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Oral history interview with Mary Lee Hu, 2009 March 18-19

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Baldridge, Mark S.  Search this
Choo, Chunghi  Search this
Christensen, Hans  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred  Search this
Fike, Phillip G.  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent)  Search this
Marshall, John  Search this
Matsukata, Miye  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti  Search this
American Craft Council  Search this
Cleveland Institute of Art  Search this
Cranbrook Academy of Art  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
University of Washington  Search this
Type:
Sound recordings
Interviews
Place:
Afghanistan -- Description and travel
Australia -- description and travel
China -- description and travel
Indonesia -- description and travel
Iran -- description and travel
Nepal -- description and travel
Ohio -- Description and travel
Papua New Guinea -- Description and travel
Tibet (China) -- Description and travel
Turkey -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Mary Lee Hu, 2009 March 18-19. Archives of American Art, Smithsonian Institution.
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Women artists  Search this
Women educators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15659
(DSI-AAA_SIRISBib)282415
AAA_collcode_hu09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282415
Online Media:

Oral history interview with Ed Moulthrop

Interviewee:
Moulthrop, Ed, 1916-2003  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Georgia Designer-Craftsmen  Search this
Georgia Institute of Technology -- Faculty  Search this
Library of Congress -- Buildings.  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Princeton University -- Students  Search this
Western Reserve University -- Students  Search this
Chappell, Jerry  Search this
Noffke, Gary  Search this
Ruffner, Ginny  Search this
Schreckengost, Viktor, 1906-2008  Search this
Stocksdale, Bob, 1913-2003  Search this
Extent:
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 April 2-3
Scope and Contents:
An interview of Ed Moulthrop conducted 2001 April 2-3, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Moulthrop's home and studio, Atlanta, Georgia.
Moulthrop speaks of his childhood in Cleveland; his introduction to woodcarving at age 8; buying his first wood lathe in 1932 at age 16; studying architecture at Western Reserve University and sculpture with Victor Schreckengost; his architecture studies in graduate school at Princeton University; the rejection of crafts or "handmade things" in the 1930s; the use of craft in architecture; the beginning of the craft movement in 1965; the government invention of polyethylene glycol which allowed wood to dry without cracking; his process of soaking wood in polyethylene glycol; teaching architecture at Georgia Tech for ten years; his work with architectural firms in Atlanta and designing an addition to the Library of Congress; selling his first pieces at The Signature Shop & Gallery, in Atlanta, in 1970; the progression of the craft movement from clay, to glass, metal, then wood; the importance of the Albert LeCoff woodturning shop in Philadelphia and conferences sponsored by Coff in the mid-1970s; his full-time pursuit of woodturning in 1975; craft exhibitions at the Mint Museum, High Museum, and American Craft Museum; his exhibitions at Arrowmont; teaching woodturning to his son Philip; his scholarship to make watercolors at Fontainbleu; and his interest in design over technique. He also talks about the work of Bob Stocksdale; the qualities of different woods; major woodturning exhibitions at DIA, the Connell Gallery in Atlanta, and of the Mason collection; the necessity of dealers; galleries including The Hand and The Spirit, Heller Gallery, Gumps, and The Signature Shop & Gallery in Atlanta; woodturning as an American craft movement; the influence of Frank Lloyd Wright, Alvar Aalto, Frank Gehry; and the Greene Brothers; the strengths and limitations of wood; commissions for museums and corporations; his preference for ellipsoids (squashed spheres) and other shapes; his search for unusual woods, such as American Chestnut, Yellowwood, American Mahogany, and Box Elder; making his own tools and lathe; developing his own polish; his involvement with the Georgia Designer-Craftsmen with Jerry Chappell, Gary Noffke, and Ginny Ruffner; and his invention of the "Saturn Bowl" (a bowl with rings).
Biographical / Historical:
Ed Moulthrop (1916-2003) is a wood turner from Atlanta, Georgia. Mary Douglas (1956- ) is the curator at the Mint Museum of Craft and Design in Charlotte, N.C.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 39 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Architecture -- Study and teaching  Search this
Sculpture -- Study and teaching  Search this
Woodworkers -- Georgia -- Interviews.  Search this
Turning  Search this
Turning -- Equipment and supplies  Search this
Turning -- Technique  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.moulth01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw935cf424b-fe39-4424-acad-e4b7c4d69c3e
EDAN-URL:
ead_collection:sova-aaa-moulth01
Online Media:

