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Torn Signs # 2

Artist:
Ralston Crawford, American, b. St. Catharines, Ontario, Canada, 1906–1978  Search this
Medium:
Oil on canvas
Dimensions:
60 1/4 x 45 1/4 in. (153 x 114.8 cm)
Type:
Painting
Date:
1967-1968
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.76
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Precisionism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26e23adf3-79f4-43f7-a403-7e69c7990ec3
EDAN-URL:
edanmdm:hmsg_72.76

Nordness Gallery

Collection Creator:
Bechtle, Robert, 1932-2020  Search this
Container:
Box 5, Folder 3
Type:
Archival materials
Date:
circa 1964-1970
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: 40 demonstration works of art on papers by Robert Bechtle.
Collection Citation:
Robert Bechtle papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Bechtle papers
Robert Bechtle papers / Series 4: Exhibition and Gallery Records / Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9364c1225-b898-434d-ad20-f56e33695947
EDAN-URL:
ead_component:sova-aaa-bechrobe-ref130

Patti Warashina papers

Creator:
Warashina, Patti, 1940-  Search this
Names:
Lee Nordness Galleries  Search this
Currier, Anne, 1950-  Search this
Kottler, Howard, 1930-1989  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lucero, Michael, 1953-  Search this
Sperry, Robert, 1927-1998  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Photographs
Date:
circa 1900-1991
bulk 1970-1989
Summary:
The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.
Scope and Content Note:
The Patti Warashina papers measure 4.8 linear feet and date from circa 1900 and 1957 through 1991 (bulk 1970-1989). The collection documents the artistic and teaching career of Seattle-based sculptor and ceramicist Patti Warashina predominantly through correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

Biographical material includes family trees, diplomas, awards, and documents relating to Warashina's family Japanese internment during WWII. Correspondence, 1968-1991, relating to exhibitions and other projects, is with galleries, museums, purchasers, publishers, and others, among them the Lee Nordness Gallery (N.Y.), Morgan Gallery (Kansas City), and Theo Portney Gallery (Seattle). Additional correspondence files contain letters received, 1977-1990, many addressed to Warashina and her husband Bob (Robert Sperry), from friends, colleagues, former students and family members, including Nancy Carmen, Anne Currier, Deborah Horrell, Matthew Kangas, Howard Kottler, Marvin Lipofsky, Michael Lucero, and others.

Ten photographs, circa 1900-1944, are portraits of Warashina's relatives and family, and several snapshots, circa 1970s, are of former students and works of art. Printed material, 1961-1990, includes newspaper and magazine clippings, programs, journals, newsletters, exhibition announcements, exhibition catalogs, and workshop announcements for Warashina's various sculpture and ceramic lectures. Writings include both published and unpublished works by Warashina, including an artist's statement for a possible lecture at the 1986 conference of the National Council on Education for the Ceramic Arts (NCECA). Also found here are handwritten notes on a panel discussion titled Cultural and Racial Heritage: Sources and Imagery in which Warashina was a participant along with artists Aminah Brenda Lynn Robinson, María Brito Avellana, and Indira Johnson. Art work consists of blue line drawings for her sculpture "Red Earth," 1986 as well as a pen and ink sketch of Warashina by an unidentified artist. A videocassette, 1987, is of the television program "The Big A: Different Ways of Seeing", in which Warashina appears briefly.
Arrangement:
The Patti Warashina papers are arranged as seven series based primarily on type of material. The correspondence in Series 2 is arranged chronologically for exhibitions and projects and general letters received. Additional letters received are arranged by name of author.

Missing Title

Series 1: Biographical Material, 1974-1991, undated (Box 1; 3 folders)

Series 2: Correspondence, 1957, 1967-1991, undated (Boxes 1-3; 2.0 linear feet)

Series 3: Photographs, circa 1900- circa 1959, 1971, undated (Box 3; 3 folders)

Series 4: Printed Material, 1961-1990, undated (Boxes 3-6, OV 7; 2.0 linear feet)

Series 5: Writings and Notes, 1984, 1986, 1989, undated (Box 6; 4 folders)

Series 6: Artwork, 1986, undated (Box 6; 2 folders)

Series 7: Miscellany, 1987, undated (Box 6; 2 folders)
Biographical Note:
Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.

