Search Results

Creator:

National Zoological Park (U.S.) Department of Pathology  Search this

Subject:

Montali, Richard J  Search this

Sauer, Robert M  Search this

Walsh, Timothy F  Search this

Aziz, Neel  Search this

Type:

Mixed archival materials

Date:

1971

1968-

Topic:

Veterinary pathology  Search this

Zoos  Search this

Local number:

SIA AH00235

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_221786

Landscape architect:

Oehme, Wolfgang  Search this

van Sweden, James  Search this

Oehme, van Sweden & Associates, Inc.  Search this

Architect:

Tubby, William B.  Search this

Former owner:

Tubby, William B.  Search this

Landscape designer:

Burnham, Cora  Search this

Groft, Eric  Search this

Provenance:

Hortulus Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Rosita Trinca Garden (Greenwich, Connecticut)

United States of America -- Connecticut -- Fairfield -- Greenwich

Scope and Contents:

The folder includes worksheets photocopies of articles relating to the garden, garden plans, and other information about the garden.

General:

Located on approximately two acres on a corner of a major north-south artery into Greenwich, this two and a half story Arts and Crafts home was designed by architect William B. Tubby in 1904. When the current owners purchased the home in 1992, there was considerable traffic noise from the road, a large driveway dominated the front yard which was flanked by mature American beech and Copper beach trees and a large vegetable garden was located off the kitchen at the rear of the house. In 1994, the owner hired landscape architect Wolfgang Oehme to redesign the garden. The new planting design resulted in what has been described as a "big swooping American gesture." Oehme transformed the front garden by reducing and redirecting the driveway and replacing the entire expanse of lawn with small flowering trees and shrubs, and mass plantings of grasses and perennials. A fountain by the front door now masks the sound of traffic and there are paths that lead to woodland areas. The circular gravel driveway has been redirected to the side street and is reduced in size by two-thirds. A broad walkway, composed of flagstone and decorative brickwork leads to the front door, is lined with large seasonal containers.

In the backyard, a large terrace runs across the back of the house. Grass steps lead down to the remaining bit of lawn on the property. This lawn is flanked on both sides by broad planting areas composed of birches, viburnums, ironweed, and other perennials which screen the pool from the house. The plantings also frame the "borrowed view" of the distant golf course.

The peak season of the garden is in the fall with the motion of the large ornamental grasses, Japanese anemones and other fall foliage. Spring showcases a bulb display and summer showcases the blue haze of nepeta and Russian sage. Peastone paths, flagstone walkways, stone planters, pergolas, and a lily pond combined with bare structural forms of historic and small trees ensures that winter displays the underlying structure of the garden.

Persons associated with the garden include: William B. and Clara J. Tubby (former owners, 1904-1950), Kenneth C. Towe (former owner, 1950-1943), Charles M. DuPuy, (former owner, 1953-196, William J. and Natalie W. Barron (former owners, 1960-1965), Ann S. Lanman(former owner, 1965-1988), Howard A. and Ruthann M. Silverman (former owner, 1988-1991), Arthur B. Duel (former owner, 1991-1992), William B. Tubby (architect, 1904), Cora Burnham (garden designer, 1995) James van Sweden (landscape architect, 1994), Wolfgang Oehme (landscape architect, 1994), Eric Groft (landscape designer, 1994) and Cora Burnham (landscape designer, 1995).

Related Materials:

Rosita Trinca Garden related holdings consist of 1 folder (17 digital images)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Connecticut -- Greenwich  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File CT703

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Connecticut

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb65be4b170-0c94-4765-a3d5-1a298074894d

EDAN-URL:

ead_component:sova-aag-gca-ref21516

Series Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Series Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Type:

Archival materials

Date:

1916-2014, undated

Scope and Contents:

This subseries contains photographs, copies of postings on memorial websites, obituaries, and information about Gustavo A. Archilla (1915-2012) and Elmer T. Lokkins (1919-2013), marriage equality pioneers. This subseries also contains remembrances and biographies written by their neice Christina Dean. Archilla and Lokkins met in 1945 in New York City, New York and lived together over sixty years. They were married in Canada in 2003. They were profiled in the New York Times as well as other publications. They were friends of Michael Sabatino and Robert Voorheis. They moved to Marco Island, Florida in 2010. Archilla died in 2012 and Lokkins in 2013.

Series Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

Identifier:

NMAH.AC.1146, Subseries 21.1

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 21: Sabatino, Michael and Voorheis, Robert

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep839b7cb65-4582-4c1a-9a6a-a9855003a425

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref1866

Former owner:

Douglas, Walter O.  Search this

Douglas, Margaret Bell  Search this

Peabody, Richard  Search this

Peabody, Richard, Mrs.  Search this

Colorist:

Van Altena, Edward  Search this

Creator:

Los Dos Puertos  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Aranjuez (Phoenix, Ariz.)

United States of America -- Arizona -- Maricopa County -- Phoenix

Scope and Contents:

The folder includes garden plans, garden description, pamphlet, articles, worksheet done by GCA researcher Nancy Swanson and correspondence.

