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Oral history interview with Paulus Berensohn

Interviewee:
Berensohn, Paulus  Search this
Interviewer:
Shapiro, Mark, 1955-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bennington College -- Students  Search this
Columbia University -- Students  Search this
Goddard College -- Students  Search this
Juilliard School -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
New York Philharmonic  Search this
Pendle Hill (School : Wallingford, Pa.) -- Faculty  Search this
Penland School of Crafts -- Faculty  Search this
Swarthmore College -- Faculty  Search this
Yale University -- Students  Search this
Anderson, Ian, 1947-  Search this
Bennion, Joseph W., 1952-  Search this
Brown, Carolyn  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Callahan, Harry M.  Search this
Charlip, Remy  Search this
Cowles, Fleur  Search this
Cunningham, Merce  Search this
Dunn, Robert G.  Search this
Ekman, June  Search this
Garfinkel, Ron  Search this
Graham, Martha  Search this
Karnes, Karen, 1925-2016  Search this
Kokis, George  Search this
Mendes, Jerry  Search this
Oliver, Mary, 1935-  Search this
Peterson, Mary  Search this
Pieser, Jane  Search this
Raine, Yvonne  Search this
Richards, Mary Caroline  Search this
Stanford, Verne  Search this
Stannard, Ann  Search this
Supree, Burton  Search this
Takaezu, Toshiko  Search this
Williams, Gerald, 1926-2014  Search this
Extent:
60 Pages (Transcript)
7 Items (Sound recording: 7 sound files (4 hr., 13 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
Date:
2009 March 20-21
Scope and Contents:
An interview of Paulus Berensohn conducted 2009 March 20-21, by Mark Shapiro, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Berensohn's home and studio, in Penland, North Carolina.
Berensohn speaks of growing up in New York City and his family; his brother Lorin Bernsohn, cellist with the New York Philharmonic; his problems with dyslexia as a child and yet his interest in reading and learning; an early interest in dance and the lack of support he received from his family; his admittance into Yale University, from where he quickly removed himself to attend Goddard College in Vermont; after Goddard attending Columbia University, Juilliard, and Bennington College while studying dance; studying under both Martha Graham and Merce Cunningham; his relationship with M.C. Richards; his first teaching job at Pendle Hill in Pennsylvania that lead to teaching at Swarthmore College for four years; his want to become a production potter while living on a farm in rural Pennsylvania where he created an artist commune; working with pinched pots and moving to Penland, North Carolina to teach workshops at the Penland School of Crafts; his book, "Finding Your Way With Clay," which started as a journaling and teaching project while at Penland; his interest in book art via his interest in journaling; the importance of clay as a healing material that connects humanity and the earth and his role as an advocate for clay; his work in and travels to Australia; recent photography projects and his busy and active schedule. Berensohn also recalls Remy Charlip, June Ekman, Fleur Cowles, John Cage, Robert Dunn, Yvonne Rainer, Carolyn Brown, Mary Oliver, Karen Karnes, Burt Supree, Toshiko Takaezu, Ann Stannard, Gerry Williams, George Kokis, Joe Bennion, Bill Brown, Jane Pieser, Ron Garfinkel, Jenny Mendes, Ian Anderson, Verne Stanford, Meg Peterson, and others.
Biographical / Historical:
Paulus Berensohn (1933-2017) was a poet, ceramic artist, dancer, and educator in Penland, North Carolina. Mark Shapiro (1955- ) is executive director of Lumina Art Gallery, in New York.
General:
Originally recorded on 4 SD memory cards. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 13 min.
Related Materials:
The Archives of American Art also holds the papers of Paulus Berensohn.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Artists  Search this
Topic:
Artists' books  Search this
Ceramicists -- North Carolina -- Interviews  Search this
Clay  Search this
Communal living  Search this
Dance -- Study and teaching  Search this
Diaries -- Authorship  Search this
Dyslexia  Search this
Photography  Search this
Poets -- North Carolina -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.berens09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-berens09

Jerome Blum papers

Creator:
Blum, Jerome, 1884-1956  Search this
Names:
Anderson, Sherwood, 1876-1941  Search this
Blum, Frances, -1970  Search this
Dreiser, Theodore, 1871-1945  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Tahiti -- Description and Travel
Date:
1915-circa 1969
bulk 1919-1935
Summary:
The papers of Jerome Blum measure 3.0 linear feet and date from 1915 to circa 1969, with the bulk of the material dating from 1919 to 1935. Biographical material, correspondence, writings and notes, printed material, artwork, and photographs document the painter's personal and professional life, and extensive travels.
Scope and Content Note:
The papers of Jerome Blum measure 3.0 linear feet and date from 1915 to circa 1969, with the bulk of the material dating from 1919 to 1935. Biographical material, correspondence, writings and notes, printed material, artwork, and photographs document the painter's personal and professional life, and extensive travels.

Correspondence with friends, relatives, colleagues, publishers, galleries, museums, and collectors document Blum's personal and professional life. Noted correspondents include Sherwood Anderson and Theodore Dreiser.

Blum was an avid writer. He published several short stories, and recorded reminiscences, thoughts, and daily events in a series of notebooks. These notes were the basis for Life Answered, an unpublished autobiography (eventually, edited and completed by Frances Blum). Also included are extensive notes and writings on a variety of subjects, including his extensive travels to Tahiti. Writings by other authors consist of critical statements about Jerome Blum and some of Frances Blum's writings on Theodore Dreiser.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material, 1915-1933 (4 folders; Box 1)

Series 2: Correspondence, 1915-1966 (0.4 linear feet; Box 1)

Series 3: Writings, 1915-circa 1969 (2 linear feet; Boxes 1-3)

Series 4: Printed Material, 1916-1965 (0.3 linear feet; Box 3)

Series 5: Artwork, circa 1920-1930 (2 folders; Box 3)

Series 6: Photographs, circa 1915-1945 (6 folders; Box 3)
Biographical Note:
Jerome Blum (1884-1956) was a world traveler who found artistic inspiration while living in France and traveling to the American west, Hawaii, Japan, China, Cuba, and the South Seas (including a 10 month stay in Tahiti). Blum painted landscapes and seascapes of Southern France, and the many places he visited, as well as still lifes of exotic plants and fruits. He was living in Paris at the height of the Fauve movement and incorporated some of its ideas into his work, first inserting bold colors into his fairly conservative Post-Impressionist style. Later, he used significantly more saturated color, intense light, and bold forms.

