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Seated Man

Artist:
Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997  Search this
Medium:
Oil and charcoal on canvas
Dimensions:
38 1/4 x 34 1/4 in. (97.1 x 86.9 cm)
Type:
Painting
Date:
(c. 1939)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the artist through the Joseph H. Hirshhorn Foundation, 1972
Accession Number:
72.89
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2395c4434-70b4-4b23-ab24-6e0d5c3a3434
EDAN-URL:
edanmdm:hmsg_72.89

Barbara Novak

Artist:
Brian O'Doherty, born 1928  Search this
Sitter:
Barbara Novak, born 1928  Search this
Medium:
Graphite on paper
Dimensions:
Sheet: 21.3 x 20.2 cm (8 3/8 x 7 15/16")
Mount: 30.4 x 30.4 cm (11 15/16 x 11 15/16")
Type:
Drawing
Date:
1957
Topic:
Barbara Novak: Female  Search this
Barbara Novak: Humanities and Social Sciences\Historian  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the artist in honor of Marc Pachter
Object number:
S/NPG.2007.252
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4fd6e0733-714f-42e7-9eeb-3d0c0e911aad
EDAN-URL:
edanmdm:npg_S_NPG.2007.252

Brian O'Doherty Self-Portrait

Artist:
Brian O'Doherty, born 1928  Search this
Sitter:
Brian O'Doherty, born 1928  Search this
Medium:
Pencil on paper
Dimensions:
Sheet: 27.3 × 22.3 cm (10 3/4 × 8 3/4")
Frame: 34.6 × 29.2 cm (13 5/8 × 11 1/2")
Type:
Drawing
Date:
1957
Topic:
Self-portrait  Search this
Brian O'Doherty: Visual Arts\Artist  Search this
Brian O'Doherty: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2016.76
Restrictions & Rights:
Usage conditions apply
Copyright:
© Brain O'Doherty
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4c54fae99-0f17-4e2a-bcb0-8cda7ab7e731
EDAN-URL:
edanmdm:npg_NPG.2016.76

Brian O'Doherty, "Transitional Head"

Artist:
Brian O'Doherty, born 1928  Search this
Sitter:
Brian O'Doherty, born 1928  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 25.4 x 20.3cm (10 x 8")
Frame: 50.5 × 45.7 × 3.8cm (19 7/8 × 18 × 1 1/2")
Type:
Painting
Date:
1957
Topic:
Brian O'Doherty: Visual Arts\Artist  Search this
Brian O'Doherty: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Barbara Novak in honor of Marc Pachter
Object number:
NPG.2007.225
Restrictions & Rights:
Usage conditions apply
Copyright:
© Brian O’Doherty
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4365a2807-562f-4330-b495-85f3e0da5b1e
EDAN-URL:
edanmdm:npg_NPG.2007.225

Portrait of Marcel Duchamp: Mounted Cardiogram 4/4/66

Artist:
Brian O'Doherty, born 1928  Search this
Sitter:
Marcel Duchamp, 28 Jul 1887 - 2 Oct 1968  Search this
Medium:
Mounted cardiogram, ink and typewriter on paper
Dimensions:
Mounted in frame: 27.9 x 21.6cm (11 x 8 1/2")
Type:
Drawing
Date:
1966
Topic:
Printed Material\Chart  Search this
Marcel Duchamp: Visual Arts\Artist  Search this
Marcel Duchamp: Male  Search this
Portrait  Search this
Credit Line:
Owner: Brian O'Doherty
Object number:
EXH.MD.75
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm485bfa477-05be-445b-8c02-8a74fb9d2380
EDAN-URL:
edanmdm:npg_EXH.MD.75

Portrait of Marcel Duchamp, 3 leads

Artist:
Brian O'Doherty, born 1928  Search this
Sitter:
Marcel Duchamp, 28 Jul 1887 - 2 Oct 1968  Search this
Medium:
Wood, glass, liquitex, motor
Dimensions:
17.8 × 78.7 × 17.8cm (7 × 31 × 7")
Type:
Other
Date:
1966
Topic:
Marcel Duchamp: Visual Arts\Artist  Search this
Marcel Duchamp: Male  Search this
Portrait  Search this
Credit Line:
Owner: Brian O'Doherty
Object number:
EXH.MD.76
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4f9ac5104-8521-41f4-8916-2389512d5d3e
EDAN-URL:
edanmdm:npg_EXH.MD.76

