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Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Collector:
Archives Center, National Museum of American History  Search this
Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
American Federation of Teachers  Search this
Department of Defense, Comprehensive Review Working Group  Search this
Gay Officers Action League. GOAL  Search this
Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this
ONE National Gay and Lesbian Archives  Search this
San Diego LGBT Pride  Search this
Servicemembers Legal Defense Network  Search this
Smith College  Search this
University of Connecticut  Search this
William Way Community Center  Search this
Biren, Joan E.  Search this
Bushnell, Megan  Search this
Davidson, James, Dr.  Search this
Dietrich, Joe  Search this
Exline, Gregory  Search this
Florence, Laura  Search this
Huebner, David  Search this
Jain, Shawn  Search this
Karazsia, Amy  Search this
Karazsia, William G.  Search this
Lombardi, Angela  Search this
Lynch, Patsy  Search this
Meinke, Mark  Search this
Nitz, Ryan  Search this
Reichard, Bradley  Search this
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Ros, Silvia  Search this
Sabatino, Michael  Search this
Shannon, Michael A.  Search this
Sheets, Justin  Search this
Snodgrass, Adam  Search this
Voorheis, Robert  Search this
Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Other:
Larson, Gordon P., 1910-1988 -- 20th century  Search this
Names:
McWaine, Dwayne, Dr.  Search this
Extent:
70.2 Cubic feet (213 boxes, 22 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Postcards
Photographs
Posters
Videocassettes
Advertising
Dvds
Songbooks
Periodicals
Place:
Canada -- Description and Travel
Germany -- description and travel
Amsterdam (Netherlands)
Washington, D.C. -- history
Los Angeles (Calif.)
New York, New York
Date:
1825-2023, undated
bulk 1960-2023
Summary:
This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Scope and Contents:
The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.
Arrangement:
The collection is divided into twenty-eight series.

Series 1: Periodicals, 1937-2023

Series 2: Agencies, Associations, and Organizations, 1965-2023, undated

Series 3: Community Life and Subject Files, 1825-2023, undated

Subseries 3.1: Photographs and Slides, 1870-2009, undated

Subseries 3.2: Ephemera and Buttons, 1969-2022, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2023, undated

Subseries 3.5: Pride, 1976-2023, undated

Subseries 3.6: HIV and AIDS, 1987-2020, undated

Subseries 3.7: Gay Games, 1982-2018

Series 4: Advertising, Business, and Publications, 1912-2023, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1986-2021, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2023, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1912-2023, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Fellowship Metropolitan Community Churches (UFMCC), 1957-2019, undated

Series 25: The Christmas House, Crown Media Family Networks, 2020-2021

Series 26: Cones, Myra L. and Harris, G. Yvonne, 1979-2001, undated

Series 27: Atlantic States Gay Rodeo Association (ASGRA), 1993-2004, undated

Series 28: Hooker, Meryl, 1989-1996, undated
Historical Note:
While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visably, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired affinity groups at odds with the LGBT community's new found visibility and quest for broader civil rights. The challenge to what was termed "traditional" values encouraged these counter-LGBT groups to define and solidfy their constituency and also become more pro-active. This collection comprises material that is generated by individuals and organizations promoting both points of view.
Related Materials:
Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters, Will & Grace, and The Christmas House.
Provenance:
This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women's music  Search this
Transgender people -- Identity  Search this
Sexual orientation  Search this
Political activists  Search this
Lesbianism  Search this
Lesbian and gay experience  Search this
Gay activists  Search this
Homosexuality  Search this
HIV and AIDS  Search this
Feminism  Search this
Bisexuality  Search this
Bars (Drinking establishments)  Search this
Gay Pride  Search this
Genre/Form:
Passports
Postcards
Photographs -- 2000-2010
Posters
Videocassettes
Advertising
DVDs
Photographs -- 20th century
Songbooks
Periodicals
Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80327b53b-2daa-47d1-8c11-89a7b3f4e1bd
EDAN-URL:
ead_collection:sova-nmah-ac-1146
Online Media:

John A. Roebling Collection

Creator:
Roebling, Charles Gustavus, 1849-1918  Search this
Roebling, Ferdinand W. (Ferdinand William), 1842-1917  Search this
John A. Roebling's Sons Company  Search this
Roebling, John Augustus, 1806-1869  Search this
Roebling, Washington Augustus, 1837-1926.  Search this
Collector:
National Museum of American History (U.S.). Division of History of Technology  Search this
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Extent:
18.5 Cubic feet (62 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Photograph albums
Specifications
Reports
Price lists
Photographs
Newsletters
Letterpress books
Correspondence
Blueprints
Ledgers (account books)
Genealogies
Notebooks
Patents
Date:
1836-1975
bulk 1930-1950
Summary:
Collection documents the work of the John A. Roebling's Sons Company, builders of bridges. The materials consist primarily of photograph albums documenting some of the bridges, tramways, ski lifts and chair lifts that Roebling's Sons Company was involved with. The documentation also includes specifications, patents, and reference materials about the engineering process of building bridges and bridges in general.
Scope and Contents:
The collection documents the work of the John A. Roebling's Sons Company, builders of bridges. The materials consist primarily of photograph albums documenting a variety of bridges, mostly in the United States. The documentation also includes specifications, patents, and reference materials about the engineering process of building bridges and bridges in general.

Series 1, Historical background materials, 1895-1958, is divided into two subseries: Subseries 1, John A. Roebling's and Sons Company materials, 1895-1949 and Subseries 2, Newsletters, 1929-1931.

Subseries 1, John A. Roebling's and Sons Company materials, 1895-1949, contains a variety of items related to the company such as historical narratives, correspondence, price lists, testing data, and a ledger with cost estimates. The correspondence is partially bound (pages 1 to 104) from a letter press book (handwritten and typescript) belonging to John A. Roebling's and Sons Company. William Hildebrand and Charles G. Roebling are the chief correspondents. The correspondence documents daily activities related to the design and erection of bridges as well as finances and supplies. Charles G. Roebling's notebook, undated, contains calculations and notes about various bridge projects.

Subseries 2, Newsletters, 1929-1931, contain copies of Blue Center and Wire Engineering, which were John A. Roebling's and Sons Company publications intended for employees. The newsletters were apparently used as scrapbooks, with black-and-white photographs pasted into the pages. Found among the pages of Blue Center are photographs of the Hudson River Bridge and in Wire Engineering, there are photographs of the Maysville, Kentucky Bridge.

Series 2, Photographs, 1926-1975, comprises the largest series in the collection. The photographs are primarily black-and-white and document aerial tramways, tramways for logging or mining, chair lifts, ski lifts, floods, and bridge construction projects. The latter makes up the majority. Most photographs were assembled into albums with corresponding captions and dates, and almost all of the photographs document bridges in the United States. There is one exception, the Yauricocha Tramway in Peru. In some instances, the captions are recorded on the back of the photographs, and others were recorded on album pages. The series is arranged alphabetically by name of bridge and/or project.

Series 3, Specifications, 1855-1962, consists of printed textual documents (both bound and loose) that contain information for bidders, proposals, contracts, and bonds, and the detailed specifications. This series is arranged alphabetically by bridge name.

Series 4, Reports, 1928-1938, contains bound reports (both progress and final) detailing problems, requirements, research, manufacture, plant installation, cable equipment, strand adjustments, and Roebling Company developments. This series is arranged alphabetically by bridge/and/or project.

Series 5, Patent materials, 1849-1952, consists of issued patents (to a variety of individuals) for cable and cable appliances, cables, and cable apparatus, cableways and tramways, and grips. The patents are arranged by subject area, then by patent number.

Series 6, Reference materials, 1836-1964, contains a wide range of materials—articles, biographical files, drawings, photographs, newspaper clippings, advertising, correspondence, notes—documenting all aspects of bridges. This series is arranged alphabetically by topic.
Arrangement:
The collection is arranged into six series.

Series 1, Historical background materials, 1895-1958, undated

Subseries 1, Biographical, 1900-1958, undated

Subseries 2, John A. Roebling's and Sons Company materials, 1895-1949

Subseries 3, Newsletters, 1929-1931

Series 2, Photographs, 1926-1975

Series 3, Specifications, 1855-1962

Series 4, Reports, 1928-1938

Series 5, Patent materials, 1849-1952

Series 6, Reference materials, 1836-1964
Biographical / Historical:
John Augustus Roebling (1806-1869) was the founder and proprietor of John A. Roebling's Sons Company. Born in Mühlhausen, Germany, he was a civil engineer famous for his wire rope suspension bridge designs, in particular, the design of the Brooklyn Bridge. Roebling married Johana Herting in 1836 and they had nine children: Washington A. Roebling (1837-1926); Laura R. Methfessel (1840-1873); Ferdinand W. Roebling (1842-1917); Elvira R. Stewart (1844-1871); Josephine R. Jarvis (b. 1847); Charles Gustavus Roebling (1849-1918); Edmund Roebling (1854-1930); William Roebling (b. 1856, d. 1860); and Hannah Roebling (died in infancy). Roebling's three sons, Washington Augustus Roebling; Ferdinand William Roebling and Charles Gustavus Roebling, worked for the company.

