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Nan Rosenthal papers

Creator:
Rosenthal, Nan  Search this
Names:
Hodgkin, Howard, 1932-2017  Search this
Im, Sangbin  Search this
Kiefer, Anselm, 1945-  Search this
Klein, Yves, 1928-1962  Search this
Oldenburg, Claes, 1929-  Search this
Piene, Otto, 1928-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rickey, George  Search this
Extent:
17.1 Gigabytes
26.6 Linear feet
Type:
Collection descriptions
Archival materials
Gigabytes
Slides (photographs)
Interviews
Video recordings
Transcripts
Sound recordings
Date:
circa 1940-2013
Summary:
The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.
Scope and Contents:
The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.
Arrangement:
The collection is arranged as five series.

Missing Title

Series 1: Biographical Material, circa 1950-2010 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1965-2012 (0.7 linear feet)

Series 3: Project and Research Files, circa 1940-2013 (20 linear feet; Box 1-21; 17.1 gigabytes; ER01-ER14)

Series 4: Teaching Files, 1973-2002 (2.2 linear feet; Box 21-24)

Series 5: Slides, 1970s-1990s (3.3 linear feet; Box 24-27)
Biographical / Historical:
Nan Rosenthal (1927-2014) was a curator and art historian in New York City and Washington, D.C. who specialized in twentieth-century modern and contemporary art. Born in New York, Rosenthal attended Smith College before earning her bachelor's degree from Sarah Lawrence College in 1959. After college, she worked as a journalist for a number of publications including Art in America and the New York Post.

Rosenthal received her PhD from Harvard University in 1976, completing her dissertation titled, "The Blue World of Yves Klein." After her graduate studies, Rosenthal taught at Princeton University, New York University, and University of California, Santa Cruz.

In 1985, Rosenthal became a curator of twentieth-century art at the National Gallery of Art. She organized several important exhibitions including The Drawings of Jasper Johns (1990), acquired works by Alberto Giacometti and Barnett Newman, and began the lecture series "Conversations with Artists."

Rosenthal then joined the staff of the Metropolitan Museum of Art in 1993 as senior consultant of modern and contemporary art, where she organized a number of other important exhibitions including Anselm Kiefer: Works on Paper 1969-1993 (1998), Robert Rauschenberg: Combines (2005), Jasper Johns: Gray (2008), and others featuring Willem de Kooning, Jackson Pollack, and Judith Rothschild. She retired from the Metropolitan Museum in 2008.

In addition to her curatorial activities, Rosenthal authored several books and catalogs including George Rickey (1977), Robert Rauschenberg (1990), and Terry Winters: Printed Works (2001).

Rosenthal was married to the German artist Otto Piene from 1965-1973 and went by Nan R. Piene or Nan Rosenthal Piene. She remarried in 1990 to her second husband, Henry Benning Cortesi.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Nan Rosenthal conducted by Judith Olch Richards in 2010.
Provenance:
The collections was donated to the Archives of American Art in 2016 by the Nan Rosenthal and Henry B. Cortesi Estate via executor Katherine C. Armstrong.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Curators -- New York (State) -- New York  Search this
Art, Modern  Search this
Art -- Study and teaching  Search this
Genre/Form:
Slides (photographs)
Interviews
Video recordings
Transcripts
Sound recordings
Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosenan
See more items in:
Nan Rosenthal papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9981cf43a-465e-470c-bba6-6b7542c9d304
EDAN-URL:
ead_collection:sova-aaa-rosenan
Online Media:

Teaching Files

Collection Creator:
Rosenthal, Nan  Search this
Extent:
2.2 Linear feet (Box 21-24)
Type:
Archival materials
Date:
1973-2002
Scope and Contents:
Teaching files date from 1973-2002 and include administrative documents, correspondence, course materials arranged by subject, sound recordings of lectures by others, and printed materials from Rosenthal's stints as faculty at Princeton University, New York University, and University of California, Santa Cruz. Course materials contain hand written lecture notes, course assignments, seminar papers written by students, and a few items of correspondence with students regarding paper topics. In one instance, a student sent Rosenthal a sound recorded message.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosenan, Series 4
See more items in:
Nan Rosenthal papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9de201a74-9fed-4f08-a1c7-49b164d88dd7
EDAN-URL:
ead_component:sova-aaa-rosenan-ref4

(#100) Notebook concerning a trip to New York and Philadelphia

Collection Creator:
Fewkes, Jesse Walter, 1850-1930  Search this
Extent:
1 Volume
Container:
Box 12
Type:
Archival materials
Volumes
Date:
1898
Scope and Contents:
Includes notes on a visit to the Brooklyn Institute Museum of Arts and Science and a draft report to Charles Doolittle Walcott concerning the New York University collections, American Museum of Natural History, Metropolitan Museum of Art, Pathological Laboratory of the Pathological Institution of New York State Hospitals, Brooklyn Institute Museum, and, in Philadelphia, the Memorial Hall Museum, Independence Hall, Commercial Museum, American Philosophical Society, University Museum, Wistar Institute, Drexel Institute Museum, Academy of Natural Sciences, and the Wagner Free Institute.
Local Numbers:
NAA MS.4408 (100)
Collection Restrictions:
The Jesse Walter Fewkes papers are open for research.