General:

There are 13 large format (2 3/4" square) slides. A duplicate 35-mm slide was made for each large format slide. The large format slides are stored with the Garden Club of America, glass lantern slides.

"Aranjuez Garden, inspired by the "Aranjuez" Garden of the summer palace in Spain, was created by Mrs. Walter O. Douglas for her home in Phoenix. Mrs. Douglas, Canadian by birth, well travelled and married to an Arizona copper baron and President of the botanical gardens. Anticipating a move of residence from Mexico to Phoenix, the Douglases bought the property north of the city in the desert but with access to water, and began to plant citrus, date palms and jacaranda trees."

"Although plans were ordered from Bertram Goodhue, architect of the 1913 World's Fair in San Diego, Mrs. Douglas, herself, designed and built extensions to the original ranch house, adding a bell tower overlooking a patio with an octagonal fountain. Using the Spanish gardens as a model, she designed a reflective pool to mirror Camelback Mountain and be viewed from the living room window. At the side of the home was the formal garden, four parterres with low private hedges with a kumquat or other dwarf citrus in the center. Where the parterres met was another octagonal tiled fountain with overflow running off in each direction through small bricked trenches along the sides of the garden paths. A double row of carob trees led to the west, adding shade and elegance. For the pool area hand painted Don Quixote tiles illustrating the Cervantes tale were brought back from Spain. A three-tiered shell fountain graced the back wall. There was a cactus garden to the north of the patio."

"During the late 1950's and 1960's, many of the 160 acres were sold for development. In the late 1960's Charlotte Heuser, a local designer with taste and Southwestern flair, carved the remaining acreage around the main house and Aranjuez garden into small condominium lots and erected some twenty residences in keeping with the original building and landscaping. The reflective pool was filled in, yet the cyprus trees lining each side still provide a formal entrance for "Los Dos Puertos" as the area is now called (because of the two great wrought iron gates brought by Mrs. Douglas from Mexico). When the pool area was expanded most of the formal garden disappeared but the Quixote tiles and shell fountain were left."

Persons associated with the property include: Walter O. Douglas (former owner in 1930 to 1960's); Edward Van Altena (colorist); Margaret Bell Douglas (former owner in 1930 to 1960's); Mr. and Mrs. Richard Peabody (former owner from 1969 to 1992).

Mrs. Douglas received the GCA Achievement Medal, was past president of American Horticultural Society, served on Counsel of New York Botanical Garden and was named to Arizona Hall of Fame in 1991.

Related Materials:

Aranjuez related holdings consist of 1 folder (23 35 mm. slides. + 1 glass lantern + 13 - 2 3/4" x 2 3/4" slides, col, 3 x 5in.)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Arizona -- Phoenix  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File AZ001

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Arizona

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6072886e2-2542-4ed9-8141-621bdec4b828

EDAN-URL:

ead_component:sova-aag-gca-ref5481

Series Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Series Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Container:

Box 79

Type:

Archival materials

Photographs

Date:

1989-1998, undated

Series Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB) / 10.3: Photographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d41daaf0-69a1-45d8-b2c3-9e18daa12c6e

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref3032

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photomechanical print (003 in x 004 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 98

Type:

Archival materials

Photomechanical prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01604810

NAA MS.MS 4605

Local Note:

Black and white Photomechanical Print on Paper Mount in Album

Place:

Wyoming ? -- Laramie ?

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 98

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3fb1196ae-7fe8-4c5e-af4f-8ce84f2c90bf

EDAN-URL:

ead_component:sova-naa-ms4605-ref1302

Author:

Stejneger, Leonhard  Search this

Object Type:

Smithsonian staff publication

Year:

1888

Citation:

Stejneger, Leonhard. 1888. "Obituary Notice of Prof. Modest Bogdanow." The Auk, 5 333–334.

Identifier:

126653

ISSN:

0004-8038

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_126653

Creator:

Smithsonian Institution  Search this

Type:

YouTube Videos

Uploaded:

2009-05-20T22:00:57.000Z

YouTube Category:

People & Blogs  Search this

See more by:

SmithsonianVideos

Data Source:

Smithsonian Institution

YouTube Channel:

SmithsonianVideos

EDAN-URL:

edanmdm:yt_-kj0kO9KwWU

Creator:

Thompson, Bob, 1937-1966  Search this

Names:

Billiard Place  Search this

David Anerson Gallery  Search this

Donald Morris Gallery  Search this

Sluggs Jazz Club  Search this

The Billard Palace  Search this

Whitney Museum of American Art  Search this

Baraka, Amiri, 1934-2014  Search this

Beskind, Dorothy Levitt  Search this

Bridwell, Margaret  Search this

Covi, Dario A.  Search this

Crodel, Charles, 1894-1973  Search this

Cruz, Emilio, 1938-  Search this

Ginsberg, Allen, 1926-  Search this

Martin, Mary, 1913-  Search this

May, Mary Spencer  Search this

Ratcliff, Carter  Search this

Schapiro, Meyer, 1904-  Search this

Spellman, A. B., 1935-  Search this

Thompson, Bessie  Search this

Thompson, Carol  Search this

Wilke, Ulfert, 1907-1987  Search this

Wilson, Judith, 1952-  Search this

Young, Kenneth, 1933-  Search this

Extent:

2 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Photographs

Date:

1949-2005

Summary:

The papers of New York African American figurative painter Bob Thompson measure 2 linear feet and date from 1949 to 2005. The collection includes biographical material, videocassettes, correspondence, writings by Bob Thompson and others, exhibition files, scattered personal business records, printed material, photographs, and photograph albums. The correspondence is mostly between Carol Thompson, the artist's wife, and others concerning Bob Thompson's artwork.

Scope and Contents:

The papers of New York African American figurative painter Bob Thompson measure 2 linear feet and date from 1949 to 2005. The collection includes biographical material, videocassettes, correspondence, writings by Bob Thompson and others, exhibition files, scattered personal business records, printed material, photographs, and photograph albums. The correspondence is mostly between Carol Thompson, the artist's wife, and others concerning Bob Thompson's artwork.

Biographical material includes certificates, school memorabilia, biographical chronologies, a memorial program and obituaries, and a transcript of "Bob Thompson: His Life and Friendships" panel discussion with several notable artists commenting on Thompson. There is also a video recording copy of a 1965 film by Dorothy Levitt Beskind titled Bob Thompson Happening which was made to accompany a 1999 exhibition at the Whitney Museum of Art.

Carol Thompson's correspondence is with various galleries, dealers, and friends primarily concerning Bob Thompson's artwork and posthumous exhibitions. There is correspondence with art historian Judith Wilson, the artist's mother Bessie Thompson, David Anderson Gallery, and Donald Morris Gallery.

Writings by Bob Thompson include church speeches, a letter to the editor of Louisville Courier Journal, a poem, and an artist statement. There are also writings about Thompson by others, including his mother Bessie Thompson, wife Carol Thompson, and artists and friends, including Margaret Bridwell, Dario Covi, Carl Crodel, Emilio Cruz, Allen Ginsberg, LeRoi Jones, Mary H. Martin, Mary Spencer May, Carter Ratcliff, Meyer Schapiro, A. B. Spellman, Ulfert Wilke, and Ken Young. The writings by friends are mostly in the form of recollections by friends that were gathered as a memorial tribute to Thompson.

Exhibition files consist of material related to posthumous group and solo exhibitions of Bob Thompson's work.

The majority of the personal business records are posthumous and include inventories, loan and consignment forms, sales and appraisal records, and scattered correspondence.

Printed material includes exhibition catalogs, magazine and newspaper clippings about Bob Thompson, blank postcards of artwork, posters, and press releases.

There are photographs of Bob Thompson, family, and friends, including many artists, shot in various locations in New York City and Provincetown, as well as in Spain, France, and Italy. There are images of Thompson's Rivington Street studio, the Billiard Palace and the Slugs Jazz Club in New York City, exhibitions, events, street scenes, and artwork. There are four photographs albums, one of the Thompson's wedding, two of exhibitions (one is disbound), and one personal album with many photographs of friends and family, including the artist's mother Bessie Thompson and wife Carol Thompson.

Arrangement:

The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1953-2003 (0.2 linear feet; Box 1)

Series 2: Carol Thompson's Correspondence, 1971-2000 (0.1 linear feet; Box 1)

Series 3: Writings, 1949-1998 (0.1 linear feet; Box 1)

Series 4: Exhibition Files, 1978-2001 (0.1 linear feet; Box 1)

Series 5: Personal Business Records, 1965-2001 (0.1 linear feet; Box 1)

Series 6: Printed Material, 1960-2005 (0.7 linear feet; Boxes 1-2, 4, OV 5)

Series 7: Photographs, 1951-2000 (0.7 linear feet; Boxes 2-4)

Biographical / Historical:

Bob Thompson (1937-1966) was an African American figurative painter who worked primarily in New York City.

Thompson was born in Louisville, Kentucky in 1937. He attended Boston University as a pre-med student, but quit the program and returned to Kentucky to attend the University of Louisville and study painting under German expressionist artist Ulfert Wilke. As a student, he spent a summer in Provincetown, Massachusetts and immersed himself in the art communities there. In 1958, Thompson moved to New York City and reunited with several artists he had met in Provincetown and participated in some of the earliest "happenings," somewhat informal art events or gatherings usually involving performance art and music, in 1960. He became a regular at the jazz clubs The Five Spot and Slugs and became friends with several jazz musicians. Many of Thompson's paintings reflect his interest in jazz. He also formed friendships with writers Allen Ginsberg and LeRoi Jones. In 1960, he had his first solo exhibition at the Delancy Street Museum.

