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Marcia Tucker papers

Creator:
Tucker, Marcia  Search this
Names:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Allen, Richard, 1945-  Search this
Bourgeois, Louise, 1911-2010  Search this
Brown, Joan, 1938-1990  Search this
Johnson, James W.  Search this
Melamid, Bruce  Search this
Pindell, Howardena, 1943-  Search this
Ratz, Markus  Search this
Snyder, Joan, 1940-  Search this
Staley, Earl, 1938-  Search this
Staley, Suzanne  Search this
Weber, Idelle, 1932-  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1973-1994
Summary:
The papers of curator and museum director Marcia Tucker measure 2.4 linear feet and date from 1973-1994. The collection documents Tucker's tenure as the Director of the New Museum of Contemporary Art in New York through artists' files, correspondence, project files, printed material, and photographs. The papers also reflect Tucker's activities as an advocate for women in the arts.
Scope and Contents note:
The papers of curator and museum director Marcia Tucker measure 2.4 linear feet and date from 1973-1994. The collection documents Tucker's tenure as the Director of the New Museum of Contemporary Art in New York through artists' files, correspondence, project files, printed material, and photographs. The papers also reflect Tucker's activities as an advocate for women in the arts.

Artists' files include correspondence, artists' statements, exhibition lists, press releases, printed material, and photographs of artwork. There is extensive correspondence with Richard M. Allen, James W. Johnson, Bruce Melamid, and Earl and Suzanne Staley.

Correspondence consists of a mix of professional and personal letters between Tucker and artists, business colleagues, and friends. Correspondence relating to the founding of the New Museum includes draft versions of the mission statement. Among the notable correspondents are: Louise Bourgeois, Joan Brown, Howardena Pindell, Markus Raetz, Joan Snyder, and Idelle Weber. Project files reflect Marcia Tucker's activities as an educator, writer, and advocate for women's role in the arts.

Photographs include an inscribed photograph to Marcia Tucker from Raymond Lark.
Arrangement note:
The collection is organized into 5 series. The papers are arranged by material type and chronologically thereafter.

Missing Title

Series 1: Artists' Files, 1976-1994 (Boxes 1-2; 1.3 linear feet)

Series 2: Correspondence, 1976-1994 (Box 2; 0.6 linear feet)

Series 3: Project Files, 1973-1990 (Boxes 2-3; 0.15 linear feet)

Series 4: Printed Material, 1984-1994 (Box 3; 0.15 linear feet)

Series 5: Photographs, 1985-1994 (Box 3: 0.2 linear feet)
Biographical/Historical note:
Curator and museum director Marcia Tucker (1940-2006) lived and worked in New York.

In 1961, Marcia Tucker received her Bachelor of Arts from Connecticut College. She then went on to earn a Masters of Art from New York University's Institute of Fine Arts in 1965. In 1969, Tucker became curator of Painting and Sculpture at the Whitney Museum of American Art. Influenced by the political ferment of the 1960s, Marcia Tucker directed her curatorial efforts to organizing exhibitions that reflected the political and social currents of the day. An early exhibit that she co-curated with James Monte, "Anti-Illusion: Procedures/Materials," was one of the first major exhibitions dedicated to Process Art or Post Minimalism. She curated major surveys for the work of Lee Krasner, Joan Mitchell, Bruce Nauman, Richard Tuttle, and Jack Tworkov. Some of Marcia Tucker's curatorial choices were critically received by colleagues and others in the artistic community. In 1977, she left the Whitney Museum to take on the role of founding director at the New Museum of Contemporary Art in New York. At the time, the New Museum was one of the few experimental centers for contemporary and emerging artists working in graphic arts, video, and film, serving as a venue for artists outside the mainstream, gay artists, and members of radical Hispanic and feminist groups. During her tenure at the New Museum, Tucker directed a number of major exhibitions, such as "Bad Girls," 1994; "A Labor of Love," 1996; "The Times of Our Lives," 1999, among others.

Marcia Tucker's interests extended to writing and teaching. She was the series editor for the New Museum's Documentary Sources in Contemporary Art. Tucker was also a freelance art critic; her criticism appeared in such publications as Art in America, Artforum, and ArtNews. Tucker also taught and lectured at academic institutions and art schools, including the School of Visual Arts, Bard Center for Curatorial Studies, Cornell University, and Colgate University.

In 1999, Marcia Tucker left her post as Director of the New Museum, though she continued to be engaged in the contemporary art scene. In recognition of her innovative practices as a curator, Tucker received a number of awards, including the Skowhegan Governors Award for Lifetime Services to the Arts, 1988; Bard College Award for Curatorial Achievement and the Art Table Award for Distinguished Service to the Visual Arts, 2000. She was also the recipient of three Yaddo fellowships from 2003-2005.

