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Fritz Bultman papers

Creator:
Bultman, Fritz, 1919-1985  Search this
Names:
Boghosian, Varujan  Search this
Bultman, Jeanne  Search this
Cicero, Carmen, 1926-  Search this
Cornell, Joseph  Search this
Drexler, Sherman  Search this
Fromboluti, Sideo, 1921-  Search this
Graham, John, 1887-1961  Search this
Hofmann, Hans, 1880-1966  Search this
Hofmann, Maria, 1885-1963  Search this
Kees, Weldon, 1914-1955  Search this
Krasner, Lee, 1908-1984  Search this
Manso, Leo  Search this
Motherwell, Robert  Search this
Newman, Annette  Search this
Newman, Barnett, 1905-1970  Search this
Ossorio, Alfonso, 1916-1990  Search this
Ponsold, Renate  Search this
Reynal, Jeanne, 1903-  Search this
Rothschild, Judith  Search this
Sills, Thomas, 1914-  Search this
Simon, Sidney, 1917-1997  Search this
Smith, Tony, 1912-1980  Search this
Speyer, Nora  Search this
Tworkov, Jack  Search this
Vevers, Tony  Search this
Windham, Donald  Search this
Extent:
11.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Date:
1928-2010, bulk 1940s-1990s
Summary:
The papers of New York School painter and sculptor Fritz Bultman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships; Hans Hofmann is the most thoroughly documented subject. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.
Scope and Contents:
The papers of New York School painter and sculptor Fritz Bultlman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.

Biographical materials include school records and notice of Bultman's army classification.

Most letters are addressed to Fritz Bultman and his parents. Fritz's education in Munich and studying with Hans Hofmann is well-documented. Many letters are from Miz Hofmann and Hans Hofmann. Also found are a smaller number of letters from museums, galleries, universities, and arts organizations. The surviving letters by Bultman are mainly to his family. Most were written when he was a student in Munich or traveling in Europe. There are some drafts and copies of letters concerning professional activities, arrangements for lectures, exhibitions, and Cynthia Goodman's editing "Form and Color in the Creative Process: The Painter's Primer" by Hans Hofmann.

Most interviews focus on Bultman's career. An interview with Jeanne and Fritz Bultman is about John Graham, and one of the interviews with Jeanne Bultman concerns Hans Hofmann.

Bultman's writings and notes include articles, lectures and talks about Hans Hofman, lectures about his own work, and a book review. Among the writings about Bultman are articles, a catalog essay and exhibition review.

Notebooks/sketchbooks (39 volumes) contain a variety of writings and notes, including some that are autobiographical, along with sketches and several finished drawings. Some volumes consist of writings and notes with a few sketches and doodles while others are mainly sketchbooks containing a few stray notes and brief writings; many contain approximately the same amount of text and drawings.

Diaries (4 volumes) contain entries about his work, professional and personal activities. One volume is a record of his October 1978 trip to Istanbul.

Subject files contain varying combinations of correspondence, photographs, printed material, and manuscripts. The most extensive file relates to Hans Hofmann and includes copies of writings by him. Other files of note concern Joseph Cornell, the exhibitions "Forum '49" and "Forum '49 Revisited," Weldon Kees, Tony Smith, and Donald Windham.

The largest series, printed material, consists of exhibition catalogs, announcements, reviews, articles and clippings about or mentioning Bultman.

Noteworthy among the small amount of artwork by Bultman is an early print; also found are loose drawings and paintings on paper.

