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Nordland, Gerald

Collection Creator:
McLaughlin, John, 1898-  Search this
Container:
Box 1, Folder 47
Type:
Archival materials
Date:
1959-1964
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
See more items in:
John McLaughlin papers
John McLaughlin papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f14fb4d-853c-4fdb-aa99-8d84bcf639dc
EDAN-URL:
ead_component:sova-aaa-mclajohn-ref764

Nordland, Gerald

Collection Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Container:
Box 8, Folder 36-40
Type:
Archival materials
Date:
1966-1998, undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Kainen papers
Jacob Kainen papers / Series 2: Correspondence/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a0e5fdbe-7c86-4d40-ac38-121437e8db95
EDAN-URL:
ead_component:sova-aaa-kainjaco-ref296

Nordland, Gerald

Collection Creator:
Harden, Marvin, 1935-  Search this
Container:
Box 1, Folder 35
Type:
Archival materials
Date:
1977-1986
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Harden papers, circa 1936-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Harden papers
Marvin Harden papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e8ee0b0d-a836-4e12-b051-f4f622934202
EDAN-URL:
ead_component:sova-aaa-hardmarv-ref63

Nordland, Gerald

Collection Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Container:
Box 36, Folder 54
Type:
Archival materials
Date:
1979
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Kainen papers
Jacob Kainen papers / Series 4: Diaries / 4.2: Diary Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw920dedeb9-bfd2-49ac-a760-d10471355697
EDAN-URL:
ead_component:sova-aaa-kainjaco-ref1638

Nordland, Gerald

Collection Creator:
Jenkins, Paul, 1923-2012  Search this
Container:
Box 7, Folder 23
Type:
Archival materials
Date:
1973-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. One letter from Paul Jenkins to Norman Bluhm, circa 1966, is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Collection Rights:
Entire (except oversize watercolors): Authorization to quote or reproduce for the purposes of publication requires written permission from Suzanne or Paul Jenkins, c/o Imago Terrae. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Jenkins papers, circa 1915-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Jenkins papers
Paul Jenkins papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988b6e47b-8ed6-4004-b7f3-ebccded7573b
EDAN-URL:
ead_component:sova-aaa-jenkpaul2-ref347

Gene Davis papers

Creator:
Davis, Gene, 1920-1985  Search this
Names:
White House (Washington, D.C.)  Search this
Baro, Gene  Search this
Colby, Carl  Search this
Davis, Douglas  Search this
Davis, Florence  Search this
Greenberg, Clement, 1909-1994  Search this
McGowin, Ed, 1938-  Search this
Naifeh, Steven, 1952-  Search this
Nordland, Gerald  Search this
North, Percy, 1945-  Search this
Seitz, William C. (William Chapin)  Search this
Thomas, Alma  Search this
Wall, Donald  Search this
Extent:
17.7 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Date:
1920-2000
bulk 1942-1990
Summary:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.
Scope and Contents:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, and to a lesser degree his early career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.

Biographical materials include birth and death certificates, awards, biographical narratives by Gene Davis and others, CVs, résumés, personal documents from Davis's family and childhood, documents related to his work as a White House correspondent, documentation related to his death and memorial service, and papers for the family pets. A video documentary about Davis by Carl Colby is found on one videocassette.

Correspondence is mainly of a professional nature, and correspondents include gallery and museum curators, private art collectors, publishers, fellow artists, art educators, academics, and students. Letters document exhibitions, sales, book projects, teaching jobs, visits to studios, local art community events in the Washington, D.C. area, and other projects. Significant correspondents include Gene Baro, Douglas Davis, Clement Greenberg, Gerald Nordland, William Seitz, Alma Thomas, and Donald Wall. Interviews and lectures include sound recordings and transcripts. Many of the interviews were broadcast or published. Also found is a single lecture by Davis given in 1969 at the National Collection of Fine Arts, Smithsonian Institution, entitled "Contemporary Painting." Sound recordings are found for three of the interviews and for the lecture, on 4 sound reels and 1 sound cassette.