Roebling's Sons Company was active in the design and manufacture of wire rope used in the erection of suspension bridges since the 1840s. Roebling devised a system of spinning the wires together where weights and swivels turned the wire coils in the opposite direction from the twisting, thereby removing kinks. Method of and Machine for Manufacturing Wire Rope (US Patent # 2,720) issued on July 16, 1842. Roebling would adapt this wire rope to his suspension bridge principle. In 1848, he established a company—John Roebling's Sons Company—in Trenton, New Jersey, to manufacture his wire rope. Roebling manufacturing plants were sold in 1952 to the Colorado Fuel and Iron (CF&I) Company of Pueblo, Colorado. In 1968, the Crane Company purchased the CF& I.
Related Materials:
Materials in the Archives Center

George S. Morison Collection (AC0978)

Modjeski and Masters Company Records (AC0976)

Materials at Other Organizations

The Rutgers University, Special Collections and University Archives

Roebling family papers, cicra 1820s-1950s
Provenance:
This collection was donated by Blair Birdsall, former chief engineer at John A. Roebling's Sons Company in 1981.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bridges -- New York (N.Y.)  Search this
Bridge construction industry -- United States  Search this
Bridges -- Design and construction  Search this
Iron industry and trade -- United States  Search this
Iron industry and trade -- Colorado  Search this
Wire industry -- New Jersey  Search this
Suspension bridges -- Design and construction  Search this
Ski lifts  Search this
Wire-rope industry -- New Jersey  Search this
Genre/Form:
Photograph albums
Specifications
Reports
Price lists
Photographs -- 20th century
Newsletters -- 1920-1940
Letterpress books
Correspondence
Blueprints
Ledgers (account books)
Genealogies
Notebooks
Patents
Citation:
John A. Roebling Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0981
See more items in:
John A. Roebling Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8419ecb5a-d411-4efa-b829-43d8cc9002ec
EDAN-URL:
ead_collection:sova-nmah-ac-0981
Online Media:

Kenneth M. Swezey Papers

Creator:
Swezey, Kenneth M., 1905-1972 (journalist)  Search this
Sarony, Napoleon, 1821-1896  Search this
Tesla, Nikola, 1856-1943  Search this
Extent:
8.6 Cubic feet (26 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Cabinet photographs
Patents
Date:
1891 - 1988
Summary:
The collection consists of correspondence (both of Nicola Tesla and Kenneth Swezey), copies of patents, articles, pamphlets, brochures, stamps, newsletters, and manuscripts, from 1890-1972 collected and assembled by Swezey.
Scope and Contents:
The Swezey papers are divided into four series: Series 1: Correspondence and Subject Files, Series 2: Tesla Photographs, Series 3: Publications and Series 4: Research Notes. Series 4: Research Notes is housed in a small metal box and contains Swezey's research notes presumably for his incomplete biography of Tesla. Series 1: Correspondence and Subjects Files is arranged alphabetically and is composed of correspondence, copies of patents, articles, pamphlets, brochures, stamps, newsletters and manuscripts. The folders within this series are titled and include a diverse combination of correspondence between Swezey and Tesla, and between Swezey and his colleagues, companies, government officials, museum curators, and Tesla's admirers. Box 19 contains photographs of Tesla, his inventions, his laboratories and personal photographs. Boxes 20-26 include bibliographies, biographies and articles. The collection is strong in articles from magazines such as Electrical Experimentor, newspaper clippings, articles regarding electricity, power, radio, pamphlets, and brochures. The collection generally follows Swezey's arrangement and is somewhat inconsistent in terms of organization. However, the folder titles are fairly specific and should give the researcher direction. The materials within the folders are arranged chronologically. While some photo prints have been placed together in Series 2, there are also a large number of photo prints throughout the collection, according to Swezey's original arrangement. The collection provides an overview of Tesla's unusual personality and Swezey's intense preoccupation with Tesla. The collection also provides insight into Tesla's way of life, philosophies, personality and a general overview of his inventions and how society reacted to this prolific and unusual inventor.
Arrangement:
The collection is divided into four series.

Series 1: Correspondence and Subject Files, 1891-1988

Series 2: Tesla Photographs, 1983; 1943

Series 3: Publications, 1959-1970

Series 4: Research Notes, undated
Biographical / Historical:
Nikola Tesla (1856-1943) was born in Smiljan, Lika, now Yugoslavia and emigrated to America in 1884. He worked at the Edison Machine Works as a dynamo designer where he was promised a salary of $18.00 a week, with a completion bonus of $50,000. He realized at the end of the year the bonus had been a practical joke and he resigned. By 1887, he accumulated enough money to build a laboratory and start working on models of motors. Shortly thereafter, he developed his famous polyphase, alternating current motor, using an alternating current instead of the direct current used up until this point. Tesla's motor kept "exact step with the rotations of the field, regardless of load; this was the first polyphase synchronous motor." (Science, Swezey, vol. 127 p.1149) The induction motor which he later invented developed a high torque in starting, built up speed, and could maintain speed with varying loads. In 1888, Tesla received his first patents from the U.S. Patent Office. George Westinghouse quickly recognized Tesla's lucrative ideas, and hired him. Westinghouse was awarded the important Niagara Falls Power contract using Tesla's patents for his turbine engine utilizing the polyphase system. After a year, despite his very high salary with Westinghouse, Tesla decided to go back to working in his private lab in New York. He experimented with high frequency currents which led to many discoveries, including the famous Tesla coil the forerunner of fluorescent and neon lighting. At the same time he started delving in the new field of science, telautomatics, now called automation. He built and demonstrated model boats controlled by wireless radio impulses and the first radio controlled torpedo (the forerunner of the guided missile) One of Tesla's dreams was to transmit electric signals all over the world without using wires . In 1899, he began building a demonstration plant for wireless transmission at his Shoreham, Long Island laboratory. Despite never completing the plant due to lack of funds, his vision earned him the name "father of radio". In Tesla's latter years he worked on inventions and ideas which he could not afford to develop and became more eccentric and withdrawn from society. He died January 7, 1943 at the age of 87. Although Tesla was well regarded in his time, he was never revered in this country as he was in Yugoslavia. Most of Tesla's original documents and correspondence are in Belgrade, Yugoslavia at the Nikola Tesla Museum. The Library of Congress Manuscript Division holds 7 reels of microfilm of these materials.

Kenneth M. Swezey (1905-1972) wrote for the New York Sun in his late teens and early twenties. At this time he met and became friends with Nikola Tesla. Swezey regarded him as an unsung electrical genius and collected Tesla materials from 1921-1972. In his capacity as writer for various publications he frequently wrote about Tesla and his scientific advancements. Privately he spent a large part of his time memorializing him, eg. he started the Tesla Society. He also organized anniversary celebrations commemorating Tesla, etc. Swezey also wrote science books, among them: Formulas, Methods, Tips and Data for Home and Workshop, 1969; Science Shows You How, 1964 and After Dinner Science. When Mr. Swezey died in 1972, the Smithsonian Institution acquired his collection. Kenneth Swezey felt that the United States should honor Tesla and spent most of his life trying to memorialize him. He was instrumental in organizing a celebration of Tesla's 75th anniversary with the American Institute of Electrical Engineers, soliciting admiring statements from both individuals and corporations, for the unpublished pamphlet, "Tribute to Nikola Tesla." Some of Mr. Swezey's other Tesla related activities included: forming the Tesla Society, organizing and designing the 100th anniversary celebration, successfully lobbying for the naming of ships, schools, and a unit of measurement after Tesla, and the striking of a stamp commemorating Tesla.
Provenance:
The collection was donated by Robert MacCrate, Attorney, Sullivan and Cromwell in 1972.
Restrictions:
Collection is open for research.

Series 1: Leland Anderson correspondence, box 2 is restricted by the donor until 2030.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio -- History  Search this
Electrical engineering  Search this
Electrical engineers  Search this
Genre/Form:
Photographs -- 20th century
Cabinet photographs
Patents
Citation:
Kenneth M. Swezey Papers, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0047
See more items in:
Kenneth M. Swezey Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82f8acf59-7398-45d6-973e-9391f2fde87a
EDAN-URL:
ead_collection:sova-nmah-ac-0047
Online Media:

Marie Satenik Nahikian papers

Creator:
Nahikian, Marie Satenik, 1946-  Search this
Names:
Barry, Marion, 1936-2014  Search this
Clarke, David "Dave", 1943-1997  Search this
Fauntroy, Walter E.  Search this
Hill, Fannie, 1923-1987  Search this
Pierce, Walter C., 1946-1991  Search this
Pinkett, Flaxie Madison, 1918-1995  Search this
Shackleton, Polly , 1910-1997  Search this
Shia, Nancy, 1947-  Search this
Sizemore, Barbara, 1927-2004  Search this
Washington, Walter E., 1915-2003  Search this
Extent:
5.83 Linear feet (5 boxes )
Type:
Collection descriptions
Archival materials
Contact sheets
Photographs
Audio cassettes
Place:
Adams Morgan (Washington, D.C.)
Date:
1971-1998
Scope and Contents:
The papers of community organizer and affordable housing developer Marie Satenik Nahikian measure 3.46 linear feet and date from 1971 to 1998. The collection contains correspondence; certificates; photographs; newsletters; campaign ephemera; editions of various Washington, DC community newspapers; as well as recordings of Nahikian's speeches. The bulk of the collection contains documents pertaining to Nahikian's work with the Adams Morgan Organization.
The papers of community organizer and affordable housing developer Marie Satenik Nahikian measure 3.46 linear feet and date from 1971 to 1998. The collection includes copies of the Rock Creek Monitor, the newspaper of Dupont Circle, Adams Morgan and Mt. Pleasant communities of Washington, DC. Present in the collection are also proclamations, newspaper clippings, writings by Nahikian and materials related to her role for Advisory Neighborhood Commissioner for ANC-1C (in Adams Morgan) and unsuccessful campaign for D.C. City Council.
Biographical / Historical:
Marie Satenik Nahikian was a co-founder and the first Executive Director of the Adams Morgan Organization (AMO, founded in 1972). Before Washington, DC had Home Rule, AMO put into practice a local, elected self-governance structure that advocated for issues of concern to residents of the Adams Morgan neighborhood. AMO served as the main model for the Advisory Neighborhood Commissions that were created when Home Rule was implemented in Washington, DC. Marie S. Nahikian, particularly through her work with AMO, was a staunch advocate and partial architect of three landmark pieces of tenant rights and anti-displacement legislation in DC: the 1975 Rental Accommodations Act, the 1978 Residential Real Property Transfer Excise Tax, and the 1980 Rental Housing Conversion and Sale Act.

Nahikian was elected Advisory Neighborhood Commissioner for ANC-1C (in Adams Morgan) and twice ran for D.C.City Council (unsuccessfully). She was appointed by Mayor Walter Washington (1915-2003) to serve two terms as a Tenant Commissioner on the D.C. Rental Accommodations Commission. She later served under Mayor Marion Barry (1936-2014) as head of the Tenant Purchase Program that enabled largely low- and moderate-income tenants to purchase and become cooperative owners of their buildings.

After leaving Washington, DC, she went on to work for Mayors in Philadelphia and New York City. Nahikian also worked in the U.S. Department of Housing and Urban Development under President Barack Obama.