The same year as his first solo exhibition, Thompson married Carol Plenda and the couple lived in Paris from 1961-1962 after he received a Whitney Foundation fellowship. They lived in Ibiza, Spain the following year. Thompson painted prolifically while abroad, and when he returned to New York City in 1963, he brought many paintings with him. He quickly found representation by Martha Jackson Gallery and the gallery featured Thompson's work in solo exhibitions in 1963-1965. His reputation grew and more exhibitions across the country followed.

In late 1965, Thompson and his wife traveled to Rome, Italy, where he continued to study art and paint. Thompson died in Rome in 1966 at the age of 28 from a drug overdose not long after receiving gall bladder surgery.

Provenance:

The collection was donated by Elaine Plenda, the artist's sister-in-law, in 2006, 2010, 2011, and 2012.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of video recording requires advance notice. Contact Reference Services for more information.

Rights:

"Bob Thompson Happening" (1965) video: Permission to publish, quote or reproduce requires written permission from Joanne Elkin. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Topic:

African American artists  Search this

Artists' studios -- Photographs  Search this

Genre/Form:

Video recordings

Photographs

Citation:

Bob Thompson papers, 1949-2005. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.

Identifier:

AAA.thombob

See more items in:

Bob Thompson papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95cbba908-2706-4ba6-8bb0-58c271c29d62

EDAN-URL:

ead_collection:sova-aaa-thombob

Creator:

Zeigler, Lee Woodward, 1868-1952  Search this

Names:

Enoch Pratt Free Library  Search this

Federal Art Project (U.S.)  Search this

Public Works of Art Project  Search this

United States. Works Progress Administration  Search this

Bruce, Edward, 1879-1943  Search this

Cram, Ralph Adams, 1863-1942  Search this

Force, Juliana, 1876-1948  Search this

Grainger, Percy, 1882-1961  Search this

Leiber, Fritz, 1882-1949  Search this

Murray, Oscar H., 1882-1957  Search this

Osgood, Charles Grosvenor, 1871-1964  Search this

Wheeler, Joseph Lewis, 1884-  Search this

Extent:

1 Linear foot

Type:

Collection descriptions

Archival materials

Date:

1911-1968

Scope and Contents:

Biographical material, correspondence files, writings, photographs, and printed material.

Biographical material includes Zeigler's Works Progress Administration identification card, 1936, obituaries, 1952, a biographical sketch, pages from an engagement book, 1914-1917, and an address book.

Correspondence, 1920-1941, relates to Zeigler's freelance painting, mural designs for Tiffany Studios, mural commissions for churches and other public and private commissions, including the Chapel of the Transfiguration Glendale, Oh. (1927-1928), St. Michael's Church, N.Y.C. (1929); Calvary Church, Cincinnati, Oh. (1936-1937), the "Faerie Queene" murals in the Enoch Pratt Free Library, Baltimore, Md. (1933-1941); WPA-FAP projects in New York State (1933-1937), including murals for Washington Hall, West Point Military Academy, the Stony Point Battlefield Museum, Stony Point-on-the Hudson, and the Newburgh Free Academy, Newburgh. Among the correspondents are architects responsible for the designs of the buildings, such as Ralph Adams Cram and O.H. Murray, individuals associated with the execution of the projects, including Charles Osgood and Joseph L. Wheeler; and WPA adminstrators Edward Bruce and Juliana Force.

Printed material includes clippings, ca. 1910-1948, regarding Zeigler's works of art and his involvement in the war effort and local politics; exhibition catalogs and programs, ca. 1925, 1940-1968; and reproductions of Zeigler's illustrations for bookplates, Christmas cards, magazines, including Gunter's Magazine, Harper's Weekly, and Life, ca.1890-1900, and for limited edition books by such authors as Jane Austen, Honore' de Balzac, Amelia E. Barr, Theophile Gautier, Charles Kingsley, and William Stearns Davis, ca.1890-1915.

Photographs consist of three portraits of Zeigler, ca. 1930-1940, and photographs of works by him, ca.1900, 1915, 1993, and by others ca. 1900-1913. Also included are portrait of actor Fritz Leiber, ca. 1900, a snapshot of Percy and Ella Grainger, 1929.

Also included are copyrights for Zeigler's art work, 1911, 1944, 1945, 1979; an unpublished typescript of a short story by Zeigler, "Story of the Son of Roland"; a sketch of a suit of armor created by Zeigler, ca. 1945; a project file regarding a statue of "Ushabti," created by Zeigler, 1923-1924; and a guestbook from an exhibition at the Vanderbilt Galleries, 1941.

Biographical / Historical:

Illustrator, muralist; Baltimore, Md. Studied at the Maryland Institute of Art and was founding member of the Charcoal Club of Baltimore. He began his career as an illustrator and later specialized in mural painting.