Blum studied at the Francis J. Smith Art Academy in his native Chicago, and the Art Institute of Chicago. He went to Paris in 1906 with Lucile Swan, a sculptor and fellow student who eventually became his wife. There, he enrolled in the Ecole des Beaux-Arts for a brief period, studying with Luc Olivier Merson. Blum remained in Paris until 1910, participated in the 1909 and 1910 Salons d'Automne and received exhibition offers from Galerie Sagot, Paris, and Anderson Galleries, New York. While in France, Blum knew expatriates Jo Davidson, Arthur Dove, Samuel Halpert, Alfred Maurer, and John Marin. Halpert became a mentor of sorts, instructing him in painting Post-Impressionist landscapes, to which Blum soon added Fauvist color.

Once back in Chicago, Blum developed close friendships with writers Sherwood Anderson, Theodore Dreiser, and Ben Hecht that lasted for decades. His one-man show at Thurber's Art Gallery in 1911 received very mixed reviews--most likely it was the first time the Fauve palette was seen by Chicagoans, and most thought it too radical. When the mayor purchased a Blum painting from a 1912 Art Institute of Chicago group exhibition, the proceeds enabled Blum to visit the American west. Later that year, Blum and Lucile Swan traveled in Europe. They were married in Paris and took an extended honeymoon, continuing to travel in France until the fall of the following year.

For a period of approximately 20 years, he exhibited extensively and enjoyed critical acclaim. During his many years of foreign residence, Blum returned to the United States periodically for exhibitions and family visits. He participated in a large number of solo exhibitions and group shows in the United States and France, including: Art Institute of Chicago, Arts Club of Chicago, O'Brien Galleries, and Albert Roullier Art Galleries in Chicago; Ainslie Galleries, Brooklyn Museum, Delphic Studios, Katz Gallery, M. Knoedler and Co., Whitney Museum of American Art, and Whitney Studio Club in New York; Worcester Art Museum and Boston Art Club in Massachusetts; Montlcair Art Museum in New Jersey; Pennsylvania Academy of the Fine Arts in Philadelphia; and Galerie de la Renaissance in Paris. Blum is represented in the permanent collections of the Metropolitan Museum of Art, the Smithsonian Institution, and the Whitney Museum of American Art.

Blum returned to New York in 1924 and Lucile filed for divorce. An auction of his work was held at the Anderson Galleries that year; Augustus John, George Biddle, Chester Dale, M. Knoedler, Kraushaar Galleries, and Jo Davidson were among the successful bidders.

In 1925, he married Frances Baum, a psychiatric social worker. They settled in Dampierre, France for eight years, and during this period traveled extensively throughout the country. Always an unconventional and fiercely independent person, Blum's mental health was fragile and deteriorated markedly in the early 1930s, during which time his painting output decreased dramatically. The Blums spent part of 1934 at the MacDowell Colony in Petersborough, New Hampshire. Once his fellowship was over, they moved to Key West, Florida, where Blum became increasingly disturbed.

Blum was admitted to the Bloomingdale Hospital, a private psychiatric institution in White Plains, New York, in 1935. But after being diagnosed a "hopeless case," he was transferred to a state hospital. While hospitalized, Blum continued writing copious notes and made many appeals for release. He died at the Hudson River State Hospital, Poughkeepsie, New York, in 1956.
Separated Material:
Originals of loaned material, including typescripts of Sherwood Anderson's letters, most of Blum's Theodore Dreiser material, travel in China, scrapbooks, and drafts of portions of Life Answered - "Father and Mother," "Journal of the Last 20 Years," "Lucile," and "Marriage and Divorce" - were returned to Frances Blum after microfilming. Although this material is not technically part of the collection housed in the Archives of American Art, copies are available on microfilm reels D237 and D238.
Provenance:
The majority of the papers were donated or loaned for microfilming between 1965 and 1966 by Blum's widow, Frances Blum. A typescript copy of the final version of Life Answered was received in 1969.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Expatriate painters -- United States  Search this
Authors -- United States  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- Illinois -- Chicago  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Jerome Blum papers, 1915-circa 1969, bulk 1919-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blumjero
See more items in:
Jerome Blum papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blumjero
Online Media:

Oral history interview with Barbara Lee Smith

Interviewee:
Smith, Barbara Lee  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Northern Illinois University -- Students  Search this
Rutgers University. Institute of Jazz Studies -- Students  Search this
Adams, Renie Breskin  Search this
Andu, Tadao  Search this
Beany, Jan  Search this
Buckley, Jane  Search this
Dunnewold, Jane, 1954-  Search this
Govin, Jacquline  Search this
Howard, Constance  Search this
Hu, Mary Lee, 1943-  Search this
Itter, Diane, 1946-1989  Search this
Itter, William  Search this
James, Michael, 1949-  Search this
Jensen, Jens, 1860-1951  Search this
Karasz, Mariska, 1898-1960  Search this
King, Bucky  Search this
Krug, Barbara  Search this
Lanou, Randall  Search this
Lawry, Jean Ray  Search this
Liakos, Avra  Search this
Liakos, Dimitri  Search this
Littlejohn, Jean  Search this
Nordsforsclark, Jill  Search this
Pemberton, John, 1928-2016  Search this
Scherer, Deidre, 1944-  Search this
Stahmer, Henry  Search this
Sudduth, Billie Ruth  Search this
Terkel, Studs, 1912-2008  Search this
Timmons, Chris  Search this
Vallien, Bertil, 1938-  Search this
Extent:
6 Items (Sound recording: 6 sound files (5 hr., 21 min.))
122 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
Great Britain -- Description and Travel
Japan -- Description and Travel
New Zealand -- Description and Travel
Date:
2009 March 16-17
Scope and Contents:
An interview of Barbara Lee Smith conducted 2009 March 16-17, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Smith's home, in Gig Harbor, Washington. Smith speaks of moving around a lot with her family as a child; most of her childhood memories in Cape May, New Jersey where she recalls an early love of the ocean; playing piano from early childhood through young adulthood and its continued influence in her visual art; attending Douglass College at Rutgers University where she graduated with a home economics major; the first time she saw an Abstract Expressionist exhibition in college and the memory of those paintings; her love of color through sunsets and music; learning machine embroidery as a young mother from a Better Homes & Gardens article in the 1960s; falling in love with embroidery and learning as much as she could about the art form; being influenced by artists such as Mariska Karasz and Constance Howard; taking initiative after the Human Potential Movement and started pursuing embroidery art full time; participating in local, national and international embroidery and craft guilds; her love of historic embroideries; receiving her MFA Northern Illinois University; various techniques from her early years of making that still find their way into her work today; teaching workshops and seminars as an adult education teacher for almost 40 years; the influence of traveling to places such as Japan, Australia, New Zealand, the United Kingdom has had on her work; early abstract works in comparison to her recent, more representational work; the role maps have played in a good portion of her work; her work process and rather painterly approach to creating; the love of making and creating; the challenge and problem-solving qualities of taking commissions; writing the book, "Celebrating the Stitch" and the subsequent exhibitions that traveled around the world; the use of layering in her work to create clear layers of color; a collaborative book project with fellow artist, Jane Dunnewold; various exhibitions she has participated in and curated; her studio in Gig Harbor, Washington; relocating to Washington after 30 years in Chicago, Illinois and the influence the move had on her work. Smith also recalls Jill Nordforsclark, Randall Lanou, John Pemberton III, Jane Buckley, Jean Ray Laury, Jens Jensen, Bucky King, Henry Stahmer, Mary Lee Hu, Barbara Krug, Diane and Bill Itter, Renie Breskin Adams, Dimitri and Avra Liakos, Michael James, Chris Timmons, Studs Terkel, Bertil Vallien, Deidre Scherer, Jan Beaney, Tadao Andu, Jacquline Govin, Jean Littlejohn, and Billie Ruth Sudduth among others.
Biographical / Historical:
Barbara Lee Smith (1938- ) is a mixed media artist known for sculptural drawings constructed from fabric and lives and works in Gig Harbor, Washington.
General:
Originally recorded as 6 sound files. Duration is 5 hr., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Abstract expressionism  Search this
Decorative arts  Search this
Embroidery  Search this
Fiber artists -- Washington -- Interviews.  Search this
Human potential movement  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.smith09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smith09