Study for the Second Portrait of Marcel Duchamp, lead 1, mounting increments

Artist:
Brian O'Doherty, born 1928  Search this
Sitter:
Marcel Duchamp, 28 Jul 1887 - 2 Oct 1968  Search this
Medium:
Ink on paper
Dimensions:
Frame: 58.4 x 73.7cm (23 x 29")
Type:
Drawing
Date:
1967
Topic:
Marcel Duchamp: Visual Arts\Artist  Search this
Marcel Duchamp: Male  Search this
Portrait  Search this
Credit Line:
Owner: Brian O'Doherty
Object number:
EXH.MD.77
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4fc8190b8-8413-4545-a584-63f76368bc47
EDAN-URL:
edanmdm:npg_EXH.MD.77

O'Doherty, Brian

Collection Creator:
Seitz, William C. (William Chapin)  Search this
Container:
Box 14, Folder 1
Type:
Archival materials
Date:
1970s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William C. Seitz papers, circa 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
William C. Seitz papers
William C. Seitz papers / Series 4: Research and Writing Files / 4.2: People and Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ef1cc48a-cce9-4758-8ab1-d91f1889735b
EDAN-URL:
ead_component:sova-aaa-seitwill-ref380

Biographical Data and Chronologies

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1964-1983, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0d8ec7-f1fe-4d08-b41c-2ba3d8d636e1
EDAN-URL:
ead_component:sova-aaa-polljack-ref235
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  • View Biographical Data and Chronologies digital asset number 1

O'Doherty, Brian

Collection Creator:
Byron Gallery  Search this
Container:
Box 8, Folder 5
Type:
Archival materials
Date:
1965-1970
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Byron Gallery records
Byron Gallery records / Series 1: Artist/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9363dfd80-6ac8-4612-a5af-a93acd4ee707
EDAN-URL:
ead_component:sova-aaa-byrogall-ref264

O'Doherty, Brian

Collection Creator:
Byron Gallery  Search this
Extent:
(2 folders)
Container:
Box 13, Folder 13-14
Type:
Archival materials
Date:
1966
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Byron Gallery records
Byron Gallery records / Series 2: Exhibition Scrapbooks
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92996cda3-cce2-494f-be8d-524310415d62
EDAN-URL:
ead_component:sova-aaa-byrogall-ref420

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 83, Folder 6
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969178ef4-0ff1-476e-8c62-fb0a442e8e23
EDAN-URL:
ead_component:sova-aaa-leocast-ref11609
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Rauschenberg, Robert digital asset number 1
  • View Rauschenberg, Robert digital asset number 2
  • View Rauschenberg, Robert digital asset number 3

O'Doherty, Brian, Art Columns

Collection Creator:
Lipman, Howard, 1905-1992  Search this
Container:
Box 4, Folder 2
Type:
Archival materials
Date:
1963-1966, undated
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Howard W. and Jean Lipman papers
Howard W. and Jean Lipman papers / Series 2: Howard and Jean Lipman Art Collection / 2.1: General Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw933342fe5-4ebd-4507-861e-ec4bd7c08e69
EDAN-URL:
ead_component:sova-aaa-lipmhowa-ref130

O'Doherty, Brian

Collection Creator:
Lipman, Howard, 1905-1992  Search this
Container:
Box 12, Folder 17
Type:
Archival materials
Date:
1970-1977
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Howard W. and Jean Lipman papers
Howard W. and Jean Lipman papers / Series 2: Howard and Jean Lipman Art Collection / 2.3: Sculptors of Interest
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw942221aa8-8c69-4244-989a-0b3aa9f982d5
EDAN-URL:
ead_component:sova-aaa-lipmhowa-ref548

Colette Roberts Papers and Interviews with Artists

Creator:
Roberts, Colette, 1910-  Search this
Names:
British Broadcasting Corporation  Search this
Grand Central Moderns (Gallery)  Search this
Le Point Cardinal (Gallery)  Search this
New York University -- Faculty  Search this
Bauermeister, Mary, 1934-  Search this
Bearden, Romare, 1911-1988  Search this
Chryssa, 1933-  Search this
Dehner, Dorothy, 1901-1994  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferren, John, 1905-1970  Search this
Gottlieb, Adolph, 1903-1974  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Le Prat, Thérèse  Search this
Lindner, Richard, 1901-  Search this
Marisol, 1930-2016  Search this
Moy, Seong  Search this
Nevelson, Louise, 1899-1988  Search this
O'Doherty, Brian  Search this
Ray, Man, 1890-1976  Search this
Reinhardt, Ad, 1913-1967 -- Photographs  Search this
Schwabacher, Ethel, 1903-1984  Search this
Sterne, Hedda, 1910-  Search this
Vieira da Silva, Maria Helena, 1908-1992  Search this
Extent:
10.2 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Reviews (documents)
Interviews
Articles
Notes
Manuscripts
Photographs
Sound recordings
Date:
1918-1971
Summary:
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
Scope and Content Note:
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.