Access to the Jesse Walter Fewkes papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
Manuscript 4408 Jesse Walter Fewkes papers, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 4408 Jesse Walter Fewkes papers
MS 4408 Jesse Walter Fewkes papers / Series 2: Field Diaries, Notebooks, and Maps
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw37f1184c5-6fbc-4e6a-b83a-e074aa302d75
EDAN-URL:
ead_component:sova-naa-ms4408-ref346

Ardeshir Mohasses Drawings

Creator:
Muḥaṣṣiṣ, Ardashīr, 1938-2008  Search this
Extent:
1.8 Cubic feet (Two tall legal size flip top boxes, one 30 in. x 21 in. oversize folder)
Type:
Collection descriptions
Archival materials
Date:
1981-1985, undated
Scope and Contents:
Drawings and lithographs by Ardeshir Mohasses. All dated materials are from the early 1980s, after he decided to permanently reside and work in New York City. Subjects include commentary on and satire of the Iranian political situation, but also animal figures and street scenes.
Arrangement:
Organized into two series: Series 1: Drawings Series 2: Lithographs
Biographical / Historical:
Ardeshir Mohasses (also romanized Ardešir Moḥaṣṣeṣṣ, Ardashir Mohases, Persian: ردشير محصص) was born September 9, 1938 in Rasht, Iran. One of four children, and cousin to the noted artist Bahman Mohasses, he was raised in Lahijan. Ardeshir Mohasses began his career as an illustrator as a student in the 1950s, contributing work to Towfiq, a satirical publication. Although he applied to and was accepted by the University of Tehran's Faculty of Fine Arts, he opted to study political science and never trained formally as an artist. After graduating university in 1962, he briefly worked as a civil servant before deciding to pursue art full time. His work appeared in Iranian publications including Ketāb-e hafta and Kayhān, cementing his reputation as a leading illustrator and pioneer of satirical cartoons in Iran by the late 1960s. He published several volumes of work through the 1970s.

By the 1970s, Mohasses gained increasing recognition internationally, leading to publication of his work in major outlets in the United States, Europe, and Asia. He also exhibited works and toured in the United States. Facing hostility from the government of Shah Mohammed Reza Pahlavi, Mohasses relocated to New York City in 1976 and decided to remain following the 1979 Iranian Revolution. He continued working, satirizing and criticizing the new Iranian government as he had the old.

Mohasses' health declined following a Parkinson's disease diagnosis in 1986 and other challenges. He continued publishing, including Ardeshir Mohassess: Closed Circuit History (1989) and Life in Iran: The Library of Congress Drawings (1994). He remained active until his death in New York on October 9, 2008. His life and legacy were celebrated at the conference "Ardeshir Mohassess, Art, Politics, and Beyond" at New York University, October 9-10, 2010, as well as Ardeshir: The Rebellious Artist by Bahman Maghsoudlou, a revised version of a documentary originally released in 1972 as Ardeshir Mohasses and His Caricatures.
Provenance:
Gift of Farzad and Neda Rastegar, 2019.
Restrictions:
The collection is open for research use.
Topic:
Iran  Search this
Citation:
Ardeshir Mohasses Drawings. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Farzad and Neda Rastegar.
Identifier:
FSA.A2019.01
See more items in:
Ardeshir Mohasses Drawings
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc35eb389d6-033c-48b4-8ce3-71b45b27a445
EDAN-URL:
ead_collection:sova-fsa-a2019-01

Rinzler, Beatrice Joseph 1

Collection Creator:
Rinzler, Ralph  Search this
Container:
Oversize 3
Type:
Archival materials
Date:
1925
Scope and Contents note:
File consists of Ralph's mother's essay for the Harriette Melissa Mills Kindergarten Training School at New York University.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 1: Biographical / 1.1: General Biographical
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52b604d9d-4720-4a55-9fdc-1f78af162b2c
EDAN-URL:
ead_component:sova-cfch-rinz-ref72