Business records include artwork documentation, price lists, sales records, contracts, financial and legal records, gallery and museum files documenting sales and exhibitions, records related to the construction of Davis's home studio in 1970, and a few teaching records. Estate records mainly reflect Florence Davis's efforts to document the works of her husband, and to manage their exhibition, promotion, and sale after his death in April 1985. Estate records include an inventory of artworks, documentation of gifts to museums, correspondence, legal, and financial records. Writings include notes, drafts of essays, artist statements, and articles by Davis, and many articles by others about Davis. Several of Davis's articles reflect specifically on the Washington, D.C. art scene. Also found are drafts of monographs on Davis including one by Donald Wall (1975) and one by Steven Naifeh (1982). Records of Naifeh's book also include photographs of all black and white and color plates from the published book. Among the writings are also notes and research files of Percy North, who worked on an update to Naifeh's 1982 bibliography after Davis's death.

Printed materials include annual reports of museums, published arts-related calendars, auction catalogs, brochures from organizations with which Davis had some affiliation, exhibition announcements and invitations, exhibition catalogs, magazine articles, newspaper clippings, newsletters, posters, press releases, and other published material. Photographs include personal photographs of Gene and Florence Davis and their families, portraits of Gene Davis, photographs of Gene Davis with artworks and working in the studio, Davis' art classes and students, installations of site-specific works, conceptual and video works, exhibition openings, and photographs of artwork, both installed in exhibitions and individually photographed. Found among the photographs are also four videocassettes documenting the Gene Davis retrospective as installed at the Smithsonian National Museum of American Art in 1987.

Artwork includes photographs, drawings, moving images, and documentation of conceptual art. Works by Davis include documentation of the 1969 "Giveaway" with Douglas Davis and Ed McGowin, "The Artist's Fingerprints Except for One which belongs to someone else," documentation of his "Air Displacement" happening, a short film entitled "Patricia," and a video entitled "Video Puzzle." Other moving images include four reels of film of Davis's stripe paintings, and other experiments with motion picture film and photographs.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1930-1987 (0.6 linear feet; Boxes 1, 17)

Series 2: Correspondence, 1943-1990 (1.7 linear feet; Boxes 1-3)

Series 3: Interviews and Lectures, 1964-1983 (0.3 linear feet; Box 3)

Series 4: Business and Estate Records, 1942-1990 (1.6 linear feet; Boxes 3-5, 17, OV 20)

Series 5: Writings, 1944-1990 (2 linear feet; Boxes 5-6, 17, OV 19)

Series 6: Printed Material, 1942-1990 (5.5 linear feet; Boxes 7-11, 17-18, OV 20, FC 35-37)

Series 7: Photographs, 1920-2000 (3.8 linear feet; Boxes 11-15, 17, OV 19)

Series 8: Artwork, 1930-1985 (2.2 linear feet; Boxes 15-16, 18, FC 21-34)
Biographical / Historical:
Gene Davis (1920-1985) was a Washington, D.C.-based artist and educator who worked in a variety of media, including painting, drawing, collage, video, light sculpture, and conceptual art. Davis is best known for his vertical stripe paintings and his association with the Washington Color School.

Davis was born in 1920 in Washington, D.C. and began his career as a writer. In his twenties he wrote pulp stories and worked as a journalist, reporting for United Press International and serving as a White House correspondent for Transradio Press Service during the Truman administration. Later, he worked in public relations for the Automobile Association of America. A self-taught artist, Davis began painting while still working full-time as a writer, influenced by the prevailing abstract expressionist artists of the time, his frequent visits to the Corcoran Gallery and Phillips Collection in Washington, D.C., and by his friend and mentor, Jacob Kainen. His first one-man show was held in the lobby of the Dupont Theater in Washington in 1952. He had a drawing accepted in the Corcoran Area Show in 1953, and won several local art prizes in the 1950s. He began showing work regularly in galleries around Washington, such as the Watkins Gallery at American University, the Gres Gallery, and the Henri Gallery, and had solo exhibitions at Jefferson Place Gallery in 1959 and 1961. Many of the painters who made up what became known as the Washington Color School also showed there, including Kenneth Noland, Howard Mehring, and Sam Gilliam. In 1965, the Washington Gallery of Modern Art held a seminal exhibition entitled Washington Color Painters, which included Davis, Noland, Mehring, Morris Louis, Thomas Downing, and Paul Reed.