In 2023, Marie Satenik Nahikian hosts the Usable Past podcast, where activists share their stories of past and present organizing to create better lives for as many people as possible.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Marie Satenik Nahikian papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Urban Life  Search this
Community activists  Search this
Community Organizations  Search this
Newspapers -- Washington (D.C.).  Search this
Genre/Form:
Contact sheets
Photographs -- Black-and-white negatives -- 20th century
Audio cassettes -- 20th century
Citation:
Marie Satenik Nahikian papers, Anacostia Community Museum, Smithsonian Institution. Gift of Marie Satenik Nahikian.
Identifier:
ACMA.06-123
See more items in:
Marie Satenik Nahikian papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa76d1f22f0-800a-4d07-829f-f92dfb4a81cd
EDAN-URL:
ead_collection:sova-acma-06-123

Oronzo Gasparo papers

Creator:
Gasparo, Oronzo, 1903-1969  Search this
Names:
East River Gallery (New York, N.Y)  Search this
Dickinson, Preston, 1889-1930  Search this
O'Connor, Paul Dennis  Search this
Extent:
9 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Date:
1909-1975
Scope and Contents:
Correspondence, biographical material, printed material, writings, sketchbooks, artwork, financial records, photographs, and motion picture film and video.
REEL N70-25: Correspondence; biographical data; printed material includes clippings, press releases, newsletters, exhibition catalogs and announcements.
REEL 132: Correspondence and consignment agreements with the East River Gallery; biographical writings and critical notes by Gasparo and others; press releases, exhibition announcements and catalogs.
REEL 960: Typescript of Karen Greiffenberg's thesis "The Colorful World of Oronzo Gasparo: His Life and Art"written for the University of Washington, 1973.
UNMICROFILMED: Biographical documents and writings; correspondence with family, friends, Preston Dickinson, Paul Dennis O'Connor, galleries, museums and Jessica Millmans' correspondence concerning Gasparo; sketches and sketchbooks; clippings, articles, exhibition guest books, catalogs and announcements; photographs of Gasparo, Millman, Dickinson, and slides and negatives of artwork; financial records; notes; 3 reels 16 mm film, including two film prints of "A Night In the Artist's Studio: Gasparo with model Magdelene Egry" (copied to VHS), and an untitled reel of footage of Gasparo and models; 2 palettes; and a printing block.
Biographical / Historical:
Painter; New York, N.Y. Born in Bari, Italy. He came to the United States in 1916. Studied at the National Academy of Design, N.Y.C. and with Preston Dickinson. Served as a WPA artist in New York City.
Provenance:
Material on reel 960 was lent for microfilming by Jessica Millman, a friend of Gasparo's, 1975. The other material was donated by Millman, 1970-1984. The 16mm film was transferred to VHS video Nov. 1991 and is catalogued separately and shelved under Gropius.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists' models  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.gasporon
See more items in:
Oronzo Gasparo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98270bffb-58d2-4222-bbb6-5d070615ba55
EDAN-URL:
ead_collection:sova-aaa-gasporon

South Asian Lesbian and Gay Association (SALGA), October 1994. [Newsletter.]

Publisher:
SALGA [South Asian Lesbian and Gay Association]  Search this
Collector:
Archives Center, National Museum of American History  Search this
Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink on paper., 10.9" x 8.4".)
Container:
Box 34
Culture:
Asian Americans  Search this
Type:
Archival materials
Newsletters
Place:
New York (N.Y.) -- 20th century
Scope and Contents:
Article, "They Have a Right to Love" by Priyamvada Sinha, protests 14th annual India Day parade and its exclusion of SALGA.
Local Numbers:
AC1146-0000074.tif (AC Scan No.: front page)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Homosexuality  Search this
LGBT  Search this
Indian Day Parade  Search this
Parades -- New York  Search this
Genre/Form:
Newsletters -- 1950-2000
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 2: Agencies, Associations, and Organizations / South Asian Lesbian and Gay Association (SALGA), correspondence, press releases
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep846f327b1-7834-40be-8cb4-433a59ff73ef
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2772

North American Water and Power Alliance Records

Creator:
North American Water and Power Alliance.  Search this
Ralph M. Parsons Corporation (Pasadena, Calif.)  Search this
Extent:
0.6 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Reports
Correspondence
Videotapes
Brochures
Place:
Ogallala Aquifer
Great Lakes (North America)
Date:
1964-1990
Summary:
The collection contains executive reports, promotional material, correspondence, articles and publications documenting the North American Water and Power Alliance (NAWAPA), which was a large-scale, transcontinental water transfer plan designed by the Ralph M. Parsons Corporation in 1964.
Scope and Contents:
The collection contains a promotional video, correspondence, plans, studies, reports, articles, newspaper clippings, and newsletters, which document the North American Water and Power Alliance (NAWAPA), a large scale, transcontinental water transfer plan designed by the Ralph M. Parsons Corporation in 1964 to collect excess water from the northwestern part of the North American continent and distribute it to deficient areas of Canada, the United States and Mexico.

Series 1: Plans and Studies, 1964-1989, is arranged topically and contains conceptual studies, executive plans, summaries, and papers and presentations about the NAWAPA project. The conceptual plans (Volumes One, Two and Five), detail the engineering, financial, and sociogeopolitical aspects of the project, while the other materials provide overall background and context for the project's conception.

Series 2: Correspondence, 1974-1990, is arranged chronologically and contains letters and interoffice memoranda about the NAWAPA project. The contents of the letters primarily relate to efforts to gain federal government support for the NAWAPA. The majority of the correspondence was created by Joseph Volpe, Jr., Vice-President of Parsons Corporation and W.E. Leonhard, Chairman and CEO of Parsons Corporation. Correspondence from congressional representatives such as Senator Fran E. Moss (D-Utah) and Representative Harold T. (Bizz) Johnson (D-California) are present. There are some tax returns, letters and interoffice memoranda concerning the dissolution of the NAWAPA Foundation Inc., which was a subsidiary of the Parsons Corporation.

Series 3: Reference Materials, 1964-1990, is arranged topically and contains brochures, articles, publications, newspaper clippings, notes, and audio visual materials documenting the NAWAPA project and water issues. Materials from the National Water Alliance, National Democratic Policy Committee (Water from Alaska), and the Water Policy Report of the Western Governors' Association are represented. The NAWAPA promotional video tape on 1/2" VHS, circa 1964, was originally shot on 16mm color film and produced by the Ralph M. Parsons Corporation. The film depicts still images of landscapes, mostly rivers and reservoirs, and engineering projects such as dams, hydroelectric power plants and irrigation systems. The film is narrated and discusses the importance of the NAWAPA project. A digital surrogate (RDVD 1052.01) of the videotape exists.
Arrangement:
The collection is organized into three series.

Series 1: Plans and Studies, 1964-1989

Series 2: Correspondence, 1974-1990

Series 3: Reference, 1964-1990
Biographical / Historical:
The North American Water and Power Alliance (NAWAPA) was a large-scale, transcontinental water transfer plan designed by the Ralph M. Parsons Corporation in 1964. The Parsons Corporation was founded in 1944 to provide engineering, procurement and construction services for government, petrochemical, and infrastructure clients. In the early 1960s, Parsons invested its own financial resources to study and develop a conceptual plan for NAWAPA, which would divert fresh water from Alaska to water-deficient areas of seven Canadian provinces, thirty-three U.S. states, and three Mexican states. The total projected investment was about a hundred billion dollars with construction estimated to take approximately twenty years.

Although the NAWAPA project was never realized, the Parsons Corporation (http://www.parsons.com) continues to provide engineering, construction, technical, and management services to private industries and government agencies.
Provenance:
Immediate source of acquisition unknown. Found in the Division of Engineering and Industry, now known as the Division of Work and Industry, National Museum of American History.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Lobbying  Search this
Water-power  Search this
Water transfer  Search this
Engineering -- 20th century  Search this
Conservation of natural resources  Search this
Genre/Form:
Reports
Correspondence -- 1950-2000
Videotapes
Brochures -- 1950-2000
Citation:
North American Water and Power Alliance Collection, 1964-1990, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1052
See more items in:
North American Water and Power Alliance Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83ac8161f-a63c-4b56-bec2-51e43cdee1fa
EDAN-URL:
ead_collection:sova-nmah-ac-1052

Bernis B. Brown Collection

Creator:
Brown, Bernis B., 1888-1960  Search this
Former owner:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Extent:
8.5 Cubic feet (17 boxes, 1 map folder)
Type:
Collection descriptions
Archival materials
Books
Catalogs
Clippings
Correspondence
Magazines (periodicals)
Manuscripts
Newsletters
Notebooks
Patents
Photographs
Date:
1852-1972
Scope and Contents note:
The collection documents the history of farm machinery in America, especially steam-powered machines, with an emphasis on tractors. The collections includes Brown's correspondence with individuals and institutions regarding his research and his collection, writings, research notes, newspaper and magizine clippings, photographs, periodicals, and trade literature. Many of Brown's writings appeared in the Iron-Men Album. Also included is a history Brown compiled on early American farm power titled, Pictorial History of Early American Farm Power, 1953.
Arrangement:
The collection is arranged into seven series.