Rinzler, Beatrice Joseph 2

Collection Creator:
Rinzler, Ralph  Search this
Container:
Oversize 3
Type:
Archival materials
Date:
1924
Scope and Contents note:
File consists of Ralph's mother's essay for the Harriette Melissa Mills Kindergarten Training School at New York University.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 1: Biographical / 1.1: General Biographical
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5536b2688-db83-429a-9c59-c3db0fddd2a0
EDAN-URL:
ead_component:sova-cfch-rinz-ref74

Rinzler, Beatrice Joseph 3

Collection Creator:
Rinzler, Ralph  Search this
Container:
Oversize 3
Type:
Archival materials
Date:
1925
Scope and Contents note:
File consists of Ralph's mother's essay for the Harriette Melissa Mills Kindergarten Training School at New York University.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 1: Biographical / 1.1: General Biographical
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk503f83d76-65dd-456d-a938-58e7af5cecdd
EDAN-URL:
ead_component:sova-cfch-rinz-ref76

Rinzler, Beatrice Joseph 4

Collection Creator:
Rinzler, Ralph  Search this
Container:
Oversize 3
Type:
Archival materials
Date:
1924-1925
Scope and Contents note:
File consists of Ralph's mother's schoolwork for the Harriette Melissa Mills Kindergarten Training School at New York University.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 1: Biographical / 1.1: General Biographical
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5237b82f3-cb87-4870-af00-f6f2c8d88f14
EDAN-URL:
ead_component:sova-cfch-rinz-ref78

O. Roger Gallagher Papers

Creator:
Gallagher, Orvoell Roger, 1916-1975  Search this
Names:
United States. Air Force  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Place:
Europe
South Asia
North America
France
Saratoga Springs (N.Y.)
Jharkhand (India)
Date:
1949-1973
Summary:
The Gallagher papers consist of materials relating to his major field work in France, India, and the United States.
Scope and Contents:
The Gallagher papers consist mainly of materials relating to his major field work. In 1949-1950 and in 1951, he investigated social arrangements, especially kinship, in the rural village of Civaux in the Department of Vienne in central France. In 1953-1954, working for International Public Opinion Research, Inc., which was under contract with the U. S. Air Force Human Resources Research Institute, he returned to France and studied the relations between the people of Chateauroux, a small city in the Department of Indre, and the personnel of a nearby American air base. The great bulk of Gallagher's material relating to France resulted from the work at Civaux. Only a few writings, including his Ph.D. dissertation, reflect the work at Chateauroux.

In 1962-1963, Gallagher was at Ranchi University, in the state of Bihar (now Jharkhand), in central India, on a National Science Foundation Science Faculty Fellowship. From there, he carried out studies in the village of Makhmandro among Oroans (Kurukh), a Dravidian group. Again, his focus was on social relations. His main method consisted of interviews of laborers.

Early in Gallagher's career, in 1951, he worked for the Science Museum in St. Paul, Minnesota, attempting to establish criteria for identifying tribal origins and dates for American Indian beaded artwork. Few materials resulting from this study appear in the collection. Gallagher's interest in isolated communities of northern Saratoga County, New York is represented by a few items, most of them manuscripts of writings.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged into four series: (1) Studies of French communities; (2) Study of an Indian community; (3) Study of American Indian beaded art; and (4) Studies in Saratoga County, New York.
Biographical note:
Orvoell Roger Gallagher was educated at the University of California at Berkeley, London School of Economics (M.A., 1951), and Columbia University (Ph.D., 1955). He taught at New York University from 1954-1959 and at Skidmore College in Saratoga Springs, New York, from 1959 until his death in 1975.
Restrictions:
The O. Roger Gallagher papers are open for research.

Access to the O. Roger Gallagher requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Oraon (Indic people)  Search this
Beadwork  Search this
Kinship  Search this
Citation:
O. Roger Gallagher papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.XXXX.0212
See more items in:
O. Roger Gallagher Papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw36b45ef7d-c2cf-44e7-9f3c-631acb082823
EDAN-URL:
ead_collection:sova-naa-xxxx-0212

Workbook for the National Council of Negro Women, 23rd annual convention

Creator:
National Council of Negro Women  Search this
Collection Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Extent:
1 Document (10 3/4 x 8 1/4 inches)
Type:
Archival materials
Documents
Workbooks
Place:
Washington (D.C.)
Date:
November 13-15, 1958
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American women  Search this
Genre/Form:
Workbooks
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Council of Negro Women
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7cca2c36f-e2c4-4a83-a9bb-94f84615543e
EDAN-URL:
ead_component:sova-acma-06-042-ref1901
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Leadership Handbook for the National Council of Negro Women, 23rd annual convention

