Notes for Fiction include Volume 3, Notes for a Novel, 1920s; Volume 4, "A Notebook," No. 1, circa 1926; Volume 5, "A Notebook," No. 2, 1926-1927; Volume 6, "A Notebook," 1930-1931; and Volume 7, "Note Book," 1931.
Travel Notebooks include Volume 8, Austria; Volume 9, "Notes on Berlin," undated; Volume 10, "London," (including notes on Paris), 1929-1930; Volume 12, "London Notes: Restaurants and Nightclubs," 1930; Volume 13, "Notes on London," 1931; Volume 14, London Restaurants; Volume 15, London; Volume 16, Paris; and Volume 17, Rome.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Green Shaw papers, 1686, 1833-1979, bulk 1909-1974. Archives of American Art, Smithsonian Institution.
Writings by Shaw include diaries, fiction and non-fiction, notes, plays, poems, quizzes, and short writings. The diaries (145 volumes) contain daily one-page entries that note rising and bedtimes, hours spent writing or painting, social engagements and business appointments. People are usually identified by initials only. Among the notes are notebooks (17 volumes) that include travel observations, notes on restaurants and nightclubs, notes for fiction and miscellaneous notes such as journal entries and quotations. Quizzes were featured in Shaw's newspaper column. Short writings were mainly "fillers" for magazines; these often consist of lists of details about various subjects or events. Some of the manuscripts, specifically children's stories, are illustrated with drawings and gouache paintings; those for books about Boston, London, New York and Paris are illustrated with photographs.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Green Shaw papers, 1686, 1833-1979, bulk 1909-1974. Archives of American Art, Smithsonian Institution.
Printed materials highlight Tacla's career as a painter through exhibition announcements and catalogs, and newspaper and magazine clippings of reviews or articles about his work. The clippings also include major events that inspired Tacla's artistic process, including the 2001 attacks on the World Trade Center, the 2008 election of Barak Obama, the death of Osama Bin Laden in 2011, the 2008 Chaiten volcano eruption in southern Chile, and the Bali bombings of nightclubs and bars in 2002.
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jorge Tacla papers, 1966-2019. Archives of American Art, Smithsonian Institution.
This subseries consists of 3 project files concerning the construction of bars or nightclubs.
Arrangement note:
Files are arranged alphabetically.
Collection Restrictions:
The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.
This series consists of ten photographs taken in 1957 by Ed Nyberg at The Jazz Cellar, a popular San Francisco beat nightclub. Notable figures include Kenneth Rexroth, Lawrence Ferlinghetti, Grover Sales Jr., Sonny Wayne, and Bill Weisjahn.
Arrangement note:
The series has been scanned in its entirety.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William J. Eisenlord photographs, 1953-1976. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
Levi, Julian E. (Julian Edwin), 1900-1982 Search this
Type:
Archival materials
Date:
1914-1981
Scope and Contents note:
Julian E. Levi's correspondence concerns professional and personal matters. It consists primarily of incoming letters (a few of which are addressed to his wife, Jean Laurent Levi) with a small number of drafts and carbon copies of letters written by Levi. There are a number of illustrated letters and greeting cards (primarily Christmas cards) with original artwork by Levi and others. Among his correspondents are museums and galleries including: Alan Gallery, Carnegie Institute, Corcoran Gallery of Art, Downtown Gallery and Edith Halpert, Guild Hall, National Academy of Design, Lee Nordness Gallery, Frank K. M. Rehn Inc., Whitney Museum of American Art and Juliana Force; the art schools where he taught: Art Students' League, New School for Social Research, and Pennsylvania Academy of the Fine Arts; art organizations such as: the American Academy in Rome, American Artists' Congress, An American Group, Inc., National Institute of Arts and Letters, and United American Artists; and friends and colleagues including: Leonard Baskin, George Biddle, Marc Blitzstein, Peter and Ebie Blume, Louis Bouché, Robert Coates, Ralston Crawford, Stuart and Roselle Davis, Marcel Duchamp, Philip Evergood, Alfred Frankenstein, C. Hartley Grattan, Hilaire Hiler, Joseph Hirsch, Leon Kelly, Patricia Kelly, Yasuo and Sara Kuniyoshi, Anthony Lauck, Jacob Lawrence, Dolores Milmoe, Arthur Moss, Gregorio Prestopino, Walter Quirt , Abraham Rattner, Man Ray, Ione Robinson, Francis Speight, Hervé Télémaque, Franklin C. and Ida Watkins, Max Weber, and Russell Wright.