Personal Materials, 1945-1952

Correspondence, 1912-1960 Photographs, 1896-1958 Writings, 1915-1958 Research Notes, 1857-1958 Newspaper and Magazine Clippings, 1898-1972 Periodicals, 1946-1960 Trade Literature, 1852-1960
Biographical/Historical note:
Bernis Bertram Brown (1888-1960) was born in Gillians, Missouri. Brown worked for the Austin-Western Road Machinery Company and was a dealer, salesmen, and repairman of farm equipment, especially steam powered engines. Brown was a regular contributor to the Iron-Men Album Magazine with articles about valves, reverse gears and various steam and gas engines.
Related Materials:
Materials in the Archives Center

Carterpillar Tractor Company Photograph Collection, NMAH.AC.0146

John K. Parlett Collection of Agricultural Ephemera, NMAH.AC.1225
Provenance:
Collected for the National Museum of American History, Division of Civil and Mechanical Engineering.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Agricultural machinery  Search this
Farm equipment  Search this
Steam-engines  Search this
Tractors  Search this
Genre/Form:
Books
Catalogs
Clippings
Correspondence -- 20th century
Magazines (periodicals) -- 20th century
Manuscripts -- 20th century
Newsletters -- 20th century
Notebooks
Patents
Photographs -- 20th century
Citation:
Bernis B. Brown Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1047
See more items in:
Bernis B. Brown Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep833694762-4434-4153-ad01-d6b730ad299e
EDAN-URL:
ead_collection:sova-nmah-ac-1047

Lucinda Rudell Covered Bridge Collection

Creator:
Moyer, Frances  Search this
Rudell, Lucinda  Search this
Former owner:
National Museum of American History (U.S.). Division of Engineering and Industry  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Ephemera
Newsletters
Photographs
Pamphlets
Postcards
Placemats
Scrapbooks
Articles
Correspondence
Writings
Date:
1942-1986
Summary:
The collection documents Mrs. Rudell's research on covered bridges, mostly in the United States, but also including some in Europe and Canada.
Scope and Contents note:
The collection is comprised of Mrs. Rudell's research on covered bridges, mostly in the United States but also including some in Europe and Canada. Included are letters, responses to her inquiries to local groups and governments, pamphlets, travel and tourist information, writings on covered bridges, postcards, clippings, a photograph album of covered bridges, newsletters from the Society for the Preservation of Covered Bridges, and ephemera such as placemats and greeting cards depicting covered bridges.
Arrangement:
Collection is arranged into one series.
Biographical/Historical note:
Collector of covered bridge materials.
Provenance:
Collection donated by Frances Moyer in 1987.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Covered bridges  Search this
Greeting cards -- 20th century  Search this
Bridges  Search this
Genre/Form:
Ephemera
Newsletters
Photographs -- 20th century
Pamphlets
Postcards
Placemats
Scrapbooks -- 20th century
Articles
Correspondence
Writings
Citation:
Lucinda Rudell Covered Bridge Collection, 1942-1986, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1028
See more items in:
Lucinda Rudell Covered Bridge Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep864937d29-d76f-4512-9c55-3682e20e50a2
EDAN-URL:
ead_collection:sova-nmah-ac-1028
Online Media:

Helen Gerardia papers

Creator:
Gerardia, Helen, 1903-1988  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
circa 1945-1988
Summary:
The Helen Gerardia papers measure 2.4 linear feet and date from circa 1945-1988. They illustrate her career through biographical and printed materials, scrapbooks, and photographic material.
Scope and Contents:
The Helen Gerardia papers measure 2.4 linear feet and date from circa 1945-1988. Biographical materials include Gerardia's resume, samples of her signature, miscellaneous correspondence to and from Gerardia with museums, galleries, and business colleagues, and biographical information for the publication Who's Who in American Art. Printed material consists of exhibition announcements and catalogs, news clippings, and various newsletters. Scrapbooks include various clippings, exhibition announcements, fliers, photographs, and other printed materials. Photographic material consists of photographs of Gerardia, the Yaddo Fellowship, and of Gerardia's artwork.
Arrangement:
This collection contains four series.

Series 1: Biographical Material, circa 1954-1973 (.1 Linear feet: Box 1)

Series 2: Printed Material, circa 1953-1971 (.1 Linear feet: Box 1)

Series 3: Scrapbooks, circa 1951-1988 (1.7 Linear feet: Boxes 1-6)

Series 4: Photographic Material, circa 1945-1975 (.5 Linear feet: Boxes 2 and 7)
Biographical / Historical:
Helen Gerardia (1903-1988) was a painter and printmaker who worked primarily in New York.

Gerardia was born in Ekaterinoslav, in what was then the Russian Empire, and immigrated to the United States to study under Hans Hofmann from 1946-1947. During her career she engaged in lithography and etching, while focusing on paintings as a medium. She was a participant in the abstract expressionist movement and during the 1950s shifted more towards the cubism movement. She frequently emphasized negative space in her works. Gerardia was a member of the Vectors Artist Group, and from 1967-1969 she was president of the American Society of Contemporary Artists. She exhibited her work at the Metropolitan Museum of Art, among other places. Gerardia died in 1988 in New York.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 59-60, 80, and 2812) including scrapbooks, a five-page resume, and samples of Gerardia's signature. Loaned materials were returned to the donor and later donated.
Provenance:
Materials on reel 2812 were lent for microfilming by Gerardia in 1961. Scrapbooks on reels 59, 60 and 80 were lent by Gerardia for microfilming in 1971 and nine were donated in 1981 along with another scrapbook (1971-1973). The remainder of the scrapbooks and papers were donated in 1989 by Gerardia's estate.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Women printmakers  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Citation:
Helen Gerardia papers, circa 1945-1988, Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gerahele
See more items in:
Helen Gerardia papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e54a254c-cca5-4ecb-9e4c-73db1c580db1
EDAN-URL:
ead_collection:sova-aaa-gerahele

Beata Drake Covered Bridge Collection

Creator:
National Society for the Preservation of Covered Bridges.  Search this
Drake, Beata  Search this
Former owner:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Extent:
3 Cubic feet (12 boxes)
Type:
Collection descriptions
Archival materials
Ephemera
Guidebooks
Maps
Newsletters
Pamphlets
Photographs
Postcards
Date:
1927-1981
Summary:
Collection documents covered bridges, mostly in the eastern United States.
Scope and Contents note:
The collection is comprised of materials assembled by Ms. Drake on the subject of covered bridges. It includes photographic prints and negatives she took, most of which are captioned with information about location and date of the photograph; postcards, some of them used and addresses to Ms. Drake; newsletters, guidebooks, and publications by various local and national covered bridge groups, including the National Society for the Preservation of Covered Bridges; and published maps with information on where to find covered bridges. The collection relates mostly to covered bridges in the eastern United States. There are some postcards documenting foreign covered bridges.
Arrangement:
The collection is arranged into five series.

Series 1: Covered Bridge Societies, 1954-1981

Series 2: Maps, 1958-1977 Series 3: Guidebooks and Ephemera, 1927-1973

Series 5: Postcards, circa 1950s-1960s

Series 6; Photographs and Negatives, 1938-1975
Biographical/Historical note:
Beata Drake (d. 1982) was a collector and covered bridge enthusiast.
Provenance:
Collection bequeathed to the Division of Mechanical and Civil Engineering (now the Division of Work and Industry) by Beata Drake, through Richard H. Symons in 1982.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bridges  Search this
Covered bridges  Search this
Covered bridges -- United States  Search this
Genre/Form:
Ephemera
Guidebooks
Maps
Newsletters
Pamphlets
Photographs -- 20th century
Photographs -- Black-and-white negatives -- 20th century
Postcards
Citation:
Beata Drake Covered Bridge Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0998
See more items in:
Beata Drake Covered Bridge Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ef8bc733-c143-42a9-bd19-e21095f1c9cb
EDAN-URL:
ead_collection:sova-nmah-ac-0998

Raymond E. Wilson Covered Bridge Collection

Collector:
Wilson, Raymond E.  Search this
National Museum of American History (U.S.). Division of History of Technology  Search this
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Donor:
Millington, Ruth H.  Search this
Creator:
National Society for the Preservation of Covered Bridges.  Search this
Extent:
3 Cubic feet (9 boxes, 1 map folder )
Type:
Collection descriptions
Archival materials
Blueprints
Books
Clippings
Newsletters
Pamphlets
Photograph albums
Photographs
Slides (photographs)
Date:
1912-1980
Summary:
The collection documents covered bridges in America and Europe.
Scope and Contents:
The collection relates to covered bridges in America and Europe. It includes hundreds of slides (with index) of photographs of covered bridges; an album of prints of photographs of covered bridges in Germany, Switzerland and Austria; books and pamphlets, both national and regional, about covered bridges; newsletters from covered bridge organizations, both national and regional, such as the National Society for the Preservation of Covered Bridges; drawings; notes; copies of patents, an album of photographs entitled Trusses; articles and clippings; correspondence about covered bridges; and blueprints of plans for repair work on bridges.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Mechanical engineer and covered bridge enthusiast.
Provenance:
Donated by Wilson's daughter in 1983 to the Division of Mechanical and Civil Engineering, now called the Division of Work and Industry.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bridges  Search this
Covered bridges  Search this
Covered bridges -- Austria  Search this
Covered bridges -- Germany  Search this
Covered bridges -- Switzerland  Search this
Covered bridges -- United States  Search this
Genre/Form:
Blueprints
Books
Clippings
Newsletters
Pamphlets
Photograph albums -- 20th century
Photographs -- 1950-2000
Slides (photographs) -- 20th century
Citation:
Raymond E. Wilson Covered Bridge Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0999
See more items in:
Raymond E. Wilson Covered Bridge Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8540ade10-141e-4a75-9ac7-ee5ed2bd4401
EDAN-URL:
ead_collection:sova-nmah-ac-0999

Rockwell Kent papers

Creator:
Kent, Rockwell, 1882-1971  Search this
Names:
American Artists' Congress  Search this
Artists League of America  Search this
Artists' Union (New York, N.Y.)  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
International Workers Order  Search this
Macbeth Gallery  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
Boyesen, Bayard  Search this
Chamberlain, J. E.  Search this
Chase, William Merritt, 1849-1916  Search this
Cleland, T. M. (Thomas Maitland), 1880-1964  Search this
Daniel, Charles, 1878-1971  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Fitzgerald, James, 1899-1971  Search this
Freuchen, Peter, 1886-1957  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Marsden, 1877-1943  Search this
Hays, Lee, 1914-1981  Search this
Henri, Robert, 1865-1929  Search this
Jones, Dan Burne  Search this
Keller, Charles, 1914-2006  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nearing, Helen  Search this
Nearing, Scott, 1883-1983  Search this
Pach, Walter, 1883-1958  Search this
Phillips, Duncan, 1886-1966  Search this
Rasmussen, Knud, 1879-1933  Search this
Reeves, Ruth, 1892-1966  Search this
Robeson, Paul, 1898-1976  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Ruggles, Carl, 1876-1971  Search this
Seeger, Pete, 1919-2014  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Untermeyer, Louis, 1885-1977  Search this
Wildenstein, Felix, 1883-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
88 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Sketches
Business records
Photographs
Drawings
Date:
circa 1840-1993
bulk 1935-1961
Summary:
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Function:
Labor unions
Genre/Form:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a
EDAN-URL:
ead_collection:sova-aaa-kentrock

Anne Valk Papers

Creator:
Valk, Anne M., 1964-  Search this
Names:
Burlage, Dorothy, 1937-  Search this
Butler, Josephine "Jo", 1920-1997  Search this
Horn, Etta, 1928 – 2001  Search this
Martin-Felton, Zora  Search this
Reagon, Bernice Johnson, 1942-  Search this
Extent:
3.75 Linear feet (4 boxes)
Culture:
African American women  Search this
Type:
Collection descriptions
Archival materials
Oral histories (document genres)
Newsletters
Audio cassettes
Correspondence
Newspapers
Date:
bulk 1964-1997
Scope and Contents:
The papers of Anne Valk— a specialist in oral history, public history, and the social history of the 20th-century United States measure 3.75 linear feet and date from 1964 to 1997. The collection contains oral history interviews and documents acquired or created by Dr. Valk during her extensive research of key figures in D.C. community activism for her book, Radical Sisters: Second-Wave Feminism and Black Liberation in Washington D.C. (University of Illinois Press, 2010).

