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Ayuba Suleiman Diallo

Artist:
Unidentified Artist  Search this
Copy after:
William Hoare, c. 1707 - 12 Dec 1792  Search this
John Faber, c. 1684 - 2 May 1756  Search this
Sitter:
Ayuba Suleiman Diallo, 1701 - 1773  Search this
William Ansah Sessarakoo, c. 1736 - c. 1770  Search this
Medium:
Engraving on paper
Dimensions:
Image: 10.3 × 19.4 cm (4 1/16 × 7 5/8")
Sheet: 12.4 × 20.9 cm (4 7/8 × 8 1/4")
Book (open to portraits): 26.1 × 21 × 2 cm (10 1/4 × 8 1/4 × 13/16")
Type:
Print
Place:
United Kingdom\England\Greater London\London
Date:
1750
Topic:
Costume\Headgear\Hat  Search this
Printed Material\Book  Search this
Magazine  Search this
Newspaper  Search this
Ayuba Suleiman Diallo: Male  Search this
Ayuba Suleiman Diallo: Literature\Writer  Search this
Ayuba Suleiman Diallo: Business and Finance\Businessperson\Merchant  Search this
Ayuba Suleiman Diallo: Communications\Translator  Search this
Ayuba Suleiman Diallo: Society and Social Change\Enslaved person  Search this
Ayuba Suleiman Diallo: Rulers and Nobility\Aristocrat  Search this
William Ansah Sessarakoo: Male  Search this
William Ansah Sessarakoo: Society and Social Change\Enslaved person  Search this
William Ansah Sessarakoo: Society and Social Change\Slave trader  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2017.115
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm43f6600fa-4dbd-4a00-b184-3342f69d728f
EDAN-URL:
edanmdm:npg_NPG.2017.115
Online Media:

Frank K. M. Rehn Galleries records

Creator:
Frank K. M. Rehn Galleries  Search this
Names:
Bartlett, Frederic Clay, 1873-1953  Search this
Bellows, George, 1882-1925  Search this
Brook, Alexander, 1898-1980  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Chappell, Warren, 1904-  Search this
Clancy, John C., 1897-1981  Search this
Coleman, Glenn O., 1887-1932  Search this
Cook, Howard Norton, 1901-1980  Search this
Cuthbert, Virginia, 1908-2001  Search this
Dasburg, Andrew, 1887-1979  Search this
Gellatly, John, 1853-1931  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Hopper, Edward, 1882-1967  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
James, Alexander, 1890-1946  Search this
Kroll, Leon, 1884-1974  Search this
Luks, George Benjamin, 1867-1933  Search this
Mangravite, Peppino, 1896-  Search this
Marsh, Felicia Meyer, 1912-1978  Search this
Marsh, Reginald, 1898-1954  Search this
McFee, Henry Lee, 1886-1953  Search this
Melchers, Gari, 1860-1932  Search this
Orton, J. Robert  Search this
Pepper, Charles Hovey, 1864-1950  Search this
Phillips, Duncan, 1886-1966  Search this
Poor, Henry Varnum, 1887-1970  Search this
Russo, Alexander  Search this
Spalding, John T.  Search this
Sparhawk-Jones, Elizabeth, 1885-1968  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Spruance, Benton, 1904-1967  Search this
Strater, Henry, 1896-  Search this
Tucker, Allen, 1866-1939  Search this
Tucker, Richard Derby, 1903-  Search this
Winters, Denny Sonke, 1907-1985  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Extent:
21.8 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Date:
1858-1969
bulk 1919-1968
Summary:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
Scope and Content Note:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehn's personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York art gallery devoted to American painting.

Series 1: Correspondence contains correspondence with artists, museums and arts organizations, collectors, colleagues, and others documents the workings of Rehn Galleries from its earliest days through 1968. A small amount of Frank K. M. Rehn's personal correspondence and a few scattered personal papers of individual artists are interfiled with the business correspondence.

Series 2: Financial Records includes banking, insurance, and investment records, tax returns and related documentation, miscellaneous financial records and paid bills. Among the insurance records are detailed monthly schedules listing paintings with titles, artists, and insurance values. Miscellaneous financial records include inventories of gallery stock, notes regarding business expenses and income, and receipt books recording incoming paintings. Also included are a small number of items concerning the personal business of Frank Rehn and John Clancy.

Five volumes of Scrapbooks (Series 3) contain clippings and a small number of exhibition catalogs documenting the activities of Rehn Galleries and many of its associated artists. Additional Printed Matter in Series 4 includes material relating to Rehn Galleries and its artists, as well as publications produced by Rehn Galleries. General, art-related printed matter consists of articles, auction catalogs, advertisements, and publications of various museums, arts organizations, and schools. There is also material about artists not affiliated with Rehn Galleries. Additional printed items concern miscellaneous subjects that are not art-related.

Series 5: Miscellaneous Records, includes artwork, lists and notes, and writings. Photographs in Series 6 are of people including artists represented by Rehn as well as several not affiliated with the gallery. Noticeably absent are likenesses of Frank Rehn and John Clancy. Photographs of works of art are by Rehn Galleries' artists and others. Reginald Marsh's photographs consist of family and personal photographs that were either given to Rehn Galleries or perhaps loaned for research use, and include views of Marsh from early childhood through later life, photographs of family and friends, and a small family album. Also included are photographs are of Marsh's childhood drawings.
Arrangement:
Series 1: Correspondence is arranged alphabetically and Series 3: Scrapbooks is in rough chronological order. Series 2, and 4-6 are arranged in categories, as indicated in the Series Descriptions/Container Listing. Unless otherwise noted, items within each folder are arranged chronologically.

The collection is arranged into 6 series:

Missing Title

Series 1: Correspondence, 1858-1969, undated (Boxes 1-15; 14.4 linear ft.; Reels 5849-5869)

Series 2: Financial Records, 1919-1968, undated (Boxes 15-17; 2.6 linear ft; Reel 5869)

Series 3: Scrapbooks, 1919-1940 (Boxes 23-24; 0.6 linear ft.; Reels 5869-5870)

Series 4: Printed Matter, 1882-1969, undated (Boxes 18-20; 2.4 linear ft.; Reels 5870-5872)

Series 5: Miscellaneous Records, circa 1920-1968 (Boxes 20-21; 0.7 linear ft; Reel 5872)

Series 6: Photographs, 1871-1966, undated (Boxes 22, 24, OV 25; 1.0 linear ft.; Reel 5872)
Historical Note:
Frank K. M. Rehn (1886-1956), son of the marine painter Frank Knox Morton Rehn, after several years' experience as an employee of the Milch Galleries and as exhibition manager for the Salmagundi Club, opened his own art gallery in 1918. In its earliest years, the gallery operated as the Galleries of Frank K. M. Rehn. From the mid 1920s through the mid 1940s, the name used was Frank K. M. Rehn Galleries. As early as 1946, the gallery was referred to simply as Rehn Galleries. The gallery closed in 1981.

Throughout its existence, Rehn Galleries specialized in representing American painters. During the first five years Rehn's operation was a private gallery at 6 West 50th Street, New York City. Among the artists he first represented were older, established men such as J. Alden Weir, George Inness, Alexander Wyant, Theodore Robinson, Thomas Dewing, and John H. Twachtman. Occasionally, Rehn handled works by such luminaries of the period as Robert Henri, George Luks, and John Singer Sargent. Among the living artists affiliated with the gallery in its first years were Daniel Garber, Walter Griffin, Dodge MacKnight, and Robert Spencer. Rehn's most popular artist during this time was Childe Hassam, who sued for recovery of a painting that, although acquired by Rehn through a reputable dealer, had been stolen from Hassam's studio many years earlier.

Despite the newspaper publicity surrounding Hassam's lawsuit, the business was a successful venture almost immediately. Very early, a number of important collectors including Duncan Phillips, John Gellatly, John T. Spaulding, Albert McVitty, E. W. Root, and C. Vanderbilt Barton displayed confidence in Rehn's judgment and integrity, which enhanced his gallery's reputation and stature among both collectors and artists. In 1923, the gallery moved to 693 Fifth Avenue and began operating as Rehn Galleries, a commercial gallery in the same building that housed in a building that housed Kennedy and Company and the Bourgeois Galleries. At this time, Rehn hired an assistant, John C. Clancy (1897-1981), who had formerly been with Henry Reinhardt and Son and M. Knoedler.

