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Ed Atkins get life/love's work edited by Massimiliano Gioni ; contributtion by: Ed Atkins, Erika Balsom, Massimiliano Gioni, Domhnaill Hernon, Mark Leckey, Julie Martin, Madeline Weisburg, Marcus Weldon

Title:
Get life/love's work
Author:
Atkins, Ed  Search this
Contributor:
Gioni, Massimiliano  Search this
Balsom, Erika  Search this
Hernon, Domhnaill  Search this
Leckey, Mark 1964-  Search this
Martin, Julie 1938-  Search this
Weisburg, Madeline  Search this
Weldon, Marcus K  Search this
Author:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
291 pages chiefly color illustrations 25 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Date:
2021
21st century
21e siècle
Topic:
Computer art  Search this
Art  Search this
ART--General  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155901

Marcia Tucker papers, 1973-1994

Creator:
Tucker, Marcia, 1940-2006  Search this
Subject:
Melamid, Bruce  Search this
Johnson, James W.  Search this
Brown, Joan  Search this
Bourgeois, Louise  Search this
Allen, Richard  Search this
Weber, Idelle  Search this
Staley, Earl  Search this
Staley, Suzanne  Search this
Ratz, Markus  Search this
Snyder, Joan  Search this
Pindell, Howardena  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Photographs
Citation:
Marcia Tucker papers, 1973-1994. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Women museum curators  Search this
Women educators  Search this
Women authors  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6317
(DSI-AAA_SIRISBib)224631
AAA_collcode_tuckmarc
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224631
Online Media:

David Ireland Papers, circa 1910s-circa 2009, bulk 1960-2005

Creator:
Ireland, David Kenneth, 1930-2009  Search this
Subject:
Tingle, Alta  Search this
Marion, Paul  Search this
Lienhard, Marie-Louise  Search this
Lee, Margie  Search this
Grobart, Jeffrey  Search this
Coppola, Eleanor  Search this
Skowhegan School of Painting and Sculpture  Search this
Mattress Factory  Search this
Washington State Arts Commission  Search this
Gallery Paule Anglim  Search this
Center for the Arts at Yerba Buena Gardens  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Arts Club of Chicago  Search this
American Academy in Rome  Search this
Stanford University  Search this
Walker Art Center  Search this
Helmhaus Zürich  Search this
San Francisco Art Institute  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Museum of Modern Art  Search this
Western Washington University  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland Papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)15853
(DSI-AAA_SIRISBib)292739
AAA_collcode_ireldavi
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292739
Online Media:

The reader editor Steffani Jemison ; contributors Jamal Cyrus, Egie Ighile, Mitchell Jackson, Steffani Jemison, Ryan Inouye, Sharifa Rhodes-Pitts/The Freedwoman's Bureau, Ethan Swan, Greg Tate

Editor:
Jemison, Steffani 1981-  Search this
Author:
Cyrus, Jamal 1973-  Search this
Ighile, Egie  Search this
Jackson, Mitchell S  Search this
Inouye, Ryan  Search this
Rhodes-Pitts, Sharifa  Search this
Swan, Ethan  Search this
Tate, Greg  Search this
Host institution:
New Museum of Contemporary Art (New York, N.Y.),.)  Search this
Physical description:
[112] pages illustrations 28 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
History
Place:
United States
États-Unis
Date:
2011
20th century
21st century
20e siècle
21e siècle
Topic:
African American press--History  Search this
African Americans--Posters  Search this
Posters  Search this
Posters, American  Search this
Presse noire américaine--Histoire  Search this
Noirs américains--Affiches  Search this
Affiches  Search this
Affiches américaines  Search this
African American press  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155589

David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927567772-c71f-4f30-a427-adbd535e1009
EDAN-URL:
ead_collection:sova-aaa-ireldavi
Online Media:

John Akomfrah signs of empire curated by Massimiliano Gioni and Gary Carrion-Murayari ; edited by Thea Ballard with Dana Kopel

