitar.
201 Report on the 1968 Chicago Democratic Convention (with Music and reporting by Mike Nesmith) / Michael Nesmith.
Local Numbers:
FW-ASCH-5RR-5475
Date/Time and Place of an Event Note:
Recorded in: Chicago (Ill.), Illinois, New York, United States.
General:
CDR copy; copy exists in DAMS system
Michael Nesmith- radio report on 1968 Chicago Democratic Convention
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
This land is your land (Woody Guthrie) -- Irene (H. Ledbetter, A. Lomax) -- If I had a hammer (Lee Hayes-Pete Seeger) -- Time is drawing near (Gary Davis) -- Penitentiary blues (Hopkins) -- The coo-coo bird (trad.) --Better day (trad.) -- Franklin D. Roosevelt's back again (Bill Cox & Cliff Hobbs) -- Blue moon of Kentucky (B. Monroe) -- Have a feast here tonight (C. Monroe) -- Freight train (Elizabeth Cotton) -- The ballad of John Henry Faulk (Phil Ochs) -- Lafayette (Lucinda Williams) -- Gonna be an engineer (Peggy Seeger/Storm King) -- Hesitation blues (Rev. Gary Davis) -- Freedom road (words, Langston Hughes; music, Emerson Harper) --Two good men (Woody Guthrie) -- I was standing by the bedside of a neighbor (Thomas A. Dorsey) -- Pretty Saro (trad.) -- Somebody's been fooling #1 (Big Joe Williams) -- Sweet old Chicago (trad.) -- Virgo (Mary Lou Williams) -- Syl-O-Gism (Mary Lou Williams).
Track Information:
101 This Land is Your Land / Woody Guthrie. Guitar.
102 Irene (Goodnight Irene) / Lead Belly. Guitar.
103 If I Had a Hammer (Hammer Song) / Pete Seeger. Banjo.
104 Time is Drawing Near / Gary Davis. Guitar.
105 Penitentiary Blues / Lightnin' Hopkins. Guitar.
106 The Coo-Coo Bird / Clarence Ashley, Doc Watson. Guitar,Banjo.
107 The Fields Have Turned Brown / Country Gentlemen (Musical group). Guitar,Banjo,Mandolin.
108 Born 100,000 Years Ago / Cisco Houston. Guitar.
109 Black Girl (In the Pines) / Lead Belly. Guitar.
110 Long Road to Travel / Lonnie Johnson. Guitar.
111 Better Day / Brownie McGhee, Sonny Terry. Guitar,Harmonica.
112 Franklin D. Roosevelt's Back Again / New Lost City Ramblers, John Cohen, Mike Seeger. Guitar,Banjo,Fiddle.
113 Blue Moon of Kentucky / Bill Monroe. Guitar,Banjo,Mandolin.
114 Have a Feast Here Tonight / Doc Watson, Bill Monroe. Guitar,Banjo,Mandolin.
115 Freight Train / Elizabeth Cotten. Guitar.
116 The Ballad of John Henry Faulk / Phil Ochs. Guitar.
117 Lafayette / Lucinda Williams. Guitar.
118 I'm Gonna Be an Engineer / Peggy Seeger. Guitar.
119 Hesitation Blues / Dave Van Ronk. Guitar.
120 Freedom Road / Josh White. Guitar.
121 Two Good Men (Sacco and Vanzetti) / Woody Guthrie. Guitar.
122 I Was Standing by the Bedside of a Neighbor / Sweet Honey in the Rock (Musical group), Michelle Lanchester.
123 Pretty Saro / Doug Wallin, Jack Wallin.
124 Somebody's Been Fooling #1 / Big Joe Williams. Guitar.
125 Sweet Old Chicago / Roosevelt Sykes. Piano.
126 Virgo / Mary Lou Williams. Piano.
127 Syl-O-Gism / Mary Lou Williams. Piano.
Local Numbers:
FW-COMM-CD-40061
Smithsonian Folkways.40061
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Smithsonian Folkways 1996
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1. More Good Men Going Down 2. Cruel Years 3. All Will Be Silent in This Land 4. The World Will Taste of You 5. Here I Am 6. Plains of Nebrasky-O (with Eric Andersen) 7. I Should Have Known Better (w/ Eric Andersen) 8. That's the Way Its Gonna Be 9. One More Parade 10. Another Country 11. Celia 12. The Bells 13. Rivers of Blood 14. Remember Me 15. Talking Pay TV 16. Christine Keeler 17. Spanish Civil war Song 18. Hazard, Kentucky 19. Lou Marsh 20. On My Way 21. The Passing of My Life 22. Spaceman 23. I'm Gonna Say What I Have to Say 24. Color Town 25. When First Into This Country 26. Let Me Tell You I'll Be There 27. Ballad of Alfred Packer
Track Information:
101 More Good Men Going Down / Phil Ochs. Guitar.
101 Cruel Years / Phil Ochs. Guitar.
102 All Will Be Silent in This Land / Phil Ochs. Guitar.
103 The World Will Taste of You / Phil Ochs. Guitar.
104 Here I Am / Phil Ochs. Guitar.
105 Plains of Nebrasky-O / Phil Ochs, Eric Andersen. Guitar.
106 I Should Have Known Better / Phil Ochs, Eric Andersen. Guitar.
107 That's the Way It's Gonna Be / Phil Ochs. Guitar.
108 One More Parade / Phil Ochs. Guitar.
109 Another Country / Phil Ochs. Guitar.
110 Celia / Phil Ochs. Guitar.
111 The Bells / Phil Ochs. Guitar.
112 Rivers of Blood / Phil Ochs. Guitar.
113 Remember Me / Phil Ochs. Guitar.
114 Talking Pay T.V / Phil Ochs. Guitar.
115 Christine Keeler / Phil Ochs. Guitar.
116 Spanish Civil War Song / Phil Ochs. Guitar.
117 Hazard, Kentucky / Phil Ochs. Guitar.
118 The Ballad of Lou Marsh / Phil Ochs. Guitar.
119 On My Way / Phil Ochs. Guitar.
120 The Passing on My Life / Phil Ochs. Guitar.
121 Spaceman / Phil Ochs. Guitar.
122 I'm Going to Say What I Have to Say / Phil Ochs. Guitar.
123 Color Town / Phil Ochs. Guitar.
124 When First Unto This Country / Phil Ochs. Guitar.
125 Let Me Tell You I'll Be There / Phil Ochs. Guitar.
126 The Ballad of Alfred Packer / Phil Ochs. Guitar.
Local Numbers:
FP-CDR-0028
Date/Time and Place of an Event Note:
Recorded in: New York, United States, 1994.
General:
Phil Ochs- Broadside Tapes (from RR-1570, 3181, 3182)
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Phil Ochs- Broadside Tapes From RR-3182 1. No Christmas in Kentucky 2. We Seek No Wider War 3. Green Hills 4. Ballad of John Henry Faulk 5. If I Knew 6. A.M.A. Song 7. Time Was From RR-5475 9.The Passing of My Life 10. Spaceman 11. Changing Hands From RR-2081,2082 12. I'm Going to Say What I Have to Say 13. Color Town 14. Christmas in Kentucky 15. We Seek No Wider War 16. World Will Taste of You 17. A.M.A. Song 18. More Good Men Going Down 19. Cruel Years 20. Plains of Nebrasky-O (w/ Eric Andersen) 21. All Will Be Silent in This Land 22. Green Hills 23. Here I Am 24. When First Unto This Country 25. Let Me Tell You I'll Be There
Track Information:
101 No Christmas in Kentucky (RR-3182) / Phil Ochs. Guitar.
102 We Seek No Wider War (RR-3182) / Phil Ochs. Guitar.
103 Green Hills (RR-3182) / Phil Ochs. Guitar.
104 Ballad of John Henry Faulk, The (RR-3182) / Phil Ochs. Guitar.
105 If I Knew (RR-3182) / Phil Ochs. Guitar.
106 A.M.A. Song (RR-3182) / Phil Ochs. Guitar.
107 Time Was (RR-3182) / Phil Ochs. Guitar.
109 Passing of My Life, The (RR-5475) / Phil Ochs. Guitar.
110 Spaceman (RR-5475) / Phil Ochs. Guitar.
111 Changing Hands (RR-5475) / Phil Ochs. Guitar.
112 I'm Going to Say What I Have to Say (RR-2081) / Phil Ochs. Guitar.
113 Color Town (RR-2081) / Phil Ochs. Guitar.
114 No Christmas in Kentucky (RR-2081) / Phil Ochs. Guitar.
115 We Seek No Wider War (RR-2081) / Phil Ochs. Guitar.
116 World Will Taste of You, The (RR-2081) / Phil Ochs. Guitar.
117 A.M.A. Song / Phil Ochs. Guitar.
118 More Good Men Going Down / Phil Ochs. Guitar.
119 Cruel Years / Phil Ochs. Guitar.
120 Plains of Nebrasky-O / Phil Ochs, Eric Andersen. Guitar.
121 All Be Will Be Silent is This Land / Phil Ochs. Guitar.
122 Green Hills / Phil Ochs. Guitar.
123 Here I Am / Phil Ochs. Guitar.
124 When First Unto This Country / Phil Ochs. Guitar.
125 Let Me Tell You I'll Be There / Phil Ochs. Guitar.
Local Numbers:
FP-CDR-0029
Date/Time and Place of an Event Note:
Recorded in: New York, United States, 1994.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1. ACT-362 Misc. Solo Master 2. ACT-648 unknown "This is Always" SO-30 10-015A 3. from FW-RR-5475 Michael Nesmith- radio report on 1968 Chicago Democratic Convention from FW-RR-1669 Broadside Out-Takes 4. Eric Andersen "Long Troubled Road" 5. Will McLean "Tate's Hell" 6. Bob Dylan (Blind Boy Grunt) "Ballad of Emmitt Till" 7. Bob Dylan (Blind Boy Grunt) "Ballad of Donald White" 8. Peter LaFarge "Drums" From FW-RR-1668 9. Len Chandler and Bernice Johnson Reagon "I'm Here to Get My Baby Out of Jail" 10. Phil Ochs "Hunger and Cold" 11. Raimon "Its Time to Say No" 12. Sis Cunningham and others "Jesse James" 13. Bobby Donaghey "Only Time Will Tell " 14. Richard Black "Very Close Friend of Mine" 15. Ernie Marrs "Plastic Jesus" 16. Mike Millius "Moon Song"
Track Information:
101 Misc. Jazz (ACT-362).
102 This is Always (ACT-648).
103 Report on the 1968 Chicago Democratic Convention (RR-5475) / KRLA-FM, Michael Nesmith.
104 Long Troubled Road (RR-1669) / Eric Andersen. Guitar.
105 Tate's Hell (RR-1669) / Will McLean. Guitar.
106 Ballad of Emmett Till, The (RR-1669) / Blind Boy Grunt, Bob Dylan. Guitar.
107 Ballad of Donald White, The (RR-1669) / Blind Boy Grunt, Bob Dylan. Guitar.
108 Drums (RR-1669) / Peter La Farge. Guitar.
109 I Am Gonna Get My Baby Out of Jail (RR-1668) / Bernice Johnson Reagon, Len Chandler. Guitar.
110 Hunger and Cold (RR-1668) / Phil Ochs. Guitar.
111 It's Time to Say No (RR-1668) / Raimon. Guitar.
112 Ballad of Jesse James (RR-1668) / Sis Cunningham. Guitar.
113 Only Time Will Tell (RR-1668) / Bobby Donaghey. Guitar.
114 Very Close Friend of Mine (RR-1668) / Richard Black. Guitar.
115 Plastic Jesus (RR-1668) / Ernie Marrs, Bud Foote, Anna Foote Copello. Guitar.
116 Moon Song (RR-1668) / Mike Millius. Guitar.
Local Numbers:
FP-CDR-0040
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
One more parade --The Thresher --Talking Vietnam --Lou Marsh --Power and the glory --Celia --The bells --Automation song --Ballad of William Worthy --Knock on the door --Talking Cuban crisis --Bound for glory --Too many martyrs -- What's that I hear
Track Information:
101 One More Parade / Danny Kalb, Phil Ochs. Guitar.
102 The Thresher / Danny Kalb, Phil Ochs. Guitar.
103 Talking Vietnam / Danny Kalb, Phil Ochs. Guitar.
104 The Ballad of Lou Marsh / Danny Kalb, Phil Ochs. Guitar.
105 Power and the Glory / Danny Kalb, Phil Ochs. Guitar.
106 Celia / Danny Kalb, Phil Ochs. Guitar.
107 The Bells / Danny Kalb, Phil Ochs. Guitar.
201 Automation Song / Danny Kalb, Phil Ochs. Guitar.
202 Ballad of William Worthy / Danny Kalb, Phil Ochs. Guitar.
203 Knock on the Door / Danny Kalb, Phil Ochs. Guitar.
204 Talking Cuban Crisis / Danny Kalb, Phil Ochs. Guitar.
205 Bound for Glory / Danny Kalb, Phil Ochs. Guitar.
206 Too Many Martyrs / Danny Kalb, Phil Ochs. Guitar.
207 That's What I Hear / Danny Kalb, Phil Ochs. Guitar.
Local Numbers:
FP-RINZ-LP-0328
Elektra.269
Publication, Distribution, Etc. (Imprint):
New York Elektra
General:
Lyrics and biographical notes by Gordon Friesen and Agnes (Sis) Cunningham on insert. Performer(s): Protest and folk songs; Phil Ochs, principal composer, vocals, and guitar ; Danny Kalb, second guitar. Production notes: Recorded at Mastertone Recording Studios, New York City, 1964?
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