Influences in Warashina's art include California funk and sculptural ceramics. Her work is best known for its whimsical themes expressed through low-fire highly colored figurative images. Together with fellow artists Robert Sperry, Howard Kottler and Fred Bauer, she brought national recognition to the department of ceramics at the University of Washington's School of Art beginning in the 1980s.

Patti Warashina is a recipient of several awards for achievements in the field of crafts, most recently the Twining Humber Award granted by Seattle's Artists Trust in 2002. She received the Governor's Award of Special Commendation for the Arts in 1980 in addition to grants from the National Endowment for the Arts in both 1975 and 1986. In 1978, Warashina was awarded a World Craft Council Travel Grant which allowed her to conduct research on the ceramic arts process in Japan, Hong Kong, Singapore, Thailand, Bali and the Philippines. Warashina's teaching career spans over 30 years and includes positions at the University of Wisconsin, Eastern Michigan University, and at her alma mater where she has taught for over 25 years. Her work is featured in several museum collections in both the U.S. and abroad including the American Craft Museum in New York, the Seattle Art Museum and Henry Art Gallery, the Smithsonian American Art Museum's Renwick Gallery (Washington, DC), the Art Gallery of Western Australia, and the Ichon World Ceramic Center in Korea. Since her marriage to ceramicist Robert Sperry in 1976, she has used Patti Warashina as her professional name. Patti Warashina is a resident of Seattle, Washington.
Provenance:
The Patti Warashina papers were donated by the artist to the Archives of American Art in 1991.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- Washington (State) -- Seattle  Search this
Sculptors -- Washington (State) -- Seattle  Search this
Topic:
Japanese American families -- Photographs  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Women ceramicists  Search this
Women sculptors  Search this
Genre/Form:
Video recordings
Photographs
Citation:
Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warapatt
See more items in:
Patti Warashina papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw959631d63-cd0b-4c29-b6df-dadc4b149ee0
EDAN-URL:
ead_collection:sova-aaa-warapatt
Online Media:

1969: Twelve Afro-American Artists (1969), Lee Nordness Gallery

Collection Creator:
Thomas, Alma  Search this
Container:
Box 2, Folder 46
Type:
Archival materials
Date:
1969
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw934762497-b7d5-4974-8514-e26d20e32595
EDAN-URL:
ead_component:sova-aaa-thomalma-ref802

Alma W. Thomas Retrospective Exhibition (1972), Corcoran Gallery of Art, Printed Material

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96e955016-3fd5-4ba0-a399-d49ebda11106
EDAN-URL:
ead_component:sova-aaa-thomalma-ref812
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Alma W. Thomas Retrospective Exhibition (1972), Corcoran Gallery of Art, Printed Material digital asset number 1

Exhibition Announcements and Catalogs

Collection Creator:
Reid, Robert Dennis, 1924-2000  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
1961-1975, circa 1960s-1970s
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Dennis Reid papers, 1961-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Dennis Reid papers
Robert Dennis Reid papers / Series 3: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d0c0296f-65a5-47fe-b3c6-90b4ab171d42
EDAN-URL:
ead_component:sova-aaa-reidrobd-ref21
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Exhibition Announcements and Catalogs digital asset number 1

Glen Michaels papers, 1953-1973

Creator:
Michaels, Glen, 1927-  Search this
Bertha Schaefer Gallery  Search this
Subject:
Mouliniere, Marie  Search this
Rado, Claire  Search this
Sterne, Jan Peter  Search this
Yamasaki, Minoru  Search this
Naiman, Lee  Search this
Little Gallery (Birmingham, Mich.)  Search this
Lee Nordness Galleries  Search this
Citation:
Glen Michaels papers, 1953-1973. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7983
(DSI-AAA_SIRISBib)210152
AAA_collcode_michglen
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210152

Patti Warashina papers, circa 1900-1991, bulk 1970-1989

Creator:
Warashina, Patti, 1940-  Search this
Subject:
Lipofsky, Marvin  Search this
Lucero, Michael  Search this
Kottler, Howard  Search this
Sperry, Robert  Search this
Currier, Anne  Search this
Lee Nordness Galleries  Search this
Type:
Video recordings
Photographs
Citation:
Patti Warashina papers, circa 1900-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Topic:
Japanese American families -- Photographs  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Women ceramicists  Search this
Women sculptors  Search this
Theme:
Craft  Search this
Women  Search this
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5577
(DSI-AAA_SIRISBib)214325
AAA_collcode_warapatt
Theme:
Craft
Women
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214325
Online Media:

Arline M. Fisch papers, 1931-2015

Creator:
Fisch, Arline M.  Search this
Subject:
Antunes, Edith  Search this
American Craftsmen's Council  Search this
Boston University  Search this
Electrum (Gallery : London, England)  Search this
Lee Nordness Galleries  Search this
National Endowment for the Arts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
San Diego State University  Search this
Skidmore College  Search this
Society of North American Goldsmiths  Search this
World Crafts Council  Search this
Internationale Handwerksmesse  Search this
Type:
Photographs
Video recordings
Citation:
Arline M. Fisch papers, 1931-2015. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Decorative arts  Search this
Women artists  Search this
Women educators  Search this
Theme:
Women  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)11056
(DSI-AAA_SIRISBib)245834
AAA_collcode_fiscarli
Theme:
Women
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_245834
Online Media:

Lee Nordness Galleries

Collection Creator:
Terry Dintenfass, Inc.  Search this
Container:
Box 5, Folder 25
Type:
Archival materials
Date:
1969
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Terry Dintenfass, Inc. records, 1947-1987, bulk 1961-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Terry Dintenfass, Inc. records
Terry Dintenfass, Inc. records / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cde193c1-c305-4c0b-9945-e3d44b04ca8a
EDAN-URL:
ead_component:sova-aaa-terrdint-ref266

Nordness Gallery

Collection Creator:
Midtown Galleries  Search this
Container:
Reel 5360, Frame 82-104
Type:
Archival materials
Date:
1960-1968
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
See more items in:
Midtown Galleries records
Midtown Galleries records / Series 1: Administrative Correspondence / 1.1: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw983ba4f02-fe4e-4bcc-a4ad-2bdc2a26b54b
EDAN-URL:
ead_component:sova-aaa-midtgall-ref3698

Oral history interview with William Underhill, 2002 June 8

Interviewee:
Underhill, William, 1933-  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Subject:
Voulkos, Peter  Search this
Alfred University  Search this
Lee Nordness Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with William Underhill, 2002 June 8. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Economic aspects  Search this
Bronze founding -- Technique  Search this
Decorative arts  Search this
Metal-work  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12395
(DSI-AAA_SIRISBib)237765
AAA_collcode_underh02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237765
Online Media:

Oral history interview with William Underhill

Interviewee:
Underhill, William, 1933-  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Faculty  Search this
Lee Nordness Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 8
Scope and Contents:
An interview of William Underhill conducted 2002 June 8, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Wellsville, N.Y.
Underhill speaks of being born in Berkeley, California, to parents who were art teachers; the differences between the West Coast Bay Area arts and crafts movement and that of the east coast; attending California College of Arts & Crafts for two years and then transferring to the University of California at Berkeley, in 1953, to enter the architecture program; building a dome out of aluminum for the city of Oakland's parks department with other students during the summer of 1956; being drafted into the Army in 1957; working for the U.S. Army headquarters in Germany as a draftsman; prominent and influential craft artists that he knew; marrying Linn Baldwin [Underhill], a fellow classmate, in 1957, and starting a family; re-entering UC Berkeley, finishing his B.A. degree in 1960 and completing his M.A. in 1961; his studies with Peter Voulkos; making bronze bowls, which led to his idea of casting wax, modeling wax fabrication, using sheet wax, and making textured sculpture and geometric shapes; having one of his bowl pieces in the Museum of Contemporary Crafts; the Oakland Museum buying a piece of his work; his teaching position at Highlands University in Las Vegas, N.M.; being in the "Young Americans" exhibit and receiving the "Best of Show" award in 1962; most teachers trying to "emulate" the style of Peter Voulkos; moving to New York; showing at the Blumenfeld Gallery; sharing a studio next to the Clay Arts Center in Port Chester, N.Y.; building a foundry and a melting facility; teaching part-time at a community adult art center in White Plains, N.Y.; his financial difficulties; teaching part-time at Pratt Institute in 1965; J. Gordon Lippincott, of the industrial firm Lippincott and Margolies, commissioning him to do large scale steel sculptures for major corporations; working as a draftsman in an architect's office in New York City to pay for rent and groceries in 1966; teaching a summer session at Columbia's Teacher's College; teaching full-time as an instructor at New York University in 1967; teaching a workshop at Alfred University, in 1963; interviewing for a teaching position at Alfred at the College Art Association meeting, in Boston, in 1968; moving in the summer of 1969 to Alfred to teach; his counter-culture lifestyle and consequent decrease in his artistic production; showing at the Lee Nordness Gallery in the 1960s; exhibiting at the Perimeter Gallery, Helen Drutt Gallery, Twining Gallery, and Garth Clark Gallery in the 1980s; creating the bronzed statue of King Alfred for Alfred University and selling his copyright to them; his signature stamp; having pieces in the American Craft Museum and in the San Francisco Museum of Modern Art's collection; teaching at Haystack Mountain School of Crafts, the Anderson Ranch, and the Mendocino Art Center; various craft magazines including Craft Horizons and Metalsmith; being a member of the American Craft Council [ACC]; his retirement in 1997; and working at the Berkeley Art Foundry in the summer of 2002. Underhill also recalls Robert Arneson, Josephine Blumenfeld, Diane Cox, Val Cushing, Peter Dodge, Jack Earl, Andrew Jevremovic, Manuel Neri, Bill Parry, Ted Randall, Dan Rhodes, Glenn Zweygardt, and others.
Biographical / Historical:
William Underhill (1933- ) is a metalsmith from Wellsville, N.Y. Margaret Carney is an art historian from New York.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 7 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- New York (State)  Search this
Topic:
Art -- Economic aspects  Search this
Bronze founding -- Technique  Search this
Decorative arts  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.underh02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95087d49d-5038-472c-9acd-5e8f7ca6ca3c
EDAN-URL:
ead_collection:sova-aaa-underh02
Online Media:

Nordness Gallery

Collection Creator:
McChesney, Robert, 1913-2008  Search this
Container:
Box 2, Folder 10
Type:
Archival materials
Date:
1964-1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert McChesney papers, 1913-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert McChesney papers
Robert McChesney papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb863ed8-a86b-45db-a4ee-fde5cb687761
EDAN-URL:
ead_component:sova-aaa-mcchrobe-ref71

Brown Brook

Artist:
Gregorio Prestopino, American, b. New York City, 1907–1984  Search this
Medium:
Oil on linen
Dimensions:
33 1/8 x 42 1/8 in. (83.8 x 106.7 cm)
Type:
Painting
Date:
1958
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4163
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py257057209-9492-405e-afff-7c32dac37752
EDAN-URL:
edanmdm:hmsg_66.4163

Electrification

Artist:
Ralston Crawford, American, b. St. Catharines, Ontario, Canada, 1906–1978  Search this
Medium:
Oil on canvas
Dimensions:
32 1/8 x 40 3/8 in. (81.5 x 102.4 cm)
Type:
Painting
Date:
(1936)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.75
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Precisionism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2dc9368d5-06bc-4852-9cf4-92b81d45d291
EDAN-URL:
edanmdm:hmsg_72.75

Factory with Lights

Artist:
Ralston Crawford, American, b. St. Catharines, Ontario, Canada, 1906–1978  Search this
Medium:
Oil on canvas
Dimensions:
24 x 34 in. (61 x 86.4 cm)
Type:
Painting
Date:
1947
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.1061
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Precisionism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2c0b5c529-4960-4bb9-9543-1aca7d575879
EDAN-URL:
edanmdm:hmsg_86.1061

Morning Subway [painting] / (photographed by Peter A. Juley & Son)

Artist:
Prestopino, Gregorio 1907-1984  Search this
Type:
Photograph
Topic:
Cityscape  Search this
Figure  Search this
Architecture exterior--Vehicle--Subway  Search this
Image number:
JUL J0112691
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112692

Afternoon Sun [painting] / (photographed by Peter A. Juley & Son)

Artist:
Prestopino, Gregorio 1907-1984  Search this
Type:
Photograph
Topic:
Figure--Full length  Search this
Architecture interior  Search this
Recreation--Leisure  Search this
Image number:
JUL J0112692
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112693

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Millman, Edward 1907-1964  Search this
Type:
Photograph
Image number:
JUL J0112696
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112697

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