The Rehn Galleries soon enjoyed a regular following among museum curators and collectors visiting from out of town. The gallery's roster of artists grew along with its reputation. Rehn focused almost exclusively on American painters, occasionally showing drawings and prints by artists who were primarily painters; notable exceptions were sculptor Mahonri Young and Henry Varnum Poor who, in addition to being a painter, was known for his work in ceramics. Among the painters eventually represented were: Peggy Bacon, George Bellows, Alexander Brook, Charles Burchfield, John F. Carlson, John Carroll, Howard Cook, Jon Corbino, Virginia Cuthbert, Andrew Dasberg, Sidney Gross, Edward Hopper, Alexander James, Irving Kaufmann, Yeffe Kimball, Leon Kroll, Peppino Mangravite, Reginald and Felicia Meyer Marsh, Henry Mattson, Henry Lee McFee, Kenneth Hayes Miller, Charles Rosen, Robert Riggs, Alexander Russo, Elizabeth Sparhawk-Jones, Eugene Speicher, Henry Strater, Richard Derby Tucker, Franklin C. Watkins, and Denny Winters.

In 1930, Rehn Galleries moved one block south to the Air France Building at 683 Fifth Avenue, and remained there for thirty years. John C. Clancy, Rehn's long-time assistant, became Gallery Director in 1953 after a stroke prevented Rehn from continuing to run his business in an active capacity. Eventually, Rehn's widow sold Clancy the gallery, which he continued to operate under varying names, including Rehn Gallery, Frank K. M. Rehn Galleries, Frank Rehn Gallery, and Rehn Galleries. From 1960 until 1966, The Rehn Galleries were at 36 East 61st Street from 1960 until 1966, when the gallery moved to a space formerly occupied by Kootz Gallery at 855 Madison Avenue, where it remained in business for another fifteen years.
Related Material:
John Clancy interview by Paul Cummings, July 10, 1970. Oral History Program, Archives of American Art, Smithsonian Institution.

Samuel Adler Papers, 1902-1979. Archives of American Art, Smithsonian Institution. Contains a recording (1 cassette; untranscribed) of Beverly Chesler interviewing John Clancy about the history of Rehn Galleries, 1973; Samuel Adler is present and participates briefly in the interview.
Provenance:
The Frank K. M. Rehn Galleries records were loaned by John Clancy for microfilming in 1959; in 1966, this same material was donated to the Archives. Mr. Clancy made subsequent gifts of additional gallery records in 1978 and 1981. In 1985, the Whitney Museum of American Art donated to the Archives correspondence with Edward Hopper that John Clancy had loaned the museum many years earlier. A death mask of George Luks received with the collection is on extended loan to the National Portrait Gallery, Smithsonian Institution.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Works of art  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franrehg
See more items in:
Frank K. M. Rehn Galleries records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b5275f6d-e2b7-4f51-a515-53b316671902
EDAN-URL:
ead_collection:sova-aaa-franrehg
Online Media:

Frederick Douglass Patterson papers

Creator:
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Names:
Phelps-Stokes Fund  Search this
Tuskegee Institute  Search this
United Negro College Fund  Search this
Carver, George Washington, 1864?-1943  Search this
Moton, Robert Russa, 1867-1940  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Extent:
18.66 Linear feet (21 boxes)
Type:
Collection descriptions
Archival materials
Diplomas
Notebooks
Articles
Manuscripts
Photographic prints
Ephemera
Scrapbooks
Newsletters
Awards
Photographs
Invitations
Legal documents
Programs
Correspondence
Clippings
Date:
1882 - 1988
Summary:
President of Tuskegee Normal and Industrial Institute (later Tukegee Institute; now Tuskegee University) from 1935 - 1953 and founder of the United Negro College Fund (1944). Patterson was born on October 10, 1901. Orphaned at age two, he was raised by his eldest sister, Wilhelmina (Bess), a school teacher in Texas. He studied at Iowa State College, where he received a doctorate in veterinary medicine in 1923 and a master of science degree in 1927. Five years later, he was awarded a second doctorate degree from Cornell University. Patterson taught veterinary science for four years at Virginia State College, where he was also Director of Agriculture. His tenure at Tuskegee University started in 1928 and spanned almost 25 years, first as head of the veterinary division, then as the director of the School of Agriculture and finally as Tuskegee's third president. He married Catherine Elizabeth Moton, daughter of Tuskegee University's second president, Dr. Robert R. Moton. Patterson also founded the School of Veterinary Medicine at Tuskegee in 1944, the same year he founded the United Negro College Fund (UNCF). The UNCF continues today as a critical source of annual income for a consortium of Historically Black Colleges and Universities, Tuskegee University among them.
Scope and Content note:
The Frederick Douglass Patterson Collection comprises 18.66 linear feet of correspondence, manuscripts, research material, published writings, photographs, audiovisual material, scrapbooks, diplomas, awards, and other materials chronicling the personal life and professional career of Frederick D. Patterson.

The collection is comprised of glimpses into the life of Dr. Patterson. The little correspondece that survived is located in Series 2: Career, Series 3: Correspondence, and Series 4: Organizations. Some of the correspondence takes the form of congratulatory notes from 1953 during Patterson's transfer from Tuskegee Institute to the Phelps-Stokes Fund, located in Series 2. There is also a personal note sent to Patterson's wife, Catherine Patterson, from George Washington Carver in which he describes peanut oil as a good massage oil.
Arrangement note:
The collection is arranged by series and chronologically therein:

1. Biography: This series provides insight into Patterson's family life through primary documents. It is comprised of family wills, insurance policies, and his autobiography. Sub-series are arranged alphabetically by title.

2. Career: This series contains materials from Patterson's long professional career in the field of higher education, including his tenure as present of both the Tuskegee Institute and the Phelps-Stokes Fund. Sub-series are arranged chronologically.

3. Correspondence: This series contains letters sent to Patterson (and his wife) of a personal and professional nature. Several letters relate to Patterson's personal business "Signs and Services," which was a small billboard advertising company. There are also letters from George Washington Carver. The series is arranged chronologically. 4. Organizations: This series contains material from the various foundations Patterson founded and to which he belonged, including the R.R. Moton Fund and the College Endowment Funding Plan. He is especially noted for developing the United Negro College Fund. The series is organized alphabetically by sub-series title.

5. Honors: This series contains the awards, citations, and resolutions Patterson received during his lifetime. Folders are organized chronologically. 6. Subject Files: This series comprises articles, employee vitas, and other documents collected and organized by Patterson. Among the subjects in the files are higher education, Negroes, segregation, civil rights, and employee records. There is no key to this system.

7. Photographs: The Photograph series mostly documents Patterson's tenure at Tuskegee University. The series includes images of Patterson and various other notable figures during formal functions at the university. Noteworthy personalities include George Washington Carver, Eleanor and Franklin D. Roosevelt, and President Kwame Nkrumah of Ghana.

8. Printed Materials: This series contains books, programs, and other documents from Patterson's personal collection. The series is organized alphabetically by author's last name.
Biographical note:
Frederick Douglass Patterson was born on October 10, 1901 to parents William and Mamie Brooks Patterson, in the Buena Vista Heights area of Anacostia in Washington, D.C. The youngest of six children, Patterson's parents died of tuberculosis before he reached the age of two years, his mother when he was eleven months old and his father a year later. Following his parents' death, the Patterson children were split up and sent to live in the homes of family and friends as stipulated in his father's last will and testament until he was seven years old, Patterson lived in the Anacostia area with a family friend he called "Aunt Julia."

When he was seven years old, Patterson's older sister Bess (a recent graduate of the Washington Conservatory of Music) decided to seek employment in Texas and took him with her. Many of their parents' family still lived in the state, which allowed Patterson the opportunity to spend months with various aunts and uncles, while his sister taught music throughout the South. After completing eighth grade, Patterson joined his sister at the Prairie View Normal School, where she taught music and directed the choir. Patterson attended the school for four years, during which time he developed an interest in veterinary medicine.

In 1920, Patterson enrolled at Iowa State College as a veterinary student. He graduated in 1923 and moved to Columbus, Ohio, to join his brother John. While there, he took the Ohio State Board exam for Veterinary Medicine. Although he became certified, a lack of money prevented him from practicing. Four years later he received a teaching offer from Virginia State College (VSC) in Petersburg, Virginia, which afforded him the opportunity to work within his profession. While at VSC Patterson took a leave of absence and returned to Iowa, in 1926, to pursue a Master's degree in veterinary medicine.

