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Sidney C. Woodward papers

Creator:
Woodward, Sidney C., 1890-1963  Search this
Names:
Casson Galleries  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Cady, Harrison, 1877-1970  Search this
Henri, Robert, 1865-1929  Search this
Hind, C. Lewis (Charles Lewis), 1862-1927  Search this
Kent, Rockwell, 1882-1971  Search this
La Farge, John, 1835-1910  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Oakley, Violet, 1874-1961  Search this
Pach, Walter, 1883-1958  Search this
Pennell, Elizabeth Robins, 1855-1936  Search this
Ryder, Chauncey F., 1868-1949  Search this
Woodward, Stanley Wingate, 1890-1970  Search this
Extent:
3.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1823-1963
bulk 1915-1932
Summary:
The papers of art critic, editor, and gallery director Sidney Woodward date from 1823 to 1963, bulk 1915-1932, and measure 3.5 linear feet. The majority of the collection consists of personal and professional correspondence and collected letters that pertain to Woodward's relationships with various artists, galleries, and arts organizations. Also included in this collection are two biographical documents; lecture notes and collected writings; printed material including books relating to the topic of art, exhibition catalogs, and newspaper clippings; a few personal photographs and reference photographs of paintings; and scrapbooks containing newspaper clippings, art reproductions, and printed material from the Casson Galleries.
Scope and Contents:
The papers of art critic, editor, and gallery director Sidney Woodward date from 1823 to 1963, bulk 1915-1932, and measure 3.5 linear feet. The majority of the collection consists of personal and professional correspondence and collected letters that pertain to Woodward's relationships with various artists, galleries, and arts organizations. Also included in this collection are two biographical documents; lecture notes and collected writings; printed material including books relating to the topic of art, exhibition catalogs, and newspaper clippings; a few personal photographs and reference photographs of paintings; and scrapbooks containing newspaper clippings, art reproductions, and printed material from the Casson Galleries.

Artists that Woodward corresponded with and collected letters from include Ernest L. Blumenschein, Harrison Cady, Robert Henri, C. Lewis Hind, Rockwell Kent, John La Farge, Hermann Dudley Murphy, Violet Oakley, Water Pach, Elizabeth Robins Pennell, and Chauncey Foster Ryder, among many others. A significant number of letters in this collection were sent by his brother, marine painter Stanley, during his service in both World Wars.
Arrangement:
The collection is arranged as 6 series.

Series 1: Correspondence and Collected Letters, 1823-1963 (2.2 linear feet; Box 1-3)

Series 2: Biographical Material, 1918 (1 folder; Box 3)

Series 3: Writings, circa 1880-1940 (0.1 linear feet; Box 3)

Series 4: Printed Material, circa 1880-1963 (0.4 linear feet; Box 3-4)

Series 5: Photographs, 1910s-1940s (4 folders; Box 4)

Series 6: Scrapbooks, circa 1920-1940 (0.7 linear feet; Box 5, BV 6-7)
Biographical / Historical:
Sidney C. Woodward (1890-1963) was an art critic and editor in Boston, MA. Woodward collected letters and autographs from notable artists, as well as manuscripts relating to art and theater.

Woodward was born on December 11, 1890, in Malden, Massachusetts, son of Alice E. (Colesworthy) and Frank E. Woodward. He was one of eight children and a twin of Stanley, marine painter and illustrator. Woodward was an art critic and editor for the Boston Post, Boston Herald, and Christian Science Monitor; and gallery director of Casson Galleries, and Irving & Casson's art gallery in Boston, MA.
Provenance:
A portion of the collection was purchased by the Archives of American Art from Sidney Woodward in 1963. Additional material was donated in 1975 by Mrs. Sidney C. Woodward.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists  Search this
Art critics -- Massachusetts -- Boston  Search this
Gallery directors -- Massachusetts -- Boston  Search this
Editors -- Massachusetts -- Boston  Search this
Topic:
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Sidney C. Woodward papers, 1823-1963, bulk 1915-1932. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.woodsidn
See more items in:
Sidney C. Woodward papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodsidn

Richard Murray research material regarding mural painting in the United States

Creator:
Murray, Richard N., 1942-2006  Search this
Names:
American Academy in Rome  Search this
Hotel de Ville (Paris, France)  Search this
Alexander, John White, 1856-1915  Search this
Blashfield, Edwin Howland, 1848-1936  Search this
Cox, Kenyon, 1856-1919  Search this
La Farge, John, 1835-1910  Search this
Low, Will Hicok, 1853-1932  Search this
Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this
Norton, John Warner, 1876-1934  Search this
Oakley, Violet, 1874-1961  Search this
Parrish, Maxfield, 1870-1966  Search this
Sargent, John Singer, 1856-1925  Search this
Steichen, Edward, 1879-1973  Search this
Wyeth, N. C. (Newell Convers), 1882-1945  Search this
Extent:
20.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1896-2006
bulk 1970-2006
Summary:
The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials for his life-long research on mural painting in the United States.
Scope and Contents:
The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials documenting his life-long research on mural painting in the United States.

Mural research files are organized by city, state, artist, and general mural research. The files contain photocopies of printed material, notes, photographs, and correspondence. Artists with extensive documentation include John White Alexander, Edwin Blashfield, Kenyon Cox, John LaFarge, Will H. Low, H. Siddons Mowbray, John Warner Norton, Violet Oakley, Maxfield Parrish, John Singer Sargent, Eduard Steichen, and N.C. Wyeth. Other files consist of bibliographies, a mural catalog and index, hand-drawn statistical graphs, and files on murals in Chicago, New York, and Washington, D.C.

Writings include drafts of articles "Painted Words: Murals in the Library of Congress" and "Progressive Era Murals in Chicago's Public Schools." There are also writings by others. Subject files consist of compiled notes, photographs, printed materials, and photocopies on general art related topics such as European art history and theory, art criticism, the life of an artist, the Gilded Age and Progressive Era, immigration, and decorative arts.

Photographic materials include photographs and negatives of the American Academy in Rome, the Hotel de Ville, and public and private murals throughout various cities. The series also includes two microfilm reels of the Kenyon Cox papers with an index, and a small amount of Murray's personal photographs.
Arrangement:
The collection is arranged as 4 series.

Series 1: Mural Research Files, 1896-2006 (15.2 linear feet; Boxes 1-16, OV 22)

Series 2: Writings, circa 1990s-2006 (0.4 linear feet; Box 16)

Series 3: Subject Files, 1967-2000 (1.0 linear feet; Boxes 16-17)

Series 4: Photographic Materials, 1916-2006 (3.9 linear feet; Boxes 17-21)
Biographical / Historical:
Richard Murray (1942-2006) was a curator, educator, and museum administrator in Washington, D.C.

Murray received a bachelor of arts from California State University in San Jose in 1968 and a M.A. in art history and theory from the University of Chicago in 1970. As a research fellow at the National Collection of Fine Arts (NCFA), now the Smithsonian American Art Museum, he began his dissertation research on mural paintings in the United States. Murray's research on American mural painting continued for decades. Although never officially published, the research project was titled "Hope and Memory: Mural Painting in the United States, 1876-1920." He authored numerous articles about mural painters and painting. Murray also conducted extensive research and organized exhibitions on painters Abbott Handerson Thayer and Elihu Vedder at the Smithsonian American Art Museum.

In the 1970s, Murray worked as an assistant to the NCFA director and assisted in the preparation of the seminal bicentennial exhibition entitled America as Art. From 1979 to 1983, Murray was director of the Birmingham Museum of Art in Alabama. In 1983, he returned to Washington, D.C. and served as director of the Smithsonian Institution Archives of American Art until 1987, when he accepted the position of chief curator and assistant director of the Smithsonian American Art Museum. He remained in this position until his death in 2006.
Related Materials:
Also available at the Archives of American Art is Richard Murray research material regarding Abbott Handerson Thayer, 1948-2004, bulk 1994-2001.
Separated Materials:
Research files on Abbott Handerson Thayer found within this collection were separated and filed with the AAA collection, Richard Murray research materials on Abbott Handerson Thayer, 1948-2004, bulk 1994-2001.
Provenance:
The bulk of the Richard Murray research material regarding mural painting in the United States was donated in 2006 by Murray's wife Marciela Murray. Additional files were transferred from the Smithsonian American Art Museum in 2009 and 2014 via Rachel Kase in the curatorial office.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- Washington (D.C.)  Search this
Topic:
Mural painting and decoration, American  Search this
Genre/Form:
Photographs
Citation:
Richard Murray research material regarding mural painting in the United States, 1896-2006, bulk 1970-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murrrich
See more items in:
Richard Murray research material regarding mural painting in the United States
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-murrrich
Online Media:

Elizabeth Shippen Green Elliott papers

Creator:
Elliott, Elizabeth Shippen Green  Search this
Names:
Earle, Mary Tracy, b. 1864  Search this
Green, Jasper, 1829-1910  Search this
Oakley, Violet, 1874-1961  Search this
Smith, Jessie Willcox, 1863-1935  Search this
Extent:
0.01 Items (ca. 600 items (on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1848-1947
Scope and Contents:
Scrapbooks, clippings, photograph, letters, and drawings.
REEL D10: Note to Miss Fry, 1903, from Elliott and an article, "The Red Rose" by Mary Tracy Earle, reprinted from "The Lamp," May 1903, about the studio which Elliott shared with Jesse Wilcox Smith and Violet Oakley.
REELS P4-P5: Scrapbooks, 1848-1947, containing reproductions of Elliott's illustrations from THE TIMES, LADIES HOME JOURNAL, HARPER'S WEEKLY, SATURDAY EVENING POST, WOMAN'S HOME COMPANION, GOOD HOUSEKEEPING, and other publications; clippings about Elliott; sketches; a photograph of Elliott; and 4 drawings by her father, Jasper Green.
Biographical / Historical:
Illustrator; Philadelphia, Penn. Died 1954.
Provenance:
Materials on reel D10 donated 1955-1962 by Charles E. Feinberg, an active donor and friend of AAA; materials on reels P4-P5 lent for microfilming 1954 by the Free Library of Philadelphia.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- Pennsylvania -- Philadelphia  Search this
Topic:
Women artists -- Pennsylvania -- Philadelphia  Search this
Function:
Artists' studios
Identifier:
AAA.ellieliz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ellieliz

Violet Oakley Memorial Foundation records

Creator:
Violet Oakley Memorial Foundation  Search this
Names:
Woodmere Art Gallery  Search this
Emerson, Edith, 1888-1981  Search this
Oakley, Violet, 1874-1961  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1910-1987
bulk 1961-1987
Scope and Contents:
Correspondence with artists, performers and other organizations, 1943-1984; financial records, including a membership dues account book, 1961-1972, bank statements, 1979-1985, invoices, 1973-1980, insurance forms, 1976-1983, tax records, 1965-1982, and grant records, 1971-1983; constitution and by-laws; transcripts of hearings concerning Cogslea; inventory lists, 1982-1986; documents concerning the sale of property and the transfer of material to the Pennsylvania Academy of the Fine Arts;
membership lists; attendance records, 1978-1981; lists of works by Violet Oakley; minutes and agenda from meetings, 1968-1984; and subject files containing letters and printed material concerning various museums, colleges, and galleries, including the Woodmere Art Gallery. Also included are brochures, 1910-1980; newsletters; 2 exhibition catalogs; and 21 slides of Violet Oakley's work.
Biographical / Historical:
Organized in 1962 to commemorate the life and work of mural painter Violet Oakley. Housed in Oakley's studio at Cogslea. Aim was to encourage the arts, literature, and international understanding through the presentation of lectures, exhibitions and conferences. The original officers were Edith Emerson (president), Mrs. Lloyd Van Sciver (vice-president), Theodore A. Ulrich (treasurer), and Lavinia Arant (secretary). Dissolved in 1986.
Provenance:
Donated 1988 by the Pennsylvania Academy of the Fine Arts, who received the records when the Foundation dissolved. Additional Foundation correspondence was microfilmed with the Violet Oakley papers on reels 3716-3745.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Arts administrators  Search this
Painters  Search this
Topic:
Art -- Societies, etc. -- Pennsylvania  Search this
Muralists  Search this
Identifier:
AAA.violoakl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-violoakl

