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Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Creator:
McCausland, Elizabeth, 1899-1965  Search this
Subject:
Hartley, Marsden  Search this
Abbott, Berenice  Search this
Hawthorne, Charles Webster  Search this
Henri, Robert  Search this
Henry, Edward Lamson  Search this
Dove, Arthur Garfield  Search this
Kleinholz, Frank  Search this
Morgan, Barbara Brooks  Search this
Stieglitz, Alfred  Search this
Weegee  Search this
Hine, Lewis Wickes  Search this
Inness, George  Search this
Lawrence, Jacob  Search this
Maurer, Alfred Henry  Search this
Weston, Edward  Search this
American Art Research Council  Search this
Federal Art Project (U.S.)  Search this
United States. Farm Security Administration  Search this
Barnard College  Search this
Type:
Scrapbooks
Drawings
Photographs
Place:
New York N.Y. -- Pictorial works -- photographs
Topic:
Springfield Republican  Search this
Federal aid to the arts  Search this
Art -- History -- Study and teaching  Search this
Modernism (Art)  Search this
Women art historians  Search this
Women authors  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Photography  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)7839
(DSI-AAA_SIRISBib)210006
AAA_collcode_mccaeliz
Theme:
Diaries
Art Theory and Historiography
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210006
Online Media:

Elizabeth McCausland papers

Topic:
Springfield Republican
Creator:
McCausland, Elizabeth, 1899-1965  Search this
Names:
American Art Research Council  Search this
Barnard College -- Faculty  Search this
Federal Art Project (U.S.)  Search this
United States. Farm Security Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Hartley, Marsden, 1877-1943  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Inness, George, 1825-1894  Search this
Kleinholz, Frank, 1901-  Search this
Lawrence, Jacob, 1917-2000  Search this
Maurer, Alfred Henry, 1868-1932  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weegee, 1899-1968  Search this
Weston, Edward, 1886-1958  Search this
Extent:
45 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Drawings
Photographs
Place:
New York N.Y. -- Pictorial works -- Photographs
Date:
1838-1995
bulk 1920-1960
Summary:
The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.
Scope and Content Note:
The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for The Springfield Republican in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.

The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the Changing New York book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book Careers in Art (1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.

Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.

Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to The Springfield Republican from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, Changing New York), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.

Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects Art in America, Conversations with March, and Frank Kleinholz; and printed materials, including reprints of critical essays and articles by McCausland.
Arrangement:
The collection is arranged as 15 series:

Missing Title

Series 1: Personal Papers, 1838, 1920-1951 (Boxes 1-2, 34; 1.5 linear feet)

Series 2: Correspondence, 1923-1960 (Boxes 2-5; 2.9 linear feet)

Series 3: General Writings, circa 1930-1954 (Boxes 5-6; 0.9 linear feet)

Series 4: Alfred H. Maurer, 1851-1951, bulk 1948-1950 (Boxes 6-9; 3.7 linear feet)

Series 5: American Processional, 1949-1951 (Boxes 10-11; 1.8 linear feet)

Series 6: Marsden Hartley, 1900-1964, bulk 1944-1964 (Boxes 11-21, OV 37; 10 linear feet)

Series 7: Other Research and Writing Files, 1896, 1926-1958 (Boxes 21-25, 31; 4.6 linear feet)

Series 8: Subject Files, 1927-1954 (Boxes 25-26; 1.0 linear feet)

Series 9: Other Exhibition Files, 1939-1941, 1944 (Box 26; 0.1 linear feet)

Series 10: Teaching Files, 1939-1965 (Box 27; 0.5 linear feet)

Series 11: Committee Files, 1936-1960 (Box 27; 0.5 linear feet)

Series 12: Printed Material, 1923-1953 (Boxes 28-32, 34, OV 38, BV 44-47; 4.6 linear feet)

Series 13: Photographs, circa 1905-1950 (Boxes 32-36, OV 37; 1.4 linear feet)

Series 14: Art Work, 1887-1942 (Boxes 33-34, OV 39-43; 0.7 linear feet)