Creator:
National Council of Negro Women  Search this
Collection Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Extent:
1 Document (10 3/4 x 8 1/4 inches)
Type:
Archival materials
Documents
Handbooks
Place:
Washington (D.C.)
Date:
November 13-15, 1958
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American women  Search this
Genre/Form:
Handbooks
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Council of Negro Women
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7afd11c29-ed24-4659-89a5-7d868b6ff7ba
EDAN-URL:
ead_component:sova-acma-06-042-ref1902
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Leadership Handbook for the National Council of Negro Women, 23rd annual convention digital asset number 1

Second Year No.30

Creator:
New Negro Alliance (Washington, D.C.)  Search this
Names:
Hastie, William, 1904-1976  Search this
Container:
Box 1
Type:
Archival materials
Text
Advertisements
Place:
Washington (D.C.)
Date:
October 6, 1934
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American newspapers  Search this
Activism  Search this
Discrimination in employment  Search this
Business enterprises  Search this
Genre/Form:
Advertisements -- 20th century
Collection Citation:
Anacostia Community Museum Archives, Smithsonian Institution.
See more items in:
New Negro Opinion newspaper
New Negro Opinion newspaper / Series 1: December 1933- December 1934
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7a6ba1153-3012-4137-8cf2-c0e66c7f3465
EDAN-URL:
ead_component:sova-acma-10-012-3-ref26
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New York Psychoanalytic Institute - New York Woman

Collection Creator:
Frank K. M. Rehn Galleries  Search this
Container:
Box 9
Reel 5861, Frame 859-956
Type:
Archival materials
Date:
1919-1968
Scope and Contents note:
New York Psychoanalytic Institute

New York Public Library

New York Regional Art Council

New York Society for Ethical Culture/Fieldston-Ethical Alumni Association

New York State, Department of Law

New York State, Department of Taxation and Finance

New York State, Division of Employment

New York State, Income Tax Bureau

New York State Education

New York State Exposition

New York Telephone Co.

New York Times

New York Trust Co.

New York University

New York Woman
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Frank K. M. Rehn Galleries records
Frank K. M. Rehn Galleries records / Series 1: Correspondence, A-Z
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bab874bf-ee1b-41ab-8f0b-335bac4943b0
EDAN-URL:
ead_component:sova-aaa-franrehg-ref325

Frederick Douglass Patterson papers

Creator:
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Names:
Phelps-Stokes Fund  Search this
Tuskegee Institute  Search this
United Negro College Fund  Search this
Carver, George Washington, 1864?-1943  Search this
Moton, Robert Russa, 1867-1940  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Extent:
18.66 Linear feet (21 boxes)
Type:
Collection descriptions
Archival materials
Diplomas
Notebooks
Articles
Manuscripts
Photographic prints
Ephemera
Scrapbooks
Newsletters
Awards
Photographs
Invitations
Legal documents
Programs
Correspondence
Clippings
Date:
1882 - 1988
Summary:
President of Tuskegee Normal and Industrial Institute (later Tukegee Institute; now Tuskegee University) from 1935 - 1953 and founder of the United Negro College Fund (1944). Patterson was born on October 10, 1901. Orphaned at age two, he was raised by his eldest sister, Wilhelmina (Bess), a school teacher in Texas. He studied at Iowa State College, where he received a doctorate in veterinary medicine in 1923 and a master of science degree in 1927. Five years later, he was awarded a second doctorate degree from Cornell University. Patterson taught veterinary science for four years at Virginia State College, where he was also Director of Agriculture. His tenure at Tuskegee University started in 1928 and spanned almost 25 years, first as head of the veterinary division, then as the director of the School of Agriculture and finally as Tuskegee's third president. He married Catherine Elizabeth Moton, daughter of Tuskegee University's second president, Dr. Robert R. Moton. Patterson also founded the School of Veterinary Medicine at Tuskegee in 1944, the same year he founded the United Negro College Fund (UNCF). The UNCF continues today as a critical source of annual income for a consortium of Historically Black Colleges and Universities, Tuskegee University among them.
Scope and Content note:
The Frederick Douglass Patterson Collection comprises 18.66 linear feet of correspondence, manuscripts, research material, published writings, photographs, audiovisual material, scrapbooks, diplomas, awards, and other materials chronicling the personal life and professional career of Frederick D. Patterson.

The collection is comprised of glimpses into the life of Dr. Patterson. The little correspondece that survived is located in Series 2: Career, Series 3: Correspondence, and Series 4: Organizations. Some of the correspondence takes the form of congratulatory notes from 1953 during Patterson's transfer from Tuskegee Institute to the Phelps-Stokes Fund, located in Series 2. There is also a personal note sent to Patterson's wife, Catherine Patterson, from George Washington Carver in which he describes peanut oil as a good massage oil.
Arrangement note:
The collection is arranged by series and chronologically therein:

1. Biography: This series provides insight into Patterson's family life through primary documents. It is comprised of family wills, insurance policies, and his autobiography. Sub-series are arranged alphabetically by title.