Significant correspondents include Sam Adler, Erwin Barrie, Hubert Damisch, George Deem, Mesdames de Harting and de Tinan, Lamar Dodd, Hélène Drude (Le Point Cardinal gallery), Arne Ekstrom, Albert M. Fine (Fluxus artist), Iqbal Geoffrey, R.G. Gilllet, Adolph Gottlieb, Cleve Gray, Leon Hartl, Jennett Lam, Alberto Cifolelli Lamb, Mike Nevelson, Norman Norotzky, Jacqueline Pavlowsky, Abe Rattner, Ad Reinhardt, H. Sandberg, Philippe Stern, Russell Twiggs, and Zuka.

Writings by Roberts include manuscripts and articles about artists, writings about her own art, personal writings, working notes from interviews and classes, reviews, and translations between English and French.

Among the personal records are Robert's files relating to teaching, charitable activities, and exhibitions. Also found are gallery records from Grand Central Moderns Gallery, including artist résumés, a card file of artworks with provenance information, exhibition catalogs and announcements, membership records, posters, publicity, and sales records.

Printed materials in the collection include clippings, Roberts' printed articles, press releases, and other exhibition catalogs and announcements. Photographs are of Roberts, artists, including Ad Reinhardt, classes, art spaces, and works of art. A small number of artworks on paper are also found, including Fluxus art stamps and a printed picture of Ray Johnson stamped "DOUGHNUT FESTIVAL."

Documentation of interviews with artists conducted by Roberts includes a card index file, a few transcripts, and the original sound recordings. Most of the recordings are interviews with artists that Roberts created during a class she taught at New York University between 1957 and 1971 called "Meet the Artist," including Mary Bauermeister, Romare Bearden, Dorothy Dehner, John Ferren, Ray Johnson, Ivan Karp, Thérèse Le Prat, Richard Lindner, Marisol, Seong Moy, Brian O'Doherty, Man Ray, Ethel Schwabacher, Hedda Sterne, Marie Helena Vieira da Silva, and many others. In preparation for magazine articles, Roberts conducted more extensive interviews with Chryssa, Marcel Duchamp, Adolph Gottlieb, and Louise Nevelson. A few of the recordings of Marcel Duchamp were not created by Roberts. In all, over 100 artists are represented in Roberts' interviews. Other recordings found include lectures and interviews conducted by people other than Roberts.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Correspondence, 1918-1971 (Box 1, 0.5 linear feet)

Series 2: Notes and Writings, 1936-1970 (Box 1, 0.3 linear feet)

Series 3: Personal Records, 1944-1971 (Box 1-2, 11; 0.7 linear feet)

Series 4: Grand Central Moderns Gallery Records, 1952-1970 (Box 2-3, 11; 0.7 linear feet)

Series 5: Printed Material, 1938-1971 (Box 3-5, 11-12; 2.0 linear feet)

Series 6: Photographs, 1930-1971 (Box 5; 0.2 linear feet)

Series 7: Artwork, 1940-1969 (Box 5; 4 folders)

Series 8: Interviews with Artists, 1959-1971 (Box 5-10; 5.5 lienar feet)
Biographical Note:
Colette Roberts was a French artist, curator, gallery director, and scholar who emigrated to the United States in 1939, settling in New York City and remaining there until her death in 1971.

Roberts was born in Paris, France in 1910. She studied art with Roger Bissière at the Académie Ranson and with Henry Focillon at the Ecole du Louvre, and she later attended the Institut d'Art et Archeologie at the Sorbonne. Roberts came to the United States in 1939, settling in New York City, and became an American citizen three years later. In her early years in the United States, Roberts lectured and wrote on art and literature, and was active in various war-relief organizations, raising money and organizing benefits for organizations such as the American Red Cross and UNICEF. She was the gallery director for the National Association of Women Artists' Argent Galleries from 1947 to 1949, secretary to the curator of Far Eastern Art at New York's Metropolitan Museum from 1950 to 1951, and art editor for "France Amérique," the French-language newspaper in New York, beginning in 1953.

Roberts became gallery director of the Grand Central Moderns Gallery (New York, NY) in 1952 and remained in that position until 1968, when the gallery closed. The gallery was opened in 1946 by Erwin S. Barrie of the Grand Central Galleries for the promotion of living American artists. Among the artists represented there were Jennett Lam and Seong Moy. During this period she was also an instructor at New York University and Queens College, teaching art history and contemporary art. In 1957, she began a course at New York University called "Meet the Artist," for which she took her classes to the studios of working artists to see and discuss their work. In the early 1960s, she began to tape record her interviews of artists for this course, a practice which continued until her death in 1971. In 1968, Roberts worked briefly as Gallery Director for the A.M. Sachs Gallery (New York, NY), and as an oral history interviewer for the Archives of American Art.