Research files and ephemera from the following people, organizations, and publications are represented in the collection: Josephine Butler (DC Statehood Party; Adams Morgan Organization), Etta Horn (Southeast Neighborhood House's Band of Angels; National Welfare Rights Organization), Dorothy Burlage (Southeast Neighborhood House), Betty Garman (Student Nonviolent Coordinating Committee), Judy Richardson (Student Nonviolent Coordinating Committee), Bernice Reagon (Student Nonviolent Coordinating Committee), Marcia Sprinkle (Student Nonviolent Coordinating Committee), Juanita Weaver (Quest), LaValleJones (Rape Crisis Center), Loretta Ross (Rape Crisis Center, National Black United Front, National Organization of Women), Peggy Cleveland (The Bridge), Joan Biren (DC Women's Liberation Movement), Cathy Wilkerson (SDS, Weather Underground), Tina Smith (SNCC), Off Our Backs newspaper, and Congress Of Racial Equality (CORE), among others.
Biographical / Historical:
Anne Valk (1964- ) is a specialist in oral history, public history, and the social history of the 20th-century United States. Dr. Valk received a M.A. from Mount Holyoke College and a PhD in history from Duke University in 1996. Professor Valk has written extensively in the areas of women's history, history of feminism, and oral history. She teaches public history at the Graduate Center at City University of New York (CUNY) and is the director of the Center for Media and Learning/American Social History Project.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Anne Valk papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Feminism  Search this
Activism  Search this
Women  Search this
Student Nonviolent Coordinating Committee (U.S.)  Search this
Civil rights  Search this
Housing  Search this
Genre/Form:
Oral histories (document genres)
Newsletters -- 1960-1970
Audio cassettes -- 20th century
Correspondence
Newspapers
Citation:
Anne Valk papers, Anacostia Community Museum, Smithsonian Institution, gift of Dr. Anne Valk.
Identifier:
ACMA.06-114
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7e83e8566-9fba-41a4-989a-58300f2e2900
EDAN-URL:
ead_collection:sova-acma-06-114

Henry P. Whitehead collection

Collector:
Whitehead, Henry Preston, 1917-2002  Search this
Extent:
156.91 Linear feet (178 boxes)
Type:
Collection descriptions
Archival materials
Pamphlets
Sound recordings
Clippings
Memorabilia
Newspapers
Photographs
Books
Brochures
Date:
1843-2010
bulk 1940-1986
Summary:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.
Scope and Contents note:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.
Arrangement note:
This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney
Biographical/Historical note:
Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.
Provenance:
The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Howard Theatre (Washington, D.C.)  Search this
African Americans  Search this
National Negro Congress (U.S.)  Search this
National Council of Negro Women  Search this
Radio broadcasting  Search this
African American neighborhoods  Search this
African American musicians  Search this
Genre/Form:
Pamphlets
Sound recordings
Clippings
Memorabilia -- 20th century
Newspapers
Photographs
Books
Brochures
Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
Identifier:
ACMA.06-042
See more items in:
Henry P. Whitehead collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46
EDAN-URL:
ead_collection:sova-acma-06-042
Online Media:

Beatrice Medicine papers

Creator:
Medicine, Beatrice  Search this
Extent:
28 Linear feet (65 document boxes, 1 box of oversize materials, 1 box of ephemera, 1 shoebox of index cards, 1 map drawer)
Culture:
Oglala Lakota (Oglala Sioux)  Search this
Native American  Search this
American Indian -- Education  Search this
Type:
Collection descriptions
Archival materials
Correspondence
Place:
Standing Rock Sioux Tribe of North & South Dakota
Date:
1914-2003
bulk 1945-2003
Summary:
The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.
Scope and Contents:
The papers of Beatrice Medicine reflect Medicine's interests as an academic and an activist, and contain correspondence, committee, conference, and teaching material, ephemera, manuscripts and poetry, maps, notes, periodicals, photographs, and training material (see series scope notes for further details on contents). The majority of the material is printed matter that Medicine collected, with less of her own work included. Taken together, the collection reflects issues affecting Native Americans during the second half of the 20th century, as well as the network of Native American leaders and organizations that navigated these issues. Student papers, letters of recommendation, evaluations, and documents containing personally identifiable information are restricted.
Arrangement:
The collection is divided into 24 series:

Series 1: Native American Culture and History, 1954-1962, 1967-1975, 1978-1989, 1991-1997, 1999-2002

Series 2: Appropriations, Economics, and Labor, 1955, circa 1970-1980, 1988, 1993, circa 1995-2000

Series 3: Archaeology, 1935-1950, 1952-1973, 1987-1995

Series 4: Native American Artists, Authors, Crafts, Film, and Poets, 1951-1969, 1972-2002

Series 5: Census, Demographic, and Poll Data, 1974, 1984-1986

Series 6: Civil Rights, 1972, 1980, 1983-1997

Series 7: Committee Material: Correspondence, Meeting Minutes, and Memos, 1985-1995

Series 8: Conference Material, 1955-1962, 1965, 1968-1974, 1976-2002

Series 9: Correspondence, 1952, 1959, 1962, 1966-2000

Series 10: Education: Native American Institutions and Teaching Material, 1948-2002

Series 11: Ephemera: Campaign, Pow-Wow, and Other Event Buttons, and Calendars, 1973, 1976, circa 1980-2000

Series 12: Health: Alcohol and Drug Addiction and Recovery, Disabilities, Healthcare, Mental Health, Nutrition, and Wellness, 1955, 1965, 1969-1999, 2004

Series 13: Historic Preservation, 1942, 1956, 1960-1969, 1979, circa 1985-1998

Series 14: Invitations, 1966-1979, 1982, 1991-2002

Series 15: Linguistics: Native American Languages, 1961, 1963, 1975, 1978-1981, 1987-1995

Series 16: Manuscripts, 1964-2003

Series 17: Maps, 1982-1991

Series 18: Museum Material: Native American Museums, Exhibit Preparation, and the National Museum of the American Indian, 1949, 1962, circa 1976-1998

Series 19: Oversized Material, 1962, circa 1965-1996, 1999

Series 20: Published material: Journals, Magazines, Monographs, and Newsletters, 1914, 1932, 1944, 1946-1947, 1952-2003

Series 21: Reports, 1947-1949, 1956-1998

Series 22: Training Material, 1968, 1988-2000

Series 23: Women and Gender, 1962, 1965, circa 1970-1997

Series 24: Restricted Material, 1972, 1978, 1987-1999
Biographical / Historical:
A member of the Standing Rock Sioux tribe, Beatrice "Bea" Medicine—also known by her Lakota name Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman"—was born on the Standing Rock Indian Reservation in Wakpala, South Dakota on August 1, 1923.

As a young adult, she studied at the South Dakota State University on the Laverne Noyes Scholarship, where she attained her B.A. in Anthropology in 1945. Between 1945 and 1951, Medicine worked a variety of teaching positions, including for three American Indian institutions (see Chronology for Medicine's complete work history). In 1951, Medicine went back to school and worked as a research assistant until she earned her master's degree in Sociology and Anthropology from Michigan State University in 1954. For the remainder of her life, Medicine served as faculty, visiting professor, and scholar-in-residence at thirty-one universities and colleges in the United States and Canada, teaching cultural and educational anthropology courses, as well as Native American Studies. As an educator, Medicine carried out her research on a variety of issues affecting Native American and First Nation communities, including: 1) mental health issues, 2) women's issues—professionalization, sterilization, socialization, and aging, 3) bilingual education, 4) alcohol and drug use and abuse, 5) ethno-methodologies and research needs, and 6) socialization of children and identity needs. Medicine's research in American Indian women's and children's issues, as well as her research in gender identity among the LGBT community was among the first to document the narratives of the members of these groups.

In 1974, Medicine testified alongside her cousin, Vine Deloria, Jr., as an expert witness in the Wounded Knee trial (United States v. Banks and Means). Following this, Medicine returned to school to pursue her Ph.D. in Cultural Anthropology, which she completed in 1983 at the University of Wisconsin. With her experience as a researcher, educator, activist, and Lakota woman, medicine sought to create more opportunities for multicultural and bilingual education for minority students, especially those of Native American descent. Such education, she believed, provided students a means to preserve and legitimize their own cultural identity, debase negative stereotyes, and be recognized as individuals who are capable of academic and economic achievement.

Medicine was an active member of the American Anthropological Association (AAA) and pursued her educational agenda further through the establishment of the Committee of Anthropologists in Primarily Minority Institutions (CAPMI) (1987-1995), which brought anthropologists out of retirement to teach at minority institutions. (See Chronology for a complete list of organizations and committees in which Medicine was involved.) The program was short-lived but provided a space for minority students to confront a field that historically misrepresented them, reclaim their narratives and languages, and instigate positive change as potential future anthropologists.

Medicine officially retired on August 1, 1989, but continued to be active in AAA and was honored many times for her contributions to the field of anthropology. Some of her recognitions include the Distinguished Service Award from AAA (1991) and the Bronislaw Malinowski Award from the Society for Applied Anthropology (1996). One of Medicine's highest honors, however, was serving as the Sacred Pipe Woman at the 1977 Sun Dance. Medicine continued her research into retirement, and went on to publish her first book in 2001, Learning to Be an Anthropologist and Remaining "Native": Selected Writings. Medicine died in Bismarck, North Dakota on December 19, 2005. Medicine's final work, Drinking and Sobriety Among the Lakota Sioux was published posthumously in 2006. In honor of her life's work and dedication to education, the Society for Applied Anthropology (SfAA) created the Bea Medicine Award, a scholarship travel grant for students to attend the Annual Meeting of the SfAA.

Chronology: Beatrice Medicine

1923 August 1 -- Beatrice Medicine (also known by her Lakota name, Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman") is born on the Standing Rock Indian Reservation in Wakpala, South Dakota.