After five years at VSC, the Tuskegee Normal and Industrial Institute offered Patterson a position running the veterinarian hospital and teaching veterinary science. He moved to Tuskegee, Alabama in 1928. While at Tuskegee, Patterson decided to pursue a Ph.D. in bacteriology at Cornell University. During his year and a half leave from Tuskegee, Patterson completed his coursework and wrote his dissertation. After he returned to Tuskegee, a serial killer murdered three people, including the head of the Department of Agriculture. Confronted with this tragedy, school officials quickly offered Patterson the vacant position, which he accepted in 1934.

Robert R. Moton, second president of Tuskegee, retired in 1935 and a search was soon commenced to find the next president for the school. Patterson, in the meantime, pursued more personal matters when he met and married Catherine Moton (with whom he would have a son) in June 1935. By then he was already hired to take his now, father-in-law's, position as President of Tuskegee Normal and Industrial Institute.

As president of Tuskegee, Patterson made several changes and many additions to the institution. He increased faculty housing for professors; integrated the Board of Trustees' meeting meals and eventually arranged for both balck and white members to eat at one table; shortened the name to Tuskegee Institute; and established the Department of Commercial Dietetics in 1935, the veterinary medicine program in 1942, and the engineering program in 1948. While many considered Patterson's changes important achievements, it was his development of the Commercial/Military Aviation Program that would bring the school distinction and fame.

Patterson first attempted to develop the aviation program in 1939. The government fostered the development of such programs by subsiding the expenses. All a university had to do was present able-bodied instructors and willing pupils. Tuskegee had both. By 1940 the United States Air Force was interested in integrating its forces. In order to do this they needed trained black pilots. Tuskegee was the perfect place to provide the needed pilots since the school was situated in an all-black environment where students could concentrate on learning to fly without having to worry about racist reactions from their fellow classmates. To accommodate this program, the Tuskegee Army Air Base was created. Tuskegee pilots flew missions throughout World War II and would later be recognized for their bravery.

An important part of Patterson's duties as president was fund-raising. By 1943 he found it increasingly difficult to find ample sources of funds to run the Institute. He came to realize Tuskegee and similar black colleges would benefit if they pooled their funding resources and asked for larger amounts of money from philanthropic individuals and organizations as a collective. Working together would cut fund-raising expenses; this in turn would leave more money for the colleges to use as they wished. Patterson named his new creation the United Negro College Fund (UNCF); it would go on to raise millions of dollars for the nation's historically black colleges. He served as the first president of the organization.

During the fifteen years Patterson served as president of Tuskegee, he hosted many famous personalities, including W.E.B. DuBois, Mary McLeod Bethune, Eleanor Roosevelt, Duke Ellington, Paul Robeson, Pearl Buck, and Andre Segovia. He developed a lasting relationship with George Washington Carver, who had been a professor with Tuskegee since the days of Booker T. Washington.

Patterson served on many organizational boards in addition to his educational work. His involvement with the Phelps-Stokes Fund would ultimately lead Patterson to leave his beloved Tuskegee Institute to apply his educational philosophies on a broader scale. In 1953 the Fund approached Patterson and offered him the presidency of the organization. Patterson, feeling he needed a change, accepted the offer. He resigned from Tuskegee that same year and moved to New York to begin a new life.

Organized in 1911, the Phelps-Stokes Fund supported African, African American, and Native American education and worked on solving housing problems in New York City. Patterson's interest in African education began before he joined Phelps-Stokes. In 1950 the World Bank/International Bank Commission to Nigeria hired him to "evaluate the resources of Nigeria and…to study the educational programs and the organizational structure of advanced education." Through his work with the Fund he continued his efforts to improve the educational opportunities for Africans and help them move beyond colonialism. Patterson traveled extensively throughout the west coast of Africa in support of these goals.

In addition to forming the UNCF, Patterson created two other organizations (the Robert R. Moton Institute and the College Endowment Funding Plan), during the mid 1960s and 1970s. Each was designed to improve funding efforts for historically black colleges. The Robert R. Moton institute began as an off-shoot of the Phelps-Stokes as a site for conferences to address the Fund's primary concerns. Patterson's idea for the Institute came from a desire to put to use a piece of property inherited after Moton's death. Empathy with the frustrations of college presidents regarding the restricted funding for institutional expenses led Patterson to create the College Endowment Funding Plan. The Endowment was designed to alleviate this situation by providing matching funds to eligible colleges. The Endowment made its first payment in 1978. Unfortunately, by the 1980s, the Moton Institute lost most of its government funding due to federal cutbacks. This resulted in reductions to the Institute's programming.

It was not until Patterson was well into his eighties that he began to retire from his life of public service. On June 23, 1987, President Ronald Reagan presented Dr. Patterson with the Presidential Medal of Freedom, the highest possible honor that can be bestowed upon a civilian, for his service in higher education and his role in creating funding sources for the nation's historically black colleges. A year later Frederick Douglass Patterson died at the age of eighty-seven.

Honorary Degrees

undated -- Xavier University

1941 -- Virginia State College

1941 -- Wilberforce University

1953 -- Morehouse College

1956 -- Tuskegee Institute

1961 -- New York University

1966 -- Edward Waters College

1967 -- Atlanta University

1969 -- Franklin and Marshall College

1970 -- Virginia Union University

1975 -- Bishop College

1977 -- St. Augustine's College

1982 -- Brooklyn College of the City University of New York

1984 -- Stillman College

1985 -- Payne College

Distinctions

undated -- Association for the Study of Negro Life and History Carter

undated -- The Southern Education Foundation, Inc. Distinguished Service Citation

undated -- The United Negro College Fund (UNCF) and Texas Association of Developing Colleges Annual Leadership Awards

1950 -- Christian Education department, African Methodist Episcopal Zion Church, Inc. Citation for Distinguished Service

1953 -- Bethune-Cookman College, the Mary McLeod Bethune Medallion

1953 -- John A. Andrew Clinical Society at Tuskegee Institute, Citation for Distinguished Service in the Cause of Humanity

1953 -- Tuskegee Institute, Certificate of Appreciation for 25 Years of Service

1957 -- Phi Beta Sigma Fraternity, Inc. Beta Lamda Sigma Chapter, Bigger and Better Business Award

1960 -- National Alumni Council of the UNCF, Inc. Award

1963 -- National Business League, Booker T. Washington Award

1965 -- Booker T. Washington Business Association, Certificate of Acknowledgement

1970 -- Moton Conference Center Award

1970 -- Tuskegee National Alumni Association, R.R. Moton Award

1972 -- American College Public Relations Association, 1972 Award for Distinguished Service to Higher Education

1972 -- UNCF F.D. Patterson 71st Birthday Award

1975 -- National Business League, Booker T. Washington Symbol of Service Award

1976 -- Phelps-Stokes Fund, Continuous Creative and Courageous Leadership in the Cause of Higher Education for Blacks

1977 -- Yale Alumni Associates of Afro-America, Distinguished Service Award

1979 -- Alpha Phi Alpha Education Foundation Inc., Distinguished Educator Award

1979 -- Tuskegee Institute Alumni Association Philadelphia Charter Award

1980 -- The Iowa State University Alumni Association, Distinguished Achievement Citation

1980 -- Gary Branch NAACP Life Membership Fight for Freedom Dinner 1980, Roy Wilkins Award

1980 -- State of Alabama Certificate of Appreciation

1982 -- St. Luke's United Methodist Church Achievement Award

1983 -- Tuskegee Airmen, Inc., Distinguished Service Award

1984 -- Booker T. Washington Foundation, Booker T. Washington Distinguished Service Award

1984 -- The Ohio State University Office of Minority Affairs, Distinguished Humanitarian and Service Award

1985 -- Alpha Phi Alpha Fraternity, Inc, Eta Zeta Lamda Chapter Civic Award

1985 -- United States, Private Sector Initiative Commendation

1987 -- Alpha Phi Alpha Fraternity, Inc of New York State, Founders Day Award

1987 -- Presidential Medal of Freedom

1987 -- Brag Business Achievement Award

1987 -- Phelps-Stokes Fund, Aggrey Medal

Public Service

1941-1971 -- Southern Educational Foundation, Inc., Board Member

1943-1988 -- United Negro College Fund, Founder, President, and Member

1960s-1988 -- Robert R. Moton Memorial Institute, Founder

1970s-1988 -- The College Endowment Funding Plan, Founder

undated -- American National Red Cross, Board of Governors Member

undated -- Boys Scouts of America, National Council Member

undated -- Citizens Committee for the Hoover Report on Reorganization of Federal Government, Board Member

undated -- Institute of International Education, Advisory committee Member

undated -- National Association for the Advancement of Colored People, Life Member

undated -- National Business League, President and Board Member

undated -- National Urban League, National Committee Member

undated -- Phelps-Stokes Fund, Board of Trustees Member

undated -- President's Commission on Higher Education for Negroes

undated -- Southern Regional Education, Board of Control Member
Related Materials:
Additional biographical materials in the Dale/Patterson Collection of the Anacostia Community Museum Archives.