Roberts wrote extensively on contempoary art, including articles and monographs on Mark Tobey (1960, Grove Press), Louise Nevelson (1964, The Pocket Museum), and Marcel Duchamp. She was a regular contributor to Aujourd'hui and Art and Architecture magazines.
Related Material:
Additional papers and recordings of Colette Roberts are held by Syracuse University Library Special Collections Research Center.
Separated Material:
A copy of a 1967 oral history with Adolf Gottlieb conducted by Dorothy Seckler for the Archives of American Art oral history program, which was found in Roberts' papers, has been returned to the Archives' oral history collection.
Provenance:
The sound recordings and transcripts of interviews with artists, were donated by Colette Roberts in 1970. The remaining papers were donated by her son, Richard B. Roberts, in 1973.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Fluxus (Group of artists)  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Transcripts
Reviews (documents)
Interviews
Articles
Notes
Manuscripts
Photographs
Sound recordings
Citation:
Colette Roberts papers and interviews with artists, circa 1930-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robecoli
See more items in:
Colette Roberts Papers and Interviews with Artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb878da1-c929-41fc-aa11-e3a678ffd3f1
EDAN-URL:
ead_collection:sova-aaa-robecoli
Online Media:

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University -- Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- California  Search this
Filmmakers -- California  Search this
Authors -- California  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d657e5da-cd1b-4366-9fe9-1852a4c5be81
EDAN-URL:
ead_collection:sova-aaa-sekula11
Online Media:

Letters

Collection Creator:
Asher, Elise, 1914-  Search this
Extent:
2 Folders (Box 1)
Type:
Archival materials
Date:
1941-1988, undated
Scope and Contents note:
Letters found here are from Asher's colleagues, including Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut. The letters primarily concern their art-related activities.

See Appendix for list of notable correspondents from Series 2
Appendix: Notable Correspondents from Series 2:
Adams, Pat: May 31, 1979

Albert, Calvin: undated Christmas cards (3), one is illustrated

Ashton, Dore: undated postcard?; Jun 12, 1985

Beck, Rosemarie: Jun 1972

Boghosian, Varujan and Marilyn: undated Christmas card

Bourgeois, Louise: Jun 15, 1977

Brooks, Charlotte and Jim: undated letters (2); Apr 3, 1966; Jul 27, 1970; Feb 15, 1971

Brustlein, Daniel: Sep 8, 1955

Bultman, Fritz: undated letters (3); Dec 12, 1964; Jan 2, 1965; Dec 1976

Burlin, Paul and Peggy: Dec 4, 1960

Busa, Peter: Dec 23, 1964

Castellon, Hilda, Paul, and Fred: undated Christmas card

Cavallon, Giorgio: Nov 15, 1955; Sep 8, 1963; Oct 22, 1963; Jan 6, 1965; Oct 3, 1966; Mar 12, 1974

De Kooning, Lisa: 1979 (incomplete letter)

Dorfman, Elsa: undated letter

Ferber, Ilse and Herbert: undated Christmas card; Oct 24, 1960? (with 5 photographs of works)

Ferren, John: undated Christmas card (illustrated); Feb 11, 1964; Jun 30, 1964

Frankenthaler, Helen: undated letters (2); Aug 2, 1956; Jan 19, 1960; Oct 2_, 1960; Apr 1, 1961; Mar 1, 1969; Aug 18, 1969; also see Robert Motherwell

Friedman, Sanford: undated postcard; Jul 7, 1969; Dec 26, 1981; Apr 19, 1988; Dec 27, 1988

Greene, Stephen and Sigrid: undated Christmas cards (2)

Gross, Chaim and Renee: 1967 Christmas card; 1968 Christmas card; 1983 Christmas card

Gruen, John: undated Christmas card

Guston, Philip and Musa: undated Christmas card with illustration; undated letters (3); Jul 29, 1958; Aug 17, 1960; Sep 19, 1963 (illustrated); Jan 10, 1964 (illustrated); Aug 17, 1964 (illustrated); Nov 6, 1964; Sep 22, 1969; Oct 13, 1970; Feb 15, 1971; [1971]; Apr 9, 1971; Aug 2, 1971; Sep 19, 1972; Dec 22, 1972; Jun 12, 1973; Jul 16, 1973 (illustrated); Aug 27, 1974; Dec 1, 1974; Jan 9, 1975; Aug 16, 1979