Title:
Signs of empire
Artist:
Akomfrah, John  Search this
Curator:
Gioni, Massimiliano  Search this
Carrion-Murayari, Gary  Search this
Editor:
Ballard, Thea  Search this
Kopel, Dana  Search this
Author:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
125 pages illustrations (chiefly color) 28 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Criticism, interpretation, etc
Catalogues d'exposition
Place:
New York (State)
New York
New York (État)
Date:
2018
Topic:
Video installations (Art)  Search this
Postcolonialism and the arts  Search this
Artists, Black  Search this
Installations vidéo (Art)  Search this
Postcolonialisme et arts  Search this
Artistes noirs  Search this
20.30 history of art: general  Search this
ART--General  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1115518

New Museum of Contemporary Art (New York, N.Y.) [Folder]

Additional name:
New Museum  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
New York (N.Y.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_100759

Ned Rifkin conversation with Gary Falk

Creator:
Rifkin, Ned  Search this
Falk, Gary M., 1954-1986  Search this
Subject:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1984 December 5
Citation:
Ned Rifkin and Gary M. Falk. Ned Rifkin conversation with Gary Falk, 1984 December 5. Ned Rifkin conversation with Gary Falk, 1984. Archives of American Art, Smithsonian Institution.
Topic:
Assemblage artists  Search this
Painters  Search this
Record number:
(DSI-AAA)19619
See more items in:
Ned Rifkin conversation with Gary Falk, 1984
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19619

Marcia Tucker papers

Creator:
Tucker, Marcia  Search this
Names:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Allen, Richard, 1945-  Search this
Bourgeois, Louise, 1911-2010  Search this
Brown, Joan, 1938-1990  Search this
Johnson, James W.  Search this
Melamid, Bruce  Search this
Pindell, Howardena, 1943-  Search this
Ratz, Markus  Search this
Snyder, Joan, 1940-  Search this
Staley, Earl, 1938-  Search this
Staley, Suzanne  Search this
Weber, Idelle, 1932-  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1973-1994
Summary:
The papers of curator and museum director Marcia Tucker measure 2.4 linear feet and date from 1973-1994. The collection documents Tucker's tenure as the Director of the New Museum of Contemporary Art in New York through artists' files, correspondence, project files, printed material, and photographs. The papers also reflect Tucker's activities as an advocate for women in the arts.
Scope and Contents note:
The papers of curator and museum director Marcia Tucker measure 2.4 linear feet and date from 1973-1994. The collection documents Tucker's tenure as the Director of the New Museum of Contemporary Art in New York through artists' files, correspondence, project files, printed material, and photographs. The papers also reflect Tucker's activities as an advocate for women in the arts.

Artists' files include correspondence, artists' statements, exhibition lists, press releases, printed material, and photographs of artwork. There is extensive correspondence with Richard M. Allen, James W. Johnson, Bruce Melamid, and Earl and Suzanne Staley.

Correspondence consists of a mix of professional and personal letters between Tucker and artists, business colleagues, and friends. Correspondence relating to the founding of the New Museum includes draft versions of the mission statement. Among the notable correspondents are: Louise Bourgeois, Joan Brown, Howardena Pindell, Markus Raetz, Joan Snyder, and Idelle Weber. Project files reflect Marcia Tucker's activities as an educator, writer, and advocate for women's role in the arts.

Photographs include an inscribed photograph to Marcia Tucker from Raymond Lark.
Arrangement note:
The collection is organized into 5 series. The papers are arranged by material type and chronologically thereafter.

Missing Title

Series 1: Artists' Files, 1976-1994 (Boxes 1-2; 1.3 linear feet)

Series 2: Correspondence, 1976-1994 (Box 2; 0.6 linear feet)

Series 3: Project Files, 1973-1990 (Boxes 2-3; 0.15 linear feet)

Series 4: Printed Material, 1984-1994 (Box 3; 0.15 linear feet)

Series 5: Photographs, 1985-1994 (Box 3: 0.2 linear feet)
Biographical/Historical note:
Curator and museum director Marcia Tucker (1940-2006) lived and worked in New York.