Series 15: Elizabeth McCausland Material from the Estate of Berenice Abbott, 1920-1995 (Boxes 48-53; 5.4 linear feet)
Biographical Note:
Elizabeth McCausland, the art critic and writer, was born in Wichita, Kansas in 1899. She attended Smith College, receiving her Bachelor's degree in 1920 and her Master's in 1922. Beginning in 1923, she worked as a general reporter for The Springfield Republican (Springfield, Massachusetts). After several years, she began to review art exhibitions and soon became an established art critic. In the course of her work, she began to develop friendships with artists, such as Alfred Stieglitz and Arthur Dove. During these early years, she also wrote poetry and designed and printed limited edition publications on her private press.

McCausland moved to New York in 1935, but continued to contribute a weekly art column to The Springfield Republican until it suspended publication in 1946. From the mid-1930s on, she worked primarily as a freelance writer and art critic, contributing articles to publications such as Parnassas, The New Republic, and Magazine of Art. In the latter part of her career, her writings focused more on art history and special studies on artists.

In the late-1930s, McCausland collaborated with the photographer Berenice Abbott on the Federal Art Project book, Changing New York, for which she provided the text to Abbott's now-famous photographs of New York City neighborhoods, architecture, and street scenes. She studied and wrote about photography, including numerous articles on the photographer Lewis Hine (of whose work she organized a retrospective exhibition at the Riverside Museum in 1939), and was appointed to the Advisory Committee of the Museum of Modern Art's Department of Photography in 1944.

McCausland went on to organize other exhibitions, including a show of contemporary work, "The World of Today" (Berkshire Museum, 1939), shows of silk screen prints (Springfield Museum of Fine Arts, March 1940 and New York State Museum, Summer 1940), and a photography show, "Photography Today" (A.C.A. Gallery, 1944). In the late 1930s, she embarked upon a study of "the status of the artist in America from colonial times to the present, with especial attention to the relation between art and patronage," which continued over twenty years (and was never completed) and for which she received a Guggenheim fellowship in 1943.

In addition to her other writing, during the 1940s, McCausland carried out studies on the artists, E. L. Henry and George Inness, which resulted in exhibitions at the New York State Museum in 1942 and the George Walter Vincent Smith Art Museum in 1946, respectively and publications (a report on Henry and a book on Inness). From 1948 to 1949, she carried out an extensive study of the painter, Alfred H. Maurer, organizing an exhibition, "A. H. Maurer: 1868-1932," which showed at the Walker Art Center and the Whitney Museum of American Art in 1949, and publishing the biography, A. H. Maurer, in 1951. In 1950, she worked as a special consultant on the American Processional exhibition at the Corcoran Gallery and as editor of the accompanying book. Shortly thereafter, she began a study of Marsden Hartley for a monograph, which was published in 1952, and she helped organize the Hartley exhibition at the University of Minnesota that same year. She continued the Hartley study on larger scale for a planned biography and catalogue raisonne; although she continued to work on it off and on for the next decade, the project was never completed.

McCausland published other books, including Careers in the Arts (1951), and undertook other research and consulting projects, such as photo-editing Carl Sandburg's Poems of the Midwest (1946), conducting surveys of art and advertising for an article in Magazine of Art and of art education for Cooper Union Art School, and contributing yearly articles on art to various encyclopedias. At different times throughout her career, she supplemented her income by taking teaching positions. She taught courses on art history at Sarah Lawrence College from 1942 to 1944 and at Barnard College in 1956, as well as courses at the Design Laboratory (1939) and the New School for Social Research (1946). She also gave numerous lectures and speeches on various art topics, and regularly participated in conferences and symposiums. Towards the end of her career, she was publishing less, but was still involved in many projects, most notably the Hartley study.