Davis began showing outside of Washington regularly in the 1960s, including the Poindexter and Fischbach galleries in New York City, and in several important group shows at museums such as the Museum of Modern Art, the Whitney Museum, and the San Francisco Museum of Modern Art. He had three works shown in the 1964 exhibition Post-Painterly Abstraction, organized by the influential art critic Clement Greenberg at the Los Angeles County Museum of Art. In the late 1960s, he began teaching art classes at the Corcoran School, and spent the summer of 1969 as artist in residence at Skidmore College's "Summer in Experiment" program.

Davis experimented with form continuously throughout his career, including a period of conceptual work in the late 1960s. In 1969 he participated in the "Giveaway," organized by Douglas Davis and Ed McGowin, in which multiple copies of a Davis painting were given away to invited guests in a gesture intended to subvert the art market. Davis also began experimenting with scale, creating a series of tiny paintings he called "Micro-paintings," which were exhibited at Fischbach Gallery in 1968. Around this time he also began working with film and video, recruiting models from his art classes to enact tightly choreographed movement pieces that played with rhythm and interval. Convinced by a lawyer that his videos were a liability without having obtained releases from the models, Davis destroyed all but one of his video works. The surviving video, "Video Puzzle," shows a foreshortened view of a model on the floor of a gallery spelling out a statement by Clement Greenberg at predetermined intervals.

Davis made several large-scale site-specific works using the stripe motif in public places. The first of these was created in the Bal Harbour, Florida, Neiman Marcus department store in 1970. Later works included Franklin's Footpath, executed in the road leading to the Philadelphia Museum of Art in 1972, and Niagara (1979) at ArtPark in Lewistown, NY, promoted at the time as the largest painting in the world. Interior large-scale works were created twice at the Corcoran Gallery, with Magic Circle (1975) and Ferris Wheel (1982), both executed in the museum's rotunda. Black Yo-Yo was created for the Cranbrook Academy in 1980, and Sun Sonata (1983), an illuminated wall of colored liquid-filled tubes, was created as an architectural feature of the Muscarelle Museum of Art in Williamsburg, Virginia. Plans for an unexecuted work called "Grass Painting," for a site near the Kennedy Center in Washington, D.C., were exhibited in the 1974 "Art Now" festival.

In the late 1970s and 1980s Davis consistently exhibited his work in several solo gallery shows a year, and also had numerous solo exhibitions in major museums. A major exhibition, Recent Paintings, was organized by the Walker Art Center in 1978, and traveled to the Corcoran Gallery of Art in 1979. A drawing retrospective was held at the Brooklyn Museum of art in 1983, and the same year the Washington Project for the Arts organized an exhibition entitled Child and Man: A Collaboration, featuring drawings Davis made in response to childrens' drawings. Davis died suddenly in April 1985 at the age of 65, and a major retrospective of his work was held at the Smithsonian National Museum of American Art in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Gene Davis conducted by Estill Curtis Pennington on April 23, 1981. A transcript is available on the Archives of American Art website.
Provenance:
Donated 1981 by Gene Davis and 1986 by his wife, Florence. Additional material donated 1991 and 1993 from Smithsonian American Art Museum via a bequest to them from the Gene and Florence Davis estate. Much of the 1993 addition was assembled by art historian Percy North at the request of Florence Davis. An additional folder of photographs of Davis taken in 1969 but printed in 2000 was later added to the collection.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Reporters and reporting -- Washington (D.C.)  Search this
Video artists -- Washington, D.C.  Search this
Conceptual artists -- Washington, D.C  Search this
Painters -- Washington (D.C.)  Search this
Collagists -- Washington, D.C  Search this
Topic:
Color-field painting  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Citation:
Gene Davis papers, 1920-2000, bulk 1942-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davigene
See more items in:
Gene Davis papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a230f67-650f-483a-acdf-50b6ca91fe59
EDAN-URL:
ead_collection:sova-aaa-davigene
Online Media:

Composition with Blue and Yellow (Composition Bleu-Jaune)