Photographs of artwork document the full range of Bultman's production --paintings, sculpture, drawings, collage, stained glass, interior design and decoration. Also found are a few photographs of works by other artists. Photographs of Fritz Bultman include many by Renate Ponsold. Other indentified individuals include parents Fred and Pauline Bultman, sister Muriel Bultman, childhood nurse Katie Belle, son Johann Bultman, Sherman Drexler, Hans Hofmann, Miz Hofmann, Miss Katsura, Lee Krasner, Annalee Newman, Barnett Newman, Alfonso Ossorio, Jeanne Reynal, Thomas Sills, Jack Tworkov, and Wally Tworkov. A group portrait of the artists of Long Point Gallery includes: Varujan Boghosian, Fritz Bultman, Carmen Cicero, Sideo Fromboluti, Budd Hopkins, Rick Klauber, Lee Manso, Sidney Simon, Robert Motherwell, Judith Rothschild, Nora Speyer, and Tony Vevers. Also found in this series are photographs of Bultman exhibition installations and views of miscellaneous places.
Arrangement:
The collection is arranged in 10 series:

Missing Title

Series 1: Biographical Materials,1928-2003 (Box 1; 0.1 linear feet)

Series 2: Letters, 1930-1995 (Box 1; 0.4 linear feet)

Series 3: Interviews, 1968-1998 (Box 1; 0.4 linear feet)

Series 4: Writings and Notes, 1935-circa 1980s (Boxes 1-2; 0.8 linear feet)

Series 5: Notebooks/Sketchbooks, 1937-circa 1979 (Boxes 2-3, 11; 0.7 linear feet)

Series 6: Diaries, 1977-1979 (Box 3; 0.3 linear feet)

Series 7: Subject Files, 1942-2010 (Boxes 3-5, 11; 2.3 linear feet)

Series 8: Printed Material, 1941-2006 (Boxes 5-9, OV 12; 3.5 linear feet)

Series 9: Artwork, circa 1930s-1956 (Boxes 9, 11; 0.1 linear feet)

Series 10: Photographs, 1935-1997 (Boxes 9-10; 0.6 linear feet)
Biographical / Historical:
Fritz Bultman (1919-1985), a New York School painter and sculptor who lived and worked in Provincetown, Massachusetts and New York City, was also a collagist, stained glass artist, and educator.

Anthony Fred Bultman, III --always known as Fritz --was from a prominent and cultured New Orleans family. He began studying art as a boy and one of his teachers was Morris Graves, a family friend. His last 2 years of high school were spent at the Munich Preparatory School, boarding with Mrs. Hans Hofmann whose husband was working in New York for an extended period. Bultman attended the New Bauhaus in Chicago before studying for three years with Hans Hofmann in New York City and Provincetown, Massachusetts. As well as being a major influence on Bultman's development as a painter, Hofmann became a life-long friend.

Fritz Bultman met dancer and model Jeanne Lawson (1918-2008), when she was posing in Hofmann's studio during the summer of 1941. They married in 1943 and the following year bought a house in Provincetown. In 1945, Bultman built a studio designed by a friend from the New Bauhaus, sculptor and architectural designer Tony Smith, who also helped with its construction.

His first solo exhibition was held in 1947 at the Hugo Gallery, New York; others followed in 1950, again at Hugo Gallery and at Kootz Gallery, New York. After receiving an Italian Government Grant for Exchange Fellowship, Bultman spent 1950-1951 in Florence, Italy, where he learned the process of casting and began making metal sculpture. In 1952 the Bultmans moved to New York City. Depressed and beset by anxiety, Bultman began Freudian psychoanalysis, and between 1952 and 1956 produced very little artwork.

In 1958 Bultman resumed exhibiting and continued to show regularly for the remainder of his life. He enjoyed solo exhibitions in New York City, Paris, New Orleans, North Carolina, Provincetown, and other venues. Between 1958 and 1963 Bultman taught painting at Hunter College and was an instructor in design and painting at Pratt Institute. Bultman spent 1964-1965 in Paris on a Fulbright Grant painting and sculpting, studying European methods of bronze casting, and meeting French artists. Bultman maintained his reputation as a highly regarded art instructor and in later years was a sought after guest lecturer at a various colleges. While artist-in-residence at Kalamazoo College, Michigan in 1981, he designed and produced a stained glass mural with technical assistance from his wife, Jeanne Bultman, a skilled artisan.