1941-1945 -- Receives scholarship: Laverne Noyes Scholarship, South Dakota State University

1945 -- Receives Bachelor of Arts, Anthropology, South Dakota State University.

1945-1946 -- Teacher, Home Economics, Haskell Indian Institute (B.I.A.)

1947-1948 -- Health Education Lecturer, Michigan Tuberculosis Association

1948-1949 -- Teacher, Santo Domingo Pueblo, United Pueblos Agency, Albuquerque, New Mexico

1949-1950 -- Teacher, Navajo Adult Beginner's Program, Albuquerque Indian School

1950-1951 -- Teacher, Home Economics, Flandreau Indian School

1950-1954 -- Fellowship: Illinois Federation of Women's Clubs Fellowships

1951-1954 -- Research Assistant, Sociology and Anthropology, Michigan State University

1953-1954 -- Fellowship: John Hay Whitney Foundation Fellowship

1954 -- Receives Master of Arts, Sociology and Anthropology, Michigan State University. Fellowship: American Council of Learned Societies Fellowship

1954- -- Charter Member, American Indian Women's Service League

1955-1958 -- Teaching and Research Assistant, University of Washington

1956 -- Honor: Outstanding Alumna, South Dakota State University

1960 -- Mentioned as "Who's Who Among American Indians"

circa 1960 -- Alpha Kappa Delta, Sociology Hononary Phi Upsilon Omicron, Home Economic Honorary

1960-1963 -- Lecturer, Anthropology, University of British Columbia

1960-1964 -- Board of Directors, Native Urban Indian Centers in Vancouver, British Columbia and Calgary, Alberta

1963-1964 -- Lecturer/Sociology and Teacher/Counselor, Mount Royal College, Indian Affairs Branch Receives grant: American Council of Learned Societies Research Grant

1965 -- Lecturer, Social Science, Michigan State University

1966 -- Psychiatric Social Worker, Provincial Guidance Centre, Calgary, Alberta, Canada

1966-1967 -- Receives grant: Career Development Grant, National Institute of Mental Health

1966- -- Member, National Congress of American Indians (Education Issues)

1967 -- Receives grant: Ethnological Research Grant, National Museum of Canada

1967-1968 -- Lecturer, Sociology and Anthropology, University of Montana

1968 -- Teacher, "Cultural Enrichment Program," Standing Rock Indian Reservation, South Dakota Cited in "The Role of Racial Minorities in the United States," Seattle, Washington

1968 March -- Speaker: "The Pow-Wow as a Social Factor in the Northern Plains Ceremonialism," Montana Academy of Sciences

1968 May -- Speaker: "Patterns and Periphery of Plains Indian Pow-Wows," Central States Anthropological Society

1968 June -- Speaker: "Magic Among the Stoney Indians," Canadian Sociology and Anthropological Association, Calgary, Alberta

1968 August -- Speaker: "Magic Among the Stoney Indians," International Congress of Americanists, Stuttgart, German Speaker: "The Dynamics of a Dakota Indian Giveaway," International Congress of Americanists, Stuttgart, German

1968-1969 -- Director, American Indian Research, Oral History Project and Assistant Professor of Anthropology, University of South Dakota

1968-1970 -- Consultant, Text Book Evaluation Committee, American Indians United

1969 -- Assistant Professor, Teacher Corps, University of Nebraska

1969 September -- Speaker: "The Red Man Yesterday," Governor's Interstate Indian Council, Wichita, Kansas

1969 December -- Speaker: "The Native American in Modern Society," Northwestern State College

1969-1970 -- Assistant Professor, San Francisco State University Speaker: "The Indian in Institutions of Higher Learning," Annual Conference, National Indian Education Association

1969-1975 -- Member, Editorial Board, American Indian Historical Society

1970 -- Mentioned for second time as "Who's Who Among American Indians" Steering Committee Member, Indian Ecumenical Convocation of North America Member, Planning Committee Indian Alcoholism and Drug Use

1970 August -- Speaker: "The Role of the White Indian Expert," 2nd Annual Conference, National Indian Education Association

1970 October -- Speaker: "The Ethnographic Study of Indian Women," Annual Convention, American Ethnohistorical Soceity

1970 November -- Speaker: "The Anthropologists as the Indian's Image Maker," Annual Meeting, American Anthropological Association Speaker: "The Anthropologist and Ethnic Studies Programs," Annual Meeting, American Anthropological Association

1970-1971 -- Associate Professor, Anthropology, San Francisco State University Member, Mayor's Committee on the Status of Women, San Francisco, California

1971 -- Member, Native American Scholars Board, Steering and Selection, American Indian Historical Society

1971 May -- Speaker: "Ethnic Studies and Native Americans," National Education Association

1971-1973 -- Pre-Doctoral Lecturer, Anthropology, University of Washington Consultant, American Indian Heritage Program

1972 -- Honored in "Potlatch" ceremony by Makah Tribal people at the National Indian Education Conference for contributions to Indian education Receives grant: American Council of Learned Societies Travel Grant, Americanist Annual Meeting, Rome, Italy Curriculum Advisor, Lakota Higher Education Center, Prine Ridge, South Dakota

1972 March -- Speaker: "Warrior Women Societies," Northwest Anthropological Conference

1972 April -- Chairperson and Speaker: "Racism and Ethnic Relations," Society for Applied Anthropology

1972 June -- Chairperson, Native American Studies Symposium, International Congress of Americanists, Mexico

1972 August -- Speaker: "Warrior Women of the Plains," International Congress of Americanists, Rome, Italy

1972 November -- Speaker: "Native Americans in the Modern World," Southwest Minnesota State College

1973 -- Expert Witness, Yvonne Wanro Trial, Spokane, Washington Member, Organization of American States, First Congress of Indigenous Women, Chiapas, Mexico Speaker: "Self-Direction in Sioux Education," American Anthropological Association Speaker: "North American Native Women: The Aspirations and Their Associations," presented as a Delegate to the Inter-American Commission on Indigenous Women, Chiapas, Mexico

1973-1974 -- Visiting Professor, Anthropology, Native American Studies Program, Dartmouth College

1973-1976 -- Member, Committee on Minorities in Anthropology, American Anthropological Association

1973- -- Consultant, Human Services Department, Sinte Gleska Community College

1974 -- Expert Witness, Wounded Knee Trial, Lincoln, Nebraska Speaker: "Indian Women's Roles: Traditional and Contemporary," Annual Meeting, American Anthropological Association

1974-1975 -- Visiting Professor, Anthropology, Colorado College

1975-1976 -- Visiting Associate Professor, Anthropology, Stanford University

1975-1977 -- Member, Steering Committee, Council of Anthropology and Education, American Anthropological Association

1976 -- Visiting Professor, Educational Anthropology, University of New Brunswick Expert Witness, Topsky Eagle Feathers Trial, Pocatello, Idaho Panelist, White House Conference on Ethnic Studies, Washington, D.C.

1977 -- Expert Witness, Greybull Grandchildren Custody Case, Portland, Oregon American Indian representative to the World Conference on Indigenous People, Geneva, Switzerland Honor: Outstanding Alumna, South Dakota State University

1977 August 18 -- Medicine serves as Sacred Pipe Woman at the Sun Dance, Green Grass, South Dakota

1977-1980 -- Education Consultant, National Congress of American Indians, Washington, D.C.

1978 -- Cited in the Directory of Significant 20th Century American Minority Women, Gaylord Professional Publications Biographical Sketch in "Moving Forward" of the Bookmark Reading Program, Third Edition

1978 August -- Speaker: "Issues in the Professionalization of Native American Women," Annual Meeting, American Psychological Association

1978-1982 -- Advanced Opportunity Fellow, Department of Anthropology, University of Wisconsin-Madison

1979 -- Visiting Professor, Department of Education Policy Sciences, University of Wisconsin-Madison

1979 August -- Honorary Doctorate of Human Letters, Northern Michigan University Speaker: "The Dakota Indian Memorial Feast: Reservation and Urban Manifestations," International Congress of Americanists, Lima, Peru

1980 -- Member, Nominations Committee, American Anthropological Association Biographical Sketch in "Native American Indian Personalities, Historical and Contemporary," Dansville, New York: The Instructor Publications, Inc.

1981 -- Visiting Professor, Graduate School of Public Affairs, University of Washington-Seattle Speaker: "Linguistically Marginated: The Transformation of Dominated Speech Varieties," American Anthropological Association

1982 -- School of Social and Behavioral Science Academic Planning, California State University Speaker: "Policy Decisions: Federal Regulations and American Indian Identity Issues," Annual Meeting, American Anthropological Association

1982-1983 -- Anthropology Department Curriculum Committee, California State University

1982-1985 -- Associate Professor of Anthropology, Coordinator, Interdisciplinary Program in American Indian Studies, California State University Coordinator, Interdisciplinary Program in American Studies Program, California State University

1982- -- President, Assembly of California Indian Women

1983 -- Receives Ph.D., Cultural Anthropology, University of Wisconsin Expert Witness, Fortunate Eagle Trial, Reno, Nevada Award: Outstanding Woman of Color, National Institute of Women of Color, Washingtonton, D.C. (for anthropological contributions) Award: Outstanding Minority Researcher, American Educational Research Association Publishes book with Patricia Albers: The Hidden Half: Indian Women of the Northern Plains Honor: Significant Academic Book (The Hidden Half), Choice, Association of Colleges and Research Libraries, American Library Association

1983-1984 -- Student Affirmative Action Coordinating Council, California State University

1983-1986 -- Member, Executive Board, Southwest Anthropological Association Member, Governing Board, Common Cause

1984 -- Member, Advisory Board of National Research for Handicapped Native Americans, North Arizona University Scholarly Publications Award Selection Committee, California State University Award: Faculty Award for Meritorious Service, California State University Speaker: Field Work Methods: "Ties That Bond," Committee on the Status of Women in Anthropology," Annual Meeting, American Anthropological Association Speaker: "Career Patterns of American Indian Women," Council of Education and Anthropology, Annual Meeting, American Anthropological Association

1984 November -- Faculty Award for Meritorious Service, California State University

1984-1985 -- Participant, Chancellor's Office Grant to "Cross-Cultural Perspectives in the Social Sciences," California State University

1985 November -- Speaker: Conference on "The Native American: His Arts, His Culture, and His History," West Virginia State College

1985-1986 -- Board of Directors, Naechi Institute on Alcohol and Drug Education

1985-1988 -- Professor, Department of Anthropology and Director, Native Centre, University of Calgary

1985-1989 -- Member, Malinowski Awards Committee, Society for Applied Anthropology

1987 -- Honor: Outstanding Minority Professorship Martin Luther King and Rosa Parks Visiting Professor, University of Michigan

1987-1995 -- Member, Committee of Anthropologists in Primarily Minority Institutions, American Anthropological Association

1988 August 1 -- Medicine officially retires.

1989 -- Volunteer (Committee of Anthropologists in Primarily Minority Institutions, American Anthropological Association), Standing Rock College Honor (twice): Outstanding Minority Professorship Martin Luther King and Rosa Parks Visiting Professor, Wayne State University.