In 2006, Tucker died in Santa Barbara, California. She is survived by her husband, Dean McNeill, an artist and their daughter, Ruby Tucker.
Related Archival Materials note:
Also found in the Archives of American Art is an oral history interview with Marcia Tucker conducted by Paul Cummings, August 11-September 8, 1978.
Provenance:
The collection was donated by Marcia Tucker to the Archives of American Art in 2000.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Museum directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Women museum curators  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Photographs
Citation:
Marcia Tucker papers, 1973-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tuckmarc
See more items in:
Marcia Tucker papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw921ac0b35-ea2b-417a-b063-0e12bb7fa068
EDAN-URL:
ead_collection:sova-aaa-tuckmarc
Online Media:

Ned Rifkin conversation with Gary Falk

Creator:
Rifkin, Ned  Search this
Falk, Gary M., 1954-1986  Search this
Subject:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1984 December 5
Topic:
Assemblage artists  Search this
Painters  Search this
Record number:
(DSI-AAA)19619
See more items in:
Ned Rifkin conversation with Gary Falk, 1984
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19619

Marcia Tucker papers, 1973-1994

Creator:
Tucker, Marcia, 1940-2006  Search this
Subject:
Melamid, Bruce  Search this
Johnson, James W.  Search this
Brown, Joan  Search this
Bourgeois, Louise  Search this
Allen, Richard  Search this
Weber, Idelle  Search this
Staley, Earl  Search this
Staley, Suzanne  Search this
Ratz, Markus  Search this
Snyder, Joan  Search this
Pindell, Howardena  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Photographs
Topic:
Museum directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Women museum curators  Search this
Women educators  Search this
Women authors  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)6317
(DSI-AAA_SIRISBib)224631
AAA_collcode_tuckmarc
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224631
Online Media:

David Ireland Papers, circa 1910s-circa 2009, bulk 1960-2005

Creator:
Ireland, David Kenneth, 1930-2009  Search this
Subject:
Tingle, Alta  Search this
Marion, Paul  Search this
Lienhard, Marie-Louise  Search this
Lee, Margie  Search this
Grobart, Jeffrey  Search this
Coppola, Eleanor  Search this
Skowhegan School of Painting and Sculpture  Search this
Mattress Factory  Search this
Washington State Arts Commission  Search this
Gallery Paule Anglim  Search this
Center for the Arts at Yerba Buena Gardens  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Arts Club of Chicago  Search this
American Academy in Rome  Search this
Stanford University  Search this
Walker Art Center  Search this
Helmhaus Zürich  Search this
San Francisco Art Institute  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Museum of Modern Art  Search this
Western Washington University  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Record number:
(DSI-AAA_CollID)15853
(DSI-AAA_SIRISBib)292739
AAA_collcode_ireldavi
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292739
Online Media:

A labor of love : [brochure] Chelo Amezcua ... [et al.] : January 20-April 14, 1996

Author:
Tucker, Marcia  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
1 folded sheet
Type:
Exhibitions
Place:
United States
Date:
1996
[1996]
20th century
Topic:
Handicraft--History  Search this
Outsider art--Exhibitions  Search this
Art, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_829677

Dancing at the Louvre : Faith Ringgold's French collection and other story quilts / Dan Cameron ... [et al.]

Title:
Faith Ringgold's French collection and other story quilts
Author:
Cameron, Dan  Search this
Akron Art Museum  Search this
Baltimore Museum of Art  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Ringgold, Faith  Search this
Physical description:
ix, 167 p. : ill. (some col.) ; 27 cm
Type:
Exhibitions
Date:
1998
C1998
Topic:
African American quilts  Search this
Call number:
N40.1.R5823 C3 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_530822

A labor of love : an exhibition / organized by Marcia Tucker

Author:
Tucker, Marcia  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
95 p. : ill. (1 col.) ; 20 cm
Type:
Exhibitions
Place:
United States
Date:
1996
C1996
20th century
Topic:
Art, Modern  Search this
Handicraft--History  Search this
Call number:
N6487.N4 N475 1996X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_511454

From receiver to remote control : the TV set / conceived and organized by Matthew Geller ; [edited and produced by Matthew Geller and Reese Williams]

Author:
Geller, Matthew 1954-  Search this
Williams, Reese  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
143 p. : ill. ; 29 cm
Type:
Exhibitions
Place:
United States
Date:
1990
C1990
Topic:
Television broadcasting--Social aspects  Search this
Television--Receivers and reception  Search this
Television--Psychological aspects  Search this
Call number:
PN1992.6 .F93 1990
PN1992.6.F93 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_408764

John Akomfrah signs of empire curated by Massimiliano Gioni and Gary Carrion-Murayari ; edited by Thea Ballard with Dana Kopel

Title:
Signs of empire
Artist:
Akomfrah, John  Search this
Curator:
Gioni, Massimiliano  Search this
Carrion-Murayari, Gary  Search this
Editor:
Ballard, Thea  Search this
Kopel, Dana  Search this
Author:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
125 pages illustrations (chiefly color) 28 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Criticism, interpretation, etc
Catalogues d'exposition
Place:
New York (State)
New York
New York (État)
Date:
2018
Topic:
Video installations (Art)  Search this
Postcolonialism and the arts  Search this
Artists, Black  Search this
Installations vidéo (Art)  Search this
Postcolonialisme et arts  Search this
Artistes noirs  Search this
20.30 history of art: general  Search this
ART--General  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1115518