Violet Oakley autograph and photograph

Creator:
Oakley, Violet, 1874-1961  Search this
Extent:
2 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1902
Scope and Contents:
Oakley's autograph and a photograph of her.
Biographical / Historical:
Muralist, painter; Philadelphia, Pa.
Provenance:
Donated 1955-1962 by Charles E. Feinberg, an active donor and friend of AAA.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Muralists -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American  Search this
Women painters -- Pennsylvania -- Philadelphia  Search this
Identifier:
AAA.oaklviap
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-oaklviap

Violet Oakley papers

Creator:
Oakley, Violet, 1874-1961  Search this
Names:
Pennsylvania State Capitol (Harrisburg, Pa.)  Search this
Extent:
56.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Glass plate negatives
Renderings
Scrapbooks
Sketchbooks
Visitors' books
Sketches
Date:
1841-1981
Summary:
The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.4 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work.
Scope and Contents:
The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.4 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work.

Biographical materials include certificates, family records, curriculum vitae, and identification cards, and studio guest books. About one-half of the collection is comprised of correspondence with family, friends, and business associates. Writings include Oakley's notes, essays and lectures, and writings related to 16 of her major artworks and publications, including her work on the Pennsylvania Capitol murals in Harrisburg. Diaries and journals include Oakley's travel notes and research on planned artworks.

Financial materials include a catalog of artworks and price lists, accounting records, and art supply receipts. Artwork includes early childhood juvenilia, a sketchbook, sketches of travel and friends, architectural renderings, and artwork by others. Printed materials include books, clippings, exhibition catalogs, programs, and reproductions of artwork by Oakley and others. Photographic materials include photographs, albums, and negatives depicting Oakley, her friends and family, her studio at Cogslea, and reproductions of artwork.
Arrangement:
The collection is arranged as 8 series. A comprehensive index of individidual correspondents for the chronological correspondence is found in the first folder of the chronological correspondence in box 5, folder 41. Glass plate negatives are housed separately and closed to researchers, but listed where they fall intellectually within the collection.

Series 1: Biographical Material, 1841-1970 (2.8 linear feet; Boxes 1-3, OV 69, OV 71)

Series 2: Correspondence, 1857-1979 (26.7 linear feet; Boxes 3-30)

Series 3: Notes and Writings, 1899-1976 (10.6 linear feet; Boxes 30-38, 58-64, OV 66, OV 70)

Series 4: Diaries and Journals, 1891-1958 (0.9 linear feet, Boxes 38-39)

Series 5: Financial Material, 1874-1977 (3.1 linear feet; Boxes 39-42)

Series 6: Artwork, 1883-1955 (0.7 linear feet; Boxes 43-43, 64, OV 67, OV 71)

Series 7: Printed Material, 1866-1981 (7.3 linear feet, Boxes 43-50, 65, OV 67)

Series 8: Photographs, 1890-1980 (5.3 linear feet; Boxes 50-57, 65, OV 68)
Biographical / Historical:
Painter, muralist, and stained glass designer Violet Oakley (1874-1961) lived and worked in Philadelphia, Pennsylvania and was known for her Renaissance-revival style of art and the series of murals she completed for the Pennsylvania State Capitol.

Born in Bergen Heights, New Jersey, to a family of artists, both of Violet Oakley's grandfathers were painters and members of the National Academy. In 1892, she began her art studies at the Art Students' League and traveled abroad a year later to study in Paris at the Academie Montparnasse, and in England with Charles Lazar. Upon her return to the states in 1896, she continued her studies at the Pennsylvania Academy of the Fine Arts, and at Drexel Institute with Howard Pyle.

For fourteen years, Oakley shared her early studios at Red Rose Inn and Cogslea Estate with fellow artists and illustrators Elizabeth Shippen Green and Jessie Willcox Smith. These two studio homes were managed by their friend Henrietta Cozens in a cooperative arrangement which allowed all three artists to focus on their work as commercial artists. Early in her career, Oakley designed covers for magazines such as Collier's Weekly and Century Magazine, and also found work as a stained glass designer for the Church Glass and Decorating Company of New York. In 1900, she received her first major commission to design and execute two large murals and six stained glass pieces for the All Angels' Church in New York City.