1990 -- Honor: "Outstanding Contributions for the promotion of sex equity in Education," Illinois State Board of Education Honor: Outstanding Lakota Woman, Standing Rock College

1991 -- Honor: Distinguished Service Award, American Anthropological Association. Medicine was the first American Indian to receive this award.

1991 -- Visiting Professor, Saskatchewan Indian Federal College Visiting Professor, Colorado College Visiting Professor, Anthropology, Humboldt State University

1992 -- Visiting Distinguished Professor, Women's Studies, University of Toronto

1993 -- Visiting Professor, Rural Sociology, South Dakota State University Award: Distinguished Native American Alumna Award, South Dakota State University

1993-1994 December -- Research Co-ordinator, Women's Perspectives, Royal Commission on Aboriginal Peoples

1994- -- Adjunct Professor, University of Alberta

1995 -- Scholar in Residence, Minnesota Historical Society, St. Paul Visiting Scholar, Museum of Anthropology, University of British Columbia Award: Ohana Award, Multi-Cultural Counseling Excellence, American Association of Counselors

1996 -- Award: Bronislaw Malinowski Award, Society for Applied Anthropology. Buckman Professor, Department of Human Ecology, University of Minnesota

circa 1997- -- Associate Professor of Anthropology Emeritus, Department of Anthropology, California State University

2001 -- Publishes book: Learning to Be an Anthropologist and Remaining "Native": Selected Writings.

2005 -- Award: George and Louise Spindler Award, Council on Anthropology and Education, American Anthropological Association.

2005 December 19 -- Medicine dies during emergency surgery in Bismarck, North Dakota.

2006 -- Book: Drinking and Sobriety Among the Lakota Sioux is published posthumously.

2008 -- The Society for Applied Anthropology creates the Bea Medicine Award.
Provenance:
The papers were donated to the National Anthropological Archives by Beatrice Medicine between 1997 and 2003, and by Ted Garner in 2006.
Restrictions:
Materials relating to student grades, letters of recommendation, and evaluations have been restricted.
Rights:
Contact the repository for terms of use.
Topic:
Alcohol  Search this
Gender imagery  Search this
Discrimination  Search this
Linguistics -- Research -- United States  Search this
Photographs  Search this
Lakota Indians  Search this
Genre/Form:
Correspondence
Citation:
Beatrice Medicine papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.1997-05
See more items in:
Beatrice Medicine papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3cae267e3-888b-46b8-a525-c7c0ad396b59
EDAN-URL:
ead_collection:sova-naa-1997-05

Nancy Shia Papers

Creator:
Shia, Nancy, 1947-  Search this
Names:
Barry, Marion, 1936-2014  Search this
Butler, Josephine "Jo", 1920-1997  Search this
Nahikian, Marie Satenik, 1946-  Search this
Washington, Walter E., 1915-2003  Search this
Extent:
2.59 Linear feet (2 boxes (1 box is oversized))
Type:
Collection descriptions
Archival materials
Annual reports
Fliers (printed matter)
Correspondence
Photographs
Newspaper clippings
Newsletters
Place:
Adams Morgan (Washington, D.C.)
Date:
1969 - 2001
Scope and Contents:
These records include documents related to Nancy Shia's tenure as an Advisory Neighborhood Commissioner for the Adams Morgan neighborhood in Washington, DC from 1982-184. Materials include correspondence, meeting agendas and minutes, annual reports, grant proposals, newspaper clippings, and political fliers. Also contained in the collection are several editions of the Rock Creek Monitor, a newspaper of Adams Morgan and surrounding communities, and photographs by Nancy Shia of the annual Adams Morgan Day celebration.
Biographical/Historical Note:
Nancy Shia is a photographer, political artist, neighborhood activist, and longtime Adams Morgan resident. She received her B.A. in Sociology (with a minor in Photography) from City College of New York, her M.A. in Social Work from Columbia University, and came to Washington, DC in 1972 to attend Antioch School of Law (from which she received her J.D. in 1978). She has extensively documented the Adams Morgan neighborhood through photography since the early 1970s. She later worked for the Federal News Service and was elected to serve as Advisory Neighborhood Commissioner from 1982-1984 and again from 2007-2010.
Provenance:
Donated by Nancy Shia in 2017.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Festivals  Search this
Newspapers -- 20th century  Search this
Housing policy  Search this
Genre/Form:
Annual reports -- 20th century
Fliers (printed matter)
Correspondence
Photographs
Newspaper clippings
Newsletters
Citation:
Nancy Shia papers, Anacostia Community Museum, Smithsonian Institution, gift of Nancy Shia.
Identifier:
ACMA.06-099
See more items in:
Nancy Shia Papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7fc16da40-345d-4641-84da-de49f5afcbe7
EDAN-URL:
ead_collection:sova-acma-06-099
Online Media:

Cooper-Bessemer Corporation Records

Creator:
Cooper-Bessemer Corporation (Mt. Vernon, Ohio)  Search this
Former owner:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
Extent:
27 Cubic feet (68 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Advertising
Airbrushing
Cashbooks
Correspondence
Catalogs
Drawings
Financial records
Letterpress copybooks
Photographs
Price lists
Newsletters
Trade literature
Date:
1870-1961
Summary:
These records document the activities of the Cooper-Bessemer Corporation of Mt. Vernon, Ohio, and Grove City, Pennsylvania, manufacturers of steam, gas, and oil engines, compressors, and furnaces.
Scope and Contents note:
These records document the activities of the Cooper-Bessemer Corporation of Mt. Vernon, Ohio, manufacturers of steam, gas, and oil engines; compressors; and furnaces through correspondence, financial materials, trade literature and photographs.
Arrangement:
The collection is arranged into eleven series.

Series 1: Background Materials, 1895-1944

Series 2: Correspondence, 1866-1961

Series 3: Financial Materials, 1888-1929

Series 4: Newsletters, 1917-1942

Series 5: Product and Sales Materials, 1870-1961

Series 6: Advertising Materials, 1921-1945

Series 7: Printed Materials, 1902-1953

Series 8: Photographs, 1881-1930s

Series 9: Air Brushed Photographs/Renderings, 1909-1930s, undated

Series 10: Glass Plate Negatives, 1906-1913, undated

Series 11: Drawings, 1906-1944
Biographical / Historical:
C. & G. Cooper Company was founded by Charles (1811-1891) and Elias Cooper (1814-1848) in 1833 in Mt. Vernon, Ohio. Situated in Central Ohio, abundant supplies of coal, iron and natural gas were available to the Cooper brothers as well as proximity to the Baltimore and Ohio Railroad lines. Previously, the brothers opened a coal mine in 1832 and then a foundry for casting metals. Their principal products were plows, carding machines, and special power machinery. In 1848, Elias Cooper died and Charles Cooper sold an interest in the Company to T.L. Clark and the firm changed its name from to C. & E. Cooper to Cooper & Clark. In 1852, John Cooper (1824-1916), the younger brother of Charles and Elias, joined the company and became known as Coopers & Clark. T.L. Clark retired in 1853 and the company became C. & J. Cooper.

In 1852, the company built its first blowing engine and with the growth of the railroad system and a demand for railroad equipment, the company responded with manufacturing steam locomotives. In 1865, F.L. Fairchild (d. 1912) joined the company as a partner and the firm became known as C.& J. Cooper & Company. J.C. Debes, a mechanical engineer formerly of the George H. Corliss Works, began working for the company in 1865 designing Corliss engines that came to market in 1869. Corliss engines would become a principal product of the company by 1886. Colonel George Rogers (son-in-law of Elias Cooper) joined the company when John Cooper retired and the name once gain changed to C. & G. Cooper & Company. By 1881, Desault B. Kirk (son-in-law of Charles Cooper) and son, C.F. Cooper (d. 1894) along with E.H. Fairchild and B.F. Williams became active partners in the company. In 1929, Cooper merged with Bessemer Gas Engine Co. of Grove City, Pennsylvania, to form Cooper-Bessemer Corporation. Cooper Machinery Services is the current equipment manufacturer for Cooper-Bessemer engines.

During World War One and World War Two, the company made munitions—steel shells, special purpose lathes, surface grinders and multiple-head cutting off machines—to aid the Allies. Its work contributed to faster and more efficient production for the war effort and earned it the Maritime "M" and Army/Navy "E" Awards. Over the years, the company's products included: simple and compound Corliss engines, gas and diesel engines, rolling mill engines, marine engines, compressors, and power units for ice and refrigeration, cotton-ginning and oil-milling.

Sources

Cooper Machinery Services (last accessed on April 12, 2022 https://www.cooperservices.com/our-company/heritage/cooper-origins/the-history-of-cooper-bessemer/)

C. & G. Cooper Company, Seventy-Five Years of Engine Building, Mount Vernon, Ohio, 1900.

100 Years of Power, Cooper-Bessemer, 1833-1933, 1933.
Related Materials:
Materials at the National Museum of American History

Smithsonian Institution Libraries, Trade Literature Collection

Includes Cooper-Bessemer Corporation, Chapman Engineering Company, and Hope Engineering and Supply Company.
Provenance:
The collection was donated by the Cooper-Bessemer Corporation, through Robert S. Warren, Manager of Advertising and Public Relations, in 1965 and 1969.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Air-compressors  Search this
Engines  Search this
Diesel motor  Search this
Furnaces  Search this
Marine engines  Search this
Steam-engines  Search this
Refrigeration and refrigerating machinery  Search this
Genre/Form:
Advertising
Airbrushing
Cashbooks
Correspondence -- 1900-1950
Catalogs -- 20th century
Drawings -- 19th century
Drawings -- 20th century
Financial records
Letterpress copybooks
Photographs -- 1850-1900
Price lists
Newsletters
Photographs -- 1900-1950
Trade literature -- 20th century
Citation:
Archives Center, Cooper-Bessemer Corporation Records, National Museum of American History.
Identifier:
NMAH.AC.0961
See more items in:
Cooper-Bessemer Corporation Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88284a8f0-2012-488a-ba71-bd3925941302
EDAN-URL:
ead_collection:sova-nmah-ac-0961
Online Media:

Dimitri Hadzi papers

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Names:
Harvard University -- Faculty  Search this
Foundry, Nicci  Search this
Extent:
37.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Date:
1910s-2007
Summary:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material such as education records, World War II files, and some interviews; correspondence with family, artists, art historians, architects, and professional organizations; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; clippings, exhibition ephemera, invitations, and other printed material; photographs of Hadzi, events and exhibitions, installations, foundries, and studios; some artwork; and audio recordings and motion picture films.
Scope and Contents:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material; correspondence; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; printed material; photographs, some artwork, audio recordings, and motion picture films.