This collection contains artifacts catalogued in the ACM Objects Collection.
Provenance:
The Frederick Douglass Patterson papers were donated to the Anacostia Community Museum in 2001 by Frederick Douglass Patterson, Jr.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Frederick Douglass Patterson papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Universities and colleges -- Administration  Search this
African Americans -- Education (Higher)  Search this
African American universities and colleges  Search this
Genre/Form:
Diplomas
Notebooks
Articles
Manuscripts
Photographic prints
Ephemera
Scrapbooks
Newsletters
Awards
Photographs
Invitations
Legal documents
Programs
Correspondence
Clippings
Citation:
Frederick Douglass Patterson papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of Frederick Douglass Patterson, Jr.
Identifier:
ACMA.06-010
See more items in:
Frederick Douglass Patterson papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7da84300b-c608-41af-b59a-1f44dce53a26
EDAN-URL:
ead_collection:sova-acma-06-010
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Online Media:

James and Ethel Lucus papers

Creator:
Lucus, Ethel Minns  Search this
Lucus, James William  Search this
Names:
Lucus, Ethel Minns  Search this
Lucus, James William  Search this
Extent:
0.53 Linear feet (3 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Diplomas
Leaflets
Correspondence
Photographic prints
Awards
Postcards
Marriage certificates
Programs
Clippings
Pamphlets
Date:
circa 1902-1990
bulk 1919-1960
Summary:
The collection, which dates from circa 1902 to 1990 and measures .53 linear feet, documents the personal and professional lives of James William Lucus and Ethel Minns Lucus. The collection is comprised of photographs, correspondence, postcards, newspaper clippings, diplomas, awards, pamphlets, leaflets, programs, and vital statistics records.
Scope and Contents:
The collection, which dates from 1902 to 1990, documents the activities of James and Ethel Lucus. It contains material related to Mr. Lucus's education, military service, and his teaching career with the Public Schools of Chicago. Additionally, the collection documents Ethel Minns Lucus's education and her involvement in various Chicago area theatrical activities. Included in the collection are awards, certificates, correspondence, diplomas, military records, and photographic prints.
Arrangement:
The papers are organized into three series one of which has been further arranged into subseries. The contents of each series and subseries are arranged alphabetically. There are oversize materials in the Awards and Citations and Education subseries, as well as in the Photographs series. The series and subseries are arranged as follows:

Series I: Biographical

Subseries 1.1: Awards and Citations

Subseries 1.2: Education

Subseries 1.3: General Series II: Correspondence Series III: Photographs
Biographical / Historical:
James William Lucus was born in Abbeville, GA on 26 December 1895 to Jack and Hattie Dean Lucus. Despite the fact that both his father and mother worked - a railroad laborer and domestic servant, respectively --the family still struggled to maintain their simple existence. In one of his earliest recollections, Mr. Lucus describes his childhood home as, "…a one-room house of uncertain pedigree…" Yet the family persevered. In addition to her work as a domestic, his mother worked in the cotton and corn fields during planting and harvest seasons. As for his father, if local railroad work became sparse, Jack Lucus travelled to other parts of the state to find work.

Given these circumstances it is not surprising that James did not enter school until fourth grade. Shortly after he was enrolled, he was withdrawn so that he could work with his father cutting wood for railroad ties. This action was taken at the behest of the family's doctor, who felt that James needed to build his strength and bulk. A few years later, a stronger and older James William Lucus re-entered fourth grade. However, he could only attend school in the spring because he had to work the rest of the year. It was at this time that his parents separated and, since his mother's income was not sufficient to support the household, James had to step in to fill the financial void left by his father. His early education came to a temporary halt in 1911, when he graduated from eighth grade at the age of fifteen.

After graduation, James spent a year earning income as a railroad worker and cotton-picker; and to some extent he accepted these occupations as his lot in life. That all changed when family friend Charlie Jefferson suggested that he and James move to Waycross, GA to find better employment opportunities. They left in the spring of 1912 and both found jobs immediately. Buoyed by this initial success, Mr. Jefferson encouraged James to attend trade school at Tuskegee Institute.

James Lucus entered Tuskegee in 1913 and, as it was with his early education, he worked while attending school. He performed various jobs around the school during the day and took classes at night. In 1915 he earned his high school academic diploma and in 1916 he earned his applied electricity diploma.

The skills he acquired at Tuskegee Institute enabled him to serve in the U.S. Army's C.O. Company "F" 317th Engineers during World War I. In June 1918 his unit was deployed to France for nine months. Their primary mission was to dig trenches and dugouts in the battle zones. His unit returned on 31 March 1919 and Mr. Lucus was honorably discharged on18 April 1919.

Once he left the military in 1919 he moved to Chicago, IL, where he attended Lewis Institute. He earned a Bachelor of Science in 1923 and a Bachelor of Science in Mechanical Engineering in 1924. Unfortunately, his two degrees were not enough to secure an engineering job, so he decided to become a teacher. He completed his course work at the Chicago Normal School in 1925. The kid whose initial education experience was a sporadic four-year stint in a country grammar school would go on to have a 36-year teaching career with the Public Schools of Chicago.

A year after starting his employment as a teacher James Lucus married Ethel E. Minns, a dramatist. Mrs. Lucus was born in 1903. She studied theatre at the Chicago Conservatory from where she earned a diploma in 1935 and a Bachelor of Dramatic Art in 1940. Thereafter, she acted, danced, and sang her way through the Chicago arts scene. Later Mrs. Lucus established the E. M. L. Creative Theatre which presented performances in the Chicago area. The performances ranged from dramas to large scale musicals. The Theatre also offered a variety of classes for actors of all ages. Given her extensive involvement in Chicago's cultural life, she received awards and other recognition for her contributions.

James and Ethel Lucus remained married for sixty years. They had one child, Hildred, who followed in her father's footsteps, becoming a teacher with the Chicago Public Schools. Mr. Lucus died on 5 September 1986 as a result of injuries he sustained in two separated muggings. Mrs. Lucus died three years later in the early spring of 1990.
Rights:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans -- Education  Search this
African American educators  Search this
African Americans -- Employment  Search this
African Americans -- Social life and customs  Search this
African American military personnel  Search this
African American families  Search this
African American actresses  Search this
World War, 1914-1918 -- African Americans  Search this
Genre/Form:
Photographs
Diplomas
Leaflets
Correspondence
Photographic prints
Awards
Postcards
Marriage certificates
Programs
Clippings
Pamphlets
Citation:
James and Ethel Lucus papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of Meridith McCurtis and Hildred Lucus McCurtis.
Identifier:
ACMA.06-023
See more items in:
James and Ethel Lucus papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa703dff5af-3e52-42c1-a5f4-abe8028da66b
EDAN-URL:
ead_collection:sova-acma-06-023
Online Media:

James E. Taylor scrapbook of the American West

Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Names:
Geological Survey (U.S.)  Search this
United States. Army  Search this
Buffalo Bill, 1846-1917  Search this
Crook, George, 1829-1890  Search this
Custer, George Armstrong, 1839-1876  Search this
Hickok, Wild Bill, 1837-1876  Search this
Juárez, Benito, 1806-1872  Search this
Kinman, Seth  Search this
Miles, Nelson Appleton, 1839-1925  Search this
Powell, John Wesley, 1834-1902  Search this
Red Cloud, 1822-1909  Search this
Richard, Louis  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Sitting Bull, 1831-1890  Search this
Spotted Tail, 1823-1881  Search this
Photographer:
Barry, D. F. (David Francis), 1854-1934  Search this
Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this
Eaton, E. L. (Edric L.), b. ca. 1836  Search this
Ebell, Adrian J. (Adrian John), 1840-1877  Search this
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
M'Clees, Jas. E. (James E.)  Search this
O'Sullivan, Timothy H., 1840-1882  Search this
Pywell, Wm. R. (William Redish), 1843-1886  Search this
Vannerson, Julian, 1827-  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Extent:
4 Tintypes
3 Chromolithographs
3 Lithographs (3 chalk-manner lithographs)
1 Print (photogravure)
118 Pages (Scrapbook)
685 Prints (circa, albumen)
80 Items (circa 80 relief prints (including woodcuts and wood engraving))
30 Items (circa 30 intaglio prints (including etchings and engravings))
Culture:
Apache  Search this
Pueblo  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Cherokee  Search this
Niuam (Comanche)  Search this
Muskogee (Creek)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Fox Indians  Search this
A'aninin (Gros Ventre)  Search this
Kiowa  Search this
Modoc  Search this
Diné (Navajo)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Omaha  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Potawatomi  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Southwest, New  Search this
Ho-Chunk (Winnebago)  Search this
A:shiwi (Zuni)  Search this
Sauk  Search this
Shoshone  Search this
Ute  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Tintypes
Chromolithographs
Lithographs
Prints
Pages
Photographs
Newspapers
Woodcuts
Place:
Mexico
Taos Pueblo (N.M.)
California
Oregon
Fort Davis (Tex.)
New Mexico
Fort Snelling (Minn.)
Arizona
Texas
San Juan Pueblo (N.M.)
Zuni (N.M.)
Kansas
Colorado
Date:
circa 1863-1900
Summary:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.
Scope and Contents:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.
Biographical Note:
James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).
Local Call Number(s):
NAA Photo Lot 4605
Related Materials:
The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.
Provenance:
Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Church buildings  Search this
Mines and mineral resources  Search this
Dance  Search this
White River Massacre, Colo., 1879  Search this
Painting  Search this
Washita Campaign, 1868-1869  Search this
Mormon Church -- History  Search this
Genre/Form:
Photographs
Newspapers
Woodcuts
Tintypes
Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4605
See more items in:
James E. Taylor scrapbook of the American West
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw33fa281bf-1e72-4f26-ae86-8c8389244b4e
EDAN-URL:
ead_collection:sova-naa-ms4605
Online Media:

Afrique Occidentale Francaise. - Dahomey Un Chef de Canton

Creator:
Impriméries Réunies de Nancy  Search this
Extent:
1 Postcard (collotype., b&w, 14 x 9 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Place:
Africa
Benin
Date:
[ca. 1910]
Scope and Contents:
Postcard image of two men, one seated with a pipe in his mouth and newspaper on his knee and the other man standing behind him. Printed text on recto reads: "Afrique Occidentale Francaise. - Dahomey; Un chef de Canton." Translated caption reads: [French West Africa. - Dahomey / A District Chief].
Additional printed text on recto reads: "Imprimeries Réunies, Nancy."
Printed text on verso reads: "Carte Postale; Correspodance; Adresse."
Local Numbers:
EEPA DM-15-10
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Leaders  Search this
Portraits -- Africa  Search this
Genre/Form:
Postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA DM 1985-144002
See more items in:
African Postcard Collection
African Postcard Collection / Series 4: Benin (Dahomey) (DM)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7c11ac420-5a04-4bce-801f-c912062f035c
EDAN-URL:
ead_component:sova-eepa-1985-014-ref3879

Ernst Herzfeld Papers, Series 3: Notebooks; Transcription of Various Cuneiform Inscriptions (N-125)

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (article ; 78 pages, 22.7 cm. x 30.4 cm.)
2 Items (article Folder 2 : 1 article ; 9 pages, 22.7 cm. x 30.4 cm.)
3 Items (article Folder 3 : 1 article ; 39 pages, 21.5 cm. x 27.8 cm.)
4 Notebooks (Folder 4 : 1 notebook, 15 cm. x 22.2 cm.)
5 Items (typed note Folder 5 : 1 typed note ; 39 pages, 21.7 cm. x 28 cm.)
6 Items (typed note Folder 6 : 1 typed note ; 25 pages, 21.7 cm. x 28 cm.)
7 Letters (Folder 7 : correspondence : 1 letter ; 1 page, 17.7 cm. x 22.7 cm.)
7 Items (note Folder 7 : 1 note ; 1 page, 17.2 cm. x 12.3 cm.)
7 Items (photographic print Folder 7 : 1 photographic print, 13.8 cm. x 8.3 cm.)
8 Items (loose leaves Folder 8 : 9 loose leaves, 22.5 cm. x 28.8 cm. or smaller)
8 Sketches (Folder 8 : 13 sketches, 24 cm. x 35 cm. or smaller)
8 Items (loose pages, 21 cm. x 30 cm. or smaller)
9 Items (note Folder 9 : 1 note ; 3 pages, 20.8 cm. x 29.7 cm. or smaller)
10 Letters (Folder 10 : correspondence : 1 letter ; 1 page, 13.1 cm. x 20.2 cm.)
10 Items (sketch Folder 10 : 1 sketch, 27.9 cm. x 21.9 cm.)
11 Items (loose leaves Folder 11 : 34 loose leaves, 22.4 cm. x 28.5 cm. or smaller)
12 Items (article Folder 12 : 1 article ; 8 pages, 14.2 cm. x 21.2 cm.)
13 Pages (Folder 13 : clipping : 1 page, 31.5 cm. x 47.2 cm.)
14 Items (article Folder 14 : 1 article ; 38 pages, 21.5 cm. x 28 cm.)
15 Items (loose leaves Folder 15 : 10 loose leaves, 21 cm. x 26.8 cm.)
15 Items (photographic prints Folder 15 : 5 photographic prints, 12.8 cm. x 18 cm. or smaller)
16 Items (loose leaves Folder 16 : 7 loose leaves, 12.3 cm. x 17.5 cm.)
16 Items (paper squeezes Folder 16 : 3 paper squeezes, 10 cm. x 14 cm. or smaller)
16 Items (photographic print Folder 16 : 1 photographic print, 12.7 cm. x 20.4 cm.)
16 Items (articles Folder 16 : publication : 6 articles, 23 cm. x 30.5 cm.)
Type:
Archival materials
Notebooks
Letters
Sketches
Pages
Place:
Asia
Iran
Syria
Aleppo (Syria)
Damascus (Syria)
Persepolis (Iran)
Persepolis (Iran)
Date:
1904-1946
Scope and Contents:
- In Finding Aid, Joseph Upton's caption for N-125, folder 1 reads, ""Damascus: Studies in Architecture-II" (Ars Islamica) page proofs of text."
- In Finding Aid, Joseph Upton's caption for N-125, folder 2 reads, ""Damascus: Studies in Architecture-I" (Ars Islamica) page proofs of illustrations."
- In Finding Aid, Joseph Upton's caption for N-125, folder 3 reads, ""Simplified Outline of Sanskrit Historical Phonology...,'" F.Edgerton."
- In Finding Aid, Joseph Upton's caption for N-125, folder 4 reads, "Notebook of rough sketches and descriptions of 74 objects (perhaps for unidentified loan)."
- In Finding Aid, Joseph Upton's caption for N-125, folder 5 reads, "List of Persepolis Expedition field negatives with numbers of corresponding Oriental Institute catalogue numbers."
- In Finding Aid, Joseph Upton's caption for N-125, folder 6 reads, "Herzfeld's undated proposal for publication of 22 volumes over a 10-year period, covering his life work to about 1932."
- In Finding Aid, Joseph Upton's caption for N-125, folder 7 reads, "Letter of April 19, 1934 from N.L.Falcon enclosing photo of "boulder" (astodān?) in Tang Malagha with map of location."
- In Finding Aid, Joseph Upton's caption for N-125, folder 8 reads, "Notes and sketches of rock-tombs in Paphlagonia."
- In Finding Aid, Joseph Upton's caption for N-125, folder 9 reads, "Note on ruins at Holilan (near Kermanshah) and sketch of Luristan bronze."
- In Finding Aid, Joseph Upton's caption for N-125, folder 10 reads, "Pencil sketches of three bridges near Khurramabad and letter, Feb.2, 1926."
- In Finding Aid, Joseph Upton's caption for N-125, folder 11 reads, "Notes and copies of Arabic inscriptions in Great Mosque, Hamah and in Damascus."
- In Finding Aid, Joseph Upton's caption for N-125, folder 12 reads, "Photostat copy of "An Achaemenian tomb-inscription at Persepolis," Davis. JRAS, April, 1932."
- In Finding Aid, Joseph Upton's caption for N-125, folder 13 reads, "Newspaper clipping from Dichtung und Welt (Prague) No.40, 1929. "Arkona und Rethra." Eine Glosse zu Strzygowskis Werk, "Altslaview Kunst." J. Peisker."
- In Finding Aid, Joseph Upton's caption for N-125, folder 14 reads, "First version of "Damascus: Studies in Architecture IV" (final version published in Ars Islamica)."
- In Finding Aid, Joseph Upton's caption for N-125, folder 15 reads, "Notes on Hebrew inscriptions in synagogue, Aleppo."
- In Finding Aid, Joseph Upton's caption for N-125, folder 16 reads, "Notes on bronze object with cuneiform inscription AMI, vol.IX, pp.159-177 (see Photo File 6-18/22)."
- In Finding Aid, Joseph Upton's caption for N-125, folder 17 reads, "Six offprints of "Damascus: Studies in Architecture-IV"."
Arrangement:
In the original arrangement of the Ernst Herzfeld Archive, Notebooks were included in a larger body of diverse material acknowledged by Ernst Herzfeld as his study collection. In the early 1970s, Joseph Upton, for research purpose, rearranged the collection and created a specific series (Ernst Herzfeld Papers, Series 3: Notebooks, 1904-1946, 1957, n.d.) for 131 notebooks, including four ledgers and eight travel journals. Upton has given this notebook an accession number, N-125, related to the series he created for the notebooks, probably following Herzfeld's original organization.
Local Numbers:
Ernst Herzfeld Papers; N-125

