Skip to main content Smithsonian Institution

Search Results

Collections Search Center
31 documents - page 1 of 2

Youth Speaks poet Benjamin Earl Turner at the Smithsonian Folklife Festival

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2016-07-19T22:25:12.000Z
YouTube Category:
Travel & Events  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_YNZTg_QB9ck

Fruits of the Vine: Pride and Power in Mariachi Music

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-12-12T19:18:49.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_bhkhzqXs7VA

BLK Vol. 2 No. 5

Published by:
Alan Bell, American  Search this
Edited by:
Alan Bell, American  Search this
Subject of:
Michael Jones  Search this
Nadirah Shakoor, American, born 1959  Search this
Rep. Maxine Waters, American, born 1938  Search this
Rev. Carl Bean, American, 1944 - 2021  Search this
Roger V. Pamplin Jr., American, died 1990  Search this
Rev. Dr. Renee McCoy, American, born 1951  Search this
Unity Fellowship Church, American, founded 1982  Search this
Minority AIDS Project, American, founded 1985  Search this
National Coalition of Black Lesbians and Gays, American, 1978 - 1990  Search this
Gilberto Gerald, Panamanian American, born 1950  Search this
Donna Summer, American, 1948 - 2012  Search this
Keith St. John, American, born 1957  Search this
Gay Men of African Descent, American, founded 1986  Search this
Jewel Thais-Williams, American  Search this
Phill Wilson, American, born 1956  Search this
AIDS Project Los Angeles, American, founded 1983  Search this
Nation of Islam, American, founded 1930  Search this
National LGBTQ Task Force, American, founded 1974  Search this
Barbara Smeltzer  Search this
Rev. C. T. Vivian, American, 1924 - 2020  Search this
Janet Jackson, American, born 1966  Search this
Thelma Houston, American, born 1943  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W x D: 10 13/16 × 8 1/4 × 1/8 in. (27.4 × 20.9 × 0.3 cm)
Type:
magazines (periodicals)
Place made:
Los Angeles, Los Angeles County, California, United States, North and Central America
Place depicted:
Burlington, Mineral County, West Virginia, United States, North and Central America
Baltimore, Baltimore County, Maryland, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
New York City, New York, United States, North and Central America
Chicago, Cook County, Illinois, United States, North and Central America
Detroit, Wayne County, Michigan, United States, North and Central America
Los Angeles, Los Angeles County, California, United States, North and Central America
Seattle, King County, Washington, United States, North and Central America
Austin, Travis County, Texas, United States, North and Central America
Eket, Akwa Ibom, Nigeria, Africa
Johannesburg, Gauteng, South Africa, Africa
Port-au-Prince, Ouest, Haiti, Caribbean, Latin America
Date:
May 1990
Topic:
African American  Search this
Activism  Search this
Associations and institutions  Search this
Black Press  Search this
Christianity  Search this
Communities  Search this
Fashion  Search this
Health  Search this
Humanitarianism  Search this
Identity  Search this
International affairs  Search this
LGBTQ  Search this
Mass media  Search this
Medicine  Search this
Men  Search this
Nation of Islam  Search this
Politics  Search this
Race discrimination  Search this
Religion  Search this
Sexuality  Search this
Singers (Musicians)  Search this
U.S. History, 1969-2001  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Alan Bell
Object number:
2018.108.18
Restrictions & Rights:
© BLK Publishing Company, Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Movement:
African American - Latinx Solidarity
HIV/AIDS Activist Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd504107518-3dfa-48da-9b09-a0064cd4d371
EDAN-URL:
edanmdm:nmaahc_2018.108.18

What Dance Can Do: How Local Motion Project Visualizes Conservation through Movement

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Lectures
Blog posts
Published Date:
Thu, 23 Jun 2022 16:06:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_2bceb834fb51135ad2ec1e381bdd2aae