Fritz Bultman died of cancer in Provincetown, Massachusetts, in 1985.
Related Materials:
An oral history interview with Fritz Bultman, 1986 January 6, was conducted by Irving Sandler for the Archives of American Art (available on microfilm reel 3196).
Provenance:
Gift of Fritz Bultman in 1984, which included material lent for microfilming in 1970 and 1971. Additions donated by Jeanne Bultman, his widow, in 1988 and 2000, and by his sons, Anthony F. Bultman, IV and Ellis Johann Bultman, in 2013.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
New York school of art  Search this
Abstract expressionism  Search this
Genre/Form:
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Citation:
Fritz Bultman papers, 1928-2010, bulk 1940s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bultfrit
See more items in:
Fritz Bultman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94698b1c8-1885-4f89-93a0-52663a6492fe
EDAN-URL:
ead_collection:sova-aaa-bultfrit
Online Media:

Morgan Russell sketches and notes

Creator:
Russell, Morgan, 1886-1953  Search this
Extent:
40 Items
Type:
Collection descriptions
Archival materials
Drawings
Date:
circa 1912-1920
Summary:
The collection of Morgan Russell sketches and notes measures 40 items and includes preliminary sketches, drawings and notes by Morgan Russell that he used to develop the abstract art form Synchromism. The documents date from circa 1912-1920.
Scope and Contents:
The collection of Morgan Russell sketches and notes measures 40 items and includes preliminary sketches, drawings and notes by Morgan Russell that he used to develop the abstract art form Synchromism. The documents date from circa 1912-1920.
Arrangement:
Due to the collection's small size it is arranged into one series.
Biographical / Historical:
Morgan Russell (1886-1953) was a painter and sculptor in New York City. He studied at the Art Students League and the New York School of Art with James Earle Fraser, Andrew Dasburg and Robert Henri from 1906 to 1907, before settling in Paris in 1909 where he remained for almost forty years. After meeting Stanton Macdonald-Wright in 1911, he became interested in Synchromism and studied with Canadian color theorist Ernest Tudor-Hart. In 1913 Russell produced the first abstract Synchromies and in 1917 developed a series of Synchromies entitled EIDOS.
Related Materials:
Related materials at the Archives of American Art include Microfilm of the Morgan Russell Papers, 1891-1977, and the Stanton Macdonald-Wright letters to Morgan Russell.
Provenance:
Donated in 2021 by William C. Agee, who received the material from Russell's step daughter, Mrs. Walter Joyce.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- France -- Paris  Search this
Topic:
Synchromism (Art)  Search this
Genre/Form:
Drawings
Citation:
Morgan Russell sketches and notes, circa 1912-1920. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.russemor
See more items in:
Morgan Russell sketches and notes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw947f24242-0f79-4855-8c49-179af1ab0f92
EDAN-URL:
ead_collection:sova-aaa-russemor

Elizabeth Campbell Fisher Clay papers

Creator:
Clay, Elizabeth Campbell Fisher, 1871-1959  Search this
Names:
Smith College  Search this
Henri, Robert, 1865-1929  Search this
Rothenstein, William, Sir, 1872-1945  Search this
Extent:
1.9 Linear feet
0.057 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Photographs
Sound recordings
Drawings
Travel diaries
Paintings
Sketchbooks
Diaries
Place:
Netherlands -- description and travel
New York (N.Y.) -- Description and views
France -- description and travel
California -- description and travel
England -- description and travel
Date:
circa 1873-circa 2015
bulk 1890-1930
Summary:
The papers of Massachusetts lithographer and etcher Elizabeth Campbell Fisher Clay measure 1.9 linear feet and 0.057 GB and date from circa 1873 to circa 2015, with the bulk of materials from 1890 to 1930. This collection includes biographical materials, correspondence, writings, fifteen diaries, six travel diaries, teaching files, artwork, printed materials, and photographs.
Scope and Contents:
The papers of Massachusetts lithographer and etcher Elizabeth Campbell Fisher Clay measure 1.9 linear feet and 0.057 GB and date from circa 1873 to circa 2015, with the bulk of materials from 1890 to 1930. This collection includes biographical materials, correspondence, writings, fifteen diaries, six travel diaries, teaching files, artwork, printed materials, and photographs.