McCausland was a tireless promoter of the arts, and often an advocate for artists. Even though her work was well-known among certain art circles, she never received the recognition as a writer that she deserved. Nor was she ever able to free herself from the pressure of writing for a living. Continually suffering from poor health, she died on May 14, 1965.
Related Material:
Related material found in the Archives includes a sound recording from a symposium on Marsden Hartley, of which McCausland was a participant, held at the Portland Museum of Art in 1961. The Frank Kleinholz papers contain a recorded interview of McCausland done in 1944-1945 for radio station WNYC. Some of McCausland's correspondence is found in the G. Alan Chidsey papers; Chidsey served as a trustee of the Marsden Hartley estate.
Separated Material:
Material separated from the collection includes some issues of Camera Work (Vol. 30, 47, 49/50), which were combined with other issues in an artificial collection created by the Archives at some earlier point.
Provenance:
Elizabeth McCausland donated the bulk of her papers in several installments from 1956 to 1961. An unknown donor, perhaps her literary executor, donated additional papers sometime after her death in 1965. It appears that McCausland originally donated her research files on Marsden Hartley, measuring 10 linear feet, to the Whitney Museum, who then lent them to the Archives for microfilming in 1966, and donated them sometime thereafter. McCausland originally donated files of newspaper clippings and offprints of her articles to the The New York Public Library, who gave them to the Archives in 1968. Additional McCausland material from the estate of Berenice Abbott was donated to the Archives in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Women art critics  Search this
Topic:
Federal aid to the arts  Search this
Art -- History -- Study and teaching  Search this
Modernism (Art)  Search this
Women art historians  Search this
Women authors  Search this
Function:
Arts organizations
Genre/Form:
Scrapbooks
Drawings
Photographs
Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccaeliz
See more items in:
Elizabeth McCausland papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cebe32f8-0180-44bb-a2a8-8ed061f173c1
EDAN-URL:
ead_collection:sova-aaa-mccaeliz
Online Media:

Timeless / photographs by Kamoinge ; edited by Anthony Barboza & Herb Robinson ; coedited by Vincent Alabiso ; foreword by Quincy Troupe

Photographer:
Kamoinge Inc.  Search this
Editor:
Barboza, Anthony 1944-  Search this
Robinson, Herb  Search this
Alabiso, Vincent  Search this
Author of introduction, etc:
Troupe, Quincy  Search this
Subject:
Kamoinge Inc  Search this
Physical description:
379 pages : illustrations (some color), portraits (some color) ; 31 cm
Type:
Catalogs
Pictorial works
Portraits
Exhibitions
Place:
United States
New York (N.Y.)
Harlem (New York, N.Y.)
Brooklyn (New York, N.Y.)
Date:
2015
Topic:
African American photographers  Search this
African Americans--Social conditions  Search this
African Americans--Social life and customs  Search this
African Americans  Search this
Black people  Search this
Manners and customs  Search this
Photography of families  Search this
Documentary photography  Search this
Portrait photography  Search this
Street photography  Search this
Photography, Artistic  Search this
Photograph collections  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1059819

Ross and Dorothy Lake Gregory Moffett papers

Creator:
Moffett, Ross  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Provincetown Art Association  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Del Deo, Josephine Couch  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Portraits  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Moffett, Ross (Art in narrow streets)  Search this
Rehn, Frank Knox Morton, 1848-1914  Search this
Extent:
7.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Date:
circa 1870-1992
Summary:
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Scope and Content Note:
The Ross and Dorothy Lake Gregory Moffett papers measure 7.7 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.

General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.

Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of Art in Narrow Streets, the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.

The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.

Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.

The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.

Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Arrangement:
The collection is arranged into thirteen series:

Missing Title

Series 1: Biographical Material, circa 1888-1965 (box 1; 1 folder)

Series 2: Correspondence, 1915-1972 (box 1; 0.6 linear ft)

Series 3: Financial Material, 1933-1971 (box 1; 2 folders)

Series 4: Notebook/Notes, undated (box 1; 2 folders)

Series 5: Projects, 1880-1969, undated (boxes 1-2; 1.2 linear ft.)

Series 6: Subject File, 1960-1968 (box 2; 1 folder)

Series 7: Printed Material, 1916-1992, undated (boxes 2-4, 7; 1.5 linear ft.)