In 1961, Marcia Tucker received her Bachelor of Arts from Connecticut College. She then went on to earn a Masters of Art from New York University's Institute of Fine Arts in 1965. In 1969, Tucker became curator of Painting and Sculpture at the Whitney Museum of American Art. Influenced by the political ferment of the 1960s, Marcia Tucker directed her curatorial efforts to organizing exhibitions that reflected the political and social currents of the day. An early exhibit that she co-curated with James Monte, "Anti-Illusion: Procedures/Materials," was one of the first major exhibitions dedicated to Process Art or Post Minimalism. She curated major surveys for the work of Lee Krasner, Joan Mitchell, Bruce Nauman, Richard Tuttle, and Jack Tworkov. Some of Marcia Tucker's curatorial choices were critically received by colleagues and others in the artistic community. In 1977, she left the Whitney Museum to take on the role of founding director at the New Museum of Contemporary Art in New York. At the time, the New Museum was one of the few experimental centers for contemporary and emerging artists working in graphic arts, video, and film, serving as a venue for artists outside the mainstream, gay artists, and members of radical Hispanic and feminist groups. During her tenure at the New Museum, Tucker directed a number of major exhibitions, such as "Bad Girls," 1994; "A Labor of Love," 1996; "The Times of Our Lives," 1999, among others.

Marcia Tucker's interests extended to writing and teaching. She was the series editor for the New Museum's Documentary Sources in Contemporary Art. Tucker was also a freelance art critic; her criticism appeared in such publications as Art in America, Artforum, and ArtNews. Tucker also taught and lectured at academic institutions and art schools, including the School of Visual Arts, Bard Center for Curatorial Studies, Cornell University, and Colgate University.

In 1999, Marcia Tucker left her post as Director of the New Museum, though she continued to be engaged in the contemporary art scene. In recognition of her innovative practices as a curator, Tucker received a number of awards, including the Skowhegan Governors Award for Lifetime Services to the Arts, 1988; Bard College Award for Curatorial Achievement and the Art Table Award for Distinguished Service to the Visual Arts, 2000. She was also the recipient of three Yaddo fellowships from 2003-2005.

In 2006, Tucker died in Santa Barbara, California. She is survived by her husband, Dean McNeill, an artist and their daughter, Ruby Tucker.
Related Archival Materials note:
Also found in the Archives of American Art is an oral history interview with Marcia Tucker conducted by Paul Cummings, August 11-September 8, 1978.
Provenance:
The collection was donated by Marcia Tucker to the Archives of American Art in 2000.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Museum directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Women museum curators  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Photographs
Citation:
Marcia Tucker papers, 1973-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tuckmarc
See more items in:
Marcia Tucker papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw921ac0b35-ea2b-417a-b063-0e12bb7fa068
EDAN-URL:
ead_collection:sova-aaa-tuckmarc
Online Media:

Fake : Dennis Balk ... [et al.] / with contributions by Lynne Tillman, Phil Mariani ; and an essay by William Olander

Author:
Olander, William  Search this
Tillman, Lynne  Search this
Mariani, Phil  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
50 p. : ill. ; 26 cm
Type:
Exhibitions
Date:
1987
C1987
20th century
Topic:
Postmodernism  Search this
Originality in art  Search this
Influence (Literary, artistic, etc.)  Search this
Art, American  Search this
Call number:
N6494.P66 O536 1987X
N6494.P66O536 1987X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_397385

Golub / Lynn Gumpert, Ned Rifkin

Author:
Gumpert, Lynn  Search this
Rifkin, Ned  Search this
Golub, Leon 1922-2004  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Corcoran Gallery of Art  Search this
Subject:
Golub, Leon 1922-2004  Search this
Physical description:
95 p. : ill. (some col.) ; 21 x 23 cm
Type:
Books
Exhibitions
Date:
1984
C1984
Call number:
N40.1.G6143 G9 1984
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395433

Strange attractors : signs of chaos, The New Museum of Contemporary Art, New York, September 14-November 26, 1989

Author:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
1 v. (unpaged) : ill. (some col.) ; 19 x 24 cm
Type:
Exhibitions
Date:
1989
C1989
20th century
Topic:
Arts, Modern  Search this
Art and technology  Search this
Chaotic behavior in systems in art--Exhibitions  Search this
Call number:
N72.T4 S89 1989
N72.T4S89 1989
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_390497