Lubaina Himid : work from underneath / edited by Natalie Bell

Title:
Work from underneath
Himid
Author:
Himid, Lubaina 1954- Works Selections  Search this
Interviewee:
Himid, Lubaina 1954-  Search this
Interviewer:
Bell, Natalie  Search this
Host institution:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Himid, Lubaina 1954-  Search this
Himid, Lubaina 1954-  Search this
Physical description:
175 pages : illustrations (chiefly color) ; 25 cm
Type:
Exhibitions
Interviews
Exhibition catalogs
Place:
England
Date:
2019
21st century
Topic:
Women artists, Black  Search this
Artists, Black  Search this
Painting, British  Search this
Art, Black  Search this
Blacks in art  Search this
Art and Design  Search this
Call number:
ND497.H576 A4 2019
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1112729

David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927567772-c71f-4f30-a427-adbd535e1009
EDAN-URL:
ead_collection:sova-aaa-ireldavi

New Museum of Contemporary Art (New York, N.Y.) [Folder]

Additional name:
New Museum  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
New York (N.Y.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_100759

Doris Salcedo / [essays by Dan Cameron and Charles Merewether]

Title:
Unland/Doris Salcedo
Author:
Salcedo, Doris 1958-  Search this
Cameron, Dan  Search this
Merewether, Charles  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Site Santa Fe (Gallery)  Search this
Subject:
Salcedo, Doris 1958- Exhibitions  Search this
Physical description:
79 p. : col. ill. ; 30 cm
Type:
Exhibitions
Place:
Colombia
Date:
1998
C1998
Topic:
Art--Political aspects  Search this
Call number:
N40.1.S153 N4 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_568288

Hans Haacke, unfinished business / essays by Rosalyn Deutsche ... [et al.] ; edited by Brian Wallis

Author:
Haacke, Hans 1936-  Search this
Deutsche, Rosalyn  Search this
Wallis, Brian 1953-  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Haacke, Hans 1936- Exhibitions  Search this
Physical description:
303 p. : ill. ; 24 cm
Type:
Exhibitions
Place:
Germany (West)
Date:
1986
C1986
Topic:
Conceptual art  Search this
Call number:
N40.1.H112 H2
N40.1.H112H2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_328560

Cadences : icon and abstraction in context : February 16 through April 7, 1991 / organized by Gary Sangster

Author:
Sangster, Garry  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
1 folded sheet : ill. ; 25 cm
Type:
Exhibitions
Date:
1991
C1991
Topic:
Art, Abstract  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_816600

Adrian Piper, a retrospective / Maurice Berger ; with contributions by Jean Fisher ... [et al.]

Author:
Piper, Adrian 1948-  Search this
Berger, Maurice 1956-  Search this
Fisher, Jean 1942--  Search this
University of Maryland, Baltimore County Fine Arts Gallery  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Piper, Adrian 1948-  Search this
Physical description:
219 p. : ill. (some col.) ; 31 cm
Type:
Books
Exhibitions
Date:
1999
Call number:
N40.1.P6536 B4 1999
N6537.P5 A4 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_590045

Wim Delvoye : cloaca

Title:
Cloaca
Author:
Delvoye, Wim 1965-  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Subject:
Delvoye, Wim 1965- Cloaca  Search this
Physical description:
148 pages : color illustrations ; 30 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2001
Call number:
N6973.D45 A4 2001b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1090632

The keeper / edited by Massimiliano Gioni and Natalie Bell; with texts by Ed Atkins, Wilson Bentley, Robert H. Boyle, Massimiliano Gioni, Ydessa Hendeles, Orhan Pamuk, Loretta Pettway, Zofia Rydet, Harry Smith and John Cohen, and Marguerite Yourcenar

Editor:
Gioni, Massimiliano  Search this
Bell, Natalie  Search this
Writer of text:
Atkins, Ed  Search this
Author:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
287 pages : illustrations (some color) ; 24 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2016
21st century
Topic:
Art  Search this
Collectors and collecting  Search this
Art objects--Collectors and collecting  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1091957

Golub / Lynn Gumpert, Ned Rifkin

Author:
Gumpert, Lynn  Search this
Rifkin, Ned  Search this
Golub, Leon 1922-2004  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Corcoran Gallery of Art  Search this
Subject:
Golub, Leon 1922-2004  Search this
Physical description:
95 p. : ill. (some col.) ; 21 x 23 cm
Type:
Books
Exhibitions
Date:
1984
C1984
Call number:
N40.1.G6143 G9 1984
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395433

The New Museum of Contemporary Art : 1989 twelfth anniversary

Subject:
New Museum of Contemporary Art (New York, N.Y.)  Search this
Physical description:
36, [24] p. : ill. ; 26 cm
Type:
Exhibitions
Date:
1989
C1989
20th century
Topic:
Art, Modern  Search this
Call number:
N620.N2A6.1989
Data Source:
Smithsonian Libraries
EDAN-URL:
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