Series 8: Photographs, circa 1900-1975, undated (box 4; 15 folders)

Series 9: Slides of Art Association, Iowa Farmland and the Chrysler Museum, circa 1960, undated (box 4; 1 folder)

Series 10: Drawings, circa 1929-1934 (box 5; 1 folder)

Series 11: Sketchbooks, 1913-1969 (boxes 5-8; 2.5 linear ft.)

Series 12: Annotations/Item Descriptions by Josephine Couch Del Deo, undated (box 6; 2 folders)

Series 13: Dorothy Lake Gregory Moffett Papers, circa 1870-1975 (boxes 9-11; 0.7 linear ft.)
Biographical Note:
Ross Moffett (1888-1971) was an important figure in the development of modernism in American Art after World War I. His paintings primarily depict the life and landscapes of the Provincetown, Massachusetts area. Dorothy Lake Gregory Moffett is perhaps best known as a printmaker and illustrator of children's books and magazines.

Born in Iowa in 1888, Moffett trained at the Art Institute in Chicago and studied with Charles Hawthorne during the summer of 1913, in Provincetown, Massachusetts. Moffett then studied at the Art Students League and returned to Provincetown in 1915, to establish himself as an artist. He was one of the founders of the Provincetown Art Association and a leading figure in the art colony for many years. In 1920, Moffett married artist Dorothy Lake Gregory in Brooklyn, New York. Dorothy studied at the Pratt Institute and with Robert Henri and George Bellows in New York, and then went to Provincetown to study with Hawthorne as well.

During the 1920's and 1930's, Ross Moffett's success increased steadily and he had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. He served on several exhibition juries around the country during this time. Between 1936 and 1938, Moffett painted four murals in two Massachusetts post offices for the Federal Works Progress Administration (WPA). Moffett received full membership to the National Academy of Design in 1942.

While Moffett's painting slowed somewhat during World War II he continued his involvement in the arts by maintaining the Provincetown Art Association. He taught briefly at the University of Miami in Ohio from 1932 to 1933, and returned to Provincetown to pursue painting full-time. In the 1950's, Moffett became interested in archaeology and even delivered a few lectures on the subject. During this time he continued to paint and his art reflected his preoccupation with the science of archaeology. In 1954, Moffett was one of two artists selected by the National Academy of Design to paint murals depicting President Dwight D. Eisenhower's life for the Eisenhower Memorial Museum in Abilene, Kansas. Moffett was chosen to portray Eisenhower's civilian life.

In 1960, Moffett became active in the movement to establish the 1400 acres known as the Province Lands as part of the Cape Cod National Seashore Park. After the park was established Moffett wrote and published a history of the first thirty-three years of the Provincetown Art Association in a book titled Art in Narrow Streets, 1964. He continued to serve as a juror for the Provincetown Art Association and was artist-in-residence for the Provincetown Fine Arts Work Center in 1970.

Dorothy Moffett also pursued a successful career in art, and publishers such as Rand McNally used her illustrations for youth magazines and childrens books, such as the classic Green Fairy Book. Her work was exhibited in the Metropolitan Museum, the National Academy, and the Brooklyn Museum, and her Alice in Wonderland series of lithographs was purchased for the permanent collection of the Boston Museum of Fine Arts. Though best known as a printmaker, Moffett also worked in oil.

Ross Moffett died of cancer on March 13, 1971.
Related Material:
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D80) including 150 letters relating to art organizations, museums, and government art projects, news clippings, records of the Provincetown Art Association, and the Emergency Committee for the Protection of Province Lands, and miscellaneous publications. Lent materials were returned to Ross Moffett and are now housed at Syracuse University in Syracuse, New York. This material is not described in the collection container inventory.
Provenance:
Ross Moffett initally lent the Archives of American Art material for microfilming in 1962. The remainder of the collection was donated in 1974 by his widow, Dorothy Lake Gregory Moffett (died 1975), via Ross Moffett's biographer, Josephine Del Deo, who turned the papers over in installments. Archaeological material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Topic:
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Women painters  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Citation:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moffross
See more items in:
Ross and Dorothy Lake Gregory Moffett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac321bdb-9882-4e93-bc33-19a933d21823
EDAN-URL:
ead_collection:sova-aaa-moffross

Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992

Creator:
Moffett, Ross E., 1888-1971  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Subject:
Moffett, Dorothy Lake Gregory  Search this
Del Deo, Josephine Couch  Search this
Rehn, Frank Knox Morton  Search this
Burchfield, Charles Ephraim  Search this
Eisenhower, Dwight D. (Dwight David)  Search this
Moffett, Ross (Art in narrow streets)  Search this
Provincetown Art Association  Search this
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Type:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Topic:
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Women painters  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)8010
(DSI-AAA_SIRISBib)210179
AAA_collcode_moffross
Theme:
Diaries
Sketches & Sketchbooks
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210179
Online Media:

Emily Nathan papers, circa 1943-1985

Creator:
Nathan, Emily S., 1907-1999  Search this
De Creeft, José, 1884-1982  Search this
Subject:
Goldberg, Rube, 1883-1970  Search this
Lerner, Abram  Search this
Spyropoulous, Jannis  Search this
Johns, Jasper  Search this
Rothko, Mark  Search this
Smith, Tony  Search this
Namuth, Hans  Search this
McLanathan, Richard B. K.  Search this
Woolfenden, William E. (William Edward)  Search this
De Creeft, José  Search this
Hirshhorn, Joseph H.  Search this
Towle Mfg. Company  Search this
Smithsonian Institution  Search this
Archives of American Art  Search this
Type:
Sound recordings
Interviews
Topic:
Roosters -- Pictorial works  Search this
Roosters -- Anecdotes  Search this
Caricatures and cartoons  Search this
Art, American  Search this
Inventors -- Interviews  Search this
Archives -- Public relations  Search this
Museums -- Public relations  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Art and industry  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)8071
(DSI-AAA_SIRISBib)210242
AAA_collcode_nathemil2
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210242

Lena Gurr papers, 1908-1979

Creator:
Gurr, Lena, 1897-1992  Search this
Subject:
Model, Elisabeth D. (Elisabeth Dittmann)  Search this
Lozowick, Louis  Search this
Lawrence, Jacob  Search this
Kent, Rockwell  Search this
Jones, Joe  Search this
Ward, Lynd  Search this
Von Wicht, John  Search this
Soyer, Raphael  Search this
Norman, Maria  Search this
Ehrenreich, Emma  Search this
Block, Dorothy  Search this
Biel, Joseph  Search this
Baron, Herman  Search this
Harkavy, Minna  Search this
Grosz, George  Search this
Force, Juliana  Search this
Fabri, Ralph  Search this
Ascher, Mary G. (Mary Goldman)  Search this
Allen, Mary Cecil  Search this
Knaths, Karl  Search this
John Reed Club  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Art Students League (New York, N.Y.)  Search this
ACA Galleries  Search this
Type:
Photographs
Prints
Interviews
Christmas cards
Sketchbooks
Phonograph records
Place:
New York (N.Y.) -- Pictorial works
Topic:
Works of art  Search this
Painting, American -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Women photographers  Search this
Women printmakers  Search this
Women painters  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)8997
(DSI-AAA_SIRISBib)211186
AAA_collcode_gurrlena
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211186
Online Media:

Griffith Baily Coale papers, 1897-1945

Creator:
Coale, Griffith Baily, 1890-1950  Search this
Type:
Sketchbooks
Topic:
World War, 1939-1945 -- Art and the war  Search this
Naval battles in art  Search this
Naval history -- Pictorial works  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7470
(DSI-AAA_SIRISBib)209628
AAA_collcode_coalgrif
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209628

Bernhard H. Berntsen papers, 1931-1987

Creator:
Berntsen, Bernhard H. (Bernhard Hilmar), 1900-1992  Search this
Subject:
Suzuki, Sakari  Search this
Rivera, Diego  Search this
Kahlo, Frida  Search this
Art Students League (New York, N.Y.)  Search this
Norwegian Art and Craft Club (Brooklyn, N.Y.)  Search this
United States. Works Progress Administration  Search this
Federal Art Project (New York, N.Y.)  Search this
Willard Parker Hospital (New York, N.Y.)  Search this
Topic:
Mural painting and decoration, American  Search this
Art museum attendance -- Pictorial works  Search this
Norwegian American artists  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6423
(DSI-AAA_SIRISBib)215507
AAA_collcode_bernbern
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215507