Sweet & Hot Music Charter Member Pin

User:
Levin, Floyd  Search this
Physical Description:
metal (overall material)
enamel (overall material)
red (front color)
white (front color)
Measurements:
overall: 1 in x 7/8 in x 1/4 in; 2.54 cm x 2.2225 cm x .635 cm
Object Name:
pin
Place made:
United States: California, Los Angeles
Date made:
1996
Credit Line:
Gift of Lucille Levin
ID Number:
2011.3086.056
Nonaccession number:
2011.3086
Catalog number:
2011.3086.056
See more items in:
Culture and the Arts: Musical Instruments
Music & Musical Instruments
Popular Entertainment
Jazz
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-956e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1419837
Online Media:

The Los Angeles Sweet & Hot Music Festival Badge

User:
Levin, Floyd  Search this
Physical Description:
plastic (overall material)
paper (overall material)
ink (overall material)
Measurements:
overall: 4 in x 2 1/2 in; 10.16 cm x 6.35 cm
Object Name:
badge
Place made:
United States: California, Los Angeles
Date made:
1996
Credit Line:
Gift of Lucille Levin
ID Number:
2011.3086.063
Nonaccession number:
2011.3086
Catalog number:
2011.3086.063
See more items in:
Culture and the Arts: Musical Instruments
Music & Musical Instruments
Popular Entertainment
Jazz
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-7fc2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1420971
Online Media:

The Los Angeles Sweet & Hot Music Festival Badge

User:
Levin, Floyd  Search this
Physical Description:
paper (overall material)
ink (overall material)
plastic (overall material)
Measurements:
overall: 4 in x 2 1/2 in; 10.16 cm x 6.35 cm
Object Name:
badge
Place made:
United States: California, Los Angeles
Date made:
1998
Credit Line:
Gift of Lucille Levin
ID Number:
2011.3086.064
Nonaccession number:
2011.3086
Catalog number:
2011.3086.064
See more items in:
Culture and the Arts: Musical Instruments
Music & Musical Instruments
Popular Entertainment
Jazz
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-7fc3-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1420972
Online Media:

The Los Angeles Sweet & Hot Music Festival Badge

User:
Levin, Floyd  Search this
Physical Description:
plastic (overall material)
paper (overall material)
ink (overall material)
Measurements:
overall: 3 7/8 in x 2 1/2 in; 9.8425 cm x 6.35 cm
Object Name:
badge
Place made:
United States: California, Los Angeles
Date made:
1999
Credit Line:
Gift of Lucille Levin
ID Number:
2011.3086.065
Nonaccession number:
2011.3086
Catalog number:
2011.3086.065
See more items in:
Culture and the Arts: Musical Instruments
Music & Musical Instruments
Popular Entertainment
Jazz
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-5c06-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1420974
Online Media:

ONE TAM

Physical Description:
metal; plastic (overall material)
Measurements:
overall: 1/8 in x 15/16 in; .3175 cm x 2.38125 cm
Object Name:
button
Subject:
Environmental Movement  Search this
Credit Line:
Gift of Gerald H. Meral, Ph.D.
ID Number:
2019.0150.35
Catalog number:
2019.0150.35
Accession number:
2019.0150
See more items in:
Medicine and Science: Biological Sciences
Environmental Buttons
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-1420-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1942531

ONE TAM

Physical Description:
metal; plastic (overall material)
Measurements:
overall: 1/8 in x 15/16 in; .3175 cm x 2.38125 cm
Object Name:
button
Subject:
Environmental Movement  Search this
Credit Line:
Gift of Gerald H. Meral, Ph.D.
ID Number:
2019.0150.36
Catalog number:
2019.0150.36
Accession number:
2019.0150
See more items in:
Medicine and Science: Biological Sciences
Environmental Buttons
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-a931-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1942604