Oral history interview with Walter Nottingham

Interviewee:
Nottingham, Walter, 1930-2012  Search this
Interviewer:
Owen, Carol, 1936-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Catholic Church  Search this
Cranbrook Academy of Art -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
St. Cloud State University -- Students  Search this
United States  Search this
University of Wisconsin--River Falls -- Faculty  Search this
Constantine, Mildred  Search this
Crane, Jim  Search this
Drutt, Helen Williams  Search this
Johnson, Meda  Search this
Kaufman, Glen  Search this
Knodel, Gerhardt  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Merritt, Francis Sumner, 1913-2000  Search this
Miller, Don  Search this
Moran, Lois  Search this
Nordness, Lee  Search this
Nottingham, Karron  Search this
Penning, Pauline  Search this
Ross, Shelley  Search this
Rossbach, Ed  Search this
Strengell, Marianne, 1909-1998  Search this
Extent:
29 Pages (Transcript)
4 Items (Sound recording: 4 sound files (1 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Mexico City (Mexico) -- description and travel
Date:
2002 July 14-18
Scope and Contents:
An interview of Walter Nottingham conducted 2002 July 14-18, by Carol Owen, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the studios of Idyllwild Arts, in Idyllwild, California. Nottingham speaks of his enthusiasm for basketball; being an altar boy and, as such, surrounded by beautiful fabrics at an early age; attending St. Cloud State University on the GI Bill; his teachers Jim Crane and Pauline Penning; serving as an art consultant for public schools in Jackson, Michigan; the lasting influence of an exhibition of battle flags at the Metropolitan Museum; articulating aging and decay through self-taught weaving; developing a fiber art program at University of Wisconsin, River Falls; attending Cranbrook Academy of Art and working with Glen Kaufman and Meda Johnson. He discusses specific works including his "Yahooties", that combine both his grandmother's and mother's crochet work; his trip to Mexico City on a National Endowment for the Arts grant in 1974; forming the company Off the Wall with his eldest daughter Karron and their decorative design commissions; the influence of his Catholic upbringing, oriental philosophy, and spirituality in his work; and techniques and materials. Nottingham recalls Shelly Ross, Helen Drutt, Francis Merritt, Don Miller, Lois Moran, Jack Lenor Larsen, Marianne Strengell, Mildred Constantine, Gerhardt Knodel, Lee Nordness, Ed Rossbach, and others.
Biographical / Historical:
Walter Nottingham (1930-2012) is a fiber artist from Hilo, Hawaii. Carol Owen is a fiber artist from Pittsboro, North Carolina.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Weavers -- Wisconsin -- Interviews  Search this
Self-taught artists  Search this
Topic:
Art -- Technique  Search this
Crocheting  Search this
Decorative arts  Search this
Fiber artists -- Hawaii -- Interviews  Search this
Weavers -- Hawaii -- Interviews  Search this
Weaving -- Equipment and supplies  Search this
Weaving -- Study and teaching  Search this
Weaving -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.nottin02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nottin02