FSA A.6 03.125
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Archaeology  Search this
Cuneiform inscriptions  Search this
Inscriptions  Search this
Inscriptions, Arabic  Search this
Genre/Form:
Notebooks
Collection Citation:
Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 03.125
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 3: Notebooks
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc336589207-fc1e-4564-8493-d7697c75b94b
EDAN-URL:
ead_component:sova-fsa-a-06-ref30016

Lorenzo Dow Turner Papers

Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Names:
Fisk University  Search this
Howard University  Search this
Roosevelt University  Search this
Turner, Geneva Calcier  Search this
Turner, Lorenzo Dow, 1890-1972  Search this
Extent:
23.97 Linear feet (20 boxes)
Type:
Collection descriptions
Archival materials
Audiovisual materials
Field recordings
Photographs
Photographic prints
Maps
Correspondence
Date:
1895 - 1972
Summary:
The collection, which dates from 1895 to 1972 and measures 23.97 linear feet, documents the career and travels of Professor Lorenzo Dow Turner. The collection is comprised of correspondence, academic papers, research materials, books, newspaper and journal articles, sound recordings, and photographs.
Arrangement note:
The collection is arranged in the following series:

Series 1: Biographical

Series 2: Academic Career

Series 3: Writings

Series 4: Research

Series 5: Photographs

Series 6: Sound Recordings

Series 7: Printed Materials
Biographical/Historical note:
Lorenzo Dow Turner was born in Elizabeth City, N.C. in 1895. He earned his B.A. in 1914 from Howard University; in 1917, he received an M.A. in English from Harvard University. He received his doctorate in English from the University of Chicago in 1926 while simultaneously serving as chairman and professor of the Department of English at Howard from 1917 to 1928. He held the same positions at Fisk University in Nashville from 1929 to 1946. In 1946 he accepted a professorship in the English department at Roosevelt University in Chicago, where he remained as professor of English and lecturer in African Cultures until his retirement in 1970. Turner was professor emeritus at Roosevelt until his death at age 77 in 1972. Turner's professional and academic interests encompassed both English and linguistics. A noted scholar of African languages and linguistics, he learned numerous West African languages, mastering five of them. He was a noted authority on Gullah, a Creole language spoken in the Sea Islands off the coast of South Carolina and Georgia.
Related Archival Materials note:
Lorenzo Dow Turner Papers at Northwestern University Library
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
Sea Islands Creole dialect  Search this
African languages -- Study and teaching -- United States  Search this
Linguistics -- Research -- United States  Search this
Genre/Form:
Audiovisual materials
Field recordings
Photographs
Photographic prints
Maps
Correspondence
Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
Identifier:
ACMA.06-017
See more items in:
Lorenzo Dow Turner Papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7bf5c3bd8-0ec9-4bc9-810c-3857a6a7420e
EDAN-URL:
ead_collection:sova-acma-06-017
Online Media:

Chester Lee Harris papers

Creator:
Harris, Chester Lee  Search this
Names:
Harris, Lee  Search this
Extent:
1.37 Linear feet (4 boxes)
Type:
Collection descriptions
Archival materials
Ephemera
Color photographs
Clippings
Brochures
Books
Awards
Memorabilia
Invitations
Newspaper clippings
Programs
Place:
New York (N.Y.)
Date:
circa 1884-2001
bulk 1940-1976
Summary:
The Lee Harris papers, which dates from circa 1884 to 2001 and measures 1.43 linear feet, documents the activities of Chester Lee Harris and his extended family. The papers are comprised of certificates, diplomas, newspaper clippings, memorabilia, books, and photographs.
Scope and Contents note:
This collection documents the activities in the personal life of Chester Lee Harris and his family between 1884 and 2001. The majority of materials contained in this collection are family and travel snapshots. The series of biographical documents and books outline major events in his life, as well as his service in the military and his community.
Arrangement note:
The papers are organized into five series. Folders within series I to IV are arranged alphabetically, while the photographic series is arranged roughly in chronological order. Documents within the folders are organized chronologically.

Series I: Biographical files

Series II: Printed materials

Series III: Career

Series IV: Books

Series V: Photographs

Subseries 5.1: Lee Harris

Subseries 5.2: Family
Biographical/Historical note:
Chester Lee Harris was born in 1940, spending his early years at Hackensack, New Jersey with his parents, Chester and Margaret Harris. His sister Renee Harris was born three years later, after which the family moved to Manhattan, New York. Lee's mother was 16 years old when he was born – documentation on his father, however, is scarce. Margaret later divorced Chester and became married to William Beasley, who died in 1977. Both Lee and Renee graduated Edward W. Stitt Junior high school in New York.

In the early 1960s, Lee was enlisted in the 369th Infantry of the New York Army National Guard, participating in training at Fort Dix and Fort Drum. After his discharge, Lee married Claudette Nourse in 1969, moving into an apartment in the Bronx. He worked as a New York City Transit bus operator until 1994. Their first house was acquired after retirement in Charlotte, North Carolina.

The couple remains active in the community into later years of their life. At the age of fifty, Claudette graduated Bronx Community College of the City University of New York with an Associate's degree in Applied Science. Lee was fifty-nine and Claudette sixty-three when they volunteered at the Citizen's Academy of the Charlotte-Mecklenburg Police Department. The two-month program aimed to foster public understanding on the incentives behind police work, in order to correct common misunderstandings. The following year Lee again applied to be a police department volunteer, this time for the Programs for Accessible Living's Parking Patrol Program (P.A.L.). There is no indication of whether he was accepted into this program or not.

Gatherings with his extended family continued after marriage, particularly at Christmas. His grandmother, Henrietta Cephas Brown ("Nana") makes a consistent appearance in family photographs since Lee's birth, indicating their close correspondence. He also made trips with his extended family to locales such as Cape Cod, New Hampshire, and New York City.
Provenance:
The Lee Harris papers were donated to the Anacostia Community Museum in August 2003 by Mr. Chester Lee Harris.
Restrictions:
The collection is open for unrestricted research. Use requires an appointment.
Rights:
The Lee Harris papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans -- Employment  Search this
Travel  Search this
African American families  Search this
African American military personnel  Search this
Hackensack (N.J.)  Search this
Genre/Form:
Ephemera
Color photographs
Clippings
Brochures
Books
Awards
Memorabilia
Invitations
Newspaper clippings
Programs
Citation:
The Lee Harris papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of Mr. Chester Lee Harris.
Identifier:
ACMA.06-034
See more items in:
Chester Lee Harris papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa76962e5b3-db53-4bdd-86ff-4c9dcc59c6b1
EDAN-URL:
ead_collection:sova-acma-06-034
Online Media:

Printed Materials

Collection Creator:
Harris, Chester Lee  Search this
Extent:
0.16 Linear feet
Type:
Archival materials
Date:
1917-2001
Scope and Contents note:
This series contains newspaper clippings that Harris saved, including that of the assassination of John F. Kennedy. Particularly significant is the program of a community salute to Dr. Martin Luther King Jr. in New York 1964, in which Lee had participated. He also collected memorabilia from his travels, such as brochures and admission tickets.
Collection Restrictions:
The collection is open for unrestricted research. Use requires an appointment.
Collection Rights:
The Lee Harris papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
The Lee Harris papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of Mr. Chester Lee Harris.
Identifier:
ACMA.06-034, Series 2
See more items in:
Chester Lee Harris papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa72eaf09fe-eb9c-46b9-80cd-008d24620539
EDAN-URL:
ead_component:sova-acma-06-034-ref17