In 1902 Oakley was approached by architect Joseph Huston to design 13 murals for the Governor's reception room in the new Pennsylvania State Capitol in Harrisburg. She eventually completed two additional mural commissions for the Capitol's Senate (1911-1920) and Supreme Court (1917-1927) chambers. Her studies of William Penn in connection with her murals for the State Capitol inspired Oakley to work for international peace and eventually led to the publication of a portrait folio depicting League of Nations delegates (1932). Other significant works include murals, panels, and stained glass commissions completed for the Vassar College Alumni house, Charlton Yarnall house (Philadelphia), and Cuyuhoga County courthouse.

While working as an established artist, Oakley also taught courses at the Pennsylvania Academy of the Fine Arts, arranged a yearly lecture series, and published folios and other writings on topics ranging from art history to Christian Science under the Coslea Studios imprint. Her later studio, Lower Cogslea, was shared by artist and lifelong companion Edith Emerson, who after Oakley's death in 1961, established a memorial foundation in her name.

Oakley was the first woman elected to the National Society of Mural Painters, was a recipient of the Gold Medal of Honor of the Pennsylvania Academy of the Fine Arts, and was the first woman to receive the Gold Medal of Honor from the Architectural League of New York. Her writings include The Holy Experiment: A Message to the World from Pennsylvania (1922) and Law Triumphant: The Opening of the Book of Law (1933).
Related Materials:
Also found among the holdings of the Archives of American Art are the Violet Oakley Memorial Foundation records and the Violet Oakley autograph and photograph. The Pennsylvania Academy of the Fine Arts holds the Violet Oakley Foundation Art Collection, and the Philadelphia Museum of Art holds the Violet Oakley Collection.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1204, P12, 1187-1188, 1272, and 1194-1195).

Reel 1204 consists of two scrapbooks (circa 1896-1952) containing clippings from magazines of illustrations by Violet Oakley and her sister, Hester, and of Violet's murals for the State Capitol at Harrisburg, Pennsylvania. Reel P12 is of a scrapbook (1898-1936) containing a photograph of Oakely at her easel, clippings, and letters. Reels 1187-1188 consist of five scrapbooks (1920-1962) containing letters, clippings, exhibition announcements, catalogs, and awards. One of the scrapbooks is devoted to "The Holy Experiment", a limited edition publication by Oakley which commemorating William Penn, and which includes reproductions of Oakley's capitol murals in Harrisburg.

Reel 1272 contains two albums (circa 1900-1949) containing photos of Oakley working on murals in her studio, as well as her works of art, including stained glass windows at the Church of All Angels, New York; murals at the Harrisburg State Capitol; preliminary drawings and site photographs of "Dante's Window"; the lunettes and window for the Yarnall House; murals and preliminary drawings for the Cuyahoga Court House; the mural and dedication ceremonies for the Vassar Alumnae House; and photos and printed material on "Divine Presence--Christ at Geneva," "The Life of Moses," "Great Women of the Bible," and triptychs for the Army and Navy.

Reels 1194-1195 cobsist of photograph albums (circa 1870-1960) containing photographs of the Oakley and Swain families, of Violet Oakley, Edith Emerson, Jessie Willcox Smith, Elizabeth Shippen Green, friends, her home, Oakley's "Red Rose" studio in Villanova, Pennsylvania, her "Cogslea" studio in Philadelphia, and of her works of art, mainly portraits of her friends and of delegates to the League of Nations.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Violet Oakley first loaned the Archives of American Art materials for microfilming in 1959. Edith Emerson, Oakley's longtime friend and companion, donated and lent papers for microfilming in 1977 and 1984. The Pennsylvania Academy of Fine Arts, who had received the papers from Emerson's estate, donated two feet of materials in 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Stained glass artists -- Pennsylvania -- Philadelphia  Search this
Muralists -- Pennsylvania -- Philadelphia  Search this
Topic:
Women artists -- Pennsylvania -- Philadelphia  Search this
Artists' materials  Search this
Artists' studios -- Photographs  Search this
Mural painting and decoration -- United States  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Photographs
Diaries
Glass plate negatives
Renderings
Scrapbooks
Sketchbooks
Visitors' books
Sketches
Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.oaklviol
See more items in:
Violet Oakley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-oaklviol
Online Media:

Glass Plate Negatives

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Box 55
Type:
Archival materials
Date:
circa 1890-1910
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref1307

Glass Plate Negatives

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Box 56
Type:
Archival materials
Date:
circa 1890-1910
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref1308

Glass Plate Negatives

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Box 57
Type:
Archival materials
Date:
circa 1890-1910
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref1309

Photographs of Events, Art Related (exhibition, Corcoran)

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Box 51, Folder 26
Type:
Archival materials
Date:
1930
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref687

Photographs of Works of Art, All Angels Church Stained Glass Windows

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Box 51, Folder 43
Type:
Archival materials
Date:
circa 1900
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref700

Glass Plate Negatives

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Box 54
Type:
Archival materials
Date:
circa 1890-1910
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref735

Citizens Committee for the Army, Navy, and Air Force records

Creator:
Citizens Committee for the Army, Navy, and Air Force  Search this
Names:
Angel, John, 1881-1960  Search this
Carlsen, Dines  Search this
Cox, Allyn, 1896-1982  Search this
Jennewein, Carl Paul, 1890-  Search this
Oakley, Violet, 1874-1961  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1940-1945
Scope and Contents:
Documentation, photographs, and color transparencies of triptychs made as portable altarpieces for the armed services. Among the artists executing triptychs were John Angel, Dines Carlsen, Allyn Cox, Carl Paul Jennewein, and Violet Oakley.
Provenance:
Hortense A. Staats donated this collection in memory of Mrs. Junius S. Morgan.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Religious articles  Search this
Church decoration and ornament -- Citizen participation  Search this
Liturgical objects  Search this
World War, 1939-1945 -- Religious aspects  Search this
Identifier:
AAA.citicomm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-citicomm