Artist:
Piet Mondrian, Dutch, b. Amersfoort, 1872–1944  Search this
Medium:
Oil on canvas
Dimensions:
28 3/4 x 27 1/4 in. (73 x 69.6 cm)
Type:
Painting
Date:
1935
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972
Accession Number:
72.205
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2045cd6ba-93ed-4c43-ab37-654a40a13b2c
EDAN-URL:
edanmdm:hmsg_72.205

Man and Woman in a Large Room

Artist:
Richard Diebenkorn, American, b. Portland, Oregon, 1922–1993  Search this
Medium:
Oil on canvas
Dimensions:
71 1/8 × 62 1/2 in. (180.7 × 158.8 cm)
Type:
Painting
Date:
1957
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1371
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Bay Area Figuration
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26f3c818f-3f5d-4cfd-92fa-2e53dc7db670
EDAN-URL:
edanmdm:hmsg_66.1371

Ocean Park #111

Artist:
Richard Diebenkorn, American, b. Portland, Oregon, 1922–1993  Search this
Medium:
Oil and charcoal on canvas
Dimensions:
93 1/8 x 93 1/4 in. (236.5 x 236.9 cm)
Type:
Painting
Date:
1978
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1979
Accession Number:
79.235
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Bay Area Figuration
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py28931f473-9659-4eee-aae1-b62155638e97
EDAN-URL:
edanmdm:hmsg_79.235

Berkeley No. 22

Artist:
Richard Diebenkorn, American, b. Portland, Oregon, 1922–1993  Search this
Medium:
Oil on canvas
Dimensions:
59 x 57 in. (149.8 x 144.8 cm)
Type:
Painting
Date:
1954
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Regents Collections Acquisition Program, 1986
Accession Number:
86.5886
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Bay Area Figuration
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py278122a81-e5fc-46af-9e3f-ba44992abbdf
EDAN-URL:
edanmdm:hmsg_86.5886

Duo F

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976  Search this
Medium:
Inkless intaglio on paper
Dimensions:
sheet: 15 x 22 5/16 in. (38.1 x 56.6 cm) image: 5 1/16 x 13 9/16 in. (12.9 x 34.4 cm)
Type:
Print
Date:
1959
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.31
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22f2a0371-90dc-44e2-894b-a2b0a81b608e
EDAN-URL:
edanmdm:hmsg_66.31

Oral history interview with Gerald Nordland, 2004 May 25-26

Interviewee:
Nordland, Gerald, 1927-  Search this
Interviewer:
Larsen, Susan C.  Search this
Subject:
Lachaise, Gaston  Search this
Gorky, Arshile  Search this
Johnston, Ynez  Search this
Diebenkorn, Richard  Search this
University of Southern California.  Search this
Type:
Sound recordings
Interviews
Topic:
Curators -- Interviews  Search this
Art, American -- California -- San Francisco  Search this
Art, American -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Art, American -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)11679
(DSI-AAA_SIRISBib)249051
AAA_collcode_nordla04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249051
Online Media:

Nude on Steps [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
1918
Topic:
Figure female--Full length--Nude  Search this
Image number:
JUL J0034570
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_34571

Man Walking [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
1933
Topic:
Figure male--Full length  Search this
Figure male--Nude  Search this
Image number:
JUL J0034598
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_34599

The Mountain [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
1924
Topic:
Figure female--Full length  Search this
Figure female--Nude  Search this
Image number:
JUL J0034636
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_34637

Standing Nude [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
Modeled 1915-1917
Topic:
Figure female--Full length--Nude  Search this
Image number:
JUL J0095823
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_95824

Dolphin Fountain [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
1924
Topic:
Animal--Dolphin  Search this
Image number:
JUL J0035829
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_35830

Dusk [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
1917
Topic:
Figure female--Full length  Search this
Figure female--Nude  Search this
Allegory--Time--Dusk  Search this
Image number:
JUL J0034569
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_34570

Dolphin Fountain [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
1924
Topic:
Animal--Dolphin  Search this
Image number:
JUL J0034597
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_34598

Floating Figure (detail) [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Lachaise, Gaston 1882-1935  Search this
Type:
Photograph
Date:
1927
Topic:
Figure female--Nude  Search this
Image number:
JUL J0034631
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_34632

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