Oral history interview with Mary Lee Hu

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Cleveland Institute of Art -- Students  Search this
Cranbrook Academy of Art -- Students  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
University of Washington -- Faculty  Search this
Baldridge, Mark S., 1946-  Search this
Choo, Chunghi  Search this
Christensen, Hans, 1924-1983  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred, 1934-  Search this
Fike, Phillip G., 1927-1997  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Marshall, John, 1936-  Search this
Matsukata, Miye, 1922-1981  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti, 1940-  Search this
Extent:
8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)
163 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Afghanistan -- Description and Travel
Australia -- Description and Travel
China -- Description and Travel
Indonesia -- Description and Travel
Iran -- Description and Travel
Nepal -- Description and Travel
Ohio -- Description and Travel
Papua New Guinea -- Description and Travel
Tibet (China) -- Description and Travel
Turkey -- description and travel
Date:
2009 March 18-19
Scope and Contents:
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Metal-workers -- Washington (State) -- Seattle  Search this
Educators -- Washington (State) -- Seattle  Search this
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Women artists  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hu09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a23bb6bc-66a5-4900-9a0f-031b4e2ab83d
EDAN-URL:
ead_collection:sova-aaa-hu09
Online Media:

Oral history interview with Fritz Dreisbach, 2004 April 21-22

Interviewee:
Dreisbach, Fritz, 1941-  Search this
Interviewer:
Frantz, Susanne  Search this
Subject:
Bailey, Clayton  Search this
Bernstein, William  Search this
Boysen, Bill  Search this
Brown, William J. (William Joseph)  Search this
Chihuly, Dale  Search this
Dailey, Dan  Search this
Eisch, Erwin  Search this
Giberson, Dudley  Search this
Halem, Henry  Search this
Labino, Dominick  Search this
Leafgreen, Harvey  Search this
Lipofsky, Marvin  Search this
Littleton, Harvey K.  Search this
McGlauchlin, Tom  Search this
Myers, Joel Philip  Search this
Noffke, Gary  Search this
Tamura, Ruth  Search this
Voulkos, Peter  Search this
Alfred University  Search this
Glass Art Society  Search this
Hiram College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Toledo Museum of Art  Search this
University of Iowa  Search this
University of Wisconsin--Madison  Search this
Type:
Interviews
Sound recordings
Place:
Ohio -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Fritz Dreisbach, 2004 April 21-22. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Painting -- Study and teaching  Search this
Glass art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11904
(DSI-AAA_SIRISBib)247287
AAA_collcode_dreisb04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247287
Online Media:

Oral history interview with Gary L. Noffke, 2010 December 4-5

Interviewee:
Noffke, Gary L., 1943-  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Subject:
Brown, William J. (William Joseph)  Search this
Coulter, Lane  Search this
DeRuiter, Garret  Search this
Dreisbach, Fritz  Search this
Ebendorf, Robert  Search this
Erbe, Gary T.  Search this
Fike, Phillip G.  Search this
Gingras, Toms  Search this
Hu, Mary Lee  Search this
Kington, L. Brent (Louis Brent)  Search this
Loloma, Charles  Search this
Merrit, Barry  Search this
Messersmith, Fred  Search this
Nettles, Dickie  Search this
Norell, Lydia  Search this
Pujol, Elliot  Search this
Streetman, Evon  Search this
Wilde, Sue  Search this
Zelmanoff, Marci  Search this
Cranbrook Academy of Art  Search this
Eastern Illinois University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Southern Illinois University (System)  Search this
Stetson University  Search this
University of Iowa  Search this
National Ring Show  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Gary L. Noffke, 2010 December 4-5. Archives of American Art, Smithsonian Institution.
Topic:
Metal-work  Search this
Record number:
(DSI-AAA_CollID)15921
(DSI-AAA_SIRISBib)297227
AAA_collcode_noffke10
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_297227
Online Media:

Oral history interview with Gary L. Noffke

Interviewee:
Noffke, Gary  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art  Search this
Eastern Illinois University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Ring Show  Search this
Southern Illinois University (System) -- Students  Search this
Stetson University -- Faculty  Search this
University of Iowa -- Students  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Coulter, Lane, 1944-  Search this
DeRuiter, Garret  Search this
Dreisbach, Fritz  Search this
Ebendorf, Robert, 1938-  Search this
Erbe, Gary T., 1944-  Search this
Fike, Phillip G., 1927-1997  Search this
Gingras, Toms  Search this
Hu, Mary Lee, 1943-  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Loloma, Charles, 1921-  Search this
Merrit, Barry  Search this
Messersmith, Fred  Search this
Nettles, Dickie  Search this
Norell, Lydia  Search this
Pujol, Elliot  Search this
Streetman, Evon  Search this
Wilde, Sue  Search this
Zelmanoff, Marci  Search this
Extent:
106 Pages (Transcript)
4 Items (Sound recording: 4 sound files (4 hr., 49 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 December 4-5
Scope and Contents:
An interview of Gary L. Noffke conducted 2010 December 4 and 5, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Noffke's home, in Farmington, Georgia.
Noffke speaks of growing up in Sullivan, Illinois; disliking school; the absence of formal art education before college and doing art on his own; his grandfather's farm; attending Eastern Illinois University to study painting, receiving a BS and MS in education with a major in art; what classes he took and his professors; his opinion about art programs in universities; the influence of the Vietnam draft; attending the University of Iowa and his introduction to metals; transferring to Southern Illinois University and his peers; learning techniques with metals; early metal work; working at Stetson University in Deland, Florida; working with colleagues and students and its influence on work; experimenting with different techniques; transition from graduate school to professional life; developing different methods for metal work, and motivations; how the notion of form and function has changed in design, especially regarding metal work and artists; the dynamics of working with students throughout the years; discusses in detail individual works and his approaches and anecdotes; his attraction to rings, simple hardware, and traditional, ancient forms; other teaching jobs before landing at the University of Georgia; building his house and studio; working in the Italy program at Cortona; his experiences at Cranbrook, Michigan and Summervale, Colorado; current and past exhibitions including the National Ring Shows; entering competitions; how the hand-made motif is important in his work; the connotation of labels of craft artist; his casual approach to the art market and formalities in the art world. Noffke also recalls Garret DeRuiter, Brent Kington, Elliot Pujol, May Lee Hu, Marci Zelmanoff, Dickie Nettles, Robert Ebendorf, Gary Erbe, Phil Fike, Bill Brown, Evon Streetman, Lane Coulter, Sue Wilde, Lydia Norell, Fred Messersmith, Tom Gingras, Charles Loloma, Fritz Dreisbach, Barry Merrit, and others.
Biographical / Historical:
Gary L. Noffke (1943- ) is a goldsmith in Farmington, Georgia. Mary Douglas (1956- ) is a curator and artist in Statesville, North Carolina.
General:
Originally recorded on 4 SD memory cards. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 49 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.noffke10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c8fe3d12-fd8c-46ac-9759-5c035e421350
EDAN-URL:
ead_collection:sova-aaa-noffke10
Online Media:

Oral history interview with Fritz Dreisbach

Interviewee:
Dreisbach, Fritz  Search this
Interviewer:
Frantz, Susanne K.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University  Search this
Glass Art Society  Search this
Hiram College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Toledo Museum of Art  Search this
University of Iowa -- Students  Search this
University of Wisconsin--Madison -- Students  Search this
Bailey, Clayton, 1939-2020  Search this
Bernstein, William, 1945-  Search this
Boysen, Bill  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Eisch, Erwin, 1927-  Search this
Giberson, Dudley  Search this
Halem, Henry  Search this
Labino, Dominick  Search this
Leafgreen, Harvey  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
McGlauchlin, Tom, 1934-2011  Search this
Myers, Joel Philip, 1934-  Search this
Noffke, Gary  Search this
Tamura, Ruth  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
121 Pages (Trancript)
21 Items (Sound recording: 21 sound files (8 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Ohio -- Description and Travel
Date:
2004 April 21-22
Scope and Contents:
An interview of Fritz Dreisbach conducted 2004 April 21-22, by Susanne Frantz, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Tucson, Arizona.
Dreisbach speaks of growing up in Ohio, in a family of educators and deciding at an early age to become a teacher; taking high school art; pursuing a BA in art and mathematics at Hiram College; getting his MAT and teaching high school math; attending the University of Iowa to study painting; the impact of taking a summer class in glassblowing; visiting Dominick Labino at his studio; researching colored glass and glass chemistry; becoming Harvey K. Littleton's teaching assistant at the University of Wisconsin, Madison; building a hot shop and teaching at the Toledo Museum of Art; teaching at Penland School of Crafts; creating the Glass Art Society with Mark Peiser after attending a NCECA conference; moving to Seattle to make glass colors for The Glass Eye; and working for Spectrum Glass Company. Dreisbach also speaks of the importance of community among glass artists; taking part in glass symposia in Frauenau, Germany; traveling around the country to teach workshops, known as his "Road Show"; making representational pop-style pieces as well as historical reference pieces; collaborating on a stained glass window with Gary Noffke; developing techniques for making goblets; working with Dante Marioni on a series of goblets; his commissioned pieces, including the Corning Pokal; engraving glass; his Mongo series; selling works through galleries; the influence of the Italian glass artists; teaching at Pilchuck Glass School; Dominick Labino's career and innovations in glass technology; being invited to give the Samuel R. Scholes lecture at the New York State College of Ceramics at Alfred University; serving twice as Glass Art Society president; inaccuracies in the history of American studio glass; taking part in GAS conferences at Fenton Glass Factory; the importance of the rise of the university-trained glass artist in the 1960s; going to Pilchuck for the first time; meeting international glass artists; attending symposia at Novy Bor, Czech Republic; and his plans for the future. Dreisbach also recalls Tom McGlauchlin, Clayton Bailey, Erwin Eisch, Dale Chihuly, Bill Brown, Marvin Lipofsky, Joel Myers, Billy Bernstein, Dan Dailey, Dudley Giberson, Harvey Leafgreen, Bill Boysen, Henry Halem, Peter Voulkos, Ruth Tamura, and others.
Biographical / Historical:
Fritz Dreisbach (1941- ) is a glass artist from Tucson, Arizona. Susanne Frantz is a writer and curator from Paradise Valley, Arizona.
General:
Originally recorded on 8 sound discs. Reformatted in 2010 as 21 digital wav files. Duration is 8 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Arizona -- Tucson  Search this
Glass artists -- Italy  Search this
Topic:
Decorative arts  Search this
Painting -- Study and teaching  Search this
Glass art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.dreisb04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f3b3b115-08fd-40c6-b8a5-8042b0c53c44
EDAN-URL:
ead_collection:sova-aaa-dreisb04
Online Media:

Oral history interview with Ed Moulthrop, 2001 April 2-3

Interviewee:
Moulthrop, Ed, 1916-2003  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Subject:
Chappell, Jerry  Search this
Noffke, Gary  Search this
Ruffner, Ginny  Search this
Schreckengost, Viktor  Search this
Stocksdale, Bob  Search this
Georgia Institute of Technology  Search this
Georgia Designer-Craftsmen  Search this
Library of Congress  Search this
Princeton University  Search this
Western Reserve University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ed Moulthrop, 2001 April 2-3. Archives of American Art, Smithsonian Institution.
Topic:
Architecture -- Study and teaching  Search this
Sculpture -- Study and teaching  Search this
Woodworkers -- Georgia -- Interviews.  Search this
Turning  Search this
Turning -- Equipment and supplies  Search this
Turning -- Technique  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11635
(DSI-AAA_SIRISBib)227004
AAA_collcode_moulth01
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227004
Online Media:

American masters of hollowware in the late 20th century : April 5 - June 15, 1997 / co-curators: Deborah Landon & Gary Noffke

Author:
Landon, Deborah  Search this
Noffke, Gary  Search this
Physical description:
23 p. : ill. ; 23 cm
Type:
Exhibitions
Place:
United States
Date:
1997
[1997]
Topic:
Silverware  Search this
Call number:
NK7112 .A511 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_555164

Ann Orr : silversmith, goldsmith, & enamelist / [Lane Coulter, Virginia Lancaster Shields ; foreword, William U. Eiland ; introduction, Gary Noffke]

Author:
Coulter, Lane 1944-  Search this
Shields, Virginia  Search this
Eiland, William U  Search this
Noffke, Gary  Search this
Georgia Museum of Art  Search this
Subject:
Orr, Ann 1924- Exhibitions  Search this
Physical description:
69 p. : ill. (some col.) ; 28 cm
Type:
Biography
Place:
United States
Date:
1994
C1994
Topic:
Art metal-workers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_476263

Attitude and alchemy : the metalwork of Gary Lee Noffke / edited by Allie Farlowe ; [with an essay by Jeannine Falino]

Title:
Metalwork of Gary Lee Noffke
Author:
Noffke, Gary  Search this
Farlowe, Allie  Search this
Falino, Jeannine J  Search this
Mint Museum of Craft + Design  Search this
Subject:
Noffke, Gary  Search this
Physical description:
140 p. : col. ill. ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
2011
20th century
21st century
Topic:
Metal-work--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_976191

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