Oral history interview with Richard Marquis

Interviewee:
Marquis, Richard, 1945-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tasmanian School of Art  Search this
University of California, Berkeley -- Students  Search this
University of California, Los Angeles -- Faculty  Search this
University of Washington -- Faculty  Search this
Bauer, Fred  Search this
Blakebrough, Les, 1930-  Search this
Concannon, Bill  Search this
Eubanks, John  Search this
Fine, Jody  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
Marioni, Dante, 1964-  Search this
Melchert, Jim, 1930-  Search this
Mount, Nick  Search this
Naess, Bob  Search this
Nagle, Ron  Search this
Pearson, John, 1940-  Search this
Price, Kenneth, 1935-2012  Search this
Spagnoli, Jerry  Search this
Statom, Therman, 1953-  Search this
Tagliapietra, Lino  Search this
Voulkos, Peter, 1924-2002  Search this
Wax, Jack  Search this
de Santillana, Ludovico  Search this
Extent:
9 Items (Sound recording: 9 sound files (4 hr., 57 min.), digital, wav)
81 Pages (Transcripts)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Australia -- Description and Travel
Date:
2006 September 16
Scope and Contents:
An interview of Richard Marquis conducted 2006 September 16, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Freeland, Washington.
Marquis speaks of his childhood spent moving around Arizona, Colorado, and California; his lifelong affinity for collecting objects; attending University of California, Berkeley; the influence of seeing the shows "Abstract Expressionist Ceramics" at the University of California at Irvine in 1966 and "American Sculpture of the Sixties" at Los Angeles County Museum of Art in 1967; receiving a Fulbright grant to study glassblowing in Murano, Italy; experiences at Venini Fabbrica Glass Factory in Murano; teaching experiences at University of Washington, Seattle and UCLA; traveling throughout Australia to set up glass workshops; working as artist-in-residence at Tasmanian School of Art in Hobart, Tasmania, Australia; establishing Marquis Deluxe Studios; large-scale installation collaborations with Therman Statom; the importance of teaching and sharing knowledge; the cyclical progression and diversity of his work; future plans to work less with glass and focus instead on daguerrotypes. Marquis also recalls Peter Voulkos, Ron Nagle, Marvin Lipofsky, James Melchert, Harvey K. Littleton, John Eubanks, John Pearson, Ludovico de Santillana, Lino Tagliapietra, Bob Naess, Fred Bauer, Nick Mount, Les Blakebrough, Jack Wax, Jody Fine, Therman Statom, Kenneth Price, Dante Marioni, Jerry Spagnoli, and Bill Concannon, among others.
Biographical / Historical:
Richard Marquis (1945- ) is glass artist and educator from Freeland, Washington. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Educators -- Washington (State)  Search this
Glass artists -- Washington (State)  Search this
Topic:
Decorative arts  Search this
Glass blowing and working -- Italy  Search this
Glass blowing and working -- Study and teaching  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.marqui06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marqui06

Prescott M. M. Jones papers

Creator:
Jones, Prescott M. M., 1904-1981  Search this
Names:
Federal Art Project (Alaska)  Search this
Saxild, Carl  Search this
Smith, Vernon, 1894-1969  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Place:
Alaska -- description and travel
Date:
1932-1976
Scope and Contents:
Letters, 2 diaries, a subject file, art works, printed material, and photographs primarily concern Jones' work for the WPA artist project in Alaska.
Twenty-six letters from friends and colleagues concern the exhibition of Jones' work and the WPA's activities in Alaska (1934-1953). The 2-volume diary was written during Jones' travels in Alaska (1937). A subject file on Jones' work in Alaska contains a letter from the Department of the Interior, a photograph of Jones, Vernon Smith, and Carl Saxild, a diary for June 1937, and a certificate. Other materials include 4 sales receipts (1937-1939), an annotated calendar (1954) and 26 photographs of Jones' works.
Twenty-seven drawings (1937-1976) and 31 sketchbooks (1937-1959) depict landscapes and townscapes in Alaska (1937) and Luzon Island in the Philippines (1945), among other subjects. One sketchbook contains notes on color theory and perspective (ca. 1953). Printed material consists of clippings (1933-1957), exhibition announcements and catalogs (1932-1973).
Biographical / Historical:
Painter; Boston, Massachusetts. He studied at Tufts College and participated in a WPA artist project in Alaska in 1937.
Provenance:
Donated 1982 by James M. Norton, a friend of Jones, and after Norton's death, by his estate via his brother, Richard P. Norton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Topic:
Federal aid to the arts -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.jonepres
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jonepres

Oral history interview with Harlan Butt

Interviewee:
Butt, Harlan W., 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Rhode Island School of Design -- Faculty  Search this
San Diego State University -- Faculty  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
Tyler School of Art -- Students  Search this
University of North Texas -- Faculty  Search this
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Lechtzin, Stanley, 1936-  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Pujol, Elliot  Search this
Scanga, Italo, 1932-2001  Search this
Shirk, Helen Z., 1942-  Search this
Snyder, Gary, 1930-  Search this
Staffel, Rudolf, 1911-2002  Search this
Winokur, Robert, 1933-  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
India -- description and travel
Japan -- Description and Travel
Date:
2009 July 27-28
Scope and Contents:
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.butt09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-butt09

Footage of the Falks' travel in Asia, reel 1

Creator:
Falk, Johnny, 1906-1992  Search this
Falk, Pauline  Search this
Names:
Pan American World Airways, Inc.  Search this
Baerwald, Paul, 1871-1961  Search this
Collection Creator:
Falk, Johnny, 1906-1992  Search this
Falk, Pauline  Search this
Extent:
1 Film positive (silent, 16 minutes, black and white, 16mm)
Type:
Archival materials
Film positives
Home movies
Motion pictures (visual works)
Place:
China -- Description and Travel
Philippines
Hong Kong
China
USA -- New York -- New York
Date:
1937
Scope and Contents:
One of four reels 16mm motion picture film taken during Johnny and Pauline Falk's 1937 trip to China, Korea and Japan. Kodak had only recently made color film available, so this may be the earliest color footage of many of the locations the Falks visited.
广州 厦门 汉口重庆
Biographical / Historical:
The Falks took one of the inaugural Pan Am Clipper flights to China in 1937. Myron S. (Johnny) Falk Jr., and his wife Pauline Baerwald Falk were active philanthropists, prominent Asian art collectors and were both active in the Jewish and Art communities.
0:00 - 0:39: Alameda Airport, boarding the Philippine Clipper (March 24-25); 0:39 - 0:49: Pearl Harbor, Hawaii (March 26); 0:49 - 2:49: 1. Pan American Airways Hotel at Midway / Wake Island (March 27-30); 2:49 - 4:34: Military parade of soldiers and children, Guam (March 31); 4:24 - 4:52: Manila (April 1); 4:55 - 5:47: Xiamen (April 5); 5:47 - 6:30: Hong Kong Harbor, on the boat to Kowloon (April 6); 6:30 - 6:38: Ruins of St. Paul's in Macau (April 8); 6:38 - 6:42: ? 6:42 - 7:04: Sun Yat-sen Memorial Hall, Guangzhou (April 10-11); 7:04 - 7:32: Sun Yat-sen Memorial Hall or Sun Yat-sen University, Guangzhou; 7:32 - 7:36: Hills outside of Guangzhou (April 10-12); 7:36 - 7:41: ? 7:41 - 8:09: Train from Guangzhou to Wubei on Hangkow Railroad (April 12); 8:09 - 8:11: Locals somewhere near train station between Guangzhou and Wubei (April 12); 8:12 - 8:20: Viewing Temple of the Six Banyan Trees from a distance, railroad stations along Hangkow RR (April 12); 8:20 - 8:33: Wuhan, along the Yangtze. Perhaps taken from the Chinese Customs House (April 12); 8:33 - 8:44: Nina & George Blowers, Hankou (April 13); 8:44 - 8:57: Hangkow Country Club (April 14); 8:57 - 9:06: Spectators in Hankou watching plane departure (April 15); 9:06 - 10:43: Pilot Hugh Chen preparing to fly a small Loening, views of Hankou port, Standard Oil Company, men carrying gasoline barrels (April 15); 10:43 - 11:30: Airport in Shasi District of Jingzhou, watching planes land and take off (April 15); 11:30 - 12:30: Crossing Yangtze river at Chongqing, looking out onto the mountains (April 16); 12:30 - 14:52: Taking "chairs" up into Chongqing hillside, looking out onto the hills, visited temple with many graves, looked down at Yangzi and Chongqing industry (April 16); 14:52 - 15:16: "Mr. Hamburger" or "Mr. Reuss" and Falks in Chongqing, home of a K.Z. Yang (April 17); 15:16 - 16:13: Crossing Yangzi in Chongqing on the way to Shanghai (April 17)
Local Numbers:
FSA A2002.03 4.1
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian -- Collectors and collecting  Search this
Genre/Form:
Home movies
Motion pictures (visual works)
Identifier:
FSA.A2002.03, Item FSA A2002.03 4.1
See more items in:
Pauline B. and Myron S. Falk, Jr. Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a2002-03-ref1