A nation challenged : a visual history of 9/11 and its aftermath / introduction by Howell Raines ; photographs edited by Nancy Lee and Lonnie Schlein ; text edited by Mitchel Levitas ; additional texts by Dan Barry ... [et al.] ; designed by Toshiya Masuda

Title:
Visual history of 9/11 and its aftermath
Author:
Levitas, Mitchel  Search this
Barry, Dan 1923-1997  Search this
Lee, Nancy 1953-  Search this
Schlein, Lonnie 1949-  Search this
Subject:
World Trade Center (New York, N.Y. : 1970-2001)  Search this
Physical description:
240 p. : ill. (chiefly col.), maps (chiefly col.) ; 31 cm
Type:
Pictorial works
Place:
New York (State)
New York
Date:
2002
Topic:
September 11 Terrorist Attacks, 2001  Search this
Rescue work  Search this
War on Terrorism, 2001-  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_685967

New York September 11 / by Magnum photographers ; introduction by David Halberstam

Author:
Halberstam, David  Search this
Magnum Photos, inc  Search this
Subject:
World Trade Center (New York, N.Y. : 1970-2001)  Search this
Physical description:
140 p. : chiefly ill. (some col.) ; 33 cm
Type:
Pictorial works
Place:
New York (State)
New York
Date:
2001
Topic:
September 11 Terrorist Attacks, 2001  Search this
Terrorism  Search this
Disasters  Search this
Rescue work  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_688623

Dr. Blankman's New York Kodachromes 1966-1967 Tod Papageorge

Title:
Tod Papageorge Dr. Blankman's New York
Doctor Blankman's New York
Photographer:
Papageorge, Tod  Search this
Writer of afterword:
Campany, David  Search this
Physical description:
1 volume (unpaged) color illustrations 31 cm
Type:
Pictorial works
Illustrated works
Place:
New York (State)
New York
New York (N.Y.)
Date:
2017
Topic:
Photography, Artistic  Search this
Show windows  Search this
Storefronts  Search this
Street photography  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1064665

The city resilient / photographs by Joel Meyerowitz

Author:
Meyerowitz, Joel 1938-  Search this
Museum of the City of New York  Search this
Subject:
World Trade Center (New York, N.Y. : 1970-2001)  Search this
Physical description:
1 volume (unpaged) : chiefly color illustrations ; 21 cm
Type:
Pictorial works
Place:
New York (State)
New York
Manhattan (New York, N.Y.)
New York (N.Y.)
Date:
2002
Topic:
Construction and demolition debris  Search this
Skyscrapers  Search this
Buildings, structures, etc  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1064689

Twin Towers remembered / Camilo José Vergara

Author:
Vergara, Camilo J  Search this
Subject:
World Trade Center (New York, N.Y. : 1970-2001)  Search this
World Trade Center (New York, N.Y. : 1970-2001) History  Search this
Physical description:
ix, 80 p. : col. ill., col. map ; 14 x 20 cm
Type:
Books
Pictorial works
Place:
New York (N.Y.)
Date:
2001
C2001
Topic:
Buildings, structures, etc  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1053570

WTC : photographs by Judith Turner / preface by Philippe Petit

Title:
Photographs by Judith Turner
Author:
Turner, Judith  Search this
Petit, Philippe 1949-  Search this
Pentagram Design  Search this
Subject:
Turner, Judith  Search this
World Trade Center (New York, N.Y. : 1970-2001)  Search this
Pentagram Design  Search this
Physical description:
1 volume, 38 unnumbered pages ; illlustrations ; 21 cm
Type:
Books
Pictorial works
Place:
New York (N.Y.)
Date:
2011
[2011]
Topic:
Architectural photography  Search this
Photography, Abstract  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1045682