Biographical materials include ephemera from a Spain trip, and other miscellany.

The bulk of the correspondence consists of letters from artist Robert Henri giving advice and information about travel plans and visits. Other correspondents include family members, the artist William Rothenstein, and a few others.

Writings include annotated appointment calendars, art class notes, notebooks, and a book register. Diaries and travel diaries describe Smith College, feedback from Robert Henri regarding artwork, and travels abroad to England, France, and Holland, as well as to New York and California. There are a few sketches scattered throughout the diaries. There is an audiocassette and digitized photographs and content related to the diaries. There is also an annotated chronological list of the diaries.

Artwork consists of one sketchbook and several folders of loose sketches, drawings, and paintings of people and places.

Printed materials consist of a few news clippings about Smith College, a newspaper image of an art class trip to Spain, 2 reviews of exhibitions, and a clipping about the New York School of Art.

Photographs are of Elizabeth Campbell Fisher Clay, family, friends, artists, travel, and houses. There are three photograph albums: one of the woods around Smith College; another album of travel photographs in France and Holland that includes photographs of Clay and fellow art students painting at various locations; and an album of Paris photographs that depict the studio Clay shared with other students, friends, and a few images of Robert Henri. Some photographs are annotated.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1906-circa 2015 (0.1 linear feet, 0.001 MB; Box 1, ER01)

Series 2: Correspondence, 1897-1960 (0.1 linear feet; Box 1)

Series 3: Writings and Notebooks, circa 1898-1959 (0.1 linear feet; Box 1)

Series 4: Diaries, 1887-circa 2005 (1 linear feet, 0.016 GB; Boxes 1-2, ER02-ER03)

Series 5: Artwork, circa 1890-circa 1957 (0.3 linear feet, Boxes 2-3, OV 4)

Series 6: Printed Materials, 1894-1957 (0.1 linear feet; Box 3, OV 4)

Series 7: Photographs, circa 1873-1987 (0.2 linear feet; Box 3)
Biographical / Historical:
Elizabeth Campbell Fisher Clay (1871-1959) was a lithographer and etcher who worked in Massachusetts and Halifax, England.

Elizabeth Campbell Fisher Clay was born in West Dedham, Massachusetts in 1871. Her parents were Joseph and Mary Elizabeth Fisher and she had 2 siblings, Hattie and Joseph. Clay graduated from Smith College in Northampton, Massachusetts in 1892. She then attended the Museum of Fine Arts in Boston and the New York School of Art, where she studied under Robert Henri and William Merritt Chase from approximately 1898 to 1909. Around this same time, Clay traveled abroad and studied art in Holland and Spain. She also attended the Art Students League of New York and studied in Paris where she shared a studio with other art students. Robert Henri, whom Clay considered a mentor, regularly visited the Paris studio to review the students' work.

In 1908, Clay had a solo exhibition at Rowland's Gallery in Boston. In 1909, she married Howard Clay in Dedham, Massachusetts. Henry was the alderman of Halifax, England, and the couple moved there sometime after their marriage. They had three children, Howard Fisher Clay, Monica Mary, and Harriet.

Clay continued to exhibit her artwork in England for over 30 years. She exhibited at the British Society of Women Artists, the New English Art Club, the Royal Academy of Arts, the Royal Cambrian Academy of Art, the Royal Society of British Artists, the Women's International Art Club, and the Yorkshire Union of Arts. In Massachusetts, her artwork was in exhibitions at the Boston Art Club, the Copley Society of Art, and other venues.