Oral history interview with Barbara Lee Smith, 2009 March 16-17

Interviewee:
Smith, Barbara Lee, 1938-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Adams, Renie Breskin  Search this
Andu, Tadao  Search this
Beany, Jan  Search this
Buckley, Jane  Search this
Dunnewold, Jane  Search this
Govin, Jacquline  Search this
Howard, Constance  Search this
Hu, Mary Lee  Search this
Itter, Diane  Search this
Itter, William  Search this
James, Michael  Search this
Jensen, Jens  Search this
Karasz, Mariska  Search this
King, Bucky  Search this
Krug, Barbara  Search this
Lanou, Randall  Search this
Lawry, Jean Ray  Search this
Liakos, Avra  Search this
Liakos, Dimitri  Search this
Littlejohn, Jean  Search this
Nordsforsclark, Jill  Search this
Pemberton, John  Search this
Scherer, Deidre  Search this
Stahmer, Henry  Search this
Sudduth, Billie Ruth  Search this
Terkel, Studs  Search this
Timmons, Chris  Search this
Vallien, Bertil  Search this
Northern Illinois University  Search this
Rutgers University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Place:
Australia -- description and travel
Great Britain -- Description and travel
Japan -- Description and Travel
New Zealand -- description and travel
Topic:
Abstract expressionism  Search this
Decorative arts  Search this
Embroidery  Search this
Fiber artists -- Washington -- Interviews.  Search this
Human potential movement  Search this
Record number:
(DSI-AAA_CollID)15658
(DSI-AAA_SIRISBib)282401
AAA_collcode_smith09
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282401
Online Media:

Oral history interview with Mary Lee Hu

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Cleveland Institute of Art -- Students  Search this
Cranbrook Academy of Art -- Students  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
University of Washington -- Faculty  Search this
Baldridge, Mark S., 1946-  Search this
Choo, Chunghi  Search this
Christensen, Hans, 1924-1983  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred, 1934-  Search this
Fike, Phillip G., 1927-1997  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Marshall, John, 1936-  Search this
Matsukata, Miye, 1922-1981  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti, 1940-  Search this
Extent:
8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)
163 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Afghanistan -- Description and Travel
Australia -- Description and Travel
China -- Description and Travel
Indonesia -- Description and Travel
Iran -- Description and Travel
Nepal -- Description and Travel
Ohio -- Description and Travel
Papua New Guinea -- Description and Travel
Tibet (China) -- Description and Travel
Turkey -- description and travel
Date:
2009 March 18-19
Scope and Contents:
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists -- Washington (State) -- Seattle -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hu09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hu09

Oral history interview with Merryll Saylan

Interviewee:
Saylan, Merryll B., 1936-  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Association of Woodturners  Search this
California State University, Northridge -- Students  Search this
International Turned Objects Show (1988 : Philadelphia, Pa.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles -- Students  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Woodstock School of Painting  Search this
Blunk, J. B., 1926-2002  Search this
Cooper, Michael Jean  Search this
Evans, Ralph  Search this
Foy, George  Search this
Fredell, Gail  Search this
Glaser, Jerry  Search this
Lipofsky, Marvin, 1938-2016  Search this
Maruyama, Wendy, 1952-  Search this
Rapp, Joanne  Search this
Stocksdale, Bob, 1913-2003  Search this
Stubbs, Del  Search this
Weir-Quiton, Pamela  Search this
Extent:
7 Items (Sound recording: 7 compact discs (6 hr., 9 min.), digital, 2 5/8 in.)
116 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
England -- description and travel
France -- description and travel
Guatemala -- Description and Travel
Hong Kong -- Description and Travel
Japan -- Description and Travel
Philippines -- Description and Travel
Date:
2006 May 20-June 5
Scope and Contents:
An interview of Merryll Saylan conducted 2006 May 20-June 5, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Victoria & Albert Museum, in London, England.
Saylan speaks of her childhood in Los Angeles, California; her early musical education in piano and viola; memories of World War II; her family's political views during the Cold War; meeting her first husband at UCLA; dropping out of school to move to Virginia and Georgia in fulfillment of her husband's military service; experiencing anti-Semitism in Georgia; the challenges of her eldest son's speech problems; traveling to France, Japan, Guatemala, Hong Kong and the Philippines; her interest in Japanese culture; completing her B.A. in design at UCLA and her M.A. in studio art at California State University, Northridge; anti-Vietnam sentiment on campus; early interests in environmental design; her second husband and his friends; her interest in furniture and woodworking; differing approaches to woodworking on the east and west coasts; her views on feminism and working women; her use of color and texture in woodworking; teaching experiences; popular perception of her work; receiving a grant to go to England and her involvement with English and German woodturners; the lack of collector interest in her work; forced absences from working because of illnesses; serving on the boards of the American Association of Woodturners and The Woodturning Center; her involvement in the International Turned Objects Show, the Sculpture Objects & Functional Art Biannual Exposition, and the International Turning Exchange; her thoughts on future work. Saylan also recalls George Foy, Bob Stocksdale, Michael Cooper, Pamela Weir-Quiton, Joanne Rapp, J.B. Blunk, Marvin Lipofsky, Gail Fredell, Wendy Maruyama, Ralph Evans, Del Stubbs, Jerry Glaser, and others.
Biographical / Historical:
Merryll Saylan (1936- ) is a wood artist from San Rafael, California. Glenn Adamson (1972- ) is a museum professional, in London, England.
General:
Originally recorded on 7 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Environmental engineering  Search this
Feminism and art  Search this
Furniture making  Search this
Furniture making -- Study and teaching  Search this
Turning -- Study and teaching  Search this
Women artists -- California -- Interviews  Search this
Woodwork  Search this
Woodworkers -- California -- Interviews.  Search this
World War, 1939-1945  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.saylan06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saylan06