Florence Allen papers

Creator:
Allen, Florence W. (Florence Wysinger), 1913-1997  Search this
Names:
Belafonte, Harry, 1927- -- Photographs  Search this
Newman, Paul, 1925- -- Photographs  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1920-1997
Summary:
The collection measures 0.5 linear feet, dates from 1920 to 1997, and documents the career of artist's model Florence Allen. Found within the papers are biographical material, letters, notes and writings, artwork, and printed material. Of particular interest are a wide variety of photographs, including 19th century photographs of Allen family members, photographs of Florence Allen posing for artists, socializing with famous friends such as Paul Robeson, Harry Belefonte, Paul Newman, Allen Ginsberg, and participating in protest marches. There is also an autographed photo of Bob Hope.
Scope and Content Note:
The papers of artist's model Florence Allen measure 0.5 linear feet and date from 1920-1997. Found within the papers are biographical material, scattered letters that generally discuss some of Allen's activities, miscellaneous notes and writings, a drawing and a silhouette, and clippings. The primary value of this collection rests in its wide variety of photographs. As well as 19th century photographs of Allen family members, the collection contains photographs of Florence Allen posing for artists, socializing with famous friends such as Paul Robeson, Harry Belefonte, Paul Newman and Allen Ginsberg, and participating in protest marches. There is also an autographed photo of Bob Hope.
Biographical Note:
Florence Wysinger Allen was born in Oakland, California, in 1913, the granddaughter of early African-American settlers. Her mother, née Moore, was a concert pianist, and her father, Arthur, as a boy in 1892, was named in the case of Wysinger vs. Crookshank which led to the desegregation of schools in California.

Florence Allen was educated at Fremont High School and later became involved in the San Francisco literary and artistic community as a civil rights activist and newspaper columnist. She began modeling in 1933 and worked as an artist's model for most of the prominent figurative painters working in the Bay Area of San Francisco, including Diego Rivera, Mark Rothko, and Wayne Thiebaud. She also worked as a model in university art classes, including those at the San Francisco Art Institute, Mills College, University of California at Berkeley, Stanford University, and the California College of Arts and Crafts.

In 1945, Ms. Allen founded the San Francisco Models' Guild. After injuries from a traffic accident limited her mobility in 1987, she became the Model Coordinator at the College of Arts and Crafts in Oakland where she also taught a Model Certification Workshop.

Florence Allen died June 1, 1997 in El Sobrante, California.
Provenance:
The Florence Allen papers were donated in 1995 and 1999 by Florence Allen via Austin Conkey, an informal executor, who maintained Allen's papers.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists' models -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Genre/Form:
Photographs
Citation:
Florence Allen papers, 1920-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alleflor
See more items in:
Florence Allen papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fa8c56ea-88a3-4431-be78-b4d987a6e925
EDAN-URL:
ead_collection:sova-aaa-alleflor
Online Media:

Col. West A. Hamilton papers

Creator:
Hamilton, West A., Colonel  Search this
Names:
District of Columbia. Board of Trustees of Public Schools  Search this
Dunbar High School (Washington, D.C.)  Search this
Public Schools of the District of Columbia  Search this
Hamilton, West A., Colonel  Search this
Extent:
4.5 Linear feet (9 boxes; 1 folder oversize)
Type:
Collection descriptions
Archival materials
Certificates
Minutes
Yearbooks
Photographic prints
Ledgers (account books)
Correspondence
Reports
Awards
Photographs
Books
Diaries
Magazines (periodicals)
Greeting cards
Place:
Washington (D.C.)
Date:
1887-1991
bulk 1937-1978
Summary:
The Col. West A. Hamilton papers, which dates from 1887 to 1991 and measures 4.50 linear feet, are the personal papers of West A. Hamilton most noted for his service on the Board of Education for Washington, D.C. The papers comprise books, certificates, correspondence, photographs, and scrapbooks.
Scope and Contents note:
The papers which date from 1887-1991, bulk dates 1937-1978, document the personal and public life of Col. West A. Hamilton. The majority of material relates to Col. Hamilton's involvement with Washington D.C.'s educational system, both as a teacher and civic activist. A series of letters in particular highlight his efforts to help Dunbar High School, which he was an alum. There are also documents and photographs from his long serving military career and printing business.
Arrangement note:
The papers are arranged into six series. Folders are arranged alphabetically within series, while documents are organized chronologically. Four series contain oversized material and include: Biographical Files, Career, Photographs, and Printed material. Non archival materials associated with the papers are housed in the Collections Department.

Series 1: Biographical files

Sub-series 1.1: Correspondence

Sub-series 1.2: Education

Sub-series 1.3: General

Series 2: Books

Sub-series 2.1: Club Books

Sub-series 2.2: Fiction

Sub-series 2.3: Religious Books

Sub-series 2.4: Text Books

Series 3: Career

Sub-series 3.1: Committee Work

Sub-series 3.2: Correspondence

Sub-series 3.3: General

Series 4: Financial Records

Series 5: Photographs

Series 6: Printed Materials
Biographical/Historical note:
Col. West A. Hamilton was born in 1886 to John A. Hamilton, a missionary and social worker, and Julia West Hamilton, a prominent club woman and activist in the Washington D.C. area. Mrs. Hamilton socialized with some of the most well known African American intellectuals of her time, including Mary McLeod Bethune. It was the early experiences of his parents' work with their community that would influence Hamilton later in life.

Throughout his life Col. Hamilton's activities could be divided into three areas: the military, public service, and private business. As a child Hamilton earned his education through Washington's public school system. He graduated from Dunbar High School and went on to receive his teaching degree from Minor Teachers College. After working as a teacher for ten years, Hamilton enlisted with the National Guard for the first time in 1905. It would be the first of many reenlistments and would include World War I, riding with the 10th Cavalry Regiment Buffalo Soldiers near the Mexican border, and commanding the 366th Infantry in North Africa and Italy during World War II. In 1983 Col. Hamilton became an honorary Brigadier General at the age of 96 for his long and distinguished service with the U.S. Armed Forces.

While working as a teacher and joining the military, Hamilton was also an entrepreneur. Joining forces with his brother Percival Y. Hamilton, the Hamilton brothers went into the publishing business and produced their own newspaper called the Sentinel. They established the Hamilton Printing Company in 1910 and worked from two previous locations before permanently locating on the corner of 14th and U St from 1922 to the 1970s.

Outside his many careers Hamilton carried on his mother's altruistic pursuits and involved himself heavily in club work and civic organizations. He served on Washington D.C.'s Board of Education, the Board of Elections, the recreation board, as well as, the American Legion and the Masons. For many years his mother, Julia West Hamilton, served as President of the Phyllis Wheatley YWCA and Col. Hamilton continued her work with the organization.

Col. Hamilton married twice but never had children. He died in 1985 just shy one year from his 100th birthday.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Col. West A. Hamilton papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American educators  Search this
African American military personnel  Search this
Genre/Form:
Certificates
Minutes
Yearbooks -- 1940-1950
Photographic prints
Ledgers (account books)
Correspondence
Reports
Awards
Photographs
Books
Diaries
Magazines (periodicals) -- 20th century
Greeting cards
Citation:
The Col. West A. Hamilton papers, Anacostia Community Museum, Smithsonian Institution, gift of Col. West A. Hamilton estate.
Identifier:
ACMA.06-006
See more items in:
Col. West A. Hamilton papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7880dca83-83af-4639-8c63-32625cd479f8
EDAN-URL:
ead_collection:sova-acma-06-006

Jack Rasmussen Gallery records

Creator:
Jack Rasmussen Gallery (Washington, D.C.)  Search this
Names:
Rasmussen, Jack  Search this
Extent:
8.3 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1936-1984
bulk 1978-1982
Summary:
The Jack Rasmussen Gallery records measure 8.3 linear feet and date from 1936 to 1984, with the bulk of the records dating from 1978 to 1982. The records shed light on the Washington, DC gallery's operations through administrative records, financial and legal records, artist files, and printed material.
Scope and Contents:
The Jack Rasmussen Gallery records measure 8.3 linear feet and date from 1936 to 1984, with the bulk of the records dating from 1978 to 1982. The records shed light on the gallery's operations through administrative records, financial and legal records, artist files, and printed material.

Administrative records consist of files related to art organizations, several of the gallery's exhibitions, collectors, and Jack Rasmussen's career. Files include correspondence, an interview with Rasmussen conducted by Robert Bove, price lists, by- laws, guestbooks, memos, writings, and some sales records. Artist files are comprised of correspondence, exhibition announcements, price lists, slides and photographs of artwork and artists, sales records, statements, and agreements. Some newspaper clippings, sketches and illustrations, and loan agreements are also present. Financial and legal records consist of contracts, sales records, account ledgers, bills, invoices, and stationery. Printed materials include press releases, exhibition announcements, posters, and catalogs, newspaper and magazine clippings, and a couple of scrapbooks.
Arrangement:
The collection is arranged as four series.