Elizabeth Campbell Fisher Clay eventually returned to the United States and passed away in Philadelphia in 1959.
Provenance:
This collection was donated to the Archives of American Art in 2015 by Harriet Fisher Bemus, Elizabeth Campbell Fisher Clay's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washingon, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Lithographers -- Massachusetts  Search this
Etchers -- Massachusetts  Search this
Topic:
Art -- Study and teaching  Search this
Women artists  Search this
Women printmakers  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sketches
Photographs
Sound recordings
Drawings
Travel diaries
Paintings
Sketchbooks
Diaries
Citation:
Elizabeth Campbell Fisher Clay papers, circa 1873-circa 2015, bulk 1890-1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clayeliz
See more items in:
Elizabeth Campbell Fisher Clay papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94cb6f3e6-516d-4599-b45d-bd675608cf03
EDAN-URL:
ead_collection:sova-aaa-clayeliz

Printed Materials

Collection Creator:
Clay, Elizabeth Campbell Fisher, 1871-1959  Search this
Extent:
0.1 Linear feet (Box 3, OV 4)
Type:
Archival materials
Date:
1894-1957
Scope and Contents:
Printed materials consist of a few clippings about Smith College, a group photograph from a newspaper of an art class trip to Spain, 2 reviews of exhibitions, and a clipping about an incident at the New York School of Art.
Arrangement:
This series is arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washingon, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth Campbell Fisher Clay papers, circa 1873-circa 2015, bulk 1890-1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clayeliz, Series 6
See more items in:
Elizabeth Campbell Fisher Clay papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d8ff4cc9-5fdf-402d-a122-4e00f33edf86
EDAN-URL:
ead_component:sova-aaa-clayeliz-ref83

Clipping about New York School of Art Incident

Collection Creator:
Clay, Elizabeth Campbell Fisher, 1871-1959  Search this
Container:
Box 3, Folder 4
Type:
Archival materials
Date:
circa 1898-circa 1905
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washingon, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth Campbell Fisher Clay papers, circa 1873-circa 2015, bulk 1890-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Elizabeth Campbell Fisher Clay papers
Elizabeth Campbell Fisher Clay papers / Series 6: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92eb6081b-5cb2-406b-8f52-a4d77a564abc
EDAN-URL:
ead_component:sova-aaa-clayeliz-ref86

Clipping of New York School of Art Trip to Spain

Collection Creator:
Clay, Elizabeth Campbell Fisher, 1871-1959  Search this
Container:
Box 3, Folder 5
Type:
Archival materials
Date:
circa 1902
Scope and Contents:
Newspaper group photograph of art students, including Elizabeth Clay, with William Merritt Chase and Robert Henri.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washingon, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth Campbell Fisher Clay papers, circa 1873-circa 2015, bulk 1890-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Elizabeth Campbell Fisher Clay papers
Elizabeth Campbell Fisher Clay papers / Series 6: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95f7f77b6-85bf-4622-aca3-a7a85a79b2b7
EDAN-URL:
ead_component:sova-aaa-clayeliz-ref88

New York School of Art

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 6, Folder 12
Type:
Archival materials
Scope and Contents note:
New York
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Art, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Art
Warshaw Collection of Business Americana Subject Categories: Art / 7: Art Education / 7.2: Schools
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89113086c-7df2-42a7-99a0-c2ee5ef873ed
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-art-ref666

New York School of Art (see: Chase, William Merritt)

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5218, Frame
Type:
Archival materials
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e1c5de3d-c53f-4906-992a-614bfa09763a
EDAN-URL:
ead_component:sova-aaa-kentrock-ref2761