Provenance:

Donated 1979 and 1994 by Audrey Z. Archer-Shee; Zeigler's daughter.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Architects  Search this

Illustrators  Search this

Muralists -- Maryland -- Baltimore  Search this

Topic:

Mural painting and decoration -- 20th century -- United States  Search this

Mural painting and decoration -- 20th century -- Maryland -- Baltimore  Search this

Mural painting and decoration, American  Search this

Church decoration and ornament -- United States  Search this

Identifier:

AAA.zeiglee

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9169e7e38-30b4-46ff-bdda-2fbc155123ec

EDAN-URL:

ead_collection:sova-aaa-zeiglee

Creator:

National Museum of Natural History (U.S.) Department of Anthropology  Search this

Subject:

Holmes, William Henry 1846-1933  Search this

Hodge, Frederick Webb 1864-1956  Search this

Mason, Otis Tufton 1838-1908  Search this

Hough, Walter 1859-1935  Search this

Setzler, Frank M (Frank Maryl) 1902-1975  Search this

Stewart, T. D (Thomas Dale) 1901-1997  Search this

Wedel, Waldo R (Waldo Rudolph) 1908-1996  Search this

Woodbury, Richard B (Richard Benjamin) 1917-  Search this

Riesenberg, Saul H  Search this

Evans, Clifford 1920-1981  Search this

Fitzhugh, William W. 1943-  Search this

Ubelaker, Douglas H  Search this

Kaeppler, Adrienne Lois  Search this

Ortner, Donald J  Search this

Rogers, J. Daniel  Search this

Arnoldi, Mary Jo  Search this

Rick, Torben C  Search this

Krupnik, Igor  Search this

Burgess, Laurie E  Search this

Potts, Richard 1953-  Search this

Type:

Mixed archival materials

Date:

1878

1879-

Topic:

Anthropology  Search this

Ethnology  Search this

Anthropologists  Search this

Local number:

SIA AH00204

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_217825

Creator:

Hirschfelder, Arlene B.  Search this

Names:

Beck, Larry, 1938-1994  Search this

Extent:

1 Sound cassette

Culture:

Chnagmiut Yup'ik  Search this

Type:

Collection descriptions

Archival materials

Sound cassettes

Date:

September 29, 1993

Summary:

This collection contains an interview with Chnagmiut Yup'ik artist Larry Beck (Lawrence James Beck; 1938-1994) conducted by Arlene Hirschfelder on September 29, 1993.

Scope and Contents:

This collection contains one audiocassette that features an interview with Chnagmiut Yup'ik sculptor Larry Beck (Lawrence James Beck; 1938-1994). Arlene Hirschfelder interviewed Beck on September 29, 1993 for a chapter in her book, American Indian Lives: Artists and Craftspeople, published by Facts On File in 1994.

Biographical / Historical:

Arlene Hirschfelder (1943-2021) was a American Indian studies scholar, author, and Indian rights advocate. An excerpt from her 2021 obituary in the Vinyard Gazette reads, "A lifelong educator, respected scholar, award-winning author and champion of Native American and children's rights, Arlene wrote and edited almost 100 nonfiction books and curricula, curated museum exhibitions and consulted with a vast array of institutions, agencies and corporations to improve their portrayal, awareness and presentation of Indigenous peoples.

She was key in debunking stereotypes and inaccurate information locally and nationally, and was considered a fearless and compassionate advocate in Indian country.

For more than two decades, she served as the scholarship director and education consultant for the Association on American Indian Affairs; her research there helped inform the Indian Child Welfare Act in 1978. Later, she was a consultant at the Smithsonian Institution, National Museum of the American Indian and a faculty member at the New School for Social Research."

The biography note below is from NMAI's Lawrence 'Larry' James Beck Papers, NMAI.AC.017.

Lawrence 'Larry' James Beck was born in Seattle, Washington on May 20, 1938. Beck's father was American and his mother was Norwegian and Yup'ik from Alaska. Larry was raised in Seattle and in 1956 graduated from Ballard High School. He then attended college at the University of Washington from1957 to 1959, where he first studied engineering. However, he decided that art was more in his future so between 1960-1961 he attended the Burnley School of Professional Art in Seattle, now known as The Art Institute of Seattle. In 1962 Larry was given the opportunity to attend the University of Arizona's Guadalajara Summer School and study art abroad. Upon his return in 1962, he resumed his studies at The University of Washington and in 1964 he earned a B.A. in painting and a M.F.A. in 1965. While at UW, Larry was taught by George Tsutakawa and Everett Du Pen and visiting New York artist Gabriel Kohn. His art reflects the influences of sculptor David Smith, Mark di Suvero and Inuit artist Gariel Kohn.

During the 1966-1967 academic year, Larry was a visiting instructor of sculpture at the University of Oregon, in Eugene. During this time Larry participated in an exhibit called the Great Northwest Sausage Company Art show. This show included artists such as Morris Yarowsky, Dan Solomon, Gertrude (Trudie) Pacific-Beck, David Cotter, John Haugse and Marcella Rawlinson. The years between 1967-1968 were spent at the University of Southampton, England as a Fine Arts Fellow. His wife at the time, Trudie also accompanied him and also studied art while in England. When Larry and Trudie returned to the States, they settled in Skagit Valley Washington.