Series 1: Administrative Records, 1976-1984 (Box 1-3; 2.6 linear feet)

Series 2: Artist Files, 1936-1983, bulk 1978-1982 (Box 3-6; 3.5 linear feet)

Series 3: Financial and Legal Records, 1978-1983 (Box 6-9; 1.7 linear feet)

Series 4: Printed Material, 1978-1982 (Box 8-9; .5 linear feet)
Biographical / Historical:
The Jack Rasmussen Gallery was established in 1978 in Washington, D.C. by painter and art dealer Jack Rasmussen. The gallery's first show was an exhibition of paintings by artist Reginald Pollack. Rasmussen Gallery went on to exhibit contemporary painters, sculptors, and audiovisual artists, many of whome were from the D.C. area. Artists exhibited at the gallery include Annie Gawlak, Robert Gates, Tom Green, Sy Gresser, Taro Ichihashi, Walter Kravitz, and Reginald Pollack. Rasmussen closed the gallery in 1983.

Jack Rasmussen began his career in 1975 as assistant director of the Washington Project for the Arts under its founder Alice Denney. After closing the gallery, Rasmussen helped launch the Rockville Arts Place program in Rockville, Maryland, and then served as executive director of Maryland Art Place in Baltimore, Maryland for 10 years. Rasmussen served as director of di Rosa Center for Contemporary Art in Napa, California, and has served as Director and Curator of the American University Museum at the Katzen Arts Center, Washington, DC, since it opened in 2005.
Provenance:
The collection was donated in 1982 and 1997 by Jack Rasmussen.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Washington (D.C.)
Genre/Form:
Interviews
Citation:
Jack Rasmussen Gallery records, 1936-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jackrasm
See more items in:
Jack Rasmussen Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bbb05f97-0e1b-4233-b367-af565a83aa18
EDAN-URL:
ead_collection:sova-aaa-jackrasm

Printed Material

Collection Creator:
Jack Rasmussen Gallery (Washington, D.C.)  Search this
Extent:
0.5 Linear feet (Box 8-9)
Type:
Archival materials
Date:
1978-1982
Scope and Contents:
Found here are press releases; two scrapbooks comprised of newspaper clippings, exhibition announcements, and catalogs; and loose clippings related to Jack Rasmussen, his gallery, and general art- and business-related topics. Also present are a handful of exhibition posters, exhibition announcements for a majority of Rasmussen's shows, and exhibition catalogs from the solo shows of Farhad Ostovani, Havana Mehutan, John Blee, and Robert Gates.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Rasmussen Gallery records, 1936-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jackrasm, Series 4
See more items in:
Jack Rasmussen Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98eac25d1-e81b-4cef-8cd9-827497ce5ebe
EDAN-URL:
ead_component:sova-aaa-jackrasm-ref137

Rasmussen Gallery, Newspaper and Magazine Clippings

Collection Creator:
Jack Rasmussen Gallery (Washington, D.C.)  Search this
Container:
Box 8, Folder 16
Type:
Archival materials
Date:
1979-1981
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Rasmussen Gallery records, 1936-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jack Rasmussen Gallery records
Jack Rasmussen Gallery records / Series 4: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw973aa1427-6cd7-4b4d-9d80-6255d71aa09c
EDAN-URL:
ead_component:sova-aaa-jackrasm-ref142

Clayton Bailey papers, ca. 1960-2020

Creator:
Bailey, Clayton, 1939-2020  Search this
Bailey, Betty, 1939-2019  Search this
Bailey, Clayton, 1939-2020  Search this
Subject:
Zack, David  Search this
Cumming, Robert  Search this
Gilhooly, David  Search this
Pyron, Bernard  Search this
Ratajczak, Robert  Search this
Rossol, Monona  Search this
Scanga, Italo  Search this
Wilson, S. Clay  Search this
Wonders of the World Museum  Search this
Topic:
Glazing (Ceramics)  Search this
Ceramics -- Technique  Search this
Ceramics -- Equipment and supplies  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Theme:
Art Materials, Techniques, and Studio Art Education  Search this
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)5836
(DSI-AAA_SIRISBib)208676
AAA_collcode_bailclay
Theme:
Art Materials, Techniques, and Studio Art Education
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208676

Joseph Glasco papers, 1950-1984

Creator:
Glasco, Joseph, 1925-1996  Search this
Glasco, Joseph, 1925-1996  Search this
Topic:
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10523
(DSI-AAA_SIRISBib)213993
AAA_collcode_glasjose
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213993

Gordon [sic] Under Medical Inspection

Alternate Title:
Gordon; Peter
Attribution:
Vincent Colyer, 1825 - 1888  Search this
Copy after:
McPherson & Oliver, active 1862 - 1865  Search this
Sitter:
Gordon  Search this
Peter  Search this
Unidentified Man  Search this
Medium:
Wood engraving
Dimensions:
Sheet: 40.4 × 28cm (15 7/8 × 11")
Mat: 55.9 × 40.6cm (22 × 16")
Type:
Print
Date:
1863
Topic:
Newspaper  Search this
Illustration  Search this
Unidentified Man: Male  Search this
Peter: Male  Search this
Peter: Society and Social Change\Enslaved person  Search this
Gordon: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2012.78
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm43963d69d-db03-4848-bc26-45dba737b628
EDAN-URL:
edanmdm:npg_NPG.2012.78

Horace Greeley

Artist:
Napoleon Sarony, 9 Mar 1821 - 9 Nov 1896  Search this
Sitter:
Horace Greeley, 3 Feb 1811 - 29 Nov 1872  Search this
Medium:
Albumen silver print
Dimensions:
Image/Sheet: 13.8 × 10 cm (5 7/16 × 3 15/16")
Mount: 16.6 × 10.7 cm (6 9/16 × 4 3/16")
Mat: 45.7 × 35.6 cm (18 × 14")
Type:
Photograph
Date:
1869
Topic:
Interior  Search this
Costume\Headgear\Hat  Search this
Costume\Dress Accessory\Tie  Search this
Costume\Jewelry\Chain  Search this
Personal Attribute\Facial Hair\Beard  Search this
Photographic format\Cabinet card  Search this
Horace Greeley: Male  Search this
Horace Greeley: Politics and Government\Presidential Candidate  Search this
Horace Greeley: Communications\Publisher\Magazine  Search this
Horace Greeley: Communications\Publisher\Newspaper  Search this
Horace Greeley: Communications\Journalist\Reporter\Newspaper  Search this
Horace Greeley: Society and Social Change\Reformer\Abolitionist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Robert L. Drapkin
Object number:
NPG.85.106
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm43efba40a-9c57-4b6f-81e5-6dbcad93c31e
EDAN-URL:
edanmdm:npg_NPG.85.106

Alexander Hamilton Stephens

Artist:
McClees & Vannerson, active 1857 - 1860  Search this
James Earle McClees, 1821 - 1887  Search this
Julian Vannerson, c. 1827 - 1875  Search this
Sitter:
Alexander Hamilton Stephens, 11 Feb 1812 - 4 Mar 1883  Search this
Medium:
Salted paper print
Dimensions:
Image/Sheet (oval): 18.9 × 13.5 cm (7 7/16 × 5 5/16")
Mount: 29 × 23 cm (11 7/16 × 9 1/16")
Mat: 45.7 × 35.6 cm (18 × 14")
Type:
Photograph
Place:
United States\District of Columbia\Washington
Date:
1858
Topic:
Interior  Search this
Home Furnishings\Furniture\Table  Search this
Costume\Dress Accessory\Tie  Search this
Alexander Hamilton Stephens: Male  Search this
Alexander Hamilton Stephens: Law and Law Enforcement\Lawyer  Search this
Alexander Hamilton Stephens: Communications\Publisher\Newspaper  Search this
Alexander Hamilton Stephens: Politics and Government\US Congressman\Georgia  Search this
Alexander Hamilton Stephens: Politics and Government\Governor\Georgia  Search this
Alexander Hamilton Stephens: Politics and Government\State Legislator\Georgia  Search this
Alexander Hamilton Stephens: Politics and Government\Confederate Vice President  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; transfer from the Smithsonian Institution Libraries; gift of Roger F. Shultis, 1986
Object number:
NPG.87.42.47
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b8686d29-d13e-4332-9286-ab90e6c729cd
EDAN-URL:
edanmdm:npg_NPG.87.42.47

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