Other Printed Material Related to Kuhn

Collection Creator:
Kuhn, Walt, 1877-1949  Search this
Container:
Box 56, Folder 14
Type:
Archival materials
Date:
1908
1947
Scope and Contents:
Includes a brochure for the New York School of Art Summer School 1908 session at which Walt Kuhn was an instructor, some of which took place at Fort Lee.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walt Kuhn Family papers and Armory Show records, 1859-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Walt Kuhn Family papers and Armory Show records
Walt Kuhn Family papers and Armory Show records / Series 4: Walt Kuhn Family Papers / 4.9: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw981e8a330-1a44-4138-800c-35223d0fe918
EDAN-URL:
ead_component:sova-aaa-kuhnwalt-ref1552

Loose Items from Volume 5

Collection Creator:
Kuhn, Walt, 1877-1949  Search this
Container:
Box 24, Folder 4
Type:
Archival materials
Date:
circa 1901-1937, undated
Scope and Contents note:
(Royal Academy in Munich; New York School of Art class; Hackensack, NJ crowd; John Quinn; Vera Kuhn in costume; Kit Kat Ball drawing, original cartoons)
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walt Kuhn Family papers and Armory Show records, 1859-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Walt Kuhn Family papers and Armory Show records
Walt Kuhn Family papers and Armory Show records / Series 4: Walt Kuhn Family Papers / 4.11: Photographs and Scrapbooks / Photograph Albums and Scrapbooks
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b6d33067-e24e-4e8f-9dbe-0c58637ec5c1
EDAN-URL:
ead_component:sova-aaa-kuhnwalt-ref836

The loft generation from the de Koonings to Twombly : portraits and sketches, 1942-2011 Edith Schloss ; edited by Mary Venturini ; photo editing by Jacob Burckhardt

Title:
From the de Koonings to Twombly: portraits and sketches, 1942-2011
Author:
Schloss, Edith 1919-2011  Search this
Editor:
Venturini, Mary  Search this
Author:
Burckhardt, Jacob 1818-1897  Search this
Physical description:
xxi, 312 pages, 8 unnumbered pages of plates, illustrations (some color) 24 cm
Type:
Books
Biographies
History
Place:
New York (State)
New York
Italy
Rome
New York (État)
Italie
Date:
2021
20th century
20e siècle
Topic:
New York school of art  Search this
Art and society--History  Search this
École de New York (Art)  Search this
Art et société--Histoire  Search this
ART / General  Search this
Art and society  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158759

An afternoon with the New York School artists

Creator:
Herskovic, Thomas  Search this
Type:
Videorecording
Date:
1993 May 2
Citation:
Thomas Herskovic. An afternoon with the New York School artists, 1993 May 2. Charles Cajori papers, 1928-2018. Archives of American Art, Smithsonian Institution.
Topic:
Interviews  Search this
New York school of art  Search this
Record number:
(DSI-AAA)15028
See more items in:
Charles Cajori papers, 1928-2018
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15028

The Irascibles painters against the museum, New York, 1950 Bradford R. Collins, Manuel Fontán del Junco, Inés Vallejo, and Beatriz Cordero (eds.) ; with texts by Daniel Belasco [and ten others] ; translation, Spanish/English, Nuria Rodríguez Riestra

Title:
Painters against the museum, New York, 1950
Editor:
Collins, Bradford R. 1942-  Search this
Fontán del Junco, Manuel 1963-  Search this
Vallejo, Inés  Search this
Cordero Martín, Beatriz  Search this
Contributor:
Belasco, Daniel 1975-  Search this
Translator:
Riestra, Nuria Rodríguez  Search this
Host institution:
Fundación Juan March  Search this
Subject:
Leen, Nina 1909-1995 Irascibles  Search this
Irascibles (Group of artists)  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
American Painting Today (Exhibition) (1950-1951 : Metropolitan Museum of Art)  Search this
Physical description:
291 pages color illustrations, portraits, maps 30 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
History
Place:
New York (State)
New York
New York (N.Y.)
New York (État)
Date:
2020
20th century
20e siècle
Topic:
Artists and museums--History  Search this
Abstract expressionism  Search this
Abstract expressionism--Public opinion  Search this
Painting--Competitions--History  Search this
New York school of art  Search this
Art américain  Search this
Expressionnisme abstrait--New York (N.Y.)--New York  Search this
Art abstrait  Search this
Artists and museums  Search this
Painting--Competitions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1153652