During the late 1960s and 1970s, Larry focused on his large scale, abstract sculptures and established his reputation as a sculpture. Larry's early works were comprised of found metals and objects assembled in a lyrical but humorous manner. Larry also was apart of the Shazam Society with Tom Robbins among others, which produced performances and happenings. During 1975-1980, he installed projects for Golden Gardens Park in Seattle, Highline Community College and Boeing (King County Airport). He also worked on a piece for the Occidental Park site in Seattle, but due to circumstances of the city it was never installed.

Although Larry was not raised around his ancestral homelands, like his Mother, in the mid 1970s Larry visited the Alaskan coast. It was then that he realized he understood the Yup'ik culture. In 1973 Larry started to produce a new series of pieces called "Inukshuk", which is Inuit for sculpture presence. This term was also used for three major commissions that later followed. Larry continued to use Inuit terminology in his work. This was the first sign that Larry started to embrace his multicultural heritage in his artwork. Larry experimented with making bronze and aluminum small castings of traditional Inuit masks, but he felt uneasy that these masks represented a complete contradiction to his western art training.

After the 1980 install of the Boeing sculpture, Beck experienced what he would call his sculpture career crisis. He became disappointed with public art. This is when Larry received his calling to start working on his abstract Inuit Inua (spirit) masks. Larry embraced the idea of using the ancestral ways of his Mother's people of finding natural objects and turning them into masks or art pieces. Larry utilized this method and found contemporary objects within junkyards and hardware stores to create his contemporary Inua masks. From this time on, Larry focused the remaining years of his life working on Inua masks. He participated in shows at art galleries and loaned artwork out for traveling exhibits that where exhibited from the United Nations in Switzerland to all over the United States, including his ancestral homelands of Alaska. Also from the mid 1980s till the end of his life in 1994, he spent more time with his children.

On March 27th 1994, Larry died of a heart attack in his home in Washington. His artwork still lives on today in many museums and private collections. He turned Native American Art into something that kept historical cultural ties while also embracing a contemporary look.

Related Materials:

NMAI also holds the Lawrence 'Larry' James Beck Papers (NMAI.AC.017), as well as, sculptures by the artist (25/5423 and 25/5410).

Provenance:

Gift of Dennis Hirschfelder, 2022.

Restrictions:

This collection is closed to researchers until the media has been digitized.

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Citation:

Identification of specific item; Date (if known); Arlene Hirschfelder interview with Larry Beck, NMAI.AC.421; National Museum of the American Indian Archives Center, Smithsonian Institution.

Identifier:

NMAI.AC.421

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv46dc8be3c-ecf3-421e-8a58-39784b3890e9

EDAN-URL:

ead_collection:sova-nmai-ac-421

Measurements:

overall: 6 3/16 in x 1 7/8 in x 3 1/2 in; 15.71625 cm x 4.7625 cm x 8.89 cm

Object Name:

Vaginal Speculum

Credit Line:

Gift of The Medical and Chirurgical Faculty of the State of Maryland

ID Number:

MG.302606.017

Catalog number:

M-14146

302606.017

Accession number:

302606

See more items in:

Medicine and Science: Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ac-f2aa-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1377998

Collection Creator:

De Long, Emma Wotton, 1851-1940  Search this

Extent:

0.2 Linear feet (Box 1)

Type:

Archival materials

Date:

circa 1870-1950

Scope and Contents:

Five letters from sculptor Leonard Craske to Emma De Long concern the production and unveiling of the memorial gravesite sculpture in honor of George Washington De Long. In one letter, Craske suggests De Long contact Admiral Bird to ask advice about the unveiling of the sculpture. Also found are photocopies of clippings concerning the unveiling of the monument in 1928, a copy of Craske's obituary, and ordering information for a book about the De Long family by Thomas De Long.

Three photographs include a portrait of painter William Bradford, his wife Mary Bradford with Emma Wotton De Long, and the Bradford home in Fairhaven, Massachusetts.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Emma Wotton De Long papers, circa 1870-1950. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.deloemma, Series 1

See more items in:

Emma Wotton De Long papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b33014aa-b788-4283-9aa9-b2d7539cf52c

EDAN-URL:

ead_component:sova-aaa-deloemma-ref4

Collection Creator:

Qualls, Charles E., 1932-1984  Search this

Extent:

0.58 Linear feet

Type:

Archival materials

Date:

1941-1984

Scope and Contents note:

This series contains materials related to Mr. Qualls's commendations and education. Included are materials pertaining to his pharmaceutical activities with the Washington Pharmaceutical Association (WPA) and the National Pharmaceutical Association (NPA). The documents consist of awards and certificates, business records, diplomas, and obituaries.

Collection Restrictions:

The collection is open for unrestricted research. Use requires an appointment.

Collection Rights:

The Charles E. Qualls papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Collection Citation:

Charles E. Qualls papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of the estate of Charles E. Qualls.