Biographical material includes files pertaining to Hadzi's education at Cooper Union (1946-1950) and Polytechnion in Athens, Greece (1950-1951) as well as his high school years at Brooklyn Technical High School (1936-1940); years enlisted in the Army Air Force (1942-1946); and his hobbies of music, mineral collecting, and geology. Also found are address books, honors and awards, interviews, and resumes. Hadzi's professional correspondents include artists, art historians, architects, and professional organizations. Also found is personal correspondence with family, friends, and acquaintances, most extensively during his years in the military.

Diaries and notebooks consist of memoranda books, travel logs, and annotated calendars. Writings include drafts, correspondence, and some printed material from Dimitri Hadzi (1996) by Peter Selz. Material gathered for his incomplete memoir, artist statements, and writings about Hadzi are also present.

Exhibition files shed light on various group and solo exhibitions of Hadzi's work. The files mostly consist of shipping records, correspondence, press releases and other printed matter, photographs, and loan documents. Gallery and museum files include loan and sale agreements, price lists, clippings, newsletters, shipping information, and some papers related to exhibitions.

Project files include sketches and blueprints, correspondence, legal documents, shipping information, and some audiovisual material regarding the installation of Hadzi's sculptures. The files also pertain to recasted sculptures, small-scale projects, and unexecuted commissions. Teaching Files include administrative correspondence, clippings, lecture and discussion notes, course descriptions, and correspondence from Hadzi's tenure as Visual and Environmental Studies professor at Harvard University. Papers related to instructor positions, employment opportunities, and lectures outside of Harvard are also present. Personal business records include sales, inventories, and other financial material; correspondence, shipping information, and price lists from foundries and material distributors; studio logs, correspondence, and notes.

Printed materials consist of exhibition invitations, announcements, post cards, and books; news clippings and articles; printed matter from special events, exhibitions of other artists, press releases, and newsletters. Photographs include portraits and snapshots of Hadzi, depicting him working in studios and foundries, at installation sites and events, and with his family. Also included are photographs of other artists, Hadzi's travel in Japan, and his artwork. Artwork found in this collection consists of six sketchbooks, several small drawings, and one woodblock.

Audiovisual material is extensive and includes documentation of the creation, installation, and exhibition of some of Hadzi's work. The majority of the footage centers on the creation and installation of the Thermopylae sculpture in front of the JFK Federal Building in Boston, Massachusetts in 1968.
Arrangement:
The collection is arranged as 13 series.

Series 1: Biographical Material, 1910s, bulk 1936-2004 (Box 1-3, 33; 2.7 linear feet)

Series 2: Correspondence, 1943-2007 (Box 3-6; 3 linear feet)

Series 3: Diaries and Notebooks, 1939-2006 (Box 6-9; 3 linear feet)

Series 4: Writing Files, 1945-2003 (Box 9; 10 folders)

Series 5: Exhibition Files, 1958-2002 (Box 9-10; 1.2 linear feet)

Series 6: Project Files, 1957-2002 (Box 11-15, 33; 4.7 linear feet)

Series 7: Teaching Files, 1955-2000 (Box 15-16; 12 folders)

Series 8: Museum and Gallery Files, 1947-2008 (Box 16-17; 1.8 linear feet)

Series 9: Personal Business Records, 1949-2007 (Box 17-20; 2.5 linear feet)

Series 10: Printed Material, 1949-2007 (Box 20-24, 33; 3.7 linear feet)

Series 11: Photographs, circa 1930s-2006 (Box 24-25, 33; 1.5 linear feet)

Series 12: Artwork, circa 1939-1998 (Box 25; 11 folders)

Series 13: Audiovisual Material (Box 26-40; 11.1 linear feet)
Biographical / Historical:
Dimitri Hadzi (1921-2006) was an Greek American sculptor who lived and worked in Rome from the 1950s to 1975, and then in Cambridge, Massachusetts from 1975 to 2006. Born to Greek immigrants, Hadzi attended Brooklyn Technical High School before enlisting in the Army Air Force in 1942. After the World War II, Hadzi studied painting and sculpture at Cooper Union and graduated with honors in 1950. He was awarded a Fulbright fellowship to study at the Polytechnion, Athens, Greece, and subsequently moved to Rome where he remained until the mid-1970s. Hadzi worked mostly with stone and bronze, from which he created semi-abstract shapes and structures drawn from his Greek heritage. His work was selected for the Venice Biennale in 1956, and and his first solo-exhibition came two years later at the Galeria Schneider, Rome, Italy. Throughout his career, Hadzi held solo exhibitions at the Massachusetts Institute of Technology, The Philips Collection, Athens Gallery in Greece, Rikugie Gallery in Japan, and many others. His group exhibitions include Recent Sculptor USA (1959), Museum of Modern Art, New York; Annual Exhibition, The Whitney Museum (1961); Seven Sculptors at Harvard, Harvard University (1983); and American Academy of Arts & Letters Centennial Portfolio, Pace Prints, New York (1998). Hadzi's public commissions include those at the Massachusetts Institute of Technology (1963), St. Paul's Church, Rome, Italy (1966-1976), Dallas Center, Texas (1980). His artwork is held in permanent collections of the Hirshhorn Museum and Scultpure Garden, Solomon R. Guggenheim Museum, Hakone Museum of Sculpture in Japan, and the Montreal Museum of Art, among others. Hadzi was professor of Visual and Environmental Studies at Harvard University from 1975-1989, and was named Professor Emeritus in 1989.
Provenance:
Donated 1989 and 1998 by Dimitri Hadzi and in 2008 and 2011 by Cynthia Hadzi, Dimitri Hadzi's widow.
Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Massachusetts -- Cambridge  Search this
Sculptors -- Italy -- Rome  Search this
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hadzdimi
See more items in:
Dimitri Hadzi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cee20746-bba7-4f55-9b4d-68aa26f19cc0
EDAN-URL:
ead_collection:sova-aaa-hadzdimi
Online Media:

Harris Automatic Press Company Records

Creator:
GSS Printing Equipment Company.  Search this
National Museum of American History (U.S.). Division of Information Technology and Communications  Search this
Harris Automatic Press Company, Dayton, Ohio  Search this
Extent:
6.5 Cubic feet (13 boxes and 5 oversize folders)
Type:
Collection descriptions
Archival materials
Scrapbooks
Photograph albums
Newsletters
Photographs
Blueprints
Catalogs
Date:
2003 - 2003
1889 - 1995
Summary:
Collection documents the Harris Automatic Press Company, manufacturers of a printing press with an automatic feed primarily through drawings and photographs.
Scope and Contents:
The collection contains photographs of the presses, factory and employees; a scrapbook of presses, 1915; drawings; trade literature and catalogs; the Harris Impressions newsletter; blueprints of the presses; and histories of the company.
Arrangement:
Collection is arranged into three series.

Series 1: Background Materials, 1889-1995

Series 2: Drawings, 1896-1929

Series 3: Photographs, 1921-1968; 2003
Biographical / Historical:
In 1890 jewelers and tinkerers Alfred and Charles G. Harris developed a new printing press with an automatic feeder. Their first press was a revolutionary breakthrough, delivering ten times what a pressman could feed by hand. The Harris Automatic Press Company was responsible for many printing innovations during the early 1900s including the first commercially successful offset lithographic press and the first two-color offset press. The company became one of the world's largest and most successful manufacturers of printing equipment.

Harris-Seybold Company (later Harris Intertype) of Cleveland, Ohio manufactured high-quality sheetfed offset lithographic printing presses. The Harris Automatic Press Co. of Niles, Ohio (the original company name) designed and built the first commercially successful sheetfed offset lithographic printing press in 1906. It was sold to the Republic Banknote Company (later became part of U.S. Banknote Corporation) in Pittsburgh, Pennsylvania, shipped on July 26, 1906. This printing press was retired in August 1940, rebuilt by Harris and donated to the Smithsonian Institution. From 1906 to 1976, Harris manufactured thousands of lithographic printing presses in various models and sizes along with various designs of bindery equipment. They were leaders in offset lithography technology. Many of the sheetfed offset lithographic presses presently being manufactured use some form of the early Harris innovations. In 1957, the company name was changed to Harris Intertype Corporation and in 1974 the name was changed to Harris Corporation. At this time the company was comprised of several electronic divisions in addition to the printing equipment divisions. The company stopped production of sheetfed lithographic printing presses in 1976. The corporate offices moved from Cleveland, Ohio to Melbourne, Florida in 1978 where Harris Corporation is still located. Harris Corporation disposed of its printing equipment plants in 1984 in a leverage buyout. Heidelberg (Germany) purchased some of the printing manufacturing plants in the late 1990s.
Provenance:
Collection donated by GSS Printing Equipment.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Printing machinery and supplies  Search this
Printing industry  Search this
Printing  Search this
Offset printing  Search this
Inventors  Search this
Printing -- Instruments  Search this
Printing -- History  Search this
Printing presses  Search this
Genre/Form:
Scrapbooks -- 20th century
Photograph albums -- 20th century
Newsletters -- 1900-1950
Photographs -- 1900-1950
Blueprints
Catalogs
Citation:
Harris Automatic Press Company Records, 1889-1995; 2003 Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0928
See more items in:
Harris Automatic Press Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8695bb213-f38b-4b09-a1bd-c6fc03659a61
EDAN-URL:
ead_collection:sova-nmah-ac-0928

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