Robert Henri's painting class at the New York School of Art [photograph] / (photographed by Peter A. Juley & Son)

Photographic firm:
Peter A. Juley & Son  Search this
Photographer:
Juley, Paul 1890-1975  Search this
Type:
Photograph
Date:
1907
Topic:
New York School of Art (New York, NY)  Search this
Portrait group  Search this
Portrait female--Occupation--Artist  Search this
Portrait male--Occupation--Artist  Search this
Architecture interior--Art Building--New York School of Art  Search this
Image number:
JUL J0107730
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_107731

Robert Henri's painting class at the New York School of Art [photograph] / (photographed by Peter A. Juley & Son)

Photographic firm:
Peter A. Juley & Son  Search this
Photographer:
Juley, Paul 1890-1975  Search this
Type:
Photograph
Date:
1907
Topic:
New York School of Art (New York, NY)  Search this
Portrait group  Search this
Portrait female--Occupation--Artist  Search this
Portrait male--Occupation--Artist  Search this
Architecture interior--Art Building--New York School of Art  Search this
Image number:
JUL J0107731
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_107732

Parsons the New School for Design [Folder]

Additional name:
Chase School of Art  Search this
New York School of Art  Search this
New York School of Fine and Applied Art  Search this
Parsons School of Design  Search this
Parsons School of Design  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
New York (N.Y.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_99836

Robert Motherwell draft for The school of New York

Creator:
Motherwell, Robert Burns, 1915-1991  Search this
Type:
Writings
Date:
1951 January 1
Citation:
Robert Burns Motherwell. Robert Motherwell draft for The school of New York, 1951 January 1. Frank Perls papers and Frank Perls Gallery records, circa 1920-1983. Archives of American Art, Smithsonian Institution.
Topic:
New York school of art  Search this
Record number:
(DSI-AAA)17834
See more items in:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17834
Online Media:

Robert Motherwell letter to Frank Perls

Creator:
Motherwell, Robert Burns, 1915-1991  Search this
Perls, Frank, 1910-1975  Search this
Subject:
Motherwell, Robert Burns  Search this
Frank Perls Gallery  Search this
Type:
Correspondence
Date:
1951 January 27
Citation:
Robert Burns Motherwell. Robert Motherwell letter to Frank Perls, 1951 January 27. Frank Perls papers and Frank Perls Gallery records, circa 1920-1983. Archives of American Art, Smithsonian Institution.
Topic:
New York school of art  Search this
Record number:
(DSI-AAA)17835
See more items in:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17835
Online Media:

The school of New York

Creator:
Motherwell, Robert Burns, 1915-1991  Search this
Frank Perls Gallery  Search this
Type:
Printed Materials
Date:
1951
Citation:
Robert Burns Motherwell and Frank Perls Gallery. The school of New York, 1951. Frank Perls papers and Frank Perls Gallery records, circa 1920-1983. Archives of American Art, Smithsonian Institution.
Topic:
New York school of art  Search this
Record number:
(DSI-AAA)17837
See more items in:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17837
Online Media:

Photograph of New York School of Art students in costume

Creator:
Pach Brothers  Search this
Subject:
Bellows, George  Search this
Coleman, Glenn O.  Search this
Henri, Robert  Search this
Kent, Rockwell  Search this
Pach, Walter  Search this
Parsons School of Design  Search this
Type:
Photographs
Date:
1904 or 1905
Citation:
Pach Brothers. Photograph of New York School of Art students in costume, 1904 or 1905. Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
Topic:
Art schools  Search this
Costumes  Search this
Record number:
(DSI-AAA)8227
See more items in:
Walter Pach papers, 1857-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8227

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