Oh, what a night

Illustrator:
Slabbers, Ronald  Search this
Author:
Koeleman, Paul  Search this
Art Unlimited (Firm : Amsterdam, Netherlands)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
1 card color 21 x 14 cm
Type:
Pictorial works
Specimens
Artists' books (books).)
Artists' books
Color transparencies
Date:
1985
Topic:
Nightclubs  Search this
Toy and movable books  Search this
Artists' books  Search this
Call number:
N7433.4.S533 O3 1985
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1016673

Bernhard H. Berntsen papers

Creator:
Berntsen, Bernhard H. (Bernhard Hilmar), 1900-1992  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty -- Photographs  Search this
Art Students League (New York, N.Y.) -- Students -- Photographs  Search this
Federal Art Project (New York, N.Y.)  Search this
Norwegian Art and Craft Club (Brooklyn, N.Y.)  Search this
United States. Works Progress Administration  Search this
Willard Parker Hospital (New York, N.Y.)  Search this
Kahlo, Frida -- Photographs  Search this
Rivera, Diego, 1886-1957 -- Photographs  Search this
Suzuki, Sakari, 1900- -- Photographs  Search this
Extent:
0.4 Linear feet ((60 items partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1931-1987
Scope and Contents:
Sketches, photographs, notes, a scrapbook, and printed material.
REEL 2787: A notebook containing sketches and notes on the completion of the Willard Parker Hospital mural, New York City, which Sakari Suzuki painted with the assistance of Berntsen for the Federal Arts Project in 1936-1938; and 9 photographs of the Willard Parker mural, 2 of which show Suzuki and 2 of Suzuki and Berntsen at work. The Willard Parker Hospital was later demolished.
UNMICROFILMED: A chronology of Berntsen's career; 24 sketches in pencil and in pen and ink of ironworkers and construction workers, ca. 1933-1934, and of visitors to the National Gallery where Berntsen was a guard, ca. 1966-1971; three letters from Bernsten to his wife Alma, 1947-1952; loose newspaper clippings, ca. 1933-1985, and a scrapbook of newspaper clippings (in Norwegian and English) concerning Berntsen's involvement with the Norwegian Art and Craft Club, and his paintings and sketches of workers at construction sites where he worked as an ironworker, ca. 1931-1976; two exhibition announcements, 1964 and 1986; photographs, ca. 1933-1987, mostly snapshots, include Berntsen painting, Bernsten in his National Gallery of Art guard uniform with Chief Justice Earl Warren, one of students and faculty of the Art Students League (ca. 1933-1934), one of Diego Rivera and Frida Kahlo in New York, several of Berntsen and Suzuki at work on the Willard Parker Hospital mural, ca. 1938, of events sponsored by the Norwegian Art and Craft Club, and of works of art. Also included are photocopies of works of art.
Biographical / Historical:
Painter, mural painter, ironworker; Chicago, Ill., New York, N.Y. and Va. Born in Oslo, Norway. Berntsen also was the model for the laborer who stands behind Lenin in the controversial Diego Rivera mural for Radio City Music Hall.
Provenance:
Material on reel 2787 transferred from the National Collection of Fine Arts, who received it from Berntsen, 1975. Unmicrofilmed material donated 1993 and 2002 by Berntsen's great-grandson, Cliff Miller.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Muralists -- New York (State) -- New York  Search this
Topic:
Mural painting and decoration, American  Search this
Art museum attendance -- Pictorial works  Search this
Norwegian American artists  Search this
Identifier:
AAA.bernbern
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98697768e-73c8-4ead-b969-5b083e010f54
EDAN-URL:
ead_collection:sova-aaa-bernbern