2. Career: This series contains materials from Patterson's long professional career in the field of higher education, including his tenure as present of both the Tuskegee Institute and the Phelps-Stokes Fund. Sub-series are arranged chronologically.

3. Correspondence: This series contains letters sent to Patterson (and his wife) of a personal and professional nature. Several letters relate to Patterson's personal business "Signs and Services," which was a small billboard advertising company. There are also letters from George Washington Carver. The series is arranged chronologically. 4. Organizations: This series contains material from the various foundations Patterson founded and to which he belonged, including the R.R. Moton Fund and the College Endowment Funding Plan. He is especially noted for developing the United Negro College Fund. The series is organized alphabetically by sub-series title.

5. Honors: This series contains the awards, citations, and resolutions Patterson received during his lifetime. Folders are organized chronologically. 6. Subject Files: This series comprises articles, employee vitas, and other documents collected and organized by Patterson. Among the subjects in the files are higher education, Negroes, segregation, civil rights, and employee records. There is no key to this system.

7. Photographs: The Photograph series mostly documents Patterson's tenure at Tuskegee University. The series includes images of Patterson and various other notable figures during formal functions at the university. Noteworthy personalities include George Washington Carver, Eleanor and Franklin D. Roosevelt, and President Kwame Nkrumah of Ghana.

8. Printed Materials: This series contains books, programs, and other documents from Patterson's personal collection. The series is organized alphabetically by author's last name.
Biographical note:
Frederick Douglass Patterson was born on October 10, 1901 to parents William and Mamie Brooks Patterson, in the Buena Vista Heights area of Anacostia in Washington, D.C. The youngest of six children, Patterson's parents died of tuberculosis before he reached the age of two years, his mother when he was eleven months old and his father a year later. Following his parents' death, the Patterson children were split up and sent to live in the homes of family and friends as stipulated in his father's last will and testament until he was seven years old, Patterson lived in the Anacostia area with a family friend he called "Aunt Julia."

When he was seven years old, Patterson's older sister Bess (a recent graduate of the Washington Conservatory of Music) decided to seek employment in Texas and took him with her. Many of their parents' family still lived in the state, which allowed Patterson the opportunity to spend months with various aunts and uncles, while his sister taught music throughout the South. After completing eighth grade, Patterson joined his sister at the Prairie View Normal School, where she taught music and directed the choir. Patterson attended the school for four years, during which time he developed an interest in veterinary medicine.

In 1920, Patterson enrolled at Iowa State College as a veterinary student. He graduated in 1923 and moved to Columbus, Ohio, to join his brother John. While there, he took the Ohio State Board exam for Veterinary Medicine. Although he became certified, a lack of money prevented him from practicing. Four years later he received a teaching offer from Virginia State College (VSC) in Petersburg, Virginia, which afforded him the opportunity to work within his profession. While at VSC Patterson took a leave of absence and returned to Iowa, in 1926, to pursue a Master's degree in veterinary medicine.

After five years at VSC, the Tuskegee Normal and Industrial Institute offered Patterson a position running the veterinarian hospital and teaching veterinary science. He moved to Tuskegee, Alabama in 1928. While at Tuskegee, Patterson decided to pursue a Ph.D. in bacteriology at Cornell University. During his year and a half leave from Tuskegee, Patterson completed his coursework and wrote his dissertation. After he returned to Tuskegee, a serial killer murdered three people, including the head of the Department of Agriculture. Confronted with this tragedy, school officials quickly offered Patterson the vacant position, which he accepted in 1934.

Robert R. Moton, second president of Tuskegee, retired in 1935 and a search was soon commenced to find the next president for the school. Patterson, in the meantime, pursued more personal matters when he met and married Catherine Moton (with whom he would have a son) in June 1935. By then he was already hired to take his now, father-in-law's, position as President of Tuskegee Normal and Industrial Institute.

As president of Tuskegee, Patterson made several changes and many additions to the institution. He increased faculty housing for professors; integrated the Board of Trustees' meeting meals and eventually arranged for both balck and white members to eat at one table; shortened the name to Tuskegee Institute; and established the Department of Commercial Dietetics in 1935, the veterinary medicine program in 1942, and the engineering program in 1948. While many considered Patterson's changes important achievements, it was his development of the Commercial/Military Aviation Program that would bring the school distinction and fame.