Poster for A Series of Events Endangered: Art and Performance by Men of Color

Designed by:
Seitu Jones  Search this
Subject of:
Marlon Riggs, American, 1957 - 1994  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W: 16 1/2 × 12 3/4 in. (41.9 × 32.4 cm)
Type:
posters
Place used:
Minneapolis, Hennepin County, Minnesota, United States, North and Central America
Date:
1990
Topic:
African American  Search this
Gender  Search this
Identity  Search this
LGBTQ  Search this
Men  Search this
Sexuality  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Jack Vincent in memory of Marlon Riggs
Object number:
2014.169.4
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Advertisements
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd544e177d2-d46b-4bbe-ac4c-40969c449c55
EDAN-URL:
edanmdm:nmaahc_2014.169.4
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Poster for A Series of Events Endangered: Art and Performance by Men of Color digital asset number 1
Online Media:

Woman's Building records

Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Names:
Feminist Studio Workshop  Search this
Women's Graphic Center (Los Angeles, Calif.)  Search this
Chicago, Judy, 1939-  Search this
De Bretteville, Sheila Levrant  Search this
Raven, Arlene  Search this
Extent:
33.5 Linear feet
Type:
Collection descriptions
Archival materials
Slides
Artists' books
Date:
1970-1992
Summary:
The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.
Scope and Content Note:
The records of the Woman's Building measure 33.5 linear feet and date from 1970 to 1992. The organization played a key role as an alternative space for women artists energized by the feminist movement in the 1970s. The records document the ways in which feminist theory shaped the Building's founding core mission and goals. During its eighteen year history, the Building served as an education center and a public gallery space for women artists in Los Angeles and southern California; the records reflect both functions of the Building's activities.

The Administrative Files series documents the daily operations of the Building, with particular emphasis on management policies, budget planning, history, cooperative relationships with outside art organizations and galleries, special building-wide programs, and relocation planning. Included in this series are the complete minutes from most Building committees from 1974 through closing, including the Board of Directors and the Advisory Council. The General Publicity and Outreach series is particularly complete, containing publicity notices from most events, exhibits, and programs held at the Woman's Building, including brochures, announcements, programs, invitations, press releases, newspaper clippings, and magazine articles.

The Woman's Building's educational programs centered on courses offered by the Feminist Studio Workshop and the Extension Program. While the Workshop provided a two-year program for women interested in fully developing their artistic talent, the Extension Program offered a broad range of classes, specifically oriented to working women interested in art and art vocations. The records fully document both programs, focusing on the course development and descriptions, teacher contracts, class evaluations, budget planning, and scholarship programs. Although the Archives does not have the entire slide library, there are files concerning the establishment and administration of the library, as well as a few folders of slides.

The Gallery Programs series houses the records of the visual, performing, literary and video arts events held at the Woman's Building. Administrative files detail the daily operation of the gallery spaces. The files in the remaining subseries are primarily arranged by event and contain proposals, announcements, publicity, and artist biographies.

The Women's Graphic Center became a profit-making arm of the Woman's Building in 1981 but the typesetting and design equipment had been used by staff and students since 1975. The records in this series focus on the work produced at the Center, including general projects and artist designs and art prints. Many of the design and printing examples were produced for Woman's Building events and programs.

The Artist's Works of Art series includes artist books, resumes, correspondence, postcards, and samples of art in the form of sketches, drawings, and prints. There is also material related to Woman's Building projects. Especially noteworthy is the "What is Feminist Art?" project where artists gave their responses in various formats and mediums from text to pieces of artwork.

The Printed Materials series contains feminist and art publications not produced by or for the Woman's Building.
Arrangement:
The collection is arranged into 7 series.

Series 1: Administrative Files, circa 1970-1991 (Box 1-9, 32; 9 linear feet)

Series 2: Educational Programs, 1971-1991 (Box 10-14; 4.9 linear feet)

Series 3: Gallery Programs, 1973-1991 (Box 14-20, OV 54; 5.7 linear feet)

Series 4: Women's Graphic Center, circa 1976-1989 (Box 20-23, 32, OV 33-50; 5.6 linear feet)

Series 5: Artists' Works of Art, circa 1972-1990 (Box 24-25, OV 51-53; 1.7 linear feet)

Series 6: Grants, 1974-1992 (Box 25-30; 5.3 linear feet)

Series 7: Printed Material (Not Woman's Building), 1970-1983 (Box 30-31; 1.3 linear feet)
Historical Note:
In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of those experiences into their artwork. Central to this vision was the idea that art should not be separated from other activities related to the developing women's movement. In November of 1973 the founders rented workshop space in a vacated building in downtown Los Angeles and called it The Woman's Building, taking the name from the structure created for the 1893 World's Columbian Exposition in Chicago. The FSW shared space with other organizations and enterprises including several performance groups, Womanspace Gallery, Sisterhood Bookstore, the National Organization of Women, and the Women's Liberation Union.