Ljusmannens gåta : arkeologiska upplevelser i Sydöstasien / Olov Janse

Author:
Janse, Olov R. T (Olov Robert Thure) 1892-  Search this
Physical description:
253 p. : ill., plates, ports. ; 25 cm
Type:
Books
Place:
Indochina
Philippines
Date:
1959
1900-
Topic:
Philippines--Description and travel  Search this
Antiquities  Search this
Description and travel  Search this
Call number:
DS536 .J36 1959
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_688190

La découverte du paradis : Océanie : curieux, navigateurs et savants

Title:
Océanie
Author:
Association des conservateurs de la région Nord-Pas-de-Calais  Search this
Physical description:
252 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
Oceania
France
Date:
1997
Topic:
Material culture  Search this
Pacific Islanders--Antiquities--Collectors and collecting  Search this
Ethnological museums and collections  Search this
Description and travel  Search this
Antiquities  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_540329

Stanton Macdonald-Wright papers, 1907-1973

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Subject:
Russell, Morgan  Search this
Seuphor, Michel  Search this
Summerfield, Anne  Search this
Summerfield, John  Search this
Type:
Blueprints
Diaries
Essays
Travel diaries
Place:
Italy -- description and travel
Hawaii -- description and travel
Japan -- Description and Travel
Topic:
Mural painting and decoration, American -- California -- Santa Monica  Search this
Synchromism (Art)  Search this
Painting, Abstract  Search this
Color in art  Search this
Record number:
(DSI-AAA_CollID)9461
(DSI-AAA_SIRISBib)211659
AAA_collcode_macdstan
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211659
Online Media:

Stanton Macdonald-Wright papers

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Names:
Russell, Morgan, 1886-1953  Search this
Seuphor, Michel, 1901-1999  Search this
Summerfield, Anne, 1917-  Search this
Summerfield, John, 1917-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Essays
Travel diaries
Place:
Italy -- description and travel
Hawaii -- description and travel
Japan -- Description and Travel
Date:
1907-1973
Summary:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuplor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork.
Scope and Contents:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel diaries, printed materials, and artwork.

Writings consist of drafts of essays, plays, and book manuscripts. There are drafts of A Treatise on Color with palettes and color wheels, The Basis of Culture, and Macdonald-Wright's autobiography Bittersweet: An Artist's Life.

There are six diaries and numerous travel journals. One diary was written in Paris in 1909 in which Macdonald-Wright muses over the aesthetics of art and his color theories. Five additional disbound diaries cover his life from 1939-1973. Travel diaries date from 1959-1972 and cover trips to Italy, Japan, and Hawaii.

Printed material includes a copy of Les Synchromistes exhibition catalog, a newspaper clipping, and The Future of Painting by Willard Wright. Artwork consists of blueprints for Macdonald-Wright's Synchrome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913 and finally completed in the late 1950s.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1907-circa 1972 (0.5 linear feet; Box 1)

Series 2: Writings, 1920-circa 1970 (0.9 linear feet; Box 1-2)

Series 3: Diaries, 1909-1973 (1.3 linear feet; Box 2-3)

Series 4: Printed Material, 1913-1967 (0.3 linear feet; Box 3, OV 4)

Series 5: Artwork, 1969 (0.1 linear feet; Box 3, OV 4)
Biographical / Historical:
Stanton Macdonald-Wright (1890-1973) was the creator of a modernist style of painting based on pure spectral color known as chromatic abstraction or "Synchromism." He worked in New York and later primarily in Los Angeles.

Stanton Macdonald-Wright was born in 1890 in Charlottesville, Virginia. In 1900 the family moved to Santa Monica, California where they ran a seaside hotel. A few years later he took courses at the Art Students League in Los Angeles, studying under Warren T. Huges. His older brother was Willard Huntington Wright, a respected art critic who wrote Modern Painting: Its Tendency and Meaning (1915), upon which he collaborated with his younger brother Stanton, and The Future of Painting (1923), and later became a detective novelist under the name S. S. Van Dine.

At the age of seventeen, Stanton Macdonald-Wright married his first wife and moved to Paris where he immersed himself in European art and studied at the Sorbonne, the Académie Julian, the École des Beaux-Arts, and the Académie Colarossi. While in Europe he also befriended fellow American painter Morgan Russell and the two artists began working closely together. They studied with Canadian painter Percyval Tudor-Hart between 1911 and 1913 and were deeply influenced by their teacher's color theory, which connected the qualities of color to those of music. Together Macdonald-Wright and Russell developed a style of painting based on color and named it "Synchromism." They introduced their work in 1913 at the Der Neue Kuntsalon in Munich and in Paris at the Galerie Bernheim-Jeune. These exhibitions helped to establish Synchromism as an major influence in modern art well into the 1920s.

Stanton Macdonald-Wright and Morgan Russell returned to the United States eager to promote their work and theory. It was not long before the two separated, but both continued to work in the Synchromist style. Together, they held one more Synchromist exhibition in New York in 1916 which received significant critical support. Macdonald-Wright also participated in the prestigious 1916 "Forum Exhibition of Modern American Painters" in New York and exhibited his work at Alfred Stieglitz's famed 291 gallery in New York in 1917. Yet, financial success evaded him.