Identifier:

ACMA.06-013, Series 1

See more items in:

Charles E. Qualls papers

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7af5933b8-f700-4d19-8a81-9d1353d957e9

EDAN-URL:

ead_component:sova-acma-06-013-ref13

Collection Creator:

Qualls, Charles E., 1932-1984  Search this

Container:

Box 1, Folder 5

Type:

Archival materials

Text

Date:

1984-06/1984-07

Collection Restrictions:

The collection is open for unrestricted research. Use requires an appointment.

Collection Rights:

The Charles E. Qualls papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Collection Citation:

Charles E. Qualls papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of the estate of Charles E. Qualls.

See more items in:

Charles E. Qualls papers

Charles E. Qualls papers / Series 1: Biographical

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa75a3f7984-ddea-4ecf-9ed4-1dbc7f81146b

EDAN-URL:

ead_component:sova-acma-06-013-ref18

Creator:

DeMott, Helen, 1920-1997  Search this

Names:

Art Students League (New York, N.Y.) -- Photographs  Search this

Bland, Celia  Search this

Burkhardt, Rudy  Search this

Chester, Alfred, 1928-1971  Search this

Eastman, Max, 1883-1969  Search this

Finkelstein, Miriam  Search this

Johnson, Ray, 1927-  Search this

Ponsot, Marie  Search this

Rolick, Esther G., 1922-  Search this

Schloss, Edith, 1919-  Search this

Wright, Clifford, 1919-  Search this

Extent:

7.9 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Drawings

Sketches

Watercolors

Photographs

Manuscripts

Travel diaries

Poems

Notes

Video recordings

Sound recordings

Date:

1896-1997

Summary:

The papers of painter Helen DeMott measure 7.9 linear feet and date from 1896-1997. DeMott's painting career from 1940-1996 is documented through her numerous sketchbooks and original artwork. Also found is biographical material, correspondence, writings and poems, scrapbooks, printed material, photographic material, audio and video recordings, and scattered material from collagist Ray Johnson.

Scope and Content Note:

The papers of painter Helen DeMott measure 7.9 linear feet and date from 1896-1997. DeMott's painting career from 1940-1996 is documented through her numerous sketchbooks and original artwork. Also found is biographical material, correspondence, writings and poems, scrapbooks, printed material, photographic material, audio and video recordings, and scattered material from collagist Ray Johnson.

The scattered biographical material contains official documents, DeMott's resume, circulars and receipts from the Art School of the National Academy of Design, and two obituaries. Correspondence includes letters from publishers regarding DeMott's book proposal "Geography into Landscape," correspondence with universities and scientific institutions regarding her Wave series, and personal correspondence including letters from photographer, filmmaker, and painter Rudy Burckhardt, writer Alfred Chester, painter Clifford Wright, and collagist Edith Schloss.

The bulk of the writings is DeMott's poetry, as well as some artist's statements, loose notes, a speech, travel diaries, and handwritten, typed, and edited manuscripts, including a typed manuscript of "Geography into Landscape." Writings by others include poetry by Celia Bland, Miriam Finkelstein, and Marie Ponsot. Scrapbooks document DeMott's research and artwork related to waves and includes clippings, photographs of artwork, sketches and notations, and typed notes on painting waves. Printed material includes magazine and newspaper articles about Helen DeMott and various other artists, and many articles related to water waves.

Photographic material includes black and white photographs of DeMott's artwork and personal photographs. Of interest is a 1943 photograph of a group at the Art Students League which includes Ester Rolick, Edith Schloss, Max Eastman, and Helen DeMott. Also found are slides and transparencies of artwork and slides for lectures on waves. Audiovisual Recordings include one reel-to-reel tape and five videotapes, some related to DeMott's study of waves.

There is one folder of material from collagist Ray Johnson containing scattered letters and mail art, exhibition fliers, and collages. Measuring 4.2 linear feet, the bulk of DeMott's papers are sketchbooks and original artwork spanning her artistic career. There are numerous loose sketches, notes, sketchbooks, holiday cards, watercolors, and oversized drawings in pencil, ink, and oil pastels, much of which is related to waves. Original artwork by others includes Esther Rolick and Edith Schloss.

Arrangement:

The collection is arranged into 9 series:

Missing Title

Series 1: Biographical Material, 1911-1997 (Boxes 1, 9; 7 folders)

Series 2: Letters and Correspondence, 1896, 1930-1995 (Boxes 1-2; 1.1 linear feet)

Series 3: Writings, 1950-circa 1996 (Boxes 2-3; 1.0 linear feet)

Series 4: Scrapbooks, 1967-1989 (Box 3; 2 folders)

Series 5: Printed Material, 1961-1996 (Boxes 3, 9; 0.2 linear feet)

Series 6: Photographic Material, circa 1920s-1996 (Boxes 3-4, 9; 0.8 linear feet)

Series 7: Audiovisual Recordings, 1975, 1978, undated (Box 4; 0.4 linear feet)

Series 8: Ray Johnson, 1947, 1963, undated (Box 4; 1 folder)

Series 9: Artwork, 1941-1996 (Boxes 4-9, OV 10-13; 4.2 linear feet)

Biographical Note:

Helen DeMott (1920-1997) was a New York City based painter and poet and well-known East Village community activist.