When the building they were renting was sold in 1975, the FSW and a few other tenants moved to a three-story brick structure, originally designed to be the administrative offices of the Standard Oil Company in the 1920s. In the 1940s, it had been converted into a warehouse and consisted of three floors of open space, conducive to publically available extension classes and exhibitions offered by the Woman's Building staff and students. By 1977, the majority of the outside tenants had left the Woman's Building, primarily because they were unable to sustain business in the new location. The new building was more expensive to maintain and the FSW staff decided to hire an administrator and to create a board structure to assume the financial, legal, and administrative responsibility for the Building. The funds to operate came from FSW tuition, memberships, fund-raising events, and grant monies.

In 1981, the Feminist Studio Workshop closed, as the demand for alternative education diminished. The education programs of the Building were restructured to better accommodate the needs of working women. The Woman's Building also began to generate its own artistic programming with outside artists, including visual arts exhibits, performance art, readings, and video productions. That same year, the Woman's Building founded the Women's Graphic Center Typesetting and Design, a profit-making enterprises designed to strengthen its financial base. Income generated from the phototypesetting, design, production, and printing services was used to support the educational and art making activities of the Building.

When the graphics business closed in 1988, the Woman's Building suffered a financial crisis from which it never fully recovered. The Building closed its gallery and performance space in 1991.
Related Material:
Among the other resources relating to the Woman's Building in the Archives of American Art is an oral history with Suzanne Lacy on March 16, 1990, March 24, 1990, and September 24, 1990. While not credited as a founding member, Lacy was among the first group of staff of the Woman's Building which she discusses in her interview.

The Getty Research Institute also holds a large collection on the Woman's Building which includes a wide range of material relating to its exhibitions, activities, and projects.
Separated Material:
The Archives of American Art donated 5 boxes of video tape from the collection to the Long Beach Museum of Art, Video Annex in 1994. According to documentation, this was the desire of Sandra Golvin and the Board of Directors of the Woman's Building.
Provenance:
The Woman's Building records were donated to the Archives of American Art in 1991 by Sandra Golvin, President of the Board of Directors. An small addition of a set of "Cross Pollination" posters was donated in 2019 by by ONE Archives at University of Southern California Libraries via Loni Shibuyama, Archives Librarian.
Topic:
Works of art  Search this
Art -- Study and teaching -- California -- Los Angeles  Search this
Women artists  Search this
Feminism and art  Search this
Function:
Nonprofit organizations -- California
Arts organizations -- California
Genre/Form:
Slides
Artists' books
Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.womabuil
See more items in:
Woman's Building records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938796dfe-5dbf-49e9-96e7-5a8745391f13
EDAN-URL:
ead_collection:sova-aaa-womabuil
Online Media:

Asawa, Ruth

Collection Creator:
Charles Campbell Gallery  Search this
Container:
Box 6, Folder 17
Type:
Archival materials
Date:
circa 1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Serices for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Campbell Gallery records, 1960-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Campbell Gallery records
Charles Campbell Gallery records / Series 3: Artist and Exhibition Files / 3.1: Individual Artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw918dcb3c4-bf25-4baa-8164-b671a8a43edf
EDAN-URL:
ead_component:sova-aaa-campgall-ref774
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Asawa, Ruth digital asset number 1

Of Songs, Peace, and Struggle Series, Frozen in Black and White: Images of Challenges and Change from the Civil Rights Movement

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 25, Folder 10
Type:
Archival materials
Date:
1998 January 18
Scope and Contents:
Annual commemoration of the birthday of Martin Luther King, Jr. Program presented in conjunction with the exhibition "We Shall Overcome: Photographs from America's Civil Rights Era", on Saturday, January 18, 1998, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The program included a welcome from Niani Kilkenny, images of challenge and change, slide lecture presentations, audience questions and discussion, a son workshop, and a museum tour related to the history of social change in America, including the "Field to Factory" exhibition and the Greensboro Lunch Counter.