Macdonald-Wright moved to Santa Monica in 1918, where he taught and served as director of the Los Angeles Art Students League. In 1924 he published his instructive Treatise on Color. In 1927 he organized another joint exhibition with Morgan Russell at the Los Angeles County Museum of Art, where he also exhibited five years later. He exhibited at the Oakland Art Gallery, the California Palace of the Legion of Honor in San Francisco, Alfred Stieglitz's An American Place gallery in New York, and the Stendahl Galleries in Los Angeles. From 1935 to 1942 Macdonald-Wright served as director of the Works Progress Administration's Federal Art Project for Southern California, followed by a faculty position at the University of Southern California at Los Angeles where he taught for sixteen years.

In the late 1950s, Macdonald-Wright completed the Synchome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913.

Macdonald-Wright traveled extensively throughout the 1960s and early 1970s, spending time in Hawaii, Italy, and Japan. Macdonald-Wright married three times and died in California in 1973, at the age of 83.

This biographical note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
The Archives of American Art holds several collections related to the Stanton Macdonald-Wright papers. There is an oral interview of Stanton Macdonald-Wright conducted 1964 Apr. 13-Sept. 16, by Betty Hoag. There are also Stanton Macdonald-Wright Letters to Alan and Fanny Leslie, the Stanton Macdonald-Wright Collection of photographs, Stanton Macdonald-Wright Letters to Morgan Russell, Walter Houk Letters from Stanton Macdonald-Wright, and an Oral History of Stanton Macdonald-Wright by Jeanne M. Marshall for the Voice of America Conducted in 1967.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 1 and LA 5) including a brochure on the Santa Monica Library murals and six photographs of the panels while in Macdonald-Wright's studio. There is also a 1939 exhibition catalog for "Southern California Art Project" a master's thesis on Macdonald-Wright by Dori Jean Watson (1957), and one scrapbook of photographs, clippings, and other printed materials dating from circa 1910-1964. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Stanton Macdonald-Wright first loaned materials to the Archives of American Art for microfilming in 1964. David Nellis, a gallery owner, gave the Archives the artist's unpublished autobiography in 1978. His widow, Jean Macdonald-Wright, donated additional papers in 1995 in two seperate installments.
Restrictions:
ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Mural painting and decoration, American -- California -- Santa Monica  Search this
Synchromism (Art)  Search this
Painting, Abstract  Search this
Color in art  Search this
Genre/Form:
Blueprints
Diaries
Essays
Travel diaries
Citation:
Stanton Macdonald-Wright papers, 1907-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macdstan
See more items in:
Stanton Macdonald-Wright papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-macdstan

David Herbert papers

Creator:
Herbert, David, 1920-1995  Search this
Names:
Betty Parsons Gallery  Search this
David Herbert Gallery  Search this
Graham Gallery  Search this
Robert Fraser Gallery  Search this
Sidney Janis Gallery  Search this
Stewart Neill Gallery  Search this
Andrade, Jaime, 1931-  Search this
Berman, Aaron  Search this
Blaszko, Martin, 1920-  Search this
Blum, Irving, 1930-  Search this
Carrington, Leona  Search this
Carsman, Jon, 1944-  Search this
Cotsen, Lloyd E.  Search this
Draper, William F., 1912-  Search this
Feigen, Richard L., 1930-  Search this
Fraser, Robert  Search this
Hoffman, Martin  Search this
Hopps, Walter  Search this
Johnson, Ray, 1927-  Search this
Kelly, Ellsworth, 1923-  Search this
Kline, Franz, 1910-1962  Search this
Lukin, Sven  Search this
McKelvy, Douglas  Search this
Merck, Josephine  Search this
Namuth, Hans  Search this
Negret, Edgar, 1920-2012  Search this
Nevelson, Louise, 1899-1988  Search this
Ossorio, Alfonso, 1916-1990  Search this
Padovano, Anthony  Search this
Ramirez, Eduardo  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Leon Polk, 1906-1996  Search this
Sorel, Paul  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
5.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Greece -- description and travel
Ecuador -- Description and Travel
Puerto Rico -- description and travel
Japan -- Description and Travel
Iwo Jima (Japan)
Date:
circa 1909-1996
bulk 1945-1995
Summary:
The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.
Scope and Contents:
The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

Biographical material includes address books and calendars, educational records, records of Herbert's military service in the United States Naval Construction Battalion in Japan, and resume's charting his career.

Correspondence is with Herbert's parents, friends, business colleagues, and artists. It includes documentation of Herbert's partnership with Richard Feigen, and his cooperative work with Irving Blum and Walter Hopps of Ferus Gallery in Los Angeles, and Robert Fraser in London. Also documented are Herbert's relationship with Jaime Andrade and Andrade's family, and a lawsuit Herbert brought against Aaron Berman relating to the ownership of an Ellsworth Kelly drawing. There are scattered letters and postcards from artists and collectors, including Martin Blaszko, Lloyd Cotsen, Martin Hoffman, Ray Johnson, Josephine Merck, Alfonso Ossorio, Paul Sorel, and Clyfford Still.

Notebooks provide brief notes on Herbert's day-to-day business dealings. Subject files, consisting primarily of printed material, document Herbert's interests in several art world figures, subjects such as ancient art, and travel to locations such as Ecuador, Puerto Rico, and Greece.

Exhibition files include installation shots and catalogs for many of the exhibitions held at the David Herbert Gallery between 1959 and 1962.

Artist files document Herbert's interest in individual artists, such as William Draper, Ellsworth Kelly, Franz Kline, Sven Lukin, Edgar Negret, Louise Nevelson, Anthony Padovano, Eduardo Ramirez, and Jeanne Reynal, through printed material, photographs of artwork, scattered artist letters, and sales documentation.

Business records document the financial details and overall goals of Herbert's various business ventures. There is a sales book for Betty Parsons Gallery and Sidney Janis Gallery; Herbert's appraisal, consignment, commission, sales, and loan records; Herbert's business plans and projections; financial statements from the David Herbert Gallery; sales records for Graham Gallery; and records of Herbert's partnership with Douglas McKelvy.

Printed material includes announcements and catalogs from galleries Herbert worked for or collaborated with, including Graham Gallery, Betty Parsons Gallery, Feigen/Herbert Gallery, Stewart Neill Gallery, and Robert Fraser Gallery. Also found are obituaries and other new clippings of interest to Herbert.