Century Magazine letters

Topic:
Century illustrated monthly magazine
St. Nicholas magazine
Scribner's magazine
Names:
M. Knoedler & Co.  Search this
Beaux, Cecilia, 1855-1942  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Benjamin, S. G. W. (Samuel Greene Wheeler), 1837-1914  Search this
Chase, William Merritt, 1849-1916  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Cole, Timothy, 1852-1931  Search this
Coleman, Charles Caryl, 1840-1928  Search this
Cortissoz, Royal, 1869-1948  Search this
Cox, Kenyon, 1856-1919  Search this
Coxe, R. Cleveland (Reginald Cleveland), 1855-  Search this
Cranch, Christopher Pearse, 1813-1892  Search this
Cross, Henry H., 1837-1918  Search this
Dellenbaugh, Frederick Samuel, 1853-1935  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Drake, Alexander, 1843-1916  Search this
Eaton, Wyatt, 1849-1896  Search this
Edwards, George Wharton, 1859-1950  Search this
Elwell, F. Edwin (Frank Edwin), 1858-1922  Search this
Fay, Gaston  Search this
Fenn, Harry, 1838-1911  Search this
Foote, Mary Hallock, 1847-1938  Search this
Fraser, William Lewis, 1841-1905  Search this
Freer, Charles Lang, 1856-1919  Search this
French, Daniel Chester, 1850-1931  Search this
French, Frank, 1850-1933  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Hambidge, Jay, 1867-1924  Search this
Hart, Charles Henry, 1847-1918  Search this
Hoeber, Arthur, 1854-1915  Search this
Inness, George, 1854-1926  Search this
Jaccaci, Augusto Floriano, 1857-1930  Search this
Keller, Arthur Ignatius, 1866-1924  Search this
Kemble, E. W. (Edward Windsor), 1861-1933  Search this
La Farge, C. Grant (Christopher Grant), 1862-1938  Search this
La Farge, John, 1835-1910  Search this
Lamb, Charles R. (Charles Rollinson), 1860-1942  Search this
Levy, Florence N. (Florence Nightingale), 1870-1947  Search this
Mather, Frank Jewett, 1868-1953  Search this
Mechlin, Leila, 1874-1949  Search this
Melchers, Gari, 1860-1932  Search this
Millet, Francis Davis, 1846-1912  Search this
Moran, Thomas, 1837-1926  Search this
Morse, Edward Lind, 1857-1923  Search this
Nichols, Hobart, 1869-1962  Search this
Nourse, Elizabeth, 1859-1938  Search this
Oakley, Thornton, 1881-1953  Search this
Oakley, Violet, 1874-1961  Search this
Parrish, Maxfield, 1870-1966  Search this
Partridge, William Ordway, 1861-1930  Search this
Pennell, Elizabeth Robins, 1855-1936  Search this
Pennell, Joseph, 1857-1926  Search this
Poore, Henry Rankin, 1859-1940  Search this
Remington, Eva Caten, d. 1918  Search this
Reuterdahl, Henry, 1871-1925  Search this
Robinson, Boardman, 1876-1952  Search this
Sandham, Henry, 1842-1910  Search this
Smith, DeCost, 1864-1939  Search this
Smith, Jessie Willcox, 1863-1935  Search this
Sterner, Albert, 1863-1946  Search this
Stieglitz, Alfred, 1864-1946  Search this
Stillman, William James, 1828-1901  Search this
Taft, Lorado, 1860-1936  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Thayer, Gerald Handerson, 1883-1939  Search this
Tryon, Dwight William, 1849-1925  Search this
Van Dyke, John Charles, 1856-1932  Search this
Volk, Douglas , 1856-1935  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Extent:
3 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1870-1918
Scope and Contents:
Correspondence of the Century Magazine and its predecessors, Scribner's Monthly, and St. Nicholas Magazine. Also included is material related to the Century War Series.
Among the correspondents are: Cecilia Beaux, James C. Beckwith, Samuel G. W. Benjamin, William M. Chase, William A. Coffin, Timothy Cole (98 letters), Charles C. Coleman, Royal Cortissoz, Kenyon Cox, Reginald C. Coxe, Christopher P. Cranch, Henry H. Cross, Frederick S. Dellenbaugh, Thomas W. Dewing, Alexander W. Drake, Wyatt Eaton, George W. Edwards, Frank E. Elwell, Gaston Fay, Harry Fenn, Mary H. Foote, William L. Fraser, Charles L. Freer, Daniel C. French, Frank French, Isabella S. Gardner, Jay Hambidge, Charles H. Hart, Arthur Hoeber, George Inness, Jr., August F. Jaccaci, Arthur I. Keller, Edward W. Kemble, Knoedler M. & Company, Christopher G. La Farge, John La Farge, Charles R. Lamb, Florence N. Levy, Frank J. Mather, Leila Mechlin, Gari Melchers, Francis D. Millet, Thomas Moran, Edward L. Morse, Hobart Nichols, Elizabeth Nourse, Thornton Oakley, Violet Oakley, Maxfield Parrish, William O. Partridge, Elizabeth R. Pennell (83 letters & 55p. handwritten article), Joseph Pennell, Henry R. Poore, Eva A. Remington, Henry Reuterdahl, Boardman Robinson, Henry Sandham, DeCost Smith, Jessie W. Smith, Albert E. Sterner, Alfred Stieglitz, William J. Stillman (ca. 95 letters), Lorado Taft, Henry O. Tanner, Abbott H. Thayer, Gerald H. Thayer, Dwight W. Tryon, John C. Van Dyke, Douglas Volk, Irving R. Wiles, and others.
Biographical / Historical:
A quarterly publication on the arts and current affairs.
Other Title:
Century Company collection (NYPL microfilm title)
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Identifier:
AAA.centillu
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-centillu