Participants:

Adele Logan Alexander, Ph.D., assistant professor of history, George Washington University

Ira Berlin, Ph.D., professor of history, University of Maryland, College Park

Richard J.M. Blackett, Moores Distinguished Chair of History and African American Studies, University of Houston

David W. Blight, professor of history and black studies, Amherst College

W. Jeffrey Bolster, associate professor and director of the graduate program in history, University of New Hampshire

Laurence Glasco, Ph.D., associate professor of history and director of the Program for the Study of Race and Ethnicity in World Perspective, University of Pittsburgh

James Oliver Horton, Benjamin Banneker Professor of American Studies and History, George Washington University

Lois E. Horton, Ph.D., professor of sociology, George Mason University

Leon Litwack, Ph.D., Alexander F. and May T. Morrison Professor of American History and chair of the Committee on the Library, Academic Senate, University of California, Berkeley

Marie Tyler-McGraw, Ph.D., historian and education specialist, History Office of the National Park Service, Washington, DC

Joanne Pope Melish, Ph.D., visiting assistant professor, Department of History, Brown University

Fred Morsell, president of Fremarjo Enterprises, Incorporated; a nonprofit organization that produces cultural events and seminars on race relations

Carla L. Peterson, Ph.D., professor, Department of English and the comparative literature program

Joseph P. Reidy, Ph.D., professor of history, Howard University

Richard Allen Singers, Evelyn Simpson Curenton, Director

Rita Roberts, Ph.D., associate professor, Department of History and Black Studies, Scripps College, Claremont, California

James Brewer Stewart, James Wallace Professor of History, Macalester College

Rosalyn Terborg-Penn, professor of history and coordinator of graduate programs in history, Morgan State University

Program number AC408.103.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80eaceb35-0704-4a54-b625-701a8dd7f91f
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1310

Between Slavery and Freedom: Free People of Color and the Coming of the Civil War

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 25, Folder 11
Type:
Archival materials
Date:
1998 February 6-7
Scope and Contents:
The Program in African American Culture in conjunction with the African American Communities Project presented Free People of Color and the Coming of the Civil War on February 6-7, 1998, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution, in honor of the seventeenth annual national observance of African American History Month. The program included lectures, performances, and a book signing.

Participants:

Adele Logan Alexander, Ph.D., assistant professor of history, George Washington University

Ira Berlin, Ph.D., professor of history, University of Maryland, College Park

Richard J.M. Blackett, Moores Distinguished Chair of History and African American Studies, University of Houston

David W. Blight, professor of history and black studies, Amherst College

W. Jeffrey Bolster, associate professor and director of the graduate program in history, University of New Hampshire

Laurence Glasco, Ph.D., associate professor of history and director of the Program for the Study of Race and Ethnicity in World Perspective, University of Pittsburgh

James Oliver Horton, Benjamin Banneker Professor of American Studies and History, George Washington University

Lois E. Horton, Ph.D., professor of sociology, George Mason University

Leon Litwack, Ph.D., Alexander F. and May T. Morrison Professor of American History and chair of the Committee on the Library, Academic Senate, University of California, Berkeley

Marie Tyler-McGraw, Ph.D., historian and education specialist, History Office of the National Park Service, Washington, DC

Joanne Pope Melish, Ph.D., visiting assistant professor, Department of History, Brown University

Fred Morsell, president of Fremarjo Enterprises, Incorporated; a nonprofit organization that produces cultural events and seminars on race relations

Carla L. Peterson, Ph.D., professor, Department of English and the comparative literature program