Salvatore Aucello papers

Creator:
Aucello, Salvatore L., 1903-  Search this
Names:
Chrysler Building (New York, N.Y.) -- Pictorial works  Search this
Extent:
36 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1941-1959
Scope and Contents:
31 preliminary sketches for a mural in the Chrylser Building, New York City, mostly gesture drawings of laborers. Sketches are on 29 sheets (27.7 x 21.4 cm.) charcoal & pencil on paper; 16 are signed in ink: "SA." Also included are 17 photographs of Aucello, a resume, an exhibition catalog, 1941, a reproduction of a mural by Aucello in P.S. 150, Bronx, New York, and other printed material.
Biographical / Historical:
Mural painter; New York State. Studied at the National Academy of Design. Project planner for the Public Works of Art Project. Also executed murals in ceramic tile and mosaic.
Provenance:
Donated 1961 by Salvatore Aucello.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Mural painting and decoration -- New York (State) -- New York  Search this
Artists' preparatory studies  Search this
Muralists  Search this
Identifier:
AAA.aucesalv
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae0805e6-db5a-4ab4-980d-b75f5b1d0d04
EDAN-URL:
ead_collection:sova-aaa-aucesalv

Raymond Mathewson Hood papers

Creator:
Hood, Raymond Mathewson, 1881-1934  Search this
Names:
McGraw-Hill building (New York, N.Y.) -- Pictorial works  Search this
Scottish Rite Masonic Temple (Scranton, Pa.) -- Pictorial works  Search this
Tribune Tower (Chicago, Ill.) -- Pictorial works  Search this
Extent:
1.1 Linear feet ((microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Aquatints
Drawings
Architectural drawings
Date:
1903-1931
Scope and Contents:
Correspondence and drawings.
REEL 64: Letters to Henry Boehm (architect), from Europe and America recounting travel and other experiences, Hood's work and his studies, mutual friends; and personal matters.
REEL 795: 48 drawings in pencil, charcoal, chalk, ink, or ink wash and 5 photographs of drawings (61.8 x 68 cm., or smaller). Among them are 8 drawings of architecture and the human figure done while Hood was at the Ecole des Beaux Arts, Paris, 1907-1911; 32 of the Chicago Tribune Tower many of which were submitted in competition (including 2 reproductions); and 3 photographs of drawings of the Scottish Rite Masonic Temple in Scranton, Pa. Also included is 1 aquatint (27.8 x 27.8 cm., in mat 46.3 x 44.4 cm.) of the McGraw-Hill building in New York City, signed lower right: D. Douglass.
Biographical / Historical:
Architect; New York, N.Y.
Provenance:
Material on reel 64 donated 1971 by Raymond Hood, Jr., Richard Hood, and Verna (Trientje) Hood Reed via Walter H. Kilham, Jr., an architect who used the material in his book on Hood. Material on reel reel 795 donated 1974 by Reed, via Kilham.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Architects -- New York (State) -- New York  Search this
Topic:
Architecture, Modern -- 20th century  Search this
Architecture -- Competitions  Search this
Architecture -- Illinois -- Chicago -- Designs and plans  Search this
Genre/Form:
Aquatints
Drawings
Architectural drawings
Identifier:
AAA.hoodraym
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e210fe30-c0a8-4390-80a0-1e1496c61230
EDAN-URL:
ead_collection:sova-aaa-hoodraym

Griffith Baily Coale papers

Creator:
Coale, Griffith Baily, 1890-  Search this
Extent:
6,000 Items ((on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1897-1945
Scope and Contents:
Biographical and genealogical material; family correspondence; files kept while a Navy artist during World War II; writings; sketchbooks; calendars and record books, 1926-1945; correspondence, printed material, and photographs regarding mural commissions; correspondence and printed material regarding exhibitions, lectures, publications and organizations; and miscellany.
Biographical / Historical:
Mural, marine painter; New York, N.Y. Born in Baltimore, Maryland. Naval artist during World War II, director of the Marine Historical Association, Mystic, Connecticut, and trustee of Marine Museum, New York City. d. 1950.
Provenance:
Donated 1961 by Mrs. Griffith Baily Coale, widow of Griffith Coale.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Muralists -- New York (State) -- New York  Search this
Marine painters  Search this
Topic:
World War, 1939-1945 -- Art and the war  Search this
Naval battles in art  Search this
Naval history -- Pictorial works  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.coalgrif
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98e199120-d591-4fd8-95ab-1cbaaa9b5db6
EDAN-URL:
ead_collection:sova-aaa-coalgrif

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