Face : Lyle Ashton Harris : Broadway Window. Skin deep : Peter Hopkins, Byron Kim, Lauren Szold, Jack Whitten : New Work Gallery. Oliver Heering : WorkSpace

Title:
Skin deep : Peter Hopkins, Byron Kim, Lauren Szold, Jack Whitten : New Work Gallery
Oliver Heering : WorkSpace
Author:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
1 folded sheet ([4] p.) : ill. ; 25 cm
Type:
Exhibitions
Date:
1993
[1993]
20th century
Topic:
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_921928

José Antonio Hernández-Diez / organized by Dan Cameron & Gerardo Mosquera ; essays by Gerardo Mosquera ... [et al.]

Author:
Hernández-Diez, José Antonio 1964-  Search this
Cameron, Dan  Search this
Mosquera, Gerardo  Search this
Palm Beach Institute of Contemporary Art  Search this
Site Santa Fe (Gallery)  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Hernández-Diez, José Antonio 1964-  Search this
Physical description:
1 v. (unpaged) : col. ill. ; 30 cm
Type:
Books
Exhibitions
Date:
2002
C2002
Call number:
N6739.H47 A4 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_717801

The New Museum of Contemporary Art, New York, tenth anniversary, 1977-1987

Author:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
48, [24] p. : ill. ; 26 cm
Type:
Exhibitions
Date:
1987
C1987
20th century
Topic:
Art, Modern  Search this
Call number:
N620.N2 N53 1987
N620.N2 N53 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_379724

Mona Hatoum

Author:
Hatoum, Mona 1952-  Search this
Morgan, Jessica 1968-  Search this
Cameron, Dan  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Hatoum, Mona 1952-  Search this
Physical description:
xi, 65 p. : ill. (some col.) ; 26 cm
Type:
Books
Exhibitions
Date:
1997
C1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_729734

Impresario : Malcolm McLaren and the British New Wave / Paul Taylor, guest curator

Author:
Taylor, Paul  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
McLaren, Malcolm 1946- Exhibitions  Search this
Physical description:
77 p. : ill. ; 27 cm
Type:
Books
Date:
1988
C1988
Call number:
N40.1.M1291 T24 1988
N40.1.M1291T24 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_380626

Paul Chan : the 7 lights / [edited by Melissa Larner and Ben Fergusson]

Title:
7 lights
Paul Chan : the seven lights
Author:
Chan, Paul 1973-  Search this
Larner, Melissa  Search this
Fergusson, Ben  Search this
Serpentine Gallery  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Chan, Paul 1973-  Search this
Physical description:
156 p. : ill. (some col.) ; 32 cm
Type:
Exhibitions
Place:
United States
Date:
2007
C2007
Topic:
Digital art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_896246

Tomma Abts / forward by Lisa Phillips ; essays by Laura Hoptman, Jan Verwoert, and Bruce Hainley

Author:
Abts, Tomma 1967-  Search this
Hoptman, Laura J. 1962-  Search this
Verwoert, Jan  Search this
Hainley, Bruce  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Armand Hammer Museum of Art and Cultural Center  Search this
Subject:
Abts, Tomma 1967-  Search this
Physical description:
143 p. : col. ill. ; 27 cm
Type:
Exhibitions
Date:
2008
C2008
Topic:
Art, Abstract  Search this
Call number:
ND497.A28 A4 2008
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_896872

Patty Chang : Shangri-la / organized by Russell Ferguson

Title:
Shangrila
Shangri-la
Author:
Chang, Patty 1972-  Search this
Ferguson, Russell  Search this
Armand Hammer Museum of Art and Cultural Center  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
Subject:
Chang, Patty 1972-  Search this
Physical description:
64 p. : ill. (chiefly col.) ; 26 cm
Type:
Exhibitions
Date:
2005
C2005
Topic:
Installations (Art)  Search this
Video art  Search this
Shangri-La (Imaginary place)  Search this
Call number:
N6537.C5364 A4 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_898686

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