Joseph P. Reidy, Ph.D., professor of history, Howard University

Richard Allen Singers, Evelyn Simpson Curenton, Director

Rita Roberts, Ph.D., associate professor, Department of History and Black Studies, Scripps College, Claremont, California

James Brewer Stewart, James Wallace Professor of History, Macalester College

Rosalyn Terborg-Penn, professor of history and coordinator of graduate programs in history, Morgan State University

Program number AC408.104.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85292ff65-8ee6-4f29-bf9b-2a270171cdfb
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1311

4 favorite pieces of adaptive winter sports gear

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Mon, 20 Mar 2017 16:03:18 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_defb8b027af077882d5883944fc3ce4f

Workplace giving : employee attitudes, perceptions and behavior / findings compiled by Cathie J. Witty ; data analysis by Jacqueline Urla and Cathie J. Witty

Author:
Witty, Cathie J  Search this
Urla, Jacqueline  Search this
University of San Francisco Institute for Nonprofit Organization Management  Search this
Physical description:
viii, 79, 2 p. : ill. ; 28 cm
Type:
Books
Place:
California
San Francisco Bay Area
Date:
1989
C1989
Topic:
Charities  Search this
Call number:
HV99.S4 W83 1989
HV99.S4W83 1989
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_392924

4 favorite pieces of adaptive winter sports gear

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Mon, 20 Mar 2017 16:03:18 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_fc17447453a3826d6b8a1a4bc136b2bc

Nonprofit boards and leadership : cases on governance, change, and board-staff dynamics / Miriam M. Wood, editor

Author:
Wood, Miriam Mason  Search this
Physical description:
xviii, 246 p. : ill. ; 24 cm
Type:
Books
Date:
1996
C1996
Topic:
Nonprofit organizations--Management  Search this
Corporate governance  Search this
Leadership  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_496938

California Indian Basketweavers Association poster collection

Creator:
California Indian Basketweavers Association  Search this
Extent:
13 Posters
Type:
Collection descriptions
Archival materials
Posters
Date:
1992-2010
Summary:
The California Indian Basketweavers Association (CIBA) is a nonprofit organization formed in 1992 in Woodland, California. CIBA's goal is "to preseve, promote, and perpetuate California Indian basket weaving traditions while providing a healthy physical, social, spiritual, and economic environment for basketweavers." CIBA holds an annual gathering for weavers to show their work, share techniques and stories and provide support to one another. This collection consists of 13 posters from the CIBA annual gatherings from 1992, 1993, 1996, 1997, 2002, 2003 and 2005 through 2010. There is also one poster from the California Statewide Traditional Gathering Policy. Several of these posters are signed by Deborah McConnell (Yurok/Quinault/Hoopa) who is the Northwestern California Field Director for CIBA.
Scope and Contents:
This collection consists of 13 posters from the CIBA annual gatherings from 1992, 1993, 1996, 1997, 2002, 2003 and 2005 through 2010. There is also one poster from the California Statewide Traditional Gathering Policy. Several of these posters are signed by Deborah McConnell (Yurok/Quinault/Hoopa) who is the Northwestern California Field Director for CIBA.
Arrangement:
The posters are organized chronologically.
Biographical / Historical:
The California Indian Basketweavers Association (CIBA) is a nonprofit organization formed in 1991 in Woodland, California. CIBA's goal is "to preseve, promote, and perpetuate California Indian basket weaving traditions while providing a healthy physical, social, spiritual, and economic environment for basketweavers." CIBA holds an annual gathering for weavers to show their work, share techniques and stories and provide support to one another.
Provenance:
The CIBA poster collection was donated to the museum by Marian Kaminitz in 2010.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Restricted: For study purposes only; copies not available.
Topic:
Indian basket makers -- California -- Congresses  Search this
Genre/Form:
Posters
Citation:
Identification of specific item; Date (if known); Collection Title; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.063
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv419d2f4d4-e721-4db2-84ea-e97172f2877f
EDAN-URL:
ead_collection:sova-nmai-ac-063

Modify Your Search







or


Narrow By