Patterson first attempted to develop the aviation program in 1939. The government fostered the development of such programs by subsiding the expenses. All a university had to do was present able-bodied instructors and willing pupils. Tuskegee had both. By 1940 the United States Air Force was interested in integrating its forces. In order to do this they needed trained black pilots. Tuskegee was the perfect place to provide the needed pilots since the school was situated in an all-black environment where students could concentrate on learning to fly without having to worry about racist reactions from their fellow classmates. To accommodate this program, the Tuskegee Army Air Base was created. Tuskegee pilots flew missions throughout World War II and would later be recognized for their bravery.

An important part of Patterson's duties as president was fund-raising. By 1943 he found it increasingly difficult to find ample sources of funds to run the Institute. He came to realize Tuskegee and similar black colleges would benefit if they pooled their funding resources and asked for larger amounts of money from philanthropic individuals and organizations as a collective. Working together would cut fund-raising expenses; this in turn would leave more money for the colleges to use as they wished. Patterson named his new creation the United Negro College Fund (UNCF); it would go on to raise millions of dollars for the nation's historically black colleges. He served as the first president of the organization.

During the fifteen years Patterson served as president of Tuskegee, he hosted many famous personalities, including W.E.B. DuBois, Mary McLeod Bethune, Eleanor Roosevelt, Duke Ellington, Paul Robeson, Pearl Buck, and Andre Segovia. He developed a lasting relationship with George Washington Carver, who had been a professor with Tuskegee since the days of Booker T. Washington.

Patterson served on many organizational boards in addition to his educational work. His involvement with the Phelps-Stokes Fund would ultimately lead Patterson to leave his beloved Tuskegee Institute to apply his educational philosophies on a broader scale. In 1953 the Fund approached Patterson and offered him the presidency of the organization. Patterson, feeling he needed a change, accepted the offer. He resigned from Tuskegee that same year and moved to New York to begin a new life.

Organized in 1911, the Phelps-Stokes Fund supported African, African American, and Native American education and worked on solving housing problems in New York City. Patterson's interest in African education began before he joined Phelps-Stokes. In 1950 the World Bank/International Bank Commission to Nigeria hired him to "evaluate the resources of Nigeria and…to study the educational programs and the organizational structure of advanced education." Through his work with the Fund he continued his efforts to improve the educational opportunities for Africans and help them move beyond colonialism. Patterson traveled extensively throughout the west coast of Africa in support of these goals.

In addition to forming the UNCF, Patterson created two other organizations (the Robert R. Moton Institute and the College Endowment Funding Plan), during the mid 1960s and 1970s. Each was designed to improve funding efforts for historically black colleges. The Robert R. Moton institute began as an off-shoot of the Phelps-Stokes as a site for conferences to address the Fund's primary concerns. Patterson's idea for the Institute came from a desire to put to use a piece of property inherited after Moton's death. Empathy with the frustrations of college presidents regarding the restricted funding for institutional expenses led Patterson to create the College Endowment Funding Plan. The Endowment was designed to alleviate this situation by providing matching funds to eligible colleges. The Endowment made its first payment in 1978. Unfortunately, by the 1980s, the Moton Institute lost most of its government funding due to federal cutbacks. This resulted in reductions to the Institute's programming.

It was not until Patterson was well into his eighties that he began to retire from his life of public service. On June 23, 1987, President Ronald Reagan presented Dr. Patterson with the Presidential Medal of Freedom, the highest possible honor that can be bestowed upon a civilian, for his service in higher education and his role in creating funding sources for the nation's historically black colleges. A year later Frederick Douglass Patterson died at the age of eighty-seven.

Honorary Degrees

undated -- Xavier University

1941 -- Virginia State College

1941 -- Wilberforce University

1953 -- Morehouse College

1956 -- Tuskegee Institute

1961 -- New York University

1966 -- Edward Waters College

1967 -- Atlanta University

1969 -- Franklin and Marshall College

1970 -- Virginia Union University

1975 -- Bishop College

1977 -- St. Augustine's College

1982 -- Brooklyn College of the City University of New York

1984 -- Stillman College

1985 -- Payne College

Distinctions

undated -- Association for the Study of Negro Life and History Carter

undated -- The Southern Education Foundation, Inc. Distinguished Service Citation

undated -- The United Negro College Fund (UNCF) and Texas Association of Developing Colleges Annual Leadership Awards

1950 -- Christian Education department, African Methodist Episcopal Zion Church, Inc. Citation for Distinguished Service

1953 -- Bethune-Cookman College, the Mary McLeod Bethune Medallion

1953 -- John A. Andrew Clinical Society at Tuskegee Institute, Citation for Distinguished Service in the Cause of Humanity

