Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Art for the public : new collaborations ; Dayton Art Institute, Experiencenter Gallery, March 15 - July 4, 1988 / essays by Penny Balkin Bach, Pamela Houk, Gerald Nordland
Drawings : a developmental survey of the drawing of Connor Everts since 1952 / originated and circulated by the Pasadena Art Museum ; with text by Gerald Nordland
Barnett Newman's letter to Herman Warner Williams and seven letters to Green from Mark Di Suvero, Gerald Nordland, and Clyfford Still discuss the progress and exhibition of their work.
Reel 3567: Clyfford Still's 4 letters and a postcard concern plans to visit Green and his views on the state of the art world. Gerald Nordland's letter contains excerpts of his correspondence with Still and his wife regarding a 1967 exhibit of Still's work at the San Francisco Museum of Art. Barnett Newman's letter to Williams, director of the Corcoran Gallery of Art, concerns a proposed exhibit of Newman's work at the Corcoran.
Reel 4391: Mark Di Suvero's letter discusses his difficulties in producing work according to a timetable and thanks Green for releasing him from an exhibition deadline.
Biographical / Historical:
Gallery owner and art historian; Washington, D.C. During the late 1960s, Eleanor (Sue) Broome Green was curator of contemporary art at the Corcoran Gallery of Art in Washington, D.C.
Provenance:
Donated 1985 by Eleanor Broome Green.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.