Oral history interview with Edna Andrade

Interviewee:
Andrade, Edna, 1917-2008  Search this
Interviewer:
Likos, Patricia  Search this
Names:
Barnes Foundation  Search this
Easthampton Gallery  Search this
Pennsylvania Academy of the Fine Arts  Search this
Andrade, C. Preston (Clarence Preston), 1912-1977  Search this
Garber, Daniel, 1880-  Search this
Harding, George, 1882-1959  Search this
Oakley, Violet, 1874-1961  Search this
Extent:
114 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1987 April 1-29
Scope and Contents:
An interview of Edna Andrade conducted 1987 April 1-29, by Patricia Likos, for the Archives of American Art.
Andrade speaks of her upbringing in Virginia, her education at the Pennsylvania Academy of the Fine Arts in the 1930s under Daniel Garber, Henry McCarter, and George Harding; visiting the Barnes Foundation; her travels in Europe and Egypt and living and working as a teacher and a graphic designer in New Orleans, Washington, and Philadelphia. She discusses the influence of the Bauhaus and Paul Klee on her work and teaching, her marriage to C. Preston Andrade, working in the training and education division of the Office of Strategic Services during World War II, the shift in her work from realism to abstraction, her associations with the Easthampton Gallery in New York and the Marian Locks Gallery in Philadelphia, and changes in the Philadelphia art scene. She recalls Violet Oakley.
Biographical / Historical:
Edna W. Andrade (1917-2008) was a painter from Philadelphia, Pennsylvania.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hrs., 31 minutes.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- United States -- Interviews  Search this
Art teachers -- United States -- Interviews  Search this
Topic:
Women painters -- United States -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.andrad87
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-andrad87

Oral history interview with Estelle Gross

Interviewee:
Gross, Estelle Shane, 1929-1992  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Gross McCleaf Gallery  Search this
Day, Larry, 1921-  Search this
Emerson, Edith, 1888-1981  Search this
Howard, Humbert, 1905-1990  Search this
Lueders, Jimmy C., 1927-1994  Search this
Oakley, Violet, 1874-1961  Search this
Piper, Jane, 1916-1991  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Weidner, Roswell, 1911-1999  Search this
Weston, Harold, 1894-1972  Search this
Extent:
2 Items (Sound recording, sound cassettes)
61 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 Apr. 5
Scope and Contents:
An interview of Estelle Gross conducted 1989 Apr. 5, by Marina Pacini, for the Archives of American Art Philadelphia Project.
Gross speaks of her background and education; opening the Gross McCleaf Gallery in Philadelphia; the artists represented, including Larry Day, Edith Emerson, Violet Oakley, Humbert Howard, Jimmy Lueders, Jane Piper, Carroll Tyson, Roswell Weidner, Harold Weston, Arthur B. Carles, and Hobson Pittman; the Philadelphia art scene including other galleries, the art press, collectors and changes over the past twenty years. Gross also discusses her studies under Hobson Pittman.
Biographical / Historical:
Estelle Shane Gross (1929-1992) was a gallery director of Philadelphia, Pa.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Gallery directors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Function:
Art galleries, Commercial -- Pennsylvania -- Philadelphia
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gross89
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gross89

Violet Oakley autograph and photograph, 1902

Creator:
Oakley, Violet, 1874-1961  Search this
Topic:
Art, American  Search this
Women painters -- Pennsylvania -- Philadelphia  Search this
Record number:
(DSI-AAA_CollID)10321
(DSI-AAA_SIRISBib)213523
AAA_collcode_oaklviap
Theme:
Women
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213523

Oversize Certificates from Box 1, Folder 23

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Oversize 69
Oversize 71
Type:
Archival materials
Date:
circa 1920-1950
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref753

Oversize Blueprints and Renderings by Others from Box 43, Folder 10

Collection Creator:
Oakley, Violet, 1874-1961  Search this
Container:
Oversize 71
Type:
Archival materials
Date:
circa 1920-1950
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Violet Oakley papers
Violet Oakley papers / Series 6: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-oaklviol-ref777

Violet Oakley papers, 1841-1981

Creator:
Oakley, Violet, 1874-1961  Search this
Subject:
Pennsylvania State Capitol  Search this
Type:
Photographs
Diaries
Glass plate negatives
Renderings
Scrapbooks
Sketchbooks
Visitors' books
Sketches
Topic:
Women artists -- Pennsylvania -- Philadelphia  Search this
Artists' materials  Search this
Artists' studios -- Photographs  Search this
Mural painting and decoration -- United States  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Record number:
(DSI-AAA_CollID)9580
(DSI-AAA_SIRISBib)211781
AAA_collcode_oaklviol
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211781
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