In the 1940s, DeMott attended the National Academy of Design and Art Students League. In the late 1960s, DeMott began focusing her work on the scientific study of waves, specifically the structure of water wave surfaces, a theme that remained in her work for the rest of her career. In 1974-1975, DeMott completed two building murals of water wave structures in New York City: Wave Spill, located at 155 First Avenue and 10th Street; and River Wave, at 509 Amsterdam Avenue. She had a solo exhibition at the Green Mountain Gallery in 1969, and exhibited at the ground-breaking alternative space, 112 Workshop/112 Greene Street in 1979. DeMott was received a number of grants and awards throughout her career including National Community Arts Competition winner in 1974, a grant from the New York State Council on the Arts (CAPS) in 1976, a National Endowment for the Arts Fellowship in 1978, and a Gottleib Foundation grant in 1983. She passed away in 1997.

Provenance:

The Helen DeMott papers were a bequest to the Archives of American Art in 2003 by James Goldiner, executive for the estate of Helen DeMott.

Restrictions:

The collection is open for research. Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Political activists -- New York (State) -- New York  Search this

Poets -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women authors  Search this

Genre/Form:

Scrapbooks

Drawings

Sketches

Watercolors

Photographs

Manuscripts

Travel diaries

Poems

Notes

Video recordings

Sound recordings

Citation:

Helen DeMott papers, 1896-1997. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.demohele

See more items in:

Helen DeMott papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c19f5a9b-a27a-4b38-b252-e26840f61b16

EDAN-URL:

ead_collection:sova-aaa-demohele

Collection Creator:

Huber, James, 1950-1988  Search this

Hossner, Michael, 1954-1990  Search this

Dino Vinti, 1958-1989  Search this

Container:

Box 2, Folder 39

Type:

Archival materials

Date:

1988-1989

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Huber, Michael Hossner, and Dino Vinti papers, 1950-1993. Archives of American Art, Smithsonian Institution.

See more items in:

James Huber, Michael Hossner, and Dino Vinti papers

James Huber, Michael Hossner, and Dino Vinti papers / Series 3: Dino Vinti Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw965481b81-a4f6-464c-9cff-24d0b00bb2a2

EDAN-URL:

ead_component:sova-aaa-hubejame-ref80

Creator:

Bradford, William, 1823-1892  Search this

Extent:

7 Volumes ((on 2 microfilm reels))

Type:

Collection descriptions

Archival materials

Volumes

Date:

1860-1893

Scope and Contents:

Sketchbooks and a scrapbook.

REEL 2674: Five sketchbooks, primarily seascapes from Canada, Nova Scotia, and Newfoundland.

REEL 3605: One annotated sketchbook, undated, containing mostly pencil sketches of seascapes; and a scrapbook, containing a letter, a program, a photograph, and clippings of stories, poetry, articles about Bradford's work and obituaries of family members.

Biographical / Historical:

Marine and arctic painter, photographer, and lecturer; Fairhaven, Mass. Studied under Van Beest. Made annual trips to Labrador to paint. Was an associate of the National Academy.

Provenance:

Materials on reel 2674 lent 1982 by Mrs. William Hovey, a distant relative of Bradford. Materials on reel 3605 lent by the Kendall Whaling Museum, 1985.

Restrictions:

The Archives of American art does not own the original papers. Use is limited to the microfilm copy.

Rights:

Reel 3605: Authorization to publish, quote or reproduce requires written permission from Director, Kendall Whaling Museum. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Marine painters -- Massachusetts  Search this

Topic:

Marine painting, American -- Northeastern States  Search this

Marine painting -- 19th century -- Northeastern States  Search this

Identifier:

AAA.bradwilp

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d1d4de08-76d4-4053-85b8-4b8a55f6e320

EDAN-URL:

ead_collection:sova-aaa-bradwilp

Printed by:

Unidentified  Search this

Subject of:

Samuel D. Hooker Jr., American, 1913 - 2004  Search this

Owned by:

Eddie Faye Gates, American, 1934 - 2021  Search this

Medium:

digital

Dimensions:

File size (overall): 109.3 MB

Type:

digital images

programs

digital media - born analog

Place depicted:

Tulsa, Tulsa County, Oklahoma, United States, North and Central America

Place used:

Chicago, Cook County, Illinois, United States, North and Central America

Date:

2004

Topic:

African American  Search this

American South  Search this

American West  Search this

Christianity  Search this

Communities  Search this

Families  Search this

Funeral customs and rites  Search this

Religion  Search this

Tulsa Race Massacre  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist

Object number:

2014.117.61

Restrictions & Rights:

No Known Copyright Restrictions

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Eddie Faye Gates Collection, Tulsa, Oklahoma

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5807325d2-c8cb-4607-b128-3ec8f841f5b3

EDAN-URL:

edanmdm:nmaahc_2014.117.61