1953 -- Tuskegee Institute, Certificate of Appreciation for 25 Years of Service

1957 -- Phi Beta Sigma Fraternity, Inc. Beta Lamda Sigma Chapter, Bigger and Better Business Award

1960 -- National Alumni Council of the UNCF, Inc. Award

1963 -- National Business League, Booker T. Washington Award

1965 -- Booker T. Washington Business Association, Certificate of Acknowledgement

1970 -- Moton Conference Center Award

1970 -- Tuskegee National Alumni Association, R.R. Moton Award

1972 -- American College Public Relations Association, 1972 Award for Distinguished Service to Higher Education

1972 -- UNCF F.D. Patterson 71st Birthday Award

1975 -- National Business League, Booker T. Washington Symbol of Service Award

1976 -- Phelps-Stokes Fund, Continuous Creative and Courageous Leadership in the Cause of Higher Education for Blacks

1977 -- Yale Alumni Associates of Afro-America, Distinguished Service Award

1979 -- Alpha Phi Alpha Education Foundation Inc., Distinguished Educator Award

1979 -- Tuskegee Institute Alumni Association Philadelphia Charter Award

1980 -- The Iowa State University Alumni Association, Distinguished Achievement Citation

1980 -- Gary Branch NAACP Life Membership Fight for Freedom Dinner 1980, Roy Wilkins Award

1980 -- State of Alabama Certificate of Appreciation

1982 -- St. Luke's United Methodist Church Achievement Award

1983 -- Tuskegee Airmen, Inc., Distinguished Service Award

1984 -- Booker T. Washington Foundation, Booker T. Washington Distinguished Service Award

1984 -- The Ohio State University Office of Minority Affairs, Distinguished Humanitarian and Service Award

1985 -- Alpha Phi Alpha Fraternity, Inc, Eta Zeta Lamda Chapter Civic Award

1985 -- United States, Private Sector Initiative Commendation

1987 -- Alpha Phi Alpha Fraternity, Inc of New York State, Founders Day Award

1987 -- Presidential Medal of Freedom

1987 -- Brag Business Achievement Award

1987 -- Phelps-Stokes Fund, Aggrey Medal

Public Service

1941-1971 -- Southern Educational Foundation, Inc., Board Member

1943-1988 -- United Negro College Fund, Founder, President, and Member

1960s-1988 -- Robert R. Moton Memorial Institute, Founder

1970s-1988 -- The College Endowment Funding Plan, Founder

undated -- American National Red Cross, Board of Governors Member

undated -- Boys Scouts of America, National Council Member

undated -- Citizens Committee for the Hoover Report on Reorganization of Federal Government, Board Member

undated -- Institute of International Education, Advisory committee Member

undated -- National Association for the Advancement of Colored People, Life Member

undated -- National Business League, President and Board Member

undated -- National Urban League, National Committee Member

undated -- Phelps-Stokes Fund, Board of Trustees Member

undated -- President's Commission on Higher Education for Negroes

undated -- Southern Regional Education, Board of Control Member
Related Materials:
Additional biographical materials in the Dale/Patterson Collection of the Anacostia Community Museum Archives.

This collection contains artifacts catalogued in the ACM Objects Collection.
Provenance:
The Frederick Douglass Patterson papers were donated to the Anacostia Community Museum in 2001 by Frederick Douglass Patterson, Jr.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Frederick Douglass Patterson papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Universities and colleges -- Administration  Search this
African Americans -- Education (Higher)  Search this
African American universities and colleges  Search this
Genre/Form:
Diplomas
Notebooks
Articles
Manuscripts
Photographic prints
Ephemera
Scrapbooks
Newsletters
Awards
Photographs
Invitations
Legal documents
Programs
Correspondence
Clippings
Citation:
Frederick Douglass Patterson papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of Frederick Douglass Patterson, Jr.
Identifier:
ACMA.06-010
See more items in:
Frederick Douglass Patterson papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7da84300b-c608-41af-b59a-1f44dce53a26
EDAN-URL:
ead_collection:sova-acma-06-010
Online Media:

Albert Ramsbottom, Sam Small and Others: English Dialect Readings with Wallace House

Producer:
Asch, Moses  Search this
Performer:
House, Wallace  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Date:
1954
Contents:
Albert and the lion (3:26) --Return of Albert (3:32) --Albert and the 'eadsman (3:23) --Runcorn Ferry (3:55) --Jubilee sov'rin (3:06) --Goalkeeper Joe (3:19) --Little Aggie (3:15) --Night before Waterloo (3:13) --Marksman Sam (3:30) --'Alt, 'oo goes theer? (3:08) --The Magna Charter (3:19) --Battle of Hastings (3:17) --Gunner Joe (3:13) --Three 'appence a foot (3:47).
Track Information:
101 Albert and Lion.