Photographs are of Herbert, family members, and friends and colleagues, including his companion, Jaime Andrade, Leona Carrington, William Draper, Jon Carsman, Hans Namuth, and Leon Polk Smith. Many are color snapshots collected in two photographs albums. Also found are photographs taken in Japan and Iwo Jima in 1945-1946 of street scenes, Naval Construction Battalion facilities, and Herbert's army colleagues and friends.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1920-circa 1995 (0.7 linear feet; Box 1)

Series 2: Correspondence, 1942-1996 (1 linear foot; Boxes 1-2)

Series 3: Notebooks, circa 1950s-circa 1995 (0.3 linear feet; Box 2)

Series 4: Subject Files, 1950s-1992 (0.4 linear feet; Boxes 2-3)

Series 5: Exhibition Files, 1959-1963 (0.25 linear feet; Box 3)

Series 6: Artist Files, 1950s-1993 (0.75 linear feet; Boxes 3-4)

Series 7: Business Records, 1950s-1992 (0.6 linear feet; Box 4)

Series 8: Printed Material, 1949-circa 1995 (1.4 linear feet; Boxes 5-7)

Series 9: Photographs, circa 1909-circa 1990 (0.4 linear feet; Box 7)
Biographical / Historical:
New York gallery owner and art dealer David Herbert (1920-1995, born David Herbert Schmerer), worked for a number of important galleries in New York, had his own eponymous gallery from 1959-1962, operated as a private dealer, and was in partnership with dealer Richard Feigen from 1962-1964.

Herbert served in the United States Naval Construction Battalion from 1943-1946 and was posted to Japan in 1945-1946. After receiving a BA in art history from Syracuse University in 1951, he worked for Betty Parsons Gallery (1951-1953) and Sidney Janis Gallery (1953-1959), selling the work of contemporary American painters and sculptors, handling publicity, and installing exhibitions.

Herbert forged strong connections with artists and collectors alike, and was instrumental in launching the careers of a number of important artists. One such artist was Ellsworth Kelly, whom he recommended to Parsons, triggering Kelly's New York career. He opened the David Herbert Gallery in 1959, with investment from Douglas McKelvy, promoting the works of artists including Willem de Kooning, Franz Kline, Jackson Pollock, and Louise Nevelson, to leading collectors and museums.

Herbert often worked in cooperation with colleagues Irving Blum and Walter Hobbs in Los Angeles, and Robert Fraser in London. After closing his gallery in 1962, Herbert entered a partnership with dealer Richand Feigen, operating the Feigen/Herbert Gallery from 1962-1964. From 1964-1969 he worked as a private dealer specializing in twentieth century works of art and serving as a consultant to collectors, museums, artists, and corporate interests. From 1969-1975 he was Director and Art Salesman of contemporary and 19th Century American Art at Graham Gallery. Herbert subsequently continued as a private dealer from 1975 until his death.

Herbert traveled extensively, visiting museums, collectors, and galleries in England, France, Italy, Greece, Spain, Colombia, Peru, Ecuador, Hawaii, and Japan. Through Edgar Negret, whom Herbert represented, he met Jaime Andrade, who became his assistant at the Feigen/Herbert Gallery in 1963. In turn Andrade shared with Herbert an interest in pre-Columbian art and contemporary Spanish and Latin America art, hosting multiple visits to his native Ecuador by Herbert and others, including artist William Draper.

Andrade served as executor of Herbert's estate, following Herbert's death in 1995.
Provenance:
The David Herbert papers were given to the Archives of American Art by Jaime Andrade, Herbert's companion, in 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Gallery owners -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
David Herbert papers, circa 1909-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.herbdavi
See more items in:
David Herbert papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-herbdavi
Online Media:

Oral history interview with Merryll Saylan, 2006 May 20-June 5

Interviewee:
Saylan, Merryll B., 1936-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Blunk, J. B.  Search this
Cooper, Michael Jean  Search this
Evans, Ralph  Search this
Foy, George  Search this
Fredell, Gail  Search this
Glaser, Jerry  Search this
Lipofsky, Marvin  Search this
Maruyama, Wendy  Search this
Rapp, Joanne  Search this
Stocksdale, Bob  Search this
Stubbs, Del  Search this
Weir-Quiton, Pamela  Search this
American Association of Woodturners  Search this
California State University, Northridge  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Woodstock School of Painting  Search this
International Turned Objects Show  Search this
Type:
Interviews
Sound recordings
Place:
England -- description and travel
France -- description and travel
Guatemala -- description and travel
Hong Kong -- description and travel
Japan -- Description and Travel
Philippines -- description and travel
Topic:
Decorative arts  Search this
Environmental engineering  Search this
Feminism and art  Search this
Furniture making  Search this
Furniture making -- Study and teaching  Search this
Turning -- Study and teaching  Search this
Women artists -- California -- Interviews  Search this
Woodwork  Search this
Woodworkers -- California -- Interviews.  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)13576
(DSI-AAA_SIRISBib)260467
AAA_collcode_saylan06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_260467
Online Media:

Oral history interview with Mary Lee Hu, 2009 March 18-19

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Baldridge, Mark S.  Search this
Choo, Chunghi  Search this
Christensen, Hans  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred  Search this
Fike, Phillip G.  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent)  Search this
Marshall, John  Search this
Matsukata, Miye  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti  Search this
American Craft Council  Search this
Cleveland Institute of Art  Search this
Cranbrook Academy of Art  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
University of Washington  Search this
Type:
Sound recordings
Interviews
Place:
Afghanistan -- Description and travel
Australia -- description and travel
China -- description and travel
Indonesia -- description and travel
Iran -- description and travel
Nepal -- description and travel
Ohio -- Description and travel
Papua New Guinea -- Description and travel
Tibet (China) -- Description and travel
Turkey -- description and travel
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists -- Washington (State) -- Seattle -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15659
(DSI-AAA_SIRISBib)282415
AAA_collcode_hu09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282415
Online Media:

The Search for Aboriginal History Off the Coast of Australia

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 03 Feb 2021 16:38:22 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_663959bc1d7fe4853a70494ddff86261

Jerome Blum papers, 1915-circa 1969, bulk 1919-1935

Creator:
Blum, Jerome, 1884-1956  Search this
Subject:
Blum, Frances  Search this
Dreiser, Theodore  Search this
Anderson, Sherwood  Search this
Type:
Photographs
Place:
Tahiti -- description and travel
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- Illinois -- Chicago  Search this
Painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9565
(DSI-AAA_SIRISBib)211766
AAA_collcode_blumjero
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211766
Online Media:

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