Approximately 60 letters Levi wrote to his family from Paris circa 1927, survive. They comment on the activities of Franklin Watkins, Marc Blitzstein, and Hilaire Hiler; his own paintings and commissions, particularly for the nightclub, Chez Mister Finney; and his associations with other artists and writers including Ludwig Lewisohn, Roy Sheldon, Maruice Speiser, collector Otto Kahn, and Ford Madox Ford.
Additional correspondence, 1938-1939, concerning the Estate of Rosa Gomprecht (Julian Levi was a beneficiary) is filed with Financial Records (Series 5).
See Appendix for a list of selected correspondents from Series 2.1.
Appendix: Selected Correspondents from Series 2.1:
Included among Julian Levi's correspondence with museums and galleries, art schools, art organizations, artists, and friends and colleagues are the following correspondents.
Abbott, Berenice (1929-1930)
Alan Gallery (1955)
American Academy in Rome (1948-1949, 1958-1960, 1962-1963, 1967-1971)
American Artists' Congress (1937, 1940-1941, undated)
American Federation of Arts (1940, 1942-1944, 1953)
An American Group, Inc. (1933-1934, 1937, 1939-1941, 1947, 1950-1951, undated)
Arms, John Taylor (1946, 1949)
Art Institute of Chicago (1934, 1937-1938, 1940-1941, 1943)
Art Students' League (1948-1949, 1954, 1957-1958, 1960, 1962, 1964-1966, 1968-1970, 1972, 1977-1978, 1981, undated)
Associated American Artists (1941, 1943-1945, 1966, 1972)
Baskin, Leonard (1952, 1962)
Bearden, Romare (1974)
Biddle, George (1969, undated)
Blitzstein, Marc (1928, 1930, 1934)
Blume, Peter and Ebie (1935-1938, 1940, 1949, 1958-1960, 1962, 1967, 1971, undated)
Borie, Adolphe (1927)
Boulevard (see: Moss, Arthur)
Calder, Alexander (1941, 1943, 1945, 1962)
Carnegie Institute (1940-1941, 1943-1950)
Century Association (1963-1967, 1970-1973, 1978-1981)
Speight, Francis (1936, 1966, 1969, 1976, undated)
Telemaque, Herve (1960-1961, 1966, 1971, undated)
Treasury Department, Section of Fine Arts (1943)
United American Artists (1940-1941)
Watkins, Franklin C. and Ida (1926, 1937, 1941, 1964-1965, 1969, undated)
Weber, Max (1939, 1942, 1949)
Whitney Museum of American Art/Juliana Force (1935, 1937-1938, 1940-1942, 1944-1945, 1953, 1974)
Works Progress Administration (1936-1937, 1939-1940)
Wright, Russell (1940-1941)
Zorach, William (1943)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. office.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian E. Levi papers, 1846-1981. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Modern Multiple records, 1970s-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Charles "Chaz" Bojórquez papers, 1956-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 6A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 6A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 7A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 7A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 8A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 8A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 13A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. Customers listening to City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 13A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 22A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 22A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 23A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-23A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-24A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-24A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 25A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 25A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 29A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 29A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 30A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 30A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 9A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 9A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.
Local Numbers:
Negative number OA 69478, 7C-19, 10A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Zai. Zaire, Kinshasa. City Five Band at Afro-Mogambo. 1/1967. EE. neg.no. OA 69478, 7C-19, 10A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.