Hare, David: Mar 7, 1957; Jun 15, 1979; Aug 4, 1980; Jul 14, 1981; Apr 1, 1983

Harmon, Lily: undated Christmas card

Hess, Thomas: undated letters (2); Nov 12, 1974 (envelope only)

Hofmann, Hans and Miz: undated letter; Dec 23, 1952; Dec 1957; Jun 25, 1958; Dec 1, 1958; Jun 3, 1960; Jun 13, 1962; Apr 18, 1963

Kahn, Wolf: Oct 16, 1955

Kootz, Sam and Jane: undated Christmas card

Kuh, Katharine: undated letter; Dec 28, 1974

Mailer, Norman: Apr 11, 1968

Manso?, Leo: Dec 1979 illustrated envelope

Miller, Dorothy: Aug 26, 1953

Morris, Hilda: undated letters (3)

Motherwell, Robert and Renata Ponsold: Mar 3, 1975; Oct 1, 1977; Oct 16, 1978; Feb 25, 1985; Nov 29, 1988; also see Helen Frankenthaler

Nevelson, Louise: Dec 20, 1960 (illustrated card)

O'Doherty, Brian: undated letter; Jul 31, 1967; Aug 5, 1968 Sep 20, 1982

Pavia, Philip: Aug 17, 1982

Reis, Bernard and Becky: undated Christmas cards (2)

Resnick, Milton: Feb 23, 1956

Rosati, James and Carmel: undated Christmas cards (2); also see Art Work

Rothko, Mark: undated letters (2); Jul 20, 1959; Aug 9, 1961; also see Photographs

Stamos, Theodorus: undated letter; Jan 3, 1962; Aug 6, 1964; Jul 14, 1965; Aug 19, 1965; Jul 15, 1966; Jul 19, 1967; Jun 29, 1968; Aug 5, 1968; Jul 23, 1973; Dec 11, 1981

Stevens, May: Jul 14, 1975

Stout, Myron: Mar 25, 1980

Terris, Albert and Virginia: Dec 1953 (illustrated Christmas card)

Tworkov, Jack and family: undated letters (2); Dec 22, 1955 (illustrated Christmas card); Aug 27, 1956; Jul 5, 1960; Dec 11, 1960; Oct 21, 1968; Jan 4, 1983

Varian, Elayne: Oct 6, 1969; Dec 19, 1969

Vonnegut, Kurt: undated letters (2); Jan 29, 1975

Watson, Hildegarde: Feb 24, 1946; Jun 12, 1948; Mar 31, 1951; Jan 27, 1956; Aug 9, 1958

Webb, Nancy: Jan 6, 1986; Dec 15, 1986 (illustrated Christmas card)

Wesley, John: Mar 21, 1987

White, Emil: see Art Work

Williams, William Carlos: Jul 2, 1949 (photocopy); also see Photographs

Wilson, Jane: see John Gruen

Yunkers, Adja: undated cards (2), one illustrated; Feb 3, 1951; Dec 16, 1964
Collection Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment and is limited to the Washington D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Elise Asher papers, 1923-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.asheelis, Series 2
See more items in:
Elise Asher papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92faf8e2f-8f5d-4985-a4f9-c8143a5cf024
EDAN-URL:
ead_component:sova-aaa-asheelis-ref17

O'Doherty, Brian

Collection Creator:
Cornell, Joseph  Search this
Container:
Box 3, Folder 28
Type:
Archival materials
Date:
1967-1969
undated
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Joseph Cornell papers / Series 2: Correspondence / 2.1: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93e97ce44-b5fb-40dd-896c-479c2046aa84
EDAN-URL:
ead_component:sova-aaa-cornjose-ref149

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-2018  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Topic:
Art, American  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c4de66ef-397b-4e6e-9fde-d6deca12fa3a
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

O'Doherty, Brian, "Less Known and Unknown: An Exhibition of 35 Painters"

Collection Creator:
Smithson, Robert  Search this
Container:
Box 3, Folder 88
Type:
Archival materials
Date:
circa 1965
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art, Smithsonian Institution, holds the intellectual property rights, including copyright, to all materials created by Robert Smithson and Nancy Holt with the exception of the following items: two holiday cards found in box 11, folders 22-23. For these two items, copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Smithson and Nancy Holt papers, 1905-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Smithson and Nancy Holt papers
Robert Smithson and Nancy Holt papers / Series 4: Writings / 4.2: By Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9393bea8f-0d0f-4fe3-838f-877818b9f687
EDAN-URL:
ead_component:sova-aaa-smitrobe-ref252

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