102 The Return of Albert.

103 Albert and the Eadsman.

104 Runcorn Ferry.

105 The Jubilee Sov'rin.

106 Goalkeeper Joe.

201 Little Aggie.

202 The Night Before Waterloo.

203 Marksman Sam.

204 'Alt, 'Ooo Goes Theer".

205 The Magna Charter.

206 The Battle of Hastings.

207 Gunner Joe.

208 Three 'Appence a Foot.
Local Numbers:
FW-ASCH-LP-0097

FLP.40354

FLP.40354 ;.Folkways.99
Publication, Distribution, Etc. (Imprint):
New York Folkways 1954
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Program notes ([2] p. : port. ; 28 cm.) inserted in container. Performer(s): Recited by Wallace House with guitar acc.

Wallace House (1900 - 1983), singer, actor and dramatic arts professor at New York University, was born in England, although the family moved to Canada when Wallace was nine years old. His English background and more recent study of the various English dialects enabled him to perform with authenticity these dialect readings - essentially poems - all but two of which were written by poet Marriot Edgar (1880 - 1951). Marriot Edgar is best known for the English dialect monologues he wrote for actor/comedian Stanley Holloway (1890 - 1982), who recorded most of the readings presented here back in the 1930's. (Holloway later achieved lasting fame on Broadway and in Hollywood through his portrayal of the father of Eliza Doolittle in the hit musical "My Fair Lady.") Liner notes provide a complete transcription of the monologues, along with a brief biography of Wallace House, who recorded a total of eight albums for Folkways Records.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Spoken word  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-0097
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59fb716cf-1622-47ff-bd00-2d80c5da6ba4
EDAN-URL:
ead_component:sova-cfch-asch-ref16101

Photographs of Gertrude Vanderbilt Whitney

Collection Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Type:
Archival materials
Date:
1880s-1941
Scope and Contents note:
This subseries consists of portraits and photographs of Gertrude Vanderbilt Whitney. Portraits include early ones of Whitney as young girl and young woman, later ones taken by noted photographers Amemiya, Baron Adolf de Meyer and Count Jean de Strelecki, and proofs of ones taken by Edward Steichen, among others. Photographs include ones in costume, campaigning for the presidential candidate, Charles Hughes, in 1916, traveling, receiving an honorary degree from New York University in 1922, with Dr. Boliario Porras presumably conferring about the Panama-Roosevelt Memorial, at the opening of the Whitney Museum of American Art in 1931 (including some photographs of the museum taken by the photographer Berenice Abbott), and various ones with her husband, friends, and other family.

Photographs of Whitney can also be found amongst the sculpture photographs.
Arrangement note:
Photographs in this subseries are arranged in rough chronological order. Reproductions of painted portraits of Whitney, scattered photographs of friends, colleagues, and suitors, and negatives are arranged in files at the end of the subseries.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitgert, Subseries 10.2
See more items in:
Gertrude Vanderbilt Whitney papers
Gertrude Vanderbilt Whitney papers / Series 10: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cf4e9e41-71b2-4434-bc39-123668c47bda
EDAN-URL:
ead_component:sova-aaa-whitgert-ref1013

Biographical Sketches (WMAA file)

Collection Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1917-1947
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
See more items in:
Gertrude Vanderbilt Whitney papers
Gertrude Vanderbilt Whitney papers / Series 1: Miscellaneous Personal Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bfeb607b-4219-4d06-a4bf-17906f3f3ed1
EDAN-URL:
ead_component:sova-aaa-whitgert-ref22
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  • View Biographical Sketches (WMAA file) digital asset number 1
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Biographical Data and Chronologies

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1964-1983, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0d8ec7-f1fe-4d08-b41c-2ba3d8d636e1
EDAN-URL:
ead_component:sova-aaa-polljack-ref235
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  • View Biographical Data and Chronologies digital asset number 1
  • View Biographical Data and Chronologies digital asset number 2

Reinhardt, Ad - Biographical Material

Collection Creator:
Parsons, Betty  Search this
Container:
Box 15, Folder 7
Type:
Archival materials
Date:
circa 1965
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3120a10-dd39-47ab-b721-8362e662a3a9
EDAN-URL:
ead_component:sova-aaa-parsbett-ref467
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New York University

Collection Creator:
Parsons, Betty  Search this
Container:
Box 22, Folder 31
Type:
Archival materials
Date:
1966-1975
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 3: Correspondence Files / 3.1: Institutions and Dealers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw946f3e698-b244-4363-8620-80ed8cdf7cf0
EDAN-URL:
ead_component:sova-aaa-parsbett-ref875

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